#Japanese at least has kanji? | Explore Tumblr posts and blogs

seangardnerxiv · 3 months ago

Text

Shadow and Maria's Complex Relationship

FOR DISCLOSURE: this thread is going to be discussing the complexities of Shadow and Maria’s relationship based on many different factors. Though I will be including the romantic interpretation (NOT a sexual one – I do not support nor condone sexualizing these two, nor most of the characters in Sonic, as they are almost all minors) as a potential, I will not be arguing to assign a definite label to their relationship – I will, in fact, be doing exactly the opposite (I am also not interested in engaging in shipping discourse over Sonic the Hedgehog characters). I would simply like to disclose that that will be discussed in case the topic upsets you and you would prefer to stop reading now. I accept this post may not be received well by some.

SPOILERS FOR SONIC X SHADOW GENERATIONS

So I've had to break out my Tumblr for this - my usual haunt is Twitter/Bluesky, but those don't really allow for longform posts. This is also a major departure from my usual FFXIV posting, so apologies to anyone who follows me for that.

Sonic x Shadow Generations recently dropped, alongside the short animations “Dark Beginnings” as well as the (non-canonical) manga “The Jet Black Hedgehog: Shadow the Hedgehog.” With it, discourse surrounding Shadow and Maria’s relationship has kicked up again, largely in two parties – that Shadow and Maria held a sibling relationship, or that Shadow and Maria held romantic feelings for one another (some people have also argued that Shadow is her uncle, or Maria is his mother, but I won’t be discussing those views). There are arguments for both drawn from a variety of sources – I will do my best to present both (if there are others I've missed, please feel free to comment and I will add them).

For siblings:

This Twitter post of artwork for Dark Beginnings has the following alt text: “Shadow and Maria reach out for one another in an infinite abyss (as long-lost siblings would) with the Moon and the Space Colony ARK in the background."

The manual for Shadow the Hedgehog (2005) describes Maria as “like a sister to Shadow.” I have also seen another screenshot of a different manual that states that Shadow as "like a brother to Maria," but I've been unable to find which manual it is. (EDIT: It’s a Prima Games manual, not written by Sega)

Gerald refers to Shadow as “son” during the climax of SxSG.

For romantic:

Maria saying “I love you” in the Japanese version of SxSG uses the kanji “ai shiteru,” whilst her “I love you” in the Japanese version of the manga uses “daisuki.” Whilst it can be used for familial relations, it is apparently very uncommon for both of these to be used outside of romantic intent.

Shiro Maekawa – the original creator of Shadow and Maria – based them (or at least parts of them) off of a romance manga known as “Please Save My Earth” (with Maria sharing the Japanese voice actress for the female lead from the anime), and has frequently supported them together, often retweeting romantic art and posts of Shadow and Maria.

In a recent interview from Sega, Maria touching Shadow’s face in Dark Beginnings was equated to Beauty and the Beast.

For Tanabata – a Japanese festival celebrating the meeting of the deities Orihime and Hikoboshi, and the separation of them as lovers – Sonic Channel posted artwork of Shadow and Maria reading the story beneath the stars. Sonic Channel has also published fanart for Valentine’s Day relating to Shadow and Maria (although they publish a lot of fanart).

Before I go any further, when the topic of Shadow and Maria in a romantic lens comes up, many of the same criticisms arise that I do not believe are fairly levied – namely accusations regarding their age, species, and familial ties. I would like to address – and debunk – these three before we go any further. Keep in mind while you read these – this is not meant to convince you that their relationship was one thing over another, but only to provide validity to a subjective point of view I feel is unfairly stigmatized.

“It’s incest because Shadow is Maria’s brother/uncle(?).”

While there were notions of family stated by both Maria and Gerald, Shadow was grown in a tube with alien DNA and has zero blood relation to the Robotnik family. Whilst there are abstract labels of “like a sister” or “sibling coding” that are only ever applied in a meta sense, neither of them define their relationship in such a way within the lens of the universe. And it is not as if the topic never arises - in Shadow Generations, Maria herself likens young Abraham Tower as akin to her little brother, but she makes no such distinction with Shadow.

“Sibling coding” is ultimately a nothing statement, and unless a proper adoption is made, it does not magically turn romantic feelings towards the two involved into incest. Frames of reference are often informed by what young people are familiar with, and they sometimes lack the proper tools to acknowledge that their feelings towards each other are more complex than they first believe - to say that this is something that potentially occurred with Shadow and Maria is not outlandish, and not a concept unique to Sonic as a series.

Similar examples to this include Clive and Jill from Final Fantasy XVI (Jill is accepted into the Rosfield household and raised alongside Clive and his brother, only to later enter a romantic relationship with him as an adult), Nero and Kyrie from Devil May Cry (Nero is fostered by Kyrie's family and considers Kyrie a sister initially, only for her to become his love interest as adults) and Sidon and Yona from The Legend of Zelda: Tears of the Kingdom (Sidon grows up perceiving Yona as a sister, only to realize his feelings for her are more complex later on). None of these are incestuous relationships, nor is Shadow and Maria’s were it to be romantic.

“It’s bestiality because Shadow is an animal.”

Bestiality is applicable to regular animals that do not hold human sentience of thought, as they are unable to consent to a relationship, like a dog or cat. Shadow is not this, nor are any of the anthropomorphic characters within the Sonic games - were you to change the anthropomorphic animals in Sonic into humans, basically nothing about the series' content would change. All of them are completely sound-minded beings that are essentially just people who look different. Shadow is not Maria’s pet, he is her fully sentient friend that holds the same degree of thought as she does – given that Shadow’s entire arc is about finding his purpose in life, degrading him to simply a lab animal rather than acknowledging he is a person defeats that entire arc (something the manga also touches upon).

A lot of people also cite Sonic and Elise from Sonic ‘06 (namely the scene where Elise kisses the deceased Sonic) as a reason why Shadow and Maria should not be done - while I think it’s valid if you didn’t like watching a human girl kissing Sonic the Hedgehog, I maintain that a good chunk of that disdain stemmed from two major reasons:

Elise was very poorly characterized in her game. She existed to constantly get kidnapped and be saved by Sonic, and so both the relationship and the kiss came off more like pandering than something earned.

Sonic '06 had a bizarrely realistic artstyle for the human characters, whilst all of the animal characters retained their cartoonish appearances. This clash of artstyles looked its worst when Elise kissed Sonic at the game's climax.

Maria, however, does not fall into these pitfalls. She does not exist to be purely a love interest for Shadow - she’s certainly not someone for him to save, as the entire inciting event of Shadow's character is his inability to save her when she saves him.

