#It's one of the most unique shows I have seen in a while and I'm really glad I checked it out when I did. It's really good

[hetalian-veteran]

Art Styles I Personally Think the Hetalia Characters Looked Their Best In (and Why) Part 3

Links to Pt.1, Pt.2

Please note that I am referring to the show and not the webcomic. This is primarily because I didn't always have access to the webcomic and thus the show is what I've always been most familiar with. I will also refrain from talking about characters that have only appeared in one season.

Also, please keep in mind that these are just my opinions. And if you have any different ideas of what designs looked better, that's totally okay. At the end of the day, I'm just here to have fun.

Also, we are talking about the Nordics today. And since these guys are some of my favorite characters, prepare for me to be very opinionated. You have been warned.

Denmark: Season 4

I don't know if this is a hot take or not, especially since we've only seen him in this art style a few times, but dangit, Denmark looked his absolute best in season 4. And you want to know why? Because the other seasons make him look like a literal child. And I'm not saying "child" as in, "Oh he just has a childish personality." No, I'm talking "child" as in "He physically looks like a little kid." Here, Denmark looks like an actual adult like the rest of the nations. Not to mention that I like the duller blond color of his hair here. It helps a little to set him apart from the other blonde characters whose hair is typically colored bright yellow. Also, I prefer his eyes colored a darker blue. I just think it looks nice. Also, his wardrobe is immaculate. 'Nuff said.

Sweden: Season 4

I was close to saying that I didn't have a favorite design for Sweden, because they all look so similar to me. But I ended up landing on his design for season 4 because of his outfit. It's simple, but I like the navy blue on the lighter shade, as well as the whole outfit itself being trimmed with gold. I really don't have much else to say on Sweden. Huh, I guess I'm not as opinionated on him as I thought I was.

Finland: Season 4

Ah yes, the character whose eyes keep changing colors. While I like how soft and rounded his design is in later seasons, as they help convey his softer and more demure personality, I still prefer his original design from season 4. The reason is largely his eyes. Not a lot of other Hetalia characters have brown eyes, and I liked this detail about Finland. It's a color choice that makes him surprisingly unique. I'd also like to mention that the color brown is a warmer color and has a psychological connection to feelings of warmth and comfort. Feelings that I feel are associated with aph Finland as a character, as I've always seen him as one of the more stable and grounded of the group.

Norway: Season 7

I know I've been giving season 7 of Hetalia some grief for making the characters look too childish or dorky looking, but somehow this has not affected aph Norway. If anything, I'd say he looks at his best here. In the previous seasons, his eyes always looked dull and lifeless. I understand that's supposed to be reflective of the character's deadpan and stoic personality, but it always threw me off. But here there's a glint of light inside his eyes, helping make him look alive while still maintaining his stoic appearance. Also, the hair and the cross hairclip are beautiful. His hair is so light and fluffy, and it's styled beautifully. And while it's not in this picture, we do still have his floating hair curl, which is always a nice touch. A classic staple of a design by Himaruya.

Iceland: Season 7

I prefer this design for aph Iceland because this is one where he looks the most like both an angsty teenager and a child. Which makes sense, as he's the youngest of the Nordic Five. It's simultaneously giving off "Ugh, don't talk to me!" vibes, combined with "I hope my big brother remembered to put a juice box in my lunch today," energy. I also like how similar he looks to Norway from season seven here as well. To me it's a cute nod to the fact(?) that they are biologically brothers. Also, this outfit? It's adorable, and I love it. The earmuffs are everything.

[wiredalienvampire]

Guess who recently watched gregory horror show this week and totally didn't develop feelings for the crusty elderly rat man

[musical-chick-13]

I bring a real "Doctor x River OTP" vibe that a bunch of the DW fandom doesn't really like.

[lastoneout]

I keep thinking about all of the disabled activists and people before me who stranded themselves on the 4th floor of buildings for weeks and crawled up stairs and fought with airline staff and schools and doctors and refused to stop existing in the face of injustice and bigotry no matter how big and scary and hopeless it seemed. Every time I get angry and scared the protests that lead to the creation of the ADA pop up again and remind me that disabled people are so much fucking stronger than anyone has ever given us credit for, and I can't help but be proud of that. And I know not all disabled people feel like we should take pride in our disabilities and have flags or whatever, but I think not just living, but thriving, in spite of a world that wants us dead and gone, in the face of both illness and persecution, and how we've not only bought ourselves forward, but uplifted the disabled people around us, secured more equal futures for everyone who will come after, and truly changed the way so many abled people have seen us for the better is something to be damn fucking proud of.

We have always been here and we always will be, there will never be a world without disabled people because being disabled is not bad, it's a natural part of the human experience and yeah it sucks some times but even when it sucks we have fought to build beautiful, unique, happy lives with people, both like us and not, and that should be celebrated.

The first sign of human civilization is the healed femur. The body of the profoundly disabled person who would have needed help to even just eat being carefully laid to rest after decades of a full, happy life. The medicinal plants showing even before we were entirely human we were doing what we could to not just survive, but alleviate suffering while we're at it. Above everything, evolution selected not the baby who can walk and eat and be quiet, but the one that can ask for help.

Disabled people are not just angry cockroach motherfuckers who refuse to die, we are proof of humanity's HUMANITY. Proof that natural selection selected a species that takes care of each other. From healed femurs and medicinal plants to vaccines and IVs and insulin to now, we are driven to help one another, we are at our strongest when we don't leave our most vulnerable behind. And I am living proof of that. My mother is living proof of that. Every disabled and chronically and/or mentally ill person I know is living proof of that.

And I don't know about the rest of you, but will carry that shred of humanity's true nature inside me like it's my fucking soul. I am scared and angry and hurt, but I have a lifetime's experience being scared and angry, and I can shake off the kind of pain that would make Atlas crumble to dust like it's nothing but a stiff fucking breeze. Disabled people have always been here, turning fear and anger and pain into joy and beauty and connection, and I'm not going to let everyone who came before me down. I'm not going to give up. Not now, not ever.

It's okay if you're disabled and you've hit your limit, you're too scared and tired and hurt, I won't blame you. But I won't abandon you, either. I might not be able to right all of the wrongs in the world, but I'll be strong, I'll carry all of you with me, I will not give up.

As I've said before, society hates a cripple who won't die, so we must spite them and live anyway.

Please, live anyway. I know if anyone can, it's us.

[penisbagelbite]

"Affirmation" & Malgendering

"Fine, I'll 'respect' your gender, but I'll make it absolutely miserable for you. What? You don't like the way I'm 'affirming' your gender? Guess you'll have to stop being a (trans) man then."

I want to put something out there about what I call "malgendering". I see trans men talk about the phenomenon and acknowledge it as a part of antitransmasculinity but not the concept of "malgendering" itself and what it's purpose is, and as trans men and transmasculine people are especially caught in the lose-lose situation between misgendering and malgendering I think it is an important concept to establish. The erasure of transmasculinity, particularly as a unique gender and gendered experience, also serves to keep the transmasculine trapped within this double-bind, positioned between the gender binary of cis patriarchal ideas of womanhood and manhood, where for us there is only misgendering (being abused with the Woman gender) or malgendering (being abused with the Man gender).

I define malgendering as the practice of "validating" someone's gender identity only when it can be used against them and to hurt them, and malgendering almost always involves the enforcement of only the most negative sexist stereotypes available onto the victim with none of the "positives". If misgendering is forcefully pushing you back into your 'proper place' such as by calling you a "girl" or a "her" and showing you that you're really a woman through sexual assault -malgendering is scaring and traumatizing you into it by using your own gender against you. Malgendering is the realization that you don't need to misgender someone to hurt them or to punish them for the way they identity and push them towards the gender they're 'supposed' to be - you can do all that through 'validation'. It's psychological warfare on the sense of self.

This violence and abuse under the guise of "respect" and "identity affirmation" creates plausible deniability of intent and places the blame on the victim for "identifying that way", so much so that even other trans people will defend it and believe it's not maligned (especially because "but being seen as and treated as your gender is what trans rights is all about!" and "errm but its transphobic to not treat u this way?/ur misgendering urself by wanting to not be treated this way :/" with the hidden message being "don't like it? stop being trans"), even when faced with evidence of the (very much intended) effects it has on stalling and outright eliminating transmasculinity (ie. repression, detransition, suicide).

Some examples I can pull off the top of my head:

A transphobe is talking about a pregnant trans man. The whole energy of the Facebook video is 'comedic', and while calling birth the most “feminine” thing someone can do and alluding to how the trans man is really a woman, they still use he/him and call him a “guy” (in air-quotes). Not out of any respect but because the idea of a man being pregnant, calling a pregnant person a "he", and the very existence of the trans man in question, is the whole joke. In doing so, the transphobe has turned the act of using the proper pronouns and gendering him into a source of humiliation and made the experience of being properly gendered a demeaning one. -

The Ukraine military situation where all males aged between 18 and 60 were banned from leaving the country and obliged to serve in the military. Trans women were denied passage out of the country "because they were men", and trans men were similarly denied passage out of the country "because they were men". With the discrepancy between invalidating the gender of trans women and "validating" the gender of trans men, you'd think the motivation behind this would be obvious - that trans people are expendable meat and it's better they die than cis people. It shouldn't of needed to be said that "I'm only affirming your gender because it allows me to put you in a position where you will likely suffer and die and put the blame for it on you" is not 'respect' or 'affirming' at all but somehow this was taken as evidence for the idea of that trans men are more 'respected' and seen as their genders than others (and are thus 'privileged'). -

A common one almost every trans guy deals with at some point is cis people threatening to beat trans men up (and often following through), because "If you're a man and not a woman (anymore) that means I can punch you," using the proximity to masculinity that transmasculine people claim as a justification for violence. Every other week there's a new story in online transmasculine spaces about someone having their ribs broken with "Since/if you want to be a man so bad-" preceding the attack. -

The above is in a similar vein to when accounts of violence done to transmasculine people by cisgender men are brushed off and they're told something along the lines of "welcome to being a man", "that's just what men do to each other", "that's just the way things are with men", etc. along with the insistence that their attack had nothing to do with antitransmasculinity, making it an immutable problem with (cis)men as a whole - creating a sense hopelessness and that this is all they have to look forward to. -

Transmasculine individuals being refused treatment, tests, or insurance for gynecological issues, especially cancer, despite the knowledge that they are transmasculine, because "men don't deal with these problems" and they don't want "men in women's spaces", and if you don't want to be 'treated like a man' and get the care you need (and not die), you're going to have to go ahead and detransition, change that M marker back to an F.

