#I've rambled a bit here but hopefully this makes sense

[ruelin024]

I wanna have opinions so uh, what do you think of my SacredFell AU? (So far anyway haha)

Hello, my mutual compadre, @littleyukki5033 , I have traveled down to the depths of your blog and will now commence judgment.

Kehehehe. ψ(｀∇´)ψ

[Gonna be long, I like/wanted to try making my responses worthwhile and attentive, to show you I went in on your AU and posts.]

(And you can laugh at me or with me on this, but I may not be the best at giving opinions, 😖 I think. Just know I'm typing this with my miniscule overthinkin’ brain and hurt wrist.)

START!

Feb 4: Don’t be afraid to post your AU and talk about it, beautiful or not, unique or not, complicated or not, similar or not, cringe or not, demented or not, eh or not. 

Share your mind, you’ll find people who share it with you. And if you get hate, show them San’s ass or something. It tells others how nonexistent they are to you. (though I’ve seen someone draw Sans very beautifully thicc, we will keep in mind he is bones, which we indeed simp for). 

Observe Exhibit A:

(I found this silly image saved on my desktop, so I thought it'd be cool to share it with you.)

So never let a negative comment change your love and view of your au and undertale. 

Undertale is amazing, it’s good to ramble, even if others don’t talk about it, even if you’ll never get reciprocated. There’s other people there reading it, like me sometimes I read and forget to heart, or I don’t heart a post because I don’t wanna bombard their notifications and all that. 

Yes, post your art, even if you’ve got no idea what to post, doodle, ask for ideas, or even take a break. I think it’s beautiful to share your mind’s eye. Show no fear, you’ve got this!

Everyone starts where you were once. 

Feb 12: Your Introduction of your own Underfell AU called SacredFell

I am interested. I am in fact one of many who are and will be interested for days to come, for as long as you build and love your AU, as it becomes whatever completion you dreamt of it to be, so on and so forth, even if one day you stop.

I’m finna be there bruh, late or on time.  

And imma let you know that right now as you reading this. You actually asked me first about your AU and lemme tell you, you beat me to it. I actually have fanart for you. AND was gonna find a time to ask you first.

(~(>_<。)＼ Usually I'm ready to send art cause I plan before hand, but someone used a wrist twist move on me for fun recently. ಥ_ಥ)

Anyway, moving forward.

Frisk and Chara of SacredFell: I enjoy teh designs. And me personally, I like Frisks design, the fact Frisk went through multiple design phases is nice to know. Would you ever show Frisk's previous designs?

Oof, you changed SacredFell Sans height from 5’2 to 6ft, damn what a stretch. And he part of the Royal Guard, whoa! 😆hotsome big skeleman.

Also, I love the art style of @/melikitinas, too. 💖

Feb 14: … ScaredFell Papyrus…. I-... 11ft height, yeah, we gonna need a height chart. I short, so they a fucking tree at this point, imagine Paps just bending at the waist towards a shorty like me, he’s gotta be prone on the ground or something. AND his fine ass a 2nd in Command Royal Guard, too. ○( ＾皿＾)っ AWWHEHESJDHWU ✨

Feb 21: LORE Ah, so the beginning is different, interesting. *reads through it with glasses* (I was recently working on my other OCs at the time as well :D.) 

Yukki sounds like a good character! And portaled? Oooooh, portaled, I wanna know backstory! 

Did Yukki not go through the ruins? She just collapsed in Snowdin? Was she unconscious the entire time she was taken to Asgore, up until Toriel saved her?

And usually humans, are strong, is Yukki weak due to something? (you don’t have to reveal too much lore unless you wanna) How much power does Yukki have? Why does it drain so quickly? 

Also, love Toriel, to save one instead of all, what a mother. Even if Yukki wasn’t her own, that was such a big sacrifice for the price of saving one child over freedom. I would love to see how you draw that part out.

And Toriel left Yukki behind the waterfalls, why not take Yukki with her? 

Why out of all the souls, Kindness was taken, would this serve as a significant plot point in the AU?

Would Yukki grow to harbor bad intent or negative emotions towards the monster or would she end up sacrificing herself after understanding the monster’s want for freedom, would she find another way, would she resort to genocide at some point(despite her being weak)? 

Would Toriel come in clutch next time Yukki is in grave danger? 

And what plans would Asgore have after he gets Toriel, I would’ve expected that he wanted Toriel dead, not with a bounty on her head to be returned ALIVE to his home. I'm probably just thinking to the extremes. 😂

I like this plot. I’d love to know how Frisk and Yukki will come together. And if within the one or two years, Yukki stayed with Sans and Papyrus, would the brothers falter when they need to get their jobs done for Asgore when the time comes? Would Sans and Papyrus eventually come to value Yukki as their own friend? Does Yukki know Sans and Papyrus are working to gain her trust to betray her in the end? 

Also is Toriel and Sans doing the knock knock joke through the gate in this AU too? What’s Toriel’s relationship with the characters so far? Within the time Yukki was living in the Underground, does she come to meet Toriel again?

Feb 23: YUKKI I agree Yukki is a main focal point in the beginning of this AU, I really like this. I can’t wait to see how you build this lore up. Would Toriel act again when Frisk comes? Would Toriel talk to Frisk about Yukki? How old is Yukki again? To me, Yukki looks like she has a strong presence, tongue sticking out, seems playful. ✨

Feb 27: Comic Heh. Middle school art is always nostalgic to look back on. I wish I still had some of mine. I threw most out due to the fact, I didn’t want physical evidence of my cringe art tying back to me, but looking back on it now. I was stupid and paranoid. 

Now cringe art is one of my favorite art pieces to discover, it brings a certain emotion outta you, am I right? Yeaahh.  

Anyway, I admire you for sharing your old art and comic. 

An AU, especially when a creator is lovingly dedicated to it, can become hectic and mentally crowded and out of order, or as you say “all over the place.” Good luck on that journey, creating comlex stories is hard! I was overwhelmed by my own ideas and burned out at some point and stopped entirely. You make me wanna go back to my little world.

And Yukki and SacredFell Sans look like they get along noicely. yukki hand on her hip, confidence and power ✨👌 makin' Sansy sweat.

Mar 7: Yay Toriel Character Sheet Me like tall woman. She taller than Sans, haha. I gotta learn how to draw a goat at some point. And she looks good in my opinion. Do SOUL Protectors gain power from the souls? Wouldn't they accidentally at some point absorb the soul? Has any of the protectors even thought of doing that? Doesn't the barrier need one monster soul and one human soul to break the barrier, or is that different in this AU?

Mar 11: Another comic redraw, SacredFell Asgore WIP

Aw SacredFell Sans and Yukki smiling together, your old drawing of them is cute. ANd that’s a jump, good to know they're out of the underground. Hope you eventually find the right design for Yukki, that you’re gonna be satisfied with. I’m excited to find out how they got out of the underground, too.

What's the key on Sans? And the heart necklace on Yukki?

And yes, I think Tumblr does something with the quality of an image when posted, because compared to my computer view, my phone view of some posts are different a bit.

Yass, show off the Goat man. 

