#Jason coming back to Bruce in every new comic and saying the same ‘I tried it your way. or sucks�� thing is so silly because

[jasontoddenthusiastt]

The New Titans #55 (1989)

Batman (2010-) #641

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Red Hood and the Outlaws (2016-) #6

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Batman and Red Hood (2011-) #20

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Batman (2016-) #138

They sure do bAT&Tman. They sure as hell do.

Yet Jason never thought this way about you.

[alcorianight]

I did not realize this got so long, so rambly word vomit under the cut

I do think more attention should be paid to the absolute horror Jason must have felt after coming out of the Lazarus pit like a foot taller and built like a damn fridge.

Like he died at 15, tiny, still small due to malnutrition and then the leading theory is that the Lazarus pit cures that and beefed him up. For one, that's gotta mess with his motor control a ton, especially when you consider that normal growth spurts cause a period of clumsiness (think jarring steps, toe stubbing, knocking your elbow on doorknobs or whatever), so a total body overhaul -Lazarus Edition™ - might be enough to keep him from even walking properly, let alone fight skillfully and gracefully.

Even if you say he got his coordination back from training or comic book science meant the pits didn't fuck that up, being small was probably a major part of his identity. Consider Jason before Bruce. He was tiny, but still resourceful and strong enough to jack tires. But being tiny was useful. Being tiny meant more hiding spaces were available. It meant he was unassuming. It meant people's eyes skipped over him. It meant avoiding attention. It meant safety.

And sure, Jason probably complained about being small when he was Robin. Probably even dreamed of being big as a street kid because being big meant having power, but being big on the streets meant being noticed and he knew that. It was something to dream about when he was older but not what he needed then.

I've also seen people headcanon that Jason is claustrophobic from the coffin, and I kinda vibe with that, and being bigger also screws with that because things feel so much bigger when you're small. If you think about it, elevators and the like probably felt a lot more spacious when you were a kid. So not only has his body been drastically changed without his consent (and I haven't really touched on that here, but also consider how it has to affect Jason Todd (who champions consent and autonomy and personal safety of the little guy) to have experienced nonconsensual body modification first hand like that) but it can actively cause him more mental distress.

And I think, coming out of the pit, the memory of his death still fresh in his mind, and stuck in the League of Assassins, maybe being small would have been comforting. He could still access all the same hiding places he would immediately clock. And while the image of a big man hiding somewhere clearly too small for him might be funny, it's also heart wrenching because he's lost so many safe places in a single moment.

Of course when Jason does go back to Gotham he's learned to use his new body and the fact that it makes him intimidating as hell, but I think there's another negative there as well. Because as Robin he comforted people. No Robin is ever soft but they are all almost definitely better at comforting victims than Batman (maybe not Damian, but he's a baby which is simultaneously more and less comforting) and a big part of that is because they're kids. Kids just aren't as intimidating as giant ass adults and I can imagine that this probably messed with Jason when he first got back to Gotham and tried to talk to the street kids or the working girls because those are groups of people who are going to be suspicious of men built like a goddamn fridge. He can't come up to them like he did as Robin, and I'm sure over time he's won their trust and they find him a symbol of safety, but the first few interactions have to hit hard because it feels like he doesn't belong in a place that's been his first home. That somehow he no longer fits right where he always did before.

I also can't imagine how disconcerting it must be to not recognize your reflection for like every part of yourself. Like, this one time I had makeup done for an event (not my idea) and it was so heavy that I didn't recognize myself and I felt so uncomfortable with that and that was just my face. My hair, my height, my build - all of that was still familiar, comfortable, but can you imagine being unable to recognize even that? And if he avoids mirrors to avoid seeing his reflection, he might not even be able to recognize himself in pictures and videos. (There's a fanfic with this idea and it definitely inspires this post because I honestly never considered this before and I thought it was so well written and such a good point that we don't pay enough attention to. You should totally check it out if you got this far.)

The last point I have for this post has to do with his relationship with Bruce. So typical timeline (I think) for Jason is he dies at 15, crawls out of his grave about 6 months later, is catatonic for 3 years, and then spends a year mentally present training with the League of Assassins on his world tour or whatever. I am fuzzy on the details here but basically from his birthday, Jason can't be older than 19-20 when he comes back to Gotham (I think 19 is the accepted age) but mentally he's 16 and for some fucking reason DC artists like to draw him like he's over 30. THIS IS A PROBLEM! Like this is an extremely fucked up 16 year old kid that should be trapped in a 19 year old's body but instead it's so much worse because (and I've seen someone describe him like this before) he's actually trapped inside the body of a 35 year old divorcee AND THAT IS NOT OKAY! Like even if we're gonna say that the Lazarus pit alters the body to peak physical health that would be like 22 or some shit. Past 30 is not a physical prime. You can be fit for sure at 30 but that doesn't change the fact that your ability to build muscle and heal and whatever else are probably better in your early to mid 20s and hey guess what that's still younger than Dick's accepted age (or maybe about the same (I have stayed up too late writing this to keep proper track of numbers)). But Jason looks older than Dick more often than not (the Gotham Knights game will never be forgiven for whatever the fuck happened to Jay's character design).

Okay sorry for the sidetrack, but Jason looking older is gonna fuck with Bruce because Bruce is gonna have a real hard time seeing his tiny, malnourished, never gonna top 5'4 Jaylad in this giant hulk of a figure, especially when the age is so off. Like imagine you have a kid who goes to college and does a ton of internships or research so you don't really see them for 4 years, you're still gonna expect your kid to look like they're 22-23. If they look like they're 35 you sure as hell are not gonna pinpoint that as your kid. So Bruce sees Jason and it makes sense that he doesn't think that's his kid BECAUSE THAT DOESN'T LOOK LIKE HIS KID! (I'm ignoring the moral differences in this post) So Bruce doesn't see a kid when he looks at Jason but Jason is mentally 16 and, despite everything he says to the contrary, he sees his dad when he looks at Bruce. Jason doesn't see an equal, someone who is just another adult. This is his dad, an authority figure in his life, someone whos opinions and words hold power over him whether he wants them to or not. But Bruce can't see that. Because Bruce doesn't see a kid. He doesn't see his son. He sees an equal and that's tragic because you're always supposed to be your parents' baby. Even when you're 50 with your own family and nearly adult kids, you're still gonna be your parents little baby. Because parents see their kids at all the ages they've ever been and it's the fact that Jason doesn't have someone who looks at him and sees him how he was when he was 2 and 7 and 10 and 13 and 15 when he still feels 16 that makes this so sad. Because no one's been his parent for long enough to really build that and Bruce can't see Robin!Jason in the Jason that came back.

Wow, uh, I'm really sorry to anyone who reads this. This really got away from me and it's super unorganized and I just kinda word vomitted all over this. This was just supposed to be about how his body was different. How did Bruce end up in this?

[tarta-de-limon]

not a request but can u do a post explaining the bat family?? (i’m new here and just know batman and robin lol) 😭

OH MY GOSH, it took me so long to reply to this, at this point you might as well know more than me LMAO.

To be honest Idk either💀 I started in the fandom because I saw a clip of the DC animated universe of Damian. And if I like the voice of a character I just love them already. Happened with HXH, with Killua, with Hunter and Luz, from the owl house, with Scaramouche, from Genshin impact.

Then I started reading all the comics Damian appeared, then I started reading Wayne Family adventures and I discovered Jason and Cass and Steph and—

Whatever I say here might be wrong because I'm not really into every member of the Bat-family, just in a couple of them. Literally just a couple of them.

So, there's Bruce Wayne, he lost his parents because they went to the movies and, for some reason, his parents decided to go home walking through a dark alley. Great choice. Anyways, he's Batman, everyone knows him and everyone knows Alfred, his butler

Then there's Dick Grayson! Circus boy, saw his parents die and became the first Robin! I really like the idea of him being angry asf, but I don't know if that's canon so, idk. Turns out he's involved with the Court of Owls and—yeah, i Don't really understand much either. I remember that the circus he grew up kind of, raised Talons, a group of highly trained assassins loyal to the Court of Owls (ty google). But then Bruce found him before the court did, so he became Robin. The court of Owls still wants him...at least that's the last thing I read in comics/don't trust me because I have horrible memory.

Something about a bunch of kids saying they're Robin, and a war against the court, Damian betraying the family, sike! He's still a good person, but he has a mask and has explosives, or something like that, and so Damian keeps living Dick accepted to work with the court and—

I don't remember how that ended. Actually I'm sorry I just spoiled you like, a whole comic, sorry not sorry.

Uh, let's keep going.

Then there's Jason! Pretty baby Jason! Second robin, used to be a stray kid, Bruce took him in when he tried to steak his wires, and he discovers that his mother isn't his real mother and the joker tricks him an—AND HE DIES, HE EXPLODES.

Then he revives, six months later, because...superboy? Superman? I can't remember anymore, hits...reality? And well, he comes back to life. To be honest, I don't remember how this goes. There's a version where he does and Talia brings him back. Then he goes all cray-cray and turns in the red hood.

But-then there's this thing with superboy prime, and I remember something about him getting hit by a truck...but I don't remember if that was canon or fanon or from a fanfic... Yeah, just, just know that in both cases he ends up in the Lazarus Pit and goes all crazy. Have you seen his suit in batman and Robin, when Damian is Robin for the first time?

THAT'S HIM, LMAO.

And to be honest? I did a drawing of him with braided hair like Ana from Frozen because;

REDHEAD, BABY!

AND there's Tim Drake. Jason's mad at him because he sees him as his replacement/at first. He kinda... blackmailed Bruce??? And to be honest, that's all I know. Yup, I'm not a big Tim Fan, nothing against him, of course!

Then there's Steph!... And I don't know anything about her either! Next! Nah, she's the daughter of...a villain, I think? Then she dies while being Robin...she didn't actually die, she was alive all along...then she's Batgirl, then she's spoiler... And that's it. Yeah, I love Steph but I haven't read anything about her. Same with... Cass, and Thomas. Yup. Bat-family's #1 fan right here y'all. Cass was raised to be weapon, and that's literally, literally all I know about her.

...

She's Chinese???? And, uh...She likes pancakes.

Thomas, I think he appeared in Robin war(the whole comic I just spoiled you) but that's all I know about him. that, and what appears In Wayne Family adventures lmao.

AND THEN, THEN THERE'S MY BABY BOY, PRECIOUS DAMIAN WAYNE. Raise to be a weapon, in the League of Assassins, son of the Bat and Talia Al Ghul, Grandson of the demon head!!!(tell me u have a favorite without telling me you have a favorite) he's the one I'm ALWAYS drawing.

In the DC animated universe he's send away after the League is attacked. I don't know if there's a new version in the comics, but he actually earned the right to meet his Father after beating his mother in a fight! I LOOOVE the fact that in the DCAU they kept the; I thought you'd be taller, father. FANGIRL MOMENT, BEHOLD.

He literally just wants to impress his father. That's the whole reason why he's grumpy and aggressive when they meet! Bruce treats him like a nuisance and he literally trained so hard to meet him! Damian hates being patronized, literally. This baby bat is Tim drake #1 hater at first. He beats his ass!

Thing is, well, things get complicated and Bruce is lost in time or something like that, so Dick is Batman and that's why Dick and Damian have such a strong bond!

And well, there's a lot of things to explain about this character...I really want to say everything about him but this is too long already lmao.

Well, that's all I think! I'm pretty sure this didn't help you at all, but hey, I had fun rambling! Thank you so much for asking and I'm so sorry this is all useless rambling lmao

Lots of love and have a great day or night! Yk what, have a great day, month and year! Have a great life! 🫵🫵🫵🫵

[scorpionyx9621]

When someone asks me if there ever is going to be a good Red Hood comic where he's just as capable and deadly as everyone dreams he can be.

I get that everyone yearns for a capable and deadly Red Hood. Everyone fawns over the Jason Todd who brought Gotham's crime scene to its knees in the matter of like a week in Under the Red Hood. I'm not here to say wanting that kind of comic is wrong because it isn't, I'm just saying Jason Todd has changed as a character. He's not the same character he was when he was brought back to life back in 2005.

If I wanted to stan a criminal mastermind who rules Gotham's underworld and strikes fear in the heart of criminals I'd just be a Joker kinnie. I'm being 100% serious. Why should I or anyone even bother with Jason Todd who by the definition of what everyone likes about him so much when I can get all of the same things from The Joker minus the daddy issues.

What? Don't believe me? Let's compare shall we?

Both Jason Todd and Joker are murderers

Both use guns

Both use other various weapons to kill people

Both have pretty sizable criminal followings

Both are obsessed with Batman

Both have come back from the dead

Both came from bad home lives (supposedly with Joker we aren't certain because they re-write his canon more than they do Jason's)

Both have their canons re-written by DC just about every new comic they're in.

Both have beared the title Red Hood

Both have a unique hair coloration/pattern

Both get enjoyment out of hurting/torturing people.

Both have used crowbars as weapons

Both have tried on numerous occasions to hurt not only Batman but a multitude of Robins.

Both have engaged in elaborate plots to try to get Batman to notice/fight them. Multiple times.

Both are considered capable killers who are very smart.

I can keep going. I really can. It's not hard to compare these two. Literally the only things separating Jason Todd from The Joker at this point are the fact that Jason is a conventionally attractive 6-foot tall, muscular white man and that Jason has in recent comics turned around and accepted his spot as a member of the Bat Family*.

It really goes to show that, maybe, just maybe, writers like Judd Winnick intentionally made Jason Todd take on the mantle of The Red Hood, Joker's original persona as a villain, and gave him a literal grocery list of similarities as a means to emphasize his villain-like behavior to serve as an in-between for Batman and The Joker. And this isn't even an original idea. Many times comics have made the comparison between Jason and The Joker. Three Jokers, DC Comics Truth and Justice, Death of The Family, just to name a few.

So again, you ask, since you went through all the lengths to compare the two, why don't you just go off in your corner and be a Joker kinnie? Well my friend, it's simple. I don't like the Joker. He's so oversaturated in the DC comics market and DC seems to have finally figured at least that part out. Jason Todd is an anti-hero who teeters between Knight in Sour Armor and Jerkass Woobie at best and falls into shades of Moral Sociopathy at worst (particularly under Winnick's penmanship) But Jason Todd is not The Joker. It's outright blasphemy to compare the two in most circles, but Jason Todd is a very compelling, albeit underdeveloped character.

