#IT HAS PROPER DUNGEONS!!

[princess101855]

Took two days, but I finally beat Echoes of Wisdom!!

[eggpuffs]

chat is it gay to use illegal black magic to resurrect your girl from the dead y/n

[krussyblogs]

So yesterday i had to take a shit while watching dunmeshi and it made me realize that they probably have to shit a lot with how much they eat

We know there are toilets on some of the floors but I don't think they're frequent enough on every floor for them to be able to shit regularly (answers 3-5 are my mom's idea)

[incandescent-irrigation]

Chapter 1: First Light

Rating: Explicit

Pairing: Kabru/Mithrun

Additional tags: fwb to lovers, mithrun's pov, Background Political Intrigue, intricacies of elven courtship, Smut, Plot, Anal Sex, Oral Sex, Erectile Dysfunction, slow acquisition of feelings and desires, Canon-Typical Violence, Post-Canon, Other Additional Tags to Be Added, Betaed, there will be smut in every chapter so get ready for that

[deus-and-the-machina]

the dunmeshi yuri discourse feels wild to me because it just feels like the wrong series to be doing this with. yes farcille is a juggernaut ship but like. the series is still made up of a mostly male cast and the more important side characters are also male. for a while its just marcille until izutsumi gets added and she's a teenager so no shipping with most characters for her. if we're being honest this is not a series where its a shock or an upset for there to be more m/m.

not to mention that farcille is still the most overall popular dunmeshi ship on ao3 by far, the m/m to f/f ratio seems to me that there are several m/m ships being rotated around where with f/f its mostly farcille with a couple of minor ships. the only other f/f ship ive seen any consistent content for in the fandom is namari/kiki, a little bit of izutsumi/tade, and some canary ladies.

While dunmeshi is a great series that resists a lot of anime tropes about portraying women and body types I feel like we still owe it to ourselves to be honest in that most of the central character are men who, with the exception of senshi, are pretty slim, women included (falin is fat in my HEART-). I dont really say this to critique ryoko kui, but just because I think its best to temper our expectations about what the story actually includes. you cant hang everything on "but look how well farcille is written" when, while I do love them, falin admittedly spends a good chunk of the series as a plot device more then a person. the glimpses of her self we get are really fascinating to me, and I would confidently say she's a character in her own right, but it would be disingenuous to claim she couldn't have used more screen time or depth into how she feels during all this crazy shit that's happened to her.

[divvy-div-art]

Bobek, the God of Dreams & Creativity

BOO! back from the dead

a friend requested that i draw one of the gods he designed for a D&D campaign he's running (which i play a cool elf journalist in), and since the design was so fun and i was given permission to take as many creative liberties as i wanted, i felt like i HAD to draw Bobek

Bobek really IS the God of Creativity cuz he cured my art block 🙏🙏

[daphnalia]

tori was fucking awesome but giving hermie/anthony/the literal joker a 4 is factually incorrect

[blushroom20]

Me and the Boys exploring Mystery Dungeons

Also featuring @espurr-queen

[ashmcgivern]

"Whats this?" "It allows you to call on me, and I can physically arrive. It's kind of like we fuse together for a little bit - but it'll bring my presence in your physical location." "Would it be a problem if I learned how to do this all the time? 'Cuz it's a lot... a lot a lot." "I would love to be there anytime."

Zeal got a spell scroll from Xan that allows him to call on Xan for help! It's a homebrew spell from a sourcebook my DM is writing, so I can't give the details away. But the long and short of it is Zeal exchanges having their powers melded into a really OP creature for a certain number of exhaustion levels equal to how long it sticks around. It's essentially a panic button. Zeal cant cast it quite yet but at our next level up he'll take it!