ANd I also saw your Avatar DTIYS, looks awesome! I love the coloring, shading, and perspective! 

Mar 15: Update Eh, it didn’t take a while for me to gather info on your AU, it was spread out a little yes, but not so much, for me the pacing was alright. 

Ah and the ask blogs, yeah I dunno how I’m doing this tbh. 

And a webtoon would be great! But I hear it’s a lot of work to put into it, take small steps, so you won’t stress or burn yourself out. But I would definitely read teh webtoon if you were to make one. 

Mar 16: SacredFell Undyne WIP I love Undyne, I just dunno how to draw her yet. Love the art! She pretty. 

Mar 16: SacredFell Flowey Flowey in a bag, hahahahaha. I like how annoyed he looks in the drawing.  

Mar 17: SacredFell Monster Kid Another main character, you developing a lot of lore right now I bet. I wonder how MK will play out in your AU. 

Mar 18,22 : It’s UNDYNE >.< Fangirling. Another Tall strong woman. And missing parents during gaster’s disappearance, is this what I think it is, a lore hint?!?!   

Mar 23: Alphys Alphys is gonna be somewhat of a sly character in the plot huh, wow! And she fights, you gotta make art of that at some point! Alphys having bravery is interesting! 

Pfft, you spelled “Bavery” I didn’t even notice until you mentioned it. 

Mar 23: Gaster I love how you drew Sans and Papyrus in at Gaster’s “You’re in Trouble” expression.

And me like the tinted glasses as well.

Mar 24: Mettaton! He a Bravery SOUL Decoy! Was that Alphy’s idea to make him like that? Is he famous in the underground as well? He’s a looker. And he got four arms! Yuuusss! 

Mar 26?: Muffet Indeed a 5’7 lady spider is a cutie patootie, the arms are good, multiple is betta. Good design!  And she is also part of the Royal Guard, what will the fight be like? I’m curious! 

Mar 26?: That Sacredfell Mini Comic/Story was nicely put together! The end where SacredFell Sans responds with, “I don’t know.” I enjoyed reading this conversation! And Undyne in her royal armor MWUAH!  

So from all this, hopefully I did something good for you, most are just questions and comments, but I hope it served as an answer. *ahem*

A new character was added. [Yukki] = Will lead to more plot. *Check*

There’s a different backstory before the arrival of Frisk. *Check*

Toriel makes an act against Asgore before leaving, Asgore ordering Sans and papyrus to gain Yukki’s trust until the “time” comes = Complicated relationships *Check* 

I can fangirl, which means I can simp, which means, I’m invested. ✨ *CHECK CHECK CHECK*

The concept is really good! (The fact Asgore would entrust the souls to another and make them SOUL Protectors, and you still fight Alphys even in the pacifist route, and I sense "things" though not sure what, but it makes me look forward to your lore.) *ChecK* 

It’s a Fell type Universe. (I love Underfell) *CHECK* 

The art is noice!!!! *CHecK* 

I find interest in how characters will interact or encounter each other. *Check* 

I can see the work put into this AU! I see their dedication based from the dates you posted things about your AU. I really look forward to seeing how you continue to develop and make art for your SacredFell AU! With what you’ve shown at this time, I can happily tell you, for me this AU is interesting, there’s potential in many areas, character development, choice of dialogue, different relationship dynamics, personality, world building, plot changes, etc.

I wish I had more to say, I think most of my response here sounded... I think repetitive, maybe some questions were even answered already and I didn't catch it? Though hopefully I conveyed to you that I think you're doing well for what've you've shown thus far!

That's my grand opinion. 😁✨

Also, I found you through graphictale au. 💕💖👌✨

😙 Both ya'll wonderful.

[olliemnjones]

Hey there! Your actually one of my inspiration for art! I really like how realistically shaded the backgrounds are and everything! Do you have any tips for shading in digital art?

Hey, I appreciate it, thank you! There are lots of things that go in to making a good background but this is the main idea that made backgrounds click for me:

Hopefully you'll agree that of these two shapes, the one on the right feels more 'real', despite the fact neither of these shapes are meant to represent anything. The shape on the right just has a noise filter and a faint light-to-dark gradient from top to bottom. Those two things create movement on a small scale (the noise) and on a large scale (the gradient). The presence of that sort of movement is what gets your brain to register something as real.

Here I've taken the shape and given it a new environment, a colour and then a gradient. The shape with the movement feels a little more natural in its environment, I think.

Then directly on top of that, I can start creating small scale movement, like the noise, through brush strokes. At first (on the left) the brushstrokes look quite out of place and unnatural. But as you work in to the surface more, creating more and more overlapping brushstrokes of various sizes and directions - all while trying to maintain the sense of that gradient - the strokes will start to more naturally integrate in to each other, creating a bed on to which other elements will lay naturally.

Here I give this abstract shape some context by painting some cracks and decay on it. These new elements create movement by giving our eyes more shapes to latch on to and jump between. I then added a pattern to it. This pattern adds more movement and reinforces the light effect by adhering to the gradient (getting darker at the same rate the wall does).

You can see I use this idea all through this picture. I make sure in any section there is always some kind of movement of light, whether its left-to-right, or top-to-bottom, corner-to-corner etc. Patterns like the woodgrain on the drawer or the textile of the curtain create additional movement and reinforce the dimensions of their respective forms by adhering to them. Bit rambly but I hope there's something useful in there!

[babacontainsmultitudes]

🤔 Admittedly I was a little disappointed by the reveal (but certainly not surprised the foreshadowing was heavy in this episode lol), but not actually against how Beth (and Will) seem to be playing with it thus far- which is to say that I do think it has a lot of potential, and I suspect there's more to what we're seeing).

;) Big ol' ramble below

Mostly the theory has turned me off until now (at least insofar as I've witnessed it transpire in the fandom at large) because it struck me as so painfully ironic to see Trudy, a 1950s housewife, struggle to exist under the system that she's in, fail to fit the mold assigned to her, and be denied her personhood very literally for it (this being ironic insofar as how it mimics how she would have been treated back then). This and because frankly I just think she's a lot less interesting if she's fully a robot LOL, but I'll hopefully get to that in a bit.

Not that the hints at her mechanical nature and the relevance of Tucker's background were lost on me; I can appreciate why those would contribute to a plausible, fun and I think still mostly harmless theory (now fact). However, minus one or two specific posts I've seen on the matter (namely a recent one suggesting that if Trudy is a robot Beth is probably taking inspiration from The Stepford Wives, :( sorry person who made that post I couldn't find it I wanted to credit yoouuu), I've seen the theory just about exclusively presented in a manner that, rather than explore the metaphorical and political significance of Trudy being partially or fully mechanical, at best disregards the parts of her narrative that are at their core about sexism (among other related things), and at worst negates them entirely (i.e. Trudy only thinking and acting how she does because she's a robot malfunctioning and not because the world itself is causing harm and she rightfully wants something more than the role she was forced into, Trudy not even having any real thoughts and feelings of her own, etc.). I just think it kind of sucks to shove all those important things about her aside and say "actually, there's no person suffering here, she's just a robot" and perhaps worse yet to imply that she does have thoughts and feelings but because they result in Weird™ behavior it must be a problem with her code and not at all relate to what women were subjugated to during this point in American history.

