#what it means to not fit into the culture on jorvik

[coyote-catcher]

one thing i actually really like about star stable (and wanna embrace more in my own lore building stuff in my brain) is that it doesn't actually matter at all where your character came from, just that they're on jorvik now

[writingonjorvik]

The New Gang Pitch

Following my narrative arc pitch, I wanted to outline a pitch for the new central character unit around the MC to go with it, since characters can make or break a story.

The Self-Taught Vessel, Allacia Clair

One of the first characters part of this group I would imagine has a bit of a rivalry with the MC about their powers. While she’s also a Vessel (my name for the Aideen’s champion role from my narrative pitch), she didn’t have anyone like the Keepers to teach her about her powers. She has a strong grasp on the “Avatar State” power/connecting to Aideen, her other powers she can’t really control and doesn’t have a good foundation for using her other core abilities. Her arc with the MC includes them learning to work together, possibly coming to a head at some point when it seems to this character that the MC is having no trouble with learning about the “Aideen State” powers.

She should be reckless, her powers manifesting in bursts, kinda like an unbridled Lightning Circle Alex, to show she never learned basic control over her powers. She’s stubborn and resilient, with a bitter sense of respect for the MC. She should be funny in a dry humor sort of way, but heart of gold trope, all the way. Points for her being in her mid to late 20′s, so a little older than the “about to start college” MC to add to that “how can you do this thing I struggled with” arc. Extra, extra points if she’s a POC, because, you know, cannon POC badasses are great.

The Valley Girl Hacker, Brittany Bellwinter

We need a diva in the party, and there’s nothing I love more than the idea of a full blown, bubble gum popping, gag me with a spoon, Silicon Valley girl for that. None of the “I don’t get people” hacker trope. This girl gets people, but is also Elle Woods smart with computers. “You took down entire network of G.E.D. encrypted asset logs.” “What, like it’s hard?” She takes no shit for being the pretty blonde girl, and she works her ass off to pull off her chic cyberpunk style while she takes down an entire DC facility’s security system from the Stablebucks down the street.

She’s open, honest, and direct. Her self-confidence is through the roof, to the point of initial conflict. Her being a vigilante when she meets the MC is a great arc to have them working together, and also establishing people outside the Keepers having an issue with Dark Core. She’s hungry for knowledge though, and her handiness with gadgets can provide SSO with a lot of tools for having ruins being destroyed in story beats without losing the information. But also a problem as she risks her life to get those pictures.

The Heart, Kadin Fairwind

This is the one character I think whose gender is most important to be kept the same. Kadin needs to be masc-presenting, either as an enby person who uses he/him pronouns, or just simply as a male presenting person. This is first and foremost because of the message Kadin can send. If SSO wants to be a story about gender equality, then it needs to also talk about how men relate to “feminine” topics, in particular, being the heart of the group. The Heart of the 5 man band is exclusively reserved for a female in the party, which is why it’s important to have a character like Kadin, who is masc-presenting, be the heart, to subvert that and show other masc-presenting players that you can be masculine and also be an empathetic person that tries to keep your friends together.

Kadin is a big sweetie, possibly physically, who just has a soft-spot for people. But when I say he’s big, I don’t mean Kadin is this doofy gentle giant or some himbo. No, he’s physically built, like a quarterback built, but he’s also very intelligent. Kadin needs to be outwardly very masculine, with an awareness of his strength and how it impacts people around him. He’s smart and observant and is really good on picking up on people’s emotions. He wants to help people, with a passion for being either a counselor or a nurse (specifically a nurse, not a doctor). Possibly with friends who were assholes when they were in school who bullied people, until Kadin decided he didn’t want to do that and wanted to be better aware of how he hurt people and how to make things better.

As much as I’m an advocate for queer & POC rep, I think the best way to do Kadin is just have him as this straight, white guy. I think him just being a hetero-cis dude and becoming aware of his privilege can be such an impactful message, even if the why isn’t ever explicitly said.

The Magic Enthusiast, Nakai “Xen” Seiko

If Kadin is cis, then Xen is one hundred percent they/them non-binary. But also, if Brittany is the tech wiz, then Xen simply wants to be an actual wizard. And not just wishes magic was real kinda wants to be a wizard, legit knows magic is real and can’t figure it out/can’t use it wants to be a wizard. Xen consumes all things magic, which makes them an amazing outside asset to the MC and Allacia, who both can use magic, but don’t always understand magic. Xen gets magic fundamentally as a study, but not always as a practice, which is why they struggle to actually use it. And while I do think they should learn how to use magic, they should by the kind of character who wants to multi-class wizard over and over so they can get every school of magic, not so they can actually get better. It’s Xen’s craving for understanding magic that will be a great tool in learning more about other planes of reality and how they relate to magic.