It doesn't help that we have basically a decade of development for Jason Todd under Sc*tt L*bd*ll that we as a fandom have collectively decided to disregard. And rightfully so. Mostly because RHATO and RH:O was a discombobulated mess of a story with a lot of very cool and neat ideas that were in no way practical or truly even relevant to Jason Todd. L*bd*ll tried to make Jason into this self-insert of a 'bad boy seeking redemption' which really had no narrative follow-through because one issue you'll have Bruce and Jason chilling on top of a hill stop Gotham eating cheeseburgers discussing how Bruce trusts Jason with Bizarro more than he does with Lex Luthor. And then not 10 issues later Bruce is literally beating Jason to within an inch of his life. Jason even regarded how he thought Bruce didn't even hit the Joker that hard.

All of this is to say that we really don't have a truly good narrative for Jason that isn't him literally cosplaying as The Joker and causing chaos in Gotham in Under the Red Hood, a freshly out of the dip Jason Todd thrown into the world after being dead for who knows how long training to become the world's deadliest assassin all whilst killing countless people and sleeping with Talia,

We've been gyped of a good Red Hood narrative for going on two decades now. And truth be told I don't know if we're ever going to get a good story for Jason Todd on par with Dick Grayson and Nightwing. They've fumbled the ball with his initial characterization in his first redemption under L*bd*ll that I don't know if we'll ever get a truly satisfying narrative for Red Hood as an anti-hero. For now he's literally just a murderer who Bruce let's come with him on investigations and stuff who badmouths him at best to a 'regretable' punching bag at worse.

When you compare Jason to characters like say Frank Castle as The Punisher, whom despite being co-oped by the American alt-right, is a much more compelling character with a better narrative because Frank Castle knows what he is, and he isn't trying to be a hero like Jason.

With say Harley Quinn, we've had about a decades-worth of comics showing us Harley realizing that Joker has been abusing her. We've gotten to watch Harley try and fail many times at trying to turn her life around and do the right thing. To now after years of trying to and succeeding in doing the right thing, Harley Quinn is now a member of the Bat Family (in like some weird-off in the corner way)

This long-winded post can be finalized by saying I don't get why everyone is so obsessed with wanting Jason Todd who is 'deadly and competent'. If I wanted foil to Batman who is all deadly and a criminal mastermind I'd just follow The Joker. To me saying you only liked Jason from Under the Red Hood and think every subsequent title he's appeared in is OOC is like saying you like a cover-band of Journey better than Journey because you don't like Journey.

Jason Todd is a very compelling, interesting, and likeable character despite DC Comics bombing literally every title he's been in since 2010. He's a great character who is as fascinating as he is lovable. He needs a serious re-branding because while he is a great and complex character, DC needs to show us and not tell us how he's growing. However at the end of the day no one is going to be entirely happy with how he's portrayed and that's fine. You aren't wrong for wanting the Jason Todd of y'old. That's just not my cuppa tea. I just want a good, 4-part story by Wayne Family Adventures of Bruce and Jason finally beginning to work through their 800lbs of USDA prime-grade beef between the two of them in that fun cartoonish aesthetic because man, Bruce and Jason in WFA are both so pretty.. also WFA is the only comic that seemingly 70-80% of the fandom is at least okay with because it's kitschy and tumblr-baity but at least Bruce isn't hitting his freaking kids.

[bigskydreaming]

Hi, I was reading your post about Jason punching Dick in the face when Dick revealed he fake his death was bullshit ( which it was) and it reminded me of an issue/question that has bothered me for sometime.

Why did people believe Dick was actually dead?

I’m not the most avid comic reader so maybe I missed something but it was always weird to me that everyone just accepted this especially given how Bruce was acting or should I say wasn’t acting.

This is a man when his child died another child had to come along and told him sir you are being too violent and emotional you need supervision. When his other child died he went all over the universe to bring him back to life because he knew it was possible ( which was happening at the same time), so why didn’t anyone think it was weird he wasn’t doing that for Dick. Can you imagine Dick really dying that soon after Damian it would be injustice Batman Version. You are telling me that Tim, Jason or Barbara didn’t think it was weird that Bruce didn’t also bring Dick’s corpse to the bring Damian back to life mission or mention it to themselves. Like what more likely Dick dead and Bruce is handling it well or that he fake his death to do something stupid and Dangerous after his partner/brother/ little bit my son the feelings are complicated died after he was knocked out and woke up to his corpse.

Oh man, this is like, the entire nature of my beef?

(Slight derail just to emphasize the fact real quick that Dick DID actually die, he was just revived quickly, but like, the trauma of his death was very real and its not like anyone was clued into Luthor having a resurrection backdoor built into his literal murder of Dick in the actual moment of it happening. So Dick’s death wasn’t fake, and additionally, he didn’t have anything to do with like, telling people about it, because he was literally comatose in the cave and recovering while Bruce was telling people....by the time Dick woke up in the cave, we already know that Alfred at least had already been convinced by Bruce that Dick was dead, so I have a kneejerk need to pushback against the Dick faked his death narrative by reminding people wherever possible that Dick had no agency in the spreading of that narrative. 

It happened without him being involved, and the only actual contribution he ever made to it was just not revealing he was alive before Grayson #12, after Bruce like.....emotionally, mentally and physically badgered him into accepting that doing so would be directly harmful to his family and he didn’t want to be the reason more people died when like, people had just died because he ‘let’ himself be captured and interrogated by Power Woman’s Lasso of Submission, did he?

SORRY TO BE PEDANTIC, just wanted to start this off on a clarification, even though I know the aim of your ask was very much in tune with the rest of my response. A lot of people don’t read the actual comics, so like, I’m never gonna skip over an opportunity to emphasize that the shorthand people use to refer to Dick’s death and the year he was with Spyral, is like, literally just shorthand for describing it. Its not actually an accurate description of how all that went down and who had the most hand in it).

BUT ANYWAY. BACK TO THE MEAT OF THE BEEF.

Okay so like, not only was the entire family and Bruce himself giving Dick shit for his death and Spyral, like, PAINFULLY egregious because it was literal victim blaming in every possible sense of the word....

None of it made a LICK of sense with ANY of their characterizations, and they ONLY all accepted it on face value because the Plot Demanded It, and when you're like, no, as a reader I say The Plot Demanded It is not a good enough reason for me to be like well sure, that makes sense......looking at the characters ACTUAL actions at face value pretty much just makes them all look like assholes?

Like, Tim has never gracefully accepted anyone's death. Ever. This is core characterization for him. He will go to the ends of the earth for his loved ones and to bring them back, prove they're not dead, refuse to let death be the final verdict for them. He was tempted to use the Lazarus Pit to bring his parents back to life. He refused to accept Bruce was dead long before he had any proof whatsoever of that theory. He tried to clone his BFF/future-husband Kon in his fucking basement like, dude was two whole inches away from going Full Dark Side in his quest to bring back a lost loved one no matter WHAT the cost.....and then you've got Dick unmasked onscreen, killed offscreen, and Bruce then reporting to the rest of them with zero inflection 'oh Dick's dead now. Its very sad' and Tim's just like, sure. Sounds legit.

I mean?!?!

And you're SO RIGHT ABOUT THE DAMIAN THING! Bruce LITERALLY LITERALLY LITERALLY went BEYOND the ends of the Earth, like, he full on chartered a fucking space ship to fly his whole family out to APOKOLIPS to bring Damian back from the dead by going to EXTREME lengths.....WHILE everyone else thought Dick was dead....

And not a single person looked at Bruce and was like, okay, not that we're not down to do this for Damian because we miss Stabby Smurf something fierce ourselves, but.....what the fuck is UP with you dude? Why aren't you displaying ANY hint of this same kind of energy in regards to your eldest son that you said you watched die right in front of you?

Like....I don't know that we were actually ever told that Dick's coffin was empty or had a fake in it, but like....this family of detectives who refuse to accept death, defy death, COME BACK FROM THE DEAD....not a single one of them said like, okay, if I'm gonna like, ACCEPT accept that Dick is dead and gone for good, I need to at least just see him one last time? That's literally all it would have taken for someone to realize hey something's a little wonky here. Where's the dead body, Pops?

Since when has Jason ever missed an opportunity to prove Bruce is a) full of shit, b) acting like an emotionless robot and all his kids deserve better especially when they've just like....died, c) just factually incorrect and wrong and jumped to a conclusion before it was conclusively proved, d) lying like a liar or e) all of the above?

Nobody even ASKED if Dick's body could be put in a Lazarus Pit? Yeah, Jason wouldn't necessarily recommend it himself, given what it put him through, but actually fuck that, I take that back, because I'm NOT actually of the opinion that Jason full on hates his life and actively spends every second of every day wishing he hadn't been resurrected, even if it had come with a huge buffet of additional trauma and pain.

And that's kinda what's implied when people just take it for granted that he would never be on board with any scenario involving using a Lazarus Pit to bring Dick back, because it suggests that based even just on his own experiences and feelings, he honestly believes Dick would prefer being dead and not have ANY further opportunities to be with his loved ones, his friends, help save the damn world again at some future point.....that Jason, projecting based just off himself, legit feels Dick would rather be dead than have another shot at life even WITH the downsides of Lazarus Pit usage? Nope. Sorry, I don't buy it.

Speaking of not buying it.....you know what was missing from all those soliloquies the others monologued at Dick about how they felt and were hurt and just devastated by his death, to such a point they can't seem to muster a single shred of happiness that he's NOT dead still -

(seriously, Damian was the ONLY person in ALL THE LANDS OF EMOTION-HAVING who expressed ANY kind of positive reaction to having Dick back. We were so fucking cheated of like.....ANY opportunity to have the characters show just how much they valued him by just being fucking HAPPY he was alive, no matter what else was involved....and then most of fandom compounded that by for years being like mmmm, no, Dick didn't get yelled at enough by his family for what HE put THEM through. Needs more yelling. More punching too. Bad Dick. Bad. This is the only way you'll learn not to die and get shipped off on a mission that you don't want but at least is to protect your family after being beaten into it by your dad whilst victim blaming you for dying in the first place. WHEN WILL YOU LEARN TO THINK ABOUT OTHER PEOPLE AND THEIR FEELINGS FOR A CHANGE, DICK?!?)

- But like, BUT I DIGRESS aside....you know what was missing from all those monologues about how hard DICK'S death and ensuing year of basically exile from his loved ones was for EVERYONE BUT HIM?

We never got a single line of explanation as to what everyone else officially thinks even happened to him in the first place?

Like, did Bruce straight up just say oh bad news kids, your brother umm. Expired. Spontaneously. There's no one to blame, he just keeled over, its all very sad.

Is that how that went down?

You're telling me that the explanation of Dick's death didn't come with a single pointed finger at someone for this family of blame-happy vigilantes to like, BLAME for the loss of this brother they all mourned oh so much, they just couldn't help but blame him for all the hurt it caused them?

The family that in every other fic is like OBSESSED with avenging and being avenged and all things vengeful and even tangentially vengeance-y....like didn't ask for a single detail on whomst the fuck deprived us of our brother-having?

Where were the attempts on Luthor's life by Jason (who I mean, yeah I know it was in a previous continuity, but erasing that timeline doesn't erase my awareness of the time Dick killed Jason's murderer so like.....mmm, just saying, woulda been nice)....where was the rage directed at the Crime Syndicate and references to how seriously and personally the Batfam took making sure that they were PUNISHED for all this and would never be free to wreak havoc on their world or their family again? What did they tell Damian when he came back to life, and how are you going to tell me that this fraternal little ball of fury didn't aim himself like a cannonball at whomever the fuck had DARED take HIS Batman from him when Damian wasn't around to have his back?

Not only does everyone else's desire to be avenged start falling really flat the second you factor in hey maybe Dick feels "mmm what about MY avenging" sometimes, and why doesn't anyone ever care about doing that for him.....but also, y'know what REALLY sucks about the ONLY person we actually SEE being blamed for Dick's death and ensuing absence being like....Dick himself?

Not only were his family all super keen on making all of this HIS fault and HIM the bad guy because of how it made them all feeeeeeel (and meanwhile fuck his feelings, am I right Batfam hfaklshfklahfkla).....

They somehow found a way to justify prioritizing this OVER ever even getting around to blaming some villain for his death in the FIRST place, in the entire year or so they thought he was still dead!

Like, you couldn't come up with a single target in all that time, but Dick's back two seconds, and you don't even give him a chance to EXPLAIN before you're punching him, shutting him down with 'I expected better from you' and turning away with 'I don't want to hear it, why am I surprised Dick Grayson disappointed me again'?

afshklfhalfhalfhla

Make it make sense!

And like, it won't, cuz it doesn't, and it never will, and like I said at the top, the ONLY reason it all played out this way is because DC doesn't give a fuck about character development and deemed it necessary to go down this way for the sake of the plot (which was totes worth it, I mean, glad we sacrificed characters for this A+ plot which was clearly the greatest plot of all time and definitely justified every story choice made or not made around it loooool).

BUT.

BUT BUT BUT.

The problem isn't JUST that DC is stupid, even though that is an eternal mood and quite the problem.

Its that the SECOND large parts of fandom decided to play along with DC and just accept the story at face value, only add to it and play into it exactly as it happened in canon with no significant deviations, and like, heaping on the LITERAL abuse from Dick's siblings while ignoring the LITERAL abuse from his father....

THAT....is when all of this becomes relevant.

Because the second people decided TO engage with the reasoning DC gave for what Bruce did and how and what Dick did and how and just not mess with any of that and have it all play out exactly like that...

The second people are like, okay we're FINE with not just dismissing this story as OOC writing that doesn't make any sense, and actually VALIDATING it to various degrees by engaging with it as is....

That's when 'OOC writing' stops being an excuse or explanation for alllll of the above gaps in character logic and actions.

Because its like, when you had abundant chance to REJECT this story and say nope, this was bullshit from start to finish and I'm not here for it, when you were just as capable of transforming literally ANY aspect of this story you didn't like into something that made more sense to you....

And you chose not to.

That's.....accepting it as valid writing. You were like, okay, I'm game to just treat this as a thing that happened, just like they said that happened.

