#JIMMY‚ ROBERT‚ AND LEE MY BELOVEDS

[fancycolours]

Chicago / May 26th, 2023. ✨

[modernmanblues]

Chicago just recently dropped a cover of Magical Mystery Tour and im just hearing it for the first time today and ASJDAJSDJAJD *SCREECHING* ITS SO BLOODY GOOD IM CRYING IM CRYING IM IN HYSTERICS 😭😭😭

[gillian-greenwood]

My Episode 7 Predictions!

Mother of God! How have these weeks passed by so fast?! I've decided to share what I think will be answered tomorrow night and some of the fates of our beloved characters! The series has gotten off to an even bigger success than it's predecessor and EVERYONE'S talking about it! Without further ado, let's see what I'm predicting!

Who's H/fourth man (or woman) and will we find out?

The question that's on the nation's minds. That has been boggling us since 2017... My personal prediction still stands as CC Philip Osborne, however... I think he's purely sitting on his arse and pulling the strings, whilst others are doing his dirty work. Those people are Patricia Carmichael: who in all honesty I'm manifesting isn't actually bent but is so career driven and a bit of a lick arse that she's just taking orders and not questioning anything, plus she doesn't think much of Ted either... I have joked that she's been shagging Osborne on the side which would be quite funny. I also believe Buckells has been Osborne's true scape goat for years. Someone as laid-back and unpassionate as Buckells is easily manipulated - I mean how the hell has he become a super? As Steve rightfully says, he couldn't order a piss up in a brewery. Seeing the connections go well back into the early noughties whilst Buckells was part of an oasis tribute band, it's an easy conclusion to make. Lastly I will mention Thurwell, now I think Thurwell may have been more involved on his own doing anyway but I think he'd still been pretty busy doing things on behalf of Osborne up until his alleged death in sunny Spain (Belfast but shh). I know a lot of people still think Buckells, some reckon pas-agg Pat is the top woman... and a few still think our beloved Kate is 'H'.

Now the other part of my point is actually finding out... I think us as viewers will certainly know the identity of this mysterious individual. But, I think we'll find out in the very last few seconds and poor AC12 won't be any the wiser which will open up the foundations for a possible series 7. I think a lot of things will be answered for us viewers but not everything for the characters. I know that if they had a series 7 there would be an other primary focus but I just think it would be clever. Just like how we found out as viewers at the end of series 1 that Dot was a wrong'un.

Is Thurwell really dead?

I'm still very amazed by the whole induction of Jimmy Nesbitt as a series of photos. I know we were supposed to have a secretive guest actor appearance and I believe it was Robert Carlyle's name floating about which would have been insane! But that moment we saw Jimmy, I yelled at the screen. So, this answers the question of seeing a character that had only been mentioned previously - which has been very much hiding in plain sight. Even with a rewatch, I had forgotten about Thurwell and therefore hadn't even considered him. But, I did mention the list from series 3 which did loosely tie in. Anyway, when we learned that Thurwell and his Mrs were now dead and clearly had been for a while - it was cleverly shot so we didn't see who it was, only the Spanish Police's word. You know, I think if we were to get a series 7, Thurwell could appear and he's in fact not dead. It's very rare you get a very well known actor in for something so small without it leading to bigger things. Although, they got Andi Osho, a very much loved comedian in purely for archival photos and videos... I do feel that Thurwell could have easily been on the other end of the fake MSN, and doing Osborne's dirty work - especially with the Spanish connection. In a BTS photo we have seen a clue to a piece of paperwork regarding a time share (Spain mentioned) in front of Kate which will likely have a connection to Thurwell and Spain. I think he's possibly still alive but we'll see...

Joanne Davidson

Kelly Macdonald has been welcomed with a very warm reception. Wow, her connection to Tommy Hunter (albeit disturbing, homozygous DNA... nasty business) was not something I ever expected although I guessed very much so when we learned of the DNA match with a nominal. Would I define her as bent? I mean in layman's terms, yes she is. However each guest star has had a very complicated relationship with the definition - all have done dodgy things and usually for good reason... But I do sympathise with her because of her background, born into trouble, it was very hard to escape - even if her mum took her to Scotland for a life away from it all. From the very start of her career she was doing the OCG's bidding and it transpires she was in the police on Tommy's orders - so very much another caddy. I do feel Jo had always wanted to be a good person and do right and in some ways she did - however she's in too deep. Next I'll mention her relationship with Kate and it's something I'd never have predicted. A lot of suggestive and sapphic behaviour from the off. Now, I do think Jo cares deeply for Kate and has developed strong feelings - and I think Kate deep down has also but I don't think anything will happen sadly. And that's more for the fact that they had run out of track before they could even get going as so much has happened. Kate's gonna save Jo when her transport gets ambushed, that's a given... but I don't think we'll see anything happen that we want to happen. I hope I'm very wrong and we get something but with the hour we've got I don't think it'll be the case. And as for her fate? I think she'll survive. Guest leads usually die, eventually... with the exception of Roz who's serving time with one arm in Brentiss. Giving how unfortunate her life has been from her conception, I think it'll do her justice to escape with her life. Witness protection? Hmm perhaps... Although I think she's done enough dodgy stuff to warrant a prison stretch. Will she be instrumental in revealing who the fourth dot is? Well yeah actually, I think she grew up thinking Thurwell was her dad... and of course having connections to both Osborne and Buckells. Jo joined the force just before the turn of the millennium so would have been a copper when the Lawrence Christopher case occurred in 2003. Even though not directly working with them, I'm sure she knew what was going on and would have come across Osborne and Buckells at that time. I have a strong inkling that she knows exactly who she's been talking to and has been under their wing since the start. If she dies I will be gutted.

Kate

Where are we going with Kate? Well she's just killed Ryan (lawfully) and has gotten away with it. But Carmichael isn't thick... and nor is Steve and Ted. They all know but I think that'll be that for now. For ages I thought she was gonna D word but I think she's gonna be alright now. I hope that somehow she gets back into anti-corruption permanently because that's where she's best suited. I'm shocked that she hasn't had a glass box spectacular - my predictions for her to be accused of being bent and all that were way off the mark... and not a single mention of the two dying declarations... With only an hour tomorrow and so much to deal with, I guess that's not going to be mentioned. And Kate ain't gonna be sanctioned either. But, there's always opportunity with a series 7... She'll definitely be back in AC12, interviewing... I can't see all the BTS photos being Jed Herrings. But we'll see tomorrow!

Steve

Poor Steve eh? He's not had an easy time of it. Addicted to painkillers as I rightfully predicted, unable to trust his gaffer, torn on a transfer and a up and down friendship with his 'mate'. Oh and the car, actually let's not talk about the Mazda... Anyhow I believe that Steve will talk about his back and recent struggles with meds after a lot of emails from occupational health. Will he get pulled off the job at the last second because he didn't book an appointment... yeah I think that might happen and Kate takes his place or something. But there is a counsellor or something credited so I'm pretty certain on that. Will he lose his long overdue promotion? It's possible! I don't think the test was going to come back as a fail but more of a cause for concern - just that the levels of codeine etc in his system was higher than it should and it would be best advised to talk to someone. We haven't seen much pill taking going on since the drugs test so has Steve been going cold turkey? Or have they just veered away from that part of the story? In all fairness he's appeared fine with his back since the Windermere convoy - he ran across an industrial estate... I mean. I hope Steve gets a glimmer of hope and happiness because he rightfully deserves it. Ever since the start he's had his fair sharing of aggro and he deserves a break. I do think however he may be partly responsible for nailing the final nails into Ted's coffin - especially after he discovered the 50K up Merseyside and the truth from Lee Banks. I think he could be potentially happy with Steph, it would be nice for something to happen with them but we'll see. Steve needs a big hug.

Ted

This is going to pain me saying it. But, I don't think Ted is going to make it to the end. His retirement is inevitable. I can see the argument of the retirement being rescinded if they unmask the fourth dot etc and solve stuff but realistically, he's past retirement age. He's so focused on getting to the end of this marathon that I don't think he will see it through and know who it is - because he'll... yeah I don't need to say it. How? I've been saying his heart is gonna pack in. He's going to be in deep trouble over that 50k because Steve and Kate know the truth. But why would the likes of Carmichael find out... Well we've seen a clue of 'definate' on some paperwork - I reckon Ted by coincidence also makes this spelling mistake often as it is one of the most commonly misspelt words and therefore will be in the 'H' running again - he wont be 'H' as I reckon Osborne makes the same mistake... He alleges he misspelt it cos he studied the texts carefully but I think he spelt it how he usually would. They'll all go down the wrong path and accuse him which will lead to his ultimate downfall. Another little teaser is Steve appearing to listen to Ted's 2019 glass box spectacular however notably Carmichael says AC12 interview and not AC3... so mixing two different interviews to tease us? Maybe Ted might feel he has no choice but to sacrifice his career for the truth. However it all gets too much. Lies cost lives... I can't see Ted going on from beyond here and Ted was always supposed to be a minor character until he was very well received by the audience and he was made a main character. Realistically, his story is told and he's at his endgame. I hope he survives, by god I do... He's one of the most loved fictional characters at present. But I have a really bad feeling and I'm worried! It seems a total Jed thing to do for Ted to meet his end without ever finding the truth... seeing that's what his heart has been set on for about four years... I'm sorry to even be going there but it's what I think will happen. And I want to be wrong.

Miscellaneous Predictions

I want to round this all off with other little points. Carmichael won't be bent, maybe still involved with anti-corruption, you love to hate her, there's so much more they could do with her character. I don't think Steph's dodgy at all, she's just a widow whose been helped out by Ted in an unlawful way. I think her and Steve would be well suited. I hope Chloe will get to the end and continue on in anti-corruption, she's got a lot of potential. If Osborne isn't sussed, I reckon he'll still be CC. DCC Wise isn't bent either, just getting on with her job. But if Osborne does get caught and I'm wrong, there will be a lot of chaos for both him and Wise. Farida gets out of jail and starts afresh. Buckells I reckon will get out but won't be apart of the police force anymore. Lomax isn't bent, just a regular cop trying to get the work done. The rest of Jackie's remains will be found under the workshop floor, maybe with someone else? God knows who. Or maybe with some evidence that helps lead AC12 on the right track. Steve will still be an officer and Kate will be back where she belongs. There's probably more but my head hurts.

Will there be a series 7?

Yes.

Thank you all for reading my jumbled thoughts all packed into a text post. I'm nervous but excited for tomorrow night's finale. Let's see if I get anything right... probably not...

[tcm]

James Stewart in the 1950s By Susan King

Jimmy Stewart was one of the biggest stars at MGM in 1940s and 1950s. In fact, he had just earned the lead actor Oscar for his indelible comedic performance in THE PHILADELPHIA STORY (‘40) when he became the first major performer to enlist in the U.S. Army in March of 1941, a full eight months before the Japanese attack on Pearl Harbor.

Stewart, then 32, had made his film debut in THE MURDER MAN (‘35) and quickly became a leading man at the studio, earning his first Oscar nomination for his memorable portrayal of an earnest young senator in Frank Capra’s MR. SMITH GOES TO WASHINGTON (‘39). Audiences and critics loved the lanky, tall young man who excelled at playing an Everyman, the boy-next-door who was earnest, kind and often brave. Stewart, who was an experienced amateur flyer, spent a year training pilots at Kirtland Army Airfield and then in the fall of 1943 was sent to England. He ended the war with 20 combat missions, won awards for his service and remained in the USAF Reserve, where he was promoted to brigadier general in 1959. He retired in 1968.

When he returned to films in Capra’s holiday favorite IT’S A WONDERFUL LIFE (‘46), he was 38 years old. He looked older; his hair was graying. He had only been out of the service for a year. There was a gravitas to his performance, a gravitas of someone who had seen the horrors of war. His George Bailey was still the Everyman, but one in despair, someone who is about to commit suicide. He earned his third Oscar nomination for his beloved performance. And, he followed that up with strong turns in the newspaper drama CALL NORTHSIDE 777 and Alfred Hitchcock’s ROPE (both ‘48).

But I think Stewart did his best work in the 1950s. He was certainly adventurous playing flawed, conflicted characters and eccentric individuals. There was a dangerous, nervous cat-like quality to his roles. And there was often a sexiness to his performances. He also worked with some of the best directors, including Hitchcock, Anthony Mann, Billy Wilder and Otto Preminger.

Stewart began his fruitful collaboration with Mann—they made eight films together—with the gritty Western WINCHESTER ’73 (‘50). Mann had made a name for himself in the late 1940s with such low-budget atmospheric films noir as RAW DEAL (‘48). Mann brought a noir sensibility to WINCHESTER ’73, in which Stewart plays the Everyman on the edge doggedly trying to find the Winchester ’73 rifle that was stolen from him, while laser-focused on tracking down the man (Stephen McNally) who stole it and also murdered his father. Stewart is just terrific playing a conflicted man who is filled with rage.

My favorite Stewart-Mann production is THE NAKED SPUR (‘53). In this exceptional Western, Stewart is even more wired. He plays a Civil War vet who lost his land during the war and becomes a bounty hunter. But he more than meets his match with his latest capture, a wily outlaw (Robert Ryan) and the two companions he picks up (Millard Mitchell, Ralph Meeker) to help him. THE NAKED SPUR isn’t just a Western adventure, it’s a psychological one. The scene at the end when Stewart loses it in front of the outlaw’s companion (Janet Leigh) – crying, yelling and shaking with hatred and grief – is an astonishing piece of acting.

Stewart and Mann didn’t just do Westerns. They scored a huge hit with the biopic THE GLENN MILLER STORY (‘54) and STRATEGIC AIR COMMAND (‘55). The latter was close to Stewart’s heart because it revolved around the Air Force and flying. He plays a baseball player who is reactivated in the Air Force to test flight new planes. The film gets bogged down on land when it concentrates on his private life with June Allyson, but he and the film soar when it takes to the air.

The same year he made WINCHESTER ’73, Stewart also began another fruitful collaboration with director Henry Koster. In fact, he received his fourth Oscar nomination for the delightful HARVEY (‘50) based on Mary Chase’s popular Broadway play about an eccentric Elwood P. Dowd, who has an invisible six-foot tall white rabbit named Harvey as his best friend. Stewart had filled in for the part on Broadway in 1947 when star Frank Fay went on vacation. Though Dowd is an alcoholic, the Production Code prevented Koster from showing him taking a drink. Almost 20 years later, Stewart and Helen Hayes appeared on Broadway in a revival of the play, and then in 1972 reprised their roles for a Hallmark Hall of Fame presentation.

The following year, Koster and Stewart teamed up again for the taut British thriller NO HIGHWAY IN THE SKY (’51). Stewart is entirely believable as a brilliant but absent-minded engineer who has a hard time convincing anybody that an expensive new airplane model is not safe. The film also paired him with his DESTRY RIDES AGAIN (’39) leading lady, Marlene Dietrich.

Stewart is probably best remembered in the 1950s for his work with the Master of Suspense in REAR WINDOW (‘54); THE MAN WHO KNEW TOO MUCH (‘56) and VERTIGO (‘58). So much has been written and discussed about those films, all I want to say is that REAR WINDOW and VERTIGO are my two most favorite Hitchcock thrillers, and Hitch had to have really delved into Stewart’s psyche to get that brave, daring turn from the actor in VERTIGO. I know that it’s a polarizing film, but I think it’s brilliant, demanding and a psychological thrill ride. I am still very much on the fence with the only film Stewart made with Wilder, THE SPIRIT OF ST. LOUIS (‘57). 

Based on Charles Lindbergh’s award-winning best-seller chronicling his landmark 1927 flight across the Atlantic to Paris, the film is beautifully shot and consistently engrossing. But the big problem is that Lindberg was 25 when he made the flight and Stewart was 48 when he made the film. Just as with STRATEGIC, Lindbergh’s story was very inspiring to Stewart so, he lost weight, got in shape and lightened his hair to play Lucky Lindy. He’s very charming in the part, but there’s no getting over the fact he’s nearly 50 years old.

