#I... Didn't actually know it existed

[sunnylolli]

Domestic AU Ages Sheet

You mentioned not having done the math yet, so based on what you've told us in the past I tried to figure out what you seem to imagine their rough ages to be.

You like PruDen, so for this I just assumed they were the same age. Since becoming a priest needs 240 university points (hp, in Sweden), it'd likely take a while for Gil to finish school for it, so I placed him and Mattias at 30y old.

At some point you mentioned Emil and Arthur were the same age, so I assumed the Viking Trio were older than them. Now, I couldn't remember if you had told us Arthur's and Francis' ages, so tried to place them somewhat close to Gilbert and Mattias in case you also have some old classmates/friends-headcanons for the AUs.

Meanwhile saving up money for adoption takes time, and Peter & Karl (*) would be younger than Alfred and Matthew anyway, so Björn and Timo ended up somewhat later-parents in this sheet.

What do you think? Is this somewhat close to what you imagined their ages?

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(* . PS: What did you name your Ladonia, btw? I use Karl, so used that as a stand-in for this, but will obviously change it if you use another name).

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(I've had this lying around for a bit, contemplating it, because I was a little taken aback by it, but-)

The fact you sat down and found details to make this is amazing!

I don't really know if these ages are what I want to go for, which is what I meant with contemplating, especially since my headcanons are likely to change slightly depending on how I wanna make the storyline, but I'd say these ages are roughly what I imagine them to be, though I imagine they're all a few years younger than what's been put, otherwise it roughly checks out, thank you for taking the time :,) And sorry for the very very late response, know I have been thinking about it since I got it

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[buttercupshands]

(Forgot to post again)

A birthday present for a friend :)

[ellmovy]

no way! I actually did it!! here's all 93 hetalia characters, my beloved

the last time I did one of these was like 7 years ago 🥲 here's the previous ones: 2016//Sept 2015//Feb 2015

hope you all enjoy, this is my little treat to the hetalia fandom, also the last digital art I'll do for the next 5 months but I've got something else big to post in a while plus sketchbook stuff!

[gcballet]

Red Dwarf as tweets/textposts pt.7

<- | RD | ->

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[little-mouse-adventures]

Currently thinking about Artemis's will in the code at the bottom of TLG and how it really kinda shows how strained his relationship with his dad still is. Everyone else gets something they're interested in or that Arty thinks they'd like (sound system for Juliet, frozen chicken for Mulch, ethical investments for his mother, etc) and yet for his father he leaves only bearer bonds, despite Artemis I trying to move away from a money-focused enterprise and lifestyle as of TEC. Not to mention it's Butler who would know how to disengage all the booby traps protecting said bearer bonds, further highlighting the difference in trust & familiarity Artemis has with everyone but his father.

[skarkkk]

It was fucking rape. That's my fucking point of view.

What do you mean he liked it? What do you mean it was cheating? What do you mean I like her?

It was rape, there is no other interpretation other than rape.

Robby lived with two addicts and yet he was abandoned in a bar with free access to alcohol, and that's where it started.

He got drunk for the first time, he drank for the first time and he has no resistance to alcohol because he stays away as best he can for the simple fact that his parents were addicts who never cared about him. So he wanted to forget what was happening, to repress all of this and he turned to alcohol because where else would he go when everyone didn't give a damn about him, or his situation with Tory or his emotions? Where else was he supposed to go when his example of dealing with emotions is aggression and addiction? So he drank. He drank to a level where he couldn't formulate a response, a sentence, when Kwon came to talk to him and provoke him, and we know that if he was sober he would have done something. It was obvious on his own face listening to Kwon that he was spaced out, drunk, and then Zara approached him. And took him to her room, from where he came out the next morning. No memory of the night before, a headache, and still looking out of it, as we can see when she kissed him and he didn't even react to it. The level of alcohol this requires is the level of alcohol that prevents someone from giving consent.

— I barely remember last night

— Good thing I do

Can we see the exact connotation that something happened? That she actually took advantage of the boy who couldn't speak to give consent, who couldn't think to say no, who was too drunk for this to be acceptable? The fact that she shows no remorse whatsoever for this happening and yet kisses him again.

Besides the fact that the writers themselves are treating it like it's some kind of cheating with Tory, the characters themselves acting like he's not a vulnerable person being raped by someone who knows better?

I hate her and I hate the writers for making this like it's nothing. I don't want to be that girl, but being that girl, if the roles were reversed, would this be in the show? Would this be treated that way? Or would they actually treat it like the SA situation that it is?

From the beginning, you can see her interest in Robby - starting with that scene in the captains' photo shoot where she talks to Tory. She knows he's in a relationship. All those teasing scenes with Tory. Her taking advantage of Robby. Then the fight scene.