Xen’s personality is fundamentally at odds. While they come from a very traditional Japanese immigrant family and have a high respect for their culture, they obviously struggle with who they are and how that fits into what they want to do with their life. This is import in particular to me because so many cultures gender magic, with feminine and masculine sources of magic. Xen as a non-binary magic user, like myself, has to struggle with figuring out where those legends come from and breaking down how to feel about that in their own practice, particularly when Aideen is shown has being a very feminine entity. Much like the points before, I don’t think this has to be explicit, but I do think it can be very clearly coded to say that gendering things is often forced. While there are gendered things in nature, like things surrounding baby-making, most things aren’t and just because something is gendered, like Aideen, it doesn’t designate that all things need to be. I think the best way to balance this message is to have Xen has a very comedic person, always telling jokes, even when the timing isn’t always right. They should have an issue with hyperfixating, and I think having them being someone with ADD/ADHD is a great match for their other struggles, getting consumed in their pursuit of magic to the point of it being a hazard too.

The Gentle Giant, Bogga Norsdóttir

If anyone is going to be the brute of this party, it’s going to be Bogga. Bogga is a “I’m going to deadlift a Shire” kinda girl, but she won’t, cause it’s a horse, and why would she scare a horse like that? She’s honestly the simplest concept I have. She’s a gentle giant, though I don’t think she should be “stupid.” I think she should have a simple code of ethics, a very black and white version of right and wrong. It’s simple, you hurt her friends, she fucks you up. I would love too if she’s part Kalter. But yeah, Bogga is kinda the constant rock of the party, and that’s not just cause she’s a solid unit. She’s just reliable, and for that she’s kinda a sounding board for everyone else’s more complicated arcs. The point is that Bogga will always be there to support the party, and she doesn’t really need to grow. She’s got her life figured out, and so she’s just there to help everyone else figure out theirs.

The Returning Soul Rider

If there’s any of these members I’m ok with dropping, it’s this one. Not just cause I can’t decide which one, but also the whole point of the above group is establishing a friend group that the MC chooses through the story and actively recruits, not an existing friend group like the Soul Riders are. Even with the new intro to the Soul Riders they added, there’s never going to be a point where the MC isn’t a fifth wheel to their group, at least for me and I know for a lot of you, particularly as SSL gets more and more removed. The only reason they could even effectively establish their friend group before was because only two of them were friends when Lisa got to Jorvik, and it was Lisa that brought the four of them together. And honestly, I think staying on their story makes if feel more and more to me like we’re cleaning up their mess and undermines the Soul Riders defeating Garnok in SSL. Which ruins their abilities, and it’s just yet another reason we need to move away from them narratively.

Still, that doesn’t mean I think the Soul Riders need to be cut out entirely, but I think we need to relook at the angle that the MC is relating to the Soul Riders. And that means the Soul Riders relooking at themselves, particularly post Garnok, which is also why I think this arc needs to end.

In any case, I’m tied between Alex and Anne. On the one hand, Alex is a fighter and suddenly having no big bad to fight is a hell of a good arc to pitch. I also think her in contrast to Bogga is a great square off. Alex not being ready to be done fighting is a good arc, because she’s always been a fighter. What is she without something to go after now? I think her being afraid of falling back into her old ways now that she doesn’t have a target to hunt down is such an interesting arc to follow.

Anne is another interesting one, because I think with everyone expecting Anne to be consumed with vengeance before Garnok is defeated and her to come out of that, people would expect that after he’s gone, she would be ready to be done and just go back to being a normal girl. But I think that even if Anne gets over her vengeance, she’s the Soul Rider of the Sun Circle. Her powers are to open portals, she’s destined to travel. Anne isn’t going to want to go back. Whether it’s being a dressage master or traveling between planes of reality, Anne is the portal master of the druids. Worse, she was an imprisoned portal master. She’s shouldn’t want to be still ever again.

I’m honestly up in the air on them, and I’m not opposed to both, but I think it should just be one in the main group and another with a side arc we touch in on when we touch base with the other Soul Riders.

And yeah, that’s the pitch.

