#Infinity comics

[heckcareoxytwit]

The Origin Story of Rhinoceress

Cindy Shears used to be an ordinary girl until one day, she discovered her superpowers. However, her family were not happy about it so they took her in to be studied by Doctor Kavita Rao. She discovered a DNA variance unique to Cindy and suggested her parents leave Cindy in her care until a cure could be found. Abandoned and locked up, Cindy used her super strength to break out and become the Rhinoceress. While she does engage in some illegal work as a super villain, she also bartends and bounces at the Invisible Light nightclub.

Avengers Academy: Marvel's Voices Infinity Comic #34, 2025

[nameforthemain]

It's Jeff #39: emergency magician

[marvelsgirl616]

from Doodlepool – Infinity Comic 001 (2024)

[rei-ismyname]

Boomer Chuck beefs with kids

I love this panel so much. A group of young trans mutants beat up an idiot who attacked them while wearing a sentinel suit, then jokingly called themselves X-Men. Chuck sends Jubilee to get them to stop calling themselves that because they're 'unsanctioned.' Also, lying is hilarious.

[geekcavepodcast]

"Avengers Academy" Infinity Comic Gets Print Release

Marvel Comics has announced a print edition of writer Anthony Oliveria and artists Carola Borelli and Bailie Rosenlund's Avengers Academy Infinity Comic series. Avengers Academy: Assemble #1 one-shot will collect the first six issues of the series.

Captain Marvel, wanting to guide the next generation of heroes, has recruited a misfit team of teens - Aaron Fischer / Captain America of the Railways, Bri Brooks / Bloodline, Shela Sexton / Escapade, Lunella Lafayette / Moon Girl, Normie Osborn / Red Goblin, and Justin Jin / Kid Juggernaut. "But classes are the least of their concerns as they fend off super-villain attacks, make new friends – and new foes – and learn what it really means to be Earth’s mightiest heroes." (Marvel Comics)

Avengers Academy: Assemble #1, featuring a cover by Stephen Byrne, goes on sale on June 11, 2025.

(Image via Marvel Comics - Stephen Byrne's Cover of Avengers Academy: Assemble #1)

[zandiks-legacy]

Decided to make my own charms so naturally I had to make another chibi but with my fav fit of his <3

[morgan-reads-comics]

It’s Jeff! #43 (2025)

[webshootersandwingdings]

Lucifer, Oliver, and Fígaro play nice 😸

Marvel Meow #16

[raccoon-coded]

Li'l Rocket Infinity Comic (2023) out of context

[burningfudge]

House of Harkness (2024) #3

[venominomenon]

*writing this down to use in my qpr Laura×Gwen fanfic*

DAD BATROC MENTIONED

Damn, I need to make some stupid brainrotish Gwenpool memes

I too need an emotional support protozoan protozoon

Love Unlimited #48

[heckcareoxytwit]

Wong, Doctor Strange and the bystanders save Chinese New Year celebration in Chinatown by fighting off the Nian Monster.

Mighty Marvel Holiday Special: Year of the Wong Infinity Comic #1, 2022

[nameforthemain]

it's jeff #43 - finish him

[onlymyqueen]

[rei-ismyname]

Krakoan Diaspora floods the labour market

Okay everybody shut up, Astonishing X-Men Infinity Comic #13 said something interesting.

Fuck Mr Toppi. Get him, Chris.

This situation is a newly introduced C plot that I have a feeling will connect to the A plot soon. This guy on the right is Nick. He's a construction worker of some kind who is behind on child support and is getting fired right now. It's painful to watch this guy lick boot as this capitalist pig blatantly tells him his labour isn't cheap enough due to an influx of exploitable geographically external workers. It's an old lie, easily believed.

I see you Marvel, making these workers dark skinned to cover your bases. We find out Nick's a good worker, has never taken a sick day, defends those stealing his labour, and either didn't join a union or did but is really sorry about it. It's not 100% clear. Either way none of that shit matters because there's cheaper labour available.

The company doesn't see you as a person

It's implied to be an industry-wide thing, at least locally - mutant work crews are utilising their hyperspecific powers in concert to finish jobs way quicker than any human possibly could. It's implied that they don't own their own labour and are being exploited - the mutant workers are drastically increasing profits, they're 'fast' but they're being paid the same hourly rate, they're 'cheap.'

The parasite class, like Murray here, are making fat stacks by employing mutants to finish jobs quicker. The mutants get paid the same as less efficient workers and not sharing the increased profits their labour generates. The labour supply and dividends are so high, either from increased profit per worker or high numbers of mutant workers (likely both,) that they're cutting human workers altogether.

'Thousands of desperate mutants to exploit, Nick'

The parasite class are also employing a favourite tactic - keeping focus off their greed (and probable illegal practices) by scapegoating the migrant mutant workers. Instead of slaying this man and redistributing stolen wealth, Nick's anger is directed at his working class brother. Nick really should have joined that union, or should consult it if he's a member. Striking is ineffective when your labor is no longer required, but these mutant workers have collective bargaining power. Ideally, they'd be class conscious and strike in solidarity with their human brothers, but I don't think this is that kind of story.