Stewart ended the decade with a real crackerjack of a legal drama, Otto Preminger’s ANATOMY OF A MURDER (‘59). Nominated for six Academy Awards, including Best Film, Best Actor for Stewart and Supporting Actor for Arthur O’Connell, ANATOMY OF A MURDER raised more than a few eyebrows for its sexual frankness at the time, with Stewart talking about rape, panties and even semen. He’s perfectly cast as the witty, brilliant small-town attorney who seems to enjoy fishing more than taking cases. He gets the case of his career, though, when he’s hired to defend a hot-tempered Army lieutenant (Ben Gazzara) accused of murdering the man who allegedly raped his wife (Lee Remick).

Stewart has a wonderful rapport with Eve Arden as his longtime secretary who secretly loves him and Arthur O’Connell as his alcoholic buddy, an attorney who gets his mojo back when he helps Stewart on the case. And the scenes his scenes with the flirtatious Remick and George C. Scott as the slick big city prosecuting attorney just couldn’t be better. Nevertheless, Stewart lost the Oscar to Charlton Heston for BEN-HUR (’59). Stewart was presented with an Honorary Award from the Academy in 1985.

[writemarcus]

Jun. 23: Jason Robert Brown, Savion Glover, Priscilla López, Susan Stroman, Marisha Wallace, and Christopher Wheeldon Join I’M STILL HERE: A Virtual Benefit for the Billy Rose Theatre Division Honoring George C. Wolfe and the Late Harold Prince and Celebrating 90 Years of the New York Public Library for the Performing Arts; Tickets for the In-Person Viewing Party are Available Now

Jason Robert Brown, Savion Glover, Priscilla López, Susan Stroman, Marisha Wallace, and Christopher Wheeldon join the cavalcade of stars participating in The New York Public Library for the Performing Arts’ I’m Still Here: A Virtual Benefit for the Billy Rose Theatre Division, airing June 23, 2021 on Broadway On Demand at 8pm EST and 8pm PST. The fundraiser will help raise critical funds for the Library for the Performing Arts’ beloved Theatre Division as it celebrates its 90th anniversary this year.

Tickets to the online fundraiser will be donate-what-you-can, with a recommendation of at least $19.31 in honor of the year the division was founded. To purchase tickets to the one-time-only virtual event, visit StillHereAt90.com.

An in-person viewing party at the Library for the Performing Arts in Lincoln Center for donors has also just been announced, including a pre-screening reception and performance featuring Pulitzer Prize winner Michael R. Jackson (A Strange Loop), and GRAMMY and two-time Tony Award winner Duncan Sheik (Spring Awakening). For details and ticket prices for this limited capacity in- person event, please contact tickets@stillhereat90.com.

An incredibly special aspect of I’m Still Here is that it will feature clips of Broadway productions from the Theatre Division’s Theatre on Film and Tape Archive (TOFT), shown especially for this occasion with special permission from The Coalition of Broadway Unions and Guilds and the respective talent, creative teams and rights holders of each production. These archival recordings are typically only available to view onsite at the Library for the Performing Arts. The recordings shown will include the original Broadway cast of In the Heights; Angela Bassett and Samuel L. Jackson in The Mountaintop; Brian Stokes Mitchell in Ragtime; Glenn Close in Sunset Boulevard; Kelli O’Hara and Paulo Szot in South Pacific; Craig Bierko and Rebecca Luker in The Music Man; Meryl Streep, Marcia Gay Harden and Larry Pine in The Seagull; Savion Glover, Jimmy Tate, Choclattjared and Raymond King in Bring in ‘da Noise, Bring in ‘da Funk; Bette Midler in I’ll Eat You Last; Christian Borle and Tim Curry in Spamalot; and more.

I’m Still Here will also include interviews with Broadway legends and emerging creatives; and reconceived performances of musical theatre songs, including Stephanie J. Block performing “A Trip to the Library,” André De Shields performing “I’m Still Here,” original Company cast members from 1970-to-present performing “Another Hundred People,” “Wheels of a Dream,” “Love Will Find a Way,” and more. The evening’s honorees are Harold Prince and George C. Wolfe.

Featuring new performances and appearances by Troy Anthony (The River Is Me), Annaleigh Ashford (Sunday in the Park with George), Major Attaway (Aladdin), Alexander Bello (Caroline, or Change), Laura Benanti (She Loves Me), Malik Bilbrew, Susan Birkenhead (Jelly’s Last Jam), Shay Bland, Stephanie J. Block (The Cher Show), Alex Brightman (Beetlejuice), Matthew Broderick (Plaza Suite), Jason Robert Brown (The Last 5 Years), Krystal Joy Brown (Hamilton), David Burtka (“A Series of Unfortunate Events”), Sammi Cannold (Endlings), Ayodele Casel (Chasing Magic), Kirsten Childs (Bella), Antonio Cipriano (Mean Girls), Victoria Clark (The Light in the Piazza), Max Clayton (Moulin Rouge!), Calvin L. Cooper (Mrs. Doubtfire), Trip Cullman (Choir Boy), Taeler Elyse Cyrus (Hello, Dolly!), Quentin Earl Darrington (Once on This Island), André De Shields (Hadestown), Frank DiLella (NY1), Derek Ege, Amina Faye, Harvey Fierstein (La Cage aux Folles), Leslie Donna Flesner (Tootsie), Chelsea P. Freeman, Savion Glover (Bring in ‘da Noise, Bring in ‘da Funk), Joel Grey (Cabaret), Ryan J. Haddad (“The Politician”),James Harkness (Ain’t Too Proud), Sheldon Harnick (Fiddler on the Roof), Marcy Harriell (Company), Mark Harris (“Mike Nichols: A Life”), Neil Patrick Harris (Hedwig and the Angry Inch), David Henry Hwang (M. Butterfly), Arica Jackson (Caroline, or Change), Michael R. Jackson (A Strange Loop), Cassondra James (Once on This Island), Marcus Paul James (Rent), Taylor Iman Jones (Hamilton), Maya Kazzaz, Tom Kirdahy (The Inheritance), Leslie Kritzer (Beetlejuice), Michael John LaChiusa (The Wild Party), Norman Lear (Good Times), Baayork Lee (A Chorus Line), L. Morgan Lee (A Strange Loop), Robert Lee (Takeaway), Sondra Lee (Hello, Dolly!), Telly Leung (Aladdin), Priscilla Lopez (A Chorus Line),Ashley Loren (Moulin Rouge!), Allen René Louis (“Jimmy Kimmel Live!”), Brittney Mack (Six), Morgan Marcell (Hamilton), Aaron Marcellus (“American Idol”), Joan Marcus, Michael Mayer (Spring Awakening), Annie McGreevey (Company), Sarah Meahl (Kiss Me, Kate), Joanna Merlin (Fiddler on the Roof), Ruthie Ann Miles (Sunday in the Park with George), Bonnie Milligan (Head Over Heels), Rita Moreno (West Side Story), Madeline Myers (Double Helix), Pamela Myers (Company),Leilani Patao (Garden Girl), Nova Payton (Dreamgirls), Joel Perez (Kiss My Aztec), Bernadette Peters (Into the Woods), Tonya Pinkins (Jelly’s Last Jam), Jacoby Pruitt, Sam Quinn, Phylicia Rashad (A Raisin in the Sun), Jelani Remy (Ain’t Too Proud), George Salazar (Be More Chill), Marilyn Saunders (Company), Marcus Scott (Fidelio), Rashidra Scott (Company), Rona Siddiqui (Tales of a Halfghan), Ahmad Simmons (West Side Story), Susan Stroman (The Producers), Rebecca Taichman (Indecent), Jeanine Tesori (Fun Home), Bobby Conte Thornton (Company), Sergio Trujillo (On Your Feet), Kei Tsuruharatani (Jagged Little Pill), Ben Vereen (Pippin), Jack Viertel, Christopher Vo (The Cher Show), Nik Walker (Ain’t Too Proud), Marisha Wallace (Dreamgirls), Shannon Fiona Weir, Christopher Wheeldon (MJ: The Musical),Helen Marla White (Ain’t Misbehavin’), Natasha Yvette Williams (“Orange is the New Black”), and Kumiko Yoshii (Prince of Broadway).

Click here to watch New York Public Library’s Doug Reside on Backstage LIVE with Richard Ridge.

The virtual benefit is produced and conceived by co-founder of the upcoming Museum of Broadway and four-time Tony nominee Julie Boardman (Company) and Co-Executive Producer of Broadway For Biden Nolan Doran (Head Over Heels), featuring direction by Steve Broadnax (Thoughts Of A Colored Man), Sammi Cannold (Endlings), Nick Corley (Plaza Suite), GRAMMY Award Winner Ty Defoe (Straight White Men), Drama Desk winner Lorin Latarro (Waitress), Mia Walker (Jagged Little Pill) and Tony Award winnerJason Michael Webb (Choir Boy), choreography by Ayodele Casel (Chasing Magic),Lorin Latarro and Ray Mercer (The Lion King), with new music arranged by ASCAP Award winner Rachel Dean (Medusa) and Annastasia Victory (A Wonderful World), with arrangements and orchestrations by Brian Usifer (Frozen). Casting is by Peter Van Dam at Tara Rubin Casting.

Tony Marx is the president of The New York Public Library, William Kelly is the Andrew W. Mellon Director of the Research Libraries,Jennifer Schantz is the Barbara G. and Lawrence A. Fleischman Executive Director of the Library for the Performing Arts, and Doug Reside is the Lewis and Dorothy Cullman Curator of the Billy Rose Theatre Division. Patrick Hoffman is the curator of the Theatre on Film and Tape Archive. Henry Tisch serves as Associate Producer and Travis Waldschmidt is Associate Choreographer. Animation and Motion Graphics by Kate Freer, Graphic Design by Caitlin Whittington, Sean MacLaughlin is Director of Photography and Ian Johnston is B Camera Operator. Dylan Tashjian is Onsite Coordinator with COVID compliance by Lauren Class Schneider.

HOST COMMITTEE: Ted & Mary Jo Shen, Barbara Fleischman, Agnes Gund, Fiona & Eric Rudin, Lizzie & Jon Tisch, Kate Cannova, Joan Marcus, Daisy Prince, Gayfryd Steinberg, Van Horn Group

LIBRARY FOR THE PERFORMING ARTS THEATRE COMMITTEE: Emily Altman, Margot Astrachan, Ken Billington, Julie Boardman, Ted Chapin, Bonnie Comley, Van Dean, Kurt Deutsch, Scott Farthing, Barbara Fleischman, Freddie Gershon, Louise Hirschfeld, Joan Marcus, Elliott Masie, Arthur Pober, Ed Schloss, Morwin Schmookler, Jenna Segal, Ted Shen, Kara Unterberg, Abbie Van Nostrand, Kumiko Yoshii

THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS DOROTHY AND LEWIS B. CULLMAN CENTER houses one of the world’s most extensive combinations of circulating, reference, and rare archival collections in the field of dance, theatre, music and recorded sound. These materials are available free of charge, along with a wide range of special programs, including exhibitions, seminars, and performances. An essential resource for everyone with an interest in the arts — whether professional or amateur — the Library is known particularly for its prodigious collections of non-book materials such as historic recordings, videotapes, autograph manuscripts, correspondence, sheet music, stage designs, press clippings, programs, posters and photographs. The Library is part of The New York Public Library system, which has locations in the Bronx, Manhattan and Staten Island, and is a lead provider of free education for all.

BROADWAY ON DEMAND is the industry-leading livestream platform housing performance & theatre education programming, & the preferred choice of top Broadway artists, producers, educators & professionals. Broadway On Demand has streamed 2,500 events & live productions—from Broadway shows to concert series, performance venues to individual artists, & original content—in 82 countries to over 300,000 viewers. Thanks to a unique licensing interface, ShowShare, approved middle school, high school, college, community & professional theatre productions utilize the platform to stream to their audiences. Broadway on Demand is available on the web, mobile, Apple and Android app store, AppleTV, Roku, Chromecast, and Amazon Fire TV. For access to the complete and ever-expanding Broadway on Demand library, subscribe at BroadwayOnDemand.com.

[kpissfm]

Jan 2021 AutoPilot Grooves

Baby Get Your Thing - Segun Bucknor Dis Moi La VeritéOrchestre Poly - Rythmo De Cotonou Crying Every Night (These Eyes) - Stranger Cole Thoughts - Sounds Of Liberation The Moontrane - Larry Young Check It Out - Tavares Precious to Me - Phil Seymour I Hope You'll Be Unhappy Without Me - Tavares Don’t U Know - Dj Rels Love Dance - Surinam Funk Force Lillemor - Sahib Shihab Enchantment - The Horace Silver Quintet Sgnari Fer You - Evan Pinkis Drum Song Dub - Scientist She's Perfect - Odyssey and Company The Time Is Now - Stranger Cole Jungle Lion - Lee "Scratch" Perry Steal Away - Jimmy Hughes Hot In The City - Billy Idol Susan - Jack Ladder Hacksaw - Brower You Need Love - Muddy Waters East Houston Blues - Rodney Crowell Adventures In Success - Will Powers Jah Light - Love Joys Reality's Monologue - Bruce and Vlady It's Good To Be Here - Digable Planets Dearly Beloved - Sonny Rollins Walk With Me - Dwight Sykes Don't Look Back - Shirley Scott Obsession '77 - Atomic Forest Plight - Charles Tolliver Everglades - Dale Hawkins Groupie (Superstar) - Delaney & Bonnie Lover's Lane - Elias Rahbani Mystic Voyage - The Last Electro-Acoustic Space Jazz & Percussion Ensemble Equipoise - Max Roach Gypsy Without a Song - McCoy Tyner You Make Me Feel - Laura Jean None Of Us Are Free - Solomon Burke Hurt No More - Charles & Eddie Love Dream - Unity & The Downbeats Gimme Some Lovin' - The Spencer Davis Group Guitar Town - Steve Earle Massachusetts - Bee Gees Sonido Amazonico - Los Mirlos Song for Hilary - London Jazz Four Kimba - The Lyman Woodard Organization Soyoyo - Kings Aigbologa Bucknot & His Afrodisk Beat Organisation Israelites - Desmond Dekker Romeo's Tune - Steve Forbert Need You Tonight - INXS Do You Really Want To Hurt Me - Culture Club Hit The Ground Running - Smog Red Cadillac And A Black Moustache - Warren Smith Judgement - Andrew Hill Inner Urge - Joe Henderson Acka Raga - John Mayer She - Jeff Lynne Looking For The Magic - Phil Seymour He Still Calls Me Baby - Josephine Network Stay With Me - Faces Native New Yorker - Odyssey Alias Buster Henry - Clifford Jordan The Prophet - Eric Dolphy Back In My Arms - Robert Palmer To Be Of Use - Smog The Whole Of The Moon - Kirin J Callinan Silence - Dom Don't Be Afraid (Instrumental) - Sky's The Limit Don't Be Afraid - Sky's The Limit Priscilla - The Bobby Hamilton Quintent Unlimited Bear Song - German Oak You Can Have It All - George McCrae Leaving Louisiana in the Broad Daylight - Rodney Crowell Angel - Gavin Friday Kissing You - Des'ree Little Star - Stina Nordenstam I Can't Stand The Rain - Tina Turner I'm On Fire - Dwight Twilley Too Much Heavan - Bee Gees I Can Dream About You - Dan Hartman Naquela Base - Vitor Assis Brasil Changing Man - Power Of Attorney The Thing - Carleen & The Groovers Jungle Strut - Gene Ammons Pop Corn - Omar Khorshid Search Light Blues - Sun Ra Down Here On The Ground - Grant Green African Stomp - Steele Beautttah Always Dubbing - Wackies Zorba The Greek - Mikis Theodorakis Thinking Of You - Sister Sledge Exhale (Shoop Shoop) - Whitney Houston Two Hearts - Chris Isaak Graceland - Charlie Sexton You're So Cool - Hans Zimmer Even Trolls Love Rock And Roll - Tony Joe White Breathe Again - Toni Braxton Bewildered - James Brown

[dweemeister]

2018 Movie Odyssey Awards

And that’s it folks. That’s all the posts they wrote on the 2018 Movie Odyssey. All the films featured here were films that I saw for the first time in their entirety over the last calendar year (the entire list of which you can see here). Except for the Worst Picture category at the bottom, this entire post is a roll call of cinematic excellence. You can’t go wrong with the winners and nominees in these many categories. Submitted for your consumption and reflection...