For a frame of reference, Shadow is more akin to an alien from Star Wars – a setting where humans also exist. It is not bestiality for a Human to hold a relationship with a Twi’lek, as both races are fully anthropomorphic and sentient. On a similar note, Beauty and the Beast is not considered bestiality either, even though the Beast bears obvious animalistic traits. Some people have also entertained the notion of Rouge and Topaz from Sonic X, even though the latter is human. This is all the same principle, and none of it is bestiality.

“It’s creepy because Maria is young.”

Shadow – while said to be ageless – is not an adult, and to imply that he is one is a fundamental misunderstanding of Shadow’s character – whilst there are many instances where he demonstrates maturity on some levels, he has shown much immaturity since his inception in Sonic Adventure 2 (his desire to destroy the world out of revenge for Maria), and his most recent storyline in Generations involves his naïve desire to change Maria and Gerald’s fates (or rather, an initial indifference to what it will bring). Not only that, but his time on the ARK was mired in confusion over the point of his existence – Maria was the one that helped him field through his confusion, and was arguably the more mature one between the two of them. We can safely say that Shadow is not an adult character, nor is he ever presented as one in the lens of the game.

As the closest thing Sonic likely has to an equal in both body and mind (Sonic holds his own immaturities similar to Shadow), he can likely be placed mentally close to his age of fifteen. This is reinforced by the leaked transcript of Sonic ‘06 that refers to Shadow as 15 (the red squared text in this image).

Maria has no canon age established in game material, but Sonic X lists her as 12. 15 and 12 is the same age gap as Sonic and Amy respectively.

In addition to that, many people have claimed that Shadow is over 50 years old, but this is only true of his chronological existence, not the time he has been conscious and aging. He spent 50 years stuck in cryosleep, and awoke exactly how he was when he was placed in there.

A similar example would be Aang and Katara from Avatar: The Last Airbender - Aang was frozen at the age of 12, and awoke 100 years later. Nobody, however, tried to claim that he was 112 years too old to kiss the 14 year old Katara, as Aang was physically and mentally still a 12 year old upon awakening - most people who watched the show were also actively rooting for these two characters to kiss, which they did at the show's finale. It's the same principle regarding Shadow - he is 50 chronologically, not 50 in mind or body.

If we’d like to really get into it, I would point out that nearly every character in the lens of Sonic is in and around Maria’s age range (according to the Sonic Channel). As stated previously, Sonic is 15. Amy is 12, Knuckles is 16, Rouge is 18, Blaze and Silver are 14, etc. Nobody bats an eye at notions of romance between any of these people (not that I’m saying they should inherently).

Romantic intent between minors is not inherently viewed as a bad thing - see the examples of Aang and Katara or Clive and Jill above, or for an in house example, consider the canonical (to Sonic X at least) relationship between the 8 year old Tails and Cosmo - yet for some reason when it comes to Shadow and Maria, a relationship is stigmatized.

To reiterate in the wake of the last point, my discussions of romantic intent ARE NOT SEXUAL IN NATURE. As I acknowledge these are minors, any notions of that are completely off the table, and I do not agree with anyone who would imply their relationship was a sexual one. I want to make that unmistakably clear.

My major takeaway from observing both the Sonic fanbase and those on Sonic Team seems to be that in western circles, Shadow and Maria as siblings is the popular perception, whilst in eastern circles, they are more commonly perceived romantically. But ultimately, Shadow and Maria’s relationship seems to have many contradictory signals that makes it hard to pinpoint a concrete definition, especially in the most recent releases – and I believe that this is fully intentional.

Shiro Maekawa has stated in DMs has stated this regarding their relationship when asked if he saw them as siblings or love interests (translated from Japanese):

“I think they have a special bond that is unique to them that doesn’t fall into either of those categories. Just my personal opinion.”

From the way that the two are written post-Sonic Adventure 2, this appears to be a sentiment that is fully carried forward – their relationship is more nuanced than a canonical label would make it. Maria was the only person who made Shadow feel loved, and Maria unquestionably loved him back. What kind of love that was is up to the viewer, especially given that Maria died when they were both young, before they even had a chance to expand upon their relationship, if that was ever on the table – not that they needed to, given that their bond seems to have transcended both labels. Maria was the only one who acknowledged Shadow as more than an experiment or a weapon, and Shadow was her rock in an environment where she was isolated away from her family and home. Maria was Shadow's person, and still remains that in death.

To disclose for me personally (in case it was not obvious), I have always interpreted their relationship as romantic - or at least having romantic implications - ever since playing Sonic Adventure 2 Battle and Shadow the Hedgehog when I was a kid. I have both a fiancé and a sibling, and the way they treat each other is far more evocative of how I treat the former than the latter (especially in Dark Beginnings – I do not imagine my sibling through a shoujo filter while I wistfully think about cuddling them in a field of flowers). I do not take the awkwardly placed alt text verbiage from the Sonic Twitter account, used to fake-argue with the Wendy’s Twitter account, as gospel for anything, and I think that treating it as a damning disproval is silly. Had she lived, I believed the complex feelings they held would have been identified as romantic down the line. The relationship always just read as too intimately charged for me to perceive as siblings (it still does especially in the wake of seeing how she touches and speaks to him), even before I had a serious relationship. I think that arguing the nitty gritty over Twitter alt text and translations is silly, as all it took for me to takeaway that the relationship was still romantic was to play the game, watch the animations, and read the manga for Shadow Generations - but that's just me.

That said, I will concur that if you are weirded out by romantic notions between the two of them, that is completely understandable, and I would never argue that you should not feel what you feel for yourself. The sibling viewpoint is also wholly valid an interpretation, with or without word from a meta source. Though she had her grandfather and later Abe, she was largely alone on the ARK away from a family that she clearly loved and missed, and it’s not unusual to presume that Shadow filled in the role of a brother for her. I will also acknowledge that many things I have not mentioned - such as Shadow blushing at Maria calling him cool, or her saying "I love you" in general - are not inherently indicative of romantic intent, and can be read as fully platonic interpretations, and I find those that try to state that the romantic interpretation is the objective one just as irritating as those that state the sibling interpretation is the objective.

My intent is only to dispute the idea that romantic interpretations, and the people who hold them, deserve to be scrutinized. The pairing is completely innocent, and the treatment people have received for believing them to be romantic is obscene. Sweeping blanket statements have been made to insult all who do (some going as far as to wish death and harm upon them), all just based on subjective viewpoints held by people who see them platonically. The fact that there is so much discourse surrounding this topic, and that there is evidence enough on both ends to make an argument, means that Sega has intentionally left the relationship up to interpretation - including the romantic take.

Everyone unclutch your pearls.