Never forget Murray is the enemy

Skin here is an exploited mutant worker. There's no indication he's scabbing, just existing in the same labour market as Nick. He's being paid far less than his labour produces, and blamed for Murray being a greedy fuck. Both workers need money to live under capitalism yet they're set at odds with each other. Mutant workers could be migrants or automation - the parasites do not care about anything except the numbers going up, and they use any available resource for that. Oppression is no guarantee of intersectional solidarity, sadly.

This relaunch of the Infinity Comics has had a very consistent theme - radicalisation of the vulnerable by the predatory. I'll continue to cover this arc as the issues drop as it's an interesting and relevant choice of focus. I hope that conflict leads to understanding and solidarity, but I doubt it. The true big bad here is capitalism, but the villain is Murray, not Nick. I'm wary that Nick is dark skinned to sidestep angry white guy shouting 'they took our jobs,' but another theme of this run has been people slipping through the cracks.

People who are suffering or who have been wronged facing violence and imprisonment when they need support. Folks ground down by a rigged system lashing out at the dehumanised other. It's certainly true to life, but Murray the capitalist is safe in this narrative, as in life. It's possible he'll be secretly a supervillain, demon, gangster etc and become an acceptable villain to topple - but as long as he's just a banal greedy fuck - a very legal thing to be, he'll prosper while the workers suffer and fight each other. Your boss and the company are nobody's friends. They are very good at wearing the shell of a person to exploit loyalty, but they get fat off your labor and will discard as soon as it's profitable.

A Mr Toppi is mentioned in the story as presumably the owner. You'll notice that he's not working, performing no labour yet owns a very profitable business. Mr Toppi has capital. Know your rights and build solidarity with other workers because they're the same as you. I know this is cliché but there's so many more of us than there are of them. The individual is replaceable but the working class is not. Also, don't scab.

[sparklingelectricblue]

From the Ashes: Marvel Infinity #14

Continuing on from last week…

The comic starts with the following narration:

"Sometimes, you get a moment..."

We then see Max as a child with his father, Jakob.

The narration continues: "...when everything lines up... ...when anything is possible."

We now see Max facing a firing squad who has opened fire with Jakob's hand on his shoulder.

"When suddenly, you can make things happen."

We then see Max as child with bullets in midair.

"But other times.. Perhaps most of the time...

...you can't."

We then see blood and broken glass on the snow. We're back from where issue #13 left off and Max is waking up after being hit by a car.

Someone is calling to him off panel, "Mr. Eisenhardt..." Turns out, he's being roused by Rabbi Sagan and a bystander.

According to Google Translate, Max is saying "I... yes, Dad takes us across the Vistula. There's a famer in Radom who will hide us."

Cut off in the picture is the wreckage of the car in flames.

What might not be clear in the art is that Max is dragging his lower body to get to the car.

Narration continues: "A few months ago, Magneto could have made something happen."

"A few months ago, he could have dismantled the ruined car and spirited the child away to safety with a thought."

We now see a horrific scene of Anna in the fiery car screaming, "Somebody help us! Poppa won't wake up!"

Narration: "But now he is helpless"

Max is reaching into the car to get to her with the Rabbi reaching out behind him but Max is immediately burned.

Narration: "As helpless as he was when the jaws of the twentieth century closed on his people."

"Now, as then, he is condemned to simply bear witness."

Anna is grasping at her seatbelt, "I'm... I'm stuck!"

Max, face illuminated by the fire, is calling out to her "Then... then you must cut yourself loose! Is there anything to hand, a... a tool... something sharp?! Anything!"

Anna cuts through the seatbelt and begins clinging to her dad in the driver's seat, "I'm free! We can go now, Daddy!"

Max shouts back, "No! You have to leave him! He would want you to."

"Look! There are people here to help your father, but you have to climb!"

Anna is hesitant, "I... I..."

"DO IT!" Max shouts.

Anna starts climbing over her father as the firefighters are getting into position to hose off the car, "Daddy, I'm sorry! It's... it's too hot!"

"I've got you." - Max

Max is being attended to by a medical professional. They're wrapping up his burnt arm. Someone off panel says, "It smells like reindeer sausage in here."

Rabbi Sagan confirms that Anna is safe and well. "The father too. Concussion. Smoke inhalation, but he'll be fine."

Rabbi Sagan sits with Max. "... Did I tell you how my grandmother Coralie came to live here in Alaska?"

Max: "I can guess..."

Rabbi Sagan: "When she was just three years old, she was a detainee at Furs internment camp in France."

(as Rabbi Sagan speaks, we see scenes of grandmother Coralie's life illustrated)

"And she would have surely died there had Andree Salomon not rescued her and put her on a train bound for Lisbon, where the S.S. Mouzinho was waiting to take her to America.

She arrived in New York on June 21st, 1941, where she was placed with a foster family who moved to Anchorage soon afterwards.

On Purim, she'd always get maudlin drunk and tell us about her mother -- her desperate, hopeful smile as she entrusted her only daughter to a stranger and the sea.

She knew she wouldn't live to see her daughter thrive across the ocean.

She sent her anyway."

"With the coming of Moshiach and the resurrection of the righteous" the Rabbi responds. "But I think you already had one of those covered."

Back to X-Men HQ, AKA "The Factory." Later.

"Summers and the others are heading out on another mission. You should get some rest." Max says to Hank.

Hank: "Max... Respectfully.... ...You won't."

Max: "Henry, trust me..."

The end? Infinity comics will be focusing on the Alaska team for the next 2 issues so maybe we'll see more on this.