#Jane Rosenfeld

[carolinemillerbooks]

New Post has been published on Books by Caroline Miller

New Post has been published on https://www.booksbycarolinemiller.com/musings/learning-from-the-apes/

Learning From The Apes

In 2011, Lara Logan, a CBS reporter, was in Cairo’s Tahrir Square covering the Arab Spring celebration– the peaceful overthrow of Hosni Murbaraks’ military dictatorship.   The crowd was jubilant as they sang and danced in the streets, so the reporter was surprised when her translator suddenly shouted, “Run!  Run!”  She did her best to follow him through the swirling crowd but soon lost sight of his back. What followed was an event that made media headlines.   Surrounded by 200-300 men, Logan felt their hands as they tore at her clothes, a frenzy that would not be satisfied until she was naked in their midst. If she cried for mercy, no one heard her.  Instead, countless males jammed their fingers up her vagina or engaged in sodomy before passing her to another as if she were a slab of meat. The entire time, she hung suspended by her arms and legs like an item of wet laundry.  Little wonder that her mind collapsed into a black hole of certainty. “I’m going to die.” Somehow, a knot of women nearby managed to reach out and pull her into their midst. Her nakedness they shielded with their bodies, a barrier that stopped the men in their tracks as if confronted by a tsunami. There was no mistaking the message that blazed from the women’s eyes. “We do not know this victim, but she is female. She is us.” Logan suffered wounds that kept her in the hospital for four days. Healing her psyche would take longer.  Even so, she was lucky.  Two of her male cohorts were killed that day in Tahrir Square. Readers may be surprised to learn that Logan’s claim to have been gang raped wouldn’t hold up in an American court. Rape excludes acts of oral, and statutory rape; rape with an object, finger, or fist. Rape is limited to penis penetration. The other violent act, the law reduces to a charge of assault.  Little wonder that Carrie N. Baker, writing in the Summer 2023 edition of Ms, conclude that women aren’t going to win within the legal system. (pg. 20) The sisterhood Logan experienced is a powerful force for women’s rights but it’s unreliable.  Sojourner Truth, a former slave, pushed her way onto the platform of the Women’s Rights Convention in 1851 where she was initially unwanted.  Finally given her voice, she asked the audience why they’d attempted to exclude her. “Ain’t I a woman?”  Not waiting for an answer, she went on to define the power of sisterhood, a message that those gathered in that room needed to hear. If the first woman God ever made was strong enough to turn the world upside down all alone, these women together ought to be able to turn it back and get it right side up again. So far the women’s movement hasn’t righted the wrongs against their sex. Other social divide them. That’s why Jane Rosenfeld’s new book, The Bonobo Sisterhood should be a primer for every female. An activist and member of Havrad’s Law School, Rosenfeld looks to the apes as a model for female behavior.  Bonobos live in matriarchal societies, proving that male dominance isn’t inevitable. Nor should it be. Patriarchy works against women’s interests and uses sexual coercion to control females as reproductive resources.  (“Be Li kth eBonobos,” by Carrie N. Baker, Ms., Summer 2023, pg. 20.) Bonobs females withstand male aggression by practicing cohesive behavior.  When a male threatens a female in the species, she lets out a special cry.  Hearing it, others of her sex come to her assistance–whether they know her, like her, or are related to her. (Ibid, pg. 21) This unquestioning unity enables the females to contain male aggression. Activist/actor Ashley Judd who wrote the preface to Rosenfeld’s book calls that unity empowerment through empathy. (Ibid, pg. 23) Empathy without regard to race, religion, culture, or political ideology is what Egyptian women gave to Lara Logan on the afternoon of her mass rape.  I’ve extolled that form of sisterhood before. Our mutual security should be our common bond. We owe each other that much loyalty. “Aint we all women?”

[neweramuseum]

NEM Blue 45 - Curated by Rosalie Heller

FEATURED ARTWORKS BY: MaryJane Rosenfeld Nukhet Poda Gofer Judith Gardner Roger Guetta Sara Seldowitz Laurence Brugerie and John Wrather.