The DM had me describe what it looks like with Zeal and Xan combined into one and so you know I had to draw it. ;) Zeal's wings have turned white recently, but I thought I'd include how it looked when he first casted it (black) and how it'll eventually look (gold tipped)

[asexual-levia-tan]

went back to reread the scene where yoojin climbs hyunjae to get away from those plant tentacle monsters and i came to the realization that

yoojin is afraid of suffocation. its something that comes up a lot. every once in a while he'll mention that grace is a damage nullification item, not a barrier item, and that wont protect him from like. getting swallowed and suffocating in a monster's stomach. <- a sentence that has been repeated maybe three times now, with variation.

i just thought he thought tentacles were gross (valid) but in the scene where he literally climbs on hyunjae's shoulders he mentions that the tentacles could get in his mouth or up his nose and suffocate him. (and i guess also that slimes could swallow you whole and suffocate you. idk hyunjae mentioned slimes afterward so)

anyway this is all extremely funny to me because taewon strangled him the first time they met and yoojin made it his personal mission to become besties with him

taewon then proceeded to strangle him another couple times along the way

[weaselweaselweasel]

Chat I think this is it for me, I’ll never play dnd again 😞

[ambrosiagourmet]

I've seen pieces from this extra comic before, but never read the full thing until today. And holy shit does it hammer home just how much the story is about class.

Multiple times, when food comes up in this comic, it’s also in context of money:

I've seen this last panel on the right brought up before in context of like, dungeon meshi's relationship with fat and eating, but in the full context of the comic it really hits how much adventuring directly consumes bodies for money.

As much as this has been part of the story the whole time, showcased as early chapters 19 and 20...

It never fully hit me before how often adventuring comes down to having no other way to make money but to throw yourself into death repeatedly. To be used, whether it’s by individual selfish people (like the resurrection group that is happy to try and get Kabru's group to kill each other to get extra gold from them in chapter 32), or by the greater cog of the Dungeon Economy in general.

Which, to be clear, is all too often how things work in the real world, too. So many jobs burn through the health and lives of workers. Dungeon Meshi just makes it literal in a new way: by making the healing and resurrection, a core part to the adventuring loop, directly use fat, muscle, and energy from the body being healed.

Imagine Amazon, but if you got injured at work, they could literally burn up some of your body to get you back to working sooner. And that was seen as an advantage of the job.

And then you have Laios, thinking about eating monsters:

Not just because he likes monsters a lot. But because it would help. He says something similar in the actual manga too, during the chapter discussing his dream with the Winged Lion

Laios wants to be able to make a home for Falin. He wants to give her a place where she never has to eat alone. And when he gets a party, he wants to give them a way to eat well. And when he runs a country, well…

He wants to ensure that everyone has enough to eat.

Food is political. Food ties into class, and money. What is deemed "proper" to eat, what is a luxury, what is crass… so much of it comes down to money.

Being judged for eating what's available, when what is “proper” isn't affordable, is already a thing that happens. People forced into work that consumes their energy is already a thing that happens.

Dungeon Meshi has a lot of fantastical elements, but boy is its examination of food and class very real.

[theunvanquishedzims]

One day Bowser is gone. Not just stewing after a loss or laying low plotting something, but GONE. Bowser Jr. crashes his cloud mobile through a window of Peach’s castle and accuses her of kidnapping his papa, because there can be no other reason why he would leave without telling anyone.

Mario and Luigi are sent to investigate. Mario interviews the Koopa Troopers, while Luigi searches the keep. It’s surprisingly easy to navigate, when the defenses aren’t set to keep people out, but there are still some spots trapped against snooping, so that’s where Luigi looks. Private study, laboratory, weapons locker, and eventually, in a tall tower, there’s a smoky room.

There’s a portal in the room. Not a shiny green warp pipe, clearly cobbled together and jury-rigged into functionality from many different machines, but Luigi recognizes the electricity in the air, the strong whiff of scent as he gets close. It smells like New York, under the smoke, like garbage and car exhaust and ocean breeze funneled through a grease fryer, and Luigi is shocked by how nostalgic he feels smelling it. There’s a burned-out battery pack still sparking nearby. The portal is dark.