[tragicbooks]

For anyone who doesn't get why old book smell is special, meet these two scientists.

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Cecilia Bembibre and Matija Strlič remember how it smells to enter the library of Dean and Chapter.

The library is nestled above the main floor of St. Paul’s Cathedral in London, tucked away behind the southwest tower. Coming through the long stone corridors of the cathedral, a visitor is met with a tall wooden door, usually kept closed. The outside world might be full of the smell of fumes from central London’s busy roads or the incense that wafts through the church, but once you open that door, a different smell envelops you. It’s woody, musty, and a little bit familiar.

“It is a combination of paper, leather, wood ... and time,” said the pair.

Photograph by Graham Lacdao/Chapter of St. Paul's Cathedral.

Bembibre and Strlič are scientists from the University College London’s Institute for Sustainable Heritage. Many people might find the aroma of an old, yellowing book nostalgic, but for Bembibre and Strlič, it can be so much more.

For them, what we smell is just as much a part of our heritage as what we see or hear — and they’re on a mission to preserve it.

Matija Strlič smelling a 17th-century archival document at the National Archives of The Netherlands. Photo via Bembibre and Strlič, used with permission.

Though the first thing to come to mind when imagining a "historic odor" might be something like London’s Great Stink, odors don’t just need to be exceedingly unpleasant to be historically relevant. Anyone born after 1960 might get a whiff of childhood nostalgia when smelling Play-Doh’s sweet, yet pungent aroma, for example. Bembibre and Strlič want to create a scientific way to describe those kinds of smells.

For their latest work, the pair used both high-tech chemistry and an old-fashioned human nose to document the smell of books.

Volunteers were asked to describe either the aroma of the cathedral library (woody, smoky, vanilla) or antique books (chocolate, burnt, mothballs). Bembibre and Strlič then combined these descriptors with analyses of the faint, airborne scent-laden chemicals (known as VOCs) that the items or locations were giving off.

The pair then synthesized these findings into the Historic Book Odour Wheel, which pairs the chemical signatures and human descriptors together. Using it, you can see that a book with a rich caramel smell might be impregnated with the chemical furfural or one with an old-clothing funk might be giving off the chemical hexanal.

This wheel is a step toward creating a more standardized scientific vocabulary around aromas, which could be useful for many areas, not just books. Museums, for instance, could use this kind of chemical analysis to build scent profiles of modern cultural attractions or reverse engineer the smell of some long-gone food, event, or time.

"By documenting the words used by the visitors to describe a heritage smell, our study opens a discussion about developing a vocabulary to identify aromas that have cultural meaning and significance,” said Bembibre in a press release.

Museums and organizations are already embracing scent as a part of our heritage.

The Jorvik Viking Centre in York, England, for example, used scents to recreate the authentic aroma of 1,000-year old Vikings. On the sweeter-smelling side of things, the town of Grasse, located in the hills of the French riviera, is pushing UNESCO to officially recognize their centuries-old perfumeries.

A worker sits up to her neck in rose petals at the Molinard perfume factory in Grasse. Photo from 1955. Photo by George W. Hales/Fox Photos/Getty Images

In 2001, Japan’s Environmental Ministry created a list of 100 natural and cultural sites with especially beautiful or poignant scents, such as the smell of sulfurous hot springs, lavender blossoms, or grilled eel.

“We hope that this will raise awareness of people at the local level and lead to a rediscovery of fragrant areas and their preservation,” said ministry official Tetsuo Ishii at the time.

“Our knowledge of the past is odourless,” the authors write in their paper. But our lives aren’t.

Extracting the smell of a 18th-century bible in the Spangle Bedroom at Knole House. Photo via National Trust/James Dobson.

Perhaps it’s fitting for us to finally consider odors as part of our historical heritage, given their special relationship with memory. Unlike sight, sound, or touch, our olfactory bulbs have direct connections to the parts of the brain that control emotion and memory. This could be why research has shown that odor memories are often unusually vivid and emotional.

“Every day we encounter hundreds of smells, and they have an impact on how we think, feel and behave," said the authors in an email. Though we tend to ignore them, we can all conjure up personal, emotional memories through smells, whether it's the scent of cherry blossoms, your dad's cologne, or even opening up a special book.

The authors are now inviting other scientists, philosophers, and researchers to talk about what a heritage smell archive would look like. Perhaps it’d be made up of physical samples or detailed chemical signatures or stories of human life. Perhaps all of the above.

Their work was published in the journal Heritage Science.

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