#Isolated from where? From what?

[drumlincountry]

The other day at work someone looked me in the face and said "I love visiting places this isolated. It's so untouched. You can see how people lived like 50 years ago."

Like !!!!!!!! Believe it or not, this is what this place looks like IN THE PRESENT DAY. If you want to ask how the the charming peasants live, here's one! Right in front of you! Hitting you with my clipboard!

[poorlydrawninstarsandtime]

"WHY ARE YOU REFERRING TO YOUR FEET AS 'DOGS', ISABEAU. STOP IT."

[id in alt]

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[transmascutena]

there's a lot (a lot) to be said about clothing in utena, but there's always been something so striking to me in these scenes about the contrast between anthy who isn't wearing any at all, and akio who is wearing all of his (even if his shirt is unbuttoned or whatever.) it's similar in a way to the framing of episode 33, where instead of seeing a clothed akio with his naked victim, we just don't see him at all. because he's behind the camera, he's the narrator in a more direct and literal sense than in the rest of the show, in that episode. but crucially he is always the narrator, he is always controlling the framing, and it's no coincidence that in these scenes neither his face or much of his body is visible. the abuser demands vulnerability from his victims but never has to be vulnerable himself. never has to truly show himself, never has to take any blame or accountability.

[ryssbelle]

Does the flower from your first n2 post have any significance? Why isn't it blooming?

Yes the flower here does have significance!

It’s a memorial flower, the exact species of flower is one I made up, it’s one that has a strange growth period, there’s no real way to tell when it’s going to bloom but it does only bloom at night.

John Dory got the seeds while on one of his searches and gave it to Floyd since at the time Floyd was severely depressed and was spending all day everyday in his room in the bunker. JD had given Floyd a bunch of seeds for a garden but Floyd ended up only planting one which he’s been taking care of since he planted it.

He planted it on Clays birthday so they refer to it as Clay’s flower, but it’s a memorial for all their lost family members, so their parents, grandma, Clay, and Spruce/Bruce

Other than just maintaining it, Floyd also talks to it like the ones they lost can hear him through the flower, he visits it at least once everyday while the other brothers only visit on anniversaries and birthdays. (They also only bring the lights and photos out then as well, to keep the photos safe from damage)

It’s Floyd’s way of grieving :)

[onefortherose]

* Kris...Let's go back there tomorrow, alright?

@pscentral event 30: friendship ↳ Kris and Susie: Deltarune Chapters 1 & 2

insp

[amaraudermind]

Anyone else ever thinking about the constant nightmares Dick was having at the beginning of his solo in the nineties(in which he was Robin again and trying to catch a little boy who’s face he could never make out and was always too late) that culminated in the fear gas induced hallucination issue wherein there’s another faceless young boy who eventually introduces himself as Jason

And the dreams were subsequently never brought up again

The closest we got was the hallucination he had in his secret files where he spent the whole time talking to Robin

Because I am. I am thinking about it a lot

[kinokoshoujoart]

the coolest kids in forgotten valley!!☆

(…it seems there may have been a stretch of time where rock and lumina were the only kids in forgotten valley…🥲)

poseref

[bunnihearted]

being too weird and unlikable and off putting and always being shunned and turned into an outcast everywhere i go and not having felt the connection and healing friendship has on you for so many years has really done a number on me

[carnivalcarriondiscarded]

Not sure if this theory makes any sense at all but I'm starting to believe that there's no time skip between Wally's phone calls and what we see/hear in the show's Media/Merchandise. If we see the Toyland call being made before the Homewarming episode then it would make sense that Wally's expecting Barnaby to come over soon. As well as the Homewarming sketch from the prior update. (I don't know, still kind of brainstorming this perspective)

that theory Does make sense and i've been considering it! the "timeline" is such a nebulous thing right now because we still... don't really know! there are too many variables and too many Maybes for any solid answer.

maybe the reality that the neighbors live in exists outside of time like you say, and like half of me suspects. there's so much reality fuckery already present, but I'm also... unsure of how much merit this holds given what we know / can infer about how time passes in Home. i'm putting this theory on a low shelf to look at but not prioritize

maybe it really has been 50 years, and Barnaby is either still around / Wally is still in contact with him, or Barnaby... isn't there. who knows, maybe Wally was just verbalizing some Wishful Thinking. i mean, Wally is a bit of an unreliable narrator, isn't he? we can't assume that everything he says is entirely accurate or truthful. and i mean, if it's been 50 years it makes sense that Wally would be pushing for connection / to revive WH. who knows how long he's been trying.

hm... i mean. it could be a mix of that and the Outside Of Time theory. who knows, maybe W is receiving calls from different points in the timeline - Wally may have started out just calling, and has just graduated to invading the WH website / getting pushy with the envelopes and media that's been sent to the WHRP. maybe Wally got tired of waiting for W to respond before W was even born. who's to say!

[coyote-catcher]

one thing i actually really like about star stable (and wanna embrace more in my own lore building stuff in my brain) is that it doesn't actually matter at all where your character came from, just that they're on jorvik now

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[bacchuschucklefuck]

this whole thing being abt rage is also really interesting. I feel like it comes up so much in fiction as a motive because it's the one emotion that's unifyingly restless while everything else can be petrifying, and just personally nothing hits like impotent rage for me, esp. with teen characters, esp. with characters whose rage is stoked by Someone Else to further that Someone Else's cause. like you'll have done all that in a bout of passion and when you're done you look around you and nothing has changed. those sentiments don't get quelled by being satisfied. righteousness withdrawal is a horrible thing to intentionally drag someone into, least of all just some kids.

[chayannesegg]

listen, i absolutely get ramon not wanting to talk to sunny & feeling hurt/betrayed by her helping tubbo

like, i'd hazard he might even feel more betrayed by them than tubbo himself—bc sunny & ramon probably talked about what family meant to him (during their sleepovers or something) and ramon has no insight into why they'd do that whereas tubbo, for all his actions have hurt ramon, very clearly has the emotional capacity of a wet paper plate and issues running deeper than marianas trench

but that makes it all the more heart wrenching that he won't hear her out (and you can see in the backgrounds of vods her multiple attempts over several days to get his attention just to be rebuffed) bc i bet if she could explain herself even a little things could be so different

it reminds of the situation from the other week where sunny wasn't talking with em and tubbo tried to explain that, even if you're mad at them, suddenly stopping talking to someone you love could make them feel awful and worse than you intended

and that is what's happening to sunny. it's miserable to see bc she was already so isolated and ramon, as her big brother, is someone she put a lot of trust in to be there for her and listen to her and it must feel to her like that was an empty promise to have him not even hearing her out.

and it's particularly tragic bc sunny didn't even want to mess with fit and pac. yes, she was "tempted" to aid tubbo in his quest, but I really don't think it was bc she was actually worried about being left behind when she agreed. i think she could tell tubbo was scared and hurting and not ready to accept the change and didn't want him to be alone. she didn't really have another option and every adult can see that but ramon is young and blinded by his hurt

and now sunny is left feeling abandoned and forgotten and replaced and it's exactly what their pa said would happen; self fulfilling prophecy :(

[cent-scratchnsniff]

i wish to be your shadow , forever behind you , even if i am not good enough

plus some extra. they are quite literally metal boxes. i wonder how large they are in actually. im assuming human size? i also never realized just how complicated hokma's was.. i think its all the gears

[gayvampyr]

forgot for a second that oscillopsia is in my brain and not external and i almost tried to record what it looks like to me to show people what i mean