All of this functions to create contention, and eventually a rift, between the individual and their sense of gender identity. Creating an association between being gendered 'correctly' and 'respected' as your gender (and ultimately existing as a transmasculine person) with abuse, violence, helplessness, trauma, fear, isolation... and by making transmasculinity and transmanhood uninhabitable and driving a wedge between the individual and their sense of gender identity you can more easily drag them back to their 'proper' place. Plant seeds of doubt by making being transmasculine an exceedingly unhappy experience. Make them think that everything that's happened is their own fault for choosing to be transmasculine or trying to be a man. That maybe since they're so unhappy this isn't for them. That living as a transmasculine person is just too difficult and they're not cut out for it, that if they "gave up" and were to be women again things would be easier and they would be safer and happier.

This also all serves to maintain cis patriarchal ideas of gender and the gender binary and police the boundaries of manhood, in a way I can't articulate right now.

Through all this, despite being called "men" during malgendering, we are not actually perceived as such. We are always an "other". Acknowledging us as "men" is just another weapon, and why some transmascs flinch at the phrase "trans men are men". Our own genders are used to beat us.

Using a scrap from my .txt journals:

"[...] on the subject of having a core aspect of yourself taken from you and turned into a weapon to beat you with, with the result being that aspect of yourself now becoming a source of trauma and pain so you abandon it and lock it away like an awful secret, that’s exactly what happened with my gender. Being genderless and a(nti)binary is what I’m most comfortable as, a(nti)gender is my ~real gender~, but I have to admit a lot of this is because I have been traumatized out of any gender with binary associations and have consequently come to know gender itself, and the act of gendering, as violence. Gender is but a designation for what exploitation, abuse, and violence can be enacted upon you and the justification there of. When someone asks whether you are "masc" or "femme", behind their back as they face you is a hammer in one hand, and a knife in the other, and what they are actually asking is if they can pummel you or lacerate you. When it comes to the “direction” I’m transitioning in though, it is obviously “masculine” (as much as a negation of "femininity" is always taken as stepping towards "masculinity") and you wouldn’t be entirely wrong to call me “transmasculine”, though I have been scared to death of being acknowledged as such."

My first encounter with malgendering was when I was 13 and had just started to realize I was "ftm" and looking for community online. My first exposure to any affirmation of transmasculinity was someone I came to respect reblogging a post about how Kill All Men includes trans men. This would set the precedent of the next decade of my life of existing while transmasculine. A decade of only hearing the words "trans men" and "transmasc" used negatively and as the butt of jokes that served to reinforce patriarchal ideas of gender. The consistent and relentless denial of transmasculinity as a unique gender and gendered experience, the denial of transmasculine reality especially in regards to misogyny, and continuous abuse and threats of violence, all under the guise of affirming trans men's genders as men (and affirming the gender binary in the process). A decade of having antitransmasculine sentiment fed to me in every way possible.

For me, the experiences of antitransmasculinity and malgendering from non-transmascs has effectively "chased" me out of my transmasculinity and any acknowledgement of it. For years I have hidden my transmasculinity and presumed "AGAB" out of fear, even in queer and supposedly trans-friendly spaces. I have not been able to associate with any “masculine” language in reference to myself without feeling that I am in imminent danger, have made a grave mistake, and suffocating in anticipation of punishment. I have always been scared of posting any of my art that eludes to my transmasculinity. I have always been terrified of being referred to or perceived as “transmasc”, a “trans man”, of being called a "guy" or “dude” or “bro”, of using "he/him" anywhere. All of it. Deep down on some level I do desire it, but it’s been forbidden and only aggravates existing wounds.

And this, in turn, pushed me out of associating with other transmasculine folks out of fear and internalized antitransmasculinity towards other transmasculine people, isolating me from any community or connection with anyone similar to me, exacerbating my loneliness and alienation as a youth to the point where now as an adult my ‘normal’ human social needs – connection, community, relationships, empathy – are completely broken. I don’t feel loneliness anymore, or the desire to connect to anyone, despite in ways being even more alone now than I was then. In a way I believe antitransmasculinity shaped the path of my schizoidism. Isolating and divorcing me from my transmasculinity and the world at large is what I understand to be yet another point of this type of antitransmasculine rhetoric - because when you've destabilized and isolated someone from their whole sense of self and community, they are much easier to control.

[dyns33]

Flufftober 2024 - 29 Eddie Brock / Venom

Y/N had met Vee during a Halloween party.

A little intimidated by the crowd and not knowing anyone, she had stayed in her corner for a good part of it, until this giant with his incredible costume came to talk to her.

It would be a lie to say that she had not found him adorably charming, and she would have liked them to be more than friends, if he had not spent most of the time talking to her about his Eddie.

It was obvious that there was something strong and unique between Vee and this Eddie, even if he did not seem to appreciate him at his true value.

"He never agrees with me… He wants to control everything !" he had sobbed against her shoulder. "He says that I won't even be good at cleaning toilets."

"That's not nice. Maybe this relationship is not very healthy."

"But I love Eddie. He takes care of me and even though he's a stupid loser, he tries a lot. Maybe… Maybe I'm too hard on him."

"It's normal to have expectations from your partner. You need to sit down and communicate, to see what's wrong and find solutions."

"You're right, little morsel ! You're a good friend !"

Obviously very busy, Vee kept in touch with her by calling her almost every night and sending her messages, but never having time to see her.

He used Eddie's phone, while he slept. Before meeting her, Vee had never seen the point of having one, and he contacted her secretly because he found it funny to have a secret all to himself.

"But I'll tell him at some point, because we share everything. We're in symbiosis, we're one."

"That's cute. Do you think he'll be angry ?"

"No. Scared maybe."

"Oh." she wondered. "Is he the jealous type ? He'll be afraid that I'll steal you from him ?"

"I'd rather be afraid that he'll steal you from me, I think he'll love you a lot. And that's why he'll be afraid for you. He'll think I want to eat your brain."

Sometimes she didn't understand everything he said, but she found him funny and considered that he simply had a particular sense of humor.

But after several months of talking to him, he finally ended up running into him while a guy was trying to take her purse in an alley.

Vee jumped from a rooftop, growled at the thief, grabbing him with one hand, before biting his head off. Then he turned to Y/N, smiling.

"Eddie, she's my friend."

"Y/N ?" a voice that seemed to come from inside him asked. "Great, Vee, she's not going to freak out at all because you just killed someone. I already told you to go get some chickens if you were hungry."

"You never let me do anything ! He was mean ! He was attacking my Y/N !"

"Let me talk to her, okay ? So I don't traumatize her more than necessary."

In the end, Venom was an alien, and Eddie his host, a man not as horrible as she had imagined, simply trying to keep his symbiote from doing too much mischief so that they wouldn't be spotted by the government.

They fought often but they couldn't live without each other. Literally for Venom, even if they also loved each other too much to want to be apart.

As he had expected, the human had panicked a bit when he learned that he had a friend, that she didn't really know what he was, and that they were therefore putting her in danger just by talking to her. But Eddie had understood that she was important. He had felt it.

When Vee said that they shared everything, he was dead serious.

"I showed him a picture of you. He got an erection."

"Vee !" Eddie shouted, trying to silence the head floating next to his shoulder. "Shut up ! Those are not things to say ! Excuse him."

"Why ? I like Y/N, and you like her too, and she likes us. Her pheromones don't lie."

"Vee ! You're making everyone uncomfortable, stop."

"See ? He never agrees, he controls everything."

Y/N saw clearly, now understanding many things that had seemed a bit strange to her. She could have run away, but despite this surprising discovery, she really liked Vee, and Eddie seemed as charming as he was.

So she suggested that they spend the next Halloween, all together this time.

[goldfades]

𝐆𝐈𝐑𝐋𝐅𝐑𝐈𝐄𝐍𝐃 ─ PB⁵

౨ৎ ─ summary | paigey being your girlfriend - a list of relationship "headcanons"

─ warnings | in a bullet-point formatting, i hope you guys like it! fluff (lmk if yall want nsfw ones bc i can provide), paige being DOWN BAD, social media tingz, maybe alluding to being outed but not really, some angst but you can skip over it, paigey being protective (duh), nothing else?

─ taglist | @xocherishxo @iienstein @yazmunson and here's a link to my taglist if anyone would like to join!!