But with all that said, I will reiterate that this post was not meant to convince anyone of one thing or another, but rather that both interpretations of their relationship are valid, as it is essentially a secret third thing that transcends both labels and is special only to them. Strictly defining their relationship as “siblings” or “love interests” (even as someone who perceives them romantically, I would never want that to be definitively confirmed for this reason) is deconstructing what is perhaps the most nuanced part of a series that does not always tend to be terribly nuanced, and a definition matters far less than acknowledging what Maria means to Shadow in the present – he is who he is because of her, and because of that, he is now living a life for himself. Shadow the Hedgehog (2005) ended in a way that had Shadow let Maria go, and Shadow Generations ends with him carrying her forward with him after accepting her loss. She was, and will always be, the person who loved Shadow - however you define that love is up to you.

Nothing has ever been hard confirmed by Sega, no matter how much either side wants to pretend it has been.

In summary, both points of view regarding Shadow and Maria’s relationship are simultaneously true and not true – it is a matter of interpretation according to the viewer what their feelings towards each other were, yet their relationship in the lens of what it is now after the tragedy of their existence (even before Maria died) is purposefully indefinable, and it should remain that way. Nobody should ever try to say that Shadow and Maria are definitively something - that goes for both points of view. I doubt it will, but I hope this goes towards removing the stigmas towards one of the more nuanced parts of this series, as nuance in Sonic the Hedgehog - frankly - does not come along very often, and it would be nice if that were encouraged rather than smothered.

Thank you for reading.

#shadow the hedgehog #maria robotnik #shadow generations #sonic x shadow generations #dark beginnings #shadow dark beginnings #sonic the hedgehog #shadaria #shadria #shadow x maria #ark siblings #シャドマリ

224 notes · View notes

vashtijoy · 1 year ago

Text

shido's palace: those posters

And you know the ones I mean:

Shido, we can see right up your nose. But let's talk about the text on these. First, the really big bit on the left:

獅童正義 shidou masayoshi

Look at the kanji there. His given name is twice the size of his family name. Plus, his given name doesn't have the furigana (tiny text to tell you how to read it) that you can see against his family name—despite it being easily misread as a common noun.

Because, as eny fule kno, Shido's given name is spelled the same way as 正義 seigi, meaning "justice". This will be important later. The game lampshades this, by the way, in gossip chats around the election:

"Shido-san really lives up to what his name means. He's like justice personified." Okay, gossiping person, you do you.

united future

At the bottom, in tinytext next to his spooky Illuminati-esque Whole World In His Hands logo that isn't megalomaniacal at all, we have the name of his new splinter party:

未来連合 mirai rengou United Future

未来 mirai means future; 連合 rengou means a bloc, a coalition, an alliance or union. 連合ヨーロッパ rengou yooroppa, "a federal Europe"; 連合国 rengoukoku, "the Allied powers". So we get "United Future", perhaps less catchily "The Alliance for the Future", which is very much the sort of name new Japanese political parties tend to have.

what about that other bit

Hahaha, you mean this little thing?

This is Shadow Shido's slogan. This sums up his mission, his motive, the whole reason he wants power. And what does it say?

私のために、民衆は尽くす watashi no tame ni, minshuu wa tsukusu The people will serve me.

What a nice thing to say! What an excellent sentiment, befitting of a public servant in a democracy! And what an unashamed piece of shit, eh? You can see why Japan is underwater in his head.

Constructions of the form X no tame ni tsukusu are quite common; my dictionary lists several. So this little phrase is a play on words in at least two ways:

First of all, it's an adaptation of a well-known phrase, 民衆のために尽くす minshuu no tame ni tsukusu, "to serve the people". Shido has taken this and inverted it: the people will serve him.

But second—remember how Shido's given name, Masayoshi, is written the same way as seigi, meaning "justice"? One of those common little example phrases in my dictionary, under tsukusu, is the following:

正義のために尽くす seigi no tame ni tsukusu to work for justice

This is why his given name is in massive letters on the poster: because this play on words is deliberate on his part: Shido is justice, as his name should tell you; he defines what is good and right and true—and what's good and right and true is what is in his interests. And so the people will serve him. The same way they'd serve the nation, or society, or the public good.

It's a really interesting line. And, of course, it calls to mind Akechi—supposedly a detective, in the service of justice, and yet in reality....

BTW, don't forget this is Shido's Shadow talking. How much does Shido himself, the guy walking about upstairs, delude himself about all this? That's an exercise for the reader.

revision history

Click here for the latest version.

v1.0 (2024/01/14)—first published.

#persona 5 #p5 meta #japanese language #masayoshi shido #goro akechi

779 notes · View notes

yuurei20 · 22 days ago

Note

Hello YuuRei! Slight spoilers for Book 7 JP content below, if you don’t mind me asking! I saw Trey’s new Book 7 SSR get translated as both “Queen’s Court Chef” and “Queen’s Chef Coat.” I tried to look into it myself and learned that “coat” and “court” are the same (form what I understand, at least), so I was wondering if you knew which translation to go for, or is both technically correct? With Heartslabyul, honestly court works, too. Thank you so much and Happy Near Year! I hope you are doing well! ☺️

Hello hello! Thank you for this question! ♣️

You are correct! ^^ コート is both "court" and "coat"!

For a long answer:

Yana has done this before, with the Bloom/Broom series that is technically both the word "bloom" and the word "broom"!

We were never shown a romaji name for this series--it only appeared in katakana, where it is both words simultaneously--so if you were to ask "well yes but which one actually was it?," the only answer is: both!

This is one of those things that the Japanese language can do but English cannot, so EN was forced to choose one or another, and they went with "birthday bloom"!

And it happened again during White Rabbit Fes, when Epel says he has heard of someone called "ogama Duke" and Deuce begins to panic because "ogama" means cauldron.

But it also means "scythe" and Epel, who heard his information over the phone and never saw the word written down in kanji, assumes that it is the "scythe" ogama rather than the "cauldron" ogama.

More here!

For a super long answer:

The Japanese language has a lot of different words pronounced the exact same way and differentiated only by kanji: god (神), hair (髪) and paper (紙) for example, are all the same sound (kami).

This means there is a lot of potential for puns! And Yana has always been very big on wordplay, to the point that a pun was the entire basis for her kuroshitsuji manga:

There is a short comic at the end of the very first volume that shows a phone call between herself and her editor where she is telling him how she wants to create a manga about an amazing butler.

The Japanese language 「あくまで」 is used to emphasize that something is being limited or focused on something in particular, like 「あくまで執事ですから、私が決めることではありません」 (as I am only a butler it is not my place to decide).

It is also pronounced identically to 「悪魔で」, which means, "as a demon."

So in Yana's original manga series every time the demon character says "I am a demon butler" all the other characters are hearing it as "I am, ultimately, just a butler."

