#IT WAS GOOD WHEN IT WAS A HUMAN WAR

[dispadaferisce]

"If you can power through, Throne of Glass gets good in book 3!"

Y'all are fucking liars. Heir of Fire will probably be the book that makes me give up on this series for good.

[balkanradfem]

Do you think that low birth-rates are a problem?

I think they're the opposite of a problem :)

[galaghiel]

How tommy found shroud in the runaway au

[yardsards]

the thing about labru vs kabumisu is that both of them have the same core appeal to me, specifically from kabru's side of things: kabru being someone who is constantly agonizing about social rules and putting on the right mask, and meeting this Weird Fucking Guy who does not (cannot) care about all those things, and so kabru slowly allows himself to be more genuine. they're both such good relationships (whether you view them romantically or platonically), why must there be so much hostility between enjoyers of these ships?

[gingermintpepper]

Why did Apollo favor the trojans in the Illiad?

So, dear Anon, I've been thinking about how to answer this question since I got it a couple days ago and I think I kind of want to make something clear before I get into it.

The Iliad by itself as a poem only covers some of the events that occur in the final year of a long protracted conflict that had been brewing for at least two decades and was an active war for ten. Within the space of the Iliad itself, the motivations and affairs of the major players are often referenced but there are many, many parts of the story that are not there because they belong to a different story cycle that has been since lost or was never recorded with words. In the space of the Iliad Apollo's motivations are questioned a lot - his pride is questioned by Poseidon who thinks Apollo should be just as angry at the Trojans as he considering Apollo was treated equally as poorly by Laomedon while they worked together. His honour is questioned by Hera who chastises him for taking the Trojans' side when he'd proclaimed that Achilles would live a long life and prosper at Thetis and Peleus' wedding. His own sister calls him a coward for refusing to fight when Zeus gives permission for the gods to go wild on the battlefield. For all that there's this image of Apollo in the Iliad as some staunch and unwavering protector of the Trojans, believe it or not, I largely think of Apollo as neutral in the war.

Which, I suppose, comes back to the question - why did Apollo favour the Trojans? The truthful answer is that I don't know. The Iliad and all its connected stories isn't something I've done enough research on to have an answer or a reference to an answer off the top of my head. The reasoning I'm aware of is that Apollo was a Patron God of Troy and really a god doesn't need any reason besides that to protect his people but it's not like Apollo abandoned the Greeks either. Calchas is the biggest example of that I can point to - descended directly from a priest of Apollo and one who attributed his mantic power to the god, Calchas was pivotal in ensuring the Greeks even got to Troy in the first place.

From a personal perspective however, I think Apollo was more dedicated to the house of Priam than he was the city of Troy itself. Apollo's affection for that house and all its members ran deep - from his admiration of Hecuba and Hector to his love and attempted courtship of Cassandra to his blessings given to Helenus, Deiphobos, Cassandra, Troilus and even his partnership with Paris - Apollo loved the house of Priam. When you think about the times Apollo lashes out against the Greeks, it's generally because they've done some nonsense to earn his ire. The plague was caused by Agamemnon disrespecting his priest, his aid in the slaughter of Patroclus was because he didn't respect him, his minor grudge against Diomedes too was because he tried to test Apollo's mettle and well, the less said about Achilles the better. Apart from his obvious favouring of Hector in the skirmishes, Apollo doesn't really oppose the Greeks. He has a ton of reasons to by the time the Iliad rolls around, including avenging the death of two of his sons, but he remains mostly satisfied with conducting his father's business and overseeing the war from a somewhat professional perspective. To me, it's always been less about Apollo caring about the fate of Troy as a city itself and more about him just really wanting to protect the people in the city that he's come to love and respect.

Of course, I encourage you to take my words with a big tablespoon of salt - like I said, I don't really know enough about the facts in particular to give a solid, confident answer but I can give you my interpretation of it. Maybe consult someone like @littlesparklight for a more comprehensive and grounded response 🤔

[pnfc]

i haint watched the dang chibisode and idk if ill actually watch it with sound on sdfjk but i have a hurt feeling about them casually imbuing perry with speech for a one off gag because the idea that he needs to talk to communicate is fake. we had 4 seasons of wacky magic hijinks cartoon where perry never needed verbal speech to communicate. they couldve done this gag at any point in the show but they didn't, and the fact that they didn't felt significant. perry's muteness is such a core part of his character, to me, to the way i conceive of him/write him. i don't wanna overreact to a goofy little side cartoon (even tho i'm doing it anyway) but it's still the characters, and it still upsets me! ok that's it i've said my piece

[redbean-nom]

din djarin, age 10: clone wars refugee child

boba fett, age 11: in federal prison for destroying an entire venator while trying to kill mace windu

[liauditore]

he is so so tired please get off his lawn

[uncanny-tranny]

I just find it very interesting that all the labour classed as lesser (most often seen as "women's labour") becomes indispensable in moments of crisis. It's just interesting to see how quickly people turn to that labour and then discard it in moments of peace or prosperity, devaluing it until another crisis hits.