[scekrex]

Time for fluff, cause I'm depressed after the angst one 🥲

Adam and reader creating playlists for each other, generally just songs that remind them of each other and the whole thing just being adorable and stuff. Obviously Adam wouldn't be himself if he didn't add a song like "Like hiskey" or "Good Lookin'" by Dixon Dallas 😂😂 But honestly, I feel like he would take it quite seriously, like a task that he decided to fulfill to the best of his abilities and it's up to you what songs exactly you'd like to use, but I really think Adam's playlist for reader would contain "Halo" by Beyoncé and reader's playlist for Adam would contain "Can't Help Falling In love" by Elvis Presley amongst many others. They just listen to their playlists, maybe even in like seperate rooms, each playlist ending approximately around the same time so when they come out of the rooms they just look at each other with the biggest grins and lovesick looks on their faces. The fluff is fluffing in my mind, hoping to fluff you up too, sugar 😉

The fluff is fluffing up my brains babes, your cute ass can fluff me up anytime

Figure you out

pairing: Adam x male!reader

warnings: language

note: not beta read bc fuck you I don't have beta readers

You had been sitting on the couch for at least two hours by now, Adam's head was resting on your lap as the both of you went through Spotify in order to create the perfect playlists for each other. It was harder than you first thought it would be, there were too many songs that reminded you of Adam simply because he listened to them regularly - some of them were even his own fucking songs, how could his own songs not remind you of him?

“How’s it going, big guy?” you asked as you put your phone aside for a moment to run your hand through his soft, messy hair. He hummed, leaned into your touch and closed his eyes to embrace it fully, “Good, I think. Too many songs on this fucking app fit you though, babes, gonna be on it all fucking day.” You chuckled softly, “Let’s reduce it to ten songs then, that way it won't take us all of eternity to listen to every fucking song that's in the playlist.” The brunette thought about it for a moment, then hummed in agreement as he went back to focusing on his current task, you did the same.

With a limit set, it was easier to finish the playlist because not even twenty minutes later both of you were done. You exchanged links and soon after that, Adam got up, stretched himself like a cat would do after a long, resting nap, “I’ll listen to that shit right fucking now, you do the same. We meet back here when we're done, sounds cool?” You playfully saluted him with a small nod, “Sounds cool, Sir.” He mumbled something about what an idiot you were as he took off to do as he had told you. You decided to stay in the living room, it was easier that way.

A quick glance at the tracklist made you grin, tracks like ‘Halo’ by Beyoncé, ‘Like hiskey’ by Dixon Dallas and ‘Do It For Me’ by Rosenfeld caught your attention. Adam had taken that task of creating you a playlist really seriously and you honestly adored it. You hit play and the first song started to play.

Adam threw himself onto the bed once the bedroom door fell shut behind him and he checked the playlist you had made for him with curious eyes. “Fucking ‘Can’t Help Falling In Love’, fucking knew it,” he mumbled to himself as his eyes read titles like ‘Do or Die' by Natalie Jane, ‘Hail to the King' by Avenged Sevenfold and ‘Freak On a Leash’ by Korn. You really knew him that well, huh? Obviously you did, he had married you for a reason after all. His thumb hit the green play button and the beat of the first song started to play.

-

The last song of the playlist Adam had created for you finished and the music stopped entirely as the first man stepped through the bedroom door and therefore entered the living room. “You’re a fucking bitch,” he grinned at you as he crossed the room to stand right in front of you. You were still sitting on the couch and your face was pretty much on crotch level as you shot him an equally wide grin and grabbed his hips to wiggle them a little, “Yet you fucking adore me and would serve me the entirety of earth on a golden platter if I were to ask for it.”

Adam dropped to his knees in order to look you in the eyes properly, “Damn fucking right and you better never forget that, babes.” And with that he leaned in to kiss you softly, there was no intention in deepening the kiss, it was all softness and love. Your hands gently cupped his face as his left hand rested on your jaw, his right hand was being pressed flat against the couch in order to steady himself.