For the chance to give Dick shit for it, see. For the angst, see.

And that's when I'm like okay cool, so when engaging with this story as is and accepting it on face value and just delving into the characters as they were SHOWN interacting with and around these events......for the angst or whatever....

You guys just all decided en masse to just hop, skip and jump over allllllllll the opportunities for angst inherent in examining even ANY SINGLE ONE of the above lapses in judgment or hypocrisy on the parts of the characters (who don't get to be excused by OOC writing if you're not going to call the story an example of OOC writing, whoops).

And its just like, uh, what's up with that?

[dailyjasontodd]

hi:) kinda random question but what are your opinions titans hbo?

i personally enjoy it and it’s what got me into this fandom and everything. i know it’s different from actual canon (though from what i understand dc ‘canon’ is messed up as it is), especially in regards to s3 jason coming back and all that, however, i feel like it’s good on it’s own?

disclaimer: i’ve never really read one of the comics, my knowledge comes purely from too many fanfics and random wiki pages and info

hi ! so ... if you've been following us a while you may have noticed we don't ... really post/reblog titans content on this blog anymore and that's because we don't like their portrayal of jason. we were hopeful at first but then things just.. kept going downhill.

we have answered asks like this before, jules' opinion here and kesh's here. and it's safe to say i (lena) feel the same way about it, tho these were answered before season 3 came out so,, let me get into that in the .. nicest way i can manage lol

first of all, they should've never tried to do red hood in the first place. ever. this is supposed to be a show about the titans, but in season 3 they managed to make it entirely about ... batman related things (even tho they said this was going to be kory's season, which is a whole different can of worms)

and it's not that it's different from canon that's the problem, it's that it's ... nothing like canon at all. they made jason unrecognizable. the way they chose to make him red hood made absolutely no goddamn sense and went against everything that's been established about his character in the comics.

even his death on the show, they completely stripped it off of any context and nuance. it was nothing. just jason being reckless and not listening to bruce, when in the original story the reason why jason went to face the joker alone was because he wanted to save his mother, who had just betrayed him. it was about his empathy and capacity to care about a mother who didn't give a shit about him. the show made it about recklessness and stupidity, another cautionary tale. they managed to take one of the worst stories ever written and make it even worse.

then, bruce going off the rails and killing the joker (which ... anyway) should've immediately rendered red hood obsolete. there is No Reason for red hood to exist if the joker is dead and if bruce killed him. that was the whole point! jason became red hood as a fuck you to bruce and joker, as the joker was the first person to use the red hood moniker. it was a mockery. everything jason did in under the red hood, he did because he was traumatized and hurt and wanted his father to prove that he loved him enough to get rid of the person who murdered him.

instead the show did ... none of this. none of what makes jason's story good. none of the emotional impact. they took away talia al ghul, who played a big part in jason coming back and was an important figure to him and instead ... had scarecrow bring him back so he could,, use him against the titans ? scarecrow was the one who came up with red hood, gave jason his new costume, just like that. jason was stripped completely off all agency and choice in his own story and was instead made into scarecrow's goon. and he went with it because what ,,? because the titans were a little mean to him ? none of this was about him.

then everything they had jason do as red hood was ... horrifying. having him manufacture, take and distribute drugs? jason? who's mother died of an overdose, an extremely traumatic experience he went through as a child? having him kill innocent people, including one of his former teammates? is inconceivable. jason has never been about hurting innocent people. he has a moral code, even if it's different from batman's. he feels his purpose is to protect no matter the cost, even if it means killing bad people. so they don't end up hurting anyone ever again.

tl;dr: they stripped jason off of everything that makes him jason, erased every important aspect of his story, every nuance, and replaced it with "angry brat kills people now" and not even of his own volition he's just being used by a supervillain. and i think that's completely disrespectful to jason's character. take away his name and that is basically an oc.

but this is my opinion, and i am in no way trying to like,, shit on people who enjoy the show. u are free to enjoy it as its own thing! but the frustrating thing is that this is so many people's introduction to jason and they just think that this is what he's like when ... he is nothing like that. and this encourages more inaccurate fanon interpretations that make it really frustrating for existing jason fans to navigate fandom. and reading fic and all is fine but, imo, if you want to know jason i recommend at least reading batman: under the red hood!

[remakethestars]

Being Batman’s Daughter Would Include:

Headcanons.

❝Listen, Robin. At their core, people are cowardly and self-serving. Trust no one until you know them. And even then, never completely.❞

— Bruce Wayne, “The Lesson Plan”

TRIGGER WARNING: Plant murder. Mentions of drugs/tranqs (stopping dealers), violence/physical harm, broken bones (knee cap), limb dislocation (shoulder), (Jason’s) death, smoke, waterboarding/drowning?

Headcanon masterlist.

You know how every teenager has that paradigm shift because as much as they love the people around them, they’ll never know the inner workings of your psyche? And they realize they’ll never truly be known? And it makes them feel really lonely?

Yeah, you never come to feel like that because you know Bruce digs so far into everyone around him he probably knows you better than you do.

Honestly, he probably reads your diary. At least, he reads the fake one you hide under your mattress. And the second decoy in the A.C. vent above your dresser.

If you’re as paranoid as Bruce, you probably don’t have a diary, and the aforementioned “decoys” are just to mess with him.

Sun Tzu’s The Art of War was practically your Bible growing up.

You’re torn between giving yourself the tactical advantage of being underestimated & being non-reactive, which — besides giving you the lioness role in the lion–gazelle dynamic — gives you the advantage of having time to think carefully on the repercussions before speaking.

Because, as Sun Tzu said in chapter seven, verse twenty-one, “Ponder and deliberate before you make a move.”

Seeing as Bruce and Damian both have eidetic memories, I’m guessing you do too. 

Which means you totally read the dictionary when you were young and whip our big words nobody’s heard of.

Bruce always assured you it’s okay to be scared. As a matter of fact, like he told Dick (seen in flashbacks in “The Lesson Plan”), he taught you to “Let terror embrace you. The better you know fear, the better you can use it against others.”

And we all know Bruce is the paragon of using fear against people.

Take that, Scarecrow!

(See, I chose that gif because earlier in that move, he displays a fear of bats, & in that scene, he summons them to use as a distraction and walks through them completely unperturbed. No? Okay, I’ll see myself out.)

You started into the vigilante business young, a little bulge under the back of Batman’s cape that made the rest of the Justice League in the meeting think Bruce was host to an alien parasite until your little mask-covered eyes poked up over his shoulder.

The League’s known you since you were young, so they kind of all see you as their niece. That just quadruples the amount of people who are overprotective of you.

Eventually, in your tweens, you think enough’s enough and start out on your own — being underestimated may be an advantage, but it’s getting ridiculous — and you tackle unsolved cases.

You set up various safe houses around the world for your own disposal (using the zeta tubes) and anyone who sees the inside of one in an emergency is always surprised. You don’t really understand why; what serious vigilante doesn’t have secure, state-of-the-art safe locations scattered across the planet?

Sometimes, it gets you into danger, but you always get yourself out of it. If there ever comes a time you can’t, well, you’ve got a direct link to Batman, and if communications fail, you can always yell for your Uncle Clark at the top of your lungs.

If the latter ever comes to fruition, you ask Bruce if he’s disappointed you had to call for back-up or that you called Superman instead of Batman, and he says, “It takes a strong person to admit when they’re weak, [Y/N]; if anything, I’m proud of you. Besides … you’re not the only one who yells for Uncle Clark when they get in over their head.”

Your training entailed hacking and mechanics, so you like to fix computers and sell them on the internet Hugh Jeffreys style. It started out with Macs from the dumpster behind Gotham Academy and turned into a surprising side hustle. Large portions of your profits go into either savings or funding your extracurricular activities. 

You’re using a MacBook that’s running Linux and an iPhone 4 that’s running your own program. 

At some point, your phone falls into the wrong hands, and someone asks why it has such high security. You deadpan and say, “I have three older brothers.” No further explanation required.

One such solo case led you to a ring of drug dealers working in a small town outside of Gotham. You made some tranquillizers and heavy-duty smoke bombs and busted out your shinobi-iri training.

After sliding on a mask covering the bottom half of your face that filtered out smoke, you set all of the bombs off at once in the ventilation system, filling the building and using the infrared in your domino mask to sedate everyone before the cops arrived so no one got hurt (because there would inevitably be a firefight if the cops got involved).

You never go into a situation expecting to go hand-to-hand with someone; you always have a plan to take our your targets quickly an efficiently.

One night, when you’re working on a cold case in Gotham, you stumble across some intel that Poison Ivy’s been stockpiling chemicals and is going to wipe out all human life on Earth.

Luckily for you, Bruce’s paranoia is hereditary; you just happen to carry some white kryptonite in your belt, so you won’t have to go all the way back to the cave to obtain some.

You type out a quick debrief on your wrist computer in case you end up needing to send out an S.O.S., pop on your bottom mask to filter out spores or pheromones she might send in your direction, and bust out your shinobi-iri training again.

Of course, you try the peaceful approach, explaining to Ivy that you agree with her on the tree-hugger front to build rapport (T.B.F., who doesn’t?), but it comes to physical confrontation. You kill every vine that comes your way with a quick punch from your kryptonite ring, toss an expanding polyurethane foam bomb (see Batgirl #38) at her feet, and manage to get an inhibitor collar on her.

Gordon takes her away, and by the next morning, it’s on the news.

“You took down Ivy by yourself?” Bruce asks when you come down for breakfast.

“… Yeah,” you say after a moment, expecting a tongue-lashing.

“Are you hurt?”

“No. She didn’t get a hit in. And before you ask, I had a contingency set up in case things went sideways.”

“… Good job.”

Your dad has the article framed in the batcave, which is the bat-equivalent of having your drawing on the fridge or getting a sticker back on a test.

You’re fighting a grin for the rest of the day.

It bugs you you can’t tell anyone why you’re so happy, so you visit Dick in Blüdhaven while he’s on patrol and give him a play-by-play. You even get a hair-ruffle!

Deathstroke targets you at some point. One of Batman and Nightwing’s worst villains, and he targets you because he knows they love you. You’re the smallest bat at the time, the weakest; he thinks you’ll be the easiest to take.

Boy, was he wrong.

He was trained by the League of Assassins, so you know dropping a smoke bomb’s not going to give you cover (and his mask probably has infrared). His brain processes faster than yours, so tricking him is improbable. He’s probably done enough research on you to know you favor foam bombs and has fast enough reflexes to dodge before they go off.

And he’s jammed your comms so you can’t call for backup. You’re worried he’s got kryptonite on him and will hurt Superman if you call for help.

It’s just you and him.

He has enhanced stamina, so he tries to wear you out. You maintain distance to avoid taking damage and wearing faster.

You always admired Tim for his ability to plan ahead (see, like, the entirety of the Red Robin comics). He doesn’t know how he does it; he just does. He can’t really teach you, so you just watch and learn.

You realize your fight with Slade is just a matter of managing the distance and immobilizing him, so you strike. You duck behind a pillar or grab onto a railing or something and shoot him through the thigh with your grappling gun, reeling him in. He, of course, draws his sword or a knife to cut the line, but you’re already throwing high-density expanding polyurethane bombs.

And, just like that, you’ve single-handedly taken Deathstroke.

It sends a clear message to the rest of the Gotham villains, Blüdhaven’s villains, the League of Assassins — don’t mess with the bat’s little girl. She can hold her own.

Now it’s time for you to come up with another plan to take him down; you doubt the same method will work twice, and you’ve just made a very powerful enemy.

As Wonder Woman’s said, “Do not mistake a desire to avoid violence for an inability to deal with it.” You might go into most situations with a plan to take down your opponent already in motion, but when it comes to an all-out brawl, you’re perfectly capable and don’t pull your punches.

You’re working on an unsolved case in Blüdhaven (Dick’s got enough on his plate) when you get an S.O.S. from the aforementioned along with the feed and recording from his mask. You listen to the mission briefing while you ride back to the cave and then the audio from the Young Justice mission. They got jumped by the League of Shadows in an abandoned factory, and Talia’s trying to coerce Damian into joining the League or whatever.

The usual dropping some smoke bombs and tranqing everyone isn’t going to work on thirty armed League assassins who were trained to fight blind, so you load up on polyurethane foam bombs and call Jason and Cassandra.

The three of you take out the guards outside before splitting up and taking either end of the building (Cass stays with you). You meet in the middle, in the room the team’s being held in.

You highjacked the speakers, so they’re blasting AC/DC’s “Shoot to Thrill” upon Jason’s insistence. You wanted Zayde Wølf or Alice Cooper’s “Hey, Stoopid,” but big brothers will be big brothers.

Jason pops them with rubber bullets from above to slow them down for you while Cass demolishes them and you drop foam bombs, slinging your signature custom shuriken, bonk them over the head with Tim’s staff you picked up along the way, dislocate their arms, or shatter their kneecaps. 

You and Jason get a couple slices from swords that got a little too close, but it’s nothing compared to what you’ve had before. 

When the fighting’s done and the building’s quiet, the team’s, like, “Who the heck are you guys?” 

And Dick’s, like, 😏 “They’re our siblings.” 

Speaking of siblings, you’re older than Damian, and as such, you take upon yourself the honor of teaching him all things pop-culture.

“I have a lot of amazing older siblings. I want to be a good big sister.”

First things first, you give him one of your refurbished e-waste phones and take him to Target to pick out an OtterBox or a LifeProof case or something that’ll keep it safe in the pocket of a vigilante.

Vigilantes are always coming to you when their phone’s broken anyway; you’ve got a stack of spares you’ve repaired.

Then you help him set up a Spotify account (follow me at @remakethestars 😉) and try to help him find his rhythm.

Poor child’s never had Oreos before, so you drag a pack of Double Stuffs out of the cabinet and a glass of milk and show him the best milk-dunking method you know.

You think about handing him a cookie and telling him to waterboard it until the bubbles stop coming up, but cookie-dunking is something every kid does; it’s sacred, and you don’t want him to associate it with violence.

You show him how you and Alfred feed the bats in the batcave.

And you show him Vine compilations and your favorite shows and movies and as many classics as you can, and you put up with him pointing out the inaccuracies and calling them stupid.

Every time he doesn’t get a reference, you write it down so you know what to show him later.