Luigi opens a window to air out the smoke. He sees Mario down below, a bright red dot surrounded by green shells and brown bodies as Bowser’s minions crowd around him. Hears Bowser Jr. shrieking orders above the chatter, the clunk and creak of mechanical carts juddering to life as they prepare to search the surrounding countryside. A purple-clad Magikoopa is speeding through the air in the direction of the Boo’s haunted mansion, and Luigi shudders a little with relief that they won’t have to go rescue Bowser from a ghostly kidnapping.

Rescue Bowser. What an idea. Luigi chuckles a bit as he jots down a quick note for Mario, wraps it around a wrench and tosses it down into the courtyard. The battery pack is easily swapped out, plenty of spares scattered around the workshop, but Luigi doesn’t doubt this one will short out as well. It will be fine, between Mario and Mushroom Kingdom and Koopa Kingdom there are enough tech geniuses to do a proper repair and have it up and running by the time Luigi finds Bowser and convinces him to come back.

He swallows his nerves and keeps telling himself it’ll be fine as he steps through the portal. He’s not abandoning his brother, he’s not stranding himself in their hometown, and he’s definitely not going to have his essence extruded across the multiverse in twinkling particles by an untested technomagic portal.

And then he’s in a New York alley and Bowser is running towards him bleeding and panicked and there are sirens loud enough that Luigi almost doesn’t hear the portal crackle and die behind him, and he’s got bigger problems to worry about than dying because Bowser doesn’t get scared, that’s Luigi’s job.

Mama mia.

Okay, bowuigi soulmate AU on the suggestion of @scribeprotra

(sorry not sorry it came out angsty)

Though most people in the world of the Mushroom Kingdom speak English, they use a different alphabet from the "real" world, so for most of his life Luigi has had no idea what the first thing his soulmate was going to say to him was. He and Mario both looked, for years, but never found anything that looked like the letters on the back of Luigi's hand. Eventually Luigi just resigned himself to being alone for the rest of his life.

(Mario doesn't have a soulmate, which is not uncommon in this universe. It's not really a big deal and people without soulmates follow what we'd consider a more "normal" pattern of dating. Luigi doesn't know, but Mario made the decision to put romance on the back burner so he could support his brother.)

Then they fell into a warp pipe and landed in a world where they could understand everyone, but not read the signs. Luckily Princess Peach is the kind of person she is, and took it upon herself to help them settle in and look for a way home. On one excursion she ends up kidnapped, and Mario decides since she was only out there because of them, it's their responsibility to save her!

It all leads to Mario and Luigi in Bowser's castle, and though Luigi was reluctant to fight a giant fire-breathing turtle dragon, when he sees his brother in trouble he chucks a loose brick at Bowser's head and shouts "Hey! Big guy!"

Bowser turns around, sees a figure with a moustache and a stupid hat, and roars "YOU!" before realizing there's two of them.

They rescue the princess, they're celebrated as heroes, and Luigi and Bowser both more or less forget they spoke at all (Bowser more, Luigi less).

Years pass, including a lot more fights, a few team-ups, and eventually the agreement to try a few friendly competitions to keep things civil. When Luigi discovered his soulmate mark was the local alphabet he was excited, at first, but he's already used to disappointment and he's conflicted about the exact word. Is it angry? Surprised? What if he's doomed to get off on the wrong foot with the person who's supposed to be his partner?

Then one day, at one of those friendly sporting competitions with Bowser and his team, Bowser spots Luigi making a note to himself and suddenly grabs him.

"What's that?"

"What's what?"

"What you're writing. Where did you learn that?"

"It's just how we wrote back where Mario and I grew up, it doesn't mean anything bad."

Bowser suddenly rips the collar off his throat and points at the writing there. "What does this say?"

It says Hey! Big guy! And though Luigi can't be certain (it's been YEARS) he has a horrible horrible feeling that the exchange between his soulmate words and Bowser's is very familiar.