[fearsmagazine]

MONKEY MAN (Red Band) | Trailer & Poster

Oscar® nominee Dev Patel (Lion, Slumdog Millionaire) achieves an astonishing, tour-de-force feature directing debut with an action thriller about one man’s quest for vengeance against the corrupt leaders who murdered his mother and continue to systemically victimize the poor and powerless.

Inspired by the legend of Hanuman, an icon embodying strength and courage, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash.

After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Packed with thrilling and spectacular fight and chase scenes, Monkey Man is directed by Dev Patel from his original story and his screenplay with Paul Angunawela and John Collee (Master and Commander: The Far Side of the World).

The film’s international cast includes Sharlto Copley (District 9), Sobhita Dhulipala (Made in Heaven), Pitobash (Million Dollar Arm), Vipin Sharma (Hotel Mumbai), Ashwini Kalsekar (Ek Tha Hero), Adithi Kalkunte (Hotel Mumbai), Sikandar Kher (Aarya) and Makarand Deshpande (RRR).

Monkey Man is produced by Dev Patel, Jomon Thomas (Hotel Mumbai, The Man Who Knew Infinity), Oscar® winner Jordan Peele (Nope, Get Out), Win Rosenfeld (Candyman, Hunters series), Ian Cooper (Nope, Us), Basil Iwanyk (John Wick franchise, Sicario films), Erica Lee (John Wick franchise, Silent Night), Christine Haebler (Shut In, Bones of Crows) and Anjay Nagpal (executive producer of Bombshell, Greyhound).

Serving as executive producers are Jonathan Fuhrman, Natalya Pavchinskya, Aaron L. Gilbert, Andria Spring, Alison-Jane Roney and Steven Thibault.

Universal Pictures presents a Bron Studios production, a Thunder Road film, a Monkeypaw production, a Minor Realm/S’Ya Concept production, in association with WME Independent and Creative Wealth Media.

From Universal Pictures, in theaters April 5th, 2024.

[volo-omnia]

FUCK YOU, VOLO THEMED PLAYLIST BE UPON YE

KING MALA - Cult Leader

Rosenfeld - Do It For Me

KING MALA - Martyr

Barns Courtney - Sinners

Sam Smith - Unholy (my choice is the Japanese cover by Shayne Orok, but honestly every version of this song works. Alternatively the heavy rock cover by KAYLA KING is also a notable mention)

AmaLee - Drink Your Light

Guchiry - Orthodoxia

GHOST- Honey I'm Home

2WEI - Toxic

Billie Eilish - all the good girls go to hell

(G)I-DLE - Oh My God

IDKHBTFM - Choke

Florence + The Machine - Bedroom Hymns

Voltaire - Almost Human

half alive - creature

NEW ADDITIONS:

Sloppy Jane - Bark Like A God

Gang of Youths - Achilles, Come Down

Billie Eilish - you should see me in a crown

Don't Stop - Innerpartysystem

Hozier - Foreigner's God

Edit: Some of these songs I'm not 100% fit because I'm working on vibe. If you don't see it idk how else to explain it

[ulkaralakbarova]