Best Pictures (I name ten, and never distinguish one above the other nine)

The Blue Angel (1930, Germany)

Charade (1963)

8½ (1963, Italy)

The Heiress (1949)

A Man Escaped (1956, France)

The Philadelphia Story (1940)

Pyaasa (1957, India)

Roma (2018, Mexico)

Shoplifters (2018, Japan)

Stalker (1979, Soviet Union)

This is the first Movie Odyssey Best Picture lineup without an entry from either the 1990s or 2000s. It is the first Best Picture lineup since 2015 without a silent film being among the top ten. But what is not here should detract from the excellence of what is here. There are no 9/10s here... The Blue Angel, Charade, and Pyaasa received 9.5/10s; everything else received a 10/10. From the romantic antics in Charade (as part-spy thriller) and The Philadelphia Story; lust masquerading for love in The Blue Angel and 8½; standing resolutely on one’s own self-worth in The Heiress and Pyaasa; the desperation of A Man Escaped and Stalker; and the modern instant classics of Roma and Shoplifters, this is the best Best Picture slate in the last three years.

Best Comedy

Blondie (1938)

Crazy Rich Asians (2018)

Incredibles 2 (2018)

My Neighbors the Yamadas (1999, Japan)

Overboard (1987)

The Philadelphia Story

Spider-Man: Into the Spider-Verse (2018)

Stowaway (1936)

The Whole Town’s Talking (1935)

Wonder Man (1945)

It didn’t make me laugh the hardest (that goes to Incredibles 2 and Spider-Verse), but The Philadelphia Story managed to reaffirm what is most important in loving someone and seeing in others what isn’t necessarily the most visible thing. Cary Grant, Katharine Hepburn, Jimmy Stewart, and Ruth Hussey are an amazing ensemble. Close behind are those two aforementioned animated movies and another animated peer, My Neighbors the Yamadas. The Whole Town’s Talking also was in the mix.

Best Musical

Girl Crazy (1943)

Grease (1978)

Moon Over Miami (1941)

The One and Only, Genuine, Original Family Band (1968)

Pete’s Dragon (1977)

Pyaasa

Seven Brides for Seven Brothers (1954)

South Pacific (1958)

A Star Is Born (2018)

Stowaway

This category favors musicals that are original, not adaptations. Seven Brides for Seven Brothers would never be made today, because no one would get the satire for its gendered misbehavior. But with its incredible musical score, outstanding choreography, and appealing performances despite a brow-raising plot, it is by far the best musical I saw this year for the first time. Girl Crazy, Family Band, and Pyaasa would have been next up.

Best Animated Feature

The Cat Returns (2002, Japan)

Incredibles 2

Mary and the Witch’s Flower (2017, Japan)

Mirai (2018, Japan)

My Neighbors the Yamadas

Perfect Blue (1997, Japan)

Pom Poko (1994, Japan)

Ralph Breaks the Internet (2018)

Spider-Man: Into the Spider-Verse

The Wacky World of Mother Goose (1967)

There was a lot of separation from the top films and the bottom films in this category. The excellent family comedy My Neighbors the Yamadas sends the late Isao Takahata a winner (its comedy entirely based on Takahata’s strengths in observing human behavior), in what was also the last Ghibli film I needed to see to complete the studio’s filmography. Close behind were Perfect Blue and the best animated feature of 2018, Spider-Man: Into the Spider-Verse.

Best Documentary

The Beatles: Eight Days a Week – The Touring Years (2016)

Don’t Look Back (1967)

Free Solo (2018)

Pick of the Litter (2018)

RBG (2018)

Won’t You Be My Neighbor? (2018)

It was the cinéma vérité of Don’t Look Back versus the emotional power of Won’t You Be My Neighbor? in the end. And at the end, what appealed to me most was the latter. Mr. Rogers was a part of my childhood, and I’m only learning more about him and the lessons he imparted to all his neighbors in my mid-twenties. I never imagined I would be revisiting him now, but here we are! The harrowing (at least, in the final half-hour) Free Solo - dont watch if you’re afraid of heights - was solidly in third in this category.

Best Non-English Language Film

The Blue Angel, Germany

8½, Italy

Floating Weeds (1959), Japan

Gojira (1954), Japan

A Man Escaped, France

My Neighbors the Yamadas, Japan

Pyaasa, India

Roma, Mexico

Shoplifters, Japan

Stalker, Soviet Union

With four entries, this was Japan’s to lose. In what was essentially a toss-up between Federico Fellini and Andrei Tarkovsky, it was the former’s film that will this category for me. I first saw a part of 8½ almost ten years ago now, deleting the recording after realizing there was something about the film that I, as a teenager, could not get. There is only one movie you need to watch, probably, about artist’s block, and that’s 8½. Considered just after that and Stalker are Roma, Pyaasa, and Shoplifters. Gojira - best known to all as Godzilla - was not expected to be here because I once saw the American cut/dub of the film (which cuts a lot of the tragic and allegorical elements). There is no better monster movie than the original Godzilla.

Best Silent Film

Camille (1921)

Caught in a Cabaret (1914 short)

It (1927)

Mabel’s Blunder (1914 short)

Mare Nostrum (1926)

Piccadilly (1929)

Uncle Tom’s Cabin (1927)

West Point (1927)

I honestly did not see enough silent films last year. But that doesn’t take away from how good West Point is - as a drama, a comedy, a romance, and a sports film. Edward Sedgwick’s film juggles a lot of hats, and by sheer charm of its performances, manages to find the right balance. Trailing West Point were Piccadilly and a strong adaptation of Uncle Tom’s Cabin.

Personal Favorite Film

Charade

Christopher Robin (2018)

A Corny Concerto (1943 short)

Gojira

Incredibles 2

The Journey of Natty Gann (1985)

My Neighbors the Yamadas

The Philadelphia Story

The Whole Town’s Talking

Won’t You Be My Neighbor?

1) The Philadelphia Story; 2) Won’t You Be My Neighbor?; 3) The Journey of Natty Gann; 4) Charade; 5) Incredibles 2; 6) My Neighbors the Yamadas; 7) Gojira; 8) The Whole Town’s Talking; 9) Christopher Robin; 10) A Corny Concerto

You folks have no idea how many times my top three switched places while considering this. So much to love about them all. Since I haven’t mentioned Natty Gann yet in my comments, let me do so here. Sometimes, I’m in the mood for a simple, but beautifully shot Disney film out in the wilderness. Meredith Salenger as the title character must make her way from Chicago to Washington state after an unfortunate accident where she is separated from her father. I just adore the nature shots, Natty’s wolfdog companion, and James Horner’s ridiculously beautiful score.

Best Director

Robert Bresson, A Man Escaped

Alfonso Cuarón, Roma

George Cukor, The Philadelphia Story

Stanley Donen, Charade

Guru Dutt, Pyaasa

Federico Fellini, 8½

Hirokazu Koreeda, Shoplifters

Michael Powell, 49th Parallel (1941)

Andrei Tarkovsky, Stalker

William Wyler, The Heiress

A bit of an upset here, but my goodness it takes incredible skill to pull off such social commentary with the amount of artistry Pyaasa does. Ambitious in structure, aesthetic, and thematic approach, it is Guru Dutt who will take this home. Next up would have been Tarkovsky and Fellini.

Best Acting Ensemble

All This, and Heaven Too (1940)

Crossfire (1947)

Cry, the Beloved Country (1951)

The Heiress

Imitation of Life (1934)

A Man for All Seasons (1966)

The Philadelphia Story

The Post (2017)

Shoplifters

Splendor in the Grass (1961)

An excellent set of nominees for Acting Ensemble, with few weak links among them all. They might not be the biggest ensemble, but pretty much everyone is pitch perfect in Imitation of Life - essentially bolstered by its supporting actresses in Louise Beavers and Fredi Washington. The Philadelphia Story in a close second.

Best Actor

Cary Grant, Charade

Emil Jannings, The Blue Angel

Burt Lancaster, Gunfight at the O.K. Corral (1957)

Canada Lee, Cry, the Beloved Country

James B. Lowe, Uncle Tom’s Cabin

Marcello Mastroianni, 8½

Ganjirô Nakamura, Floating Weeds

Sidney Poitier, A Warm December (1973)

Paul Scofield, A Man for All Seasons

Jack Webb, The D.I. (1957)

Paul Scofield, as Sir Thomas More, is a man on a mission - a mission to stop Henry VIII to stop screwing things up even more. Reprising his role from the stage, to me Scofield is clearly the winner as he imbues More with incredible authority yet knowing vulnerability. An astounding, career performance from Scofield is trailed only by Cary Grant and Marcello Mastroianni.

Best Actress

Yalitza Aparicio, Roma

Bette Davis, All This, and Heaven Too

Marlene Dietrich, The Blue Angel

Elsie Fisher, Eighth Grade (2018)

Olivia de Havilland, The Heiress

Audrey Hepburn, Charade

Katharine Hepburn, The Philadelphia Story

Waheeda Rehman, Pyaasa

Anna May Wong, Piccadilly

Natalie Wood, Splendor in the Grass

Olivia de Havilland’s growth throughout The Heiress is downright incredible to watch. How she asserts herself in the final minutes is the culmination of all that has happened up until that point - a film about a woman who finds the strength within herself to state her clearest intentions as pointedly as possible without breaking societal expectations. Just trailing are Yalitza Aparicio (please nominate her for this year’s Academy Awards) and the Hepburns.

Best Supporting Actor

Montgomery Clift, The Heiress

Sam Elliott, A Star Is Born

Rodney A. Grant, Dances with Wolves (1990)

Graham Greene, Dances with Wolves

Bob Odenkirk, The Post

Sidney Poitier, Cry, the Beloved Country

Anthony Quinn, Warlock (1959)

Mickey Rooney, The Black Stallion (1979)

Robert Ryan, Crossfire

Takashi Shimura, Gojira

I don’t know folks, this category seems to like villains. And Robert Ryan’s psychopathic, anti-Semitic murderer is as frightening as a film noir villain can get. Considering what I had seen from Ryan up to this point, there was no preparing me for that. Runners-up include Graham Greene (of Oneida descent), Sidney Poitier, Mickey Rooney, and Takashi Shimura.

Best Supporting Actress

Louise Beavers, Imitation of Life

Stockard Channing, Grease

Wendy Hiller, A Man for All Seasons

Ruth Hussey, The Philadelphia Story

Lesley Manville, Phantom Thread (2017)

Sandra Milo, 8½

Anne Revere, National Velvet (1944)

Millicent Simmonds, A Quiet Place (2018)

Fredi Washington, Imitation of Life

Michelle Yeoh, Crazy Rich Asians

No one could really touch Paul Scofield in Best Actor. Likewise, no one could touch Louise Beavers in Imitation of Life. Yes, Beavers’ role in the film is that of a stereotypical “mammy” at first glance. But looking deeper - and with a major assist from an extremely thoughtful screenplay - Beavers is allowed to give this role so much more than many of her fellow black actresses were ever permitted to have. In a film on racial identity and belonging, she is what makes Imitation of Life tick. The distant challengers were co-star Fredi Washington, Lesley Manville, and Sandra Milo.

Best Adapted Screenplay

Robert Alan Arthur, Warlock

Robert Bolt, A Man for All Seasons

Ruth and Augustus Goetz, The Heiress

Sadayuki Murai, Perfect Blue

Alan Paton and John Howard Lawson, Cry, the Beloved Country

Casey Robinson, All This, and Heaven Too

Donald Ogden Stewart and Waldo Salt, The Philadelphia Story

Arkadi Strugatsky and Boris Strugatsky, Stalker

Jo Swerling and Robert Riskin, The Whole Town’s Talking

Isao Takahata, My Neighbors the Yamadas

Best Original Screenplay

Rodney Ackland and Emeric Pressburger, 49th Parallel

Paul Thomas Anderson, Phantom Thread

Ari Aster, Hereditary (2018)

Robert Bresson, A Man Escaped

Robert Buckner, Dodge City (1939)

Bo Burnham, Eighth Grade

Alfonso Cuarón, Roma

Federico Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi, 8½

William Inge, Splendor in the Grass

Hirokazu Koreeda, Shoplifters

Best Cinematography

Eduard Tisse, Alexander Nevsky (1938, Soviet Union)

Caleb Deschanel, The Black Stallion

William H. Clothier, Cheyenne Autumn (1964)

Dean Semler, Dances with Wolves

Gianni Di Venanzo, 8½

V.K. Murthy, Pyaasa

Philippe Rousselot, A River Runs Through It (1992)

Alfonso Cuarón, Roma

Alexander Knyazhinsky, Stalker

Nicholas Musuraca, Stranger on the Third Floor (1940)

Best Film Editing

 Paul Crowder, The Beatles: Eight Days a Week – The Touring Years

Robert Dalva, The Black Stallion

Jim Clark, Charade

Leo Catozzo, 8½

Tom Cross, First Man (2018)

Eddie Hamilton, Mission: Impossible – Fallout (2018)

Robert Kern, National Velvet

Harutoshi Ogata, Perfect Blue

Ralph E. Winters, Quo Vadis (1951)

Barbara McLean, The Rains Came (1939)

Best Adaptation or Musical Score

S. D. Burman and Sahir Ludhiyanvi, Pyaasa

Adolph Deutsch and Saul Chaplin, Seven Brides for Seven Brothers

Al Kasha, Joel Hirschhorn, and Irwin Kostal, Pete’s Dragon

Alfred Newman, Moon Over Miami

Alfred Newman and Ken Darby, South Pacific

Benj Pasek and Justin Paul, The Greatest Showman (2017)

Walter Scharf, Hans Christian Andersen (1952)

Richard M. Sherman and Robert B. Sherman, The One and Only, Genuine, Original Family Band

Louis Silvers, Stowaway

George Stoll, Girl Crazy

It is one of the few wholly original musicals here. And though its score is not perfect, its highs are some of the best 1950s MGM has to offer.

Best Original Score (eleven nominees because this year’s slate was way too hard to decide on... even the ones I cut)

John Barry, Dances with Wolves

Aaron Copland, The Heiress

James Horner, The Journey of Natty Gann

Akira Ifukube, Gojira

Henry Mancini, Charade

Sergei Prokofiev, Alexander Nevsky

Nino Rota, 8½

Miklós Rózsa, Quo Vadis

Max Steiner, All This, and Heaven Too

Dimitri Tiomkin, The Alamo (1960)

Ralph Vaughan Williams, 49th Parallel

This was the most difficult category to call this year. This was the strongest collection of Best Original Score nominees in a few years, with arguments that could easily be made for John Barry, Akira Ifukube, Nino Rota, Max Steiner, and Dimitri Tiomkin. In the end, it was between the three composers not known for film scores, but their classical music: Aaron Copland, Sergei Prokofiev, and Ralph Vaughan Williams. Prokofiev took third place as I found that the placement of music in Alexander Nevsky paled a bit compared to The Heiress and 49th Parallel. In the end, I went with the Englishman because his distinct sound has never really been replicated for movies, and Vaughan Williams’ works are less available in North America. There are other Copland scores - and some that I feel more strongly about. So in this titanic battle of film score composers, congratulations to Ralph Vaughan Williams!