─ ev's notes | THIS IS SUCH LONG MESS BECAUSE I'M HAVING PAIGE BRAINROT RN, but i hope y'all enjoy nonetheless LOL being in my paige era i've read so many of these and i'm sure you guys have as well, so i'm making this as unique (or descriptive) as i possibly can to make it because it's more fun to read (and write cus im a sucker for details)

PRE-RELATIONSHIP STUFF

when you guys first started dating, i feel like paige would be kind of secretive about it

maybe secretive isn't the right word but very... private but not secret type of vibe (at least irl)

not because she doesn't want to show you off, because believe me, she wants to (she's a bragger what can i say)

but just because she wants to keep you all to herself for a while

she knows that as soon as people find out about it, everyone will be talking about it and making assumptions and she just wants to keep you to herself

at least for a couple months

she doesn't care about the public's opinions but she wants to make sure that y'all are LOCKED IN before she makes it public on social media

but it's clear to paige that y'all are very much locked in after the first couple weeks

she's not new to relationships and she's had her fair share but she can tell that it's different now

so the whole "not sure if i wanna hard/soft launch her cus what if we're not a long term" sentiment turns into "i wanna keep this special thing to myself ONLY for at least a couple months"

and of course the entire team knows paige is down bad for you, they've never ever seen her this WHIPPED

because paige seems like she'd be nonchalant and SHE IS... for people she doesn't give a fuck about

so when she likes someone, she LIKES someone

she is extra what can i say

they tease her about it and in any other situation, she would be annoyed but she loooooooves it because it's like "yeah i'm in the best most awesome relationship with the cutest sweetest and kindest girl in the PLANET"

you and paige would've definitely known of each other since freshman year but like... she's kinda intimidating so you sorta tried to steer clear of her

you were really close with some of the girls on the team, specifically azzi so you saw paige kind of a lot

but sophomore year, azzi kind of pushed you guys to be close and since she knows you guys so well, IT WORKED!

you guys clicked so quick and that doesn't happen a lot with paige, it takes a lot to earn her friendship

but you practically ripped down all her walls within like an hour of talking to her

definitely the first one to catch feelings

at least... to her ;)

very much friends to lovers trope with lots of sexual tension cus who doesn't love that?

i feel like after 3 months of being really close friends, you guys would spend like a shit ton of time together

you guys were ALWAYS together

she even tried to convince you to come to practice with her but you said no cus... what the heck

everyone knows... EVERYONE knows that paige likes you

and it kind of becomes like cemented (for paige at least) after she realized you were her literal COMFORT PERSON

like after every terrible, long practice or after losing games all she wants to do is be AROUND YOU so she could forget about everything

especially when she gets injured, she's such a wreck and the only person who made her feel better was you

it wasn't even what you said or what you did, it was simply just you

and after going through such a bad time with you, she realized that she liked you and she can't keep pretending

and she asked you (yaya!) and you said yes cus you liked her back (yaya!) and everything is just YAYA

so it's safe to say she knows she's found her soulmate within a month of knowing you

but she doesn't wanna seem like she's love-bombing you or whatever so she pretended to be nonchalant

which of course FAILS because she's down bad

so she tells you she loves you within like a month of dating

i KNOW it seems bad but you guys both felt it because of the whole injury and spending every moment together

when you know, you know vibes

she told you she loved you after you were there for her through some of the worst times of her life and you said it back of course and it's all cutesy

paige's love language is TOTALLY quality time and touch

even before you were dating, she just liked having her hands on you whether it was like holding your hand while walking through a crowd, or braiding your hair, or putting her head on top of yours or something as simple as just HUGGING you

but she kept it cordial of course cus y'all weren't dating

yeah that was all thrown out the window as soon you became her girlfriend

hands on you at ALL times, it becomes so subconscious neither of you even know you're doing it anymore

so remember that whole secret relationship thing?

well... everyone kind of figures it out online after like 3 months of dating

it was because of paige, poor girl couldn't keep her hands and lips off of you after a particularly hard game and somehow 🤨🤨someone gets a picture and it was all over twitter and tiktok the next day

literally "paige bueckers girlfriend" trending after an hour of getting posted

but neither of you cared too much about it because A. it was totally worth it cus the kiss was 😫😫😫 and B. she finally doesn't have to turn off her girlfriend mode when she's with you at games

cus she has the prettiest and best gf in the world and she wants everyone to know that

the only reason she was slightly annoyed was because she couldn't hard launch you on instagram :( poor girl had potential captions in her notes :( cus she's our little drama queen:(

but that doesn't stop her cus she ends up doing it! (shameless plug right there hehehe)

now that she can freely touch you and just be herself finally, she literally doesn't GAFFF

of course nothing like over the top because sure she loves PDA to a certain extent and she's an athlete so she needs to keep it civil

RELATIONSHIP STUFF

we've already covered how paige is a physical touch and quality time girly

and paige loves spending literally all her free time with you because you just recharge her

but it isn't in like an overwhelming way

paige understand that sometimes you need quiet time (or vice versa) but the thing is she doesn't even need you to talk just being around you is enough

so idk if it's necessarily QUALITY time but just being around you and spending every free second she has with you tells you that she is in love with you

paige is the most protective person IN THE WORLD, not just with you like in general

it doesn't even have to be someone she knows, if she sees someone giving someone else a hard time SHE WILL STEP IN!

and with her friends, y'all have seen her... she does not back down and will literally murder anyone who comes for the people she cares about

so if that's with people she doesn't know, and her friends, you guys can imagine how crazy she gets over you

if somebody says something even slightly consendecing or mean, slap. someone looks at you the wrong way? slap. somebody breaths wrong around you, slap.

obviously she won't lay a hand on them first but likeeee would she back down, nope

she is actually your guardian angel

like at parties, her hand is always on you and she never ever leaves your side

you need to get a drink, she's coming to

if you need to pee? she'll wait in the bathroom for you

yeah don't expect her to leave your side

because even when she IS by your side, there is always a weirdo in your guys' ear trying to get with one (or both!) of you

but yeah she's not afraid to defend you when it comes to literally anything

and this doesn't only apply to strangers, if there is someone that you know (your friend, her friend, etc) she WILL stand by you and defend you

like she doesn't shy away from confrontation, she will say something but only if you want her to

and GOD HELP THEM if you shed a single tear, cus the next morning you bet she's saying something

like i said, paige is a confrontational person and that means she's the biggest communicator

if she has a problem, she will tell you so that you guys can fix it

but sometimes she can come off a little argumentative and like she's just attacking you

she uses a lot of "you" statements so it seems like she's pushing the blame all on to you

so that can be the root of a lot of your guys' arguments when paige is only trying to solve the issues

but of course paige doesn't back down so she will be arguing with you even if she doesn't even know why, she just hates being wrong

but she doesn't let you leave or go to sleep unless the problem is fixed (or at least on the road to being fixed)

she'll give you space, she'll go another room to take a breather but she will not let you leave until it is fixed

usually after the breather you guys can come to an agreement and then paige usually hugs all the anger outta you

cus who could resist her?

if the argument lasts a couple days (it usually doesn't unless it's something serious) paige will talk it out with her mom or her friends

and you'll usually do the same

and paige will force you to sit down and talk about it until it is FIXED because she hates not being able to talk to you

and when you guys do eventually talk about it, especially if it's a serious topic, it will end with tears with both parties

but you guys always make up and everything will be better

okay okay no more angst ... for now hehehe

i feel like paige's nervous tic would be braiding the ends of her hair so i feel like that would transfer to YOU somehow

she just likes braiding your hair!!!!!! or just running her hands through your hair, it would help her relax

and if you're like me, it will help you relax as well

if you're black/have braids, she would only touch your hair if you let her!

paigey takes pictures OF EVERYTHING so obviously that includes you

her camera roll consists of ONLY you atp, like... 20% pics of literally anything else, and the rest would just be pictures of you or something to do with you

and oh my gosh don't get me started on the damn .5's of you, some of them are HORRENDOUSSSS and paige uses them as reaction pictures sometimes

and you found out from azzi that she does indeed use them in the girls groupchat

but she argues that you just look adorable which you respectfully disagree

oh and don't get me started on her tiktok drafts, she has at least 1,000 (rip her storage)

and when y'all started dating she just makes cute relationship tiktoks but she never posts them

EXPECT the "you're spinning me around, my feet are off the ground one" cus she wants to prove to the world that she has muscles

and the tiktok girlies will cry but WHO CARES!

oh and if you're on the basketball team, they will started to fan-girl over you as well

HELLA TIKTOK EDITS

and paige will favorite, repost and comment on them

like the most down-bad, insane comments you can think of

"GET THE STRAP GET THE STRAP!" is one of many ✨✨

if you aren't on the team, trust the tiktok girlies will find a way and they will make edits of you

and paige will do the same

obviously you do the same for her, your favorites are just paige edits atp (mine too)

ESPECIALLY THE GET IT SEXY ONE OMLL

and everyone will make ship edits and cutesy things like

"omg the way paige looks at her" and like a slideshow of paige being like all 😍😍😍

after paige gets more comfortable with like the media knowing about you two, she posts you every five seconds

usually like stories and stuff and especially if you’re also a basketball player, she reposts ALL your stuff

she is a proud gf !!!

she also has a highlight FOR SURE, she loves

also she def has like 10 diff wallpapers of you and her, some are really cute and some are really… 🫣

also paige strikes me as the type to like be texting you ALL DAY

and girl doesn’t care if you reply, she will send you 8 consecutive messages of different things

“omg look at the group chat 😂 *insert screeshot*” “baby they ran out of fucking caramel at dunkin, how does that happen ?” “i ended up going to a local cafe why did this shit cost me 9$” “baby you’re coming to my game on saturday right?” “HAHA look at this meme 😂” “why haven’t you responded to my tiktok’s in 2 days?”

yes she 100% uses the laughing with tears emoji argue with the WALL

or skull emoji

she also sends you 20 minute snapchat vlogs and they’re so chaotic, especially when she’s at practice or something

kk will steal her phone and say hi then you’ll hear them play fighting for like 80% of the vlog

also she does grwm’s on snapchat too when she’s at away games and her morning voice is SOOOO SEXY CUTE

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

[autisticshadowthehedgehog]

Nobody asked me for my opinion on the controversy that dropped today when the Sonic Movie cast pay rate was revealed, which is fair ig since I try to stay positive on this blog. But in case you're wondering, yeah as a certified AFAB™ I'm pissed, but not really specifically at the Sonic crew. Actor pay rates are usually negotiated between agents and the production companies so just like all the other problems with the Sonic movies, this is most likely an issue with Paramount and their patented dumbfuckery. Disclaimer that obviously it could very well be a Sonic crew issue as well, obviously I don't know the inner workings of the entire film production.