Bowser seems completely oblivious to any of this and just starts asking Luigi where he's from and how to get there. Luigi doesn't even realize why Bowser is asking until he says "I don't know how to get back, Mario and I decided to stay here," and Bowser does NOT like that answer. Luigi can't bring himself to say what he's thinking. Maybe it's not true? Maybe Bowser is right and his soulmate is still waiting for him in Brooklyn?

Bowser talks to Peach after the match is over and says he's sorry but he's finally got a chance to find his real soulmate and he's going to have to end their flirtation. Peach, ever the diplomat, says she understands.

Time passes. Bowser is doing research on his own on how to cross between worlds. But for some reason he keeps coming by and asking Luigi about it. He says it's just to make things easier once he gets there, but after a while they start talking about other things. They start to become something like friends.

One day Bowser mentions how much it hurts to hope after all this time. About how he'd resigned himself to being alone for the rest of his life. Luigi almost confesses then, but he's afraid of how furious Bowser will be knowing that Luigi hid it from him all this time. How can he admit he didn't tell Bowser straight away because he didn't want him?

[lyinginbedmon]

Watching Dungeon Meshi is basically an exercise in the following:

Laios is a damage sponge that will literally put his limbs on the line to get the W of the day. Man once terrified a giant wolf by getting on all fours and barking like a dog.

Marcille basically has a PhD in multiple schools of magic and will not hesitate to break out whatever one is necessary. She used the controversial one once and now it's an international incident but she'd do it again in a heartbeat.

Chilchuck devotes his entire physique and an engineering degree to his party role. He started eating proper meals and now he's actually concerned it'll negatively impact his job performance.

And Senshi LITERALLY has mythic-level cooking gear. Man has a knife that can cut through anything and he basically just uses it to chop vegetables.

These people would be horrifyingly dangerous mercenaries in any other story but instead we spend most episodes just watching them bumble through assembling a restaurant menu item.

[ir-abelas-vhenan]

I'm always interested in analyses that portray a romanced Solas as a predatory hee hee trickster god manipulating a young and impressionable Lavellan into falling for him and if that's your world state go ahead and live your truth b/c it's frankly none of my business, but I sincerely think there are those who forget that for a lot of people, a romanced Lavellan is (with all due respect to my own Solasmancing Inquisitor Rielle Lavelllan) batshit crazy. Having her boyfriend turn out to be a wolf god is honestly the least of her problems but oh boy is she unafraid to become one to fix this mess.

This is a woman who woke up in a dungeon with a glowing hand, figured out she could fix the world, and thought "fuck it, it's not like I'll have anything else better to do if Corypheus sticks around. Also. Everyone here kind of looks like they want to kill me, so maybe I'll stick with the protective powers that be for a minute." And then all of five seconds later she gets her hand snatched by a sketchy elven apostate who knows exactly what to do with her shiny new powers and cannot stop himself from having a Mr. Darcy level hand-flex after he lets it go (in my heart and soul this happens just out of the camera's gaze) and goes "hmm maybe there's something to be said for this world saving thing."

This is a woman who brought an entire fucking avalanche down on herself and three of her closest friends (and I do mean closest as in physical proximity, she doesn't know these people who are looking at her like she's Thedas' Next Top Idol) because even if it killed her it was the proper middle finger to send to the wannabe god bringing his army tap-dancing down the mountain pass towards her on the one night she had scheduled off to celebrate finally taking a W.

This is a woman going Take 2 Electric Boogaloo on waking up with no idea where she is and learning she was successful in spite-dragging herself up a different fucking mountain in a blizzard. Except now everyone is fighting wait nope now they're Kumbaya-ing a song Andraste's Herald should really probably be familiar with whoops, oh thank God, time for a side convo with the same apostate who's been trying to turn her entire life into a history class only for her to dive in headfirst (much to his initial abject horror) and get that good good discourse she needs since she can't go around arguing with everyone else like she wants to. "The orb is ours." You know what? Of course it is. But if they need the world saved from an elven oopsie, who better to right things than an elf? Fuck it, we ball.

