#IM DEAD GUYS THAT SCENE JUST KILLED ME

[firenbreniel]

In every timeline, in every possibility,

Only you can show me this.

[aliusfrater]

everything *********dean posts pisses me off istg

[hauntingblue]

Ace...?? they cloned my beautiful wife...

[todayisafridaynight]

That fuckin new bucket list trailer for 8?????????

hey what if we all just cut ourselves in half after this huh

[hooffuloftootsierolls]

I love you Stella

God, she’s cunt, bitch, and brat all rolled into one. I’m obsessed with her. Stella Goetia they could never make me hate you.

[methoughtsphantom]

Jason “my family doesn’t know im alive” Todd and Danny “my family doesn’t know I’m dead” Fenton going alongside each of their plans my beloved. like Danny will absolutely go head-to-head with all of Gotham to support his new best friend on all his crime lord endeavors while he drags Jason to also attend collage with him. They are roommates and there never seems to a mention of family from either side. It’s an unspoken understanding they have. They met because Crime alley as a ghost lair thrummed with so much loneliness, it was at first the perfect place for Danny to hide his ecto signature in. But then he saw the dumbass whose lair it was lean his motorcycle just a tad too much when making a sharp turn to an alley, he sweeped the floor through a lifted chain link that passed his body but not his helmet. Yep that’s right the red thing got stuck. Danny who at the moment happened to be watching through his window snorted. Much to his horror because if not a ghost that dude could’ve gotten his head flung off.

Still, the scene was ridiculous.

On a whim he irrationally sees the police closing in on the guy and panicked at the thought of the guy using intangibility to free himself so Danny phased them both through his apartment wall and left the guy sprawled in his couch. Jason didn’t freak out but that’s normal when one’s got a concussion, one the guy immediately denied having as Danny laid out the medical supplies. The idiot proceeded to almost flatten four steps to the door with his stubbornness. He also said “I’m asexual” in the most deadpan voice as Danny dropped him back in the couch.

Danny sighed. Clearly though, he’d done so too early in the night because the guy kept trying to go, kept trying to knock Danny out, kept trying to slash him with knifes Danny didn’t know he had stashed. He’d only disarmed the guy from his guns. The visible ones apparently, cause at one point the guy did take out a gun and shoot until the ammo ran out and then teetered the thing like it was an art prop and hit his moon lamp.

Danny "yeah you aren’t officially my friend until you’ve tried to kill me" fenton my guys.

Anyways both keep having the same argument over if Danny technically kidnapped Jason or not. Danny holds the fact that the police at least didn’t see the guy make the ridicule. Jason argued that happened cause he was sporting a concussion. Danny argued he got that after.

Jason at first thinks the guy's a meta, but no. Danny introduces himself, sheepily now that he recognizes this is who the lair he invaded is from. He bandages him and tries to cook for him. If Danny didn’t have ice powers he most certainly would’ve burned the apartment. Jason then proceeds to kick him out of his own kitchen and make them both enchiladas. It’s the most normal both had in a while with another person and the air seems oddly settled. From then on, Jason constantly invited himself over, under the pretense that this was his territory and therefore he could drop in unannounced. Danny who has actual powers says he only allows this because Jason cooks very well.

Danny stays away from the crime fighting business unless his buddy is in deep shit he can’t get himself out. Also it’s Danny’s turn to cover for his vigilante friend which Sam and Tucker give him so much shit for. (but also advice)

And they were roommates. (omg) Danny effectively derails Jason’s big comeback plans by casually dropping ghost lore every two days. Like,

Jason, talking about how he doesn’t want Bats snooping on his territory:

Danny: Just don’t let them in

Jason: ??

Danny: yeah!! Hasn’t Batman died and got revived??? You can totally kick out death touched people you don’t want entering on your lair.

Jason: …I can?

Danny: Yep dude, your lair’s supposed to feel safe.

Jason: wait does that mean I can kick you out?

Danny: First this is my apartment. Second, im dead, not dead touched. Third, it’s too late to get rid of me. bitch.

Anyways Jason is super excited. You mean to tell him he can actually deny people over to his territory haunt?? (Yes it’s only to people who have died and came back but still!! The sample size is exactly the type of people he doesn’t want to see—!)

Joker my beloathed can’t step foot in Crime Alley.

(Jason’d feel a lot safer if the clown was dead but the possibility of his murderer turning into a ghost and their little loophole not applying on the clown is too scary to contemplate.)

Anyways, Jason loves experimenting with the power. It can go from simply making people shudder and not want to enter crime Alley to straight up not letting them enter like there’s an invisible wall blocking the way.

Jason because he’s hurt that Bruce never even patrols Crime Alley and also because he’s petty put B under the category of “invisible wall” blacklist. His reasoning is that the man doesn’t even attempt to enter Crime Alley. To him it’s surely just a place shadowed in tragedy. (anyways that’s it’s the place he met Jason)

Ironically, Jason totally forgets that Batman does venture into Crime Alley one day in the whole year. The day he met Jason.

Okay. He didn’t forget at first. The first year Jason remembers cause it was only a few months till then but then the next— Jason forgets that today’s the anniversary of the day’s Bruce’s parents died. He forgets to allow B in when he feels a slight tug and dismiss the feeling that prompts Bruce to investigate because he literally can’t enter Crime Alley. He starts the trialsTM, he scouts on the very edge and sees people the whole day enter and get out and cross with no problem but Bruce can’t.

It’s literally just Bruce.

Time to call Constantine, i guess.

[wasyago]

Please more Trail's gone cold au I'm begging you I need it just pour out every thought in your brain I want to hear it

hgdhhfbd i mean, sure why not

everything plot related is in the main post, there's nothing else really to tell. but i could share random details that didn't really fit into the lore drop. again tho, it's a small au and mostly an exploration of the concept, so there's not a lot.

❄️ gem and etho are siblings, i don't think it was mentioned anywhere? blood related and all that, they both have black hair, gem just dyes hers.

❄️ behind the scenes reasons for the order of deaths. generally i picked these three to be the main cast because i suddenly realized pet crew were just dungeon master and his two winners, and that was too crazy of a concept to not do anything with? so, tango as the main guy and actual master of the dungeon had to die first, seeing how he's the cave's favorite. pearl as the main explorer and as the one to unlock all the secrets had to die second, because she had to return to the dungeon / the cave to find out the truth, and she conquered it but never actually got out. and etho had to survive, because he's the "proper" winner and the one who actually escaped the dungeon with treasures.

❄️ lore reasons for the order of infection. tango you already know, but pearl and etho went in at the same time so in theory they had to start experiencing the effects together. but because etho was wearing a mask it did lessen the amount of sculk he inhaled, slowing down the process. wear masks kids!

and, well, you did say you wanted to hear every thought so. i really like the plot point of them leaving tango to die, so im gonna ramble a little about it. even just, the difference in their views on the situation is so satisfying to me. because tango had no idea something scary was happening to him! and for pearl and etho it was a life or death situation. and just-- they were talking about leaving tango and tango obviously, obviously, protested, because what the actual hell??? yes okay he's ill and a burden, but don't leave an ill guy to freeze to death in a cave, what is wrong with them????? or, okay, what is wrong with etho, pearl was against the idea. but, straight up tango did not plan for it to end this way, he had his whole life ahead of him and so many things ha still wanted to do! of course he cried when they left, what else was he supposed to do? thank etho for his awesome decision? be all cool and stoic and sacrifice himself? hell no, he didn't want to die, he never asked for this.

he did die tho, so. whomp whomp 🎺... i imagine he passed before pearl and etho even reached the stairs, so at least he didn't suffer for long. if he had a breakdown about being left alone he probably hyperventilated and inhaled like a ton more sculk, so that killed him even faster. must've sucked tho...

and then pearl, god, pearl.... she didn't encounter any dangers on the way back, since she wasn't trying to escape and the cave had no reason to be hostile towards her. but seeing how she was at the last stage before turning... she probably didn't get to tango before collapsing... not dying just yet, but too feverish and too weak to walk. but if tango was already back, he could very much go and find her. can you imagine the pure horror of drowning in your regrets as you slowly die and then having your supposedly already dead friend appear in front of you all cheery and oh so wrong. i dont know how much of tango is left in that thing, but the image of him sitting by pearl and holding her until she dies is so-- its haunting but it's sweet. and then there's still enough time to catch up with etho.

actually, gahhhh, all three pet povs are their own unique horror story and it's so good.

the horror of having to go through this terrifying experience, and then being the only survivor, knowing full well that the only reason you lived is because you left your friends to die, and there's no way of fixing it now.

the horror of everything falling apart around you because of miscommunication, and then the one time you decide to do it right you end up regretting every single decision and witnessing the direct result of your mistakes come for you.

the horror of being stupid... the horror of losing all control over your life and being betrayed in the moment of your most vulnerability, dying fully and utterly helpless.

this au is so sad but i love it so much...

okay wow that's enough for one post, ask more if you want tho!

[erwinsvow]

was watching the latest hunger games and i don’t know if you’ve seen it but there’s a scene with snow and lucy gray that is so reader and rafe core. like the scene where he kills the mayor’s daughter and lucy gray is in hysterics and he just grabs her, warns her to pull herself together and go back outside and pretend like he’s not just killed someone and i’m like this is so rafe and his casual dominance with reader. 😍😍

babe STOP you are SOOO onto something here.. + that scene in the movie had me FERAL!!!!! picturing season two after limbrey kills that guy (im so sorry i cannot recall any names.. was too busy staring at rafe's arms)

"oh my god!" you squeal, eyes wide like coins, tears filling up and almost spilling over in a matter of seconds. "oh my god, oh my god-"

rafe fucked up. he shouldn't have gotten you anywhere near this situation, it's his own fault. your insistence on not being too far from him and his own ego that found pleasure in that fact had won him over. rafe liked that you liked him, that you needed him around.

but right now he can tell what you're thinking—probably something along the lines of the fact that he was insane, that his dead body had appeared and he was going to take care of it because he wasn't reacting at all like you were, how any normal person would.

limbrey was staring at you, and a sudden fear ran through his mind that she might try and hurt you too.