If anything ever happens to you, Damian finds your list and makes it his personal mission to watch/read everything on it. It makes him feel close to you.

You build a relationship with him that’s similar to his and Dick’s, and he comes to you with things he might not be able to come to anyone else with.

Plus, since you live in the manor still and he doesn’t want Bruce to think less of him, it’s you he comes to after a nightmare.

If you know Alfred has pictures of him curled up in your side, you ask him to send them to you. Not for blackmail purposes; just to have.

You’d never use the need of comfort or the sharing of emotions against him because (A) it’s perpetuating toxic masculinity and (B) you don’t want him to think it’s wrong or confirm any of the stupid “strength” things the League of Shadows taught him.

You gave him a stuffed cat that looks like Alfred (the cat, not the butler) with some of your perfume spritzed on it. He verbalized his revulsion when you gave it to him, but on nights he has a bad dream and you’re not home, it brings him comfort.

Titus comes to get you when Damian’s upset. 

Even when he’s not with Damian, he seems to know. Pets are like that.

You’ve learned to trust Titus’s instincts. Damian thinks it’s suspicious when he’s feeling down and you just happen to call.

You never realized it until a long time later, but Ace was acting weird the day Jason came back from the dead.

And he was acting weird the day Jason came back to Gotham too. He ran to the door and began barking. Alfred swept security, but nothing seemed to be off. The whole family was on edge that day.

You were the reason Jason knew he wasn’t completely forgotten; he spotted you through a café window, and you were wearing his jacket.

Visit my headcanon masterlist.

[stxleslyds]

MY THOUGHTS ON TITANS’ RED HOOD,

BEFORE WATCHING THE LAST EPISODE.

I will start by saying that I haven’t been able to watch the show, these are my thoughts after reading a very well-written and detailed review of the last episode. The review is also written by someone that enjoys the show, this is important because my thoughts don’t align with theirs.

I understand that Titans is known for being garbage, I know their writing is messed up, and I had no hope whatsoever for them to actually write a good Jason Todd/Red Hood story. I would also like to make clear that this post is in no way hate towards the actor playing Jason, this post is just my thoughts on Jason’s characterization.

What I really don’t like is these shows/movies taking the names of loved characters and making an “original character” out of them. Yes, there are different takes of the character and you can build their story differently but I do feel that what they did with Jason is beyond all that. They twisted every concept from his origin and his story, nothing really fits, but someway, somehow, they still managed to push all the wrong narratives when it comes to Robin Jason.

Two of the most horrible narratives that DC has decided to push are “Robin Jason was reckless and a troubled kid that never did what he was told” and “Jason Todd is to blame for his death”.

The show does push the one where Jason is reckless. Jason is consumed by fear, and Bruce Wayne pays attention to that but he doesn’t only do that, he also offers comfort and help, he tries to make Robin Jason go to therapy.

This is huge, they build up the perfect scenario for Jason to not become the Red Hood. But for some reason, they decided to make Jason reckless and too eager to prove that he didn��t need that kind of help. And then they didn’t help Jason’s case because they wrote their Bruce as a caring father that does not want to see his son get hurt or end up dead.

This Bruce Wayne is doing everything that comics Bruce Wayne didn’t. This Bruce cares, so once more, one would think that this Jason wouldn’t become the Red Hood. But, surprise! Jason Todd doesn’t take well the news of him not being able to be Robin anymore.

Here is the thing, if you were Bruce in this situation, would you let this Jason continue to be Robin when he is a danger to himself? I know I wouldn’t.

Here is where Titans’ terrible writing reaches its peak. They have a vulnerable and reckless Jason try to prove that he can still be Robin by working on *something* that can take his fears away. Jason Todd wants to make a drug, let that one sink in.

Jason Todd wants to make something that is basically a drug. Did Titans really erase the fact that Jason’s mother overdosed? Because that’s one of the most important things in Jason’s life and that built up his hate for drugs and what they do to people. His mother was in an abusive relationship and that led her to do drugs and later led her to her own death.

This might not sound too important to other people but to me, it’s something that has always been important to Jason’s character before and after his death.

Going back to the actual show, Jason goes to Scarecrow, willingly, and asks him to make him a drug that will make him don’t feel fear. I know that this Jason is vulnerable and that he probably thinks that therapy isn’t working for him, but why on earth would Jason think that making Scarecrow make a drug for him would be a good idea?

How does that make sense? The show is basically telling us that Jason had a support system and that he was going to therapy because Bruce wouldn’t want to lose his SON. Why does this show go far and beyond to make Jason look reckless and dumb?

This is not me comparing Comics Jason to Titans Jason anymore, this is me finding Titans’ logic unnecessarily stupid, they really went out of their way to write pure stupidity.

Why would they write Bruce as a caring father and as actively working so Jason can be in a better mental state so he won’t lose him as his son if they are also going to write Jason as an incredibly reckless man? Are we supposed to be on Bruce’s side? Because as of now, Bruce is the only one with brain cells.

There is absolutely no way to compare that to comics because in comics Bruce neglected Jason’s needs and refused to see that Jason had different morals even back then, and that neglect was key in Jason jumping onto the idea that he needed someone that he could call family and actually care for him. He wanted love and attention from a parental figure because he didn’t feel like he had one. Robin wasn’t everything that Jason was, he was also a kid with normal needs.

So, you build that completely different and actually give Jason the support that he also wanted in the show but for some reason, he is fiercely attached to Robin even though his fear comes from the fact that he almost died for being Robin. There is no logic to this Jason’s actions and that isn’t on Jason it's on the writers’ incredibly garbage writing. It is like they come up with ten different ideas and they put all of them but none of them are actually solid and well-developed concepts.

And you can’t tell me to get over it because “Titans has always had bad writing, there were two seasons of bad writing”. Listen, if you are happy to consume media that is badly written then that’s on you, Jason is one of my favorite characters, I don’t want him to be written badly just because that’s the show’s style. And there is absolutely nothing wrong with me wanting writers to actually care about the characters they are writing for, all three seasons have had different writers, is it really so far-fetched for me to want one of these people to write something that makes sense?

Jason's death was tragic in both comics and the show, and he was a victim in both of them, yes. But the show really pushes the limits of that, Jason wanted to take something to make him not fear, he looked for Scarecrow (not Dr. Jonathan Crane, Scarecrow, and he was an already established villain) to make him this drug when he couldn’t make it himself. He trusted Scarecrow (for some weird reason) and then as a test he went to fight Joker? It’s tragic because it ended with Jason dying but it's also tragic because the writing is just bad. It just is, and that is a problem for me.

From then on, we have the “big connection” to comics, the Lazarus Pit! Wow, you guys did it, yeah, everyone loves the Lazarus Pit, every time I think about Jason, I only think about that one time in which he was thrown in a Lazarus Pit to recover his mental injuries or all of his injuries after he came back from the dead.

This Jason has no training, there is no Talia, no League of Assassins, no Ducra or All-Castle, there is only Scarecrow and his new puppet, the Red Hood.

It changes everything and I don’t like it. Once again, I understand and know the concept of the multiverse, the various earths, and the Elseworlds, but that doesn’t mean that I have to like this take on Jason Todd/Red Hood along with its horrendous writing.

I don’t have to like it, just like I understand that others do like it because it is their first contact with the character or because they are fine, as fans of the character, with a new take. I am not gatekeeping Jason Todd or Red Hood; I am just saying that my being angry at this version and absolutely hating it is just as valid as liking this version of Jason.

Red Hood in Titans is just Scarecrow’s puppet, that’s how things are, and I just think that it is too big of a change from the original reasons for Jason to become Red Hood. And I will never get tired of saying this, Red Hood wasn’t only all about the Joker killing him and Batman not killing the Joker. The Red Hood was Jason’s way to make things work, to prove to Bruce that Batman wasn’t enough for Gotham. Red Hood came back to Gotham to stop bad people from introducing children to drugs and to make Gotham’s people feel safe.

He thought that Red Hood was the better version of Batman for Gotham and its people.

But I am not blind, I can see how Titans can twist it again to give us Red Hood as a protector of children and Gotham in general. I can see the “I used to do drugs and now I will fight so no other person goes through the same”, I see it and I am aware of it but it does also bring me to my other problem with Titans and DC in general: story swapping.

Story Swapping is something that DC loves to do, they thrive when they make change people’s origins for others and when they take character traits from one character to another.

And Titans’ Jason Todd is just that, he has characteristics and plot concepts from Dick Grayson and if what I just predicted happens then he will have some of Roy Harper's characteristics. And that is exactly what Lobdell did, but somehow, they managed to get different results. I cannot praise Titans for giving us a new Red Hood origin because they made his characterization with the help of other character’s origins and/or stories.

This is the first time that we see a live-action Jason Todd/Red Hood, was it really that hard to just stick to his origins as both Robin and Red Hood? There is so much to explore from Jason, there is so much between his death and him becoming Red Hood, from both before and after New 52.

Jason becoming Red Hood under the influence of Scarecrow in moths is lazy, bland and an insult to Jason’s character. They could have done things by the book and then explore things that we have never seen before in a show or movie.

Jason has had so much training outside of Gotham, why did Titans think that they could do acceptable work at bringing this amazingly complex character in a show that has nothing to do with him.

They could have had him killed in the Titans show and then wait and make a Red Hood show to actually tell a good story. What is Jason Todd doing in a show that is called Titans? Where are the Titans? They chose the most recognizable Titans’ line-up and they are not using it. They butchered Garth and Donna and for what?

DC gets away way too much with selling their stupid shows and movies by telling us that x character will appear but then when you watch the thing for that x character, they are nowhere to be seen. That’s exactly what they did with Cassandra Cain and what they are doing with Red Hood.

I don’t know how this tv show is doing, I only know that as a non-American that pays the same money for an HBO Max subscription, I don’t get to see any Titans content, not even a miserable trailer.

But I know that if non-comic readers are watching it, they will love it and if they actually were to start reading comics because of the show, then they wouldn’t find that Jason there. So, either that leads to Jason’s characterization being messed up even more within comics or it does nothing for Jason or comics.

To end this post, I just want to bring up the animated movie Batman: Under the Red Hood (2010).

That movie was widely praised and loved by critics, comic readers, and non-comic readers. It was fantastic, the story was amazing (even though it had differences with the comic, one might say that the differences improved the story), the voice acting was phenomenal, everything was done beautifully. Do you know what made it that way? The writing.

And you know who wrote the animated movie? The same person who wrote the comic the movie is based on, Judd Winick.

With that I am not saying that Titans should have had Judd write for them, what I am saying is that given the fact that they are using a pre-existing character they should chat with the Red Hood’s creator or even the writer that wrote for him for ten years after the character came back to comics.

This show obviously didn’t do that though, they preferred to write Jason Todd/Red Hood as if he were a Titans original character, but the thing is, from where I see it Titans didn’t give us an OC, they gave us an OOC.

-

So, to sum it all up, I hate Titans’ version of Jason Todd/Red Hood, I think that it is not only badly written but there is also no real logic to what they are trying to do so far. I am also tired of their bad and lazy writing in general. And I would have liked the Titans’ writers to actually respect the Red Hood lore because if they had I would have actually been excited about a Red Hood spin-off show.

Using the material that is available to you isn’t a crime, building from that material is the best thing that they could have done, but all they really wanted to do was use Red Hood’s name to get more money from a dying show.

It makes the show look cheap and actually not interested in giving us good stories, and no, I wasn’t expecting Captain America: The Winter Soldier levels of good writing or good changes to a very loved story/characters, I was actually expecting some Lobdell writing level and the way I see it we ended up getting something worse.

These are all my opinions. You can like, love, or dislike this version of Jason and the show as much as you want but you won’t find any form of love towards the show in this blog, at least not right now.

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MY THOUGHTS ON TITANS’ RED HOOD,

AFTER WATCHING THE LAST EPISODE.

Well, I will start this part by saying: Sorry. I am sorry that I believed that Titans’ Red Hood was bad, it is actually worse than bad.

I was so wrong on many things, that review really made me think that things weren’t that bad but I still hated what I read. Now that I have watched the episode because I wanted this post to be extra honest and to stop myself from saying stupid stuff, I can also say that I hated what I watched.

This show really validates the two most horrible narratives that DC has been pushing for Jason: “he was a reckless Robin that didn’t think about his actions” and “he was to blame for his own death”

Jason Todd wasn’t a victim of Scarecrow, this Jason Todd took every single bad decision that he could, and those decisions led him to his death. No sympathy for this man.

Also, this Jason is like 19? He doesn’t look younger than that, but that’s not the point, what I am trying to point out is that this Robin is extremely underprepared, he lacks training and the mental capacity to stop acting like an edge lord every time he opens his mouth. He is annoying.

And I was wrong about Titans erasing the plotline of Jason’s mother dying of an overdose, she did die that way and this Jason spoke of her as if he hated her. What is going on? This Jason really doesn’t make me feel an ounce of sympathy for him. This attitude of “no one understands my pain” when everybody is trying to help you doesn’t make you look cool or anything of the sort, it makes you look annoying.

It is even worse because this Jason is so immature and reckless that he made his friend Molly (that is just a normal teen with no training) go after a thug with him, while he was not mentally well. He made that decision for them and put himself and her in danger. If that scene had gone any other way, then Jason could have been guilty of getting his friend injured or killed.

Jason Todd is so incredibly dumb; he is not a child but he acts like one every step of the way.

Nothing makes sense in his whole ass interaction with Bruce in front of the theatre, it’s like Jason refuses to listen to what Bruce tells him, well not that he refuses to listen it is more like a “Telefono descompuesto” I don’t know if you guys have that game but you basically have to tell something in someone’s ear and then the person repeats what they understood to the next and so on, what you said is heavily distorted by the end of the game. In this scene that is exactly what happens but it’s between two people.

When Jason accuses Bruce of not taking away Robin from Dick, Bruce says something along the lines of “I learned from my mistakes” and Jason says “so, I am a mistake now?”. Jason, use your ears, if Bruce says that he learned from his mistakes when talking about Dick, then his mistake was what he did with Dick. The writing is so bad, it's actually painful and it is even worse because the acting is bad, but I can’t blame the actors, it must really be hard to make a scene work when the writing is that bad. (Also, the unnecessary pauses, and the sounds that they play after they say something stupid, it is too funny).