CONVERSELY I don't think Trudy being a robot (or at least partially one) at least from what Beth and Will have presented us thus far, inherently suffers from any of these issues? First and foremost because Trudy definitely appears to possess sentience, thoughts, and emotions of her own, matters which immediately complicate her degree of personhood and don't inherently box her behavior in as a bug in her programming rather than an issue with the world she's been put in, quite the opposite in fact! I think they have a very solid groundwork laid out here to make a strong statement with Trudy's narrative (and perhaps ask the question of what is really malfunctioning here), all the more so since [I pull out a Rebecca Swallows-style conspiracy board] I don't think she's entirely robotic in nature? Actually you should just read Mack's tags in this post cause he has great thoughts on the matter (of which those are just some of them), but if I can direct your attention to one thing in particular, it would be Beth's fact (I *believe* from episode 2) about Trudy never graduating high school because of her essay where she suggested that "perhaps women could one day domesticate themselves", a statement that could of course be interpreted a number of ways but ultimately threatened the patriarchal status quo enough (in suggesting women's independence) to cost Trudy her diploma. Taken on its own this fact appears to contradict the theory that Trudy has always been robotic in nature, because it doesn't really make sense that Trudy would have been set up to go through high school (or school at all really) when Tucker's intention was/is for her to be the perfect housewife. You may then suggest that Trudy's memories of this are fabricated and not actually her lived experiences, in which case firstly perhaps you should reread my earlier point on the robot theory being used to actively negate and otherwise disregard the portions of Trudy's narrative that pertain to sexism and feminism, and secondly it really doesn't make any sense to me that Tucker would implant those kind of memories into Trudy's brain? To be completely honest if she's been a robot from the very beginning (rather than someone who became a cyborg, which is what I'm trying to suggest here), then I don't see why Tucker would program her with actual sentience in the first place (suspending my disbelief here with regards to the possibility of programming sentience to begin with). It seems much more likely to me then that Trudy was not always a robot, and instead altered by Tucker to force her into a role of subordination and remedy her """imperfections""". This option is significantly more interesting to me one, because it implies that Trudy has actually lived a life up until the present, full of its own complexities and strife (and dreams, and real actual memories worth exploring, etc.), and hence is not by any means "just a robot", and second because it amplifies the hypothetical statement being made on the lives of the real living women of the era and how they were treated and seen as being "in need of fixing" for not conforming to gender roles or otherwise acting "out of line" with what was expected of them.

OKAY THIS GOT OUT OF HAND SO I'M CUTTING MYSELF OFF HERE but I wanted to my share my current thoughts what with this ending and where I'm at so hopefully that was at least interesting to whoever has chosen to read through this one okay thank you byyyyyyyyye~

[breaddwoo]

-Just a Few Scratches-

pairing: xavier thorpe x reader

word count: 4.36k

warnings: injury/blood

desc: you get injured trying to solve xavier's problems for him. silly you :)

a/n: im having a field day writing all my fic ideas :)) can't decide if the next one will be another xavier or wednesday

edit: pt 2 is now posted! 🦭

"fuck, fuck!" xavier yelled, sprinting across the field of pine needles before him and leaping over bushes and rocks.

cold sweat dripped down his flushed face; he could feel tears sting the back of his eyes. xavier felt like he could puke as he ran, but only one thing occupied his mind:

"(y/n)!"

> > >

-5 hours prior-

“are you doing okay, xavier?" you ask with worry. after class you had to stay late to ask the teacher something, so it was a surprise when you found xavier sitting on a bench in the hallway with his head in his hands.

he jolted. looking up, he seemed tired. really tired. you noticed the purple bags under his eyes and the way his breathing appeared to be unsteady.

xavier tried to smile, but it instantly fell off his face when he met your gaze. he bit the inside of he cheek to keep salty tears from spilling out of his eyes.

"I... " he began, but it came out as a strangled sob.

the sight of his pitiful state filled you with worry, and you picked up your pace as you sped over to him.

standing in front of xavier, you ask, "have you been sleeping? you look like a wreck."

xavier laughed at this, quickly wiping away a tear that dared to escape, "yeah, i know. I'm just.." he looked down, "I'm just really stressed."

you stepped closer and he pressed the top of his head to your stomach, refusing to look at you as he loosely wrapped his arms around your waist.

you began to move your hand to pat his head, but hesitated. "can i...?"

without hearing the rest, xavier said, "please."

this consent allowed you to weave your fingers through his hair. "do you want to talk about it?" you asked in a low voice, afraid that somehow, despite the hall's vacancy, someone would hear this sensitive conversation.

he was quiet for a few moments, considering his words.

"it's... wednesday. i'm so, so tired of her- of her blaming me! always saying i'm a mass murdering monster! it fucking hurts and she keeps finding new evidence that genuinely makes sense, " his voice is strained as he tightens his hold, "but i can't do anything to convince her it's not me. and she even found my art studio, which just makes me look worse."

seeing him like this made you want to cry, but you restrained yourself because this wasn't about you; this was about xavier.

"i'm so fucking scared that she's going to get me locked up. i can't even blame her- all of the evidence points directly at me! and these nightmares, they plague me in my sleep and i wake up screaming and then i can't go back to sleep so i've just been painting that fucking thing so i-" his rambling is cut short when he hiccups through his frustrated tears. he felt angry and hurt and afraid.

you leaned down to hug his head, pushing his face into your tummy as he sniffles. "i'm sorry, xavier. i wish there was something i could do."

xavier looked up from your (now wet) shirt to say, "just listening is enough. don't worry about it, hopefully everything will fix itself soon."

and as he rested his head once more, an idea came to you.

there's a way to help xavier.

> > >

three knocks and wednesday was ready to order thing to strangle the person at the door.

she lifted from her desk, about to tell off the perpetrator for interrupting her writing time. when she opened the door, however, she recognized you as the person that xavier constantly follows around.

"enid isn't here," she said point blank, beginning to shut the door. you stick your hand out and risked amputation to make sure it doesn't close, "actually, im here to see you."

wednesday narrowed her dead eyes, "go on then. explain."

"i need to know where the hyde's lair is."

wednesday's facial expression didn't change, but you could tell she was confused.

"why don't you ask xavier? he would know."

the fake smile that you wore to feign being nice dropped. instead, you replaced it with a tight, irritated line on your lips.

"haha, yeah, i would. yknow, if he were the hyde. but here i am, asking you. why do you think that is?" you said all this with a lighthearted tone through clenched teeth.

wednesday could read the passive aggressiveness of your words but decided to press on, "try looking at his gallery of police evidence. that would give you the answer you're looking for."

with that, the door closed and you soon heard the sharp clicks of a type writer. you knew she was talking about xavier's art studio, but he hasn't allowed you in since people started dying around the school.

you decided that the only way to enact your plan would be to sneak into the renovated shed. sneaking in you could do, but distracting him for enough time to find something was completely different.

fuck, this is gonna be hard.

