#Italian Renaissance style

[raisunii]

Sweet New Style - A Web Weave

[brother-emperors]

some pals

martelli’s design was too close to francesco de’ pazzi’s, so I decided to Fix That and find inner peace about it

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[sehnsuchtz]

[thehaberdasheress]

Shop the Look: 16th Century Hairnet and Hat

For this look, I've made a hairnet of gold cord and ribbon over bronze organza ($40 CAD) decorated with amber glass beads and faux pearls, and a handstitched black velvet hat ($30) to perch jauntily on top.

(You'll have to find an eyepatch and blue feather yourself, though)

[art-huh]

Aight

send me a picture of anything that you think is a “Renaissance painting”

Like that picture of all those people at a baseball game dodging a ball

Or your cats engaged in battle

I will use my art history degree to analyze the composition of the picture and tell you in detail why or why not I think it resembles a Renaissance painting.

[mypepemateossus]

[pittoresko]

"Portrait of a Woman, Possibly a Novice of San Secondo" by Jacometto Veneziano, Italian painter of the 15th century.

Jacometto Veneziano was an Italian early Renaissance painter and illuminator, active between 1472 and 1497.

● Digital Download on Etsy

● Visit Pittoresko and see our Collection of Dark Academia Art Prints

◆

ITALIANO: "Ritratto di una novizia" (1490) di Jacometto Veneziano, pittore italiano del primo Rinascimento, attivo tra il 1472 e il 1497.

● Download Digitale su Etsy

● Visita Pittoresko e guarda la Collezione Digitale di Stampe di Dark Academia

[xxfallingskiesxx]

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• Michelangelo’s « Creation of Adam » (hands detail) •

Work by @hamal_art on Instagram

[ssscasanova]

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[dlyarchitecture]

[brother-emperors]

THE BROTHERS SFORZA

augh. there sure is a lot going on between them. tfw you know your older brother is wary of you so you have to navigate that fine line of proving you're useful, but not dangerously so. tfw your younger brother has the potential to be a knife in your back, but he's your brother. don't think too hard about what happened with the galeazzo. unfortunately, you're both visconti as well as sforza, and the visconti were prone to conspiracy. fucking RIP.

this definitely won't be upsetting years down the line when ascanio is near death and ludovico will be desperate to figure out how to bring his brother's body back to milan so ascanio can be interred in the same place as ludovico's recently deceased wife, beatrice d'este, and where ludovico himself has been haunting in a perpetual state of grief.

& the background of the first panel are public domain scans of two cards out of the visconti-sforza tarot deck.

Ascanio Maria Sforza: la parabola politica di un cardinale-principe del Rinascimento, Marco Pellegrini

[sauntervaguelydown]

it's funny although a little exasperating how artists designing "princess" or medieval-esque gowns really do not understand how those types of clothes are constructed. We're all so used to modern day garments that are like... all sewn together in one layer of cloth, nobody seems to realize all of the bits and pieces were actually attached in layers.

So like look at this mid-1400's fit:

to get the effect of that orange gown, you've got

chemise next to the skin like a slip (not visible here) (sometimes you let a bit of this show at the neckline) (the point is not to sweat into your nice clothes and ruin them)

kirtle, or undergown. (your basic dress, acceptable to be seen by other people) this is the puffing bits visible at the elbow, cleavage, and slashed sleeve. It's a whole ass dress in there. Square neckline usually. In the left picture it's probably the mustard yellow layer on the standing figure.

Specific Italian style gown. This is the orange diamond pattern part. It's also the bit of darker color visible in the V of the neckline.

surcoat, or sleeveless overgown. THIS is the yellow tapestry print. In the left picture it's the long printed blue dress on the standing figure

if you want to get really fancy you can add basically a kerchief or netting over the bare neck/shoulders. It can be tucked into the neckline or it can sit on top. That's called a partlet.

the best I can tell you is that they were technically in a mini-ice-age during this era. Still looks hot as balls though.

Coats and surcoats are really more for rich people though, normal folks will be wearing this look:

tbh I have a trapeze dress from target that looks exactly like that pale blue one. ye olden t-shirt dress.

You can see how the “renaissance festival” style of kirtle (left) is a modern recreation of this look (right)

so now look here:

(this is a princess btw) both pieces are made of the same blue material so it looks as if it's all one dress, but it's not. The sleeves you're seeing are part of the gown/coat, and the ermine fur lined section on top is a sideless overgown/surcoat. You can tell she's rich as fuck because she's got MORE of that fur on the inside of the surcoat hem.

okay so now look at these guys.