Best Original Song

“Bless Your Beautiful Hide”, music by Gene de Paul, lyrics by Johnny Mercer, Seven Brides for Seven Brothers

“Candle on the Water”, music and lyrics by Al Kasha and Joel Hirschhorn, Pete's Dragon

“Chaar Kadam”, music by Shantanu Moitra, lyrics by Swanand Kirkire, PK (2014, India)

“Charade”, music by Henry Mancini, lyrics by Johnny Mercer, Charade (1963)

“Gunfight at the O.K. Corral”, music by Dimitri Tiomkin, lyrics by Ned Washington, Gunfight at the O.K. Corral

“Love Is a Many-Splendored Thing”, music by Sammy Fain, lyrics by Paul Francis Webster, Love Is a Many-Splendored Thing (1955)

“Mystery of Love”, music and lyrics by Sufjan Stevens, Call Me by Your Name (2017)

“Rain”, music by Shin'ichi Nakajima, Saori Fujisaki, and Satoshi Fukase, lyrics by Saori Fujisaki and Satoshi Fukase, Mary and the Witch’s Flower

“Shallow”, music and lyrics by Mark Ronson, Lady Gaga, Anthony Rossomando, and Andrew Wyatt, A Star Is Born

“You're the One That I Want”, music and lyrics by John Farrar, Grease

Thanks to all those who participated in the preliminary and final rounds! And even those who didn’t participate but gave me the support power through this. Details are here!

Best Costume Design (TIE)

Konstantin Eliseev, Alexander Nevsky

Orry-Kelly, All This, and Heaven Too

Ruth E. Carter, Black Panther (2018)

Mary E. Vogt, Crazy Rich Asians

Sandy Powell, The Favourite (2018)

Edith Head and Gile Steele, The Heiress

Albert Wolsky, The Journey of Natty Gann

Elizabeth Haffenden and Joan Bridge, A Man for All Seasons

Mark Bridges, Phantom Thread

Herschel McCoy and Joan Joseff, Quo Vadis

You couldn’t make me choose, folks!

Best Makeup and Hairstyling

Peter Frampton, Paul Pattison, and Lois Burwell, Braveheart (1995)

Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick, Darkest Hour (2017)

Samantha Denyer, The Favourite

Colin Arthur, The NeverEnding Story (1984)

Uncredited, Piccadilly

Charles E. Parker, Sydney Guilaroff, and Joan Johnstone, Quo Vadis

Uncredited, Rob Roy: The Highland Rogue (1953)

Amanda Knight and Francesca Crowder, Solo (2018)

Geoffrey Rodway and Biddy Chrystal, The Sword and the Rose (1953)

Perc Westmore, Jean Burt Reilly, and Ed Voight, The Woman in White (1948)

Best Production Design

Iosif Shpinel and Nikolai Solovyov, Alexander Nevsky

Peter Ellenshaw, John B. Mansbridge, Robert McCall, Al Roelofs, Frank R. McKelvy, and Roger M. Shook, The Black Hole (1979)

Hannah Beachler and Jay Hart, Black Panther

Otto Hunte, The Blue Angel

Max Rée, Cimarron

Ted Smith, Dodge City

Piero Gherardi, 8½

Edward Carrere and William L. Kuehl, The Fountainhead (1949)

John Meehan, Harry Horner, and Emile Kuri, The Heiress

William A. Horning, Cedric Gibbons, Edward C. Carfagno, and Hugh Hunt, Quo Vadis

Achievement in Visual Effects

The Absent-Minded Professor (1961)

The Black Hole

First Man

Flight of the Navigator (1986)

GoldenEye (1995)

Licence to Kill (1989)

Mare Nostrum

Mission: Impossible – Fallout

The Rains Came

Ready Player One

Solo

The Sword and the Rose

Tron (1982)

Wonder Man

All films in this category are declared winners. It would be unfair to compare a silent film to the newest Mission: Impossible film, so this is based on visual effects achievement in their respective time.

Worst Picture

Cimarron (1931)

The Curse of the Mummy’s Tomb (1964)

Die Another Day (2002)

It Happened at the World’s Fair (1963)

Kiss & Spell (2017, Vietnam)

The Lost World: Jurassic Park (1997)

Red Barry (1938 serial)

Rob Roy: The Highland Rogue

Tron

The Wacky World of Mother Goose

Holy mother of hell. Rankin and Bass, what did you DO?

Honorary Awards:

Albert R. Broccoli and Harry Saltzman, for stewarding the James Bond series and decades of entertainment

Peter Ellenshaw, for his esteemed career as a matte artist and visual effects wizard

Bill Gold (posthumously), for his artistry in movie poster design

Salt of the Earth (1954), for its courage to speak truth to power, persevering through the judgment of time despite being the only American film ever blacklisted

Vitaphone, for innovative achievements in sound recording

FILMS WITH MULTIPLE NOMINATIONS (excluding Worst Picture... 61) Ten: 8½

Nine: The Heiress

Eight: Charade; The Philadelphia Story

Seven: Pyaasa

Five: All This, and Heaven Too; The Blue Angel; A Man for All Seasons; My Neighbors the Yamadas; Quo Vadis; Roma; Shoplifters; Stalker

Four: Alexander Nevsky; Cry, the Beloved Country; Dances with Wolves; Gojira; A Man Escaped

Three: The Black Stallion; Crazy Rich Asians; 49th Parallel; Grease; Imitation of Life; Incredibles 2; The Journey of Natty Gann; Perfect Blue; Pete’s Dragon; Phantom Thread; Piccadilly; Seven Brides for Seven Brothers; Splendor in the Grass; A Star Is Born; Stowaway; The Whole Town’s Talking

Two: The Beatles: Eight Days a Week – The Touring Years; The Black Hole; Black Panther; Crossfire; Dodge City; Eighth Grade; The Favourite; First Man; Floating Weeds; Girl Crazy; Gunfight at the O.K. Corral; Mare Nostrum; Mary and the Witch’s Flower; Mission: Impossible – Fallout; Moon Over Miami; National Velvet; Spider-Man: Into the Spider-Verse; The One and Only, Genuine, Original Family Band; The Post; The Rains Came; Solo; South Pacific; The Sword and the Rose; Uncle Tom’s Cabin; Warlock; Wonder Man; Won’t You Be My Neighbor?

WINNERS (excluding honorary awards and Worst Picture; 41) 3 wins: The Philadelphia Story

2 wins: 8½; The Heiress; Imitation of Life; Mission: Impossible – Fallout; Pyaasa; Seven Brides for Seven Brothers; Shoplifters

1 win: The Absent-Minded Professor; Alexander Nevsky; All This, and Heaven Too; The Black Hole; Black Panther; The Black Stallion; The Blue Angel; Charade; Crossfire; The Favourite; First Man; Flight of the Navigator; 49th Parallel; GoldenEye; Licence to Kill; Love Is a Many-Splendored Thing; A Man Escaped; A Man for All Seasons; Mare Nostrum; My Neighbors the Yamadas; Quo Vadis; The Rains Came; Ready Player One; Roma; Solo; Stalker; The Sword and the Rose; Tron; West Point; Wonder Man; Won’t You Be My Neighbor?

102 films were nominated in 26 categories.

[esonetwork]

Fall Movie Preview 2019

New Post has been published on https://esonetwork.com/fall-movie-preview-2019/

Fall Movie Preview 2019

Fall movie season is here! This is always my favorite time of the year to see movies. There’s such a wonderful variety of films available to see in theaters. Everything from awards season contenders, indie darlings, and exciting space adventures! Get ready to make your way to the theater because this looks like it’s going to be a great season at the movies. Let’s take a look at what’s coming soon.

SEPTEMBER September 13th The Goldfinch Starring: Ansel Elgort, Oakes Fengley, Nicole Kidman, Finn Wolfhard Bring the tissues and prepare yourself for a rollercoaster of emotions because this is gonna be a wild ride. The Goldfinch is based on the Pultizer Prize winning novel by Donna Tart. This is one of the best books I’ve read recently, but it’s quite an emotional journey. It follows 13-year-old Theo Decker after the traumatic death of his mother in an art museum bombing. It’s a haunting and powerful story about the human condition once grief becomes a prominent force in one’s life. The film is directed by John Crowley with Roger Deakins as director of photography. That’s what I call must-see cinema.

Hustlers Starring: Jennifer Lopez, Constance Wu, Cardi B, Lili Reinhart Based on a New York Times article, former strip club employees band together to hustle their Wall Street Clients during the late 2000’s financial crisis. This looks a bit like the heist of Oceans 8 meets the real world story of Molly’s Game. It has quite a star studded female cast of movie/TV/and music stars and is directed by Lorene Scafaria (Seeking a Friend at the End of the World, The Meddler.)

September 20th Downton Abbey Starring: Michelle Dockery, Maggie Smith, Hugh Boneville, Jim Carter You love Downton Abbey, I love Downton Abbey. Everyone loves Downton Abbey. I can hear the theme song playing in my head just thinking of the movie being released. That’s right, the beloved TV series is coming to the big screen. Hopefully, it won’t be anything like the season 3 finale. (Real fans know the pain and struggle. We can’t go back to that time.) In the film, Downton Abbey will be visited by the royal family. I’m sure it will make for quite an impressive cinematic experience. As a fan of the show, I can’t wait to see it all on the big screen!

Ad Astra Starring: Brad Pitt, Tommy Lee Jones, Liv Tyler Just two months after showing the world that he doesn’t age in Once Upon a Time in Hollywood, Brad Pitt is back and he’s going to space. It makes sense, fall is the only logical time to release a film in the space genre. (The Martian, Interstellar, First Man, Arrival, Gravity were all released in the fall,.) Ad Astra is all about an astronaut who takes on a mission to uncover the truth about his missing father. The film is directed by James Gray (The Lost City of Z, The Immigrant). I just hope Brad Pitt gets to wear his iconic Hawaiian shirt. Audiences demand to see it again.

September 27th Judy Starring: Renée Zellweger, Finn Wittrock, Jessie Buckley, Rufus Sewell There’s nothing like a good biographical drama. Throw in musical numbers and it’s a hit in my eyes. Renée Zellweger stars as the iconic Judy Garland in this biopic that explores her life in 1969 as she arrives in London to perform a series of sold out concerts. Word from the Telluride Film Festival is that Renée Zellweger gives a very strong performance as Judy. Could she have an awards season run on her hands for Best Actress? We’ll see very soon!

OCTOBER

October 4th Joker Starring: Joaquin Phoenix, Robert de Niro, Zazie Beets Joaquin Phoenix stars as the Joker in this standalone film that focuses on the origins of the DC villain. The film received an 8 minute standing ovation at the Venice Film Festival, which seems pretty excessive for any movie. I’m just not a movie applauder. It’s unnatural to me. I’m also not much of a Joker enthusiast so I can’t get too excited about this or the way it seemingly wants me to feel sympathy for the Joker. I don’t. He’s a terrorist. However, this is going to be a huge cinematic event. There are striking similarities to 70’s hit films The King of Comedy and Taxi Driver in the first trailers of the film. Director Todd Phillips clearly wanted to make a unique comic book film and this one will have people talking.

Lucy in the Sky Starring: Natalie Portman, Dan Stevens, Jon Hamm Another space movie! Fall movie season demands it. After returning from space, astronaut Lucy Cola begins to feel withdrawn and disconnected from reality. The film is loosely based on Lisa Nowak, an astronaut who lost her grip on reality after returning to earth after space travel. One thing’s for sure, with a cast including Natalie Portman, Jon Hamm, and Dan Stevens, this one promises some impressive acting.

October 11 Gemini Man Starring: Will Smith, Mary Elizabeth Winstead, Clive Owen An assassin becomes the target of a mysterious government operative who can predict his every move. Soon he finds out that the mysterious operative is a clone of himself. Can Gemini Man help director Ang Lee (Life of Pi, Crouching Tiger, Hidden Dragon) find critical acclaim again after 2016’s underwhelming Billy Lynn’s Long Halftime Walk.

The King Starring: Timothée Chalamet, Robert Pattinson, Joel Edgerton Based on Shakespeare’s Henriad, The King follows Henry V as he takes the throne after his father’s death and navigates a kingdom filled with war, chaos, and political strife. While all of that is very interesting, I think we need to discuss the hair in this movie. First of all, there’s Timothée Chalamet’s bowl cut, which is quite a situation. So very round and tragic. Why Timothée? You know you have great hair, but the bowl cut is not your look! Then, there’s Robert Pattinson’s wig. It’s kind of amazing. The hair in this movie alone is going to keep me entertained for 2 hours. The King will be in limited release theaters on October 11th and begin streaming on Netflix November 1st.

October 18th Zombieland: Double Tap Starring: Woody Harrelson, Jesse Eisenberg, Emma Stone, Abigail Breslin This sequel comes 10 years after the popular zombie comedy first made its way to theaters. A lot has changed for the cast since 2009. Emma Stone has won an Oscar for La La Land, Jesse Eisenberg received a nomination for The Social Network, and Woody Harrelson has appeared in several projects including the Oscar nominated Three Billboards Outside Ebbing Missouri and the critically acclaimed series True Detective. That doesn’t stop this cast for returning for a sequel!  This time around, the team is back in the American heartland to face off against evolved zombies.

The Lighthouse Starring: Robert Pattinson, Willem Dafoe I was initially indifferent towards this movie, but after watching the trailer I have to see it just to solve the mystery of who spilled those beans! Willem Dafoe is going INSANE over it. “Why’d ya spill your beans?” Someone please answer him before he turns into the Green Goblin! This movie is about two lighthouse keepers who try to maintain their sanity while living in seclusion on a remote island in Maine. (It’s also about beans, I think). The cinematography for The Lighthouse has a unique old Hollywood feel that is very intriguing.

Jojo Rabbit Starring: Taika Watiti, Scarlett Johannson, Roman Griffin, Sam Rockwell Taika Waititi (Thor: Ragnarok, Hunt for the Wilderpeople) directs and stars in Jojo Rabbit, an “anti-hate satire” about a young German boy whose imaginary best friend is an idiotic version of Hitler. One day, he discovers that his mother is hiding a Jewish girl in their home and Jojo’s world is turned upside down. There’s no doubt this will be controversial, but the key word here is satire. Taiki Waititi is Jewish himself and the film is obviously making fun of Nazis.

NOVEMBER

November 1st The Irishman Starring: Robert de Niro, Al Pacino, Joe Pesci Martin Scorsese’s long awaited gangster epic is finally premiering this November. The 3 1/2 hour crime drama (Scorsese loves a good 3-hour runtime!) focuses on the life of Frank “The Irishman” Sheeran a mob hitman who played a role in the disappearance of Jimmy Hoffa. Netflix is distributing the film, but it will be available to see in select theaters on November 1st for cinematic purists. It will begin streaming on Netflix November 27th. (Happy Thanksgiving, everyone! Go ahead and watch a 3-hour mafia epic with your family for the holiday! It’s Martin’s gift to you.)

Harriet Starring: Cynthia Erivo, Janelle Monet, Joe Alwyn The true story of Harriet Tubman and her harrowing escape from slavery that eventually led to the Underground Railroad. Cynthia Ervio is going to be amazing in this role! She was such a breakout star in Widows and Bad Times at the El Royale. Can’t wait to see her portrayal of Harriet Tubman.

Terminator: Dark Fate Starring: Mackenzie Davis, Linda Hamilton, Arnold Schwarzenegger The Terminator is back. In yet another installment of the franchise that will last forever, Sarah Connor and a hybrid human must protect a young girl from a newly modified Terminator from the future.