New York in the 1920s. Max Perkins, a literary editor is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer falls into his hands, Perkins is convinced he has discovered a literary genius. Credits: TheMovieDb. Film Cast: Max Perkins: Colin Firth Thomas Wolfe: Jude Law Aline Bernstein: Nicole Kidman Louise Saunders: Laura Linney F. Scott Fitzgerald: Guy Pearce Ernest Hemingway: Dominic West Zelda Fitzgerald: Vanessa Kirby John Wheelock: Demetri Goritsas Assistant Editor: Harry Attwell Bertha Perkins: Angela Ashton Zippy Perkins: Eve Bracken Julia Wolfe: Gillian Hanna John Wheelock: Corey Johnson Eleanor, Perkins’ Maid: Miquel Brown Scribner’s Staff: Rosy Benjamin Mabel Wolfe: Elaine Caulfield Director: Richard Dempsey Jane Perkins: Katya Watson Peggy Perkins: Lorna Doherty Nancy Perkins: Makenna McBrierty Miss Wyckoff: Lucy Briers James, Mailroom Clerk: Ray Strasser King Scribner’s Staff: David Altaner Scribner’s Staff: Charles Dinsdale Scribner’s Staff: Erick Hayden Scribner’s Staff: Kenneth Hazeldine Scribner’s Staff: Oliver King Scribner’s Staff: Alex Large Scribner’s Staff: Charlotte Longfield Scribner’s Staff: Nick Mercer Scribner’s Staff: Kim Rosenfeld Scribner’s Staff: James Wallace Purring Woman: Katherine Kingsley Guest at Purring Woman’s Table: Richard Clark Guest at Purring Woman’s Table: Stella McCabe Guest at Purring Woman’s Table: Christopher Oram Guest at Purring Woman’s Table: Mike Vessey Actress: Maddie Rice Actor: Ian Drysdale Lighting Technician: Alistair Sanderson Lighting Technician: Alexander Scrivens Woman at Bar: Cassandra Nina Woman at Bar: Pamela Okoroafor Band: Kenji Fenton Band: Neville Malcolm Band: Winston Rollins Band: Chris Storr Band: Frank Tontoh Dancer: Jamal Crawford Dancer: Kemi Durosinmi Dancer: Jo Dyce Dancer: Kevin Ketti Dancer: Lesley Mutombo-Agbepa Dancer: Joshua Robinson Grand Central Station Conductor: Andrew Byron John Hopkins Hospital Nurse: Jane Perry Funeral Minister: James Bierman Effie Wolfe: Trina Dillon Frank Wolfe: Gary Thomsett Frederick Wolfe: Mark Phillimore Film Crew: Producer: Michael Grandage Standby Property Master: Phil Bull Producer: James Bierman Screenplay: John Logan Casting: Jina Jay Costume Design: Jane Petrie Original Music Composer: Adam Cork Editor: Chris Dickens Production Design: Mark Digby Executive Producer: A. Scott Berg Director of Photography: Ben Davis Conceptual Design: Elo Soode Executive Producer: James J. Bagley Makeup Artist: Christine Blundell Makeup Artist: Laura Morse Special Effects Makeup Artist: Nathaniel De’Lineadeus Special Effects Makeup Artist: Chris Lyons Art Direction: Alex Baily Art Direction: Gareth Cousins Set Decoration: Michelle Day Executive Producer: Tim Bevan Executive Producer: Nik Bower Executive Producer: Tim Christian Executive Producer: Ivan Dunleavy Executive Producer: Arielle Tepper Madover Executive Producer: Deepak Nayar Producer: Tracey Seaward Assistant Foley Artist: Lilly Blazewicz Foley Mixer: Glen Gathard Foley Artist: Jack Stew Foley Artist: Andrea King Foley Mixer: Jemma Riley-Tolch Movie Reviews: Reno: **Behind a great writer, there’s a genius editor!** I felt the title ‘Genius’ was not appropriate for how the story revolved in the film. It was more like a commitment and priority given to those undertaking than any other stuffs and that’s why it looked like a genius from others eyes. Though I won’t deny the experience always comes very handy. This film tells the story of ant editor and how he meets one of the best writers of his time. But they two together give the literature world some masterpiece works and that’s the tale the film very genuinely presented to us. This story takes place around the 1930s. An enthusiastic writer and a genius editor develop a strong bond, especially from their professional, but it goes beyond that. When both the families struggle while these two men completely dissolved with their works. So the takes from di...