"go inside-" he barks at the older lady, who doesn't move, gun in her hand. "go inside! m'gonna have to take care of this, leave-" she stalks off, while you watch with your big wet eyes, shoulders shaking, voice run dry from your screaming.

your reaction is normal, expected. he can't find it himself to even be remotely angry. he leaves the dead body where it is, hands finding your shoulders and dragging you away, like that might help you.

"hey, listen to me. listen to me." he says sternly, and you listen obediently, if not due to fear. "don't scream. don't worry. m'gonna take care of this-this mess, okay? we're gonna be fine."

"r-rafe, she k-killed someone. we, we have to call the police-"

"we're not calling anyone. m'gonna handle it. he was a bad guy, okay, no one's gonna miss him."

"a-and that makes it okay? rafe, you-"

"hey," he barks and you freeze up, listening. "listen, kid, have i ever gotten you hurt? haven't i kept you safe? hm?" he wants an answer, so you nod, still shell shocked. "s'gonna be fine. keep it together. i can't have you like this. we're gonna be fine."

"o-okay." you look down at your white shirt, observing tiny little dots of blood. "what, what do i-"

"go inside. throw this shirt in the fireplace. and then go upstairs to my room and take a shower. okay? i gotta take care of this first. then i'll come join you, got it? alright?"

"okay," you repeat, nodding, frozen. you look up at your boyfriend one last time, trusting him like you always do, even when a little part of you is screaming to run and take off in the other direction. "what're you gonna d-do, with him, uh-"

"i don't know, kid. i need to get you away from it first. just go upstairs, please-" your shoulders relax as soon as the sentence leaves his lips. your mind goes fuzzy, like it always does around rafe, but hearing that even in this insane, unfathomable situation, that his first priority is you, makes your head spin.

you lean in, pressing a kiss to rafe's lips, not pulling away until a minute has passed, your shaking hands tight on his arms.

like always, you follow the instructions he's given you, walking away and heading inside, shedding your clothes and burning them, cleaning yourself in the scalding water until you can smell nothing but the vanilla of your soap and the pine of rafe's shampoo. once out, you put on one of his shirts and some of his long white socks, everything feeling cold still.

you wait patiently on his bed, not able to focus on anything on your phone. when rafe walks in, you don't move, letting him come sit beside you.

"what did you-" you start, before being interrupted.

"don't ask, kid." rafe doesn't sound mad, rather protective. "if i tell you, you're in this shit now. can't have that."

you wrap your arms around his neck, crawling into rafe's lap and into a tight hug. his hands tense around your waist, and you close your eyes, inhaling the scent of his skin. he doesn't smell like blood, at the very least, so you think he hasn't done anything crazy yet.

or crazier, you correct yourself.

"the swamp. in the woods. there's gators, and foxes, and who knows what else." it comes out as a whisper, like you're scared that the walls might overhear. "if you bring him there, no one will find him. if no one finds him you can't get in trouble."

rafe pulls out of the hug to look at you, all shaky limbs and wet eyes. he presses a kiss to your forehead.

[roseworth]

hi. here are my top 5 favorite comic moments ever (sort of in order, they can all be switched around sometimes depending on my mood)

"the son has not surpassed the father" (batman #645)

i cant even put into words what i like about this scene because everything about it makes me insane. its just so beautifully written and fits so well thematically and shows so much about how bruce is feeling without explicitly saying anything. so fucking good

2. "maybe he did. but my little girl is still dead." (batgirl #19)

fucking. fuck. again this moment just shows so much about how cass feels without saying it explicitly. theres a flashback to the man she murdered right after this because she sees herself in the murderer and doesnt believe she can be redeemed. itsfuck ignf. yeah. maybe he changed but she's still dead

3. "i owe you no explanations. i took the only compassionate option." (titans #12)

hoooooooly shit. i get chills every time i think about this im serious. adeline was suffering and about to die and kory killed her. kory saw herself in the suffering of someone else and KILLED HER. hard as fuck. i will refrain from going on a whole tangent about this but i feel like writers sometimes have the Good Guys kill someone and it doesnt really feel right, but this does it so well because it makes sense within the story AND for kory's character. she was right

4. "the last two bullets are for us" (green arrow #32)

this was so fucked up. can i call this a power couple moment. dinah has so much fucking kidnapping & torture trauma then she finds ollie after he was kidnapped & tortured and she goes dw babe we're gonna kill ourselves later. HELLO. i need to chew on them

5. "for all the times i will never forget. for all the things i can never forgive" (gotham city sirens #21)

everyone drop what youre doing and read gotham city sirens #20-21 right now. or read til the end of the book. gcs is mostly just an okay book but it fucking nails the ending. but this moment in particular makes me lose my mind because harley shows exactly how competent she is and gets into joker's cell in arkham with a gun when she thinks about how he hurt her. then the second she sees him she joins him again. its the ideal pre-breakup harley writing to me and this issue (this entire arc tbh) changed me

in conclusion i love my picture books 💞💞 i think more people should post their fav comic moments too because i wanna see everyone else's plsssss

also im putting honorable mentions under the cut:

"its not them" (blackest night: titans #3)

"i still dream of krypton" (supergirl woman of tomorrow #8)

"to the microscopic beings alive on his skin, this child is the entire universe" (poison ivy #6) (basically this entire issue is my favorite but i had to choose one page)

[okthatsgreat]

did anybody see the newest episode of danganronpa 52 lollllllll

#there is something deeply wrong with team dr im afraid #A DEATH SO SOON JESUSSSSSS where was the ult cardiologist at......... #dr52 liveblog #dr52 spoilers #lee chat

5 notes

🐻 dangronper Follow

Gonna try getting into the new season lol, I stopped watching at season 37. No spoilers please

🐻 dangronper Follow

Okay wow a lot has changed! Everything is so high tech now??? I kinda miss when they just kept it more simple and had them all locked in a school ngl but maybe thats just me liking season 1 lol. Im really liking Jiro so far Im hoping he at least makes it to chapter 3 because I really wanna know more about that guy

🐻 dangronper Follow

You've gotta be kidding.

#CHAPTER ONE? HE DIED CHAPTER ONE? #THIS IS WHY I HATE ALL OF THE NEW SEASONS SO FUCKIGN BAD #THEY ONLY CARE ABOUT SHOCK VALUE AND THEY DONT CARE ABOUT STORY #THAT DEATH MAKES NO SENSE THERE ARE YOU ACTUALLY JOKING #Im logging off.

4 notes

💀 youvegotthatrite Following

12,433 notes

🫖 nagitosleftleg Follow

just a reminder that wishing death on any of the danganronpa writers makes you a terrible person and all of your favorite danganronpa characters hate you if you do that! 🤗 this is danganronpa so a lot of them will die 🤗 that doesnt mean you get to be a dickhead to team dr 🤗 get over it! 🤗

🍳 naeggieggin Follow

oh my god can anybody in this fandom just be normal and not use this weird passive aggressive tone for every single post. the writers do not give less of a fuck and neither do the actors theyre all dealing with their own shit

#i hate this fandom istg. and stop calling them characters the flashback light doesnt make them entirely fake #theyre still actual people #with feelings #danganronpa 52

769 notes

🍀luckyguy Follow

this is NOT what ultimate hope makoto naegi would have wanted

#dr52 spoilers #lucky student killed first chapter <;/3 #shut up you [txt]

4,013 notes

🔧 sorryiwasbornstupid Follow

kazuichi sighted in the new post-season promo video he looks so g.ood .... . id let him do anything to me

🌸 neverminded Following

@kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial

🔧 sorryiwasbornstupid Follow

HELLO?

34 notes

🔪 danganronpa Following

Puhuhu! New episode of DANGANRONPA 52 out TODAY at 1pm JST! Make sure to bring your popcorn and your bagels, this episode sure gets.... despairful 👀You won't wanna miss it!

🍀luckyguy Follow

K

🔱 ultscubafan Follow

U

🎆 chickencoopexplosion Follow

N

🫖 nagitosleftleg Follow

G

🎸 lightmusicplayer Following

P

9,012 notes

🍳 naeggieggin Follow

can early season purists please get their heads out of nagito komaedas ass. he does not want to fuck you

106 notes

🎞️ kirigiririririri Follow

Waiittttt Jiro is so cute actually XD He keeps tripping over his shoelaces in the background of scenes LOL he's so smol ..............

🎞️ kirigiririririri Follow

I'M GONNA KILL MYSELF

#he's DEAD?????????????????????????????????

2 notes

🍳 naeggieggin Follow

keep in mind the danganronpa actors are still real people and they can see all of you thirsting over them ok. please be normal. just because they went through the effects of the flashback light doesnt mean its ok to be a fucking weirdo to hajime whenever he walks outside

🧊 kokoroicebox Follow

They're celebrities. People are going to find celebrities attractive, especially if these are people they see on screens and billboards every day. If you pick up the nearest magazine you find you're probably going to find Junko Enoshima in it. And maybe you should consider that those "weirdos" who are walking up to Hajime are simply fans that want to greet him. We've watched these people fight through hell, cry, laugh, and find hope along the way. Of course we are going to get attached to them, especially to those of us who have been keeping up with them for a long time now. You're basically asking a bunch of teenagers to close their eyes and pretend their favorite media doesn't exist.