November 8th Doctor Sleep Starring: Ewan McGregor, Rebecca Ferguson, Jacob Tremblay 39 years after The Shining, it’s getting a sequel. Based on the novel by Steven King, Doctor Sleep focuses on an adult Danny Torrance as he meets a girl with similar “shining” powers and tries to protect her from a cult called The True Knot. There’s a lot of talent involved in this project, but The Shining is untouchable in terms of classic movies. There’s no need to make a sequel. Not to mention, this plot summary sounds kind of weak. Consider me very skeptical that this will be good.

Last Christmas Starring: Emilia Clarke, Henry Goulding, Emma Thompson A Christmas rom-com! Let’s jump for joy because a Christmas rom com is making its way to theaters! Last Christmas is all about Kate, a depressed woman working as Santa’s elf in a department store. She keeps bumping into the same man, Tom, who may help her find happiness in the holiday season. Henry Goulding/Emilia Clarke romance+Christmas? Sounds like a recipe for the perfect holiday movie!

Honey Boy Starring: Shia Labeouf, Lucas Hedges, Noah Jupe It’s no secret that Shia LaBeouf has had a chaotic lifestyle in his post-Disney days. It looks like audiences are about to find out what has gone on behind-the-scenes in Honey Boy. The film is written by LaBeouf and follows his own experiences with fame and the strained relationship with his dysfunctional father. Noah Jupe and Lucas Hedges will be playing Shia LaBeouf as a child and teen actor, while Shia LaBeouf will play his own father for a meta twist. As someone who grew up watching Even Stevens and saw Shia LaBeouf’s career progress, this is one of my most anticipated films of the fall.

November 15th Ford v. Ferrari Starring: Christian Bale, Matt Damon, Catriona Balfe American car designer Carroll Shelby and driver Ken Miles attempt to build a revolutionary race car for Ford to battle Ferrari at the 24 hours of Le Mans in 1966. The premise of this movie reminds me a little bit of Ron Howard’s Rush which is a very underrated movie that should be watched if you haven’t seen it.

The Report Starring: Adam Driver, Jon Hamm, Tim Blake Nelson The Report is a political drama about an FBI agent’s investigation into the CIA’s torture practice on suspected terrorists after 9/11. Adam Driver stars in the film and he’s about to have a major fall movie season. The Report and Marriage Story (more on that one a little later) could easily get him awards buzz. In fact, I predict he’ll be nominated for an Oscar for one of those roles. Plus, he’ll be in Star Wars in December. You’ll be seeing a lot of him in the next few months.

Charlie’s Angels Starring: Kristen Stewart, Naomi Scott, Ella Balinska, Elizabeth Banks Did we need another Charlie’s Angels reboot after the 2000’s movie trilogy and the ABC TV show? No. Yet there’s nothing Hollywood loves to more than to reboot a franchise we’ve just seen! This time around the angels are played by Kristen Stewart, Naomi Scott, and Ella Balinski. Elizabeth Banks is directing and co-starring in the project.

November 22nd Frozen 2 Starring: Kristen Bell, Idina Menzel, Josh Gad Anna, Elsa, Kristoff, and Olaf go on an adventure to an enchanted autumn forest to find the origin of Elsa’s powers and save their land. Just when everyone finally got Let it Go out of their heads, Disney is gonna hit us with another Frozen movie. I have to admit, I’m intrigued by the concept of the autumn forest. We need more movies that take place in the fall! It should be it’s own sub-genre.

A Beautiful Day in the Neighborhood Starring: Tom Hanks, Matthew Rhys, Susan Kelechi Watson He’s already played Walt Disney, Captain Phillips, and Sully so it’s fitting that Tom Hanks would play Mr. Rogers on the list of “America’s favorite people” up next. The movie is all about the friendship between Fred Rogers and journalist Tom Junod. I cannot wait to see this. If you haven’t watched the documentary about Fred Rogers called Won’t You Be My Neighbor?, do it before this is released! It’s going to add so much depth to the cinematic experience.

November 27th Knives Out Starring: Daniel Craig, Chris Evans, Jamie Lee Curtis, Toni Collette When a famous crime novelist is found dead on his estate, a detective is enlisted to investigate the family. Knives Out is directed by Rian Johnson (Looper, The Last Jedi) and packed with stars. It looks a bit like Bad Times at the El Royale meets the style of a Wes Anderson movie. I’m very interested in the central mystery at play here, but I can’t lie, Chris Evans is the reason I’ll go to the theater for this.

December 6th Marriage Story Starring: Scarlett Johansson, Adam Driver, Laura Dern This one is gonna be majorly sad, so let’s all take some time to prepare ourselves. A stage director and his actress wife struggle as their marriage falls apart and they proceed with a difficult coast-to-coast divorce. Noah Baumbach (The Squid and the Whale, Frances Ha) directed the film which has already been receiving high praise from early festival screenings. This will definitely draw comparisons to Kramer vs. Kramer and Baumback’s The Squid and the Whale based on the trailer’s tone. The juxtaposition of the couple’s happy memories vs. the court scene at the end of the trailer is just heartbreaking. Marriage Story will be available to stream on Netflix December 6th.

December 13th A Hidden Life Starring: August Diehl, Valerie Pachner, Matthias Schoenaerts Few movies have affected me the way Terrence Malick’s The Tree of Life have. It’s certainly not a movie for everyone, but it works for me. The unconventional narrative, epic cinematography, and orchestral score are unforgettable. Critics from festival screenings have said that A Hidden Life is his best work since The Tree of Life meaning I’ll need to see it ASAP. The film is based on a true story about an Austrian farmer named Franz Jaggerstatter who refused to fight for the Nazis in World War II. The trailer looks beautiful and poetic.

December 20th Star Wars: The Rise of Skywalker Starring: Daisy Ridley, Adam Driver, Oscar Isaac, John Boyega The latest Star Wars trilogy will complete with The Rise of Skywalker. Taking place after The Last Jedi, the members left in the Resistance will face the First Order once again. The conflict between the Jedi and the Sith reaches a breaking point bringing the Skywalker saga to an end. I have so many questions about this movie! Was Kylo Ren actually lying to Rey about her parents in The Last Jedi? Could they really be important people? Will she turn to the dark side like this preview suggests? (I hope not). Why is Palpatine (the villain who died in Return of the Jedi) talking in all of the trailers? Thankfully, J.J. Abrams is returning as director for The Rise of Skywalker to answer all of my questions and hopefully deliver a great Star Wars film.

Jumanji: The Next Level Starring: Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan Jumanji: Welcome to the Jungle was one of the biggest surprise box office hits in recent years, appealing to people of all age groups. It’s no surprise that The Next Level is being released so quickly after the massive success of Welcome to the Jungle. This time around, the group goes back into the game, but a few of their grandfather’s are sucked in as well. That means Kevin Hart will be playing Danny Glover and Dwayne Johnson will be portraying Danny DeVito.

Cats Starring: Francesca Hayward, Jason Derulo, Judi Dench, Jennifer Hudson, Taylor Swift Forget Star Wars, forget A Beautiful Day in the Neighborhood, forget A Hidden Life. Disregard everything on this list. Cats is going to be the cinematic moment of 2019! That CGI? Legendary! The actors could have worn cat suits or make up like the stage play, but director Tom Hooper decided that this is the 21st century…time to try out a new technique called digital fur technology! So now this movie exists. It’s difficult to describe what this digital fur technology looks like, but it’s not cats. I will say the trailer was released with plenty of time before the movie gets to theaters so there’s hope that the finished product will look way better than the original trailer. If I’m being totally honest, I love anything musical, so I’m totally going to see this.

December 25th Little Women Starring: Saoirse Ronan, Timothée Chalamet, Meryl Streep, Laura Dern Greta Gerwig’s highly ancitipated second film is a remake of the beloved Louisa May Alcott novel, Little Women. You all know the story, but I’ll do a quick plot recap anyway. Little Women is told through the eyes of Jo March as she recounts her life growing up with her 3 sisters: Meg, Amy, and Beth. Each have their own distinct personalities, but have a very strong bond with each other. The film reunites Saoirse Ronan and Timothée Chalamet as Jo March and Laurie for a mini-Lady Bird reunion. It also contains a little Big Little Lies reunion with Meryl Streep and Laura Dern. What a great Christmas day release!

That concludes this Fall Movie Preview! As you can tell, there are tons of movies releasing this season in all genres. What are you most excited to see this fall?

[fancycolours]

Robert, Lee, and Jimmy. (August 19th, 2024.) ⭐

📸 Photos taken by Mike White

[citizenscreen]

The first image that comes to mind when I think of Cary Grant is the classy gentleman that ultimately became his signature style. Most brilliant of all in Grant’s impressive repertoire perhaps was his ability to add the bumbling to the suave sophisticate. That’s the man I adore, but that man didn’t come about easily. It was hard work and perseverance that led to the archetype that’s still recognized as the domain of just one man. One.

Cary Grant was born Archibald Leach in Bristol, England on January 18, 1904. From 1932 to 1966 he appeared in over 70 motion pictures becoming one of the greatest movie stars in the world. Ever. And that’s not an exaggeration as you well know. Beloved and admired by the masses and his peers Grant mastered various film genres turning in memorable performances in broad comedies, murder mysteries, adventure stories and romances.

On that road to becoming Cary Grant the image, Cary Grant the actor played men with numerous careers and from different walks of life. It’s quite the impressive resume, one that goes well beyond a gorgeous exterior. Why don’t I show you?

The Cary Grant Résumé

Cary Grant

 1 Handsome Movie Star Way, Hollywood, CA 01184 – (000) 227-9472 – archie_leach@thegreatest.com

Summary:

At least twelve rich, playboy types if you don’t include the five successful businessmen.

Ten soldiers

Six newspaper men/writers

Six doctors/scientists

Five artistic types

Four government agents

Three pilots

Three advertising executives

Two supernatural beings

One Earl, a policeman, an engineer, a lawyer, an economist, a politician, a few unsavory types, half a dozen or so times involved in espionage.

The handsome, rich bachelor often, but was also a loving husband and father to several women and numerous children

Highlights:

Hard-working and reliable

Energetic, well-executed pratfalls

Distinctive double-take

Proficient at fast-talk

Style Icon

Unique voice

Exceptional romantic skills

Great with pets and children

*Experience:

Rich men and playboys (1932 to 1962)

Philip Shayne in Delbert Mann’s That Touch of Mink (1962)

Johnnie Aysgarth in Alfred Hitchcock’s Suspicion (1941)

C. K. Dexter Haven in George Cukor’s The Philadelphia Story (1940)

Alec Walker in John Cromwell’s In Name Only (1939)

Jerry Warriner in Leo McCarey’s The Awful Truth (1937)

Ernest Bliss in Alfred Zeisler’s The Amazing Adventure (1936)

Gerald Fitzgerald in Elliott Nugent’s Enter Madame! (1935)

Jack Clayton in Wesley Ruggles’ I’m No Angel (1933)

Jeffrey Baxter in Paul Sloane’s The Woman Accused (1933)

Romer Sheffield in William Seiter’s Hot Saturday (1932)

Charlie Baxter in Dorothy Arzner’s Merrily We Go to Hell (1932)

Ridgeway in Alexander Hall’s Sinners in the Sun (1932)

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  Businessman (1934 to 1966)

Sir William Rutland in Charles Walters’ Walk Don’t Run (1966)

(and widower) Tom Winters in Melville Shavelson’s Houseboat (1958)

Clemson Reade in Sidney Sheldon’s Dream Wife (1953)

Julian De Lussac in Frank Tuttle’s Ladies Should Listen (1934)

Malcolm Trevor in Lowell Sherman’s Born to be Bad (1934)

PS – If you’re thinking that Cary Grant as business man looks very similar to Cary Grant rich playboy – well, yeah.

  Men of science (1934 to 1951)

Physician, Dr. Noah Praetorius in Joseph L. Mankiewicz’s People Will Talk (1951)

Chemist, Dr. Barnaby Fulton in Howard Hawks’ Monkey Business (1952)

Neurosurgeon, Dr. Eugene Norland Ferguson in Richard Brooks’ Crisis (1950)

Pediatrician, Dr. Madison Brown in Don Hartman’s Every Girl Should Be Married (1948)

Paleontologist, David Huxley in Howard Hawks’ Bringing Up Baby (1938)

Plastic Surgeon, Dr. Maurice Lamar in Harlan Thompson’s Kiss and Make-Up (1934)

  Soldiers (1932 to 1959)

Lt. Cmdr. Matt T. Sherman in Blake Edwards’ Operation Petticoat (1959)

Cmdr. Andy Crewson in Stanley Donen’s Kiss Them for Me (1957)

Anthony in Stanley Kramer’s The Pride and the Passion (1957)

Captain Henri Rochard in Howard Hawks’ I Was a Male War Bride (1949)

Captain Cassidy in Delmer Daves’ Destination Tokyo (1943)

Sergeant Cutter in George Stevens’ Gunga Din (1939)

Captain Andre Charville in George Fitzmaurice’s Suzy (1936)

British Officer, Micahel Andrews in Charles Barton’s and Louis J. Gasnier’s The Last Outpost (1935)

Lietenant B. F. Pinkerton in Marion Gering’s Madame Butterfly (1932)

Lt. Jaeckel (naval officer) in Marion Gering’s Devil and the Deep (1932)

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  Writers and newspaper men (1934 to 1944)

Mortimer Brewster in Frank Capra’s Arsenic and Old Lace (1944)

Reporter, Roger Adams in George Stevens’ Penny Serenade (1941)

Patrick “Pat” O’Toole in Leo McCarey’s Once Upon a Honeymoon (1942)

Walter Burns in Howard Hawks’ His Girl Friday (1940)

Reporter Charlie Mason in Richard Wallace’s Wedding Present (1936)

Newspaper publisher, Porter Madison III in Marion Gering’s Thirty Day Princess (1934)

  Spies or government agents (1933 to 1964)

Including this one because it borders on “spying” –  Walter in Ralph Nelson’s Father Goose (1964)

Peter Joshua in Stanley Donen’s Charade (1963)

Devlin in Alfred Hitchcock’s Notorious (1946)

Captain Cummings in Lowell Sherman’s She Done Him Wrong (1933)

  Con men, grifters, a thief and a politician (1932 to 1955)

Retired Cat Burglar in Alfred Hitchcock’s To Catch a Thief (1955)

Gambler and grifter, Joe “the Greek” Adams in H. C. Potter’s Mr. Lucky (1943)

Con man, Nick Boyd in Rowland V. Lee’s The Toast of New York (1937)

Con man, adventurer, Jimmy Monkley in George Cukor’s Sylvia Scarlett (1935)

Gambler, Ace Corbin in Louis J. Gasnier’s and Max Marcin’s Gambling Ship (1933)

Nick Townsend in Josef von Sternberg’s Blonde Venus (1932)

  Pilots (1933 to 1939)

Geoff Carter in Howard Hawks’ Only Angels Have Wings (1939)

Ken Gordon in James Flood’s Wings in the Dark (1935)

Henry Crocker in Stuart Walker’s The Eagle and the Hawk (1933)

  Men of the arts (1937 to 1957)

Nickie Ferrante in Leo McCarey’s An Affair to Remember (1957)

Dick Nugent in Irving Reis’ The Bachelor and the Bobby-Soxer (1947)

Cole Porter in Michael Curtiz’s Night and Day (1946)

(Crooked) Showman Jerry Flynn in Alexander Hall’s Once Upon a Time (1944)

Jimmy Hudson in Robert Riskin’s When You’re in Love (1937)

  Drifters, activists, miscellaneous fellows or regular Joes (1932 to 1944)

Ernie Mott in Clifford Odets’ None But the Lonely Heart (1944)

Mill worker and activist, Luopold Dilg in George Stevens’ The Talk of the Town (1942)

Farmer, Matt Howard in Frank Loyd’s The Howards of Virginia (1940)

Johnny Case in George Cukor’s Holiday (1938)

Film debut as javelin thrower/jealous husband, Stephen Matthewson in Frank Tuttle’s This Is the Night (1932)

  A lawyer, an economist and an engineer (1940 to 1958)

Economist, Philip Adams in Stanley Donen’s Indiscreet (1958)

Engineer, George Rose in Norman Taurog’s Room for One More (1952)

Lawyer, Nick Arden in Garson Kanin’s My Favorite Wife (1940)

  Advertising executives (1948 to 1959)

Roger O. Thornhill in Alfred Hitchcock’s North by Northwest (1959)

Jim Blandings in H. C. Potter’s Mr. Blandings Builds His Dream House (1948)

  An Earl (1960)

Victor, Earl of Rhyall in Stanley Donen’s The Grass is Greener (1960)

  A police officer/detective (1936)

Danny Barr in Raoul Walsh’s Big Brown Eyes (1936)

  An angel and a ghost (1937 and 1947)

Dudley in Henry Koster’s The Bishop’s Wife (1947)

George Kerby in Norman Z. McLeod’s Topper (1937)

  References:

“the only actor I ever loved in my whole life.” – Alfred Hitchcock

Ian Fleming modeled pop culture phenomenon, James Bond partially with Grant in mind.