— You chose her over me?

Like, girl, what the fuck did you expect? He doesn't know you, he doesn't like you, you raped him and you're going after his girlfriend - the person he loves? How high is your ego to even consider that he would choose you? Axel's obsession with Sam I can understand more, although I still have my doubts. She was the first person to understand and see his situation with his sensei, she was friendly and he developed a protectiveness towards her. Although his attitude towards Miguel was wrong, he didn't rape Sam or act like a bitch towards her.

Iron Dragons and their obsession with the Miyagi-Do captains.

Zara Malik and the fact that she raped Robby Keene.

[slickricklj]

Jill Valentine + Chris Redfield - When you know, you know.

Bonus:

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[mamawasatesttube]

every time i remember how bendis completely destroyed the kon & clark bond i want to start biting and maiming. literally what is the point of it all!!!! just kill kon again im begging!! it'll be funny when the second time around comparatively nobody gives a shit fdklsjdjkd

[the-ships-to-rule-them-all]

the level at which people are misusing the term "Never Again" in the far left absolutely infuriates me.

"Never Again" doesn't refer to the idea of no more genocides -- unfortunately people are evil and corrupt and seek scapegoats and destruction, there were genocides in the years following the Holocaust, there were genocides 10 years ago, there are multiple genocides going on as we speak

"Never Again" means we as Jews will pay attention to the warning signs, will not mindlessly allow antisemitism to fester and take over our communities, we will fight back. it means we will be proud. it means we will not let you hate us without a word of refusal.

"Never Again" is a warning for us, it is a reminder that what happened then can happen now -- is happening now. The Far Left doesn't get to use it against us. You don't get to turn our tragedies into hate-speech and antisemitic rhetoric.

Am Yisrael Chai

[speakercrab666]

"what are you" a cognitohazard. a co- do i really have to explain the SCP foundation to u rn. on tumblr dot com be so fr.

[dawnthefluffyduck]

[siryyeet]

Oh you have complicated feelings towards Germany? Let me make 91836373 assumptions about it with my piss poor understanding of history, not listen to germans at all and then come to a horrendously bad and false conclusion on why that is! Also I think you germans should stop feeling guilty and be proud of your country again!

[deeva-arud]

Deeva Årud - Club Wear Voice Lines

When Summoned: Lights dimmed, tension building up… Are you ready to feel our rhythm? Summon Line: Playing music with friends is fun, I’m glad to be here even though I’m starting to feel a bit nervous.

Groooovy!!: We’d be delighted to see you at our next show. Spotting a familiar face among the crowd is always nice. Home: “Let’s rock and roll”, as some would say. Home Idle 1: I joined the Pop Music Club on my second year. Perhaps it’s quite a drastic change from my previous club but… it’d be a lie to say I’m not enjoying my time here. Home Idle 2: Most of the time I’m the one suggesting we should practice, but somehow Lilia, Cater and Kalim always distract me with all these unknown snacks and gadgets. Sometimes I have the feeling they do it on purpose… Home Idle 3: I need to warm my hands, it’s hard playing an instrument when they’re cold. Home Idle – Login: *humming Piece of My World* Ah- sorry, I didn’t see you there. Can I help you with something? Home Idle – Groovy: I’ve been playing violin and other instruments since I was a kid. My family has always had a connection with music and I’ll gladly continue this legacy. Conveying your thoughts and feelings through sounds is quite satisfactory. Home Tap 1: My first concert with them? Since it was the first time I’d be playing in front of many people, I knew I’d have a hard time trying to look at the audience. Cater noticed and told me to look at him so I could feel less overwhelmed… Let’s say I didn’t expect him to be so literal. His clones substituted the audience because no one came to see us. Home Tap 2: Hm, my violin? Indeed, it’s not the same one I use at Mostro Lounge. An electric violin is more suitable for the club’s activities. I’m surprised you noticed it. That means someone’s been paying too much attention to the musician playing ambience music… That was a joke. Home Tap 3: Kalim and I joined the club in the same year so I got to see how much he’s improved his drumming technique. It’s impressive. Certainly, Lilia’s been an excellent teacher to him. Home Tap 4: I like the idea of having customized masks for our performances. Maybe I should mention it once we have enough funds. Home Tap 5: I recently accepted to do some vocals just for our club sessions. You can come see us, but please refrain from telling everyone else. At the moment, I only feel comfortable singing for a few people. Home Tap – Groovy: When it comes to a band like this many wouldn’t think of a violinist, but that actually gives songs an interesting feeling, don’t you think? Duo: [DEEVA]: Ready for a shocking performance, Cater? [CATER]: Ready as ever, Dee-chan!