#IM JUST SO VERY HAPPY RIGHT NOW!!!

[kawaiialeisha]

AHHFEGHVDHHFGHHGGJGHJGHBGHGG I LITERALLY HAD TO DOULBLE TAKE THIS- MAYBE TRIPLE TAKE????

i had a fair while to let myself freak out. (3 hours.)

THANK YOU SO MUCH EECHY WAAAAAAAAAAH THANK YOU FOR ACCEPTING THE FLOWERS TOO 🥹🥹🥹🩵🩵

☆ Put this star into the inbox of your favorite blogs. It's time to spread positivity!

(My gosh, Eechy… MY GOODNESS!! You’re my number one favourite blog as well as artist… I can’t stress this enough… inhales… I LOVE YOUR ART SO MUCH!!!!

You’re one of my biggest inspirations and motivations as well for my art, JUST SO PERFECT!! WAAAH!! Oh, and here’s a little something for being so inspiring and phenomenal…)

AWWWWWW, AAAAAAA THANK YOUUUUUU SO MUUCH I'M SO GLAADDDD THAT I CAN MAKE Y'ALL HAPPY You all are also a great inspiration and motivation for me, thank you very much, I'm very happy

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[vurelly]

how am i meant to ha wahoo yippee through life in these conditions

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[dukeofthomas]

why does every reconciliation fic go like this

[aroaceleovaldez]

i cannot emphasize enough i have been working on a post breaking down fandom stuff and pjo fandom history literally all day. this post is so long and so unnecessarily in-depth. im crawling through the ancient texts. in its current state it is probably not coherent in the slightest. i cannot wait to post this one.

[dustteller]

The maybe-sorta-not-really-almost blowjob scene, because I don't think I've drawn them together before and this is probably the best place to start.

(Tumblr ate my quality :( pls click to rescue it)

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[moeblob]

Thinking about my dumb OCs ever since I saw a video of two guys trying to demonstrate the kabedon and one of them could not stop laughing...

[moth-flowers]

moth-flowers #17

[wis-art]

When i was a kid i was told that if i eat too much i will become fat and ugly and that fat people are lazy. Anytime i ate too much i would be told by my family that I'm getting fat, long story short after months of eating far below what i should be eating i ended up in a hospital because i ended up so severely underweight because i was just so insecure about how i look. Now in my 20s i am not really chubby, but i made my 2 characters that i use to represent me fatter than me, because i know that if i grow chubbier when i eat food i will still be very cute and that i will be happy in my own body, and it makes me very happy to see many people enjoy Lucy's and Wiki's physique and/or find themselves in it. I stopped worrying and obsessing about every single little kilogramme i gain and just started living my life.

[skunkes]

^_^

[indecisive-dizzy]

I love Latter Pillar so much you don’t understand i adore him have have some headcanons for him

Daisey literally pulls Howdy BY THE ANTENNA and makes him give Latter a hug. They like Latter, he’s sweet. But him being dramatic sometimes gets on their nerves

Daisey and Lizzy do partake in the Latter teasing, but they usually shut it down if it gets to mean (Latter protection squad say what)

Latter and Eddie besties real, Latter reads his poetry in the post office and Eddie just listens while doing his mailman duties

Honey’s mean to him, but secretly like his poetry. He thinks it’s so bad it’s funny

He runs a poetry club, he’s made a few friends from it too :3

Lizzy loves her brother, she really does, but she cannot stand to hear his bad poetry. She send him ads for poetry lessons and he gets sad about it

Also randomly put in but I love those little bee kids (I don’t know their names :,) ) they look so cute I love them

Latter has 6 arms me thinks, idk if that’s confirmed lmao

I’m mentally I’ll and that update destroyed me so I’m focusing on Howdy’s dramatic, flamboyant brother :3

The Howdy's nephews (the cater-bee children <3) are Howdo and Youdo! I can't remember if its one "o" or two tho haha

But yes Latter is just,,, he's so,, Soo ajdhjssj <3 I love him and his silly dramatics and bad poetry

Forcing siblings to hug is hilarious! I should know as a Certified Annoying Sibling Who Likes Hugs >:3 so good Daisey lol Howdy needs to hug his brother

Lighthearted teasing is fun, and I think if Latter was genuinely friends with whomever he'd go along with it, maybe do improv poetry to tease them back dramatically pff

Yeah you think Howdy would be upset that his brother is friends with the mailman? Bc Latter and Eddie besties Is real and in your home <3 They could write each other letters when it's not the holidays and Latter send Eddie his poetry for approval bc Eddie is too nice to say it's bad <3 (cough Latter getting a crush on Eddie? whaaaatt cough)

Howdy secretly enjoying things feels on brand lol. but him enjoying it for the wrong reason (so bad it's funny) is hilarious

Sorry but my oc CJ would be apart of Latter's poetry club <3 They're friends now Speaking of the poetry club, I imagine they do slam poetry and Latter is really bad but trying his best lol

Not the Poetry Lesson ads 😭 sobbs why she gotta do him dirty like that sjdbsjdhj lmao

[mokeonn]

I think something that is REALLY fun about having a small animal that needs to live in a habitat is making it a hobby to try to make the best possible habitat for them. Like there's nothing more fun than planning and executing different ways create paradise for an animal with a brain no larger than a peanut.

[indihome-suck]

Kemenag DKI released the exam results in a 50 page pdf ☠️☠️☠️☠️☠️☠️

[retros-artandstuff]

vriska + a transmasc dave doodle