Has appeared on numerous “sexiest stars” and “greatest movie stars” lists.

On American Film Institute’s list of top 100 U.S. love stories, compiled in June 2002, Grant led all actors with six of his films on the list. An Affair to Remember (1957) was ranked #5; followed by: #44 The Philadelphia Story (1940) #46 To Catch a Thief (1955) #51 Bringing Up Baby (1938) #77 The Awful Truth (1937) #86 Notorious (1946).

Was named #2 on The Greatest Screen Legends actor list by the American Film Institute.

Has eight films on the American Film Institute’s list of the 100 Funniest Movies: Bringing Up Baby (1938) at #14, The Philadelphia Story (1940) at #15, His Girl Friday (1940) at #19, Arsenic and Old Lace (1944) at #30, Topper (1937) at #60, The Awful Truth (1937) at #68, Mr. Blandings Builds His Dream House (1948) at #72 and She Done Him Wrong (1933) at #75.

“The greatest leading man to ever appear on the silver screen.” – Aurora

“You see, he didn’t depend on his looks. He wasn’t a narcissist, he acted as though he were just an ordinary young man. And that made it all the more appealing, that a handsome young man was funny; that was especially unexpected and good because we think, ‘Well, if he’s a Beau Brummel, he can’t be either funny or intelligent’, but he proved otherwise” – George Cukor

He received a special Academy Award for Lifetime Achievement in 1970. The inscription on his statuette read “To Cary Grant, for his unique mastery of the art of screen acting with respect and affection of his colleagues”. On being presented with the award, his friend Frank Sinatra announced: “It was made for the sheer brilliance of acting … No one has brought more pleasure to more people for so many years than Cary has, and nobody has done so many things so well”.

Audrey Hepburn in Charade, “Do you know what’s wrong with you? Nothing.”

Additional references available upon request.

♦

As I perused Cary Grant’s filmography for this post I noticed a few things I’d never realized. The first is that there are far too many Cary Grant movies I’ve yet to see. Then I noticed that Cary Grant never made a science fiction movie, which is interesting. In addition, Mr. Grant never made a Western. Huh. It seems he did forge a few Western connections, however. For instance, Grant appeared as himself in a cameo in Mervyn LeRoy’s Without Reservation (1943) starring Claudette Colbert and Westerns legend, John Wayne and he turned the Northwest upside down in Hitchcock’s 1959 masterpiece.

Anyway, no one can dispute Mr. Grant’s versatility as his resume illustrates. When one thinks of a “Jack of all trades” it’s usually followed by “master of none,” a person who can do passable work at various tasks, but does not necessarily excel at any of them. That is not Cary Grant. Cary Grant excelled at everything he attempted in the movies, which is why the mark he made is still felt. As film critic and historian David Thomson states in The New Biographical Dictionary of Film – Cary Grant “was the best and most important actor in the history of the cinema.” I’ll add that it was due to his versatility and the persona that is forever defined by only him that his importance as an actor and film icon never diminishes. There is only one man who has a resume like Cary Grant. When asked, “who is today’s Cary Grant?” filmmaker, Robert Trachtenberg who made Cary Grant: A Class Apart replied, “No one.”

NO ONE.

♦

Happy birthday wherever you are.

  *Notes: Mr. Grant’s film roles are separated by categories of my choosing in the resume. Keep in mind that there are quite a few instances where roles (categories) overlap. As such any number of roles can be noted under a few categories, but I chose not to repeat movies.

More on Cary Grant:

The A-B-Cs of Cary Grant

The Inimitable Voice of Cary Grant

Cary Grant: The Road to Suspicion

Cary Grant’s Greatest Co-Star, Irene Dunne

Self-Plagiarism is Style: Hitchcock, Grant and North by Northwest

Charade: Grant, Hepburn and Paris Never Looked Better

The Bishop’s Wife 

Howard Hawks in His Own Words

SHE DONE HIM WRONG, Will Hays

High Society in The Philadelphia Story

The Hitchcock Signature

Set a Thief…To Catch a Thief

The Awful Truth…the matter of Mr. Smith

Cary Grant is by far the actor that has been mentioned most often on Once Upon a Screen. Oh, and by the way, Mr. Grant made two movies with titles that begin “Once Upon a…”

Cary Grant’s Résumé The first image that comes to mind when I think of Cary Grant is the classy gentleman that ultimately became his signature style.

[bountyofbeads]

How we will remember our boss, Chairman Elijah Cummings: Moral clarity in all he did

He listened to us, respected us, trusted us and was truly proud of us. He had so much left to accomplish, but he has left it for us to complete.

Current and former staff of Rep. Elijah Cummings  | Published October 25, 2019 | USA Today | Posted October 25, 2019 |

As current and former congressional staff of the late Rep. Elijah E. Cummings, chairman of the House Oversight and Reform Committee, we had the great honor and privilege of working with him over the course of more than two decades.

Many public figures have praised the chairman in recent days, extolling his unmatched integrity, courageous leadership and commitment to service and justice. To these well-deserved tributes, we would like to add our own eulogy, based on our experience working by his side.

He was inspiring, both in public and even more so in private. He brought moral clarity to everything he did, and his purpose was pure — to help those among us who needed it most. He taught us that our aim should be to “give a voice to the voiceless,” including families whose drinking water had been poisoned, sick patients who could no longer afford their medicine and, most of all, vulnerable children and “generations yet unborn.”

'WHAT FEEDS YOUR SOUL?'

Whether in a hearing room full of members of Congress or in a quiet conversation with staff, his example motivated us to become our best selves in the service of others.

He was genuine. He insisted on personally interviewing every staff member he hired so he could “look into their eyes.” Each of us has a personal memory of sitting down with him for the first time, and it was like nothing we had experienced before. He would ask why we were interested in public service, how we thought we could contribute and what motivated us.

Then he would lean in and ask in his low baritone voice, “But … what feeds your soul?”

More than a few of us left those interviews with tears in our eyes, perhaps feeling that we had learned more about ourselves than about him. He made that kind of personal connection with everyone he met, from the people of his district, to witnesses who testified at hearings, to whistleblowers who reported waste, fraud or abuse. Since his passing, we have been inundated with messages from many whose lives he touched.

BE EFFICIENT AND SEEK 'HIGHER GROUND'

He was demanding. He would boast that he had the hardest working staff in Congress and that he sometimes would call or email us in the middle of the night, which was absolutely true. His directive to be “effective and efficient in everything you do” still rings in our ears.

In exchange, he listened to us, respected us and trusted us. He made sure we knew he was truly proud of us — memories we each now cherish. The result of his unwavering support was fierce loyalty from every member of his staff. We committed to doing everything in our power to fulfill his vision.

He was a unifying force, even in this era of partisanship. He would command order with a sharp rap of his gavel, elevate debate by noting that “we are better than that” and urge all of us to seek “not just common ground, but higher ground.”

Guided by his faith and values, he would look for and bring out the good in others, forming bridges through human connection.

WE ARE HERE 'ONLY FOR A MINUTE'

He fully grasped the moment in which we are now living. He invoked history books that will be written hundreds of years from now as he called on us to “fight for the soul of our democracy.” As he said, this is bigger than one man, one president or even one generation.

He was acutely aware of his own transience in this world. He reminded us repeatedly that we are here “only for a minute” and that all of us soon will be “dancing with the angels.”

He would thunder against injustice, or on behalf of those who could not fight for themselves, and he would vow to keep battling until his “dying breath.” He did just that. His final act as chairman came from his hospital bed just hours before his death, as he continued to fight for critically ill children suddenly in danger of deportation.

He had so much left to accomplish, but he has left it for us to complete. As he told us presciently, “These things don’t happen to us, they happen for us.”

Grateful he was part of our destiny

It is difficult to describe the emptiness we now feel. His spirit was so strong, and his energy so boundless, that the void is devastating.

But, of course, he left us with instructions: “Pain, passion, purpose. Take your pain, turn it into your passion, and make it your purpose.” He lived those words, and he inspired us to do the same.

Sometimes, after a big event, he would take us aside for a quiet moment and say, “I just want to thank you for everything you do and for being a part of my destiny.”

Today, we thank him for being part of ours. And we commit to carrying forward his legacy in the limited time allotted to each of us — to give voice to the voiceless, to defend our democracy, and to always reach for higher ground.

The authors of this tribute are current and former staff of the late House Oversight Committee Chairman Elijah Cummings, D-Md., whose funeral is Friday. Their names are below:

Aaron D. Blacksberg, Abbie Kamin, Ajshay Charlene Barber, Alex Petros, Alexander M. Wolf, Alexandra S. Golden, Aliyah Nuri Horton, CAE, Amish A. Shah, Amy Stratton, Andy Eichar, Angela Gentile, Esq., Anthony McCarthy, Anthony N. Bush, Aryele N. Bradford, Ashley Abraham, Ashley Etienne, Asi Ofosu, Asua Ofosu, Ben Friedman, Bernadette "Bunny" Williams, Beverly Ann Fields, Esq., Beverly Britton Fraser, Brandon Jacobs, Brett Cozzolino, Brian B. Quinn, Britteny N. Jenkins, Candyce Phoenix, Carissa J. Smith, Carla Hultberg, Carlos Felipe Uriarte, Cassie Fields, Cecelia Marie Thomas, Chanan Lewis, Chioma I. Chukwu, Chloe M. Brown, Christina J. Johnson, Christopher Knauer, Dr. Christy Gamble Hines, Claire E. Coleman, Claire Leavitt, Courtney Cochran, Courtney French, Courtney N. Miller, Crystal T. Washington, Daniel Rebnord, Daniel Roberts, Daniel C. Vergamini, Darlene R. Taylor, Dave Rapallo, Davida Walsh Farrar, Deborah S. Perry, Deidra N. Bishop, Delarious Stewart, Devika Koppikar, Devon K. Hill, Donald K. Sherman, Eddie Walker, Elisa A. LaNier, Ellen Zeng, Emma Dulaney, Erica Miles, Fabion Seaton, Ferras Vinh, Fran Allen, Francesca McCrary, Frank Amtmann, Georgia Jenkins, Dr. Georgia Jennings-Dorsey, Gerietta Clay, Gina H. Kim, Greta Gao, Harry T. Spikes II, Hope M. Williams, Ian Kapuza, Ilga Semeiks, Jamitress Bowden, Janet Kim, Jaron Bourke, Jason R. Powell, Jawauna Greene, Jean Waskow, Jedd Bellman, Jenn Hoffman, Jennifer Gaspar, Jenny Rosenberg, Jess Unger, Jesse K. Reisman, Jessica Heller, Jewel James Simmons, Jill L. Crissman, Jimmy Fremgen, Jolanda Williams, Jon Alexander, Jordan H. Blumenthal, Jorge D. Hutton, Joshua L. Miller, Joshua Zucker, Julia Krieger, Julie Saxenmeyer, Justin S. Kim, K. Alex Kiles, Kadeem Cooper, Kamau M. Marshall, Kapil Longani, Karen Kudelko, Karen White, Kathy Crosby, Katie Malone, Katie Teleky, Kayvan Farchadi, Kellie Larkin, Kelly Christl, Kenneth Crawford, Kenneth D. Crawford, Kenyatta T. Collins, Kevin Corbin, Jr., Kierstin Stradford, Kimberly Ross, Krista Boyd, Kymberly Truman Graves, Larry and Diana Gibson, Laura K. Waters, Leah Nicole Copeland Perry, LL.M.,Esq., Lena C. Chang, Lenora Briscoe-Carter, Lisa E. Cody, Lucinda Lessley, Madhur Bansal, Marc Broady, Marianna Patterson, Mark Stephenson, Martin Sanders, Meghan Delaney Berroya, Michael F Castagnola, Michael Gordon, Michell Morton, Dr. Michelle Edwards, Miles P. Lichtman, Mutale Matambo, Olivia Foster, Patricia A. Roy, Paul A. Brathwaite, Paul Kincaid, Peter J. Kenny, Philisha Kimberly Lane, Portia R. Bamiduro, Rachel L. Indek, Rebecca Maddox-Hyde, Regina Clay, Ricardo Brandon Rios, Rich Marquez, Richard L. Trumka Jr., Robin Butler, Rory Sheehan, Roxanne (Smith) Blackwell, Russell M. Anello, Safiya Jafari Simmons, Sanay B. Panchal, Scott P. Lindsay, Sean Perryman, Senam Okpattah, Sonsyrea Tate-Montgomery, Susanne Sachsman Grooms, Suzanne Owen, Tamara Alexander Lynch, Theresa Chalhoub, Timothy D. Lynch, Todd Phillips, Tony Haywood, Tori Anderson, Trinity M.E. Goss, Trudy E. Perkins, Una Lee, Valerie Shen, Vernon Simms, Wendy Ginsberg, William A. Cunningham, William H. Cole, Wm. T. Miles, Jr., Yvette Badu-Nimako, Yvette P. Cravins, Esq., Zeita Merchant

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Widow of Elijah Cummings says Trump’s attacks on Baltimore ‘hurt’ the congressman

By Jenna Portnoy | Published October 25 at 12:44 PM ET | Washington Post | Posted October 25, 2019 |

BALTIMORE — The widow of Rep. Elijah E. Cummings said at his funeral Friday that attacks by President Trump on the congressman’s beloved hometown “hurt him” and made the final months of his life more difficult.

Maya Rockeymoore Cummings, who is chairwoman of the Maryland Democratic Party, said her husband was trying to protect “the soul of our democracy” and fighting “very real corruption” as chairman of the House Committee on Oversight and Reform, where he played a central role in investigating the Trump administration.

Trump lashed out at Cummings this summer, calling Baltimore, the heart of his district, a “rat-infested” place where no one would want to live. Cummings did not respond directly to the attacks, but his wife said Friday that they left a lasting wound.

Rockeymoore Cummings spoke near the end of a lengthy funeral program at New Psalmist Baptist Church, where Cummings worshiped for decades — showing up regularly on Sunday mornings for the 7:15 a.m. service. Still to come were eulogies by former presidents Bill Clinton — who visited the church with Cummings in the 1990s — and Barack Obama, the nation’s first black commander-in-chief.

Sen. Elizabeth Warren (D-Mass.), a 2020 presidential contender, recited the 23rd Psalm at the start of the service, which Rockeymoore Cummings said her husband planned down to the last detail.

House Speaker Nancy Pelosi (D-Calif.), who also grew up in Baltimore, gave remarks, along with former congressman and NAACP leader Kwesi Mfume (D-Md.), Cummings’s daughters, brother, mentors, friends and a former aide. Attendees included former vice president Joe Biden, also a 2020 Democratic presidential contender, and Maryland Gov. Larry Hogan (R).

Former U.S. senator, secretary of state and Democratic presidential nominee Hillary Rodham Clinton called Cummings “Our Elijah,” thanking his family and constituents of Maryland’s 7th District for sharing him “with our country and the world.”