This is a woman who misses being close to nature and goes positively feral at Skyhold, yeeting herself over balconies and banisters and turning the ancient fortress into her personal parkour playground because she's got energy to work off and shit to do, and if the path of least resistance to hunt down everyone she needs to talk to is coincidentally the same path that will absolutely wreck her knees by the time she's sixty, that's just how it has to be.

This is a woman who finds herself back at Haven with a man she's found it possible to be unfetteringly unabashedly herself with and thinks, "hey, maybe there could be more than the flirations we've exchanged over heated discussions and philosophical deep-dives, maybe I can have just one smooch as a treat." And when she feels her slowly unfurling passion reciprocated only to be shut down? She resolves herself to fight for this fledgling love and all the fade tongue that comes with it. This is a woman who gets the tiniest glimpse of what a retirement plan might look like after this whole saving the mortal world thing and buys all the way in.

This is a woman who has Grey Wardens to save from themselves, an empire trying to self-cannibalize, and still finds the time to go rescue a spirit because she, as a fellow comrade caught up in this mess, knows damn well that no innocent deserves to suffer if she can help it while she's got this insane amount of power she never asked for. And if that happens to lead to the man she feels safe enough to nap on the library couches with confessing at last the feelings she knows he's been smothering beneath his all-too-collected surface? Yeah, she'll take that W.

This is a woman who gets absolutely blasted head-over-ass into the fade and goes "honestly things were going a little TOO well." This is a woman who sneaks a peak at the closest fears of the companions she's come to know and love and goes "not on my fucking watch." This is a woman who sees that the man she forces herself to learn the old language for, her vhenan, fears being alone more than anything in the entire knowing world and resolves herself to ensuring it never comes to pass.

This is a woman who gets the opportunity to shape the government of a straight up country and runs around collecting wooden fucking halla in a palace full of elven servants with no time to dwell on that particularly cruel irony because out here it's scheme or be schemed. This a woman who collapses against a balcony railing after putting out some of the sickest literal and metaphorical dance moves The Game has ever seen, resigned to bear her ever-increasing burdens alone, only to find her heart and his horrible horrible hat extending a hand, promising her that if he is not alone, then neither is she.

Like, do you feel me here?

And then he dares to think something as sudden and damning as the truth is enough to keep her away? The queen of tough conversations and tougher choices? No, no, dear readers who have made it this far into my descent into madness.

Inquisitor Lavellan is a master-class in encouraging the odds against her to fuck around and find out. She is a rift-mending false-god-bashing politcally savvy terror upon all of Thedas. Solas (and all of the living breathing world) is lucky she took time out of her busy schedule to notice the way his smile softens when talking about spirits or appreciate the fluidity of his form when they're obliterating venatori out in the field. This man cradled her cheeks in his shaking hands, looked into weary and wide eyes and called her beautiful, and had the audacity to steal her heart before trying to peace out and take it with him.

If she's got to track down a real god this time and frog march him into the fade to reclaim both her heart and the future she fought for because all he wants to do is launch himself like a meteor towards achieving his greatest fear, if she has to spend hours lecturing him on the sheer audacity of his ass while spirits float by and realize they're grateful they never had the chance to take on a body and subject themselves to a verbal lashing this brutal, if she has to do cartwheels around him while dropping all sorts of sweet nothings in the language she is now quite proficient in until he gets it through his luminous gleaming skull that when she said "var lath vir suledin" my girl meant it? Then that's what she's going to do.

"I wish it could, vhenan."

Oh it's going to, buddy. Buckle up to get wrecked, to get absolutely loved and cherished you fool, because Inquisitor Lavellan is not the Dread Wolf's prey, she's his hunter.

[honey-doc]

Why I appreciate Kabru and Mithrun's relationship in the story (with pictures!)

