#ITS POETIC CINEMA

[maximura]

[aplaceofnonsense]

something something WBY not able to fight Curious Cat because they werent complete, something something Ruby needing to learn she is in fact Enough, something something they're all Whole Now And Truly Make Team RWBY

[youngmisterfrodo]

I really like galadriel as a complex character who is completely complicit in bringing sauron back to middle earth... like her own trauma and obsessive behavior caused the one thing she was trying to prevent

[renaissanceousia]

"it isn't how it should be. eat or be eaten. power and glory and nothing else matters. ares is that way. zeus is that way. my mother is that way. he isn't that way. he's better than that. maybe i was that way once but i don't want to be that way anymore. i won't be like all of you. i just won't."

[thebiggestmenace]

thinking about the parallel of Joel's "swear." "on my life." with Sarah and then Ellie's "do you trust me?" "with my life, apparently." with Riley. and then also Joel's "I swear." to Ellie.

[livelovecaliforniadreams]

#Real Subtle Guys

[flung-out-of-asgard]

i love you madame web

[gearbit]

Heat-Haze Daze - Jin ft. Hatsune Miku

It sure is hot... Is it? I don't really mind summer though. I hate it.

[jimmysea]

THE EIGHTH SENSE 여덟 번째 감각 (2023) dir. Baek Inu and Werner Du Plessis

[kirjavas]

lyra and her death: on overcoming mental illness

tw: mental illness, depression, suicide mention

after rewatching all of his dark materials, i wanted to touch on something i noticed in the final season that i hadn't picked up on before, and that is how lyra's journey to the land of the dead reflects her mental health.

in the secret commonwealth, lyra is likely dealing with depression as well as recovering from her trauma of separating from pan, which has clearly taken a toll on their relationship. and i think there was a deliberate choice to bring this character arc forward into season three of the show, when it wasn't really there in the books. the amber spyglass highlights the theme of loss of innocence and and moving away from childhood, which was made even more explicit by lyra being an older teenager in the show. this was also depicted by a more obvious change in lyra and pan's relationship that we didn't see in the books until the secret commonwealth. the two of them argue much more than usual in the first few episodes, and they don't seem to be on the same page, particularly when it comes to the land of the dead.

since lyra and pan are one being, this shows us that lyra's mind is divided and she is not at ease with herself as much as she used to be—a feeling that is very natural as she awkwardly transitions from child to teenager. but i also think it goes deeper and may reflect a level of self hatred we haven't seen from lyra before. she's always been sure of herself and this is reflected by how much she loves and cares for pan. but in season three she becomes more dismissive of him and guided by a different part of her that is leading towards roger. there are obvious parallels to be drawn between her and mrs coulter, who in contrast has gone from abusing her dæmon to becoming more allied with him. mrs coulter's treatment of the golden monkey represents her discomfort with herself/her soul, but when both their intentions match that is when their relationship is healthier.

in the land of the dead, pan and will both seem to be afraid/cautious of the idea of death, whereas lyra shows no fear in summoning her own death and making a journey she may never return from (cue an incredible shot of lyra's death standing between her and will... till death do us part anyone?? but i digress).

it's really interesting how this slightly different dynamic kind of sets up their inevitable separation, as the episode foreshadows that there will be a heavy price to pay for bargaining with death. rather than it coming as a complete shock like in the books, it feels like a punch to the gut with the realisation that lyra and pan are no longer on the same path (and haven't been for a while). lyra chooses roger, a symbol of childhood, but ironically she also chooses to grow up in leaving part of herself behind.

i might be reading too much into these scenes but i think there's a strong suggestion that a part of lyra wants to die—perhaps to join roger, perhaps because her guilt makes her feel like she deserves it. later on, lyra's hallucination of pan and the scene with the harpies only emphasises this. the harpies target the thoughts at the back of her mind, telling her that she has ruined the lives of those she loves and she is in the land of the dead only to soothe her own guilt.

i also strongly suspect that upon freeing the ghosts, some part of lyra was healed knowing that she helped roger. she seems to bring a bit more of herself back after she reunites with him, in taming the harpies and telling stories. ultimately i think this accomplishment gives lyra enough strength to make another devastating sacrifice when she is separated from will forever. i honestly don't think she could have done it if she hadn't had the closure and relief of completing her mission to make amends with roger.

like... GOD. lyra is such a tragic character and i both love and loathe the show for introducing some of these elements. bring on the book of dust adaptation.

