#IT GOES WITH SO MANY CHARACTERS

[snakerdoodlle]

Yall have got to listen to this song im about to lose my mind

[bookalicent]

yeah so this was insane

[astralleywright]

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

[hyuckonia]

rizzle rosehearts cooks for his best friend gone terribly wrong☹️ (the quesadilla smacked tho)

based on this video!: https://www.youtube.com/watch?v=XUqqgUgTxgg

bonus:

cater ace and deuce bully their boomer friend 💔💔💔

[yzafre]

I don't know enough about science to complete the joke.

The sheer randomness of the times they have Mikey do miracle science simultaneously baffles, haunts, and intrigues me. Surely it's gotta get to Donnie, too.

[rookflower]

nightheart's unique problem.

[dead-girl-tells-stories]

The people of Gotham both fear and revere The Signal. As they do the rest of the Batfam but for Signal it's a bit different.

For starters, he's the only daytime hero. The other Bats usually only come out at night when the city is quieter. And while it's far from asleep, they prioritize stopping the numerous crimes that occur in the shadows. Civilian interactions far and few. Most pictures of them online seemed more like cryptid sightings than heroes soaring through Gotham skies.

The Signal on the other hand was the people's Bat. They got to see him soar through the sky, or ride his bike in all his golden glory. He gave autographs, took photos, and joined them on their daily commutes. He was a regular at mom-and-pop shops, made sure the troubled kids made it to school, and checked in on the sick and elderly. And while he did work with them when necessary, he mostly liked to fuck with the police, like a true Gothamite would.

All in all, he was the sweet sunshine that Gotham needed. He was far more human than the others. Not that he was human, oh heck no! NONE of the bats were human! But it felt that way. Until you were reminded that he was INDEED a Bat.

The way he merged and appeared out of the shadows despite his bright yellow suit, and moved without a sound. He knew about people and things before they happened. And had an intelligence that was absolutely terrifying when thought about. And the way he took care of crimes?

The Signal is cold, borderline brutal, and efficient (with commentary that leaves you agape and a chill down your spine) when dealing with criminals. It was always jarring to witness the sudden change from Gotham's sunshine boy to stone-cold Bat, and back again. It almost gave you whiplash to realize that this was the vigilante that you were talking to about your puppies a few moments ago. And it really instilled the Fear™ that that bats were known for.

The other Bats were terrifying, shadowy demons that moved through the night. Stopping crime in the darkness. Gotham knew and appreciated this. But the Signal? He was the bright light at the end of the tunnel and the warmth of the brilliant sun. But he was also...

'Gotham's Darkest Angel'

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"

[dootznbootz]

Epic the Musical fans, I'm gripping you by the shoulders to tell you that Penelope has a sister who she is very very close with in the Odyssey who was named Iphitimene.

Not only a sister, but in each myth she is in, she has a lot of brothers. At least around 4 or 5.

The Potential for Eldest daughter Pen, Middle child Pen, and/or baby sister Pen is ENDLESS!!!

She is also half-naiad at the very least (in most myths) with her mother being a river nymph named Periboea. She can even be 3/4th naiad if you go with the myth of her father, Icarius, being the son of Bateia, another naiad.

[turtleblogatlast]

Something I love about Leo is that, canonically, he IS capable of cooking, he’s just completely incapable of using a toaster. He’s banned from the kitchen not out of an inability to make edible food, but because being within six feet of a toaster causes the poor appliance to spontaneously combust.

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[uncharted-constellations]

Batman "I don't like working with others, I don't trust them, and I won't sacrifice Gotham to help out unless it's absolutely dire."

*Has an extensive network of vigilantes in Gotham and elsewhere, is on 85 different Justice League Rosters, would die for half of them*

Friendly Neighborhood Spider-Man *fighting every hero he ever meets*

"Weird that no-one likes me, don't know what their fucking problem is, I should fight them"

[brucewaynehater101]

I keep trying to write an angst fic about Tim's time as Robin being discovered. In true Tim Drake fashion, he keeps focusing on the pain of literally everyone else.

I'm trying to strong arm him into talking about his feelings, but this fucking idiot is all like "I guess it was rough and hurts, but let's delve into how this relates to your trauma instead."

Tim, please. Please just let me go in depth about your pain. Please stop dragging up Dick's, Jason's, Steph's, and Bruce's trauma in order to comfort your siblings instead of focusing on yourself. You're probably gonna throw at least Damian's on there as well, aren't you?

Fucking hell, Tim.

Whelp. If I'm gonna write Damian angst as well, any ideas about his relationship with the Robin mantle and Bruce?

[haunted-xander]

I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.

Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.

But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.

Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.

Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.

Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.

And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.

Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.

But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.

The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.

Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.

Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.

She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.

Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.

But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.

And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.

He tells her to live her own life, and he learns to live his own too.

[lionbearfox]

top 10 characters who deserve to be freed from genshin impact body model prison

[poorly-drawn-mdzs]

Thank you all for voting in the poll to decide who was going to be the leader of the band! It turned out to be such a close race!