Also, if you're mad about this: please be mad about the pay gap that has been going on as long as Hollywood has been alive. This isn't a problem unique to the SCU. I know the phrase "pay gap" is thrown around a whole lot but do you guys actually know how big an issue it is?

Recent percentages are that male and female actors have "a wage difference of about 25 percent," with an estimated difference of $1-2million between star-power men and star-power women.[x][x] Basic Instinct star Sharon Stone said she made $500k to Michael Douglas's $14mil– and when she was asked to be lead in a film being made in ~2022, the lead male, who was "new", was going to be paid $8-9mil, with her salary still at $500k. Last December, Biggest Monopoly In The World Disney was sued by 9,000 women over their pay gap.

This article is from 2019 but brings up some big fucking pay gaps between leads– for instance, Gillian Anderson was offered half of what David Duchovny was for the X-Files reboot as one of the two main fucking characters, Amanda Seyfried has disclosed she made 10% of what her male co-star made on an undisclosed film, Natalie Portman made 1/3 of the salary of Ashton Kutcher in No Strings Attached, and Ellen Pompeo, the titular character of Grey's Anatomy, was paid less than the actor playing her love interest, Patrick Dempsey. In fact, Dempsey was being paid almost double what she was.

However, BIG issue with the 2019 article: it only focuses on what White actors are being paid. Research shows that Black actresses make 57 cents to every dollar white actors make on a good day. Viola Davis, one of the most popular and talented actresses of our generation, has said that black women "get probably a tenth of what a Caucasian woman gets. And I'm number one on the call sheet." Octavia Spencer had to collaborate with Jessica Chastain to make sure they both got paid the same amount of money on a film they both worked on, and revealed that her new salary increased 500% afterwards.

At the end of last year, while promo-ing The Color Purple, Taraji P. Henson broke into tears while talking about how little she's being paid when compared to her white and male contemporaries. And when she talked about the gap, I find it so fucking frustrating that the general audience response was to immediately blame the only Black female producer on the film. I have a million gripes with Oprah Winfrey but TCP cast has said that she herself managed to fix a lot of the problems on set and was nothing but supportive to them. Oh, and there were a lot of problems on set, including a lack of food and dressing space for the main actors. And this is all from celebrity women. Just think about how Hollywood is treating women who don't have the star power to speak up.

Of course this isn't even a problem solo to Hollywood, let alone Paramount, let alone just one movie. And honestly it was probably really sad that when I saw the pay rate for the Sonic 3 cast, I wasn't even surprised, because I've seen worse on bigger projects.

[tornioduva]

Dungeon meshi and body proportions

Ok, i'm feeling the rush i got from binging the manga this last week is starting to fade away, i'll be back to being a normal person soon i think. at least, that is before i find a new something for me to dive into uhuh.

Before that happens, i want to praise Ryoko Kui for one last think. The design of the characters!

For years i've expressed (maybe not so much online) my hate towards the "anime style", this homogenization of traits and beauty standards to an artificial degree, and the mass spread and consumption of it. yes, trends exist for a reason, this is not the first nor the last art current to be popular and i'm not the first detractor of one in history. I do think there is something uniquely harmful in this one though, and that is why i'm able to find the energy to be such a pretentious dipshit about it. That is a discussion for another day though.

All this to say that going through Dungeon Meshi and seiing these characters, plus (and in a way because of it) all the additional sketches of the daydream hour bonus sections, was such a breath of fresh air! (at least for what concerns japanese exported stories)

All i could say and praise in regard to character designs in general is perfectly expressed in this video, which i recommend you to watch if you want to hear my opinions (and the video author's too, uhuh):

I want to leave you though with at least one specific praise for me: Falin.

i've seen countless time people (online) just not understanding how people's body work, how much differences there can be and how proportions do distribute and affect the body. in anime I see a lot of short and tall people (mostly women girls) that share the same proportions despite their actual height, and that often leads to think "yeah, she is short" and than she's tall when around someone, or (most often) the contrary. same lenght of limbs, same head to body proportions, and little details like this.

Falin you can tell at a glance she is a tall woman before she's around anyone, even when she is standing near her brother who is taller than her.

Kui did her homework in studying bodies and variations, and, whether consciously or not, she differentiated her in body in subtle but fundamental ways: her head being slightly smaller than her body, the neck being fairly long, and her having somewhat broader shoulders.

I accept that there might be an element of suggestion at play here, considering also how she is dressed most of the time, but I really do think there is a direct effort at differentiation here.

This is the first time in a long time (in a series like this at least) where i've seen a woman carrying herself around others and the space around here kind of like a person like me, tall, would; at first i didn't think much of it, but then i saw her near other characters and....i don't know, i felt a warm, joyful feeling, seeing that i was right in recognizing that trait and being right.

I was especially happy in seeing her next to marcille. not so much for the height difference, but for how different they were in proportions and mannerism. A lesser manga i fear would have used marcille's body type and way of moving and interacting as the default for most other girls, but here she was uniquely herself!

Now, i could've used more extreme exemples to show how this author rocks in body types representations (while aknowledging there could've been even more diversification still), given there are far larger, taller and stranger women, but to me, nailing the little, most subtle details in such a chirurgical manner shows a greater level of mastery and comprehension. As such, Falin left me with a deeper fascination than most other characters.

Sorry for this wall of text, but i needed to let my happy thoughts go, so that i could be free again uhuh.

Feel free to tell me that i'm wrong, or that i should just accept anime media as is. i'm just really happy Dungeon meshi exists as is and i want Ryoko Kui to keep refining her craft, and drawing beautiful women and dwarves.

Plus, this was very much a stream of consciousness, i didn't go into technical details about what i think conveyed what i described, but if someone is interested, or does not get what i'm saying (while expressing it in a curious and gentle way, i won't respond to spiteful assholes), i'll be happy to make a follow up post in which i try to dissect this! For example, i didn't reread the whole manga to find examples of her, i just went to the wiki uhuh. in a follow up post maybe i'll try to go through chapters and pick more specific examples of her.

Anyway, have a good day!

[dustteller]

Something I haven't seen people talk about with the new spiderverse movie is just how puertorrican Miles and Rio are.

For background, I'm puertorrican from the island, and I just watched Across the Spiderverse in a theater here, and let me tell you, the people in the theater freaked out whenever these little details came on. It is so clear to all of us how much care went into portraying every single detail.

You guys don't understand how important all of this is to me.

At the party, when everyone started greeting miles in spanish? I've had all those phrases said to me. All of those people had my accent. They weren't a different flavor of hispanic just because finding some puertorricans was too hard. They were all so very puertorrican that it almost hurt.

But even that can be a bit easier to portray. Sure, they all had puertorrican accents, but everything they said is pretty run of the mill for hispanic people. And then I saw the food. I remember the asopao most clearly, because it was just on screen for a few seconds, and my friend started whisper screaming "Pasteles, pasteles!!" into my ear. It was such a tiny thing, but the food was ours, and not cuban, and not dominican. We never get to see our food done right, because no one cares. People just use dominican food and go "close enough."

And when Miles and his parents are talking about spiderman and Rio says that Spiderman is puertorrican?? That's such a puertorrican thing to do. People here are so incredibly proud of our island and our people that I personally know so many people that have gone to see Lin Manuel Miranda shows while having zero interest in musical theater because he's one of us. It makes so much sense that Rio would celebrate that, and when Miles immediately tries to deflect by saying spuderman sounds more dominican? That's peak comedy. Everyone in the theater burst out laughing, and that joke works precisely because the movie doesn't treat us as interchangeable.

And finally, Rio herself. The way all the characters move is so incredibly unique and mesmerizing, but Rio? My girl feels with her mouth. Her expressions were so spot on, with the lips making up so much of the emotions. Puertorricans use our lips a lot when expressing how we feel, and its such a tiny, inconsequential detail, but it means the world to me. So many people in the creative team cared so much for all these little details to make their way in. They really didn't have to, but they did, and I just really appreciate that.

Also, fun fact, I watched it in english with spanish subs (the subs are for the spanish dubbed version, not a direct translation), and when Rio says "I bet she doesn't even know spanish" about Gwen, in spanish it's "I bet she doesn't even know where Puerto Rico is" and that was very funny and I laughed my ass off when I noticed that's what they translated it as.

[bethanythebogwitch]

I recently found out a show I liked is 10 years old now so to not be the oldest thing on this blog I'm talking coelacanths for Wet Beast Wednesday. Coelacanths are rare fish famed for being living fossils. While that term is highly misleading, it is true that coelacanths are among the only remaining lobe-fined fish and were thought to have gone extinct millions of years ago before being rediscovered in modern times.

(image id: a wild coelacanth. It is a large, mostly grey fish with splotches of yellowish scales. Its fins are attached to fleshy lobes. It is seen from the side, facing the top right corner of the picture)

Coelacanth fossils had been known since the 1800s and they were believed to have gone extinct in the late Cretaceous period. That was until December 1938, when a museum curator named Marjorie Courtenay-Latimer was informed of an unusual specimen that had been pulled in by local fishermen. After being unable to identify the fish, she contacted a friend, ichthyologist J. L. B. Smith, who told her to preserve the specimen until he could examine it. Upon examining it early next year, he realized it was indeed a coelacanth, confirming that they had survived, undetected, for 66 million years. Note that fishermen living in coelacanth territory were already aware of the fish before they were formally described by science. Coelacanths are among the most famous examples of a lazarus taxon. This term, in the context of ecology and conservation, means a species or population that is believed to have gone extinct but is later discovered to still be alive. While coelacanths are among the oldest living lazarus taxa, they aren't the oldest. They are beaten out by a genus of fly (100 million years old) and a type of mollusk (over 300 million years old).