Left image (that's Mary Magdelene by the way) you can see the white bottom layer peeking out at the neckline. That's a white chemise (you know, underwear). The black cloth you see behind her chest lacing is a triangular panel pinned there to Look Cool tm. We can call that bit the stomacher. Over the white underwear is the kirtle (undergown) in red patterned velvet, and over the kirtle is a gown in black. Right image is the same basic idea--you can see the base kirtle layer with a red gown laced over it. She may or may not have a stomacher behind her lacing, but I'm guessing not.

I've kind of lost the plot now and I'm just showing you images, sorry. IN CONCLUSION:

you can tell she's a queen because she's got bits I don't even know the NAMES of in this thing. Is that white bit a vest? Is she wearing a vest OVER her sideless surcoat? Girl you do not need this many layers!

[camille-lachenille]

There is the relatively common hc in the Silm fandom that weirdly erotic paintings of Celebrimbor’s death in the style of Italian renaissance painting of martyrs are made in Valinor.

I now propose to you the same kind of paintings but representing the death of Finduilas. Imagine the scene: a beautiful and innocent maiden, her dress torn and ash-stained by the cruelty of Orcs and the destruction of her realm, pinned to a tree by a lance right in her belly. Don’t tell me a horny, repressed painter in Tirion wouldn’t jump on the excuse to make this scene as erotic as possible.

[makingqueerhistory]

Selected Works from Donatello

Note: The photos of these works are available under a Creative Commons Attribution-Share Alike 4.0 International license rather than Public Domain

Donatello is perhaps one of the most well-known Italian sculptors, but little is certain about his private life. 

Like many notable Renaissance artists including De Vinci and Michelangelo, Donato di Niccolò di Betto Bardi was financially supported by the Medici family. Donatello neither married nor had any known children, but he still enjoyed patronage from the Medici family even in his old age. While he modeled his work after ancient Greek and Roman works, his style is now emblematic of the Early Renaissance style of sculpture. While his works are numerous and impressive, David is by far his most well-known today (not to be confused with Michelangelo's David).

It's unfair to say Donatello's sexuality did not impact his work — who we are will always often the work we create whether it is consciously or not — but it's difficult to say exactly how. By some accounts, Donatello's sexuality was well-known in Florence. Other accounts, particularly those from straight historians, are more vague. Unfortunately, the intentional closeting of queer people by straight historians is a common problem we've discussed before. Neither Donatello nor his fellow artists, supporters, or even detractors spoke of his sexuality explicitly. There are also no recorded charges for sodomy against Donatello, while other queer artists were not as fortunate. 

All that being said, that does not mean there is no evidence of Donatello's sexuality. He was known to hire handsome assistants, often choosing them for their beauty rather than artistic talents. It is possible his sexuality was known and accepted because of his popularity, talent, and support from the Medici family. And, of course, there are countless queer people throughout history for whom we will never find records or stories. 

Donatello

public domain art

[canisalbus]

hihi!! i'm sure this has been asked by, but what era/place is vascochete's story inspired by? they have wonderfully exquisite fits >:)) <3

I'm hesistant to give any precise years, but the majority of their story should fit somewhere between 1560 and 1610. So late Renaissance, shifting into early Baroque. They're Italian.

They first meet in their late teens while studying at the same school in Venice, graduate and separate for several years, then reconnect again in their early thirties by random chance, and stay together for roughly ten years (most of my art of them takes place in this era), until Machete gets murdered in his early 40's. Vasco dies of old age in his 70's. (Or, if you prefer to believe in the possibility of an alternate happier ending that gets brought up every now and then, they fake their deaths, manage to escape somewhere safer and grow old together).

I'm constantly taking bigger or smaller artistic liberties with historical accuracy though, so please don't treat what I do as a good and true representation of anything. For example, a lot of Vasco's (and Ludovica's, to some degree) clothing style is more inspired by 1530-1560's fashion which would already be outdated at their time. It's just a personal preference, I can't really excuse it other than that it looks nice to me. I habitually simplify and customize their clothes, they're far from being faithful reproductions. Machete's formal attires are largely based on a mishmash of the cassocks catholic cardinals have been wearing over the past few centuries. They're in fact very similar to the ones worn today (minus the cunty heels I suppose). His all-black void outfit doesn't really fit anywhere, it's just a strong visual that's quick and fun to draw.

Also I'm still desperate to give them that fancy clawfoot tub I've mentioned before, even if it's blatantly too recent of a creation. Tubs of that style weren't invented until 1750's or so and the earliest ones with that classic white porcelain enamel surface are from 1880's.