Do you know what made me cringe? When they were having the chat in the theatre, in my mind all I could hear was “if you are nothing without the suit then you shouldn’t have it”, not me quoting Tony Stark in my head! I haven’t even watched that movie! But it fits perfectly for that scene.

The interaction with Scarecrow was more than dumb, if Jason was already acting like a child, now, he is basically acting like a toddler. Scarecrow saw right through him in seconds and just as fast decided that he was going to have fun with his new toy. He gave him a formula that wasn’t quite correct even though it looked like he knew exactly how to make the reverse version of his fear gas. This Jason has zero detective or survival skills but we already knew that when he made himself get captured and tortured by Deathstroke.

Anyway, all the interactions with Scarecrow were allowed to happen because this Jason can’t put two and two together. He convinces himself that everyone is out to get him, dude, Bruce is a detective and he also has eyes, Leslie didn’t tell him anything. If I were Bruce, you wouldn’t be able to be Robin anymore either.

I understand that Jason is not in a good mental place and that he wants to make his fears go away, but he had support, people around him were trying to get him help, trying to make him understand that he was hurting himself. His over-the-top anger and recklessness are unjustified when you refuse to take the help that is being offered to you.

He made terrible decisions for selfish purposes and that got him killed.

This is one of the last things I want to say, Scarecrow either didn’t need Jason at all to get out of Arkham or the writers made an oopsie because at the end of the episode he had someone helping him put Jason in the Lazarus Pit and then he was out of Arkham and he had a suit ready for Jason and everything. How did he manage all that? No idea.

The Lazarus Pit, yeah, I am sorry to be that person but the Pit can’t bring back people from the dead, it can only restore or heal physical and mental injuries (however grave they were), but Lobdell messed that one up already and Titans really didn’t have time to write a single good scene so what was I expecting?

Anyway, the last thing I wanted to say is that I know why Jason or Red Hood seems to not be affected by the drug when he sees Molly at the end of the episode, it is because the executive producer of the show is Geoff Johns! He loves making Jason fall for girls and get all mushy and dumb, do you guys remember how dumb he got when he left with Rose?

Jason being written as the kind of guy that acts like a love-sick puppy with a girl but also screams at her when he gets mad is peak Geoff Johns. So, if you were wondering where that came from, well, there it is.

Yeah, that is all I had to say, honestly if you have read this whole post then you are one strong individual, I am sorry I put you through all my thinking and rambling. You didn’t really deserve that.

I didn’t want to delete the first part of the post because I talked about so much more than the show and my thoughts before watching the episode still stand. I hope this post isn’t too confusing. As always you can think the complete opposite of me about the show or anything, I am just writing my thoughts.

Having said all that, I hope all of you, Titans’ lovers, haters, and people that simply do not care, have a wonderful week!

[ectonurites]

hey! how knowledgeable are you on stephanie brown? because i got in a bit of an argument with a dc fan on reddit who claims she's all these awful things, but im still relatively new to steph and i want to see what was true and what wasn't. link to screenie right here: https://ibb.co/vh6CYCJ

these may be matters of opinion, but even then, i'd like to know your take. i haven't read her firsthand often enough and i trust your judgement over this random redditor who seems to have some sort of blonde-woman related trauma left untapped.

I'm not necessarily the most knowledgable on her in the world, but I do know a decent amount because she's one of my absolute faves and I love her

But ohhhh boy that screenshot is a lot.

I will say that several of the things this person brings up are based in canon but are taken in the worst faith and framed in the way that makes her look as bad as possible, if that makes sense? It’s ripping things away from any context, because there's a very clear bias against her here.

I'll go through it point by point under the cut

First of all though before digging into this, I want to make it clear she was a 15 year old for the majority of the things this person is talking about. Like just pause for a second and remember she’s a 15 year old victim of abuse. That is something that I think factors into a lot of her behavior! Anyways, I kinda while doing this got into a ranty 'talking at you' format in response to the person who wrote all that, so don't take any of this as me yelling at you who asked the question/you anyone reading this.

"She always acted entitled" - Saying Steph is entitled is absolutely ridiculous to me. Stephanie grew up with a very unstable childhood due to her dad frequently being in prison and her mom dealing with a drug addiction, living in a lower class part of the city. Tim is entitled. I don’t mean that as like a bad thing about him, but he is based on his living situation, she is not. She has wanted life to be better for herself and her mom, and is determined about that, but she is not and does not act entitled.

(Secret Origins 80 Page Giant)

"and stubborn" - I will give you stubborn though, that one is true. She’s stubborn as hell! I don’t really see that as a bad thing though, pretty much every bat is stubborn?

"demanding that Batman and Robin accept her untrained ass" - Steph may have been untrained in fighting but she's shown to have exceptional gymnastics skills from the start, and at one point Bruce even says that with the right training she could be as good if not better than Tim (in Robin #88)! So like... her realizing she enjoys trying to be a hero after she tried it out to deal with her personal business, so she looks to the local experts… and is determined about it… how is that a bad thing? It’s also not like she walked up to them and said ‘im perfect as i am let me in’ what she wanted was a chance to be a hero. But she also wasn't even really looking for approval, either, not having Batman's blessing was never going to stop her. ("So excuse me if I don't jump when you bark, Batman." in Robin #16) Later when Bruce does bring her in to train (and she also gets to train with the BoP) she's excited! She’s stubborn about wanting to be in the hero business, but it’s not like she’s unwilling to work for it.

"advocating leaving criminals to die because they 'deserve it'" - She’s a 15 year old who grew up knowing firsthand how dangerous Gotham criminals can be because of her dad, of course off the bat when they’re in a dangerous situation where any of them could die (because that’s the context here, this is in Robin #35 where they’re trapped in some super dangerous snow) she thinks they shouldn’t go back for another criminal who just tried to kill them and should instead save themselves. But she also literally WITHIN THAT SAME ISSUE then says she realized she learned something after listening to Tim and trying to save the guy! In the same issue! Characters in a story aren’t supposed to be perfect from the start… they learn things along the way???

(Robin #35)

"trying to steal from the shops they just stopped from being burglarized" - She’s 15 and doesn’t have a ton of money. She was gonna take two sodas, and when Tim said not to do it she paid with very little fuss. They stopped people who were robbing the place at gunpoint for prescription drugs. If you can’t understand the difference in severity between those things like… I do not even know where to start. (this situation is in Robin #56 btw)

"forcing physical affection onto Tim despite his visible discomfort and repeated objections (not even stopping when he told her he had a girlfriend)" - This one I will give you because she did cross boundaries with all that! But I do also want to clarify that she didn't start coming onto him until after Tim kissed her first (in Robin #5) while not telling her he had a girlfriend. That doesn’t excuse her later actions but for the first issue that she’s coming onto him from her perspective he expressed interest and she was just returning it! She even specifically says 'Maybe I should pay you back for saving my life the same way you paid me' (in Robin #16) before kissing him. That first time she kissed him unprompted was under essentially the same circumstances he kissed her unprompted, and she literally did not know about Ariana until after the fact. From that point once she knew about Ari she definitely should have backed off and she didn’t, that’s a very fair thing to criticize about her as a character. But Tim lead her on first, and I feel a lot of people like to casually forget that when talking about this situation. The way this is phrased of ‘not even stopping when he told her-‘ implies she was repeatedly doing the bad behavior before he told her, which is not the case. She still did bad things here but don’t misrepresent the situation.

"And lashing out at Tim, her mother, and her classmates in violent fits of anger" - Every comic book character lashes out at other people for the sake of drama like, I dare you to come up with a well-known superhero character who hasn’t done shit like that to a partner/family/friends in a moment of high tension/stress?

"She treated the girls around her like they were stupid bitches" - frankly this ones a little too vague like, I'm not sure off the top of my head exactly what they're talking about? in that era right around her pregnancy and stuff I really don't recall her being mean with other girls? I could be forgetting something I guess but the closest I can think of is a bit after this period of time when she has the confrontation with Greta in Young Justice but that was Greta attacking her first, not the other way around.

"got insanely jealous if Tim so much as expressed concern about another girl" - Steph getting jealous and thinking Tim was cheating isn’t that crazy when STEPHANIE BASICALLY WAS THE OTHER GIRL DURING TIM’S LAST RELATIONSHIP? Tim has cheated a little bit before! Tim cheated on Ari with both Jubilee from Marvel (during a crossover thing where he even mentions Ari specifically so it’s not like this was out of continuity/a setting she wasn't an issue or something) and also with Steph. While most of the kissing between them was Steph coming onto Tim which I wouldn’t count as cheating on his end, he did still kiss her which I would count. Not to mention that the jealousy thing (I imagine they’re talking about the instance with Star, the girl who taught Tim to skateboard, this arc of stuff starts in Robin #80 and continues for a few issues) is happening during the time she’s dating him while she still doesn’t even know his real name. He literally has a whole other life she doesn’t know about, and is someone who has initiated romantic moments with other girls while in a relationship multiple times before! With that in mind I don’t think a 16 (she's def 16 by this point) year old girl being kinda paranoid about how he interacts with girls he might know in his civilian life is that unreasonable? The later big instance with jealousy is the Darla situation- where Steph sees Darla kiss him and gets mad about it (and doesn’t talk to him about it) and thats what prompts her to become Robin. The important thing to remember about Steph in this time frame is that DC decided she had to die and they wanted to make her Robin first to drum up more attention for that death. They were doing ooc things with her to set those pieces in motion, and that needs to be taken into account. I think her getting upset about seeing something like that isn’t even ooc, but her using it as motivation to become Robin and not even saying anything to him about it is. In the earlier instance where she’s upset/jealous about Star, she does communicate to him what’s going on at least a little bit on the rooftop after they’d saved her. She makes it clear the thing she was upset about is that she feels like she can’t trust him because she doesn’t really know him while he knows everything about her, and that’s why she thinks he’s cheating. Her reaction to the Darla thing is not in line with how earlier in canon Steph would have handled the same situation, because they wanted her to die and needed a way to explain her becoming Robin.

"and expressed that jealousy by accusing him of cheating and throwing things at him" - I just addressed the cheating stuff but the throwing things was fucking slapstick oh my god this is a comic book for kids/teens like. ah yes this is horrible abuse in this little funny montage of how Steph wants him to leave her alone because she’s mad at him and he refuses to give her space

(Robin #82)

I don’t think anyone at DC or even in fandom would/should try to argue she’s perfect, because she’s not! And I don’t want her to be because perfect characters are boring. Steph is flawed, Steph has been compared in canon to Robin-era Jason by Cass & Bruce

(Detective Comics #790)

And I think these highlight some of her very real flaws that are an interesting part of her character. These plus her stubbornness and determination are part of what makes her her.

And for fuck's sake the world was mean to her, and to act like it wasn’t is just blatantly ignoring a lot. A criminal father who made her life really difficult (‘when my dad was mad at me he’d lock me in the closet!’), that time she got kidnapped for two weeks and her mom had left her (a 15 year old) alone at home so long she didn't even find out it happened (in text Steph says Crystal was visiting friends, a lot of people interpret that as her mom possibly being in rehab for her addictions again), that whole thing about how one of her dad’s friends tried to sexually assault her as a child, also just how due to her dad's work sometimes criminals would be living in their house (Literally the fucking Riddler at one point!), the fact that we as an audience watched her get tortured for several days because a plan she tried to enact to prove herself backfired since Batman didn’t trust her with important information (something Selina even calls him out on in her internal narration), like… sorry but in what way is all that not the world being mean to her?

She was Robin, she dated Robin, she likes Eggplant (because purple would've looked stupid), and makes jokes. She’s also impulsive, headstrong and determined, and wants to prove to herself and others that she can be more than just the daughter of a shitty criminal, that she can actually be a force to do good in the world.

She’s a complex character, and nobody is required to like her, but to act like she doesn’t have a single redeeming trait is ridiculous. You could write a paragraph like that with the worst moments of basically any character and make them look like shit if that's what you were setting out to do.

[danny-chase]

Warnings: violence, blood, realism in comics, me mentioning things stans want to ignore to make a point, you don't have to consider them canon, I'm just making a point don't hurt me

Right. Been seeing dialog about Jason's decision to give up guns that i feel is missing a few points.

1. Bruce is traumatized by guns. Yeah he jumps in the line of fire every night but that doesn't mean he isn't scared of/triggered by them:

[Image ID: Oracle!Babs and Robin!Tim roll/walk through the clocktower. Babs: (about guns) Hates them. But doesn't fear them. Tim: Not the way he jumps in the line of fire night after night. Babs: Line of fire... Babs: I was afraid of them for a long time. I'd go faint at the sight of a gun on TV. Tim: You have reasons, Barbara. So does Batman. Babs: But I. worked through them. Babs: Maybe Bruce hasn't. Maybe he's not the rock we thought he was. Tim: He bought a gun as therapy? Babs: Look at the facts. He bought it just like any other citizen. Like he wanted to experience it as someone else would. Tim: I don't think- Computer: Keyword media search alert. Tim: What's that? End ID]

Birds of Prey (1998) #40

Bruce's opposition of guns is partially based in trauma - it's not completely a moral stance or completely logical rule. Jason giving up guns is for himself, but it allows him to be closer to Bruce and for Bruce to be more relaxed in his presence -> can make their relationship closer.

2. [X] weapon isn't even lethal. Getting cut/hurt + no health care = possible death from infection -> shooting a henchman with regular bullets in the foot can be lethal. Or cutting them with a batarang.

[Image ID: A girl walks home getting off the school bus. Girl: "Mama, I know you don't want to hear this, but --" She opens the door to an empty run down house. Girl: "Mama? Mama are you --?" She opens up the bathroom door, revealing her mother sweating and bleeding out on the ground, trying to press a towel to a wound on her side. Her mom is wearing a henchman outfit for the H.I.V.E. Girl: "Mama!" Mom: "Why -- Why are you home so soon?" The girl holds her mom in a sitting position. Girl: "This isn't the flu. You said you had the flu." Mom: "I -- I will be better soon. I just need to rest." Girl: "You need a hospital, mama." Mom: "No. If they find out -- they'll take you away from me. Send me back to Guatemala." The final panel shows a wisp of Ravens cape, the view zoomed out. Girl: "I know you want to protect me, but you need help now -- no matter what happens later." Raven: "Maybe I can help." End ID]

Titans: Titans Together #4

Similarly could ppl stop acting like rubber bullets are non lethal, everything the batfam uses can be lethal and cause scenes like above. Literally none of them can claim moral high ground they've all thrown batarangs in people's faces (off the top of my head, Jason nailed Dick with one in the face in BoC and Bruce got Jason in the neck in UTRH so there's the two characters at odds).