(image: a coelacanth fossil. It is a dark brown imprint of a coelacanth on white rock. Its skeleton is visible in the imprint)

Coelacanths are one of only two surviving groups of lobe-finned fish along with the lungfishes. Lobe-finned fish are bony fish notable for their fins being attached to muscular lobes. By contrast, ray-finned fish (AKA pretty much every fish you've ever heard of that isn't a shark) have their fins attached directly to the body. That may not sound like a big difference, but it actually is. The lobes of lobe-finned fish eventually evolved into the first vertebrate limbs. That makes lobe-finned fish the ancestors of all reptiles, amphibians, and mammals, including you. In fact, you are more closely related to a coelacanth than a coelacanth is to a tuna. Coelacanths were thought to be the closest living link to tetrapods, but genetic testing has shown that lungfish are actually closer to the ancestor of tetrapods.

(image id: a scientific diagram depicting the taxonomic relationships of early lobe-finned fish showing their evolution to proto-tetrapods like Tiktaalik and Ichthyostega, to true tetrapods. Source)

There are two known living coelacanth species: the west Indian ocean coelacanth (Latimeria chalumnae) and the Indonesian coelacanth (L. menadoensis). Both are very large fish, capable of exceeding 2 m (6.6 ft) in length and 90 kg (200 lbs). Their wikipedia page describes them as "plump", which seems a little judgmental to me. Their tails are unique, consisting of two lobes above and below the end of the tail, which has its own fin. Their scales are very hard and thick, acting like armor. The mouth is small, but a hinge in its skull, not found in any other animal, allows the mouth to open extremely wide for its size. In addition, they lack a maxilla (upper jawbone), instead using specialized tissue in its place. They lack backbones, instead having an oil-filled notochord that serve the same function. The presence of a notochord is the key characteristic of being a chordate, but most vertebrates only have one in embryo, after which it is replaced by a backbone. Instead of a swim bladder, coelacanths have a vestigial lung filled with fatty tissue that serves the same purpose. In addition to the lung, another fatty organ also helps control buoyancy. The fatty organ is large enough that it forced the kidneys to move backwards and fuse into one organ. Coelacanths have tiny brains. Only about 15% of the skull cavity is filled by the brain, the rest is filled with fat.

(image id: a coalacanth. It is similar to the one on the above image, but this one is blue in color and the head is seen more clearly, showing an open mouth and large eye)

One of the reasons it took so long for coelacanths to be rediscovered is their habitat. They prefer to live in deeper waters in the twilight zone, between 150 and 250 meters deep. They are also nocturnal and spend the day either in underwater caves or swimming down into deeper water. They typically stay in deeper water or caves during the day as colder water keeps their metabolism low and conserves energy. While they do not appear to be social animals, coelacanths are tolerant of each other's presence and the caves they stay in may be packed to the brim during the day. Coelacanths are all about conserving energy even when looking for food. They are drift feeders, moving slowly with the currents and eating whatever they come across. Their diet primarily consists of fish and squid. Not much is known about how they catch their prey, but they are capable of rapid bursts of speed that may be used to catch prey and is definitely used to escape predators. They are believed to be capable of electroreception, which is likely used to locate prey and avoid obstacles. Coelacanths swim differently than other fish. They use their lobe fins like limbs to stabilize their movements as they drift. This means that while coelacanths are slow, they are very maneuverable. Some have even been seen swimming upside-down or with their heads pointed down.

(image: an underwater cave wilt multiple coelacanths residing in it. 5 are clearly visible, with the fins of others showing from offscreen)

Coelacanths are a vary race example of bony fish that give live birth. They are ovoviviparous, meaning the egg is retained and hatches inside the mother. Gestation can take between 2 and 5 years (estimates differ) and multiple offspring are born at a time. It is possible that females may only mate with a single male at a time, though this is not confirmed. Coelacanths can live over 100 years and do not reach full maturity until age 55. This very slow reproduction and maturation rate likely contributes to the rarity of the fish.

(image: a juvenile coelacanth. Its body shape is the same as those of adults, but with proportionately larger fins. There are green laser beams shining on it. These are used by submersibles to calculate the size of animals and objects)

Coelacanths are often described as living fossils. This term refers to species that are still similar to their ancient ancestors. The term is losing favor amongst biologists due to how misleading it can be. The term os often understood to mean that modern species are exactly the same as ancient ones. This is not the case. Living coelacanth are now known to be different than those who existed during the Cretaceous, let alone the older fossil species. Living fossils often live in very stable environments that result in low selective pressure, but they are still evolving, just slower.

(image: a coelacanth swimming next to a SCUBA diver)

Because of the rarity of coelacanths, it's hard to figure out what conservation needs they have. The IUCN currently classifies the west Indian ocean coelacanth as critically endangered (with an estimated population of less than 500) and the Indonesian coelacanth as vulnerable. Their main threat is bycatch, when they are caught in nets intended for other species. They aren't fished commercially as their meat is very unappetizing, but getting caught in nets is still very dangerous and their slow reproduction and maturation means that it is long and difficult to replace population losses. There is an international organization, the Coelacanth Conservation Council, dedicated to coelacanth conservation and preservation.

(image: a coelacanth facing the camera. The shape of its mouth makes it look as though it is smiling)

[xtra7s]

Hi hi omg i love your writing it’s amazing! Can i request a Reneè fic where reader is in a famous band and admits in an interview how much she loves and admires Reneè (yk that clip where Reneè is like “Date me” for Rachel Mcadams) and Reneè responds and they get close and collaborate or whatever you want!

𝐄𝐜𝐥𝐢𝐩𝐬𝐞𝐝

Pairing: Renee Rapp x Reader

Synopsis: Y/N, the bassist for Eclipsed, gives Renee some props during an interview and ends up hanging out with her.

Content: mainly fluff

Word Count: 2k

a/n: okay so this one was a bit confusing to write mainly because I felt like nothing was really going on, I didnt know if you wanted smut or something else so I apologize if it isnt what u wanted :(

masterlist

The excitement buzzed in the air as Y/N YL/N, the talented bassist of the rising rock band "Eclipsed," prepared for a much-anticipated interview. The band had been making waves in the music scene, and the media was eager to learn more about the individuals behind the electrifying sound. Y/N, known for their skillful bass playing and enigmatic stage presence, was ready to share their journey.

The interview took place in a trendy studio, with the band seated on a chic, modern couch. Y/N's fingers idly traced the frets on their bass, a well-worn instrument that had seen countless gigs and late-night jam sessions. The interviewer, a music journalist with an infectious passion for the industry, dove straight into the questions.

"So, Y/N, let's start with your musical journey. How did you find your way to the bass guitar?" the interviewer inquired, leaning forward.

Y/N grinned, the memory of their musical awakening evident in their eyes. "I actually started with the guitar, but one day, I heard this deep, resonant bass line that just spoke to me. It was like the heartbeat of the song, and from that moment, I was hooked. I switched to the bass, and it felt like coming home."

The rest of the band nodded in agreement, acknowledging the pivotal role Y/N played in shaping the band's distinctive sound. The lead singer, Maya, chimed in, "Y/N brings a unique energy to our music. The bass lines add a whole new layer, creating this dynamic and powerful sonic landscape."

As the conversation flowed, the interviewer shifted gears, asking about the band's creative process. Drummer Alex spoke about the collaborative nature of their songwriting, while the guitarist, Jake, discussed the influences that shaped their sound. Y/N interjected with tales of late-night jam sessions and the organic evolution of their music.

"We all bring something different to the table," Y/N explained. "It's like a musical potluck. Each of us has our own tastes and influences, and when we come together, it creates this fusion of sound that defines Eclipsed."

The conversation turned to the band's recent successes, including a sold-out show and a growing fan base. Y/N's eyes sparkled with gratitude as they reflected on the journey.

"It's been incredible," Y/N shared. "Our fans are amazing. They connect with the raw emotion in our music, and that's the most rewarding part. Music is a language that transcends words, and seeing people resonate with what we create is truly humbling."

As the interview with Eclipsed continued, the interviewer shifted gears, a mischievous glint in their eyes.

"Now, Y/N, the music world is full of incredible artists, and one rising star who seems to have captured a lot of attention is Renee Rapp. Have you had the chance to meet her, and what are your thoughts on her music?" the interviewer inquired, a sly smile playing on their lips.

Y/N's expression lit up at the mention of Renee Rapp. "Oh, Renee is fantastic! I haven't had the pleasure of meeting her in person yet, but I'm a big fan of her work. Her music has this raw authenticity that really resonates with me. It's always refreshing to see artists who pour their heart and soul into their craft."

The rest of the band nodded in agreement, expressing their admiration for Renee Rapp's talent. Maya, the lead singer, chimed in, "I love how she fearlessly embraces her uniqueness. It's inspiring to see artists who aren't afraid to be true to themselves, both in their music and their persona."

The interviewer pressed a bit further, asking if there were any specific songs or aspects of Renee Rapp's music that Y/N found particularly inspiring. Y/N thought for a moment before responding, "I really connect with the way she uses her voice to convey emotion. It's powerful and evocative. As musicians, we're always drawn to those artists who can create a genuine connection with their audience, and Renee does that exceptionally well."

The conversation then meandered into a discussion about musical influences, with each band member sharing their favorite artists and the impact those musicians had on their own sound. It was clear that Eclipsed Echoes drew inspiration from a diverse range of genres and artists, contributing to the richness of their music.

"And, Y/N, given that you've expressed admiration for Renee Rapp's talent, do you have any comments for her?" the interviewer asked, a faint hint of curiosity in their tone.