> > >

in the end, enid was your best bet. your plan was for enid to ask him for help on a subject and get him to tutor her for a bit in the library.

she agreed immediately, hoping it would also make ajax jealous; it was a win-win situation.

though, when she asked, you would not tell her why you needed her to do this in the first place. she was skeptical but trusted that you were doing it for a good reason.

finding the studio was easy, you had been there so many times that you knew the trail like the back of your hand. you were xavier's rock after his breakup with bianca, so it made sense that he'd commonly invite you to paint with him in his secret hideout.

when you made it there, you took no time to begin searching every single art piece for a deeper meaning. xavier mentioned that he was having nightmares about the foretold monster, but wouldn't allow you to see the art "for your own safety".

there was nothing of value on the walls and canvases, so you turned to plan b.

you bent down to the trash, fishing through it, hoping you'd find something important. about ten pieces of paper had been uncrumpled by the time you found something worth your dumpster diving.

"there it is!" you excitedly whisper-scream to yourself.

it was a drawing of the monster in front of a familiar cave. though its name and exact location eluded you, there was someone who would know those exact details.

later, after asking eugene if he knew anything considering you'd seen him working alongside wednesday on the investigation, you set the final steps of your plan in motion.

it is here that you will find out who the hyde is, if only to relieve xavier of his stress.

> > >

"enid, we've gone over this topic, like, ten times. i think you're just a lost cause," xavier said in exasperation. he had been attempting to teach enid the different geometrical formulas but she hasn't understood a single word he's said in the past two hours.

xavier, giving up, grabs his phone off the library table to check his notifications.

"huh, that's weird."

"what?" enid asked.

"(y/n) hasn't texted me. usually she'd have sent several messages asking to hang or something by now," he frowned, his expression a dark overcast.

enid, feeling something was off, finally broke, "uhm, well, (y/n) kind of asked me to distract you. im not really sure what for, but she did mention something about an art studio?"

xavier's heart lept in his chest. "what?"

"yeah, sorry, i felt she had a good reason but now i'm a little worried, " enid replied with an awkward laugh.

he wracked his brain for any reason that you might have had to go to his studio. a surprise? was she curious about the paintings i wouldn't let her see? why would she need to sneak around to do it?

instead of searching for an answer that wouldn't come to him, xavier stood from the table, gave a small "thanks", and left the library in a hurry.

at the studio, he found nothing amiss. none of the paintings were gone and nothing had been moved.

that's what he thought, however, until he saw the trash can laying on its side in the corner of the room. kneeling, he sifted through the scattered, unfolded papers.

his eyebrows knitted together in further confusion. what is missing?

then it hit him:

the drawing of the hyde's lair.

xavier didn't know exactly what you were up to, but he knew with every fiber of his being that it was definitely dangerous. he was absolutely terrified.

the doors burst open as xavier ran out of the studio, an unwelcome gust of wind blowing many of the drawings off the walls. at that moment, he couldn't have cared less.

a mirage of trees passed him by as he sprinted. the nighttime autumn air was far too cold for the season.

"fuck, fuck!"

the words were strangled and every noise around him felt muffled; all he could hear was the crunching of the leaves beneath his racing feet and his own hammering heartbeat.

"(y/n)!" he shouted, the distress in his voice echoing back at him.

xavier slowed to a stop, unable to tell where he had gone in his desperation to find you. he took a second to breathe when a shrill scream sounded from an unknown direction.

the scream of a girl. a girl who was horrified, or worse, in danger.

and he would know that voice from anywhere. it was someone familiar; someone close to him. the person most important to him.

"(y/n)! where are you!?" he yelled in response, but the forest had turned into something akin to a funhouse mirror maze and he couldn't tell left from right.

xavier heard footsteps running toward him at a high speed, and just as he began dash in the similar direction, you came into full view.

pain spread through his chest as you slammed into him, sending you both crashing to the moist soil beneath.

you were laying on top of him now; shaking with labored breaths.

it rook a moment for xavier to process what had happened, but he wrapped his arms around you with little delay.

"you- are you okay!? what were you doing!? are you stupid!? there's a fucking monster on the loose and you-"

he shut his mouth when saw a steadily growing red patch on his shirt.

"you're bleeding! oh shit, we need to get you back to nevermore fast," he was quick to hold you, your body laying bridal style across his arms.

you winced in pain, sobbing out the words, "i'm sorry. i'm sorry xavier, i just wanted to help. i really wanted to help. i'm sorry."

xavier didn't give a shit about your apology. he wasn't mad at you. he was mad at that thing that hurt you. he was fucking furious.

he had many, many things to say to you but for now, he'd let you rest in his arms.

he then headed back in the direction he had come from, you now tucked safely in his embrace.

> > >

once the final stitch was in, xavier was allowed to visit your hospital room.

the bright white lights made him feel sick. even more so when he saw you sitting in bed with a hospital gown and an IV drip in your arm.

the moment he walked in, you gave him a warm, content smile.

"is right now really a good time for you to be smiling?" xavier questioned, sitting on a seat next to the bed.

you held the hand that he placed on the edge of the sheets, "well, i was able to achieve my goal."

"at the cost of several pints of blood and a couple scars on your arm? what was worth that?" he asked, unrestrainable anger surfacing on his face.

though, when he took in the finer details of your state, he couldn't help but soften. many scrapes graced your skin from the collision earlier; the complexion of your face much paler than normal.

rubbing his knuckles to ease his frustration, you say, "i was able to convince wednesday that you're not the hyde. how could she believe that out of all the people you could attack, you'd attack me?"

something clicked in xavier's head and it all made sense. this all started after his breakdown in the hallway, caused by wednesday's meddling. the sneaking around, stealing his drawing and going off into the woods.

"so you did this on purpose? you scared me half to death!" he bursted, his emotions a flurry of love, anger, and guilt.

"so what if i did? it's just a few scratches."

god, he loved you. could you believe he had yet to even ask you out?

[innxrvision]

So long - pt. 2 𒂭

part 2 of 3 ------------ 𖦹 tags: james hetfield x reader, fluff, smut, best friends to lovers, bet, 80s james, a little angst if you squint ♱ a/n: here's part 2 just like i promised! Also... this got too long again and I had to split once more, I'm sorry. Next part will be the last hopefully! I'll probably only be able to post it on wednesday or thursday tho, but we'll see how things go! Thanks to everyone that has been reading and liking my story, it truly made me happy!

𖦹 part 1 𖦹 part 2 𖦹 part 3

Both of you entered the bar already chatting excitedly, just as you imagined, whatever disagreement that came between you two couldn't last long. You and James' friendship went way back.

"Let's get you a drink." James' playful smile made you smile involuntarily back.

He ordered two beers and raised his glass after you two settled down on a table near the wall, on a spot where the soft yellow light shined right on James' blonde locks.

"To making up!" He said, the smile never leaving his lips.

"If you say so." You shrugged, raising your glass too, but there wasn't any hint of resentment in your voice.

"I really am sorry about what I've said to you earlier. I never wanted to hurt you." He repeated his apology sincerely.

You shrugged again in response, not wanting to make a big deal out of it again.

"What has gotten into you anyway?" You asked genuinely curious before taking a sip.

"I don't really know." He admitted and you could sense some embarrassment coming from him. "I guess my emotions were all over the place and I took all on you. I truly hope you can forgive me."