🍳 naeggieggin Follow

i literally did not say that

🌀 cageofdeath Follow

have you maybe ever considered that maybe some people get hyperfixations??

🍳 naeggieggin Follow

oh my fucking god.

🎸 lightmusicplayer Following

anybody in this thread smoke weed

1,034 notes

🍊 hinataorangejuice Follow

OKKKKK WAIT WHY IS RANTARO KINDA 👀👀👀

#the way he got so serious while investigating.............. #wasnt a huge fan of him at the start but he's growing on me lowkey #dr52 #danganronpa 52 #dr52 #orange speaks!

29 notes

💀 youvegotthatrite Following

JIROOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO 😭😭😭😭😭😭😭😭😭😭😭😭

#FUFUUUCUCKKCKCCKKKCKKCKC I REALLY LIEKD HIM!!!3!@!#(!# #FUCKKKKKKKKKKKKKKKKKKKKKKKKKKKKK #ORUUGH WHY COULDNT HAVE BEEN MOMO #dr52 lb

8 notes

🍧minimarruuuu Follow

no chapter 1 death is ever gonna beat sayaka imo #girl

#it just really started the series off so well and no other chapter 1 victim has impressed me tbh #ugh but idk shes kinda annoying now with all of her interviewssss like girl its ok to not smile sometimes lmfao #sayaka maizono #dr52 critical #maru.txt

11 notes

🎸 lightmusicplayer Following

guy ists ok hes not actually dead hes just sleeping guys

#guys #danganronpa 52 #danganronpa 52 spoilers #<- ??? just in case

🔍 kirigiri Following

a

🍊 hinataorangejuice Follow

ok queen speak your truth i guess

🌸 neverminded Following

THIS MIGHT BE A CLUE THIS MGIHT BE A CLUE TO JIROS KILLER IM LOOKIGNGGGGG SO HARD AT AKEMI RIGHT NOW

🎆 chickencoopexplosion Follow

i think she might have just accidentally posted a draft lol

🌸 neverminded Following

I dont know............. team dr has done this before where they leave littel clues in places and this seems a little TOO coincidental

🔍 kirigiri Following

I hit the post button too early.

🌸 neverminded Following

KYOKO KIRIGIRI?

43,033 notes

🐰monomini Follow

okkkkk im kinda over rantaro already lmao. heres hoping we dont get another season of him

1 note

[foolnamedjoey]

hi guys. so im back to the batman au lore :)

all of this was drawn on like 4 pages I got really into it when I was suppose to be doing finals

lore under cut! :P

oh man ,, this is gonna be long TRUST!!🙏🙏

copied twice to take less space!

this shits jsut a summary I have so many little fucking scenes in my head that a may or may not draw during the breakkk unless something FUCKS ME OVER we'll see

Around three years after Richard became Robin, the year before Jason gets into highschool, he was kidnapped by the Joker- who are both unaware of his attachment the Batman. Jason isn't the only hostage, but what's important is that Jason is a hostage in the first place. Joker knew any amount of hostages would lure the Batman out of hiding, and through Joker and Batman's fight Jason slowly pieces together who the Batman really is. He quickly becomes upset, realizing both his adopted father and most likely brother have been lying to him for years. And when Batman fails to save Jason, the person that's suppose to protect him no matter what, fails, and gets Jason killed, the young boy has nothing but grief and anger in his quickly fading mind. Once Jason is buried, Dick becomes angered, and storms to the Arkham Asylum- but is intercepted by Bruce, who protects Joker. This only acts to make Grayson angrier, and while the two argue Dick begins to blame not only Joker but also Batman, Bruce, for Jason's death. Eventually, Batman convinces Grayson to return to the Wayne Manor. But in the morning, Grayson is missing and Joker is found dead in the Asylum. Grayson runs to Bludhaven and makes friends with the Titans. At this point, Bruce has had relations with Talia Al Ghul, and she convinces Ra's to revive Jason using the Lazarus Pit. After his revival, Jason is revived with a lack of reaction and emotion. He simply listens and obeys, being a shell of his former self. Talia does not tell Bruce they revived Jason because of this, and Ra's took to opportunity to train Jason as a member of the LOA.

Years later, Tim Drake, a young boy just in highschool(with both his parents) begins developing a curiosity in the rumor of "The Batman"- as a man fitting the rumor's description has begin appearing as a "unidentified dangerous person" on local news reports. Tim starts listening to every rumor he can, and tracking the "unidentified dangerous person" reports. Eventually after collecting information and encountering "The Batman" himself, Tim begins researching the "Robin" rumors that had faded out around 4 years ago. This leads him to the public figure- "Nightwing". A powerless superhero who's home base seems to be in Gotham's sister city, Bludhaven- who appeared in the city right after the Robin rumors faded. Tim ends up coming to correct conclusion that Nightwing was that "Robin" and proceeds to hack into Titan systems to talk to Nightwing for himself. He tries to and pleads Nightwing to come back to Gotham as the Batman has seemed to become more violent over the recent years and might actually kill someone. Unexpectedly, Nightwing doesn't care a bit. He ends up telling if he wants to stop the Batman from killing someone to just call the authorities on the guy. But Tim ends up taking matters into his own hands. Tim begins tracking the Batman and even starting to go out and physically stop him from injuring anyone too severely- thereby becoming the new rumored "Robin". Eventually Tim traces the Batman back to Bruce Wayne- and instead of the man taking him in as a real Robin, Bruce told him to get lost. Tim rather went to Nightwing, and began to learn how to defend himself.

Almost a year after Tim became the rumored Robin, a single name began to come up around again. The Red Hood, and suddenly, those whispers became very apparent to Bruce and Tim. A mysterious individual- or individuals- began taking over large parts of the Gotham crime rings with violence, black mail, and pure smarts. The possible group or singular person began taunting the Batman with things no one has ever known about him. Eventually, after months of Bruce spiraling and Tim watching from afar, the Robin reaches out to Nightwing for help. He ends up agreeing as long as he doesn't have to meet with the Batman. Grayson, with the help of the Titans ends up figuring out some things by sticking their heads in laces they shouldn't. Nightwing ends up coming face-to-face with Red Hood, and after the whole ordeal only came out with a scowl and the confirmation that it was one person pulling the strings.

part 1 for lore of Jason + Grayson's backstory

[gutterfuuck]

Human!Mark with a Super-powered/Viltrumite!Reader

It’s cute he’s so possessive, as if we wouldn’t break him like a twig... 🙈

THISSSS this is incredible!! i am going crazy!!

i love this idea so much,, perhaps reader is an child of thragg. i am now putting my little headcanon in where i think that mark would have glasses and braces… real nerdy guy x girl that is only gentle with him… cute dynamic hehe!!

this is sfw since im writing a full fic currently, just some headcanons maybe to get the concept out there!! the fic will be called “the perfect girl”

cw: nothing really, as i have stated this is short, maybe a blurb? i am not sure haha,

the youngest viltrumite to be sent to conquer a planet. you’re sent to earth to take over another viltrumite’s mission that was supposedly cut short due to his untimely death. as soon as you burst onto the scene you’d had everyone’s attention; splattering kaijus like they were bugs, stopping criminals with your presence alone, saving those who were weaker, more susceptible to danger. you’re quick to rise as a favourite of the public, surpassing even the guardians in popularity.

mark meets you at a comic book signing at a con because of course he does. you’re there because you find humans interesting, that and you’d caught wind of a possible attack incoming at the event. you doubted they’d actually come along seeing as you’d made your presence known and you weren’t too kind with your beatdowns. you’d never admit it, but you found this type of media entertaining, the stories would interest you. even though you were a viltrumite, there wasn’t any law that said you couldn’t have a little bit of fun. (you also somewhat enjoyed the fame and the fanbases that had cultivated around you since you decided you didn’t need a superhero name, your name was good enough)

brown eyes stare at you through thick framed glasses, sparkling with interest and recognition, a goofy braced sideways smile forming on his face. you raised an eyebrow, arms crossed over your chest as you stared dead into his eyes. mark almost dropped the stacks of comic books he held in his arms, you were ethereal. he’d seen you on tv, you were all over the newsfeeds sometimes so you were hard to avoid. he thought you were beautiful before, thought you looked like an angel now. other people had gotten pictures with you earlier so he was sure there wouldn’t be a problem if he asked.

he got his picture but you had gotten his number, watched him walk away with pink cheeks, caught in a sort of daze. mark felt so comfortable to you, so… familiar..? maybe all humans weren’t so bad, mark was proof of that.

when you’d come over for dinner with his family one night, you’d finally worked out why. you’d never met nolan, but had heard stories about him growing up on viltrum. he’d been priming the planet for invasion but had been killed which put a cap on things until your arrival about two and a half years ago after you’d proved yourself worthy. you had the shock of your life when you sat at the table and squinted at your boyfriend’s father, heart dropping when you connected the dots. you and mark had been together for months now, you’d know if he was a viltrumite… had the great nolan faked his own death and fathered an offspring with no powers? you almost scoffed at the irony. what a tired and cowardly old man, the karma of having a child with no abilities must have been damning enough. you thought about you and mark’s potential future children and a warmth washed over you, the same warmth that made you feel all gooey and sickly sweet inside.