Since the characters can't see the kanji in his word bubble, he is technically saying both things simultaneously.

And similar wordplay is hidden throughout a large amount of Twst!

Rollo, for example, ends many sentences with a common way to end a question that is pronounced the same way as a word for "bell."

The very first line of Glorious Masquerade is that exact pun:

Kane no oto ga kikoeru kane

There is also Idia's "pretend I'm a bug and ignore me" (both "bug" and "ignore" are the same sound, "mushi"), Riddle's "Rose trees, tear his body apart!" (both "rose" and "apart" are the same sound, "bara") and more!

#twstask #twstlanguage #twisted wonderland

84 notes · View notes

saoirseyun · 1 month ago

Text

— .ᐟ ౨ৎ . . . 𝐭𝐚𝐤𝐞 𝐜𝐚𝐫𝐞. 001

𝖲𝖸𝖭𝖮𝖯𝖲𝖨𝖲 — today is the day, at last. much less to your own relief, however. attending your wedding in the local prefecture, aomori; and leave once and for all that drenched life in the brothel... let's only hope that you last in your new life.

𝖢𝖮𝖭𝖳𝖤𝖭𝖳 𝖶𝖠𝖱𝖭𝖨𝖭𝖦 — unreliable narrator, bad writing? idk its been a while since i wrote long works, blunt humor, mentions of sex, taboos, historical inaccuracies, unsettling behavior from dazai, possibly poor depictions of Japanese culture, no beta we die like oda

𝖠𝖴𝖳𝖧𝖮𝖱'𝖲 𝖭𝖮𝖳𝖤 — happy new year & rn im screaming crying bc here it is! my first fic after march 30th. please do enjoy to your heart's content~

𝖶𝖮𝖱𝖣 𝖢𝖮𝖴𝖭𝖳 — 3.0k words, partially proofread

CHECK OUT HALF AN HOUR FOR LOVE, OVERVIEW.

Japanese terminology; kamuro - a female child servant who serves courtesans temporarily until they graduate. shinzō - a young female servant, older than the kamuros, who also serves courtesans but has now been fully bought by the brothel. one/ne - to refer an older sister. obasan - "aunt" or "middle-aged woman" in Japanese. kitsune no yomeiri - a folktale about foxes having a wedding. The belief varies between being a good omen or a bad omen. nanakorobi yaoki - Japanese proverb for resilience. kanji - Japanese writing system in the form of borrowed Chinese characters.

Honorifics; chan - Term of endearment. san - One with respect. sama - One with higher respect and is formal. dono - Literally used like "My lord." ue - Denotes a high status.

𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐍𝐈𝐆𝐇𝐓.

It poured rain that day; paint the skies with suspense and tension between the pristine clouds, a sunshower. When a beloved shinzō gingerly applied a sweet shade of peach blush to your cheeks and covered your face in salient white powder; stroking bold, black liner to your lower lid with a thin brush as to regard high standards of beauty whilst you remain aimless to admire the falling drops of water hit the eaves of your dormitory—drip back to the ground. You were at the least comforted with the weather's appearance coming abroad to stay as your companion, however still, oh so not much relaxed with the hour of your wedding ticks close to its arrival. You didn't even have a single chance to know who is taking your hand in marriage, for goodness sake. A subtly, a few weeks back you were informed by a close woman that a fine gentleman is likely interested in getting committed to you...

You've perk at the voice of the 30-year-old shinzō. In question, belongs to beloved friendly Akashi. Genuinely the definition of safe haven in your case if it counts close friends. "Oi, Jun'ai! A fine fellow been's collective to have you as his own, aren't you aware? Madam-sama does keeping 'em around too! By the teahouse." Her accent's rough and undoubtedly native to common farm villages—and also not forgetting to mention that charisma's energetic and careless as ever today, without a doubt of surprise of course. And bright yells as the poor Akashi had such terrible hearing, she'll never know how loud she is. Gushing you over to the area, finding the old lady herself amidst the aftermath of such agreement, dare say. There's a signed paper with extravagant black ink, strokes elegant front of the elder—smirking with pride regardless of you chiming in to inquire about the stranger.

Who, you may ask, but she simply says that it's best to keep it a surprise… You weren't able to keep composure since that day.

As who does that?! Outrageous, utterly outrageous, you'd whisper harsh mutters only thinking about it even a single time in a day. Oftentimes resist the urge of cursing at that damn woman for casting you aside in saving grace for the brothel's funding and, many of other's finances.

Eyeing your dear assistant tuck delicate, golden pins and fine décor to your lovely hair—all you can do in anticipation was hope he was also a good-looking, refined man who wasn't either younger or older than your age. Preferably of status, sure, that's a most likely. He manages to pay double the amount for you to leave your workplace, after all. He has to be, otherwise you're immediately disappointed by your own lack of judgement. You need to be a lot more cruel to yourself, but it hurts plentiful.

"...Nee-san? Are you feeling okay?" Voiced the young 14-year-old. Who consist attentive to adding your makeup to the delicate skin and face. Her face visuals a pit of worry you'd rarely see in this type of workload. You weren't even sure how to react. "I will be all right," Is what you answered reluctantly.

But the shinzō knew you best.

She was drowning into you eyes a lot more personal, and, rather heartwarming. A sigh. "Ōnami-chan, I beg. It's not of high relevance..."

"If it refers to you, then it has to be." The younger girl insists while she timid to touch your sleeve. Still much a grown-up child, sometimes you forget that too... Your fingers met the scalp of your head out of stress and uncertainty of what to put it. "...Trust me now. This can be excused." Despite having this unsaturated need to tell your closest servant everything without regard and loosening the grasps of staying ideally perfect, no complaints.

The only thing you were to offer in the end was a weightless fondle in her neat hair. Affection like being a genuine member of one's family or just reassuring an immature girl who, yes—older and very well more aware, still innocent and a tiny tad bit of cluelessness. Two reasons can go a long way.

Perhaps she wondered to your conflicted state as to why the reaction. The situation at hand is, at least by an outsider's perspective, is dream-like. Watching her older sister, the woman she has served since childhood to be married off to some well-known or not handsome noble of the court. What fantasy, unfortunately it's our reality.

"Nee-san, do you adore him to some degree?" How where you to speak to a question as broad and vague as this... That you were obviously not into a man that you didn't even knew existed, how could one love? "To be frank, I am not the most interested..." Even when the life of nobility and esteemed high ranks sound greatly to one's likely. "I can't help imagine but break the poor man's heart sooner or later if it so be it. Either that or potentially unhappy in my own marriage."

"Will I last more than a month there?"

The answer to such is as unclear as midday mist, compared at even evening's pouring drops of rain.