You just nodded in response, you could easily understand his side.

Soon one beer became two, then three… and before you could realize it, both were a bit too drunk, laughing obnoxiously loud at each other's stupid jokes.

At a certain moment, while James were rambling about his new guitar, your mind wandered as you studied his features under the soft light. The unruly blond hair now gained a different shine, the blue eyes seemed more vivid, and the skin covered by acne suddenly got a different charm to it.

You've known him for years, but, for some reason, the realization that he had grown into a man only hit you now. It's not like you haven't noticed his changes at all, you could admit the boy you knew had gained the charms of a man a long time ago, however, something at that bar made it all become more evident. Maybe it was the alcohol speaking. Regardless, you just stayed silent, lost in your thoughts.

"What are you thinking about?" James' voice cut through your mind, his eyebrow quirked in confusion. "You're looking at me like I have two heads or something." He added, a chuckle coming out of his lips.

You snapped out of it as soon as you heard him, your cheeks heating up in response to his question.

"What?" You laughed nervously "Sorry, just got lost in my thoughts for a moment, go on."

James grinned, finding your flustered expression too amusing to let it go.

"I must really put you in a state to make you blush like that." He took another sip of his beer and kept grinning at you. "What were you thinking about before? I'm curious now."

You tried your best to appear bored and rested your elbow on the table, putting your chin on top of your hand.

"Nothing. Just… Work."

He studied your face and the playful expression he had before turned into a smirk.

"You're hiding something." He teased. "You're a terrible liar."

You rolled your eyes, pretending to be offended by his observation.

"I'm not!" You shot back. "I said it's nothing. You're too curious for your own good."

"Come on, tell me." He nudged your shoulder. "It's not fair if you keep it a secret."

"Not fair? What? Don't you have any secrets?" You scoffed.

"Of course I do. But your secrets are much more interesting to me right now than my own." He leaned closer and raised an eyebrow, a mischievous glint in his eyes. "So spill it. What were you really thinking about? Was it a boy?"

You looked at him incredulous, just wishing he would drop the subject.

"You can't be serious." You looked with concern in your expression at him and he laughed in response.

"Oh, I'm being serious. You were blushing so hard, so it must be a boy." He grinned, crossing his arms. It was clear that he was enjoying messing up with you. "So come on, spill it. Is it someone I know? Do you want me to hook you up?"

"No! What? You're crazy." You couldn't believe he thought you wanted him to hook you up with somebody.

"I know you're thinking about someone, just tell me already. Who's the lucky guy?" He pressed again.

"There's... No one!" You were starting to get frustrated.

"Oh, please. You can't fool me, I know you. You were obviously daydreaming about someone." He raised an eyebrow again and you had to take a deep breath in order to��control yourself. "Is it one of the guys? Lars maybe? Or... Is it Kirk? I know you two are very close. You got a thing for him?" His voice dripped with amusement, it was clear he was enjoying teasing you.

"What?!" You opened your mouth in shock as he started pointing names. "I've never...! I never liked Kirk! Where did this come from?!"

"I can see the way you look at him sometimes." He chuckled, it seemed like he was testing you. "If it's not him, then who is it? I won't leave you alone until you tell me."

"Kirk is like a brother to me!" You said offended, your cheeks getting hot once again.

"You're protesting a little too much. I know you're hiding something from me." He studied your blushed face in silence for a second "Well, whoever he is, we can play matchmaker and set you up on a date." He batted his eyelashes dramatically at you and laughed.

"Why are you so invested in being my wingman? Who says I need one?"

You were getting tired of this talk. One second of distraction staring too much at him and now you had to deal with James playing guess by himself. He already loved getting on your nerves, but whenever he got drunk that would get worse.

"You've been single for almost a year now." He grinned. "I just want to help you find someone to share your life with."

You couldn't believe he decided to throw that on your face. Ouch. You sighed and looked around the bar for a second, trying to find a good response.

"Why don't you worry about your own love life?"

He chuckled again, shrugging off your comment.

"You know I don't do long-term relationships." He said casually. "I'm more of a one-night-stand kind of guy." He winked and that irritated you.

You looked down at your hands, trying to navigate your feelings. For some reason, hearing that he had been sleeping with other girls made you feel jealous. You tried your best to not seem affected, but James noticed the shift in your reaction.

"What's wrong with one-night stands?" He asked, his tone playful.

"I just think it's gross." You cursed yourself mentally for your childish response.

"C'mon... You're such a prude." He rolled his eyes and teased you, nudging at your arm. "One-night stands aren't gross, they're just casual fun. You should try it sometime, it might loosen you up a bit." There was that smug grin again that made you heated.

"I don't need to loosen up, I'm fine the way I am." You tried defending yourself. "And also, I'm not a prude."

"Sure, keep telling yourself this." He shrugged, that grin only growing wider at your frustration. "But deep down, you're just a boring goody-two-shoes who wouldn't know how to have a good time if your life depended on it." He continued. "Bet you've never even been on a proper date before."

You scoffed. Yeah, he made a habit of teasing you and yes, that would worsen whenever he drunk, but tonight he seemed even more invested in driving you nuts. "Is it just the alcohol?" You asked yourself.

"Of course I have!" You crossed your arms. "I can have fun just fine. I just think the girls you hook up with are gross."

You tried attacking him, but it was clear that your response only amused him even more.

"Gross, huh? Interesting choice of words." He leaned closer once again. "Does that mean you think I'm gross too? For hooking up with random girls?" He waited for your response, staring at you.

"I've never said that." You regretted mentioning his hookups and sighed.

"I know you're judgmental of my dating life." He leaned back and shrugged. "You're probably just jealous that I'm getting some action and you're not." He smiled triumphantly.

"Who says I'm not getting some action?" You tried your best to sound convincing but your attempt only made him laugh.

"Oh, really? With whom exactly? A pillow? A stuffed animal?" You blushed and he caught your reaction. "I knew it. You don't have anyone. Which is why you're so sour and uptight because you're not getting laid." He taunted.

"You're such an ass." You looked away and rolled your eyes. "It's none of your business, maybe? Just leave my love life alone, please." At this point, you had given up winning this conversation.

"Alright, alright. I'll leave your non-existent love life alone." He raised both of his hands in surrender. "But if you need some advice on how to get laid, come to me. I'm something of an expert, y'know?" He winked playfully.

"Like I would take your advice." You laughed sarcastically, seeing the perfect chance to annoy him back. "Bet you don't how to please girls at all." You added, certain that this would drive him crazy.

In response, he just smiled and shook his head. A different reaction that you were expecting.

"Oh yeah? You think I can't satisfy a girl?" He said confidently and leaned closer to you once again. "In fact, I bet I could satisfy you better than any other guy you've ever been with."

You stopped in your tracks, wondering if you heard him right. "He's just trying to get a reaction of me." You thought to tranquilize yourself.

"No way. Bet you take like... One minute." You decided just to keep teasing, trying to give him hell back for being so annoying.

"You think I'm that bad?" He raised an eyebrow with a smile on his lips. He then went silent for a second and something in his expression changed. "How about we make a bet then? If I can't please you better than anyone you've ever been with before, I'll do the dishes at your house for a week. But... If I do a good job, you have to take me out on a date."