“tell me about your planet.” he’d say, resting his head on your shoulder as you watched the stars together, “ah, viltrum… haven’t you heard of it before?” you questioned, head tilted into his. you couldn’t wait to report back in a few years, couldn’t wait to tell everyone about how you’d found nolan and he hadn’t been killed… but mark would’ve been heartbroken. you couldn’t do that to him, not yet at least, it seemed cruel. plus, he had no idea what a viltrumite was, though your pride as a viltrumite felt attacked as you’d figured his father hadn’t even mentioned mark’s background to him.

you told tall tales about how you’d created the best civilisation, how your kind helped other planets and those less fortunate… you’d tell him the truth eventually, you’d have to seeing as you wanted to keep mark for as long as human lifespans allowed you to. he would open his mouth and his eyes would widen in awe, saying something about how you were like a character from his comic books which made you nod in turn, the conversation slowly changing to the subject of the comic book he’d been talking about. before you met mark, you would’ve probably never been able to experience life in such a human way. before it felt as if you had no sense of individuality, now it felt like you couldn’t stop being yourself even if it was a little alien to you.

[uriekukistan]

In Defense of Shoko in 261

to be so honest, i’m really doing my best not to come off angry while talking about this. but to me this conversation is not just about shoko, but about the way women are treated in media, and especially in shounen manga in general.

people are upset about the way shoko reacted, or rather didn’t react, to yuuta’s plan because it seemed too unemotional and uncaring. if she had shown emotion or protested, people would still be upset because she would be seen as unable to do the necessary thing in a time of crisis due to her feminine emotions or whatever.

this is the dilemma of not just female characters, but real life women. there’s never a right reaction.

additionally i feel that some of the things being said about her are expecting her to only exist as support for gojo, and not as her own character, which i see way too often with female characters in shounen manga.

in any case, i stand by my cancelled wife, and here’s my defense of her. spoilers below the cut.

Since when has Shoko ever been outwardly emotional like that?

if shoko is upset about yuuta using gojo’s body as a weapon, there is just no way she would outwardly object or show any signs that she’s upset. that’s not who she is and she’s shown that. there have been several times where she’s not displayed the emotion one would expect from her, so why would that change now?

when shoko sees geto, one of her closest friends, if not her closest, for the first time after finding out that he massacred an entire village, you would expect her to be feeling a slew of emotions. maybe confusion, maybe anger, maybe hurt, maybe betrayal. maybe even concern for her friend.

but shoko acts like it’s no big deal at all. she’s just seeing her close friend on a regular day. because she’s not the type to get outwardly emotional. whatever she’s feeling right now is kept somewhere else entirely, far away from the surface.

additionally, in the scene where everyone got frustrated that gojo didn’t react about nanami, we have this from shoko.

talking about geto. not reacting. guys shoko is just not a reactive person like that, and that’s totally fine. a lot of people are like this (including myself but thats not the point)

but that doesn’t mean the emotions don’t exist, or that shoko has no way of reacting or coping or showing that she’s going through anything at all. one way is through smoking.

smoking is something shoko picks up again before the shibuya incident, when the entire jujutsu world is growing more stressed with the increased presence of special grades, particularly the disaster curses, the incident at the goodwill event…and at shibuya, the situation was very high stress, yet she keeps a cool demeanour. the only sign that she’s upset at all is that every time she’s shown, she’s smoking.

the only times we’ve seen shoko’s feelings, it’s been completely internal. the most notable being this scene:

this is the most emotional we’ve ever seen shoko, and if you’ll notice, she’s completely alone.

shoko keeps her feelings well hidden from everyone, so it’d be completely against her character to outwardly show if she was upset by yuuta’s plan.

Since when has Shoko shied away from questionable medical/jujutsu practices?

shoko was eager to dissect yuuji after he “died” like it was some sort of science project and not a human being…please note im saying this as a completely neutral statement, this is not to say whether shoko is a good or bad person, just that she is and how she is.

sure, it’s a bit questionable that she’s looking at a dead teenager on her table and wondering what information she can get out of him, but at the same time, there could be useful information in yuuji’s biology that shows what makes him a successful vessel, at least as far as shoko is aware. useful knowledge that could be used to find another suitable vessel to continue killing sukuna’s power, one finger at a time.

she even says to gojo “who do you think i am?” when he tells her to make her examination of yuuji worth it, implying that this is a trait that those around her are aware of.

she’s practical and methodical, logically thinking rather than emotionally thinking, but most importantly, she’s not the type to display her feelings.

she’s exactly the type to understand the reasoning behind yuuta’s plan and accept it as a logical last ditch effort, and she’s also the type to store her true feelings about it away to process over a cigarette (or several) at a more convenient time. asking her to do anything else would be asking her to change as a character.

i hope this doesn’t come across as me being unsympathetic to gojo’s dehumanization and being turned into a weapon, i think it’s upsetting for sure (but i respect the narrative choice, i think it’s an interesting way to bring out themes). mostly, i think that shoko, both by the narrative and by the fandom, is only perceived in geto & gojo’s shadow, and i wanted to draw attention to her as a person.

i’m sick of reading the “shoko’s a cold-hearted traitor” comments on different platforms bc i think it’s not true, and i think asking her to act differently removes her autonomy as a character and forces her to be nothing but a supporting role to gojo, rather than her own character.

hopefully this makes some sense dkskld

[randomartist-1]

hi this is the second post where i go absolutely feral over ava 11!!!!! SOMEONE SEDATE M

heres a link 2 the first post!!

*MAJOR* SPOILERS AHEAD. SERIOUSLY GO WATCH THE EPISODE FIRST

VICTIM CAN DO THE THING 2 OMG VICTIM CAN DO THE THING

TEAMWORK MAKES THE DREAMWORK!!!

i still CANNOT believe farmer victim is real like WHAT. WHAT. HUH.

GESTURES WILDLY. LOOK. JUST LOOK @ THEM. LOOOOOOOOK THEYRE SO CUTE INA KNMEKR NITIEOIIMGONANTKMSMSOJIREAIUHSKJ,.GAAAAAAAAAAAAAA

SOBS. WAILS EVEN. POUNDS ON FLLOOR WAHHHHHH

chat im boutta become at LEAST the #3 mitsi x victim fan I SWEAR 2 ALL THAT IS HOLY THEYRE SO CUTE????

I DONT CARE WHAT HAPPENS LATER IN THE VIDEO SHUT UP

ITS AGENT OMG ITS AGENT POINTS POINTS AAAA?????

ALSO also can we PLEASE take a moment 2 appreciate the sketchy-er looking artstyle they used 4 these scenes. like i LOVE IT so MUCH

POINTS POINTS AGAIN THE BUNNY EARS HEHE

wow a party i sure hope nothing bad happens!!!!!!

AIRY HFJONE REAL??? /silly

LOOK @ THESE HUGE DORKS I LOVE THEM SO MUCH

"MITSI IS ALIVE" i scream as they take me away in2 an asylum

alan wheN I CATCH U ALAN. HOW. FUCKING. *DARE* U MAKE THIS ADORABLE CHARACTER ONLY 2 KILL HER OFF IN THE SAME EPISODE. HOW. FUCKING. DARE U.

GUYSSSSS ITS PURPLE & THEIR FAMILY GUYYSSSSSSSSSSSSS

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA SCREAM SCREAMS POUNDS ON FLOOR WAILS KICKS FEET PUNCHES WALL????? I WASNT PREPARED 2 GET SO EMOTIONAL @ 7 FUCKIN AM????????

AT LEAST SMITH MADE IT BACK?? I GUESS?? THE WAY THEY START CRYING WHEN VICTIM GETS 2 THE PART MITSI DIES nah mitsi aint dead what u talkin boutIN THE MEMORY SCANNER

SCREAMS I NEED 2 MAKE ART OF MITSI. & MAYB VICTIM. I JST SCREAMS AGAIN SOBSSS

STARS NO WONDER VICTIM WENT AFTER TCO SHE LITERALLY MURDERED MITSI???? WTF TCO I LOVE U BUT YYYY

OMG GUYS TDL ITS THE DARK LORD HIIII I LOVE U

how many moore times can i type screams sobs wails b4 yall start gettin annoyed HEHE

i MIGHT make a more coherent post but. i jst. screams AGAINA GAIN

[mariasont]

Our Minds Entwined-----------------------

ch 1, ch 2, ch 3, ch 4, ch 5, ch 6, ch 7, ch 8, ch 9, ch 10, ch 11, ch 12

MDNI-----------------------------------------------------------------

pairings: aaron hotchner x oc x spencer reid

summary: in which jason gideon's daughter joins the fbi as the newest, youngest member

warnings: mentions of wet dream, fantasying of 2 guys, oral f receiving, praise, probably more im not sure

A/N: hope you beautiful humans enjoy this as much as i enjoyed writing it <3

also requests are still open for aaron hotchner and spencer reid & i would love love to write more so shoot me something :)

haappppy readingggg!

chapter eleven:

With a weary slump of her shoulders, Evelyn followed in Hotch's wake, her feet dragging the ground as though shacked by invisible weights. Her eyelids were heavy, drooping in a slow cadence, fighting the lull of sleep that beckoned with each laboring blink. Her lips parted in a slow, drawn-out motion that mirrored the sluggishness of her body. The latte sat in her hand, a supposed ally against the drowsiness, but her yawns betrayed its ineffectiveness as her eyes grew heavier still. The trip had been a marathon of activity--packing, the airport, the plane--all leading to a touchdown in Somerville just as the sun began to rise.

On the way over, Hotch had briefed her on the details of the case. A couple weeks ago, a polyamorous couple--two older men, and their shared partner, a younger woman--were found dead. Then, two days ago another household with the same victimology were killed. The coincidence wasn't lost on Evelyn as her mind wandered to that god forsaken dream that had haunted her since.