I just want to express how much I loved reading through the chapter with the 6 days they spent together and how I think their relationship developed in a pretty sweet way.

I feel like a lot of people reduce their dynamic to "nurse and patient" and that makes me sad because I personally got a lot more from it than that.

I do wanna start off by saying I'm here appreciating their dynamic as it is in the text.

Read more (spoilers ofc):

The beginnings

When they first met, there was an air of intimidation surrounding Mithrun as the captain of the ominous Canaries. He demonstrates his proficiency as a fighter and leader which worried Kabru because he knew it would lead to the dungeon falling into elven hands once again. But this threatening aura begins to dim in Kabru's mind as they get to know each other.

Even before they fell down the hole, the both of them ended up relying on each other's abilities a number of times (when the underground governor turned out to be corrupted Mithrun defeated him and Mithrun needed Kabru's deduction skills during the battle on the first floor) which is already the beginning of a great dynamic

(Kabwu is scared but Mithrun just asks for his help)

After Cithis tasked him with "taking care of Mithrun's needs" for the time being, Kabru treated Mithrun with proper respect and doesn't take advantage of his disability, even using his title “Captain” when he knew Mithrun wouldn’t have cared either way after learning about how he lost his desires. This is in contrast to Cithis who immediately took advantage of her position to mess around with Mithrun when she was taking care of him.

(When Cithis was put in charge of taking care of Mithrun)

The whole time Kabru is with Mithrun, he treats him like a person and more than just someone to be taken care of, as also he relies on Mithrun's fighting skills, knowledge of the dungeon, and teleportation magic.

When you reduce their dynamic to just "caretaker and patient", you're ignoring Mithrun's own capabilities and making him seem totally helpless. It actually feels rather ableist. They have a more balanced relationship with what Mithrun brings to the table than you may think. Mithrun couldn't have survived down there on his own, but it's the same for Kabru (who famously dies every time he fights)!

Kabru doesn’t show signs of trying to manipulate Mithrun either, and he's no longer intimidated by him in the slightest once he learns he’s not a threat or after his life. Though he does instinctively revert to his "sparkly" persona to get Mithrun to eat the disgusting mushroom, it doesn’t work so Kabru just has him eat it normally and never tries it again. This is the beginning of Mithrun unintentionally encouraging Kabru to be more honest with others.

(Kabru realizing he can chill out)

(Kabru being unreserved and Mithrun being silly)

bonus funny moment:

Bonding

Throughout the journey they talked to each other, shared things with each other, and ate with each other. And Kabru expresses genuine concern about whether Mithrun is comfortable (which is something he could live without and wasn't something the Canaries told him to do).

(Kabru showing he wants to make him comfortable by making food for him which is a very important part of the narrative)

(Kabru sharing intimate memories with Mithrun)

(Kabru initiating conversation without hesitation or worry. This part also is referencing how Mithrun shared very important details of his life with Kabru. Kabru also ends up trusting Mithrun with information about Laios despite knowing he could possibly tell the other Canaries about him and impede his plans..which he does lol they do end up knowing about Laios before meeting him.)

For a bonus Lycion implies Kabru was taking better care of Mithrun than they had been which is interesting to me.

Mithrun also shows that he has come to trust Kabru's decisions over the Canaries' when he says he wants to stay in the dungeon after fulfilling the caretaker requirement. They did talk to each other a lot, during that time. I wonder what Mithrun's Shapeshifter double of Kabru would look like now?

Here, Kabru goes out of his way to make sure Mithrun doesn’t overexert himself by knocking him out after the demon leaves with Marcille (again, when his time taking care of him is already over), and I think that demonstrates an extra level of concern he holds for Mithrun.

(Kabru holding back a hellbent Mithrun)

(KNOCKOUT!)