"...Do me a favor, Ōnami-chan. Visit me once in a while—let's say every other month. Then, must you always be sure that I am well and whether or not I'm returning back to this life. I'll write a letter to a buddhist temple in case."

It was too much to do out your own distrust and anxiety in him, of course. Maybe you're exaggerating, and yet only can the Gods know what may happen in time's passing. The most richest people of them all tends to be the nastiest... Heeding your words, the shinzō smiles.

"Okay!" A certain heartfelt warm in your veins. The little girl Ōnami was sure to keep that to her mind.

With the bare minimum of excitement inside of your heart, you've scurry yourself out of the brothel as a final leave to your old world into the carriage—hurriedly saying spoken goodbyes to the kind workers and fellow courtesans, the sweet little kamuros reckless to play out their times in the stunning gardens and hardworking shinzōs… And, yes, of course—do not forget your Obasan on the way. She might as well demean your name quicker in the whorehouse than disgracing the family bloodline and lineage. That out of your way at last, seated on the backseat as the couch leaves the Red Lantern District. To which, the moving world in the foreground of your eyes although you've went into a state of another faint reverie inside your head. On which the scenery fades and soon, a vivid trance that can only be described as unexplainable. Inexplicable dread to your veins just raises your discomfort knowing that you... You were living fine well enough. But... but of course! Why wouldn't the Madam accept such rising numbers on papers? What else was there to make of the situation than romanticise? You must be at least sicker than a loose serial killer.

Stiff optimism fixates your face. Looking out to the carrier and spot every little couple on the roads complete such mundane tasks together under the rain in a sake of not facing loneliness. You weren't sure of a word anymore on what to do. However, making these ceremonies intercept to that kind of point... Ah, how it sickens. The way of ill that's akin to the waves disrupt your unfortunate stomach during a sail travel. In all actuality—case in point—its sensation were although too alike to what you're going through at the moment attending to the wedding. The silence deafens you to a premature funeral! Hearing voices now seems a lot more comforting.

Alas, onwards moment's finality, the carriage stops to the relief of the body. Motion itself places to a hault and your entourage of men escorts you off the ride with the protection of an umbrella covering your head. Here's when your form itself took full stillness and enters a sort, self-control state. Your movements are gracious as ever but you're definitely not moving as to avail. You could only think what's to come. Relentless. Think of your life, over and endless until the head's decomposed itself into liquids. Not even the presence of the clan head's eldest child manages to snap you out of musing.

"...You should be the luxurious Jun'ai-san, is that correct?" The woman sat across the table from yours. She was calm and obviously held regard to such respect in the house as murmurs and shy stares from young maidens chatter about her in disclose, their own little fantasy, a kind of imagination you've grown used to from those disgusting men in the sex industry. What pigs. You've snapped back, forcing your head to the topic at hand as ahe serves the matcha tea. You nod, "Splendid. Then may you refer to me as Dazai Masako, if you will. I'm glad that you're able to make it to our humble mansion." You twinkle at her words and show signs of flattery—although having heard exchanges like these from wealthy clients in the past... "The pleasure is mine to meet you."

"I'm sure you're aware why I've arrived?" You inquire, to be more certain as Masako then flicks her head. Only for it to fade into a slight, disappointed frown. "...Marry my younger brother Osamu, yes, I'm acknowledged. Pardon my critique, however, kind lady. Except you're prohibited to fully engage with my son." Says the clan head's eldest—the sister—who... Pause, what? Hold on. Now hasn't the supervisor explained to you in person that the wedding's immediate? Today, in particular! "Yes, originally so." Masako clarifies, she gestures to an open windows. "Yet as you may noticed much earlier before entering the abode, the weather is not ideal. Therefore, shall it grant misfortune over the lovebirds and ruin the gathering for guests alike. My sincerest apologies..." White powder stains light to your fingertips as you can't foresee this day getting doubled the horrible! It's a tragedy... In your entire own sense, there is not a single opportunity at chance will you ride a half-soggy carriage of return. You didn't knew the folklore of kitsune no yomeiri migrated to Aomori as well. Dazai-ue continues,

"It would be our honour to offer the comfort hospitality of this house. And I suppose it shan't be an issue for you to see him at once. It surely have been long way here to Aomori, yes? We will discuss the formalities soon after meeting Osamu..." ...Roughly translates to tomorrow. The head of the clan's task for you to see him by now seems too easy, but it had to be some pity.

"...Yes." A reluctant answer to your rose-colored lips. Did the products still look good after cold winds meet the face? "How generous of you, ma'am. I prolong my gratitude. For I, can only but offer a mere humble."

It was what matters. You'll commit to this man whether or not you do fundamentally enjoy it—so might as well take a glance at his face. None double taking as you took another deep breath with a servant leading to his room, finally, you think. Meeting him for the first time, when that gluttonous madam of yours hide him from you. Left to the hands of a darling female maid as she takes you to where he resides, parade the prestigious, elegant halls of your presence and careful to approach that damn door and feast your pure eyes.

Said gentle-hearted patron proceeds to leave your wake upon reaching the door facing front of you right now, a polite bow. Gesturing her leave. and instead went off and serve his... Siblings? Assuming so. As your head catches sights of a small, worn-out family portrait next to the door. Clear to not tell which one is Dazai Osamu. Right, right. Your supposed've, soon-to-be husband and hand in marriage, The Dazai Osamu... It's quite bothersome—ponder what's so special about this name particularly and not the father's? Better question yet, why must every woman gossip with a slither of his mention among useless conversations? Now you can't get Dazai Osamu's name out of your head.

And for one reason.

The noise, bleak and rather frank done as if swift in action, behind you caught you off guard and the little silhouette of that man.

"...Dazai-dono, is that correct?" Is what you've been instinctively told by your own gut to try and receive the brunet noble's attention away from the stillness of beautiful ornamental flowers. Unbothered, frozen in the skilled crafts of capture life through the hands of clay and fine arts. Frightened to your snicker, he awkwardly reaches for his fallen smoking pipe. Well, that should be the one causing the single noise but how on earth is it so full of volume...? Can that be a thing?

"And who else shall it be, the one and only, sweetheart?"

His movements—grace akin to the shows of swan lakes and beautiful doves taking leap to the unknown heavens, clouds, and skies with free, open wings; and boundless to the world beneath thee. A skip to your chest, admiring his facial features—the vague dimples wrinkle his lips and stupid, horrendously stupid, smile. Divine mahogany eyes in the corners of an almond-shape and a few cute baby hairs hang behind those pine-shaded bangs. Dazai softly gestures yourself nearer to him, step on the higher platforms of his room, no matter of what status you are, maybe Dazai spoke quietly. Or forgot to use the mouth. The brunet-haired noble examines the physique of that body of yours and fondly admires your face, even though covered and hidden under all of that makeup, he manages to crack a small smirk. "Forgive me, but... Ah, you're... As beautiful as up close."