[abwwia]

Jane Sauer, Concurrence, 1985, waxed linen thread and acrylic paint, 4 1⁄2 x 3 in. diam. (11.4 x 7.5 cm), Smithsonian American Art Museum, Gift of Eleanor T. and Samuel J. Rosenfeld, 2002.8.12

[cannabisbusinessexecutive]

Jane Technologies: Digitizing the Cannabis Retail Experience

Jane Technologies: Digitizing the Cannabis Retail Experience

One of the books that most influenced Socrates Rosenfeld, CEO of cannabis e-commerce platform Jane Technologies, is “The Infinite Game” by Simon Sinek. In the book, Sinek splits the different games that humans play into two categories: finite, and infinite. For a long time, Rosenfeld says, business has been treated like sports where the rules dictate there be a clear winner and clear loser after…

[jesseevelann]

A Long List of Songs From My Playlist I Feel Fit Obito's Vibe.

Psycho by Puddle of Mudd

Sick of It by Skillet

Time of Dying by Three Days Grace

Dont You Dare Forget The Sun by Get Scared

You're Gonna Go Far Kid by The Offspring

Wrong Side of Heaven by Five Finger Death Punch

My Demons by STARSET

The Diary of Jane by Breaking Benjamin

Happy Pills by Weathers

Pain by Three Days Grace

One For the Money by Escape The Fate

Wolf in Sheep's Clothing by Set It Off

Enter Sandman by Metallica

Monster by Skillet

Sucker For Pain by Lil Wayne

I Write Sins Not Tragedies by Panic! At The Disco

Get Out Alive by Three Days Grace

Emperor's New Clothes by Panic! At The Disco

Savior by Rise Against

This Christmas (I'll Burn It To The Ground) by Set It Off

Judas by Fozzy

Numb by Linkin Park

Don't Threaten Me with a Good Time by Panic! At The Disco

House of Memories by Panic! At The Disco

Another Way Out by Hollywood Undead

Sarcasm by Get Scared

House of Wolves by My Chemical Romance

Riot by Three Days Grace

Bodies by Drowning Pool

Animal I Have Become by Three Days Grace

Mz. Hyde by Halestorm

I Don't Care by Fall Out Boy

Apologise by Grandson

Rumors by NEFFEX

Fire Up The Night by New Medicine

Do It For Me by Rosenfeld

Riot by Hollywood Undead

Pit Of Vipers by Simon Curtis

Sleepwalk by Forrest Day

I Hate Everything About You by Three Days Grace

Middle Finger by Bohnes

Blood // Water by Grandson

Afraid by The Neighbourhood

Love Bites (So Do I) by Halestorm

Polarize by Twenty One Pilots

Lights Out by Royal Blood

Teeth by Lady Gaga

Be Gone by Rival

The Ballad of Mona Lisa by Panic! At The Disco

Ghosting by Mother Mother

Dissolve - acoustic by Absofacto

Arms Tonite by Mother Mother

Happy Face by Jagwar Twin

Raging on a Sunday by Bohnes

30 by Badflower

Do I Wanna Know? by Arctic Monkeys

Everywhere I Go by Hollywood Undead

Verbatim by Mother Mother

if you wanna go by Tropic Gold

Chemicals by Tropic Gold

FMLYHM by Seether

White Whale by Shadow Academy

Let It Go by The Neighbourhood

Crawling by Linkin Park

[vintage-every-day]

Mary Jane Russell in dress by Henry Rosenfeld, 1949. Photo by Louise Dahl-Wolfe.

[neweramuseum]

NEM Green 59 - Curated by Anndrea Lewis

Theme: Magic Mushrooms

FEATURED WORKS BY: Noah Fentz, Andrea Gessat, Paul J. Foreman, Margaria Fichtner, MaryJane Rosenfeld, Lee Atwell, Deborah Jane, Patti Anton, Julia Badakhshan.

[sound-art-text]

Barbara London, one of the most influential curators of new media art, presented on her practice and her latest exhibition, Seeing Sound, traveling internationally with ICI through 2025. London reflected on creating a context that gives sound a visual and physical presence, and how artists have engaged with our changing relationship to sound, especially at a time of recalibration and community building.

