#It's just a story I'm telling

[platoapproved]

What was that you said about memory? "A monster," was it?

[egophiliac]

I DID IT I GOT MY PINK HAYATE now I am never doing that again!

(at least until they give me, like, a frilly unicorn Kamui or something)

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[chalkrub]

thank you for a great art fight! here's some of my final attacks. had a blast, already missing it - see you next year!

[justarmor]

ok but having miles hold gwen up with his web in the exact same way as when tasm2 gwen died, AFTER THEY LITERALLY TALKED ABOUT GWEN SUFFERING A TERRIBLE FATE AFTER FALLING FOR SPIDERMAN!!! and then to reverse that later on with gwen being the one to web him Like That and miles being the one to cut the thread and let himself fall, i’m going insane

[agentark]

see you around, rvb

[bongosinferno]

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

[yusiyomogi]

if ryoko kui can write a complex disabled character AND make him funny without specifically making fun of his disability or depression, fandom should at least try to do so as well.

[artofalassa]

The Lightning

Wolfwood lives. I said so. Here's part one of the AU.

Part TWO

[tapakah0]

Eh, almost forgot ;~;; Commission for sweet @celestialrose3 ;;~;;; Thank you so much *bows*

[masonjarart]

absolutely adored dead boy detectives but god did it make me miss when we got more than 8 ep long shows like i love what we got and they did the best with the time they were given but there are so many things that could have been explored if the show had more time to breath

[starry-bi-sky]

"Stillborn? No, no, still born." -- DPXDC AU

Based off a comment I saw where Bruce knew about Talia's pregnancy in the earlier comivs, and was ecstatic to be a father. So much so that Talia feared he'd give up being Batman for it, so when she gave birth she put the baby (Damian) on a doorstep and (seemingly) told Bruce that the baby was stillborn.

Instead of Damian, that baby was Danny! Meet Daniel Brown, the 14 year old foster kid whose been living with the Fenton family for the last two years. He's about two years older than Damian.

His last name, "Brown", was a generic surname given to him because the note he came with didn't have one on it. It just had the name "Danyal" on it, but albeit 'Daniel' was the one that had been put into the system for, I'll be totally frank here, racism reasons.

(I looked it up to make sure, and it's generally not permissible for foster parents to change the names of their foster kids even if it's a permanent residency, and for that reason Danny doesn't have the last name "Fenton".)

Danny's got ✨~issues!~✨ He's been through a handful of homes growing up, most of them terrible for a variety of reasons. Which has, as a result, left lasting scars. He's generally a very sweet kid, just very distrustful and jumpy. He's got the signs of a kid suffering from PTSD, and a handful of other issues including attachment and insomnia. His inferiority complex could rival Damian's, and that's going to make for an interesting mutual hatred for when they finally meet.

(something I'll get into later)

He still has the blanket he was found in. It's made of a very high quality material and is a beautiful emerald green with little golden thread accents, it's high quality as a result has Danny clinging onto a desperate hope that his bio family might be out there, and the only reason they gave him up was because of some outside factor. It's been taken a few times in old foster homes, and he's flipped out each time.

While he still calls Jack and Maddie by their names, he likes them well enough. The bar isn't that high though, and while they're some of the better foster parents he's had, "better" doesn't equal "safest". Their laboratory malpractice. Basically, C- Fenton Parents. They're negligent by virtue of being engrossed in their work, but they do care equally about Jazz and Danny. So he doesn't hold it against them that much.

He kinda prefers it that way, their loud affection is overwhelming and Danny doesn't know what to do with their attention, even if he craves it. It's a bit of a complicated situation.

They took in Danny because they genuinely wanted another child, but didn't want a big age gap between them and Jazz. It was actually Jack's idea to foster, and they discussed it with Jazz beforehand. She was all for the idea. Thus, a handful of weeks later, a ton of paperwork, and inspection later, and Daniel Brown entered their household with a trash bag in one hand and eyes like shards of stained glass.

His relationship with Jazz is kinda strained, but that's by virtue of her constant psychoanalyzing and helicoptering. Like with the parents, Danny's overwhelmed by the attention and also just, straight up doesn't like the fact that she's telling him that there's something wrong with him. He knows that, thank you. He pushes her away when she does this.

Other than that though? When Jazz isn't smothering him and is acting like an actual sibling and not a third parent, they're pretty close, and Danny really likes her. They've hung out a few times on their own volition, and Jazz showed him how to take better care of his long hair.

His school situation,, pretty similar to canon with the bullying, albeit with a few more instances of him blowing a fuse and lashing out against his attackers. He's a rather angry kid, but it's quiet. It builds up, piles on top of itself, until eventually, like a volcano, it erupts and burns everyone within radius.

Danny's got a fire core, not an ice core. Phantom's hair is made of white magma; thick and heavy, setting itself on fire when his anger runs hot. When he gets angry, his skin begins to char and split open to reveal pulsating lava underneath, and he crackles and pops like a raging forest fire.

I haven't decided yet on how he meets the batfam -- i've got two ideas but they're both in opposition to each other, and drastically alter how the rest of the plot goes. But I do know that him and Damian hate each other in the beginning. And it has nothing to do with inheritance or "being the blood son" -- although their blood relation absolutely plays the major role in their disdain for each other.

Simply put, they're jealous of each other for the same thing: thinking that the other was wanted.

Damian hates Danny because, unlike Damian, Bruce knew about Danny since conception and wanted him from the moment he heard about him. He had a whole nursery set up, and still does. He never took it down -- just locked the door. Damian was thrust upon Bruce without warning, and he feels like he forced himself into the family. And while on some level Damian knows and understands that Bruce wants him and loves him as much as his other children, that doubt and feeling of inferiority still remains. He looks at Danny and sees him with what Damian always feels he needs reaffirmed.

Meanwhile, Danny hates Damian because he looks at him and sees him with everything Danny's ever wanted. He hates him because Damian grew up knowing both of their parents, with one of them for most of his life, and then moved over to the other. There was never a moment where Damian was (seemingly) left to doubt his place within the family. Damian was raised with the very same woman who left Danny on a doorstep, with no clue to his identity beyond a little green blanket and a note with only a first name. Damian was wanted everywhere, and Danny was wanted nowhere. Damian is Danny's replacement in his eyes.

(It's the little revelation that Damian grew up with their mother that elevates Danny from being quietly envious of Damian to downright despising him. What did Damian do, that Danny didn't? He could live with Damian living with Bruce -- Bruce didn't know Danny was even alive. But him living with their mom? Are you fucking kidding him?)

Damian never outright attacks Danny physically, but it's not like he hides that he didn't like Danny. Meanwhile, Danny, in all his repressive anger, quietly despised him from a distance until finally one wrong snide side-comment has him blowing up and it becomes a screaming match. They're both just enough similar to each other that when they look at each other they really just see a mirror.

They'll work it out together, eventually. But it'll be ugly and cruel and explosive, and they'll start mending the bridge to become brothers in more than just blood relation in the end.

But yeah, stillborn Danny has... a lot going for him.

[egophiliac]

this chapter has been so absolutely nuts that I actually low-key forgot that I had a couple of new UM posters to do! wild! anyway, I gotta think about Lilia's some more, so here is my beautiful electric crocodile son in the meantime. god I hope this reads properly

(I went with Volt to go with his name, but there's a Bolt version too in the print-size folder!)

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.