And on top of that, throughout the trip, Hotch's silence was a wall between them, broken only by the case details. Despite herself, Evelyn tried to profile him knowing it was wrong. Evelyn replayed the hot tub scene in her mind, a pang of guilt twisting in her gut. She couldn't shake the feeling that she'd crossed a line, even if it was unintentional... right? Her head was a battlefield of jumbled thoughts and creeping doubts, all clamoring for attention. She blamed the fog in her brain on the lack of sleep.

 Evelyn, under the weight of Hotch's intent gaze, gave way to a yawn so extravagantly drawn out it seemed less a sign of fatigue and more a playful challenge to his enduring patience.

"Stop staring; it's too early for judgment," Evelyn murmured, her eyes slits of defiance as she ambled after him towards the station. "This is just my face before the caffeine kicks in. It gets better, I promise."

Hotch offered no reply, merely casting a glance over his shoulder at her. The warmth of their close encounter in the hot tub enveloped his thoughts, an unwelcome yet intoxicating recollection. He wrestled with the memory, a guilty pleasure, even as he held the door open for her. Yet, he steeled himself, shoving those dangerous reflections to the back of his mind, all too conscious of the professional boundaries that he dared not to cross.

"Okay, Hotch, I get it, we can't all be as chatty as me with zero sleep. But come on, give me a smile, or at least a grunt," Evelyn coaxed, her laughter not quite reaching her eyes. "Anything to show you're still with us."

There was a pause, a look from Hotch that cut through her words, heavy with unvoiced thoughts, before he turned and walked away, his back a silent command to keep up. Evelyn's expression dimmed, her lips curving into a faint frown as she trailed behind him. The team's warm welcomes echoed around them as they entered the conference room. Evelyn's smile spread across her face, skillfully painted on to mask the twinge of disappointment that Hotch had left.

The moment Spencer's eyes found Evelyn, a soft blush bloomed across her face, and she offered him a smile tinged with complicity, which he mirrored back, a small but significant lift to her mood. The brief contact of Spencer's hand grazing her shoulder as she passed was enough to deepen the shade on her cheeks as she fought to maintain composure. 

"How was Miami hot stuff?" Morgan questioned, as his arm sling around her shoulder with a teasing squeeze.

"Hot," Evelyn declared, her hand theatrically waving in front of her face in a mock fan, while her elbow lightly collided with Morgan's side. "Nearly had me seeing stars. Poor Hotch was this close to performing CPR," she said, her words a deliberate prod as her eyes sought out Hotch's, hoping for any form of reaction.

"I'd say it was less about the heat and more about you neglecting to eat properly," Hotch commented dryly, his words carrying a hint of reprimand, but hey at least he was talking.

"Well, we really shouldn't dwell on the past," Evelyn said with a dismissive wave of her hand.

"Speaking of meals," JJ added, sliding a blueberry muffin towards her with a knowing smile. 

"You're a saint, JJ," Evelyn said, her eyes lighting up at the sight of the food. "I'm this close to giving you a thank-you kiss."

"As tempting as that sounds, you can actually thank Hotch for this one," JJ laughed as she nudged her. "He made it clear--no breakfast for you means a mountain of paperwork duties for us."

Evelyn's tension eased a fraction as she shot Hotch a teasing smile, her heart fluttering at the gesture. "Well, sir, rest assured, I strictly adhere to the 'no kissing the boss' clause. It's somewhere in the fine print, right?"

Evelyn's cheeks took a shade of pink at her own words, hanging in the air, laden with the what-ifs she couldn't quite push aside. Hotch's eyes, sharp and discerning, momentarily betrayed him, darting to her lips before he caught himself.

"Agent," he cautioned, his voice low but clear. Evelyn quickly raised her hands, a silent truce, as Hotch redirected his attention to the team. "What do we have?"

"At this rate, they'll be naming the next HR workshop after you," Morgan murmured, barely containing his amusement. 

"What if the unsub is part of a group like this themselves and feels wronged by it?" Rossi muses out loud, his fingers tracing thoughtful patterns against the stubble of his chin as he stands, back pressed against the brick wall.

Reid paced slowly around the table, his fingertips grazing a file as he passed. "It's possible," he began, his voice a soft murmur, eyes narrowing slightly. "The specific targeting and overkill suggest a perceived slight or trauma associated with such relationships."

Prentiss gave a firm nod. "Let's not rule out the possibility of the unsub viewing these groups as a threat to their moral or social beliefs."

"The female-centric dynamic could be important too," Evelyn tossed out, her steps halting beside the pictures of the victims.

As she pondered aloud Spencer found himself focuses intently on her face, her nose scrunching ever so slightly in thought--a gesture that drew a fleeting smile from him as he cast his gaze downwards in hopes no one else noticed how he looked at her. 

"Maybe the unsub feels wronged by the idea of a woman being the main focus? Or it could be jealously. Someone who wanted into a group like this but was rejected," Evelyn continued. 

"Or the opposite," Hotch contemplates, his brow furrowed in thought. "Someone who was in a group and cast out." He pauses, hands clasped as he leaned forward. "Let's dig into the background of the victims and see if there's a common thread."

The conference room was steeped in the day's fatigue, the air heavy with the tang of frustration and the stale scent of coffee. The team had returned from their respective tasks--interviews, crime scenes, and calls--all roads leading to dead ends. 

The room's stillness is shattered by Garcia's voice emanating from the screen. "I've got something," she declares, the pixelated glow casting an ethereal light in the dim room. "Both triads belonged to an ultra-elite society known as 'The Labyrinth.' It's like Fort Knox meets Fight club--no one talks about it, and no one gets in without an invite. I mean, you don't even want to know the lengths I went to find this in the first place."

"I mean, if the society is as exclusive as P says," Evelyn begins, her hand sweeping through her hair in a fluid motion. "Then the unsub is likely also part of it or they have resources that could get them information on it."

Garcia's voice bursts through the speaker. "Prepare to be dazzled," she trills, the clatter of her keystrokes punctuating her excitement. "The Labyrinth is rolling out the red carpet for a gala tomorrow night at the old Whitmore Estate. And you, my darlings, are virtually invited to the ball."

Morgan hunches over the table. "So, we need a cover," he states, "We can't just show up at the doorstep and demand to look around; it'll spook the unsub."

"Evelyn and Reid could blend in," Prentiss nods. "They fit the profile of two of the victims. Maybe they can draw the unsub out." Evelyn's eyes widen as she glances towards Spencer.

JJ chimes in, "And maybe Morgan could--"

But Rossi interrupts, shaking his head. "No, the second male victim's profile is different--older, more experienced. It's more Hotch's profile."

A crease forms between Hotch's eyes, a shadow of concern etching his features as his protective instincts surge to the forefront, coupling with a deep-seated unease about the unfolding plan. A delicate warmth crept up Evelyn's cheeks, her pulse quickening at the thought. The idea of going undercover with Hotch and Reid, a scenario plucked straight from her wet dream, sends a shiver down her spine and her thoughts into a tailspin. She opens her mouth, to joke it off, but it dissolves into a muddled string of half-formed words, leaving her with a bashful silence.

Hotch's words falter, a rare hesitation flickering across his usually impassive features. "I'm not sure if this is the best course of action--," 

Emily interjected swiftly, her words slicing through Hotch's protest. "Hotch, we may not get another shot at this. Using you three as bait isn't ideal, but it might be the only way to corner our unsub."

Hotch's eyes settle on Spencer, who gives a firm nod. His gaze than shifts to Evelyn, and though he resists the urge to analyze, the rosy flush of her skin and the accelerated pace of her breath betray her feelings. It's a jarring contrast to the professional distance he's been striving for. Hotch's nod was there, almost imperceptible, but the frown that follows is deeply etched, a clear sign of his disapproval despite his acceptable. 

The room hums with a focused energy as the team pores over digital and paper archives alike, each article detailed events like this and of the couples who frequent. Garcia curates a comprehensive collection of profiles detailing the Labyrinth and its attendees, while JJ and Morgan sift through social media for the gala's guest list. In a corner, Spencer and Rossi huddled over a cluttered desk examining the blueprint of the Whitmore Estate.

Meanwhile, in a makeshift office provided by the local police chief, Hotch and Evelyn are deep in study. The walls, now a gallery of whiteboards, are dense with the scribbled complexities of polyamorous relationships and the backgrounds of the victims.

"I've come across open relationships in case studies, but an entire society? That's a statistical outlier if I ever heard one--Spence would have a field day with those odds." Evelyn says with a soft shake of her head.

A faint arch forms in Hotch's brow, a muted signal of surprise to the informal reference of Reid. Catching the lift of Hotch's brow, Evelyn quickly adds, "You know, Hotch, the silent treatment isn't going to work when we're undercover," she started with a tilt of her head. "You've going to have to convince everyone we're together soon, remember? So, you might want to start practicing liking me now."

"I'm not giving you the silent treatment, Evelyn." Hotch remarks, his countenance flat, eyes reflecting any readability. 

"Sure, if you say so," Evelyn replied, her eyes thin slits of skepticism. "But if you're not up for this, Rossi could step in. We need to be believable, or people could get hurt."

"That's not going to happen," Hotch assets, his gaze unwavering, the firm set of his jaw sending a flutter to Evelyn's core. "I've played the part before; I can do it again."

"Then what are you so worried about?"

"I just want you to remember boundaries, Evelyn." Hotch reminds. "The seriousness of this cannot be understated, and I need to know your focus will be on the right aspects of the plan."

Hotch could see the subtle crumble of her face, the faint twitch of hurt that flickered across her features. She masked it swiftly, her voice laced with feigned indifference. "Understood. I'll try to keep my inevitable swooning over your pretend affections to a minimum, sir." The lightness of her words contrasted sharply with the hurt in her eyes, and Hotch felt an immediate ache in his stomach for causing it.