[shadystranger]

I never took dean's extremely antagonistic attitude towards sam drinking blood as compared to anything else really seriously. While in first seasons they were still new to weird and their reactions might have been not as desanitized as later seasons it was always kinda clear he was illogical about this. The immoralness of demon blood was a pretense at most. An excuse dean could latch onto to clad his deep-seated personal unadulterated hatred to sam seeking someone else. And also his insecurity that his place- his entire purpose is easily being replaced/filled by ruby and taken right from under his nose and he's so driven up the wall he acts unreasonably and borderline psychotic like locking sam up and emotionally manipulating him to prevent it, when that doesn't work he resorts to violence. He was rationalizing his ugly feelings of hostile defensiveness and jealousy as some kind of a higher moral endeavor, but it was painfully obvious that was not the case. Dean literally at some point implies he agrees that sam is doing good and he's willing to accept him back but ruby is a deal breaker he unintentionally makes a visible distinction between it being a corruption/-humanitydescend issue and a more gripe that demon blood is rooted in dependence on demons and/or the constant need for supply; leaving sam not entirely dependent on dean alone. (Combine this with dean's emphasis on them finally being together and for nothing to come between them in s2&1)

Sam killed demons, he could exorcise people without killing them, he could kill Lilith and prevent the apocalypse (what they believed at the time) all objectively good acts. But dean blatantly did not care. Because his issue was never in the moralness of it or ''becoming less human'' hell this guy covered up for sam in an instant when he killed a hunter without thought. He threatened anyone to not lay a finger on sam when he thought sam was 100% going to turn into a monster and start killing them all (rather wanted to stay with him). Come demon blood and he suddenly is narratively very expected to kill sam out of moral obligation? Nahh it's a very fucked up psychotic break from a possessive driven mad who used up all his cards and is not willing to hand down what he finally owed to someone else so he's going to make sure no one else can have what he doesn’t. Dean stringed bobby along with him thinking they were both doing a savior mission for sam's ultimate sake and the world's when they were both on very different pages. Heck bobby is not the only one dean had fooled it was the audience and the narrative too. Insanely ironic

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[lychniis]

reader : you know, back in my world...my universe, we sent these disks out on one of our first space probes. they were called the golden records and they contained things about us. our culture, our music, our world, our people. even our history and biology. all of it spanning over ninety minutes. scientists...they stated that those records? they will last over a billion years. could you believe that? they'll last longer than human civilization, and possibly any civilization after that. and if some alien species did find it in the far off future, did manage to learn how to play it...they'd be reading the last memoirs of the human race. we'd be gone but that record? it would be there, and then you realize...that was our way of finding immortality. those songs, those photos, those greetings; that was us. that was all of us, who we were; the last credible proof of our existence to a people who might have never heard of us. and then you realize, with all that time it might take, with all vastness of the universe it might have to travel...we're just...so small compared to it all.

jing yuan : ...i love you but i think you need to sleep.

reader : sleep...huh it also makes you think about the workings of the human body-

jing yuan : *slaps hand over your mouth* no.

@hiraethsdesires @silentmoths @crystalflygeo @zhxngii @ofoceansandtombsanew

[fictionadventurer]

I don't care if The Last Jedi "ruined your childhood" or "destroyed a beloved character". I'll always defend it because this is the Star Wars movie for scrupulous people.

[yells-of-the-not-so-danged]

i love Darth Vader, he's comedy and horror all wrapped into one and it's great. Like, your life support suit is purposefully terrible at it's job and hurts like hell, and the person who designed it is your dad/mentor/groomer/cult leader. You get on spzoom (space zoom) with your evil dad, and you have to kneel on your shitty leg prosthetics that dig into what is only loosely called a thigh stump. All while the pain washes over you (the pain is good, you can evil photosynthesize it into Power) your boss is telling you that he lied and your child DID survive childbirth/your wife's murder (which you think you did) and is in fact the rebel who blew up your boss's fancy death yacht. The rebel you tried to kill. Your real dad who is God must be laughing at you rn because who tf writes this shit.

[svampira]

normalest friend group

[ryukisgod]

TRAs talking about how history will judge us poorly reminds me of that quote “isn’t it an amazing coincidence that the good guys won every war?”