"What?" Your mind went blank with shock and you felt a wave of heat from the embarrassment go through your entire body. Everything was all fun and games until now, but now you were just dumbfounded.

James noticed the shock in your expression and bit his lip, realizing he may have overstepped, but it was too late to take back now.

"Just hear me out. It'll be fun, it's just a harmless bet." He said quickly. "We are friends, right? What's wrong with having some fun?" He tried.

You couldn't even look straight at him now. It's true that you've been getting more and more attracted to him, but since you were best friends, you never expected this kind of proposal to come from him. Was it the alcohol? Was he just trying to prove a point? Your thoughts ran a 100 mph, trying to decide what should you do.

"I..." You started, then shook your head in an attempt to clear your mind. "Fine, it's a bet."

[666writingcafe]

New Voice Messages (Part Three)

Lucifer

"Hey. I know it's late and you're probably asleep, so you don't have to respond to this right away. I should be asleep, but I keep tossing and turning whenever I try, so I gave up on that hours ago. I'm currently sitting on the rooftop, looking up at the night sky. Well, and recording this message, but that's self-explanatory, I feel. *sighs* Don't mind my rambling. I'm both incredibly tired and slightly tipsy. I finally got around to trying the bottle of Demonus that Diavolo gave us as a housewarming gift, and it's pretty decent. I had a couple glasses of it before coming up here, thinking that it'd help put me to sleep. Obviously, it hasn't, but it was worth trying, I suppose. I at least feel like I can respond to your note without choking on my words or banging my head in frustration. *briefly pauses* Given the way you signed off on it, I'm going to assume that you trust me enough to not abuse your old name. That's also why I'm outside. Less likely to be overheard using it by my brothers. If that's okay with you. If it's not, feel free to tell me off for it the next time we meet. So, MC. *pauses again before lightly singing MC's name* Have I ever told you it's a pretty name? Saying it is comforting somehow. *clears his throat* Sorry. Like I said, I'm a bit drunk."

"Feeling more in control now. Might still ramble a bit, but hopefully not as much as before. *takes a deep breath* The first time I read your note, I ended up crying. Not because you said something wrong, but because it was...sweet? Is that the word I'm looking for? *briefly pauses as a gust of wind gets picked up on the mic* It'll have to do for now, I guess. Anyway...it's interesting how you and Diavolo said more or less the same thing, and yet I'm more inclined to listen to you than I am to him. Perhaps it's the difference in tone? I could definitely tell that he was getting frustrated with me towards the end of our phone call. I know there's a part of him that sees me as a really shiny toy, one that he's quite territorial over. If I were to leave his side, he'd throw a massive fit, I'd imagine, and he might start a war over it. Which is silly. I'm not worth fighting over. *pauses* And yet everyone seems to for some reason. It's like I cause people to lose their minds. I don't know if it's due to the amount of titles and prestige I've had or my physical appearance or something else entirely, but they seem to all go into hysteria after spending any significant amount of time with me. Except for you, MC. You don't care about Lucifer Morningstar, former Lightbringer, Avatar of Pride, yadda yadda yadda. You simply see me as me, if that makes sense. You want to make sure that I'm okay, and you don't expect anything in return. It's a way of repaying back the kindness bestowed upon you in your situation, I suppose. And it'd be cruel of me to ignore all of that and still plunge to my death. So I'm staying. *pauses* You're right. This does feel weird. You better make good on your promise, MC, or I may end up changing my mind again. *chuckles* Don't take that last part too seriously. I'm merely messing with you a bit."

"You know, I wonder what my brothers are thinking about this...offer being made to us. I already know Mammon and Beel would stay, and Belphie's going to do whatever Beel does, but I'm not sure about Levi and Asmo. I mean, you were there when Asmo was yelling at me about leaving the Celestial Realm. Do you think he's eagerly packing his bags as we speak, or--"

A Few Hours Later

"Sorry about the abrupt ending of my last message. Mammon caught me on the rooftop. We ended up talking for a while. *pauses* The two of us have an interesting relationship. Kinda similar to the one I have with Satan. Mammon's sort of my brother and sort of my son, except he didn't spring out of me like Satan did. He's the first angel I felt the need to protect. Everyone else was prepared to throw him away, even though he was merely a child. I couldn't sit back and let them treat him like that, especially not after I held him in my arms as he was crying. He was around the Chihuahua's age when that happened. *clears his throat* I apologize. I know you don't like me calling Luke a chihuahua. I really am trying not to. *pauses* So yeah. Satan's technically the third oldest, since he came into existence in my mind shortly after I took Mammon under my wing. Levi came into the picture when Mammon was a teenager, and the others when he was just becoming a fully-grown angel. *pauses again* It was actually Mammon that insisted that we take care of them, and he was so earnest about it that I couldn't say no. I mean, the fact that he was willing to do for others what I've done for him...I was quite proud of him. Still am, even though he insists on putting on a persona these days. I know deep down, he still cares about everyone. *pauses yet again* Is it weird that I feel comfortable sharing all of this with you, MC? It might be the alcohol still affecting me, but somehow I don't think it is. I...I think I've come to trust you. Completely. I haven't even gotten there with Diavolo yet, and I've known him a lot longer. *chuckles* You truly are special, little lamb. *silence* Shit. That wasn't supposed to be said out loud. I better go before I start calling you more silly nicknames. Good night, MC."

Taglist: @lost-in-time-wanderer, @fuzztacular, @dianedancer18, @sweetbrier2908, @flare-love, @completelyshatteredbrokenmschf, @thunderlightning351, @l3v1chan, @anxious-chick, @5mary5, @expressionless-fr, @tenkobitch, @interconnectedmatrix

[citrusy-lemons]

pancake-cakes

tasm!peter x reader

summary: late night cravings bring out some deeper feelings.

author's note: HOLY SHIT, count on me to go MIA for a month after posting. honestly tho i'm so sorry, i've got school and extracurriculars and projects and shit and i haven't really gotten time to write and my schedule is still super hectic, hopefully i'll be able to get other stuff out soon but no promises :/

let me know what you think? constructive criticism is welcome and please be nice :)

see, the middle of the night wasn't meant for this. it's to sleep and dream and pee.

not for baking a cake without having most ingredients of the cake. but you'd gotten a sudden craving and it was a weekend tomorrow, so bad decisions were inevitable.

did you have a million assignments to do? maybe. but peter also had a million assignments to do and he was still here, so technically, he's also making bad decisions. he was aware of that fact.

mind you he did try to convince you to go back to sleep at first but you wore him down. he didn't put up a big fight, he never did, against you.

he's convinced himself that he was only there to watch over you and make sure you didn't slice a finger or spill the flour, not to help you out with your late night shenanigans. but he was cutting up the strawberries so, really, he didn't have a strong resolve.

"you know, i think that when the box says 'pancake mix' you're supposed to make pancakes," he said, turning to you, who was reading the back of said box.

were you trying to bake a cake in the middle of the night with pancake batter cuz you didn't have the stuff for the cake and didn't want to go to the grocery store to get it? kinda. would peter have gone and got the stuff himself if you'd asked? yes.