Seeing Sound challenges ideas about what art in a perpetual state of flux may be, integrating and interrogating sound as a medium through the work of Seth Cluett, Juan Cortés, Iain Forsyth and Jane Pollard, Bani Haykal, Yuko Mohri, Marina Rosenfeld, Aura Satz, and Samson Young. Prioritizing ideas over the use of technology, the artists employ analog and digital tools with irony, humor, poetry and a political edge. London will reflect on creating a context that gives sound a visual and physical presence, and how artists have engaged with our changing relationship to sound, especially at a time of recalibration and community building.

[josiebelladonna]

big four of thrash:

metallica

jane hetfield (full name: jane alana hetfield)

kira hammett

lara ulrich

chloe burton

jacey newsted

roberta trujillo

megadeth

davinia mustaine (full name: davinia skye mustaine)

davinia ellefson

martina friedman

nicole “nikki” menza

christina poland

ginny degrasso

anthrax

josie belladonna (full name: josephine antonina bellardini)

skye ivy rosenfeld

danielle “dani” spitz

francine “frankie” bella

charlcie benante (often stylized “charl-c”)

jane bush

janet donais

roberta caggiano

nelly turbin

slayer

toni araya (full name: tonia esmeralda araya)

kari king

greta holt

jen hanneman

davinia lombarda

honorable mentions:

alice skolnick

danielle lilker

charli billy 

bobbi blitz

lemina kilmister (courtesy of carla!)

brandy dickinson

oli osbourne oli oli oxen free

ronni jane dia

rhonda roads

petra steele

kelly hickey

big four out of seattle:

nirvana

kerry cobain

krista novoselic

davinia grohl

chalice channing

patricia smear

pearl jam

edwina vedder

sandy gossard

jen ament

mikayla mccready

davinia krusen (lots of davinias)

davinia abbruzzese

julie irons

soundgarden

christina cornell

kim thayil (...oh)

berta shepherd

molly cameron

himari yamamoto

skye sundquist

alice in chains

lana staley

judy cantrell

mikayla starr

shana kinney

mikayla inez

wilamina duvall

honorable mentions:

andi wood

teri doyle

mara arm

mara lanegan

berta macmillan

queen buzzy

delany crover

corey love

erica erlandson

[squeeprojectsllc]

