#IF IT MAKES MY BRAIN WORK

[goatbi]

i have so many tabs open rn in an effort to get me to write SOMETHING that is PRESENTABLE

because i have written things !!! I HAVE !!! THEY ARE HALF FINISHED IN MY TUMBLR DRAFTS

[noodles-and-tea]

Last part whoo!!!

PART 1 / PART 2 / PART 3 / PART 4

[leisi-lilacdreams]

[notherpuppet]

Ladiessss

[drgnflyteabox]

Fem!reader x 141

Honestly might be able to to something with the gross stuff I saw at the hardware store I used to work at (except make it hot and 141)

Imagine you're a cashier, the only one with early morning availability so you're there at 5:45am for the 6am start. It's always the worst kinds of contractors there: rude, tired, dirty, leering gazes and sexist comments

You're pretty sick of it, but you get paid a bit more than minimum wage and you're done by 11am so, you take it with a cheery smile and fast service

The 141 contracting company starts spending at your store. So much, in fact, that your manager personally takes you aside to mention just how much they do - nearly a million a year - and how no matter what, your job is to be nice and please them

Well, you can do that. You've dealt with crazy, awful old contractors screaming in your face about lumber prices at 6:30am more than once, heard them talking about your tit's or your ass right in front of you - you can handle it

Until the masked one comes in first and hes huge, dark hoodie and cargo pants hanging low on his hips. He hands you 3k in bills only there are bloodstains on them and he watches you closely the whole time you count them out

It's... not a first, but the look he gives you makes you shiver. Pale eyelashes, tall, intimidating

The second is nicer. Too nice, in fact. He charms you before you're even fully awake, and your shift goes by quickly thinking about that winning smile and the way he'd touched your fingers while he handed you a stack of bills... not to mention those soft brown eyes

The third is... intense, for 8am. He rolls on the balls of his feet, stares at you harder than the masked one. He offers to buy you a hot chocolate at the coffee shop next door and grins like you made a joke when you decline

Their boss is fucking dreamy. Even you have to admit it, trying not to look up at his mustached, frankly porno-esque face. He's huge, as tall as the others but thick, with a little pudge around his belly. He trudges in with thick workboots and a stained t shirt, pays for 24k worth of material with a lazy smile on his face like it's nothing

You might ask head cash to move you to the garden center after all...

[meriahlatyar]

good luck, sixer

[readwritealldayallnight]

It didn’t matter how long or short you were apart, Simon always brought something back for you

After each and every one of his deployments, though all you ever asked for was for him to return to you in one piece, he would find you a small souvenir, a token, a postcard, or some sort of little trinket from whichever corner of the glove he found himself in this time, keeping it near and dear to him until his feet were back on familiar ground and he could put it in your familiar hands

You had told him that it wasn’t necessary, but when he simply blinked and ask you if it made you happy, your reply was an instantaneous ‘yes’, to which he replied ‘then yes, it is necessary’

You loved and treasured all of them, multiple shelves throughout your shared flat adorned with the items that reminded you of the fact that he was always being reminded of you wherever he went

It didn’t take very long for Simon to become enamoured with your reactions each time he presented you with his newest find, wondering if whatever he picked out would make you gasp and cover your mouth, make you roll your eyes and smirk, make you laugh and squeeze his arm, each time was a guessing game that had his heart skipping a beat or two in anticipation

Soon enough, he decided he didn’t really need deployments as an excuse to surprise you, or any reason really, other than to see you smile

And so, trips to the supermarket made by Simon alone more often than not began including cupcakes in your favourite flavour

He’d come back from the mailbox and drop a single flower from someone else’s garden onto the table in front of you

Your nearly finished perfumes and lipsticks would magically find themselves replenished

But being Simon, his gifts didn’t always need to be extravagant

On the rarer occasions when he was only on base for a day, he’d often bring you back something simpler, if not sillier, like a paper clip or a sticky note with a terribly drawn doodle he’d stick to your forehead (god forbid he ever bring home a bullet casing, bragging about how he was thinking about you while he practiced shooting loads today-)

Sometimes he’d bring home a book he saw laying around the common room he thought you might enjoy

Other times he might walk into a room and notice you eyeing the hoodie he’s wearing, pulling it over his head without hesitation and offering it to you before you could even think to ask

Most of the time though, Simon was great at bringing home takeaway for dinner, a favourite sight of yours to behold as he walked through the door of the flat

Empty handed or not, so long as he was home with you , you were happy

[vampimull3t]

SAME FUCKING PICTURE

[zan0tix]

ALPHA KIDS: Draw your best friends!

DIRK: I'd say I'm better at one on one character interaction work of the more intimate variety, but I think this piece came together nicely. DIRK: Fun for the whole family style wholesomeness, any motherfucker in the radius of a screen displaying this image will instantly get hit with a sore case of heartburn and their tear ducts will clock in overtime at the weeping factory.

ROXY: im so proud of these i think these are my best designs yet :3 but omg dirk callie and jake were SOOO peculiar about their damn designs over my shoulder. jake wanted me to clarify that even in pink pen form his little guy is BLUE. so there. sigh this is the one occasion they could take notes from janey.. JUST LET LE ARTIST WORK!

JANE: Boy! I don't draw often but I always was fond of calligraphy growing up. I was kind of inspired by all of the other's works, but especially Calliope's swirls she puts in her art. It's very fun to add!

JAKE: Im not quite the best with posing, but i find the head very fun to study! Especially skulls.. so good ole calliope makes for the perfect muse! (hehe)

CALLIOPE: i realized i hadn't ever made a piece with Us in the same place at once. u_u CALLIOPE: bUt since it's reality now here's all of Us together, United at last! ^u^

==->

[jasperyourmutt]

I love being a FREAK OF NATURE. i love being a QUEER. i love being a FAGGOT. i love being a SEX FREAK. i love being a DOG FAG. i love being TRANSGENDER. i love being SO NORMAL <333333

[keydekyie]

Leap

[inkyrainstorms]

I was a fool, Stanley

I didn't realize what I had until I lost it

I didn't know I had anything left to lose

[noodles-and-tea]

twins in time continuation of that blue doodle comic thingy, but fidd is forced to take care of stan when Ford gets into the portal stuff, leaving him behind.

I reckon he teaches him math…

[hinamie]

domain expansion

[deecotan]

anyway here's wavewave

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!