He even managed to make Mithrun mad. It's probably because he "let the demon get away" but I think it's cute and funny because would he huff like that at anyone else? Lol

When the demon breaks through the surface

Kabru begins panicking after Laios turns into the giant monster because he's wondering if he made the right decisions etc. If Mithrun didn’t care about Kabru at least a little bit, he would’ve just left him alone when he started losing it (right after Marcille did the same thing and she is technically more to blame for empowering the demon than Kabru was for not allowing Mithrun to go after it), but he went out of his way to snap him out of it.

It also means a lot to me that Mithrun even says Kabru's name, because in Japanese you can go your entire life without referring to someone by name and it wouldn't sound wrong (just rude) and it's the first time Mithrun says Kabru's name on screen (I checked).

Though it was with a slap, I think it says a lot, because if Mithrun didn’t care at all he wouldn’t have done anything and left him alone. It's not like Kabru could've done anything to stop the demon. He didn't even to tell him to do anything even though Kabru looked ready for an order.

(To be honest I don't know exactly why Mithrun starts beating him up here but you can say it's another rare demonstration of emotion Kabru was able to evoke in him lol. Maybe it's payment for Kabru stopping him the first time. That can be interpreted as paying it back and/or paying it forward I think.)

The last few chapters

And in the end when Kabru’s motivating Mithrun to continue living his life, he speaks to him like they’re friends/have no rank between them despite using the Captain title for him the whole time. Even Lycion initially gets upset that he’s acting “too familiar” with Mithrun.

It feels like Mithrun changed so much in the short time he spent together with Kabru and before the final battle, and it’s thanks to Kabru that Mithrun finally starts to be able to move past his lingering obsession with the demon and begin to really heal.

This is despite the fact that he spent so much time with Milsril and the other elves who never managed to break through to him like that.

(Before Kabru) (After Kabru)

And even after his role as Mithrun's caretaker was loong complete, he still shows concern for Mithrun and tells him to take a break when he's using up all his magic to slice the Falin meat (lmao).

He didn't need to do that! But it shows how he at least slightly considers Mithrun some kind of friend.

It all culminates with Kabru helping Mithrun regain his wil to live and Mithrun confiding in Kabru. Their relationship is important. Kabru continuing to do things for Mithrun to me is more of a sign that he just plain cares about him. Isn't it normal when a friend needs medication for you to remind them to take it? I think it's like that.

Kabru is there with Mithrun when he comes out about his feelings of uselessness AND when Senshi helps him put a spin on the 'vegetable scraps' metaphor and he find meaning in his life again. He's the first one to see him cry :')

Along with the fact that it feels like Mithrun is the first person we see Kabru doesn't feel the need to change his personality with or put on airs for since Mithrun doesn't need buttering up and he won't get offended if someone were to say something socially awkward, I think they made a pretty good team!

BUT ALSO the REAL reason I became endeared to them is cute shit like this:

GOD I love them!!!!! There are so many funny sides to Mithrun Kabru was able to bring out, and really show his charm as a character. Mithrun also brings out the best in Kabru while Kabru’s the most genuine he’s been since his debut with Mithrun. We are able to see that he’s just a kind and caring person, rather than the shady obsessed guy most fans have come to believe him to be.

The true depths of their dynamic also grew on me over time :)

TLDR

All in all it’s so nice seeing how even though Mithrun is a really deadpan person, and Kabru is a really secretive and withheld person, they clearly seem to have developed some kind of bond while they traveled together and even changed each other to an extent.

Doesn't Kabru feel more honest near the end? Maybe it's because of how much he talked to and shared with Mithrun during those 6 days so candidly...because they taaaalked a looooot like wow.

They mean so goddamn much to me. I don’t need them to be in a romantic relationship but I do want them to be together forever :'))) or like at least hang out when they have off time since they're still in the same country lol. Praying for Kui to make another side comic of them some time (crying).

Thanks for reading if you made it this far, I mostly arranged this because it makes me sad to see people reduce their dynamic to only one singular aspect.

Anyways ya...love 'em (heart hands)