It's cost him an expense of his whole sense to control his nerves and desire to have you on his lap, held lovingly—darling—precious. Importantly, as embracing your beloved form to his closely as humanely possible. If you're ingenuous in allowing that off the bat... How shameless of him. "Ah, you must be humbling me, my lord. I don't deserve such remarks so early." Gently, you exclaim. Twist the fan to your liking and cover your mouth of kind elegance and timid meekness. By the celestial Gods above, he's head struck although you didn't start seducing the noble with your pretty long lashes... Dear, it stole the time to apply too! Infatuating. That's less time trying to appear loving to him, sure. Well...

It's hard to be doubtful that he does look to love you in those starry eyes and blunt browns. Even harder to imply whether or not if this factor relies importance.... Keeping close to.

"Oh but I am usually quite certain as to what I say whenever, lovely Jun'ai-chan. So to speak... I don't intend to be harsh." Dazai puts to rest his smoking pipe. Cast away soon after picking it up...

"Spare me a good time and listen, I beg, my dear Jun'ai-chan. I am absolutely certain that this must be the most abnormal thing you'll hear today—or ever—throughout your entire lifetime; yet I cannot be held back. Albeit the humble nature resides me, nanakorobi yaoki." Dazai offers his hand, and so you've placed yours in return soon after Dazai reaches to you. "...Since the parade weeks ago sitting adrift by spring's exposition, you've caught these eyes for yourself." Dazai starts. "I—I can't be helped, guilty as charged! But in its climax, I have hurried my legs to the brothel where you used to live. Then... Respectfully having you became a sort of necessity in my brain."

Who's to guess that this fine, handsome young noble is indeed this selfish—greedy?

Then again, who are you to reflect so hasty? Oh, no. How exactly must you put it with him? "What pleasure." You exclaim, feign shock. "In all truthfulness, I'm much more relieved in hearing those kinds of words from you at the moment..." ...And just what are you thinking?! Saying it dilly-dally won't save you from anything. "I'm not disapproving your ways, Dazai-dono. Matter of fact, I appreciate it." He completes a soft-spoken grin that's both boyish and ugly. Ugly in a way that's good-natured, and whole. Akin to the luminous burning sun which lasts eternal and hurts your eyes... Let us become a bit realistic here:

Dazai's hand takes the kettle of refreshing green tea into his hands then proceed to serve you a cup—along a charming smile. "What a merciful woman you are. I hadn't had a message that you were going to be a forgiving type... Well, shall I cherish upon wondrous setting beneath fallen sakura petals of early bloom; and pray to beloved heavens above—with a drenched heart—must it not go soon."

"A heart for poetry?" It's the first you've taken akin to catch on about Dazai.

A couplet, kind of freeform in a sense amidst those twin lines the noble recited with grace and honour.

"Indeed, belladonna. Let me ask you... As it soothes the soul countless of times, how can one not be compromised into the elegance, intricate, and exquisite lines?" To the rhythm of his voice, endear and charming, he takes a pen between two fingers and strokes across a random bit of paper next to Dazai in idle. "What touching words. I much agree." Was all you managed to reply. His writing was neat, written the kanji for what seems to read 'peafowl.' You felt flustered over closely admiring his movements, notably Dazai's fingers. "May we perform poems until the rising sun meets dew grass and kiss the windows clear?"

You weren't expecting your mouth to speak for itself. You only thought of so as light rain drips slowly and comes to a close. It's presumably the late night by now, time flew.

The young noble smiles with such tender elation at the suggestion at hand between him and you. "It'd be ill-mannered for me to decline, no?" He paints a small portrait of himself, modest, he is more than thrilled at your words, isn't he? Although it was basic splats of ink on paper arranged in a way of ornamental flowers Dazai admired his eyes to.

...Maybe you were being a little too arrogant about him.

𝐭𝐚𝐠𝐥𝐢𝐬𝐭.

@wasdy-san, @inojuuy, @imkwikly, @nonexistence1199, @emyyy007, @coilai, @writingandmusing, @hypocritic-trash-baby

#일본어 귀족 au #my post #—; unclassified fics.#2024/12/28 #bsd #bungou stray dogs #bsd dazai #dazai osamu #bsd dazai osamu x reader #bsd dazai x reader #dazai x reader #dazai x fem reader #dazai osamu x reader #dazai x yn #dazai x y/n #dazai x you

60 notes · View notes

tonycries · 28 days ago

Note

wait what other languages can you speak? (sorry if this has been asked before)

RAHHH okok soooo I'm fluent in English and Sinhala (my native language) ❗❗ And I've been learning it for years, so I also speak French pretty well 🙏🏽

Japanese, Norwegian, and Korean I'm still learning somewhat- but Japanese is so hard with their kanji n' makes me almost wanna give up 😭

I really do wanna learn many more languages though!! My goal is to learn at least ten languages before I die, n' I've started learning ASL lately oml it's saur interesting ☝🏽

#also started tagalog at one point but never continued sawry #it's def on my list to learn though #idk i just love languages #:) anon #tonytalks

62 notes · View notes

elipapayo · 3 months ago

Text

Headcannon last names for the Tulpar 5:

Curly: Curly Anderson

Reasoning: Curly isn't a super popular boys name, so I thought it would be really funny if he had a basic bitch last name. Maybe his parents wanted to give him a unique first name so he wouldn't have an everyman name.

Jimmy (Sorry you had to read that): Jimmy Wilson

Reasoning: It sounded enough like a name I'd read on FBI's most wanted. Also, he doesn't deserve a cool name. So he gets the basic name of Wilson.

Anya: Anya Solovyov

Reason: Anya is a Russian/Spanish version of the name Anna, but I got distinctly Russian vibes from her? So I went with Russian. Solovyov means Nightingale, which is a beautiful bird. I thought Anya deserved something nice. If I were to go the Spanish route, her name would be Anya Figueroa. The reasoning is a bit more complicated. From what I researched, Figueroa loosely means "Fig tree," and although I'm not religious, I always interpreted Anya as someone who would be, or at least came from a religious background. Fig trees are extremely important in some religions and symbolise inner peace. I thought Anya deserved some inner peace.

Swansea: Swansea Jensen

Reasoning: Swansea, as a name, is from Old Norse. Swansea has a modernized version of the name. Since Norse typically came from Northern Europe - mostly Scandinavia, if my memory serves me - I gave him a very common, modern Scandinavian last name. It's pretty popular in America, too. So, is my HC!Swansea from Scandinavia? Maybe, maybe not. Either way, he's a Jensen.