“Debbie Rochon grew up in British Columbia, Canada. She was a child of the streets and victim of much abuse until she accidentally ended up in a featured extra role in Paramount's Ladies and Gentlemen, the Fabulous Stains (1982)! The event changed her life, and she saved enough money to move to New York City and study acting. After many years working with numerous theater companies in off-Broadway plays, she started to land small roles in films. Spike Lee's editor Barry Alexander Brown cast her in a featured role in his first directing effort, Lonely in America(1990). Soon the parts grew bigger and bigger and primarily fell in the fear flick genre. After spending three months as a featured extra on the 1980 filmed Ladies and Gentlemen, the Fabulous Stains (1982) movie set, Debbie was still a fledgling actor but took on the female lead in the Leonard Melfi one act play Ferryboat. It was indeed synchronicity for Debbie to cut her acting teeth on a play about the Staten Island Ferry, by 1984 she moved from her home town of Vancouver, B.C. to New York City. For the rest of the 1980s she spent most of her time studying acting at Michael Chekhov Studios under Ted Pugh, Lee Strasberg Institute under Penelope Allen, NYC's Chicago City Limits under David Regal and H.B. Studios under William Hickey, Carol Rosenfeld and Uta Hagen. Debbie spent all her time working in plays on Theatre Row in NYC, mostly in new works by playwrights and shooting NYU thesis films with burgeoning filmmakers. By 1988 she started to land small roles with grind-house indie filmmakers Roberta Findlay and Chuck Vincent. She made two films with each film maker by 1989, in both cases they would be the last, or close to very last, films both directors would helm before retiring. By the early 1990s, Debbie was working with multiple theatre companies in NYC including The Tribeca Lab where she played multiple characters in Stephen DiLauro play The Secret Warhol Rituals. In 1993 Debbie began her career in radio co-producing and co-hosting Oblique Strategies on the terrestrial channel WBAI. 1994 was the beginning for Debbie to land lead roles in film. Abducted II: The Reunion (1995) would be the first, and in 1995 she co-stared in her first Troma produced film Tromeo and Juliet (1996) co-directed by James Gunn and Lloyd Kaufman. This would also be the year Debbie would be given her first writing column which appeared in The Job Bob Report, published by John Bloom. She would also pen for numerous genre publications including The Phantom of the Movies' Videoscope magazine which she still writes for today. Of the multiple roles she would portray by decade's end it would be Hellblock 13 (1999), co-staring Gunnar Hansen, that would begin the wheels turning for a new type of role she would soon be known for. During the 1996-1998-time frame Debbie would co-produce and co-host Illumination Gallery for the internet's first on-line radio station Pseudo Radio. In 2000 director Jon Keeyes cast Debbie in the now cult classic American Nightmare (2002) which garnered much acclaim with legit reviewers and audiences alike. Her role as Jane Toppan would solidify her as a go-to actor for roles of the off-kilter and intense kind. By 2002 Debbie began working for Full Moon Entertainment, starring in four feature films with the company. She continued to write for genre publications and contributed chapters to horror themed books. In 2005 Debbie joined forces with what was then known as Scream TV. The company bought Fangoria magazine and Debbie began producing short documentaries including Fangoria Presents: Slither Behind the Scenes (2006). In 2006 they launched Fangoria Radio for Sirius/XM where she co-produced and co-hosted the show with Twisted Sister front-man Dee Snider until 2010. The following year Debbie was granted her own column in the magazine called Diary of the Deb, the first column written by a woman for the publication, it was nominated for three Rondo Hatton Classic Horror Awards for best column, winning the esteemed statue in 2014. During this decade Debbie also gave critically acclaimed turns in works inspired by some of her favorite classical writers; Tales of Poe (2014) (Edgar Allan Poe), Mark of the Beast (2012) (Rudyard Kipling) and Colour from the Dark (2008) (H.P. Lovecraft). Debbie appeared on the VH1 reality TV show Scream Queens: Episode #2.4 (2010) as a guest judge in 2010. In 2012 she served, with Mira Sorvino, Gabrielle Miller, Tamar Simon Hoffs and Lana Morgan, as part of the first all-female jury at the Oldenburg International Film Festival in Germany. The same year Debbie had her directorial debut with the extreme body-horror film Model Hunger (2016). ETonline.com hailed Debbie as one of the "40 Top Scream Queens of the Past 40 Years" in 2018. Debbie's current writing column, Debbie Rochon's Bloody Underground, appears in the Italian published magazine Asylum. Debbie continues to act in feature films, is writing her book and prepares for her sophomore directing project.” IMDB

[ulkaralakbarova]