"Evelyn, that's not--" Hotch's voice trailed off, the hardness in his eyes giving way to a rare vulnerability. His fingers twitched with the need to reach out, to smooth away the creases of pain from her expression, but the opportunity slipped away as Rossi emerged at the door.

"Hotch, can I see you for a second?" he asked, gesturing subtly with his head.

Hotch offered a silent nod, his gaze holding Evelyn's for a moment longer than necessary, his eyes etching a mental image of her--the tilt of her head, the unresolved tension in her shoulders, before he reluctantly turned to follow Rossi. Spencer, shadowing Rossi's steps, pauses at the threshold, his gaze fixed on the departing figures. With a soft click of the door closing, he turns, the hush of the room settling around him as he turns to Evelyn.

He steps behind her, his hands coming to rest gently upon her shoulders. Evelyn tips her head back, her eyes lifting to meet his. "You okay?" he asks, his voice low and soothing.

Evelyn's laughter bubbled up, slicing through the heavy air. "Had a moment with Hotch. Pretty sure he was subtly hinting that I keep my feelings in check as if I'm incapable of that."

Spencer's lips curled into a half-smile, amusement flickering in his eyes. "Hotch tends to get a bit tense with these high-stakes operations," he reasoned, his thumbs tracing soothing circles on her shoulders, easing the knots. 

Evelyn melts into the warmth of his hands. "That feels good," she sighs, her head gently reclining in contentment. "And tell me about. I'm the one who's going to be all up on my boss and coworker. Talk about awkward."

The thought of sharing Evelyn with Hotch sent an unbidden rush of blood straight to his cock, a visceral response that caught him off caught. He clears his throat, a subtle cover for the fleeting thought that, perhaps, the idea isn't as disconcerting as it should be.

"At least with you I don't have to pretend."

"I don't know, I think additional practice might be beneficial." Reid says, his fingers edging closer to the delicate skin of Evelyn's neck, prompting an involuntary hitch in her breath. "My room tonight? Purely for preparation purposes, of course."

"Dr. Reid, w-what are you suggesting?" Evelyn managed to tease out, despite the gentle pressure of his hand on her pulse point making her senses swim and her focus waver.

He leaned in, his head tilting to plant a gentle kiss in the hollow of her neck. "You're smart enough to deduce it," he murmured softly against her skin, the words almost a sigh, "missed you."

A giggle escaped Evelyn, and she nimbly evaded his grasp. "Spencer, we're practically inviting an audience at this rate."

"Which is precisely why I'm saving it for later, just wanted you to give you a preview, sweetheart."

The remainder of the day unfolded without incident, with Evelyn buried under a towering pile of research papers, its weight causing a dull throb behind her eyes. Every detail was meticulously arranged for tomorrow--the tickets secured, the outfits chose, the escape routes mapped. However, no degree of preparation could quell the fluttering feeling in the pit of her stomach. This is precisely what led Evelyn to Spencer's hotel door, perched anxiously, her knocks rapid and insistent, her gaze sweeping the corridor for onlookers.

The door finally creaked open, and Evelyn breezed inside, her voice a soft tease, "Took you long enough." Spencer, with a quick glance over his shoulder, closed the door with a silent snap.

Spencer's laughter echoed through the room, a carefree sound that made Evelyn pause. "Sorry, I was in the shower," he said, a sheepish grin on his face. 

It was then that Evelyn really looked at him--his hair damp and tousled, clinging to his forehead, chest bare, skin dotted with water beads that caught the light, the soft material of his pajama pants hanging from his hips. Her eyes lingered, almost hypnotized by the sight, and rendered mute. 

Evelyn's lips parted, ready to unleash a clever comeback, yet only a soft, airy giggle escaped. Without thinking, her arms encircled him, her heart thudding erratically from the sheer nearness of him.

His fingers tenderly framed her face, his laughter a comforting hum. "Evelyn, you're going to get all wet," he teased, thumb softly grazing her cheek.

"That's what I'm counting on," Evelyn replies, a coy smile on her lips as she lets her hands wander down his chest, her fingers flirting with the edge of his pants. "I believe I was promise there would be a rehearsal on the agenda this evening."

"Mmm, is that what you want baby?" He questioned teasingly, his hand guiding her gaze to his with a soft tug at her locks. "Be the good girl I know you are, get undressed, and get on the bed."

Evelyn's eyes sparkled with anticipation, her feet barely touching the ground as she hurried to the bed. Her gaze locked with his and with deliberate care, she pinched the hem of her shirt, swiftly gathering the fabric and sending is flying across the room in a fluid motion before she attended to her pants. His eyes followed her every move as he inhaled a sharp breath, his thumb brushing against his bottom lip. Her gaze followed down to his pajama pants and the tent that was growing within them, excitement growing in her chest. 

She carefully turned her back towards him as she hooked her thumbs around her pants and underwear letting them drop to the floor. She crawled on to the bed, arching her back in an exaggerated motion, giving Spencer a full glance at her glistening pussy. She turned quickly, resting on her elbows as she smiled sweetly at Spence who was all but drooling at the sight.

"You're so good sweetheart," Spencer exhaled, each step towards the bed measured, the corners of his mouth lifting at her eagerness, "so pretty."

Evelyn's legs instinctively clasped together in a silent plea for relief as a wave of warmth surged through her cheeks and pussy.

"Take this off, baby," Spencer commanded, the sound of his tongue clicking in disapproval as his fingers drummed a soft rhythm against the material of her bra, "Wanna see all of my beautiful girl."

She quickly complied, sitting up just enough to unclasp the pesky thing. His large hands splayed over the expanse of her thighs, coaxing them open as he settled between them, his gaze penetrating as her tits bounced out of the cups of the bra. "God, you're so pretty sweetheart."

A soft moan escaped Evelyn's lips as she squirmed on the mattress, "Spencer, need you."

Spencer let out a soft chuckle, his hand moving closer to her heat, fingers tracing back and forth in a tantalizing motion. "Gonna take such good care of you baby."

His thumb began to rub slow circles on her swollen clit, Evelyn's breath hitched, her hands frantically searching for something to grasp on to, landing on his wet curls. He teased her slowly, his fingers moving across her soaked folds. Evelyn felt as though she could see stars as she watched Spencer begin to plant soft kisses up her thighs, getting closer and closer to where she wanted him. 

She jutted her hips off the mattress, her fingers curling around his hair as if to move him towards her throbbing cunt. "Evelyn, patience teaches us to regulate our emotions. Neurologically speaking, it's linked to serotonin levels in the brain, did you know that pretty girl?"

"Spencer, please, baby put that good mouth to use."

Spencer let out a soft laugh before placing his mouth to her clit, sucking as if it were his full-time job. The moan that released from her was loud and unrestrained, her body thrusting against his mouth. His tongue curled into her, eating her out like it was his last meal on earth.

"Need you to be quiet, baby. Hotch is on the other side of this wall, don't want him hearing you, do you?" Spencer asked, his voice muffled. "Or maybe you do? Is that what you want? You want Hotch to know how I treat this pussy?"

Evelyn's body trembled with pleasure, her hands grasping against the cool sheets as if to steady herself. His hands wrapped around her thighs, pulling her closer as if to suffocate himself between them. "I-I,"

His tongue lapped greedily through Evelyn's folds, her cunt trembling against the pressure as broken moans escaped her lips. He met her eyes, peering up from his position devouring her aching pussy. 

"Spencer I-oh, fuck, I'm so close," Evelyn moaned out, her eyes rolling to the back of her head as she humped against his face, his nose brushing against her clit every so often. "I can't, I'm gonna-"

A knock at the door caused Spencer's motion to freeze, a panicked gasp releasing from Evelyn's lips as her orgasm dissipated into thin air.

"Reid, are you up?" Hotch's voice, firm and unexpected, pierced the silence. Evelyn's mind was a whirlwind of foggy thoughts, her body reacting before her brain could catch up. Beside her, Spencer's limbs flailed in a hasty attempt to feign alertness, both like deer caught in headlights.

"Oh my god," Evelyn hissed, her hands flying to shield herself. She leaped from the bed, her eyes darting desperately around the room for her scattered clothes.

"Just a second!" Spencer called to Hotch. Meanwhile, Evelyn snatched the nearest shirt, one of Spencer's and yanked it over her head. It was a clumsy dance, one that nearly ended with her sprawled on the floor, tripping over the bulky obstacle of his go-bag. "Get under the bed."

"Under the bed?" Evelyn's voice was a hushed blend of disbelief and urgency. Spencer returned her gaze with an unwavering stare. "God, you're lucky you're so good with that scholarly mouth of yours."

"Radio waves... they're the longest wavelengths in the electromagnetic spectrum," Spencer began, his voice a low hum as he paced the confines of the room. "First predicted by Maxwell in 1864," he continued, more to himself than to Evelyn. Her brow furrowed in confusion. "And they--"

He was cut off as Evelyn interjected. "Spencer, why are you giving me a physics lesson right now?"

"I'm trying to, uh... calm down."

Evelyn's gaze traced the path of Spencer's, her eyes light up at the sight of the tent still evident in his pants. A soft giggle escaped her lips, a delicate sound in the quiet room. Their eyes met once more, and she exhaled a prolonged, "Oh," the syllable stretching out as brought a hand to her mouth.

"Just get under the bed."

Evelyn's laughter was a soft echo, quickly muffled as she deftly maneuvered herself under the bed. Her breath caught in her throat, the only sound the creak of the door swinging open.

Spencer was met by Hotch, his figure framed by the hallway's dim light. "Reid, can I come in?"

With a subtle clearing of his throat, Spencer managed a casual tone, "Uh, yeah, sure, of course."