3. Jason/Bruce has never hurt an undeserving person. Jason isn't a mass murderer and you're slandering him. Bruce is the best dad ever you're an idiot for thinking otherwise.

...did you miss the times he tried to kill Tim? Or sprayed Dick with fear gas? Or shot Damian in the chest (not rubber bullets mind you). All of this happened in Battle of the Cowl. He poisoned 82 prisoners indiscriminately in Batman and Robin (2009) #23, went around killing random "thugs" in Brothers in Blood arc of Nightwing. Is it slander if he did it? Idk. If anyone can answer that lmk but everything is canon now so the point is moot.

And let me also say if everythings canon Bruce has also hurt/hit/abused his family (i don't have the specific issue numbers but runs that I've seen bad dad Bruce in are The New Titans, Batgirl (2000), Nightwing (1996), Tom Kings crap, RHATO rebirth, etc. I don't feel like going into detail but if hard pressed i will) don't try to paint me as a Bruce or Jason apologist/hater please

Also literally see the panel above 💀 the mom is an undocumented immigrant from Guatemala with an engineering degree she can't use because the US gov is literally fucking flaming garbage, so she had to take that job to provide for her daughter. Quit thinking extrajudicial murder/vigilantism is a woke take. No. Stop. Bad. Criminals have rights for a reason.

Can you choose to call the above things Jason and Bruce have done ooc and bad writing. Yep. Go ahead, be my guest. Just it's weird to me that ppl always seem to do it for one character and not the other. Like... that's not productive dialogue? And yeah both Jason and Bruce stans do this i just happened to see a post from a Jason stan so he got to be shamed first. If you think i think my fave is wrong, i literally made a post publically shaming him at one point, and wrote an entire fic dedicated to me pointing out why i think characters would hate him the most 🤷‍♀️ if someone read a comic that shows your fave in a bad light don't call them stupid for not liking that character just point them in the right direction and if you don't want to. Don't. Just block them. I'm tired of watching ppl act like their better than each other because they don't consider things canon (unless you stan a minority character and don't consider their racist/sexist writing canon in which case, same, you're the best ppl in this fandom)💀 or referencing fanon as canon and telling ppl to go read more comics 💀

Anyways the takeaways I've come out with are, this debate between the two is more than just morals, they've both wronged each other, and trying to simplify it down into victim and abuser is just - missing nuance and ignoring their full histories in my opinion and kinda just ends up flattening both characters and making both of them less relatable

[why-this-kolaveri-machi]

please. i can’t do this alone.

Titans 3.01

thoughts! thoughts! thoughts! some red hot thoughts!

SPOILERS ahead.

1. one episode in, and this season already looks set to give me everything i want. its abandonment of plot and storytelling conventions as it goes from one point to the next at breakneck speed; its cheerful bastardisation of iconic storylines from the comics; the ‘as-you-know-bob’ clunky exposition on one end and extremely restrained, subtle explorations of complex character dynamics on the other; endless shots of neon bleeding into black and blue corridors, shadows and silhouettes; my delight in seeing it celebrate and deconstruct the dark nolan-y batman aesthetic at the same time; my bafflement that it’s so fucking goddamn obsessed with the batfam when it’s supposed to be about the TITANS; kory just... saving every overburdened, clunky scene that she’s in by her sparkling charisma. just... *chef’s kiss*. muah. my show is back, in all its glory.

MY SHOW IS BACK, Y’ALL!

1.5. i mean... this show is so artful and weird and not afraid to go absolutely bonkers in exploring its characters’ psyche, but can just about barely stage a passable comic book fight when every tom dick and harry and their new streaming services can deliver ones that are far more exciting. i love this show with every atom of my body.

(there’s something to be said about rooting for the underdog as well. a pleasure in finding something to love about what other people dismiss. but! enough navel gazing! i have fictional characters’ navels to look at! metaphorically! and maybe literally!)

2. i expected jason’s death to come about pretty early in the season as soon as i heard rumours that red hood was showing up, but for it to happen in the first five minutes of the first episode... that’s a record. 

(well. “happen.” still don’t know what exactly went down there.)

2.25. GOD. jason is such a tortured and tragic character in this show, used and passed around by people with alleged good intentions, never really fitting in anywhere. he’s veritably bleeding vulnerability and the need to belong, the need to be known, and yet the tragedy is that his death proves that nobody in his life knew anything about him at all; that they only saw the flimsy walls he put up to protect his soft core, and thought that that was all there was. that they say they loved him, but blame him for his own death. 

dick is flabbergasted that jason can read, though we know from last season, from what jason revealed to rose, that he has a love for plays and music. barbara is quick to dismiss his actions as ‘impulsive’. bruce has no idea that his supposed son was building his own little chemistry lab right under his nose, and beyond that, no idea that jason needed structure, stability and validation beyond being left alone in a huge house with a treasure trove of dangerous weapons. kory thought his decision to fight the joker was from not learning and growing when the guy tried to kill himself last season and nobody apart from dick even tried to talk to him about it! did you consider that he might still be suicidal? especially after the titans admitted to having “given up” on him because he was just “too hard”?

2.5. the one thing that’s been consistent across all three seasons (so far) of the show is the unreliable narrator trope. there’s a reason why the characters’ dismissals of jason’s actions as impulsive is so repetitive; why jason’s death is a mystery dick feels compelled to solve. it’s a flailing attempt to know his brother much too late--but with red hood, maybe he gets a second chance, just like he got one with the titans. this is what jason’s arc has been building up to. this is ‘death in the family’ but more fucked up in some ways. it didn’t linger on the death because the death wasn’t the point. the joker isn’t the point. everything that came before it is.

this way it will also make perfect sense that the red hood’s main enemy becomes the titans rather than batman.

2.75. goodness knows what’s going on with jason’s little chemistry project. at first i thought he was immunising himself to joker gas or something, but maybe it’s what passes for lazarus pit juice in this universe? 

anyway, it’s pretty impressive that jason learnt all of that from a college chemistry textbook. STOP BRINGING UP THAT HE READ SOMETHING, DICK--

2.8. i’m glad that dick doesn’t immediately sink into self-loathing and guilt and tries to investigate jason’s death while also acknowledging how he failed him. it’s like he actually learned something from the last two years! 

anyway. more about dick later. 

3. oh how i love titans!bruce. a lot of characters had a lot of Opinions on his reaction to jason’s death in this episode, but again, i ask you to consider that they’re unreliable narrators, and this universe’s bruce is a product of how it shaped him. bruce wayne has become a phantom to himself--an artifice borne out of vigorous discipline and crushing self-denial. 

bruce has been batman for a very long time, and without a robin for much longer. (dick must be... in his early thirties? so he was robin for about, say, 10-12 years according to the timeline of the show. that still makes bruce pretty old when he took on his first robin.) things have... calcified (possibly parts of his brain). the personal cost and the collateral from the mission he’s taken up for most of his life is too much to countenance; it has to be a war, and war requires sacrifice. 

on some level bruce knows that’s a lie. he’s so goddamned alone. what’s he going to do? sit down and cry? who���s going to listen to him now? oh, is he going to just stop being batman? who’s going to stop gotham from consuming herself then? he’ll just have to forge ahead, do better next time, maybe he’ll be firmer with them, or kinder with them, or notice more things, or train them harder, or spend more time--

3.25. don’t get me wrong: titans!bruce is an asshole and a half. his roster of potential robins was honestly bone-chilling. the fact that there’s a twisted root of compassion makes it more disturbing. 

3.5. alfred’s dead! it must’ve been pretty recent, because i could’ve sworn that dick tried to call alfred in the very first episode of season 1, or at least considered calling him... 

what a devastating double-blow for bruce then, losing his father-figure and his, uh.... son-figure so close together.

4. i don’t know about barbara yet. i mean, i like her, but she had so much clunky expository dialogue to deliver this episode, and for an episode that was named after her, she only showed up halfway through it. but i like the weight of history behind her interactions with both bruce and dick and her compassion to bruce before he cruelly crossed a line. i also like the implication that she and dick have been in touch recently, and that she didn’t immediately try to guilt-trip dick about some perceived abandonment. it’d be too repetitive.

4.5. there’s also a sense that she ran interference for dick a lot whenever there was something Too Big and Emotional for him to confront directly, and i like and appreciate that character beat.

5. dick, my man! it really does feel like a substantial length of time has passed between the end of s2 and the beginning of s3... kory’s got a new costume, they’ve become celebrities in SF, working missions together, and dick’s actually smiling! genuinely enjoying his work and having fun with it for possibly the first time in the entire series! it’s really a far cry from the fractured, dysfunctional mess that they were at the end of the last season.

i just hope this doesn’t mean that they’ve magically reached a resolution off-screen to all of their fucked-upness from last season, and that the repercussions--for gar in particular--are actually addressed on screen. 

5.25. i mentioned this briefly above, but it really is so refreshing that dick doesn’t wallow in guilt and self-loathing after jason’s death; he acknowledges his and the titans’ failure, is able to admit to barbara honestly that he’s not doing great, and is actively trying to reach out to bruce to make sure he’s ok, is trying to investigate what made jason seek out the joker on his own, and is probably the only person not immediately buying that it was jason’s recklessness that got him killed. i love that dick is finally beginning to trust his instincts or just employ them at all after years of guilt and paranoia and self-loathing. we love some positive character growth!

5.5. another thing i love? the bruce-dick interactions on this show. every scene they’re in together is so fraught with tension, both of them holding themselves back, their emotions on a whipcord-tight leash. dick wants to reach out to bruce, is even somewhat familiar with this brand of denial in the wake of grief, but wants barbara to make the first move because he genuinely does not know how to get bruce to open up. his instincts are right, and wonderful, and genuine, but his expression has been smothered by years of trauma, emotional and physical self-discipline, and what i suspect is poorly treated mental illness. 

it takes a lot for him to finally explode at bruce at the end of the episode--in a way he hasn’t done even when his only opinion of bruce was ‘fuck him’--and it’s all the more startling for how subdued he’s been through the episode, how much he’s been holding back his emotions for bruce’s sake. love it.

5.75. it sort of hurts my heart to see the flying graysons poster in jason’s room. there are a few implications:

a) jason settled into dick’s old room despite living in a giant mansion with dozens of other rooms he could’ve used

b) he didn’t take down dick’s poster--not when he moved in and was idolising him, not when he moved out of the titans and was sort of hating him. i wonder if the reminder of what dick was before robin--that he was forged out of unspeakable tragedy--gave jason the connection to dick that he so desperately wanted in real life

c) dick moved right back into the room and slept on the bed that was now jason’s. grief can be so quiet and piecemeal sometimes.

6. i spy the beginnings of actual arcs for both gar and kory! i just hope that with the move to gotham their stories don’t fall to the wayside...

6.5. i’ve known tim drake for less than ten minutes but if anything were to happen to him i’d kill everybody 

7. this review has gone on for too long and i am tiRED. however, before i leave: i miss some of the dedication-to-aesthetic that titans season 1 used to have. remember how the first few episodes didn’t really feel like a superhero show but something out of gothic horror? there was something gorgeous and raw about that, about open landscapes and the road and creepy buildings looming up at the end of it. moving to titans tower in s2 really ruined a lot of that for me, given its ripped-from-architectural-digest aesthetic, all smooth and clean and artificial. 

i hope that we really explore gotham’s hellscape in interesting and innovative ways instead of camping out in the batcave all the time and indulging in the show’s unending love for long corridors, neon backlights and silhouettes.

8.....

9.  wait, fuck, HOW CAN I FORGET ABOUT HOT PSYCHIATRIST GUY (TM)??? NONE of you prepared me for his return! NONE OF YOU! i gasped! i got up and did a happy dance! 

listen, titans writers, if you’ve had a peek at my titans s3 wishlist, please go ahead and give the other items on the list a go too, thankyouverymuch.

[forlornmelody]

Resurrection Day

Rating: M (just a lot of angst, really. Character death, some graphic violence, and an afterglow moment)

Fandom(s): DC Comics

Ship: Jayrose, RedArse, 

Linkage: Ao3

Summary:   The Outlaws have always had a funny relationship with death, but when one of their own dies, they try to rise from their mistakes.

Note:  Idk if this is a fic, or more my headcanons strung together. Enjoy? 

-*-*

“Do you ever regret it?” 

Jason only half-hears her, his eyelids heavy, and his body so relaxed with release that he might never move again. “Mm?” he mumbles, pulling his body through quicksand so he can lay on his side and face her. 

Rose’s skin still glistens in the evening light, her hair mussed, and her face flushed. Her voice still throaty from moaning and screaming that Jason’s too busy reliving those last straining moments he almost doesn’t hear her again. “Do you ever regret...coming back?”

Pushing himself onto his elbows, Jason gazes down at her with a crooked grin. “To Gotham? Only when Bruce breathes down my neck.”

Snorting, Rose stretches one arm above her head, and her chest rises towards him in a way that makes him suck in his breath. Focus. She won’t meet his eyes, and her lips keep forming words she doesn't speak. “No, I mean. Do you regret being brought back?” The warmth in Jason’s belly turns to ice. 

It’s all too easy to remember that god-awful laugh, and the red haze in his vision, and the blood in his eyes. The searing pain of each blow, and the ache every time he tries to breathe. The numbness that settles in when he reaches the door and finds it locked--when he hears the egg timer on Joker’s signature bomb. 

Remembering what came after is harder. Running out of air. So much water, but it’s thicker than water, and he can’t get to the surface fast enough. Screaming. So much screaming. Is he screaming? Everyone’s trying to kill him. He can’t get out. He can’t get out. He can’t.

“Jason?” Rose only says his name when she’s worried. She squeezes his shoulder, digging her nails into his skin until his vision clears. “Shit. Sorry.” Sighing in frustration, she looks away. “Didn’t mean to bring all that back.”