Daisuke: Daisuke Fukuzawa

Reasoning: Daisuke is a Japanese name meaning "Big, Assist" if Google is to be trusted (Don't worry, I didn't rely on the AI overview), And so I decided to go with Japanese for the last name. Fukuzawa, according to Japanesenames.info, has two Kanji in it; Fuku, meaning "Happiness," and Zawa, meaning "Marsh." Daisuke Fukuzawa is a Happy, Helpful Marsh, and he deserves it.

#ayo speaks #swansea mouthwashing #jimmy mouthwashing #mouthwashing spoilers #curly mouthwashing #anya mouthwashing #mouthwashing #cw mouthwashing #headcanon #mouthwashing headcanon

69 notes · View notes

cyziel · 2 years ago

Text

i'm thinking about yosuke again and it makes me so annoyed because of how hard atlus dropped the ball with him. it's very obvious that they made his character arc with the intention of him being a closeted high schooler in the year 2011 that struggles with internalized homophobia who learns to finally accept himself, but then randomly decided to cut out the payoff to all of the setup so it just makes him extremely homophobic. the whole game is about accepting the part of yourself that you hate, and yosuke coming to terms with his bisexuality throughout the course of the story fits into that theme perfectly.

it's small stuff like this and so many other moments that make much more sense with the context of him originally being planned on having a romance route. he projects his idea of "manliness" and what's "right" onto both others and himself to make up for the social stigma placed onto him by society; he's trying to convince himself that he's "normal" so he can fit in. him feeling ostracized because he's the manager of junes' son is a blatant parallel to this, and the two of them could've easily been intertwined.

youtube

"i like you" in japanese is "ore, omae ga suki da" 《俺、お前が好きだ》 -> known as the most common form of a love confession in japan and is almost always used romantically, especially given the context

this is an obviously repressed queer kid who has been struggling to grasp his sexuality and growing feelings for yu; there is so much subtext throughout the game that has all culminated to this moment—or at least, should've culminated to this moment. but it didn't.

funnily enough, i don't think it was atlus projecting their bigotry onto him at first until p4g, but making a genuine attempt at a good character arc that, much like the rest of persona 4, misses the mark in the worst way possible despite being so close to saying something meaningful (cough kanji and naoto). it's like they chickened out at the last second, but "forgot" to take out the parts that just make him a homophobic asshole with the context removed—and then even doubled down on it in p4g lmao. the thing i'm confused about is that hoshino (the former director of the persona series who is extremely disgusting and bigoted) was... already in the company when the lines were recorded??? so i'm baffled as to why they were allowed to come up with it in the first place before deciding against it.

this could've been really great and realistic representation that could've helped other queer people who were going through the same thing yosuke was—especially in the year 2008—and i'm super disappointed that they decided to cut it. persona 4 is about confronting the problematic elements about yourself, and i cannot think of a greater example of this than yosuke and his internalized homophobia.

(bonus: the closet is made out of glass)

#persona 4 #yosuke hanamura #souyo #persona #mine #long post #hardcore yosuke defender he's my special little guy #meta

1K notes · View notes

tenkohibari · 6 months ago

Text

A crazy theory about the traitor of Tokyo Debunker

°°°

I have a theory about who the traitor ghoul could be.

[This is all translated with the translator, I'm sorry for any possible lexical or spelling mistakes, I hope you enjoy my theory]

[Spoilers for everything up to chapter 7]

Okay, I think that they really told us the truth from the beginning.

No, don't go, listen to me--

I think that, in the preface, before the story itself, where they give you to choose a ghoul to supposedly save, that's where the truth lies. Who is the traitor. And that's why I've been studying each of the statements of the 19 ghouls (except for Ed and Lyca) and GUYS I HAVE FOUND SOMETHING.

Before I tell you who I think the traitor is, I'll give you a little introduction: I've studied each of the ways ghouls throw themselves off the terrace and I've found 5 different base drawings, because they are bases that are repeated within the ghouls when they throw themselves off.

For example, base 1 (that's how I called it) is used by Jiro, Alan, Jin, Luca, Leo and Ritsu. I've been looking for ways to relate them to each other, but I haven't found any. Neither between their statements, nor their names, nor their ways of acting in front of MC. I mean, these guys seem to apologize to MC (each in their own way) except for Leo... That said, Leo's statement seemed hopelessly interesting to me, but I'll talk about it in a few paragraphs later. I thought that maybe the Kanji of their initials in Japanese, or maybe the pronunciation of their names in another language give rise to a secret message of why they chose these characters for this pose, or maybe I'm just thinking too much.

Well, the next position, position 2 (according to me, again) is occupied by Yuri, Rui, Taiga and Towa. Here I think the position fits with the boys and their statements, because none of them seem to really want to let you go. That's why they are trying to reach out their hand towards the MC, although perhaps timidly, because they are really accepting their fate.

Position 3, occupied by Tohma, Haku, Haru and Zenji, in their posture they don't try to get close to you in the least. They know they are going to die and they have accepted it. Again, I don't know how to fit it or link them together, but I know that they haven't been chosen at random. In this game nothing is a coincidence.

Position 4, the last one shared between ghouls, is occupied by Kaito, Sho, Romeo and Subaru. Again I don't know how to link them together. Oh well Subaru's statement made me very intrigued, I'll also discuss it later.

Well, and there is ONE LAST POSITION THAT ONLY HAS ONE CHARACTER

That character is Ren. And I think he is the traitor.

WAIT DON'T GO, LET ME EXPLAIN

Now is when you will say "why do you think Ren is the traitor just because of his falling position?" well, WELL. To start with I don't think there are "coincidences" in this game, that is, if they have made an effort to make only one drawing for Ren, there must be a reason, right?

Well, let's analyze his line now step by step:

~~ "This is exactly the reason I didn't want to do this! I knew this was how it would end! What am I doing here? This is all your fault..."

'This is the reason I didn't want to do this'? What does he mean by 'this'? It could be anything, but what if he's talking about betraying MC? Because Taiga never said who the traitor works for. What if he works for Darkwick...?

We can't trust Darkwick, that's become clear throughout the chapters. Also, the ghouls are aware that they're trapped inside the academy, and that's not counting what he did to Lyca. So I don't rule out the possibility that Darkwick was the one who 'hired' our spy, so to speak. Also, from the beginning it's clear that Ren doesn't fit in at Jabberwock, where he was assigned... What is he doing there? What if the academy put him there by rigging the entrance ceremony? Because we all know that Jabberwock is home to a hundred anomalies... And if a student in charge of taking care of them deals with them, it won't look weird. That's why Darkwick brought Ren into Jabberwock and somehow bought him to work there. Because, do you remember the mermaid named by Hyde in chapter 7? The one that's not in Morktranken? The one under Haru's custody? Ren is from Jabberwock, he might know something about it... And have gotten hold of it to give to the patient... Although this deduction leads me to another question: why would the academy do this? Or is Ren working for someone inside the academy, like an independent body...? Like that janitor who appears four times throughout the story, that very suspicious one about whom we know nothing.