"i didn't listen to you the last 17 times, i'm not gonna listen to you now, and besides," you said, pouring the mix into a bowl, "a pancake is just a cake but made on a pan instead of an oven. we're just changing the recipe a bit," you shrugged, like it was obvious and he was the stupid one.

"there are so many things wrong with that sentence, i dont even know where to begin,"

"here's a hint, don't."

you were being mean, you knew that. you didn't mean it. peter knew that. and you knew that peter knew that but you would apologize later. he knew that. he sighed dramatically.

"you wound me,"

you rolled your eyes at that. pretending to be annoyed at him was easy. wiping the smile away from your face when you were around him wasn't.

"if i had a dollar for every time you're wounded, i'd be filthy rich."

he glanced up at you. he knew that that wasn't completely a joke, it had a bittersweet tone to it. was that the reason why you were up at this ungodly hour? peter knew that you'd been stressed lately, he didn't know he had a hand in that.

"hey, you wanna tell me what's up?"

you didn't meet his eye, but you did stop fiddling with the bowl. almost immediately, you grabbed the knife out of his hand, mumbling, "you're cutting them all wrong,"

you both knew that wasn't true. one of the perks of having grown up with may was that peter was a fantastic cook. he'd been doing this sort of stuff forever. you needed to get better at excuses.

he gently laid his hand over yours to stop you and said your name softly, pleadingly. a long pause. you complied.

"it's just that," you started with a sigh, and dropped the knife, "you're my best friend peter, and i know that being spiderman means a lot to you," hesitation creeps up as you get to the actual issue. peter senses a 'but' coming. you look at him.

"but you come home every night with bruises everywhere, in pain, and i know you say that they'll go away in the morning and they do but," you're rambling now, he doesn't stop you.

"you have to see it from my perspective, i-" another sigh, you look away, "i get scared, peter."

oh. you were worried for him. he wonders how he didn't realise that before. that time he came home with a stab wound and you looked like you were going to cry he thought you were nauseous at the sight of blood. peter was an idiot.

"i know i shouldn't but i dont like the thought of you getting beat up every night." you were talking with your hands now, "imagine how you would feel if i came home with bruises all over my body and told you not to worry and that i'll be fine in a couple hours." you looked at him again. there was a sort of pain in your eyes. peter wishes it weren't there.

"it doesn't feel good peter. and you assume that i'm supposed to be okay with it?" you took a deep breath and closed your eyes, turning back to the strawberries. your hands were shaking.

peter thought about it. about what you'd said. you were scared for him and he understood that. it couldn't have been easy to be with someone like him. but he couldn't very well abandon spiderman. it was a part of him now. he knew that you knew that, but at the same time, he understood your point.

he thought about how he'd feel if the roles were reversed. if you came home with the type of wounds he did every night, he would be terrified. he couldn't blame you, of course he couldn't.

but he was spiderman, he had a responsibility, an unspoken vow to this city. he had opportunities and powers that no one else did, and he wanted to do good with it.

he hadn't asked for it, but he still had it. if he gave up being spiderman, he didn't think his conscience would let him live with it.

"i'm not asking you not to be spiderman," you spoke, finding your voice, "of course i won't do that. i'm just saying..." you trailed off, unsure of what you wanted and whether you were allowed to have it.

peter took both your hands into his, silently begging you to look at him. you did.

"i know what you're saying, and i understand. i don't blame you, i get where you're coming from and i promise, i'll be fine," he said, softly. he knew you were anxious about his safety.

"i can't give up being spiderman, and i know that's not what you're saying, but you have to understand, i can't not do it, it's a part of me, and i swear i will be more careful," his brown eyes bore into yours, willing you to understand. you blinked and unconsciously looked to the floor.

"but what if, being careful isn't enough one day? what if it isn't just some robbers or burglars but some other things? what if it's one of those aliens or mutants or something and you can't defend yourself? what am i supposed to do then, pete?"

you closed your eyes again, trying to stop the tears. peter's heart was tearing itself knowing that he was the reason for them. how could he tell you that him being the cause for your tears hurt more than any knife in the world?

"hey, look at me," he said, searching for your eyes. you shook your head but looked up at him anyway, the tears in your lashes resolutely not giving in to gravity.

"nothing is going to happen to me. i've handled stuff like that, you know. i know you're worried and upset but i promise, nothing will happen. you need to trust me, okay? we're going to be fine. please, I need you to trust me."

he said your name like it's the last time he'll ever get to, not in a way a friend is supposed to.

you sniffed, "i trust you, i do. it's this city that i don't trust," you steeled yourself, "but if you're sure, and you believe we'll be fine, then i do too."

he cracked a smile then, and pulled you in for a hug. a tight one. neither of you let go for quite a few minutes. you relished in it.

"god, okay i know i'm being silly, i'm sorry," you said after you'd pulled away, rubbing at your eyes.

"you're not being silly, don't be sorry. it's completely okay and valid. don't ridicule your thoughts, you're allowed to feel," peter said, in a scold-ish manner that he'd no doubt learnt from may.

"and please step away from the strawberries, and go back to butchering your so-called 'cake'," he said with a teasing smile, bumping his hips into yours to move you back to the bowl of pancake mix.

you scoffed incredulously, back into your playful demeanor, "excuse you, i would have perfected this pancake-cake if i weren't feeling sleepy right now, so, unfortunately for you, you won't get to taste this deliciousness, whenever i do get to make it,"

"oh, what a tragedy, i won't get to torture my tastebuds with whatever concoction you manage to brew up,"

you shoved at him, not that he moved an inch, and grabbed the plate of cut strawberries.

"just for that, i'm gonna eat these strawberries in bed using your pillow as a table, and you know i can be a very messy eater," you laughed like an evil sorcerer and ran towards the bedroom.

peter, horrified at the thought of sleeping on a sticky pillow, ran after you, forgetting that he had sticky hands himself. (pun intended, i'm sorry i couldn't not do it)

"come back here you!"

the pancake mix in the bowl, the half pack of strawberries waiting to be cut, and the anxiety were all left forgotten back in the kitchen.