Leaning his forehead against hers, Jason tries to get his breathing under control like his shrink taught him, but it’s easier said than done, and he fears the moment lost by the time he does. He tries to turn it into a joke, to lighten the mood. “That’s like asking if I regret being alive.” Jason huffs a laugh, but it falls flat. 

Rose bites her lip so hard Jason half-expects it to bleed. She looks up at him as if she’s confessing to murder. Sorry, Asshole, I fucked up again. Guess the apple doesn’t fall far from the tree. “I was there, you know.”

Jason’s eyes widen. “At the Lazarus Pit?” And there he is, again. Drowning. 

“Yeah.” She swallows, and the next part comes out thick. “I was the one who told Ra’s Al Ghul where to find your body. He let me watch, as a thank you.”

Nowhere in that haze of memory does Jason recall seeing Rose, and that it is a whole new betrayal. “Where?” He sucks in a breath. “When?”

“Guess you weren’t happy to see me.” She snorts. “You tried to kill me. Well. Everyone, really. But you were fixated on me.” Rose looks at him, finally. “Thaila had to pull you off me before I stopped self-healing altogether.”

“And then you...left?” He’s angry, as if he has any right to be. Jason probably would’ve done the same given the circumstances. 

Rose nods. “And the All-Caste offered to take you in, fix you right up. Guess it worked.” A small smile sneaks onto her lips. But it doesn’t reach her eyes. 

One of Jason’s first clear memories of that time--a lonely night in his cell in The Chamber of All. Wondering what happened to her. If she had died right along with him and hadn’t been brought back. Being so angry when he got back to Gotham and she apparently had a life of her own. His memories of her, after, are a little less clear. But the distant look in her eyes tells him all he needs to know. 

----

“Dude, don’t be so hard on her.” Roy polishes off yet another hot dog, licking his fingers. 

“Yeah? Why’s that?” Jason kicks his heels against the edge of the rooftop. He reaches for one of the polish sausages, but his stomach gurgles in protest. Maybe not, then. 

“You’ve no idea what she went through to get you back.” He turns to look at him, with those hazel eyes lingering on Jason in a way that always leaves him feeling, well, naked. Which shouldn’t be an issue right? Roy’s seen him naked plenty of times after a mission. There’s only one shower, and that apartment has one tiny ass water heater. Showering together only makes sense? At least there’s room for the both of them, just barely. It often turns into a game of Twister mixed with hot yoga. And like, there’s never been any problem, yeah? 

But sometimes the way Jason catches Roy staring at him. Makes him wonder. 

If he wants to stare back.

Just every once in a while. 

“Like what?” They really shouldn’t have bought the entire foodcart’s stock so the Old Man Gerasimos “Jerry” Angelos could head home early. This is way too much food, even with Roy’s bottomless stomach. 

“Maybe you should ask her sometime.” 

“Nah, I’m good.” Jason licks his fingers. “It’s easier to not talk about it at all.”

Roy laughs. “Ah, just like how you don’t talk about stuff with anyone else?”

“What’s that supposed to mean?” Jason gives him a playful look, but the look on Roy’s face stops him short. 

Roy doesn’t answer. He reaches over instead, wiping the mustard that got caught on the side of his mouth. His fingers are so unbelievably warm, like he’s made of fire and not skin. And Jason aches when he pulls away abruptly. 

“I uh, I just remembered that my laundry’s sitting in the washer. Probably stinks already.” Roy rushes off, not even bothering to wipe his fingers on a napkin. 

“It always stinks, Harper!” Jason roars after him, but his friend has already shut the door. 

Roy dies two days later.

------

“Would you be angry if I--we brought Roy back?” They’re on a rooftop, They’ve been waiting here for hours for Valentino’s men to show, and still nothing. Not all the Tuesday tacos in the world can make the night any less stale. Rose is on her fifth one when she gets philosophical.

Jason snorts. “You say that like it’s possible.”

Rose doesn’t say anything, and that’s what scares him.

“It’s not,” he says, louder.

“Why not?” She wipes quac from the corner of her mouth, staring at the rooftop across the street as if Roy’s gonna pop out of the skylight any second. “We brought you back.”

She can’t be serious. “I don’t think that’s a good idea.”

“Why not?”

“You don’t know what it’s like, Rose.”

Rose deadpans at him, her lips tight and firm. “I don’t?”

Jason thinks back to the first time he found her. Her right arm bent backward, her left cradling a wound that had bled out next to her. How her eyes stared out at nothing. Someone had pressed the mute button on the universe, except for the thud of his own heart. He should call someone. Bruce, 911, anyone, but his hands won’t move.  “Right, sorry.” 

It’s a terrible idea, they both know that, but the thought keeps eating away at him. Every time Jason lets his mind wander, it wanders to Roy--his crooked smile, his careless lean--the clumsiness that shouldn’t belong to a world-class archer, but it does. The headquarters seems so empty without Roy in it--so cavernous yet so claustrophobic like it’s going to eat Jason alive. 

-----

Three days later Rose is roundhouse kicking a punching bag when Jason finds her. “We can’t use the Lazarus Pit.”

 Rose stumbles, missing the bag completely and tumbling to the floor. “The fuck, Jason!” For someone who sees the future, Rose certainly didn’t hear this coming. 

Jason helps her up. “We can’t use the Lazarus Pit. I don’t want Roy going through what I did.” He meets her eyes. “What we did.” 

Rose nods, still breathless and annoyed in a way that makes him want to smother her with kisses. “You got another idea?” Jason swallows, squeezing the hand he’s still holding. “Jason?”

“You wouldn’t happen to know your HLA markers, would you?”

“My what?”

----

 Rose hates going to the doctor. It’s rarely a problem--her regeneration usually prevents her from getting sick, and her injuries hardly last long enough. But she’s been around enough mad scientists that she practically glares holes into the nurse when he brings out the needle. 

“Don’t kill him and maybe I’ll give you a lollipop afterward.” Jason elbows her other arm.

“A lollipop is not what I want to be sucking right now,” Rose fires back, looking at him instead of the needle. She relaxes slightly, and Jason kisses her, brushing her hair behind her ear.

The nurse coughs. “Alright. Easy in--and done.”

Rose swallows, taking in a deep breath. “Finally.” She closes her eyes, then stands up, rushing for the door.

Jason pauses in the doorframe, looking back at the nurse. “Uh, keep us posted.”

“We’ll call.”

----

It’s a stupid idea. The morgue doesn’t even understand why Jason Todd, adopted son of Billionaire Bruce Wayne wants to keep Roy Harper’s body in their freezer, especially when Oliver Queen seems to want it cremated as soon as possible. Bribing the owner doesn’t even work--not with Queen’s fortune also in play. So, Rose concocts some dumbass story about Harper’s biological family coming in from out of town. It’s so crazy that both Queen and the mortician fall for it. 

Both Jason and Rose hold their breath when his phone rings. And Rose, and her fucking precognition, hugs him tight and fucking squeals before the nurse even says it “It’s a match.”

---

“Nervous?” Jason sits next to her, squeezing her hand as the scientist hooks the catheter tube to a vein in Roy’s chest. Jason has a hard time looking at his body, so he focuses on Rose instead. 

“Fucking terrified.” Rose laughs humorously. 

“Trust me, if they try anything I’ll shoot them myself.”

“You know I can hear you, right?”

-----

Rose isn’t sure what’s more surprising, the gleam in Roy’s eyes like he just woke up from a nap, or the desperate kiss Jason gives him when he takes his first breath. Or maybe it’s not surprising at all. She should have known from the way Roy always seemed to be in Jason’s thoughts--he always had a convincing lie, and maybe Rose wanted to believe him. Maybe she should feel angry--betrayed, even, but all she feels is relief.

Finally, Jason remembers they’re not alone, and he breaks off from sucking Roy’s face, his face as red as Roy’s hair. 

Roy, on other hand, is not surprised at all. “Missed me that much, huh?”

[scorpionyx9621]

My Urban Legends: Jason Todd Rant

Maybe it's just me but I'm actually really happy with how Jason's story ended in Urban Legends. I've seen a lot of mixed reactions overall. Do I think the ending has it's issues? Yes. That being said, the general consensus is that that people were asking for Zdarsky to write an opera in 6 issue monthly comic.

Jason's characterization was a bit all over the place at the beginning. However I wouldn't call it out of character. Jason always has been a very emotionally driven character. And I've seen a lot of the more vocally angry people at this comic say that we should go back to the 'good old days' of Judd Winick and Jason just being a villain. Cold, uncaring, and just wanting revenge. But here's the thing that may shock you, Jason Todd and Red Hood were never villains. At least not in the sense of how Joker is a villain.

Jason Todd is a character driven by his emotions and a sense of seeking revenge. But he never has actively gone out of his way to kill someone he doesn't think deserves it. Hell, look at Tyler's dad. Jason killed him and he was a father. But at the same time he was a father who was abusive towards and gave drugs to his wife and child. That's still fair game in Jason's book. But it's the fact that he did that, that he killed the child whom he was trying to protect's father. That sent him on this emotional turmoil to begin with. This was the first time there was any gravity to his actions in a comic. Jason Todd isn't a black or white character. Just very, very dark grey.

But the one thing this issue got so right and emphasized so much which is, what I would argue the cornerstone of Jason's character, is his loneliness, and how he seeks to have people who accept him, a family that accepts him. When he's under the cheer gas's effect, we see this vision.

For a drug that makes you happy and makes you hallucinate the one thing you want most in life. To see that Jason's happiest vision is him being surrounded by a family that loves him, and a Bruce that accepts him? Jason Todd, the fearsome Red Hood, the one who instills fear and intimidation in the hearts of his enemies and has brutally murdered upwards of 80 people? Jason Todd is having an emotional breakdown crying surrounded by his found family and his father figure holding him as he cries.

I'm not saying Bruce is father of the year, nor is Jason Todd a saint. But this scene is so important to me as someone who identifies as a man. We dictate how boys have to act a certain way, and showing any emotion other than happiness, rage, or general emotionlessness is seen as weak and unacceptable. And for as popular of a character as Jason Todd is being vulnerable and being surrounded by loved ones? It's a powerful scene despite it being a hallucination. Jason still is that scared kid who grew up on the streets and watched both his parents disappear and fade away in front of him.

Also? Miss me with that crap about Jason is now too soft and too emotional. Prior to the New 52 Jason was still that scared kid struggling trying to find people who would accept him and love him for who he was. Despite blowing up her school, he tried recruiting Mia Darden because of their similar upbringings of being homeless orphans in their respective Gotham's and Seattle's. And anyone who's saying Jason's attachment is out of character, I literally beg you to actually read some of the comics. This powerful scene came from Detective Comics #975 and puts it best from Jason's words himself.

"Being here, being one of you all, it's important to me. I lost it for a while, and I wanted it back. So I made an agreement that I might not fully buy into in exchange for that."

Jason Todd loves his family. Why else is it that whenever there's an issue, especially in newer continuities, Jason almost always responds to every call for help from his family? Yes he's done a lot of harm towards the family, he's tried on multiple times to come for the lives of Bruce, Dick, and Tim. And while a lot of that is explained away via continuity scrubs, Jason still, despite all of the pain, all of the anguish, and all of the suffering he has dealt with. He still loves his family. Is it correct for him to be with the family after everything that has been done to him? I'm not certain. Maybe it's Stockholm Syndrome, maybe it's an act of genuine love. Is it entirely healthy? No not at all, this is a family of fictional vigilantes in a world where we have a billionaire who dresses as a bat have a kleptomaniac response to collecting troubled kids and turning them into sidekicks and said billionaire's best friend is a literal alien sun god.

I think where Zdarsky succeeded is welcoming Jason back into the family fully. I understand a lot of people feel like this is rushed and sort of out of the blue. But in the actual issue of Urban Legends itself. Bruce and Jason realized that they both wanted the exact same thing. Jason wanted to be loved and accepted by his family and by Bruce. And Bruce wanted Jason back in the family and loved and safe, but more importantly, he wanted his son back. It's that mutual understanding of knowing they both want the same thing that helped each other in the end.

Jason grew as a character from this comic, and he's grown so much as a whole. I understand a lot of people are giving this scene in particular flack because they just shake hands and Jason rides off. It's very healthy that they ended that way with a handshake because it shows that they are putting healthy boundaries up. The two clearly respect and love each other. But after so much pain and years of fighting, perhaps a hug isn't appropriate.

Maybe this is all endemic of us vilifying Bruce for so long. But honestly I think it needs to be approached with more nuance. Bruce is by no means winning father of the year. But Bruce has always loved Jason. (even though this last image, while reaffirming his love of Jason and his acceptance of him, also affirms that THAT scene from RHATO where Bruce beats Jason to within an inch of his life is still canon) Bruce has always done everything he can to try to reform any villain, and for Jason his efforts extend tenfold. Look at Clayface and Harley Quinn, two cast members who were former members of Batman's rogues gallery, now welcomed by Bruce into the crimefighting family.

Was this the perfect comic and does it automatically solve all of Jason and Bruce's problems? No absolutely not. But it does show that the beginning steps of healing are taking place. And that's the thing with healing. It's messy and you're going to fall down and make mistakes a lot. But we succeed in healing when we pick ourselves up and help each other try to heal and learn to love a little bit more. I want more stories of Jason learning to grow back into his spot into the family. Yes people are going to still look at Jason like he's going to explode at any moment and that's hard to work through. But with the proper writers, and with a family that truly loves each other. I think Jason and Bruce have the potential to turn out alright. Thank you Chip Zdarsky for making this. I look forward to seeing what you make in the future.

*edit* spelling and grammar

[bigskydreaming]

Sorry to bother you, but RE: the Jason Todd in Arkham thing, like, what was Dick supposed to do? Take him home to the same house where two of the KIDS that Jason had threatened/attacked were supposed to be living in what one hoped would be relative safety?

Like, full offence, Jason had at that point proven himself a danger to all the people around him. If he wound up at Arkham, oh well, maybe don’t kill a whole bunch of ppl and harm numerous others. If Arkham doesn’t work as a hospital, maybe he should have been at another one, but at that point in his character arc, a secure mental health facility was probably the best he could expect.

It’s like ppl forget he’s a multiple murderer with a history of targeting the ppl Dick loves. I don’t even read the comics and I know this much.