He swung the door fully open, his expression carefully schooled into one of practiced composure. Hotch stepped over the threshold, his eyes sweeping over the room. Spencer's gaze flitted after his, a silent prayer of gratitude that the room bore no trace of Evelyn's clothes. 

"I just wanted to talk to you about tomorrow," Hotch stated, his voice betraying none of the scrutiny his eyes had just performed. 

"Sure, what's up?" Spencer asked, the words slightly pinched at the edges, his voice climbing a register.

Hotch's arms locked across his chest like a barrier. "This undercover operation is delicate, and we can't afford any... complications."

Spencer swallows hard, his eyes darting to the bed for a fleeting second. "Of course, I understand."

With a casual lean against the desk, Hotch's features relaxed just perceptibly. "I know you understand, but it's not just about the operation. It's about perception too. Evelyn's already under a bit of scrutiny."

An awkward cough escaped Spencer, a clumsy veil over the tension he felt, knowing well that Evelyn hung on every word. "Right," he responded, an unspoken understanding that they were discussing her father.

"Gideon set a high bar, and it's clear Evelyn is rising to meet it," Hotch begins, his voice steady, a tinge of pride in his tone. "She's carved out her own space on this team, a fact we all recognize. But rumors don't always favor the truth, and any suggestion of her involvement with another agent could be damaging..."

"There's nothing unprofessional going on, Hotch," Spencer quickly countered, his voice a swift defense. 

Hotch raised a hand, a gesture of pause and consideration. "I'm not accusing you of anything," he clarified, his voice firm yet fair. "I'm just asking you to exercise caution," he articulated. "For her sake. She has a bright future, and it shouldn't be jeopardized by baseless chatter."

Under the bed, Evelyn's brain was in overdrive, dissecting every word, her mouth suddenly dry. 

"I understand."

"Good," Hotch affirmed with a supportive squeeze on Spencer's shoulder. "Goodnight, Reid."

"Yeah, you too."

next

taglist: @aceofspades190 @nonamevenus @lukesaprince @doigettokeepyou @tequilya @carley12041 @satellitelh @greatdinosaursalad @malewife-cas

[corviiids]

If i ask nicely, would you consider writing the core of Light and L character like you did for Shuake? (IT'S BRILLIANT BTW!! You're so galazy brain. I love reading any meta or just silly posts you posted here <3) because you mention Light a couple time in Akechi's part and now i need to know your thought on him and L.

(Also, about the death note wip you're cooking right now, is it a oneshot or multiple chapters fic? Im super excited for it!)

i ABSOLUTELY would thank you so much for asking and for your lovely kind words. and im sorry this took me seven years to get to i just kept psyching myself out.

here's the ren & goro post this ask refers to for anyone wondering. the 'core' refers to my answer to a writing meme:

26. What would you describe as OOC? [...] it's the same approach i take to language tbh particularly in pronunciation. once you understand how a language forms its sounds at a base level, you dont struggle with the accent on particular words, and you can encounter words you've never seen before and understand how they're likely to be said/spelled/etc. so once i learn to 'speak' a character they come more naturally. idk if that comparison makes sense to anyone else but it does to meeeee all this to say i think a character is ooc if they do or say something i cant reconcile with that core!

the death note wip is a multichap!! thank you for your interest!!! ill talk about it more once i've stopped tying myself in knots plotting it!! broadly it's a what-if type au which has led me to replot an entire series from scratch dont look at me

anyway lawlight below. i will say ive been really desperately wanting to do like a video essay or something about death note which would be a lot about L and light specifically and how i interpret their characters so ill try and not go toooooo insane in this post but maybe ill go more insane later. in a video. with my human voice.

(edit: i failed i went insane)

light - one-way road to the sky

ok let's talk about one of my favourite scenes of the entire series, which i think is widely not super well understood but honestly to me holds the key to light's entire character. it's right there in volume 1

sorry, the only digital copy ive got on hand is the scanlation. for comparison the official print copy reads:

bubble 1: hey, maki, wanna party tomorrow with some guys from s. college? ten o'clock. bubble 2: yeah, totally! bubble 3: hey, can i go too? bubble 4: my mom isn't here yet? what's that nag doing, geez! light (thinking): damn... light (thinking): start looking around you... light (thinking): and all you see are people the world would be better off without.

this happens within the first 40 pages of the first volume. and it's like. haha hey light what the fuck? this is a totally normal scene in everyday life. people are talking about living their lives. nobody's done anything remotely reprehensible in this scene. and light's just walking through the streets experiencing apparently unprompted and quite extreme misanthropy. what's wrong with him

ok let's have a quick look at the first time we meet light in the anime.

[...]

[...]

cool cool cool im gonna pivot again let's look at the first song (besides the overture) in the musical.

ok rook! we get it! light yagami is out here like damn we live in a society time to kill people about it. this is news to nobody! we all know this!! that's what the series is about! why are we rehashing all of this

great. cool. awesome. let's look at all those scenes one more time. but this time don't look at light. instead let's look at the people around him

in the opening shots of the anime (after the shinigami world, which actually is much the same theme): news of brutal murder is narrated over establishing shots of tokyo. light is shown dead-eyed, going about his ordinary life, surrounded by random other civilians doing the same thing.

in the musical, light isn't angry that murders happen. he's angry about the inaction and complicity of the ordinary people around him.

these scenes aren't highlighting that light thinks crime is bad. we all know crime is bad. the point of these scenes is to contrast light's frustration and fury against the reactions of the people around him. here's what light yagami is seeing: we're surrounded with rot. but nobody's reacting. and then life just goes on. so suddenly all those completely normal scenes of people being concerned with the superficial details of their life aren't just normality, they're complicity. day in, day out. so the world is rotting, and to light, it seems that everyone is completely ok with that. that's just the way things are. and that disgusts and depresses him. on top of than that, it isolates him: he feels like he's the only one who sees or cares about this, that everyone dismisses him as naive, that no one else can be trusted, that everyone else is able to ignore something he sees as inexcusable. this is a sentiment he repeats again and again. it reads as arrogance, and it is, but it's also isolation - after all it's lonely at the top and just as lonely to feel like you're at the top even if you arent

can i talk about the iliad again? is that ok with everyone. im gonna talk about the iliad again

in book 1 of the iliad, the commander of the greek army insults achilles by publicly and unlawfully taking a prize (the girl briseis) who rightfully belonged to achilles. achilles reacts by withdrawing his troops from the army, dooming the greeks' campaign. achilles had a lot of friends in the army, so why would he essentially sentence them all to death for something that only agamemnon did? well, (because agamemnon did something publicly that everyone knew was wrong, and yet nobody was willing (or at least able) to stand up for achilles and stop it from happening. achilles, disgusted by the inaction of the bystanders, turned his back on all of them. fun fact i nearly wrote a mini thesis (an academic one not just a long post on tumblr) about the intersection btwn this book of the iliad and legal theory but law+classics is such a niche interdisciplinary field my professor couldnt find anyone who could supervise me so i couldnt do it. anyway that's not the point

is this right or fair? who cares, not the point. what im interested in is what that kind of behaviour says about the individual. light, like achilles, is a highly idealistic person. we all know that in the abstract, but take a second to really really dig into it, because it's actually quite an interesting fact about a character who is popularly understood as being cold and unfeeling or flatly psychotic and on a power trip. idealism isn't naivety, it's not optimism, it's not even really a happy thing. idealism is simply a firm belief in the way things should be at the cost of refusing or being unable to accept what is.

this is the core of light yagami to me. light doesn't become kira because he's cold or destructive or crazy. he doesn't actually even do it because he's spiteful or misanthropic. it's very much the opposite. he's misanthropic because he believes in the world so much. isn't that a great contradiction! ok here i'll show you some proof.

in an early scene (also in volume 1), light describes himself as an optimist and ryuk finds that interesting.

so light is an optimist. he believes in a bright future for humanity. he wants to protect humanity. he likes humanity. no, he doesn't believe that people are inherently good, but he does believe in some goodness as a part of humanity and wants to protect the best of people, in an egotistical way:

how do we reconcile that with a young man who walks through the streets listening to completely ordinary conversations by ordinary people and reacts by wishing death on everyone talking?

let's split out what's going on here. remember what's happening in light's head. light yagami is 17 years old. he grew up with a police chief for a father (in a fictional world where the police are the literary stand-in for law as justice so just pretend for a second that police are good im sorry), watching his father work tirelessly to fight crime - but crime continues, making this an endless, thankless task. and while crime continues, so does the world around him. every day light sees atrocities on the news, and he sees atrocities brought home, and then he lives his ordinary life and watches the people around him apparently not give a shit, only concerned with the petty details of their own little lives. bystanders watching wrong happen, selfishly unaffected. day in, day out. that idealism is getting colder the longer this unendurable injustice goes on. so achilles condemns his friends to death.

what human trait is being exhibited? realistically it's helplessness. would being miserable about crime help to end crime? of course not. people have to go on with their lives, that's a fact, it's even a strength. even light begins the series completely unable to do a thing about the rot he sees around him, which is part of why he's so depressed. but that's not what light is seeing. light is seeing ordinary people appear to choose not to give a fuck about injustice. the thing that's sparking his disgust is apathy, real or apparent. light yagami is an idealist. he wants a better future - a utopia that only he can imagine - something that can only happen if either everyone becomes as good as he is, or he takes control.

if you leave an idealist in an unwinnable situation for too long, their pure belief will start to curdle. it will not turn to realism. they will not accept what is. they will only become more and more bitter that what should be, isn't. they will become a cynicist. this is really the heart of my argument and ive made it a million times and ill make it again. idealism and cynicism are not opposites, they're not even two sides of a coin. they are two points on the same line which moves very quickly in only one direction. this is where i start when im writing him: how do i make someone who believes so hard that it's killing him? someone who believes so hard it makes him believe in nothing?

