#italian landscape

[calabria-mediterranea]

Pizzo, Calabria, Italy

Photos by Napitia Club

Follow us on Instagram, @calabria_mediterranea

[huariqueje]

Italian Landscape - Daryl Storrs , 2009.

American , b. 1960s -

Colour woodcut , 12 x 9 in.

[howamidrivinginlimbo]

View from Castel del Monte, Puglia

[federicagiordanophotography]

By Federica Giordano

[sigitheunicorn]

🐱🌃

[jourdepluie91]

Palermo, Sicily, Italy

[permament-witzelsucht]

View of Naples with Castel dell'Ovo and Mount Vesuvius seen from the Salita di San' Antonio, 1819 by Franz Ludwig Catel

[c-melany]

clouds kinda look like a heart in the last one don't you think?

[six-zero-two]

[the-cricket-chirps]

Fujishima Takeji

Florence, Italy

[calabria-mediterranea]

Diamante, Calabria, Italy

Video by @adhoctravelexperience

Follow us on Instagram, @calabria_mediterranea

[virromanus]

How the Renaissance Shaped the Italian Language

The Renaissance, a period of immense cultural, artistic, and intellectual growth in Europe, played a crucial role in the development of the modern Italian language. This era, spanning the 14th to the 17th century, witnessed a revival of interest in the classical art, literature, and learning of ancient Greece and Rome, significantly influencing the evolution of the Italian language.

Dante Alighieri's Contribution:

Dante Alighieri, often referred to as the "Father of the Italian language," was instrumental in establishing the Tuscan dialect as the standard for the Italian language. His most famous work, "The Divine Comedy" ("Divina Commedia"), written in the early 14th century, was one of the first major works of literature written in the vernacular, i.e., the local Tuscan dialect, instead of Latin. Dante's choice of the vernacular over Latin marked a pivotal moment in the development of Italian as a literary language.

Dante's works demonstrated the expressive and aesthetic possibilities of the Italian language, elevating its status and proving it could be used for serious, high literary pursuits, a domain previously reserved for Latin.

Petrarch's Influence:

Francesco Petrarca, known as Petrarch, further solidified the use of the vernacular in literature. He is best known for his Italian sonnet sequences, which focused on themes of love, personal reflection, and the human experience. Petrarch's poetry, particularly his "Canzoniere" (Songbook), greatly influenced Italian literature and language. His refined use of the vernacular and his development of the Italian sonnet format set a standard for lyrical poetry in Italian.

Boccaccio's Contributions:

Giovanni Boccaccio, another key figure of the Italian Renaissance, also contributed significantly to the development of the Italian language. His most famous work, "The Decameron," is a collection of novellas written in the vernacular. It not only had a profound impact on Italian literature but also helped to shape the Italian language by demonstrating its suitability for both serious and more lighthearted, secular topics.

Impact on Standardizing Italian:

The works of these authors were essential in the standardization of the Italian language. Their choice of the Tuscan dialect, particularly that of the Florentine region, as their literary medium contributed to its status as the basis of standard modern Italian.

Legacy and Continued Influence:

The Renaissance's focus on humanism and the return to classical sources also played a role in shaping the Italian language. This period encouraged a deeper exploration of the human condition, emotion, and intellect, aspects that were deeply integrated into the Italian language through literature and art.

In sum, the Renaissance was a period of reawakening that not only rediscovered the riches of classical antiquity but also set the foundation for the development of the modern Italian language. The works of Dante, Petrarch, and Boccaccio were not just literary masterpieces but also linguistic milestones that established the prestige and potential of the Italian vernacular, leading to its evolution into the modern Italian language we know today.

[miamaimania]

Timeless Elegance: Frank Horvat's 2011 Carrara Portrait, Where Fashion Meets Italian Landscape

[liturgical-agenda]

A view of the Waterfalls at Tivoli, 1814, attributed to Pierre Antoine Marchais

[hitmysoul]

A special day... (⁠*⁠˘⁠︶⁠˘⁠*⁠)⁠.⁠｡⁠*⁠♡

[art-allegory]

Italia and Germania

Artist: Johann Friedrich Overbeck (German, 1789–1869)

Date: 1811-1828

Medium: Oil on Canvas

Collection: Neue Pinakothek Art Museum, Munich, Germany

Description

Italia und Germania (English: Italy and Germany) is an allegorical painting of the painter Friedrich Overbeck, finished in 1828. The painting shows two women inclining to each other, symbolizing the friendship between the two countries or cultures they represent: Italia and Germania. At that time, both Italy and Germany were cultural regions but not unified national states.

Overbeck painted it in the style of the Nazarenes. The original is displayed in the Neue Pinakothek in Munich, Germany.

The two women on the painting sit on a bench in front of a landscape. The left woman (Italia) has dark hair and wears a laurel wreath. The background shows a typically Italian landscape with rocky coast. On the right side the background contains a German city in gothic style, Germania is blond with a wreath of flowers. Both women sit close to each other, in amical inclination, holding hands.