#ITS TIME TO MAKE HISTORY

[kakooshi]

Katsuki's smile in the new cover with Izuku is so different from the one he gave All Might omg. Seriously, that's the face someone makes when they're in love. Bkdk is so canon, guys 😭🧡💚

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[haridraws]

Excuse the format (I made this for instagram since that's what the publisher wants, rip) but this is basically a shorter, easy-to-read version of the history section at the back of my new book. (Part 1 || The book)

More about my relationship with queer history (& section 28) under the cut

Looking up history to make a fun queer historical rom-com opened my eyes to how my entire idea of the past in this country was way off.

It also made me realise that part of the reason queer history felt like such new, revelatory information was a law that banned it, which was still in place when I was at school.

Section 28 was put in place by Margaret Thatcher in the 80s, banning "promotion of homosexuality" in UK schools and local authorities. Local libraries were forbidden from stocking anything with LGBT content, and it effectively stopped teachers mentioning any queer history, leaving them scared to even accidentally mention a same-sex partner.

-

just want to add a quote from that article:

legends.

-

Although the law was finally repealed in the 00s, it cast a long shadow. Older teachers were used to it, history books conformed to it, and new teachers still feared homophobic backlash.

Today there's a huge and disturbing rise in anti-trans rhetoric and legislation being attempted in schools and beyond, and it mirrors the homophobic conversations of the 80s. The truth that we've always been here gets met with vitriol - and to be honest, also just outright surprise even by well-intentioned, otherwise widely-read cis and straight people I know, especially in older generations.

I feel like there's also the flipside: once I listened to a podcast where two american women, older than me, were both SHOCKED that anyone was ever executed in Britain for being gay?? For me the threat of execution (before 1824), exile or imprisonment (the two years of hard labour that famously lead to the death of Oscar Wilde) were the main, only things I grew up aware of about queer history.

At best, the queer history I saw growing up was absolute tragedy. Part of what was such a revelation when researching was reading historical accounts that hint at hidden queer histories, secret joys and long, complex lives.

So by the time I finished researching my historical romance book, I'd decided to make an illustrated history section at the back too - these pics are a mini version.

I wish more people knew about the real history we have and how far back it goes - I hope someone unfamiliar might be able to get get a tiny introduction, and recs for ways to get a clearer view of our past.

[trashydez]

enter stage roleswap wrightworth

(without dialogue under the cut!)

yk, this is supposed to be a part of a group of sketches further going into the au but god do i not have the energy to colour allat rn

[always-a-joyful-note]

More music-based media and music in general needs to take a page out of Revue Starlight and make their songs at minimum 6 minutes long. Intersperse it with dialogue or intrumental breaks if you want, but I expect it to drag at least 8 minutes in length

[jerys]

thinking abt merlin through the ages contending with the fact that arthur is still so present in the land. in mythology in legend in fairytales told to children in books and films and countless other forms of memory. throughout the world he is remembered still, and yes it isn't really him they're remembering, it's the legend of him, the myth, the heroic fool's gold shimmer of his legacy. but he's still here.

[manichewitz]

we gotta bring back livejournal and wordpress and forums and weird little blogsites that aren't connected to any social media presence at all its just people online doing online things. the internet is so small now bc we're all squished into the same sites. we used to be so spread out. we used to be a proper decentralised digital culture

[demadogs]

stranger things season one 2016 was so fucking incredible. it exists as an entirely different entity to me than the rest of the show. you literally just had to be there. to this day nothing has ever come close to the amount of universal love for a fictional story that stranger things first received. ive been chasing this high for eight years.

[dartalias]

I think the fact that Kyoshi canonically knows how to dance and sing is severaly overlooked in this fandon

Its such a cool thing to put in her character, especially in how it complements her design

Its also so weirdly funny

[shortnotsweet]

1. ANATOMY OF A KITCHEN (excerpt from THE THRILLING AND NOT AT ALL REPETITIVE ADVENTURES OF CAPTAIN MAN AND KID DANGER: “A CHRONOLOGY OF ENTIRELY TRUE AND HEROIC EVENTS COINCIDING WITH THE END OF HISTORY”) [2] [3] [4]

If you want to know a person, watch how they treat their servers, how they treat their food. Living with them is the second best option. Living with Ray is not Henry’s only option, but it is the best. They don’t even need to watch the other eat; they know each other already.