Guys, I repeat that in this game COINCIDENCES DO NOT EXIST

'I knew this was how it was going to end!' Ren knew there was something wrong from the beginning? Not even Taiga knew, in his statement he asked us what we had done wrong... And now Ren comes and tells us that he had a bad feeling from the beginning... This causes a lot of doubts. Because what is Ren doing telling us that if he lives always locked in his phone? That only means that he knows more than he says.

'What am I doing here? This is all your fault' To begin with, why does he blame us? Not even Leo (u, damnit bitch) talks to us like Ren does. Also, speaking of Leo, his statement tells us that "I will make those assholes pay for this" IN PLURAL which indicates that the traitor works for someone else and does not do it for his own ideals... With Leo's statement I completely rule out that he is the spy, to tell the truth. But I could be wrong.

Returning to the subject of Ren blaming us, I can only wonder what leads him to that. Why does he blame us? What leads us to the hell in which the game begins...? And why is Ren the only one who blames us while the rest of the ghouls either blame themselves or don't name it. I mean, not even Leo does! This just makes me think more and more that Ren isn't hiding anything good... And I also wonder why Subaru is the only one who blames himself directly. I know his personality is like that... But I can only think of Subaru and his misleading statement... Maybe the company wants us to think badly of him? After all, Professor Moby told us that the Hotarubi ghouls are hiding something. And we don't know if we've really discovered what they're hiding or if we've only seen the tip of the iceberg. And Haku seems pretty suspicious to me too, after telling the principal "have I ever hidden something from you?" BUT WE'RE NOT TALKING ABOUT HAKU RIGHT NOW. I know he's hiding something, but I don't think he's the traitor.

Now let's talk about Ren's position.

He's the only one who, when he jumps off the balcony, really seems like he doesn't want to do it. He's the one who stretches his hand out more emphatically towards MC, as if he were regretting what he's doing, or as if he's doing this because he has no other choice or... I don't know. His very stiff posture towards you just seems suspicious to me.

But that's because I think he's the traitor, right? Maybe I'm thinking too much, right?

Remember guys that this here is JUST A THEORY because there are still many chapters and many tests left to be able to refute what we've seen so far. I'm also a follower of several theories that I will be publishing and outlining in the future.

And I'm not an expert in making theories so if you see holes in this one, DON'T HESITATE TO DEBATE WITH ME IN A RESPECTFUL WAY. I'll be reading you ^^

#tokyo debunker #fan theory #tokyo debunker theory #Tokyo debunker traitor

136 notes · View notes

canmom · 7 months ago

Note

Do you think Hideaki Anno is right-wing or is it too difficult to tell from his works?

Haha that's a question.

I'll focus on nationalism rather than trying to get into, say, gender politics here, since that's the accusation that most seems to follow Anno around.

Anno's politics are... hard to pin down from his work alone, I think. He's like... a prototypical case of that generation of 'apolitical' otaku that followed after the Anpo generation, with Eva pretty much the definitive statement of the 90s psychological turn. But that said... I can definitely see the argument that there are nationalist themes in some of his works like Gunbuster, though I definitely don't buy every reading in this series (lots of dubious kanji reading). He definitely has that otaku fascination with war machinery and war media (apparently he's a big fan of The Battle for Okinawa and watched it over 100 times), which can easily blend into imperialist ideology.

But there's complications here. For example, the Animekritik series cites the setting of Gunbuster in Okinawa as something formative to the nationalist ideology they are trying to illustrate - in part in relation to the ongoing controversy over American military bases in Okinawa. Anno has at least been on record as saying he's disinterested in Western culture, and I can see the reading of Jung-Freud as an external Other who is shown up by the Japanese girls, somehow simultaneously representing the USSR, Europe and the States. But anti-Americanism in Japan can come in both left and right wing flavours (c.f. Anpo). Communists want the Americans out too! Portraying Okinawa as a military training camp in a Japan-led military coalition certainly comes across as a more nationalist take on that whole matter, but I feel like it's got about the same level of serious nationalist commitment as Doctor Who putting random British people all over space.

When Gainax has played around with nationalist imagery it's usually been in a kind of ironic sendup way - see Ash's writeup about the Aikoku Sentai Dai Nippon controversy, in which Daicon Film staff were disdainful at the accusation that their goofy toku film reflected a genuine nationalist sentiment. While Imaishi takes it further, a lot of Anno's work is also about playfully reappropriating past works. In Anno's case a lot of that is classic tokusatsu, Ultraman in particular, and also Leiji Matsumoto's scifi, notably Space Battleship Yamato, which, well... you know the deal there lol. But it's not so simple to go from that to 'Anno is a nationalist'.

Eva doesn't tend to attract these accusations, but I recall the controversy came back around with Shin Godzilla, though to my mind it's hard to find a straightforwardly nationalist reading of that movie. (It's a film about the experience of the earthquake and Fukushima nuclear plant meltdown, and it's critical of Japan's bureaucracy, but equally one where the JSDF repeatedly get their shit handed to them and civilian infrastructure is what actually stops Godzilla - not to mention Godzilla is painted as quite a tragic figure here!) It all feels pretty tenuous.

I haven't seen as many of Anno's live action films as I'd like, so I can't comment as much on the more recent Shin films, Love & Pop, Shiki-Jitsu etc. And it's always possible for subtler allusions to slip by the anglophone viewer. Still, I don't personally think Anno's post-Gunbuster work is particularly nationalist in outlook. I certainly haven't seen any evidence of him favouring, say, war crime denial, anti-Korean sentiment, remilitarisation, etc etc. - he's definitely not as dubious a figure as someone like Hajime Isayama. But it's not like, anti-nationalist either! It's just kind of hard to read in those terms.

So I lean towards your second option, I'm not convinced he's a nationalist or particularly right wing. He happily associates with Hayao Miyazaki, who's definitely not a right wing guy. But Anno'll also let hilariously cooked stuff like whatever On A Gloomy Night was supposed to be into the Animator Expo. So I don't think he's particularly left wing either, he's no Ikuni! But Anno's fiction is very individual focused, full of psychoanalytic themes and internal conflict. He can vividly portray trauma and complex power dynamics. There's a lot to appreciate in works like Eva from a left-wing angle. I don't really know why this association of nationalism follows him around.

Idk, maybe there's a bunch of interviews I'm missing! Presumably you have a reason for asking this question...

#anime #hideaki anno

145 notes · View notes