[verkomy]

I think it’s time to rewatch the greatest movie of all time which is the fall (2006) by tarsem singh

[ficsinhistory]

Okay, can we talk about how Miles Morales and Gwen Stacy are the same person with different fonts? (And how does their conflit enrich the narrative?)

What makes them different is their circumstances. And the movie explores this very well.

Gwen doesn't have a mother and, therefore, the influence of greater emotional stability while Miles has (which makes his life much easier), remembering Rio, often counterbalances Jeff's tought love.

Her captain and father pursues her in cold blood, blaming Spiden-woman for the traumatic event (Peter's death) while Miles' father forgives her before any plea for repentance (Aaron's death). Gwen's New York hates her while Miles loves him. Miles' fear when talking about being a hero is Gwen's harsh reality, in which her father doesn't seem to love her, as pointed a friking gun at her head! Gwen is alone in her civilian life (with no friends or family present) while Miles has a community.

Miles and Gwen are alike, and that's what's most devastating. Because Gwen is just Miles with no support system.

And this is what makes them have different views on ATSV despite being "equal where it counts", fueling the conflict we saw. Gwen do a terrible thing hidding the fact that Miles' dad would die. But she also doesn't have a choice.

She isn't sincere and open and hopeful because she can't afford to be like that, and Miles would also do the same in her position if the roles were reversed, because what keeps Miles from losing himself is the support system he has. This help guide him for good ways.

Because Miles is capable of being as morally gray than Gwen was. How I know that?

Because Prowler! Miles exist.

The film shows the two as the foil, leading to that explosive finale. That after all, as Gwen messed up, lied, and try stop him, Miles finds himself stuck with a bitter version of him and that himself is who can stop him for saving his father . That Miles' lack of a support system and good circumstances (already illustrated in Gwen ) is taken to an extreme in his version of Earth-42.

I like to think that what this movie and the next one say is: you do things your way and you decide how your life is going to be, but your circumstances also affect it. They do not dictate, but affect. As it is in these dark hours that you hold on to what is right, or move to make things right.

Including I think this will be a big factor that will contribute to Miles for giving Gwen.

She made a mistake and owes a lot of apologies, yes. But wouldn't Miles do the same? Wouldn't he lie, mess things up in the name of keeping his life together minimally when he had no choice? Especially having a world where, when everything came crashing down, he effectively became an unrecognizable version of himself to protect what mattered to him?

And Gwen didn't try make amends? Giving up everything you know just to make things right? Change things? Assembling a team just to find and save him? Just like Miles always tries to do right and be the best version of him?

Gwen's arc, their fight the entire movie, and the final scene on Earth-42 all convey an important truth to Miles' own arc: how hard it is to be morally good and right all the time when everything around you is falling apart.

Because everyone is subject to circumstances. And then yes, you decide how you will act.

Miles Morales is just like Gwen Stacy and just as flawed, we just did't see how much yet.

[castkorb]

my roman empire

[mettywiththenotes]

The reality of reading bnha is that you will see a panel of two character's holding hands with love and care and you will cry

[thebiggestmenace]

some loose brain thoughts for you?

Kathleen's speech. when she's talking to Henry about how "kids die. all the time." and how "this is what happens when you fuck with fate." people have pointed out the similarities and how this ties to Joel, but actually thinking about it? knowing what happens in the second game? that Joel finds out exactly what happens when you "fuck with fate"? I think all of our hopes of not having golf in the second season are gonna be pointless tbh

[livelovecaliforniadreams]

2x1 | 4x9