Oh for sure, I mean, I've posted meta about this before because the fandom accepted narrative gets it sooooooo wrong. Like, I'll always be right at the front of the line yelling IT WAS JASON'S CHARACTERIZATION THAT WAS CRAP THROUGH ALL THAT, THAT'S NOT JASON, GIMME NUANCE OR GIMME DEATH. Y'know, something like that.

But like, given that Jason was written as repeatedly trying to kill Dick's other two brothers its like, yeah?! What was Dick supposed to do? He'd tried asking Jason nicely hey could you stop doing that and Jason was like LOL no.

And also....people are like - Dick callously threw Jason into Arkham right next to the Joker and then just left him there and forgot about him and....SOURCE?

1) Dick didn't DO this to Jason, JASON went after Dick and Damian and in the process of fighting him in a very public space, Dick beat Jason and police were already like....right there? Dick didn't actually have the option of being uh no, you can't take this known and notorious criminal into custody, I'll stop you on the basis of - well I can't tell you actually but plz just trust me okay, he totes didn't mean it! (except like also, at that point he totes did, so.....)

2) What pull Dick DID have as Batman with the GCPD, he used to get Jason put into Arkham INSTEAD of Blackgate for his SAFETY. We know this to be true. Jason himself confirmed that absolutely nothing bad happened to him in Arkham, he just didn't want to be there but WHO THE HELL EVER WANTS TO BE IN A PRISON OF ANY SORT? And the first thing Dick said when Bruce said Jason had demanded to be transferred to Blackgate is that Jason wouldn't be safe there with all the enemies he had gunning for him. It was abundantly clear that Jason's safety had been a primary concern for Dick the whole time (and Jason wasn't safe at Blackgate, its just fine, he only wanted to be transferred in order to enact an escape plan that got like 80 people indiscriminately killed but whatevs. Its Gotham, what's a few dozen more dead criminals am I right? *rolls eyes at how often that little detail gets left out of the narrative).

3) Dick consistently put time, focus and Wayne Enterprises money into Arkham Asylum while he was Batman, since Arkham was being rebuilt from the ground up after it was blown up in Battle for the Cowl. Also, Dick had been one of the last 'patients' in the old Arkham, given that he went undercover to infiltrate the Black Glove while they were in control of Arkham and spent a week in there drugged to the gills, locked up and in a straitjacket before being almost lobotomized. He has every grievance with Arkham that fan writers like to PRETEND Jason has from his stay there, but Jason's only complaint was that he again, was bored, and he had to take psych evals every other week because it was after all, still a mental health institution. Dick did everything in his power at the time to make sure that even if Jason did have to be locked up to keep him from going after more people, like, it was going to be as humane as possible and the stuff that Dick himself had JUST experienced in the old Arkham WOULDN'T happen to Jason.

4) The Joker was literally nowhere near Arkham THE ENTIRE TIME. This is not a small detail, given that 'the Joker was just five cells down' is the entire basis of most writers' Jason-in-Arkham angst and the anti-Dick sentiments they tend to create. All the major Rogues escaped from the old Arkham in Battle for the Cowl BEFORE it blew up. That's why they're not DEAD. Dick's run as Batman was primarily about fighting the escapees. And Joker, very significantly, was clearly among those Rogues not present in Arkham during Dick's Batman run, given he was literally toying with Dick and Damian through most of it. Seriously, how much do people have to hate Dick and think the worst of him to think that he - the dude who btw, BEAT THE JOKER TO DEATH WITH HIS BARE HANDS FOR MAKING JOKES ABOUT KILLING JASON - would just....obliviously lock Jason up right next to the Joker and throw away the key?

Like...and it goes on and on, lol. I remember the first time I brought all this up in an argument with some Jason stans, they literally started laughing back and forth to each other in the replies about how someone was a bit too carried away with their own fanon, and its like...LMAO! Yes! Someone is! Its YOU! You are the people you guys are talking about, looooool, I can literally back all this up with sourced panels.

Buuuuuuut, c'est la vie.

I mean, this is nothing new for us, its literally Teen Wolf fandom alllll over again. Probably why I just said nope, not doing this again awhile back and was like umm actually I will NOT just be ignoring the blatant false narratives thrown around here just so that people happy with the fanon narratives that prioritize the characters they like and sling shit at the characters they don't can have their fandom just the way they want it at the expense of everyone else in it. You wanna push bad faith interpretations of specific characters at every literal opportunity, its like, that's cool! I got the drive! I can push back with actual facts, its all good!

But the most hilarious thing to me will always be how fucking INDIGNANT people get about that, like "How dare you point out the precedent we established in not caring about any fandom experience other than our own and thus being loud and everpresent with our preferred interpretations in an attempt to drown out any other possible interpretation just so that the most people possible would be influenced by us instead of anything else, and we'd get more of the content we like at the expense of any possible nuance whatsoever."

Like, the most common complaint I get is people griping about how damn often I'm saying "mmmm, no, this isn't what happened actually" and "okay but have you considered flipping the script BACK from the way you flipped it initially in order to get this weird ass interpretation of a superhero noted for his emphasis on emotional caretaking of his loved ones actually being this callous oblivious selfish jerk who tramples all over the feelings of everyone around them and makes them just the woobiest woobies that ever did woobie all throughout Woobieland?"

And I'm just like, okay see, I hear you, its just the thing is, the THING IS......

If you didn't want that to be the topic of conversation so damn often, then hey, just a suggesh, but maybe you shouldn't have devoted literal years to coming up with the most bad faith interpretations of this character possible at literally every available opportunity. Maybe there'd be like.....less reason for the topic to come up so often, if like....you by your own actions hadn't made it a necessary topic to tackle so often?

I DON'T KNOW, I'M JUST SPIT-BALLING HERE, DON'T MIND ME AND MY CRAZY-ASS IDEAS OF FAIR PLAY.

[slashy-ashy]

The bat brothers have their own secret language, Dick and Jason just say what seems to be random words to each other but they're keywords to them because they think it's fun, when Tim comes along Dick teaches this to Tim, and once Jason comes back they both take turns teaching him because he can faintly remember having some kind of secret language with the others but when he brought it up to Bruce, Bruce didn't know what he was trying to talk about and dismissed him because he was working on a case. I just want to see the repercussions of Bruce not always being the greatest father, in the terms of him not helping his children in creating bonds with each other, he just adopted kids and then didn't do anything to help foster a bond between them and he barely sees any repercussions in the fandom for this and we see the boys get blamed for not being close to each other when 1.) Dick was blindsided by the fact that Jason was adopted in the first place, he learned about Jason through the Newspaper because his father/brother and I'm going by father only. After all, when Dick was created it would have been socially unacceptable for a single male bachelor to raise a child, didn't tell him in person, and quite frankly didn't have the chops to tell his own son 2.) he had no helping hand, in my opinion, fostering a healthy relationship between the two, 3.) he still didn't help Tim and Dick bond he just assumed that Dick would just do the bonding himself, and 4.) his most valid excuse was that he was dead when Damian came along because it would have been the same of the brothers having to forge those bonds themselves. And if you still don't understand just imagine your parent or guardian just walking into the house with another child, they don't say anything except “this is your new sibling” then just walk out the room, and let's be honest your new sibling has some trauma that you don't really know about yet because you barely know them and you accidentally step on a mine and you have to deal with the fallout of that and your parent/guardian blaming you for not being a good proper sibling to your new...stranger. And you're also jealous of the new sibling, you're jealous of what they have with your parent or guardian because you used to be close to them but now you're strangers and they're not even trying to reconcile the relationship with you so you have to grow up and realize it'll never be the same between the two of you and you still need to be there for this new sibling and oh let's not forget that you're barely an adult but you still have enough emotional maturity to know that now is not the time for your feelings or you just realized that no one cares about your feelings

Bruce Wayne is human and he most definitely makes mistakes and I believe that this is a big one. We barely ever see him get blamed or even any repercussions of him not helping to forge any bonds with the boys to each other, in every fanfic you see the boys make the first steps but never Bruce. You don't see him setting up days of where he'll take the boys out somewhere just to talk with them about things outside of the mask and outside the company, you don't see him ever asking the boys if they talked to so and so because they seemed down and maybe they told them about why they feel down, you don't see him ever tell the boys how glad or happy when he sees them getting along with each other. It should have never just been on the boys to forge these bonds together as siblings on their own, Bruce should have played a much bigger part in that.

Give Dick his dues

Give Jason his dues

Give Tim his dues

Give Damian his dues

They deserve them and so much more.

So let's see fanfics of Bruce being confused because Jason and Dick periodically go out for a night out in town and they invite Tim and Damian along as well because “this is a tradition that started when Jason was still Robin” Bruce assumed that the two weren't close to each other when Jason was Robin, Jason and Tim just reading with each other or Jason reading books while Tim is just reading comic books near him and this should feature Bruce being again surprised by their behavior, and Tim helping Damian bathe the animals of his own accord and Damian silently accepting the help and once again Bruce was expecting the worse, and Damian inviting Tim and Jason into just drawing with him and Tim and Jason saying yes, but not before teasing him for having so many pictures of his animals and Dick in his sketchbook, and once again Bruce didn't know how close his sons truly are because he only ever observed the fall-outs and he hadn't helped to act as an almost buffer between them when was required to properly facilitate their relationship in a safe and loving environment which 100% was attainable he just never truly tried to create those conditions for his sons and that is so heartbreaking because we can see him do this for them individually but never for them when they're together.

[aeligsido]

So I recently saw some posts about the new Batgirls title and how it’s possible that StephCass becomes canon in it. And I have some thoughts™️ about it, and StephCass in general. 

I’m going to start this by saying that yes, absolutely, I want representation. It’s super important, and I’m not mad that writers think about making it more canon (bc apparently it’s already canon in Future State, which, valid), and honestly, if there��s a wlw couple to make canon this one works very well. I’m also not here to destroy anyone's joy or anything, I just want to give my opinion about something that has been bothering me for a moment now. This ship, and the people who ship it, is very valid, and I totally understand why it’s popular and why people like it. 

That being said, this ship doesn’t spark joy for me. It’s a question of personal taste, I suppose, and there’s a few things that bother me that really have nothing to do with what I want to talk about today (not really, at least). 

It’s just that, as a Steph fan, I can’t help but feel like it’s a huge disservice to her character. She was created to be Tim’s love interest, then fridged when the writers realized she was becoming more popular than him, then brought back to life when they realized that people wanted her back. And sure, having her not being Tim’s love interest anymore and existing outside of it, choosing the person she will love herself, it’s amazing and totally something that should be done to get her further away from these origins. 

The problem for me is that Steph is still stuck having to be the love interest of one of the Batkids to exist -- both in fanon and in canon, apparently. With Tim and Cass for the most part, or sometimes Jason or even Damian -- and there’s no shame for anyone if you like these ships!! It’s totally valid, once again, and I’m not here to police what you should like or not. It just bothers me that Steph can only exist as a love interest, and no, the fact that she went from a boy to a girl is not really an improvement. Because at the end of the day, she’s still stuck as being nothing more than the girl who has to fall in love, and nothing more. 

And, again, as a Steph fan, it bothers me a whole lot. Like, for starters I can’t read a Steph-centric fic without it having TimSteph or StephCass, both ships that I don’t personally like, so it’s upsetting for me, but I also feel like it spits on the face of all the development she should go through. Steph is a strong young woman, who was raised in abuse, comes out from it, and chooses to be smiling and optimistic and to believe in a better future, even if she has to fight for it. She has her own personality and her own history, her own moral and her own belief, and it’s too often relegated to nothing so she can be the perfect girlfriend. 

Besides, Steph has proved herself a dozen times already. She shouldn’t have to be “the girlfriend” to be accepted into the Batfam. She shouldn’t have to be a love interest to be considered interesting and good enough for them. It’s forgetting, once again, everything she is, but also her other relationships. The fact that she’s Damian's big sister, and that she was the one who helped him being a kid. The fact that Dick did try to mentor her, as much as he could because back then he has his own very messy life, and then when he was Batman and she was Batgirl -- sure, he wasn’t okay for her to go out again at first, but you have to consider that his latest memories of her was probably her funerals and how yet again a kid died in his family colors, so, yeah. But he still accepted her and tried, and they could have an interesting relationship if anyone really tried to write them. She has an interesting relationship with Barbara as well, who was her mentor but who also was judgemental toward her at the beginning; with Bruce, whom relationship with her is extremely complicated, but I can’t help but feel like they would probably have been closer if Bruce hadn’t been lost in his grief and refusing to get his head out of his ass -- he did like Steph and recognize she was good, he was just too afraid to really do anything else than reject her; she has her relationship with Leslie, who sacrificed so much just for her; even in the new comics and the New52 that make me want to commit arson, Steph has a relationship with Duke, apparently friendly and/or sibling-like, and it should be explored more!!

But instead, once again, Steph is relegated to love interest. And it’s sad. It just makes me sad. She deserves so, so much more. 

AND, I’m absolutely not against Steph dating a girl. I’ve been hcing her as pansexual since I started in the DC fandom lmao. I just feel like Steph should have contact outside of the Batfam and Gotham. She should be a real part of Young Justice, or the Teen Titans. She should have friends outside of that one time with Kara (who has been used as “the super best friend” of almost every Batgirl, btw, so I don’t even feel like it’s special), have way more contacts, have way more people she could get to know and date and go out with and laugh and cry with and everything. 

Steph should be spreading her wings, but instead DC -- and, despite all, the fanon as well -- keeps her pinned to the ground. And it’s just very sad for me. 

(Steph wasn’t a Robin for nothing. You can debate a lot about why she was one, how she became one, but the point is the same -- she’s a Robin, and she’s meant to fly.)

(Tbh I also have a lot of things to say about how annoyed I am about Cass using the Orphan codename, how deaged they both are right now and how it destroys so much of their history, but that’s probably for another time lmao.)

So. Yeah. I’m not mad about DC plans -- or not -- to make StephCass canon, or whatever. I just don’t vibe with this ship, but again -- personal taste! I’m personally aware it’s only my opinion, but yeah, I just wanted to get it out. You’re all free to ship whatever you want, I’m not here to judge that!! 

And, again, as a huge Steph fan, it just makes me sad as a whole. She just deserves better than constantly being the love interest.