then we find the third point on that line, which someone can reach by gaining sudden power - for example, a magic notebook that kills people: radicalisation.

how do we reconcile his desire to protect humanity with the fact that what he's trying to protect against is also humanity? how can i say light loves humanity when he has such disdain for them? easy peasy: light sees himself as the messiah. my bumper sticker that says ask me about light's martyr complex PLEASE ask me about light's martyr complex i wrote a song about it ask me about light seeing himself as the sacrificial lamb on the (and then the bumper sticker cuts off)

light loves humanity the way a twisted shepherd might love his sheep. something to be protected, but something beneath you that can't be trusted to know what's best for them. humanity is something he loves because it's endearingly pathetic, something to pity and save. repeatedly he refers to becoming kira as a personal sacrifice, something that costs him his soul but that he has to do. it's a delusion of grandeur driven by dual purposes of ego and some desperate wish to change a status quo he's been despairing about for years.

tl;dr: light believes with all his soul in something he thinks is impossible, and it's killing him slowly, and then a chance to change the world just falls out of the sky

L - isolate yourself until you can make believe it's just a game

steeples fingers. i have Things to Say about L Lawliet.

ok listen. listen. Listen. listen. are you listening? listen. in general i think people kind of misunderstand characters who are hyper-intellectual and/or behave unconventionally in social settings. you're all going to fucking kill me for this but i think there's a tendency to like... accidentally turn any character who falls vaguely in this broad category into sheldon cooper. god im sorry i feel like i just shot everyone's collective dog

specifically what i mean by that is that 'awkward' gets flanderised in a way that eventually becomes a caricature of itself, because there is so much nuance to actual social awkwardness that it's very easy to kind of pick a template and stick to it without really thinking about what makes that character 'awkward' and what the root and type of awkwardness is, unique to them. so instead we just get, like... generic big word user. generic driven by logic and logic alone guy. generic guy who doesn't Do Well with other people, for Smart Reasons.

here's a list of true things about L which i think are safe to say are uncontroversial

intuitive

logical, master of deductive reasoning

competitive

behaves in an odd way that draws attention

is aware of that fact

focuses extremely hard on his cases and only cares about being a detective not anything else

isolates himself and doesn't like talking to people partly for his own safety partly because it's boring to him

here are things i have seen in characterisation of L which i would like to dispute

makes decisions and draws conclusions based solely on logic and evidence

doesn't understand social cues

here's a list of alternate interpretations which i would like to propose and that i am willing to back up with evidence and/or by physically fighting over them

is driven primarily not by logic or evidence, but by incredible intuition which is supported by logic and evidence when it suits him

has a keen understanding of people, interpersonal relationships, and social norms

leverages that understanding frequently to his benefit

feels that he is not capable of / not a part of emotions that he sees as being typically human (see his speech about being a monster)

and yet in an abstract and self-contradictory and low-priority way still kind of desires connection, leaving him emotionally isolated

chooses to behave oddly on purpose, not because he doesn't realise he's behaving oddly, but because it is not a priority for him

those might seem like fine distinctions at some points, but stray slightly off the mark and his characterisation begins to vary wildly. for example, interpret L as being bemused or unaware of social cues, and one possible characterisation that may stem from that understanding (which i have seen) is that L doesn't understand sarcasm or jokes - which is demonstrably untrue. L demonstrates weak social skills because social skills aren't a priority for him, not because he doesn't understand social norms. after all he does a reasonably convincing 'i am a normal dudeguy' voice on at least two occasions (suzuki the information line guy and asahi the calling matsuda for drinks guy). even with the taskforce, when his behaviour is more of his usual bizarre self, he still makes the effort to treat them respectfully and meet them where they are, explaining himself when they ask, chatting with them, holding ordinary conversations. you can read this any number of ways but my point is that he can do all of this with relatively little struggle

it's also very much not the case that L doesn't have feelings or care about other people. he's ruthless and he's cool with causing people to die if he has to, but he reacts with visible distress to the deaths of the FBI agents, to ukita's death, to the prospect of other members of the taskforce dying. he does care, he's just not morally driven as a priority.

ok but if he can cosplay as Normal Dudeguy with no trouble then why doesn't he. why does he conduct all his business in dark rooms apart from the entire world forever. is it gauche to use a section of my own fic to explain my point? im going to do it anyway

It is easy to identify in Light what he has long known in himself. That little pearl of disruption, grown around an irritating grain of something just unique and tremendous enough to be uncomfortable to the more ordinary around them. L has hidden it by hiding himself. Light has hidden it by hiding within himself. L's black letter is to Light’s vapid smile is to Kira's invisible bullet.

(honestly a lot of what i have discussed here is also covered in this fic so in case this fucking three thousand word essay is not enough for you you can go read that.)

something L and light significantly have in common is that their intellect and unique way of thinking really set them apart from everyone in the world, which is incredibly isolating. but while L has the 'benefit' (arguably could be a detriment but i think he sees it as a benefit) of a unique upbringing which allows him to use his skills to their full extent without worrying about really anything else, light is very much trapped by social convention. while light's life is privileged and materially perfect, he's stuck inside what society expects of him, while L is able to exist completely outside that paradigm. the result is that light has retreated within himself and spends all day playing a part, barely tolerating the monotony and apathy of the world around him by mechanically performing as expected while smothering the part of him that never has an opportunity to truly come out until kira. L, on the other hand, has no reason to put up with a society that is, for lack of a better term, really just beneath him. so he retreats. remember that the first volume/chapter of the manga is called 'boredom'.

you can see that even in his comparatively limited interactions with the task force, he is having to exercise a level of patience to explain to them what he's thinking at every stage, to have to defend his methods, his instincts, his decisions, etc, needing to step through every stage of his reasoning so that the others can follow and won't object. this is NOT just about masking his odd behaviour, it's also very much about having to step through his morals and his process, which is second nature to him but is new to everyone else and needs explaining. it is visibly exhausting to him, and this is with people he actually seems to like well enough. eg during yotsuba arc when light and soichiro keep raising moral concerns, and he has those little "here we go again" moments (which i love SO much and are so telling of him to me) even though he doesn't let his frustration show. which is why he usually does not bother with it and prefers to work alone. he sits the way he does even though he knows it's odd, because he feels he need to sit that way. when light calls it out, he doesn't question that people will think he's strange, so he's clearly aware. he just explains himself.

but if he were out with people on the regular, he'd need to defend himself constantly. the things L does are not conventional. yes the sitting is just an oddity of his so it's a good example, but it's not just the things that are odd that cause a problem: he frequently makes decisions which seem to make massive leaps of logic nobody else (except light) can follow, and often his actions are morally questionable or even reprehensible. all that is because L is extremely pragmatic and results-focused. it kind of doesn't matter to him how he gets from A to B as long as he gets to B. but the way his mind works is that he makes big jumps that make perfect sense to him but would draw curiosity or objection from anyone who doesn't think the way he does. it would be absolutely exhausting to have to constantly defend every strange or questionable thing he did, so he just retreats.

when he works with other people, i think it's worth noting that the team dynamic never actually struggles for L's awkwardness. this is something i really like about death note honestly - L is quirky and strange, but the series doesn't do that thing where it's like He's A Genius Of Course He's Rude To Everyone. he's actually not. for the most part, L is courteous, patient, and polite. he's sometimes blunt or abrupt, but he very rarely does the thing where he's obliviously cruel or brushes people off. he's considerate of people's needs, he's visibly compassionate of other people's emotional difficulties, and he very rarely loses his patience. when matsuda tries to tell the locked-up light about kira resuming activity, L snaps "Matsuda!" to stop him, and then immediately corrects himself to go "I mean, Matsuda-san." it would have been really easy for the series to do that tropey shit where he's so smart that he doesn't bother with politeness, but he factually does. he makes the effort to treat people politely even when he's not actually being kind. when he's asked to explain himself, the reader can see he's tired and annoyed, but he doesn't take it out on people. on the odd occasion he does make fun of someone for being slow, he does so in mostly light-hearted ways. so he is very capable of dealing with other people directly. his lack of social skills aren't for lack of understanding. he just can't be bothered. it's a waste of energy to try and behave 'normally' or to do things that other people find acceptable, whether that's due to social norm or common morality. it is so, so much easier for L to do things alone. without the need to explain or defend his behaviour to anyone, his isolation turns real world problems into something almost purely theoretical. so it really is like a game for him, at least at first.

whatever

i think it's really important for a character like L to not be fooled by the surface-level categorisation of 'smart awkward character'. we really need to find what's driving his awkwardness. it's not ignorance, it's not even really disdain, it's exasperation. he's tired of being surrounded by people who just can't keep up with him, and he does not have enough energy or interest to spend his time handholding everyone through his process, so he just does whatever the hell he wants and avoids people as much as possible so he doesn't have to deal with it.

look i know this is a really long way to say stuff that people mostly already know, but i think L is one of the most finely nuanced characters in the series because he looks like such a simple expression of a known archetype and the ways in which he subverts expectations are so granular that it's easy to completely miss them even while appreciating how interesting he is. the way this translates into how i write him is that he's polite and has a lot of patience until he simply doesn't, at which point he'll inwardly or subtly express that he wishes he didn't have to bother with this shit, that he picks up on fine social and emotional details that other people will totally miss, but that he'll always put his own whims and plans before anything else.

tl;dr: L behaves like someone who is constantly moving at his own pace and for whom dealing with people is rarely worth the effort, but this does not make him inept or unkind.