Y/N, ever composed, smiled with her teeth. "I do,-" She paused, looking at the camera directly. "Keep your head up, bitch. you're effortlessly you and that shit is wicked. You gotta remember the comments of your loved ones are the only ones that matter."

The rest of the band nodded in agreement, sensing the delicate nature of the question. Maya, the lead singer, added, "Absolutely. It's crucial to separate someone's art from their personal lives. We're all here because of our love for music, and that's what we should celebrate."

The interviewer, quickly shifted gears steering the conversation back toward the band's music and upcoming projects. Y/N, always poised and focused on the music, gracefully navigated through the interview, steering it away from personal matters and back into the realm of creativity and passion.

As the interview concluded, it was evident that the members of Eclipsed were not only talented musicians but also individuals who valued respect and professionalism in their interactions. The episode served as a reminder that, while curiosity about an artist's personal life may arise, the primary focus should always remain on the artistry and creativity that unite the diverse and dynamic world of music.

A few days after the interview, Y/N found a pleasant surprise in their Instagram inbox. It was a message from none other than Renee Rapp herself. Excitement bubbled within Y/N as they read the message.

"Hey Y/N! 🌟 I caught your interview, and it was awesome hearing your thoughts on my music. Your band's sound is killer! Would love to chat more and maybe hang out sometime. What do you say?"

Y/N quickly replied, expressing their gratitude and enthusiasm for the unexpected message. The conversation flowed effortlessly as they exchanged thoughts about music, shared favorite artists, and found common ground in their passion for creating authentic, powerful art.

Renee suggested meeting up for a casual hangout, perhaps grabbing coffee or exploring a local record store. Y/N eagerly agreed, and plans were set in motion for a meeting between two talented musicians who had connected through their shared love for the art form.

As the day of the meetup arrived, Y/N couldn't help but feel a mix of excitement and nerves. They met Renee at a cozy cafe, and from the moment they greeted each other, it was clear that the connection extended beyond the digital realm. The conversation flowed effortlessly, filled with laughter, shared stories of musical journeys, and a mutual appreciation for the creative process.

Y/N and Renee's casual hangout unfolded into an afternoon of shared laughter, animated discussions about music, and an undeniable chemistry that lingered in the air. The cozy cafe provided the perfect backdrop for their burgeoning connection, with the aroma of freshly brewed coffee enhancing the warmth of the atmosphere.

As they chatted about their favorite bands and musical influences, Y/N couldn't help but be captivated by Renee's infectious enthusiasm. The conversation flowed seamlessly between topics, from the intricacies of songwriting to the exhilarating rush of performing on stage. Each shared anecdote deepened the connection, forging a bond between two artists who understood the unique challenges and joys of their chosen path.

The flirtatious banter began subtly, with playful glances and gentle teasing. Renee's laughter resonated like a melody, and Y/N found themselves drawn to her magnetic energy. As they strolled through a nearby record store, fingers lightly brushing against vinyl covers and sharing recommendations, the air seemed charged with an unspoken tension.

At a moment of quiet contemplation in the record store, Renee's gaze met Y/N's, and a playful smirk played on her lips. "You know," she said with a twinkle in her eye, "your interview made me curious. You mentioned appreciating someone's art without focusing on appearance. Do you always manage to separate the two?"

Y/N felt a flush of warmth creeping up their cheeks, realizing the subtle shift in the conversation. With a coy smile, they responded, "Well, I believe in appreciating the beauty in everything, whether it's in the artistry of music or… other things."

The air between them crackled with a newfound tension, and as they continued to explore the record store, the playful exchanges deepened into a more overt flirtation. A gentle touch on the arm here, a lingering gaze there—each gesture spoke volumes, creating an atmosphere charged with unspoken desire.

As they wrapped up their hangout, Y/N and Renee exchanged contact information, promising to meet again soon. The connection they forged went beyond the shared love for music, evolving into a magnetic attraction that lingered in the air, leaving both of them eager to explore the potential of this unexpected and thrilling connection.

In the days that followed their initial hangout, Y/N and Renee's connection deepened through playful messages and shared playlists. Their conversations became increasingly laced with flirtatious undertones, a dance of words that hinted at a mutual attraction.

One evening, Y/N received a message from Renee suggesting a joint songwriting session. The prospect of collaborating ignited a spark of excitement in Y/N, and they eagerly agreed. As they settled into the cozy ambiance of Y/N's home studio, surrounded by musical instruments and the gentle hum of creativity, the air seemed charged with both anticipation and a growing sense of intimacy.

As they worked on a new song, Y/N couldn't help but notice the subtle shifts in Renee's body language—the way she would lean in slightly, the lingering touches on shared instruments, and the occasional laughter that held a hint of something more. The energy between them was palpable, a magnetic force drawing them closer with each passing moment.

Renee, with a mischievous glint in her eyes, suggested taking a break and grabbing a snack from the kitchen.

As Y/N and Renee took a break in the cozy kitchen, the atmosphere crackled with a potent blend of creative energy and unspoken desire. The shared laughter and flirtatious banter lingered in the air, creating a magnetic pull that neither could ignore. Renee, feeling the palpable tension, decided to take a bold step.

As they stood near the kitchen island, discussing the finer details of their latest composition, Renee's gaze lingered on Y/N's lips. With a mischievous glint in her eyes, she leaned in, closing the distance between them and placing her hands on Y/N's waist. Time seemed to slow as Y/N felt the soft warmth of Renee's lips pressing against their own, and their back hitting the counter.

The kiss was electric, a spontaneous spark that ignited a fire between them. Y/N, momentarily stunned, soon reciprocated, their hands instinctively finding each other in a gentle embrace. The kitchen became a canvas for this unexpected moment, a dance of passion and shared connection against the backdrop of a creative haven.

Breaking the kiss, Renee grinned, her eyes filled with a mixture of playfulness and genuine affection. "Well, that was unexpected," she teased, her fingers gently tracing patterns on Y/N's arm.

Y/N, catching their breath, couldn't help but smile in response. "Glad you did it, Renee."

The shared laughter that followed sealed the moment, turning the kitchen into a haven where the boundaries between music and personal connection blurred. As they chatted over a plate of shared snacks, their knees brushed against each other under the table, creating a subtle yet electrifying connection. As they returned to their songwriting session, the newfound intimacy lingered, infusing their creative collaboration with an electrifying energy that promised more harmonies to come. The kitchen island, witness to the impromptu kiss, became a symbol of the uncharted territory their connection was now exploring.

[imoanurparentsnames]

"Affirmation" & Malgendering

"Fine, I'll 'respect' your gender, but I'll make it absolutely miserable for you. What? You don't like the way I'm 'affirming' your gender? Guess you'll have to stop being a (trans) man then."

I want to put something out there about what I call "malgendering". I see trans men talk about the phenomenon and acknowledge it as a part of antitransmasculinity but not the concept of "malgendering" itself and what it's purpose is, and as trans men and transmasculine people are especially caught in the lose-lose situation between misgendering and malgendering I think it is an important concept to establish. The erasure of transmasculinity, particularly as a unique gender and gendered experience, also serves to keep the transmasculine trapped within this double-bind, positioned between the gender binary of cis patriarchal ideas of womanhood and manhood, where for us there is only misgendering (being abused with the Woman gender) or malgendering (being abused with the Man gender).

I define malgendering as the practice of "validating" someone's gender identity only when it can be used against them and to hurt them, and malgendering almost always involves the enforcement of only the most negative sexist stereotypes available onto the victim with none of the "positives". If misgendering is forcefully pushing you back into your 'proper place' such as by calling you a "girl" or a "her" and showing you that you're really a woman through sexual assault -malgendering is scaring and traumatizing you into it by using your own gender against you. Malgendering is the realization that you don't need to misgender someone to hurt them or to punish them for the way they identity and push them towards the gender they're 'supposed' to be - you can do all that through 'validation'. It's psychological warfare on the sense of self.

This violence and abuse under the guise of "respect" and "identity affirmation" creates plausible deniability of intent and places the blame on the victim for "identifying that way", so much so that even other trans people will defend it and believe it's not maligned (especially because "but being seen as and treated as your gender is what trans rights is all about!" and "errm but its transphobic to not treat u this way?/ur misgendering urself by wanting to not be treated this way :/" with the hidden message being "don't like it? stop being trans"), even when faced with evidence of the (very much intended) effects it has on stalling and outright eliminating transmasculinity (ie. repression, detransition, suicide).

Some examples I can pull off the top of my head:

A transphobe is talking about a pregnant trans man. The whole energy of the Facebook video is 'comedic', and while calling birth the most “feminine” thing someone can do and alluding to how the trans man is really a woman, they still use he/him and call him a “guy” (in air-quotes). Not out of any respect but because the idea of a man being pregnant, calling a pregnant person a "he", and the very existence of the trans man in question, is the whole joke. In doing so, the transphobe has turned the act of using the proper pronouns and gendering him into a source of humiliation and made the experience of being properly gendered a demeaning one.

The Ukraine military situation where all males aged between 18 and 60 were banned from leaving the country and obliged to serve in the military. Trans women were denied passage out of the country "because they were men", and trans men were similarly denied passage out of the country "because they were men". With the discrepancy between invalidating the gender of trans women and "validating" the gender of trans men, you'd think the motivation behind this would be obvious - that trans people are expendable meat and it's better they die than cis people. It shouldn't of needed to be said that "I'm only affirming your gender because it allows me to put you in a position where you will likely suffer and die and put the blame for it on you" is not 'respect' or 'affirming' at all but somehow this was taken as evidence for the idea of that trans men are more 'respected' and seen as their genders than others (and are thus 'privileged').