A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater. Credits: TheMovieDb. Film Cast: Jack Cunningham: Ben Affleck Dan: Al Madrigal Beth: Michaela Watkins Angela: Janina Gavankar Doc: Glynn Turman Marcus Parrish: Melvin Gregg Brandon Durrett: Brandon Wilson Kenny Dawes: Will Ropp Sam Garcia: Fernando Luis Vega Chubbs Hendricks: Charles Lott, Jr. Bobby Freeze: Ben Irving Devon Childress: da’Vinchi Father Edward Devine: John Aylward Russ: T.K. Carter Diane: Rachael Carpani Kurt: Todd Stashwick Anne: Nancy Linehan Charles Gerry Norris: Dan Lauria Sal: Chris Bruno Coach Lombardo: Matthew Glave Matty (Bartender): Jeremy Ratchford Susan Norris: Jayne Taini Father Mark Whelan: Jeremy Radin Ryan: Nico David Sarah: Emelia Golfieri Sarah: Layla Golfieri Miguel: Sal Velez Jr. Sofia: Yeniffer Behrens Sully – Ref #2: Eric Tate Doctor: Christine Horn Construction Worker #1: Josh Latzer Construction Worker #2: Manny Streetz David: Justice Alan Liquor Store Owner: Jay Abdo Lead Referee: Joshua Hubbard Burly Man: James P. Harkins Employee: Mike G. Betty: April Adams Haley: Chieko Hidaka Student: Bronwen O’Connor Student: Charlotte Evelyn Williams Student: Kayla Diaz Trinity Coach: Doc Jacobs Gale: Marlene Forte Ken: Shay Roundtree Pat: Chad Mountain Summit Coach: Sandy Fletcher Opposing Coach: Noah Ballou Female Friend – Nancy: Cynthia Rose Hall Referee: Calvin Barber Fish Scale Operator: Dino Lauro Bishop Bench Player: Roman Mathis Bishop Bench Player: Herbert Morales Bishop Bench Player: Mateo Ortiz Bishop Bench Player: Tyler O’Malley Ethan (uncredited): Tom Archdeacon Basketball Player 7 (uncredited): Brian Nuesi Denise (uncredited): Edelyn Okano Cheerleader (uncredited): Carly Schneider Mike Ball Boy (uncredited): Caleb Thomas Eric (uncredited): Hayes MacArthur Basketball Player: Alexander Tassopoulos Birthday Party Guest (uncredited): Mason Blomberg Film Crew: Producer: Gavin O’Connor Producer: Jennifer Todd Producer: Gordon Gray Sound Mixer: Steven A. Morrow Producer: Ravi D. Mehta Set Decoration Buyer: Ellen Dorros Boom Operator: Craig Dollinger Utility Sound: Bryan Mendoza Art Direction: Bradley Rubin Costume Design: Cindy Evans Director of Photography: Eduard Grau Editor: David Rosenbloom Executive Producer: Brad Ingelsby Executive Producer: Mark Ciardi Unit Production Manager: Bob Dohrmann Executive Producer: Kevin McCormick Executive Producer: Aaron L. Gilbert Executive Producer: Jason Cloth Executive Producer: Kaitlyn Taaffe Cronholm Executive Producer: Madison Ainley Production Design: Keith P. Cunningham Casting: Wendy O’Brien Co-Producer: Brittany Hapner Original Music Composer: Rob Simonsen Music Supervisor: Gabe Hilfer Unit Production Manager: Victor Ho Second Assistant Director: Kevin Lum First Assistant Director: Jamie Marshall Visual Effects Supervisor: Bruce Jones Set Decoration: Douglas A. Mowat Set Designer: Paul Sonski Assistant Art Director: Linia Marie Hardy Assistant Art Director: Brittany Bradford Graphic Designer: Stephanie Charbonneau Graphic Designer: Andrew Campbell Art Department Coordinator: Michael LaCorte Leadman: Fred Haft Set Decoration Buyer: Jane Madden Stunt Coordinator: Tom McComas Stunts: Oliver Keller Stunts: Courtney Farnsworth Stunts: Allan Graf Stunts: Craigory Glen Hunter Stunts: Lauren Shaw Stunts: B R Lamar Stunts: David Rowden II Property Master: J.P. Jones Assistant Property Master: Rick Chavez Script Supervisor: Steve Gehrke “A” Camera Operator: Peter Rosenfeld Still Photographer: Richard Foreman Jr. “B” Camera Operator: Michael Merriman First Assistant “A” Camera: Stephen MacDougall Second Assistant “A” Camera: Jordan Pellegrini First Assistant “B” Camera: Jesse Cain Second Assistant “B” Camera: Seth A. Peschansky Digital Imaging Technician: Jesse Tyler Music Editor: Curt Sobel Assistant Editor: Anna Rottke First Assistant Editor: Joe Rosenbloom Soun...