[ “There is a man in my house. There will always be a man in my house. I will find him even when he is not there. And one day, when I find out there is no man in my house anymore, well—I will go find one and invite him in.” Paraphrased and reappropriated from Catherine Lacey’s “Cut”. The borrowed text refers to the uncanny feeling Henry experiences as an adult reflecting on his childhood relationships. ]

Catherine Lacey writes in her short story “Cut”: “If you're raised with an angry man in your house, there will always be an angry man in your house. You'll find him even when he is not there. And if one day you find that there is no angry man in your house—well, you will go find one and invite him in!” Peggy—a professor—reads this poem, which a female student has placed on her desk, and grapples with a response, to which she is advised, “It’s not your job to save anyone from their life or explain anything to them or even really teach them anything”.

PANEL NOTES

This follows the format of the catalyst stranger approaching the downtrodden protagonist in a dingy bar from behind, backlit by the hazy yellow lights and smoked out shadows. This is not a bar, but a kitchen—the center of any living space.

The borrowed text is tweaked, and excludes the descriptor “angry”, as the theme of the storyboards is not anger.

The use of red is limited and strategic, and scattered throughout like evidence; dusting for fingerprints. It’s tempting to drape Henry’s back in red against the blue background, as if bathed by an overhead lamp, but Ray is the anomaly. Henry is colored by an anxious, slightly melancholic blue (as well as shaky panel borders), while the flints of red signify danger (knock on wood) or non-literal symbolism.

The white wolf is curled around the blue in a protective gesture that also doubles as a stranglehold, snakelike.

Something, something, about wolves and lambs, consumption, and the simultaneous loss and retention of innocence through transformative processes. Note there are three lambs; these could stand either for Henry, Jasper, and Charlotte, or Henry (singular).

[muninnhuginn]

Also. I'm so not sure which direction it's going to take with Damian liking ancient history. It could just be setup for this one chapter, sure, but it seemed like something he genuinely had passion for. But. Something about politics and history and learning from the mistakes of the past so they're not repeated

[withmytailtotheworld]

IT’S TIME TO SPARKLE ON! ✨✨✨

DON’T FORGET TO BE YOURSELF! ✨✨✨

also other sparkle on variants for the other days!!

[lover-of-mine]

I don't know who wrote the post about how all of Buck's past relationships have taught Buck the thing he needs to make his endgame relationship work, and like, they are very consistent with this thing where the next relationship somehow fixes something from the one before and while messing up something from the one after, and we all know Buck's endgame is Eddie. Buck has been being handed pieces of the puzzle since Abby. The one missing was his bisexuality. That's not missing anymore. Wherever goes down now, is about Buck getting comfortable in his own skin so he can finally be with someone who loves all of him. It's about Buck finally loving himself, so that he can actually understand what he wants from a relationship. So that he can reach the thing he actually wants, the family he has with Eddie.

[ganondoodle]

kind of expected that the ability breakdown wouldnt get that much traction (especially on twitter bc if it doesnt do well in the first few hours it might as well be dead) but what i didnt need to wake up to was looking at my twitter notifications and thinking there was a long comment on it at first but then i read it and it turned out to be some guy having dug up one of my old totk tweets where i talked about how zelda was treated-

and if a quote retweet with a thread attached already starts with "this entitled brat didnt understand that zelda was being a history nerd by being in the past and getting to experience it herself" with two screenshots attached of the end of totk with zelda staring at the cam all uwu (which has ??? to do with their point??) i dont even want to know what else was in that thread

if thats how the majority of the fandom is then im even less surprised that nintendy doesnt even have to try to write anything good :I

ah yes, i am a game nerd, and by putting me in a game where i stand around doing puppy dog eyes while being shoved around by NPCs is me being a game nerd OBVIOSULY

[puhpandas]

I love ggy so much how did they accidentally make the most intriguing hypothetical gay romance ever

[soup-child]

I dont think that Trudy is a robot I think she's just like that™