A common one almost every trans guy deals with at some point is cis people threatening to beat trans men up (and often following through), because "If you're a man and not a woman (anymore) that means I can punch you," using the proximity to masculinity that transmasculine people claim as a justification for violence. Every other week there's a new story in online transmasculine spaces about someone having their ribs broken with "Since/if you want to be a man so bad-" preceding the attack.

The above is in a similar vein to when accounts of violence done to transmasculine people by cisgender men are brushed off and they're told something along the lines of "welcome to being a man", "that's just what men do to each other", "that's just the way things are with men", etc. along with the insistence that their attack had nothing to do with antitransmasculinity, making it an immutable problem with (cis)men as a whole - creating a sense hopelessness and that this is all they have to look forward to.

Transmasculine individuals being refused treatment, tests, or insurance for gynecological issues, especially cancer, despite the knowledge that they are transmasculine, because "men don't deal with these problems" and they don't want "men in women's spaces", and if you don't want to be 'treated like a man' and get the care you need (and not die), you're going to have to go ahead and detransition, change that M marker back to an F.

All of this functions to create contention, and eventually a rift, between the individual and their sense of gender identity. Creating an association between being gendered 'correctly' and 'respected' as your gender (and ultimately existing as a transmasculine person) with abuse, violence, helplessness, trauma, fear, isolation... and by making transmasculinity and transmanhood uninhabitable and driving a wedge between the individual and their sense of gender identity you can more easily drag them back to their 'proper' place. Plant seeds of doubt by making being transmasculine an exceedingly unhappy experience. Make them think that everything that's happened is their own fault for choosing to be transmasculine or trying to be a man. That maybe since they're so unhappy this isn't for them. That living as a transmasculine person is just too difficult and they're not cut out for it, that if they "gave up" and were to be women again things would be easier and they would be safer and happier.

This also all serves to maintain cis patriarchal ideas of gender and the gender binary and police the boundaries of manhood, in a way I can't articulate right now.

Through all this, despite being called "men" during malgendering, we are not actually perceived as such. We are always an "other". Acknowledging us as "men" is just another weapon, and why some transmascs flinch at the phrase "trans men are men". Our own genders are used to beat us.

Using a scrap from my .txt journals:

"[...] on the subject of having a core aspect of yourself taken from you and turned into a weapon to beat you with, with the result being that aspect of yourself now becoming a source of trauma and pain so you abandon it and lock it away like an awful secret, that’s exactly what happened with my gender.

Being genderless and a(nti)binary is what I’m most comfortable as, a(nti)gender is my ~real gender~, but I have to admit a lot of this is because I have been traumatized out of any gender with binary associations and have consequently come to know gender itself, and the act of gendering, as violence. Gender is but a designation for what exploitation, abuse, and violence can be enacted upon you and the justification there of. When someone asks whether you are "masc" or "femme", behind their back as they face you is a hammer in one hand, and a knife in the other, and what they are actually asking is if they can pummel you or lacerate you. When it comes to the “direction” I’m transitioning in though, it is obviously “masculine” (as much as a negation of "femininity" is always taken as stepping towards "masculinity") and you wouldn’t be entirely wrong to call me “transmasculine”, though I have been scared to death of being acknowledged as such."

My first encounter with malgendering was when I was 13 and had just started to realize I was "ftm" and looking for community online. My first exposure to any affirmation of transmasculinity was someone I came to respect reblogging a post about how Kill All Men includes trans men. This would set the precedent of the next decade of my life of existing while transmasculine. A decade of only hearing the words "trans men" and "transmasc" used negatively and as the butt of jokes that served to reinforce patriarchal ideas of gender. The consistent and relentless denial of transmasculinity as a unique gender and gendered experience, the denial of transmasculine reality especially in regards to misogyny, and continuous abuse and threats of violence, all under the guise of affirming trans men's genders as men (and affirming the gender binary in the process). A decade of having antitransmasculine sentiment fed to me in every way possible.

For me, the experiences of antitransmasculinity and malgendering from non-transmascs has effectively "chased" me out of my transmasculinity and any acknowledgement of it. For years I have hidden my transmasculinity and presumed "AGAB" out of fear, even in queer and supposedly trans-friendly spaces. I have not been able to associate with any “masculine” language in reference to myself without feeling that I am in imminent danger, have made a grave mistake, and suffocating in anticipation of punishment. I have always been scared of posting any of my art that eludes to my transmasculinity. I have always been terrified of being referred to or perceived as “transmasc”, a “trans man”, of being called a "guy" or “dude” or “bro”, of using "he/him" anywhere. All of it. Deep down on some level I do desire it, but it’s been forbidden and only aggravates existing wounds.

And this, in turn, pushed me out of associating with other transmasculine folks out of fear and internalized antitransmasculinity towards other transmasculine people, isolating me from any community or connection with anyone similar to me, exacerbating my loneliness and alienation as a youth to the point where now as an adult my ‘normal’ human social needs – connection, community, relationships, empathy – are completely broken. I don’t feel loneliness anymore, or the desire to connect to anyone, despite in ways being even more alone now than I was then. In a way I believe antitransmasculinity shaped the path of my schizoidism. Isolating and divorcing me from my transmasculinity and the world at large is what I understand to be yet another point of this type of antitransmasculine rhetoric - because when you've destabilized and isolated someone from their whole sense of self and community, they are much easier to control.

[shakingparadigm]

Speaking of Guardians, I'm just going to make a list on the information I have on the ones associated with the main cast so far.

Note: the information here is mostly from official material (patreon interviews, merch, the videos themselves etc) but some portions of it are my own assumptions based on this information as well.

Mizi -> Guardian Shine

Guardian Shine is a prominently pink and white alien that wears a peaceful expression and bears resemblance to certain aquatic creatures, most predominantly associated with the jellyfish. Their body largely consists of floaty pink frills.

Guardian Shine is the only alien of the main cast that is explicitly stated to have a close and loving relationship with their human pet, treating Mizi like a "daughter" and ensuring that she is happy and well-provided for.

Guardian Shine created Mizi's performance dress for ROUND 1.

It seemed that whenever Mizi accomplished something good in the Anakt Garden, she would become ecstatic and excited to tell Guardian Shine about her victories.

Sua -> Guardian ???

Not much is known or seen about Sua's Guardian (the information isn't public, at least), but from the glimpses we see in MIZISUA, her Guardian is a rather luxurious and feminine alien with clawed, ring-laden hands and a lower half akin to a flower-patterned dress. It seems as though they are wearing a pale-colored fur coat.

In the disc:mizisua artbook, its stated that Sua was raised by influencers, which seems to be why her Guardian is dressed so lavishly.

Sua's Guardian did not particularly care for her, only raising her as a means to "show off".

While Guardian Shine warmly entertains Mizi before her departure, Sua's Guardian has their back turned and is instead busied with an interview (as seen by the alien holding the microphone next to them).

Because Sua's Guardian didn't care for her and only raised her for public image, they dressed Sua in doll-like clothes without care as to how it would fit her. The book states that despite it's lovely look, Sua's dress was stuffy and ill-fitting.

Till -> Guardian Urak

Guardian Urak (in earlier iterations) is a humanoid alien with a predominantly white color scheme, most recognizable by a covered upper face and floating chair. (I highly suspect the alien from ROUND 6's first verse to be the new Guardian Urak design, but I could be wrong.)

Similar to Sua's, Guardian Urak seems rather neglectful and maybe even physically abusive to Till, as seen by the multiple bruises left on him even before he's thrown at the wall. If the head alien in ROUND 6 is confirmed to be Urak, this is further proven by the first few scenes.

In an interview for a magazine portion of ROUND 2, Guardian Urak is shown to be easily dismissive of Till's misbehavior as long as it garners them a win.

Guardian Urak believes that a human's bizarre behavior is synonymous with their talent. "The more talented humans, the more likely they are to be freaks." Urak apologizes for Freddie's murder on Till's behalf, but doesn't seem to care about it beyond the surface level.

Urak barely seems to invest much into Till, at least not as much as the other Guardians do for their own pets. Till's stage in ROUND 2 is the most plain, unlike the other rounds where the stages are unique and decorated with different designs and lights. Till's outfits are also the most plain among the cast.

Ivan -> Guardian ???

Ivan's Guardian is a large, slightly Cthulhu-like alien dressed in dapper clothing, which many fans find akin to that of a mafia boss. They are dressed in colors of mainly red and black, a color scheme that their followers seem to align with as well.

Ivan's Guardian is well-known in alien society. Due to this, Ivan makes sure to behave carefully and properly while out in public as not to sully their name.

It also seems as though they are incredibly wealthy, seemingly involved in a business of some sort.

Ivan describes the relationship with his Guardian to be more like a business partnership rather than something parental.

Ivan's Guardian seems to have invested a lot into Ivan's success. Adopting him from the slums, cleaning him and remaking his image from a lowly slum child to one of the most famous, talented, and influential humans of the current season. Ivan states in an interview that he will always be grateful to them for taking him in.

Due to the investment, Ivan's performances are always of high quality, his costumes intricately made and his stages flamboyantly themed.

Since their relationship stands on business, it's most likely that Ivan was able to connect and partner with several brands due to his Guardian.

Ivan's relationship with his Guardian seems mutual, Ivan himself states it's "not bad". His Guardian provides him with what he needs to succeed and in return Ivan is obedient and always excels at what he's assigned to do. It seems as though Ivan's Guardian is often pleased with him, patting his head when he passes preliminaries and gathering other aliens to celebrate. One of the aliens even presents a bouquet of flowers, clapping their hands together.

Luka -> Guardian Heperu

Guardian Heperu is an alien with a round, squat head, bulging eyes and a pronounced neck. They seem to don a robe of some sort, paired together with a small hat.

Guardian Heperu seems to be yet another influential figure in alien society, possessing the resources necessary to invest in Luka's intensive training.