“Like the prophet, our Elijah could call down fire from heaven. But he also prayed and worked for healing,” Clinton said. “Like the prophet, he stood against the corrupt leadership of King Ahab and Queen Jezebel.”

The people in the packed sanctuary clapped and cheered.

Cummings was “a fierce champion of truth, justice and kindness ... who pushed back against the abuse of power,” Clinton added. “He had little tolerance for those who put party ahead of country or partisanship ahead of truth.”

A schedule showed that each speaker was allotted about five minutes at the podium — a time limit that several quickly ignored.

The congressman’s oldest daughter, Jennifer Cummings, 37, delivered a powerful eulogy extolling her father as a seasoned political leader whose most important role was as a dad.

Cummings told her he was amazed he could hold her in one hand when she was born. “This life, my life, in your hand,” she said. He wanted her to know her “rich brown skin was just as beautiful as alabaster, or any color of the rainbow” and insisted on buying her brown dolls so she could appreciate what was special about her.

His other daughter, Adia Cummings, asked the dozens of members of Cummings staff to stand. “I’m so sorry you lost someone who was so much more than a boss to you,” she said.

James Cummings, the congressman’s younger brother, said the family called Elijah Cummings by the nickname “Bobby,” and recalled how the congressman was haunted by the death of his nephew, a student at Old Dominion University, up through his final days.

Mourners began lining up at the church at 5 a.m., the Baltimore Sun reported. By 7 a.m., traffic was backed up a half-mile away from the church, which seats nearly 4,000. A choir sang and clapped as mourners filed into the concert hall-like sanctuary.

A pastor read Bible passages through the public address system, and one of the white-gloved ushers recited the words along with him, from memory. Clips of Cummings speaking in Congress played on huge video screens above the open casket, which was surrounded by massive sprays of flowers.

“In 2019, what do we do to make sure we keep our democracy intact?” he said in one video.

Cummings, who had been in poor health in recent years, died Oct. 17 at age 68. He often said he considered it his mission to preserve the American system of government as the nation faced a “critical crossroads.”

But Cummings, the son of sharecroppers, was also a lifelong civil rights champion known for his efforts to help the poor and the struggling, and to boost the fortunes of his struggling hometown.

Just after 10 a.m., mourners at New Psalmist sprang to their feet and waved their hands as the Clintons and former vice president Joe Biden, also a 2020 candidate, walked in. The cheers grew louder when Obama followed, taking his place next to Maya Rockeymoore Cummings, the congressman’s widow, in the front row. Together, they sang along to the opening hymn.

As gospel singer BeBe Winas performed, a woman near the back wiped her eyes with a handkerchief. He sang: “Tell me, what do you do when you’ve done all you can / And it seems, it seems you can’t make it through / Well you stand, you stand, you just stand.”

The crowd obeyed.

Cummings was honored Wednesday at Morgan State University in Baltimore, a historically black research university where he served on the board of regents.

On Thursday, he became the first African American lawmaker to lie in state at the Capitol, a rare honor reserved for the nation’s most distinguished citizens. Congressional leaders held a memorial ceremony for their former colleague at the Capitol’s ornate Statuary Hall, after which the coffin, was draped in an American flag, was escorted to a spot just outside the House chamber. Thousands of members of the public came to pay their respects.

For more than two hours, Rockeymoore Cummings, personally greeted the mourners, shaking hands, sharing hugs and engaging in extended conversations. A former gubernatorial candidate who chairs the Maryland Democratic Party, she is considered one of the potential contenders for her late husband’s seat.

Rockeymoore Cummings greeted the last mourner at 7:39 p.m. Minutes later, a motorcade escorted Cummings’s body out of Capitol Plaza for the final time.

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Dear President Donald Trump, let me tell you about my ex-boss Elijah Cummings

He goes home to Baltimore every night. He is the same person on camera and off. And everyone knows his cell number, you should call him and talk.

By Jimmy Fremgen | Updated 9:56 a.m. EDT Aug. 2, 2019 | USA TODAY | Posted October 25, 2019 |

Dear Mr. President,

Just over six years ago I was sitting in the gymnasium at Woodlawn High School in Gwynn Oak, Maryland, and I was very unhappy. You see, it was a weekend and as I’m sure you’d agree, I would have much preferred to spend the day playing golf. Instead, my boss had ordered his entire staff, myself included, to drive to this town outside Baltimore on a muggy 93-degree day to help run an event to prevent home foreclosures.

I know you’re wondering whom I worked for, Mr. President. It was Rep. Elijah Cummings. And it is safe to say that on this day, we would have had something in common: I really didn’t like him much.

I worked for Mr. Cummings both on his Capitol staff and for the House Oversight and Reform Committee from August 2012 to February 2016. When he called me to offer the job, he was hard on me immediately. He told me that my salary was non-negotiable, that if I did something wrong he would be sure to tell me, and that he expected me to meet the high standard he keeps for himself and his staff.  

Same Man At Podium, In Grocery Store

What I quickly learned about him is that he is the same person on camera and off. The passionate soliloquies that he delivers from behind the chairman’s podium in the Oversight hearing room are very similar to the ones that I often heard from the other end of the phone after he ran into one of his neighbors in the aisle of the grocery store back home. If someone came to him for help, he wouldn’t let any of his staff tell him it wasn’t possible. He’d push us for a solution and give his cellphone number to anyone who needed it — even when we wished he wouldn’t.

In March 2014, then-Oversight Chairman Darrell Issa cut off Mr. Cummings' microphone during his closing remarks, a massive break in decorum that left Cummings reading his statement aloud as the TV feed abruptly stopped. The incident hit cable news in seconds, and I remember coming back from a meeting to find every single person in the office answering phone calls.

joined them on the phones, enduring nonstop racist epithets, cursing, threats and language that I had never imagined. I remember one vividly, a call from a Colorado area code on which an older female voice told me that Cummings better “sit down and shut up like the good boy someone should have taught him to be.” The phones rang this way for three days.

At Home In Baltimore Every Night

Sir, I won’t defend Baltimore, I’m not from there, and there are many who have already stood up to do so. Instead, let me correct you on one last thing: Unlike almost every other member of Congress, Congressman Cummings goes home every night. Honestly, when I worked for him, sometimes I wished he wouldn’t. There were times when I would want him to attend an early morning meeting, take a phone call or approve a document and he couldn’t, because he’d be driving the 44 miles from his house in Baltimore to the Capitol.

During the protests after the death of Freddie Gray in 2015, I couldn’t get hold of Mr. Cummings. Gov. Larry Hogan had called in the National Guard, and I was trying to relay an update about the soldiers that would soon be standing in the streets. It turned out that the congressman was in the streets himself, marching arm-in-arm with community leaders, pastors, gang members, neighbors, anyone who was willing to peacefully protect his city. He walked back and forth, bullhorn in hand urging people to be peaceful, to respect one another, to love each other and to get home safely.

Mr. President, I know you are frustrated. I, too, have been dressed down for my own mistakes by Congressman Cummings. I know how rigorous he can be in his oversight. I agree it can be extensive, but it certainly does not make him a racist.

Instead, let me offer this: I met you once in Statuary Hall of the Capitol, amid the sculptures of prominent Americans, and gave you my card. If you still have it, give me a ring. I’d be happy to pass along Congressman Cummings’ cellphone number so the two of you can have a conversation. Or better yet, swing through the aisles of one of the grocery stores in West Baltimore. I’m sure anyone there would be willing to give you his number.

Yours Sincerely,

Jimmy Fremgen

Jimmy Fremgen is a Sacramento-based consultant specializing in cannabis policy. He handled higher education, firearms safety, defense and foreign affairs as senior policy adviser to Rep. Elijah Cummings from 2012 to 2016.

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Elijah Cummings knew the difference between winning the news cycle and serving the nation

By Eugene Robinson | Published October 24 at 5:00 PM ET | Washington Post | Posted October 25, 2019 |

There are moments when the U.S. Capitol feels like a sanctified space, a holy temple dedicated to ideals that transcend the partisan squabbles of the politicians who work there. The enormous paintings that tell the story of America, normally like wallpaper to those who work in the building, demand attention as if they are being seen for the first time. The marble likenesses of great men — and too few great women — seem to come alive.

Thursday was such an occasion, as the body of Elijah E. Cummings, the Maryland congressman who died last week at 68, lay in state in one of the Capitol’s grandest spaces, Statuary Hall. There was a sense of great sadness and loss but also an even more powerful sense of history and purpose.

Cummings was the first African American lawmaker to be accorded the honor of lying in state at the Capitol. That his casket was positioned not far from a statue of a seated Rosa Parks would have made him smile.

Something Cummings once said seemed to echo in the soaring room: “When we’re dancing with the angels, the question we’ll be asked: In 2019, what did we do to make sure we kept our democracy intact?”

Cummings was able to give an answer he could be proud of. What about me? What about you?

He was the son of sharecroppers who left South Carolina to seek a better life in the big city of Baltimore. When he was growing up in the 1950s and 1960s, Jim Crow segregation was still very much alive. Angry whites threw rocks and bottles at him when, at age 11, he helped integrate a previously whites-only swimming pool. He attended Howard University, where he was president of the student government, and graduated in 1973. A friend of mine who was his classmate told me it was obvious even then that Cummings was on a mission to make a difference in people’s lives.

He got his law degree from the University of Maryland, went into private practice, served in the Maryland House of Delegates and was elected to Congress in 1996. At his death, he was the powerful chairman of the House Oversight and Reform Committee. But the reason he was so influential, and will be so sorely missed, has less to do with his title than with his integrity and humanity. In floor debates and committee hearings, he fought his corner fiercely. But I don’t know any member of Congress, on either side of the aisle, who did not respect and admire him.

A roster of the great and the good came to the Capitol on Thursday to pay their respects. House Speaker Nancy Pelosi called Cummings “our North Star.” Senate Majority Leader Mitch McConnell spoke of Cummings’s love for Baltimore. Rep. Mark Meadows of North Carolina, an ideological foe, teared up when he spoke of Cummings as a personal friend. Senate Minority Leader Charles E. Schumer said “his voice could shake mountains, stir the most cynical heart.”

The scene was a sharp contrast with what had happened one day earlier and two floors below. The House Intelligence Committee was scheduled to take a deposition from a Pentagon official as part of the impeachment inquiry into President Trump’s conduct. The closed-door session was to take place in a basement room designed to be secure from electronic surveillance. Before the deposition could get started, more than two dozen members of Congress — including some of Trump’s staunchest and most vocal defenders — made a clown show of barging into the room, ostensibly to protest that the deposition was not being taken in an open session.

Some of those who participated in the sit-in had the right to attend the hearing anyway; some didn’t. But the protest had nothing to do with substance. The point was to stage a noisy, made-for-television stunt in Trump’s defense that could divert attention, if only for a day, from the facts of the case. The interlopers ordered pizza and brought in Chick-fil-A. Some took their cellphones into the secure room, which is very much against the rules.

I have deliberately not mentioned anyone’s party affiliation, because the contrast I see between the juvenile behavior in the basement and the Cummings ceremony in Statuary Hall is more fundamental. It is between foolishness and seriousness, between nonsense and meaning, between trying to win the news cycle and trying to serve the nation.

Cummings knew the difference. We have lost a great man. The angels must be lining up to dance with him.

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Elijah Cummings, Reluctant Partisan Warrior

The story of the veteran lawmaker is one more example of how, in Washington, appearances deceive, and public performances and private relationships often diverge.

RUSSELL Berman | Published OCT 17, 2019 | The Atlantic | Posted October 25, 2019 |

The image many Americans likely had of Representative Elijah Cummings, who died this morning at the age of 68, was of a Democrat perpetually sparring with his Republican counterparts at high-profile congressional hearings.

There was Cummings in 2015, going at it with Representative Trey Gowdy of South Carolina while a bemused Hillary Clinton sat waiting to testify about the Benghazi attack. Two years later, the lawmaker from Maryland was clashing with Representative Jason Chaffetz of Utah, who would not countenance Cummings trying to inject the investigation into Russian interference into an unrelated Oversight Committee hearing. “You’re not listening!” the Democrat shouted at one point. And then this February, Cummings found himself bickering with Representative Jim Jordan of Ohio, who accused Cummings of orchestrating “a charade” by calling President Donald Trump’s former lawyer Michael Cohen as one of his first witnesses when he became chairman of the panel.

Yet the story of Cummings, at his death the chairman of the House Oversight Committee and a key figure in the impeachment inquiry against Trump, is one more example of how, in Washington, appearances deceive, and public performances and private relationships often diverge. In the hours after Cummings’s death was announced, heartfelt tributes streamed in from the very Republicans he had criticized so passionately. The contrast in tone with these memories of bitter public battles was jarring, even perplexing.

“I am heartbroken. Truly heartbroken,” Representative Mark Meadows of North Carolina, the founding chairman of the conservative House Freedom Caucus,  told CNN. Chaffetz called Cummings “an exceptional man.” “He loved our country,” tweeted the former Oversight Committee chairman, who jousted with Cummings when the Democrat was the panel’s ranking member. “I will miss him and always cherish our friendship.” The House Republican leader, Representative Kevin McCarthy of California, hailed Cummings as “a leader for both parties to emulate.”

It’s easy, of course, to find a kind word for the deceased—even Trump, who just a few months ago called  Cummings’s Baltimore congressional district a “disgusting rat and rodent infested mess,” lauded him as a “highly respected political leader” in a tweet this morning.

Yet by all accounts, the reactions from Republicans on Capitol Hill were no crocodile tears, and Cummings had genuine personal relationships with several of them. Cummings himself described Meadows as “one of my best friends,” and came to his defense after Representative Rashida Tlaib of Michigan accused the Trump ally of pulling a “racist” stunt at the Cohen hearing.

Perhaps no tribute—from a Democrat or a Republican—was as reverential as that of Gowdy, who said Cummings was “one of the most powerful, beautiful, and compelling voices in American politics.

“We never had a cross word outside of a committee room,” Gowdy, another former GOP chairman of the Oversight Committee, said in a lengthy Twitter thread this morning. “He had a unique ability to separate the personal from the work.” He recalled a story Cummings often told of a school employee who urged him to abandon his dream of becoming a lawyer and opt for a job “with his hands not his mind.” That employee would later become Cummings’s first client, Gowdy wrote.

“We live in an age where we see people on television a couple of times and we think we know them and what they are about,” the Republican said.

Cummings died at a Maryland hospice center from what his office said were “complications concerning longstanding health challenges.” He had spent months in the hospital after heart and knee surgeries in 2017 and got around in a wheelchair, but there was little public indication of how serious his condition was in the weeks before his death.

In Baltimore, Cummings’s legacy will extend far beyond his work on the House’s chief investigatory committee. He was first elected to Congress in 1996, after 13 years in the Maryland state legislature. After the death of Freddie Gray in the back of a police van in 2015, Cummings walked through West Baltimore with a bullhorn in an attempt to quell the unrest from angry and distraught black citizens. In March 2017, at a time when most Democrats were denouncing the Trump administration on an hourly basis, Cummings met with the new president at the White House in a bid to work with him on a bill to lower drug prices. As my colleague Peter Nicholas  recounted earlier this year, the two men fell into a candid talk about race, but little came of the effort on prescription drugs.

Democrats tapped Cummings to be their leader on the Oversight and Government Reform Committee in 2010, after Republicans retook the House majority. He was not the next in line, but the party pushed out the veteran Representative Edolphus Towns of New York over concerns that he’d be too laid-back at a time when Republicans were preparing an onslaught of investigations into Barack Obama’s administration.