They also ensure that Luka's performances are always phenomenal, going so far as to rent out a special site for ROUND 5 (iirc, they performed ROUND 5 on the corpse of a large and powerful alien, hence the spine and bones you can see in the back of certain shots).

Guardian Heperu is an extremely envious figure who wished for a pet to trump all others, to stand above all the competitors unmatched.

Luka's unnatural conception and strict training is a result of Heperu's insecurity, the need to remain at the top constantly. Perhaps this desire ended up seeping into Luka as well.

Luka never fought back against the aliens, most likely because Heperu conditioned him to be the epitome of performative perfection since birth. How Luka interacted with his fellow humans was irrelevant, what mattered was how he interacted with the aliens who's opinions were of far greater worth. This may be why Luka seemed to be an outcast in the Anakt Garden yet a beloved prince in the eyes of the alien audience.

Luka directly refers to Heperu as "Father".

Hyuna -> Guardian ???

So far, Hyuna is the only character without even a sliver of alien connection. It makes sense, of course. She cut herself off from everything so long ago.

However, a sketch of Hyuna's alien was drafted all the way back during the production of Sweet Dream.

I'm not gonna spoil anything, but let me just say that's one hell of an alien.

Hopefully we get to see them soon!

[lurkingshan]

What are your favorite examples of deep unbridled yearning in a bl? I think my is I told the sunset about you the way they used the coconut smell to showcase one the leads feelings for the other was so unique and sensual. He starts out hating coconut and how it smells but slowly as he falls in love he becomes obsessed with it since it's the other MLs unique scent and he uses it on everything, so we get a scene of him inhaling a paper written by the MLs coconut pen and then another one just devouring a coconut like it's the best thing in earth. I don't think I have ever seen such a depiction of attraction/love/lust that's so different but also visceral and beautiful and it really stuck with me. It's very different but it's one of the rare romance things that I'll never forget akin to the hand flex from pride and prejudice.

So you want to talk about yearning.

*Lan Wangji has entered the chat*

There’s a lot of good yearning in the romance genre, and plenty of bls feature it. The example you gave from ITSAY is definitely one of the standouts in terms of how visceral it felt. I will never forget Teh shoving his whole face into that coconut, or all the super charged scenes where he and Oh-aew stare at and touch each other and keep testing boundaries until they break.

There are definitely other expressions of yearning that stick out for me for one reason or another, and not all in this same tone.

The Untamed

Let’s get this out of the way upfront, because no one can step to this man on yearning. He adopted a whole child and named him after his yearning for his lost love. What I love about the presentation of Lan Wangji's particular flavor of yearning is how steady and matter of fact it is. He is always yearning for Wei Wuxian and it's just a part of who he is, whether his love is alive or dead. And while I love that Teh is such a big mess of emotions, I also like this more understated flavor of yearning where nothing is ever said out loud but Lan Wangji's feelings are clear in how he chooses to live his life. He's the poster boy for "actions speak louder than words."

Eternal Yesterday

I'm not sure if you've seen this one, but it's one of the most poignant and devastating depictions of yearning I have ever seen. Mitsuru yearned for Koichi so hard that he kept his body alive for precious extra days and his memory alive forever. Brb gonna go cry.

Utsukushii Kare 2

This is probably one of the more unique expressions of the emotion (on brand for this series), since this sequel season has Kiyoi yearning for the man who is already his boyfriend to love him for real instead of idolizing and holding him from a distance. It's one of my favorite explorations of how lonely we can feel even while in a relationship.

I Cannot Reach You

This show wins for best visual effects to convey yearning, with a beautiful bokeh effect taking over the screen in moments when the characters were extra in their feelings over each other.

Unknown

Wei Yuan's yearning was more of the desperate and hopeless variety, especially in his teens years when he knew his feelings for his adoptive older brother were impossible. I liked that his feelings were expressed via caretaking; he didn't think he could have the relationship he really wanted with Wei Qian, so he made it his mission to take care of him and help shoulder his burdens instead.

I Feel You Linger in the Air

This story stands out in my memory for its dedication to anticipatory yearning. That is, knowing a separation is coming against your will and yearning desperately for the person who is still in front of you. Yai and Jom did not want to let each other go despite knowing they could not stay together, and that yearning was so strong it ultimately connected them through time.

Theory of Love

And on the comedic end of the spectrum, I absolutely cannot end this list without giving a shoutout to one of the funniest manifestations of yearning that has ever graced my screen. Every time his feelings for Khai got overwhelming, Third ran to the bathroom for a Sadness Shower, and if the water wasn't working he was happy to improvise (and now I am cackling).

[signedeclipse]

Please could i request a oneshot of Haganezuka meeting and falling in love with a hashira reader (Tanjiro’s older sibling) 💙💙

One More Time [Haganezuka X Reader]

Reader is Human Gender Neutral | Fluff + Romance

Recomended Song - Rather Be by Clean Bandit

It wasn't his first sword delivery, but Hotaru had never been assigned to a slayer permanently before, having only made swords for beginners of the corps or for practice, since most upper ranks in the corps chose older, more seasoned nichirin swordsmiths.

Part of him was excited, being able to tend to an individual's abilities and forge something more unique, as opposed to the clear cut ones most starter blades were.

The other part was frustrating, because it wasn't for anyone unique, no one had specifically chosen him, just a random assignment since all the others had enough to care for. Still, he tried to feel grateful that this was a chance at becoming more reputable.

He remembered his first encounter with the Kamado, the excitement at the idea of a red blade, the disappointment that followed.

It all loomed over him now that the Kamado name had long since grown. It was hard not to recognize such a unique family; a demon, one of the fastest-growing slayers, and the sun hashira. While he wasn't one to take back his words so easily, he was reminded by the chief to bite his tongue the next time he tried mouthing off to the family.

But luck had not been on his side.

When news got back to him that Tanjiro had broken his blade for the second time, Hotaru felt a mix of anger and shame.

Anger that once again his craftsmanship had not been enough, and shame at the idea that it'd likely happen again were he not more careful.

The idea flashed across his mind that his failure twice in a row might mean he would lose Tanjiro as a client of sorts, or that he would be forced to resign from being a swordsmith, so he avoided confronting or contacting him in favour of preparing himself to make the best blade imaginable.

There he was, as the sun had barely begun to rise and the sky was a mid-blue hue, casting the village and its surroundings in a cool tone. Though he slept soundly, he woke up before anyone else got the chance so he could get a head start on his exercises, which gave him time to ponder how long he had before Tanjiro came to him instead.

"So, you must be Haganezuka."

The voice almost startled him from his perch atop a cliffside, though he barely showed it besides the clenching of his fists. The voice was entirely unfamiliar, though before he could turn to look at them their presence had moved.

"Is that a yes?" You were to his right, which he turned to finally meet the individual who had managed to find him.

While still taken back by the speed at which you had moved, he was also very surprised to see the same maroon eyes as Kamado, except it was clear that you were no Tanjiro.

"Well, I'm sure you've realised who I am, but you can just refer to me as Kamado."

Hotaru had not expected your presence in the village, had you been sent in place of your brother?

"I don't have a blade ready yet." Haganezuka had bowed his head slightly. He could run and be stubborn all he wanted, but Hashira could be far more harsh in punishment.

"Blade? I'm not- no-" You had let out a string of laughs, facing away from him and covering your mouth to suppress the giggles. He looked so worried! Even if you hadn't seen his face, the atmosphere around him had certainly dropped.

"It's his first time in the village, I couldn't miss it! Well, that and my swordsmith will be retiring, so I'm here to meet some of the newer generations and pick someone I feel is capable. I was never a fan of blind recommendations." While you spoke, Hotaru had straightened out his posture and looked back out at the village, the sun now growing the area with orange rays.

You were very relaxed, and far more talkative than any hashira he had met, so any intimidation he felt melted away, especially considering you weren't here to scold him.

"Anyways, I hope you give my little brother a hard time, sometimes I think he gets it too easy because of his kindness, and he needs to be ready to combat issues that aren't life-threatening..." Judging by your words, you hadn't seen Haganezuka chasing after your sibling with knives, which relieved him.

Still pouting from his faulty blades, he kept silent, deciding he didn't want to say much if more to prove a point for himself.

By the time he glanced to his right again, you were long gone, with nothing but the imprint of where you sat left in the grass.

.

The next time he saw you, you were with Kanamori, who held two nichirin blades that had seen better days.

Having been found by Tanjiro and been given the blade he was to repair, Hotaru was on his way to eat and prepare for the gruelling 72 hours worth of work he had ahead of him.

Despite the raging inspiration he felt, you had stopped him dead in his tracks, pulling all the air from him until he felt weak again. Hotaru hadn't realised how much he'd hoped to see you again, and you were still here.

"Ah, have you met my good friend, Haganezuka?" Kanamori motioned to the taller swordsmith, who you noticed now had a wide hat fit with chimes...and his upper torso was revealed, the rest of his clothes wrapped around his waist.

You nodded, smiling and waving to the surprisingly well-built swordsmith, trying to hide your rosy cheeks with a smile.

"I have, but, it's a long story." Shrugging your shoulders, Kanamori hummed pleasantly, before returning to a slow strive towards his workshop, pulling you along considering your arms were linked.

Apparently, Kanamori had experience with dual blades, so you had chosen him for his kind personality and experience since you were a dual wielder.

Before you had entirely left, you turned to look back at Haganezuka, throwing a thumbs up.

"You better make sure this one doesn't break!! I'm trusting you!"

Of course, he would have to make the best blade he could manage, for Tanjiro; if not to prove himself as a worthy swordsmith, then to impress the eldest Kamado.

Author Note -  For some reason this took me so long to write I get procrasinating but WE GOT ER DOWN!!! Thank you for requesting <3

Word Count - 1,058

Art Credit - Kimetsu No Yaiba (2019)