The oversight panel is a highly partisan committee in a highly partisan Congress, and Cummings had no illusions about his role. Still, he tried to forge relationships with each of his Republican counterparts, and some of those attempts were successful. As the combative Representative Darrell Issa of California was ending his run as chairman in 2014, Cummings traveled to Utah to bond with Chaffetz, Issa’s likely successor. “I want a relationship which will allow us to get things done,” Cummings said during a joint appearance the two made on MSNBC’s Morning Joe. After Chaffetz left, Cummings got along well—at least in private—with Gowdy and Meadows.

Yet time and again, the cordiality behind closed doors succumbed to rancor in front of the cameras. The relationships Cummings and his Republican counterparts had were no match for these deeply divided times; they yielded few legislative breakthroughs or bipartisan alliances in the midst of highly polarized investigations.

By early 2019, any hope that Cummings may have had of working with conservatives in Congress, or with the Trump administration, seemed to have given way to frustration, and occasionally anger. At the end of Cohen’s testimony, he delivered an emotional plea to his colleagues. “When we’re dancing with the angels, the question will be asked: In 2019, what did we do to make sure we kept our democracy intact?” he said, his voice booming. “C’mon now, we can do two things at once. We have to get back to normal!”

As for Trump, two years after their candid talk on race, the president was viciously attacking Cummings as a “brutal bully” and blaming him for Baltimore’s long-running struggle with poverty and crime.

Two months later, Cummings joined the growing chorus of Democrats calling for Trump’s impeachment. “When the history books are written about this tumultuous era,” he said at the time, “I want them to show that I was among those in the House of Representatives who stood up to lawlessness and tyranny.”

In truth, he had long since realized that the effort to work with the president had been futile. “Now that I watch his actions,” Cummings told Nicholas, “I don’t think it made any difference.”

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Elijah Cummings Was Not Done

The House Oversight chairman died too soon at 68, while working on his deathbed to ensure this country measured up to his standards

By JAMIL SMITH | Published October 18, 2019 | Rolling Stone | Posted October 25, 2019 |

Even with the deaths of our elders today and the 400th anniversary of chattel slavery, we are often reminded that this terrible American past is within the reach of our oral, recorded history. Elijah Cummings, who died Thursday at 68, was the grandson of sharecroppers, the black tenant farmers who rented land from white owners after the Civil War.

Cummings once recounted to 60 Minutes that, when he was sworn into Congress in 1996 following a special election in Maryland’s 7th District, his father teared up. A typical, uplifting American story would be a son talking about his dad’s pride at such a moment, and there was that. But Cummings’ father, Ron, also asked him a series of questions.

Isn’t this the place where they used to call us slaves? “Yes, sir.”

Isn’t this the place where they used to call us three-fifths of a man? “Yes, sir.”

Isn’t this the place where they used to call us chattel? “Yes, sir.”

Then Ron told his son Elijah, according to the story: Now I see what I could have been had I had an opportunity.  Forget the Horatio Alger narratives; that is a story of generational ascendance that actually sounds relatable to me as someone who has grown up black in America.

Sixty-eight should be too early for anyone to die in the era of modern medicine, but it somehow didn’t feel premature for Cummings. It wouldn’t feel premature for me, either. Racism kills us black men and women faster, that much has been documented. Cummings had seen the consequences of racism in the mirror every day since he was 11, bearing a scar from an attack by a white mob when he and a group of black boys integrated the public (and ostensibly desegregated) pool in South Baltimore. Perhaps a shorter life was simply an American reality to which he had consigned himself. Or, he had just read the science.

When speculation rumbled about whether he would run for the Senate in 2015, Cummings spoke openly about his own life expectancy.

“When you reach 64 years old and you look at the life expectancy of an African-American man, which is 71.8 years, I ask myself, if I don’t say it now, when am I going to say it?” Cummings said, referring at the time to combative rants and snips at Republicans whom he perceived to be wasting the public’s time and money with nonsense like the Benghazi hearings.

He continued to speak up for what he considered was just, not just when president did wrong but also when it involved the police. The bullhorn seemed to never leave his hand and his voice never seemed to die out in the wake of Freddie Gray’s death at the hands of Baltimore cops in 2015. His willingness to speak up not just in defense of America but of us black Americans is why the passing of Cummings was a puncturing wound for anyone hoping for this nation to be true to what it promises on paper to all of its people.

Worse, Cummings’ death leaves a void. Only a few members of his own party have been as willing to speak as frankly as Cummings, or take as immediate action against the grift and madness that Republicans pass off as governance. “We are better than this!” was one of his frequent exhortations, and I am not sure that we were.

It is tempting, and lazy, to encapsulate the Cummings legacy within the last few years. Pointing to his deft handling of his Republican “friend” Mark Meadows’ racist call-out of Rashida Tlaib in February or his grace in dealing with President Trump’s petulant insults about his beloved Baltimore even as he used his House Oversight powers to help begin perhaps the most significant impeachment inquiry yet launched into an American head of state. But there was more to the man and his patriotism than his pursuit of a corrupt president.

Cummings was, as his widow, Maryland Democratic Party chairwoman Maya Rockeymoore Cummings, put it in her statement, working “until his last breath.” In a memo just last week, as he was ailing, Cummings stated he planned to subpoena both acting USCIS Director Ken Cuccinelli and acting ICE Director Matthew Albence to testify on October 17, the day he would later pass away. (Both men agreed to testify, voluntarily, but the hearing has been postponed until the 24th.)

Cummings also signed two subpoenas driven to him in Baltimore hours before his death, both dealing with the Trump administration’s coldhearted policy change to temporarily end the ability for severely ill immigrants to seek care in the United States.

One of the young immigrant patients who had testified to a House Oversight subcommittee about this draconian Trump measure, a Honduran teenager named Jonathan Sanchez, told the assembled lawmakers, simply, “I don’t want to die.”

Cummings knew all too well that this is a country that kills people with its racism, and saw this president trying to do it. He went to his deathbed trying to change that America. His untimely death left that work undone, but that task is ours now.

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[jazzworldquest-blog]

USA: Jack Kleinsinger's Highlights In Jazz 46th Anniversary Gala Thursday, February 28, 2019 8 PM BMCC TRIBECA Performing Arts Center

Tickets & Info

Each year, savvy jazz fans look forward to the annual Highlights In Jazz series. For almost a half century, the Jack Kleinsinger-produced events have brought together a multitude of beloved jazz musicians spanning an eclectic mix of generations and styles. The 2019 season is no exception, with four stellar concerts featuring some of the brightest luminaries in jazz today. The new season gets off to a roaring start with the Highlights In Jazz 46th Anniversary Gala, featuring pianist/vocalist Daryl Sherman, saxophonist Houston Person, trumpeter Warren Vaché, clarinetist/saxophonist Ken Peplowski, pianist Norman Simmons, bassist Boots Maleson, and guitarist James Chirillo. And as always at Highlights In Jazz events, a special surprise guest will be on hand. Listeners will be treated to unforgettable performances as these seasoned jazz veterans mix it up together and make the magic happen. “Producing all-star jams is my stock in trade,” Kleinsinger notes. “What you’ll hear at these concerts is different from what you’d hear in a club. These great musicians get together here to play with people they don’t play with every night of the week.” A mainstay of the New York jazz scene, Daryl Sherman has built a devoted following with her talent and creativity as a pianist and singer, and her distinctive take on the Great American Songbook. A frequent guest on Marian McPartland’s “Piano Jazz,” Daryl presided over Cole Porter’s Steinway at the Waldorf-Astoria for 14 years, and was legendary bandleader Artie Shaw’s vocalist of choice. She’s appeared with Bucky and John Pizzarelli, Bob Dorough, Wycliffe Gordon, Dick Hyman, Dave McKenna, Jay Leonhart, Howard Alden, Joe Temperley, and Vince Giordano and the Nighthawks, to name just a few. Saxophonist Houston Person is among the most in-demand tenor players in New York today. He’s known for his affinity with singers, honed during his 20-plus years with vocalist Etta Jones. Besides releasing dozens of albums as a leader in the company of greats such as Ron Carter, Steve Nelson, Cedar Walton, Bill Charlap, Joey DeFrancesco, Bernard Purdie, Les McCann, Benny Green, Grady Tate, Curtis Fuller, and other notables, Person has appeared on scores more as a sideman. Is there anything trumpeter, cornetist, and flugelhornist Warren Vaché can’t do? The New Jersey-born brass star has made his mark from Broadway pit orchestras to big bands to free-wheeling jazz ensembles. He’s appeared in the company of Howard Alden, George Shearing, Bucky Pizzarelli, Bill Charlap and dozens of others. Vaché lists Louis Armstrong, Roy Eldridge, Bobby Hackett, Fats Navarro, Tom Harrell and Ruby Braff among his favorite trumpet players. Saxophonist/clarinetist Ken Peplowski was still in elementary school when he landed his first pro gig, playing in a Polish polka band in his native Cleveland. From that moment, he knew the musical life was his destiny. Ken studied with Sonny Stitt, and played with classic bands like the Tommy Dorsey Orchestra and with Benny Goodman. He’s also collaborated with Mel Torme, Charlie Byrd, Peggy Lee, George Shearing, Hank Jones, Dave Frishberg, Rosemary Clooney, Tom Harrell, James Moody, Cedar Walton, and Bill Charlap. Ken has released several albums as a leader and appeared on more than 400 recordings as a sideman. Norman Simmons wears many hats, all of them gracefully: composer, arranger, pianist, educator, and more. In his native Chicago, he led the house band at one of the most renowned clubs of the era The Beehive, backing greats such as Wardell Gray, Lester Young, and Charlie Parker. Besides providing the arrangement for Ramsey Lewis’ hit “Wade in the Water,” Simmons is widely known for his work with legendary vocalists including Carmen McRae, Anita O’Day, Betty Carter, and Joe Williams, and for his special feel for the compositions of the great Duke Ellington. In-demand bassist Boots Maleson is a veteran of ensembles large and small, including the big bands of Harry James, Jimmy Dorsey, and Bob Alexander, the Vanguard Jazz Orchestra, and the Smithsonian Jazz Masterworks Orchestra. He has also accompanied Milt Jackson, Elvin Jones, Jaki Byard, Archie Shepp, Kenny Barron, Dexter Gordon, Stanley Cowell, Benny Carter, and Marlene Verplanck, and many others. Versatile guitarist James Chirillo has been heard with a spectrum of talent that spans Wynton Marsalis, Paquito D’Rivera, Wycliffe Gordon, Michael Feinstein, Tony Bennett, Joe Lovano, Marcus Roberts, Dick Hyman, Benny Goodman, Benny Carter, Eddie Durham, Eddie Barefield, Frank Wess, and Joe Wilder. The winner of a composition grant from the National Endowment for the Arts, James has also appeared on Broadway and movie soundtracks. With the Highlights In Jazz series nudging the half-century mark, Kleinsinger is justly proud of his ongoing legacy as a producer. Since the very first Highlights in Jazz event, “Every concert in the series has been integrated, has included a variety of younger artists and veterans, and has featured a renowned surprise guest. And every year we honor a living jazz great—let’s honor them while they can smell the roses,” he declares. This year’s honoree, Randy Brecker, will be feted at the May 16th concert. The HIJ series is a favorite destination for New York jazz fans and in-the-know out-of-towners. Besides the lineup of jazz icons onstage, there are often stars to be found in the audience as well—sports greats Venus Williams and Willie Randolph, actors Bette Midler and Alan Alda, and author Kurt Vonnegut, to name just a few. The secret to the longevity of the beloved Highlights In Jazz series? “We’re doing the concerts other producers don’t do,” Kleinsinger says, “and in the process we’ve outlasted everyone who’s ever done jazz concerts in the history of New York.” You won’t want to miss a single event in this new season of Highlights In Jazz!

Jack Kleinsinger’s HIGHLIGHTS IN JAZZ 2019 47th year Thursday, February 28, 2019 - 8 P.M.     •    Highlights In Jazz - 46th Anniversary Gala     •    Vocalist Daryl Sherman     •    Saxophonist Houston Person     •    Trumpeter Warren Vaché     •    Clarinetist/saxophonist Ken Peplowski     •    Pianist Norman Simmons     •    Bassist Boots Maleson     •    Guitarist James Chirillo Plus, surprise special guest!  Mark your calendar for other concerts scheduled for the 2019 Highlights In Jazz season: Thursday, March 28, 2019 - 8 P.M.     •    Satchmo & Sidney Revisited David Ostwald’s Louis Armstrong Eternity Band     •    Tubaist David Ostwald     •    Trumpeter Alphonso Horne     •    Saxophonist Adrian Cunningham     •    Trombonist Dion Tucker     •    Trombonist Dave Gibson Plus:     •    Bechet’s leading disciple Olivier Franc     •    Stride piano master Jean Baptiste Franc     •    Sidney Bechet’s son Daniel Bechet Produced in Association with the Sidney Bechet Society Along with surprise special guests! Thursday, May 16, 2019 – 8 P.M. Salute to Randy Brecker Jazz Millennials Saxophonists Peter & Will Anderson Singer Veronica Swift Plus: Jazz Masters Pianist George Cables Bassist Buster Williams Drummer Kenny Washington Guest of Honor: Trumpeter Randy Brecker and surprise special guest! Thursday, June 20, 2019 – 8 P.M. Remembering Erroll & Randy The Erroll Garner Project Pianist Christian Sands Drummer Ulysses Owens Bassist Luques Curtis A Randy Weston Tribute Saxophonist T.K. Blue and the Weston Alumni Band Bassist Alex Blake Percussionist Neil Clarke Special guest trombonist Steve Turre  and surprise special guest! All Shows At BMCC TRIBECA Performing Arts Center Borough of Manhattan Community College 199 Chambers Street, New York, NY 10007 http://tribecapac.org By car take FDR Drive south to end, through underpass onto West Street, north to Chambers. By Subway take 1, 2, 3, 9, A, C, E, J or M train to Chambers or N, R to City Hall stop. Walk west on Chambers. Box Office 212-220-1460 Ticket Prices $50.00 $45.00 (student rate with valid ID) or by mail order. $180.00 per subscription Tickets can be purchased in advance at the box office. You are now able to use your credit card at the Tribeca PAC Box Office located on 199 Chambers Street, or by calling (212) 220-1460 and now online at Tickets.Tribecapac.org Please send a check made payable to: Highlights In Jazz Please mail orders to: Highlights In Jazz 7 Peter Cooper Road, Apt. 11E, New York, NY 10010 (Please enclose a self-addressed, stamped envelope) http://www.highlightsinjazz.org , Highlights in Jazz Media Contact Jim Eigo Jazz Promo Services 272 State Route 94 South #1 Warwick, NY 10990-3363 Ph: 845-986-1677 / Fax: 845-986-1699 Cell / text: 917-755-8960 Skype: jazzpromo jim@jazzpromoservices.com www.jazzpromoservices.com

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Robert, Lee, Walt, and Jimmy recording messages for their Japanese fans before going out onstage for Chicago's performance at the Budokan Theatre in Tokyo, Japan. (1995.)

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I just love it when he does that with his keytar! 🎹 Like he’s gonna smash it! 😂 Rock on, my dude! 🤘 Ok, but seriously... You’d never, honey! We know this! sdfghjkl. He’s too adorable! HALP!!! 🥰💜

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Today is a very sad day for us Chicago fans. 45 years ago, we lost our beloved Terry Kath. 💔 Missing you always and wishing you were here. 😢 I’m thinking of Robert, Jimmy, Lee, Walter, Danny, and Peter and hoping that they’re doing alright. Also, Terry’s wife and daughter. Lots of love and hugs to them. And of course, my fellow Chicago fans. 💖 

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See you three times in April, once in May, and once in June my beloveds! Jimmy, Robert, and Lee... I love you so much! And I’m so looking forward to all of these shows! So happy I get to see you this many times in a year! I feel blessed that I’ve been given all of these chances! And on top of that, I finally get to meet you as well! I’ve been waiting years for this moment! This means the world to me! Love your truly devoted fan, Lexie 💜