[trashcanwithsprinkles]

You ever wonder what you would do if you ended up in trevat?

probably the most fun thinking exercise i've had for a bit hahah

ended up rambling on for like five minutes so it's under the cut

assuming this is an unnanounced isekai of sorts where i wouldn't want to touch the plot with a ten foot pole (bc that sounds far more interesting than just- what if i lived there),

plan a) book it to liyue harbor avoiding wangshu inn just in case xiao can sense i'm not from teyvat, convince uncle tian to let me sleep in his boat until i have money (he looks like he'd let me in exchange of stories), become a storyteller, tell stories from a faraway land (any and all stories from here, be it plots of books, movies, fanfics, whatever man), profit, make casual friends w beidou to lower the chances of ningguang sending yelan to look into my untraceable past, try not to make it obvious i know zhongli knows i'm not from teyvat (if he ever appears by my storytelling corner) and ensure he likes my stories (this will boost my corner's reputation), buy a house outside chihu rock, befriend xiangling by sharing recipies from here, learn liyue recipies and how to use teyvat ingredients from her, befriend a gaggle of millelith by feeding them 'new and interesting foreign dishes' bc the fastest way to a man's heart is thru his stomach – they will now ensure the area around my house won't get jumped by random treasure hoarders and slimes or geovishaps, travel around once i've made enough money, always return to liyue and live out a chill life w the millelith's protection, the qixing not interested in bothering w me, and zhongli unbothered by my unthreatening presence

plan b) book it to fontaine. this could go two ways depending on if i break some random law immediately upon arrival: b.1) if i don't break any law then i befriend navia by sharing baking tips w her n convice her to let me stake it out at the spina's outpost in fleuve cendre until i make money, write mystery whodoneits (hello recovered manuscript bootleg sherlock holmes) for starting cash and then slowly make the switch to villaness novels w extra mystery (you can't tell me they wouldn't be a hit there) thereby avoiding the likely fierce market competition of plain whodoneits and gaining more fame, profit, buy a house in the countryside to reduce the chances of breaking a random law by reducing the amount of gardes around, keep in touch w navia n be rightfully grateful to her (this will keep the spina on my side), befriend the melusines by sharing stories n cooking tips (they can try me w their weird concoctions) n thus further lowering the chances of me getting randomly arrested, live a chill life (also travel around n stuff obviously) with furina/focalors entirely uninterested in my existance, the gardes and neuvillette seeing me as a normal citizen, and the just-in-case friendly connections to the phantoms via the melusines and the spina via navia (and maybe the surveillance patrol if chevreusse likes my novels) b.2) if i do break some random law immediately upon arrival or too early into plan b.1, then i plead guilty and get sent to meropide (nobody down there will ever bother to look into my untraceable past and trying to argue innocent will only bring attention i likely can't afford), work dilligently until i've made enough friends among the staff, become the prison's storyteller and bard and gain credits like that, become a friendly face nobody will have any interest in harming and likely won't dare to bc i'll have made friends w all sorts of prisoners by then (plus why would you want to fuck with the guy who's literally only singing songs and telling stories. like nobody else is doing it. half the prison would jump you i think), stay down there after my time is up for the same reasons i chose to go down, hopefully be a nice helpful prisoner and a welcome fixture in the fortress, live a quiet and chill life

and lastly, the last resort plan c) book it to mondstadt, beg charles for a gig at the angels' share, sing covers of songs from here and pass them off as melodies from distant lands, avoid venti and his knowledge of music like the plague, avoid kaeya and the knights like the plague also before they realize i'm not From There, get a house in springvale, if diluc ever bartends then try to subtly let him know i'm w him on the knights issue, hopefully this raises my chances at becoming part of the staff of the tavern n the likelyhood of the rest of the staff helping me avoid the knights' suspicion, ideally just live a quiet life in springvale, if by some miracle diluc decides to hire me for the winery then go there instead and live a quiet life as one of the workers, the main objective here is to fly under the knights' radar and position myself in life in a way that venti won't either want to, be able to, or feel the need to get curious about me and try to make contact (i realize dealing w music is counterproductive to this but it's the only gig i can think of that'd work there, would require no starting budget, would allow for flexible hours so i can skedaddle if needed, i wouldn't suck ass at, and would get me a step closer to who is likely going to be my only and/or most accessible ally in staying away from the knights: diluc)

[celestialspritz]

this is just a lil bit of a follow up to that one post @sicksadsim made which really hit the nail on the head for me about the community

i notice SO MUCH of the time that people will make artwork / cc / sims story etc that they put so much time into and really outdid themselves, and it'll get practically zero engagement because 'not everybody else is reblogging it/it's not popular, why should i?'.

mind you it is just simblr and it's probably not that big of a deal but how can we be a sims community if we're not uniting together and uplifting each other? why is it reblog the big blogs and sit on the smaller blogs? the answer to that is the community is just a big high school cafeteria and you have to walk on eggshells to sit at their lunch table.

i hate the fact that nowadays people will create things JUST for notes. i miss seeing people posting their stuff they're so proud of and super passionate about. people being frightened to post their cc preview because it's not as good as others or they used the same font as somebody, or the same editing program as another user. a similar sim style. "oh she used true mm hairs/colourful hairs she's defo copying this person" get a grip!!! who cares, why does a community for the sims of all things have to be so cliquey/gatekeeping all of a sudden?

(for the record i dont care about notes lol, i just care about making sure people, esp the lesser known blogs, know that others appreciate their contributions to the community. i know im rambling here and nothing makes sense LOL but what im trying to say is that this whole climbing the popularity ladder in sims comm is ridic. ive literally seen ppl be friends with randos just so their blog can attract more ppl. its so weird like this is NOT a business yk)

there's ppl i know who have been around probably longer than i've been alive and their stuff doesn't get much praise, and the newer, and in my experience gen z members of the community refer to them as "hags", think their style is ugly and dated, laugh at them and constantly trash them; it's hilarious considering at the same time they'll use sims veterans creations as bases for their own. it's the older simmers around us today that have kept the game/its community alive for all this time, if it wasn't for them, we wouldn't have younger fans like myself today.

all in all i just think that there is a creepy weird hierarchy in this community. it's great to uplift our favourites/most popular in the community, but don't forget the ones that started way back in 04 and the ones who are just starting out today.

we all have one thing in common and that's (hopefully) the love and joy we have out of creating our stuff. if you're feeling threatened by someone's work and you're going to be spiteful about it, then it's defo a you problem. stop the gatekeeping, the hierarchy, the cliques. it's so unnecessary and makes you look so fucking ridiculous

[desceros]

Hi, you probably don't remember me, but I'm the 🪻 anon that sent asks once or twice. Still very much a nervous fan! Your work and the way you write about your experiences and feelings still positively stun me every time I read your posts.

I've been thinking about writing for the tmnt and rottmnt universes for a while now, but I'm still very uncertain about my own interpretation of these characters. If it isn't too much to ask, I'd like to know how you do it??

Your work has such fluidity and... sense?? I don't really quite know how to put it into words, but it inspires me very much! Anyway, I guess I'm asking for writing tips?? I know each interpretation is unique and our own, but I can't help but adore yours! I hope you're having a good day/night, Ms. Desceros!

Ps: English is not my first language, so sorry if my rambling aren't really coherent. (〒 u 〒⁠)

– 🪻

i do very much remember! and i'm so sorry i had this sitting in my inbox for forever and a day lmfaoooo i didn't want to rush the answer and instead give it proper thought/answer for you! :D

so it sounds like you're asking two different things here, which is 1) how do i establish strong characters, and 2) how do i construct flow in a fic.

characterization

for characters, it starts pretty simply with just consuming a lot of the character. for example, with the turtles, i've watched rise and bayverse both a lot. like, a lot a lot. enough that i can hear their voices in my head when i'm writing, because i've heard them so much.

specifically, i've watched it not just casually, but also with the ears of a writer. what words do each of the turtles use? how do they phrase things? when one of them gets annoyed, how does he communicate it? when they're scared, what do they say? how do they move their bodies? what do they do in the background of scenes where they aren't the focus?

once you feel like you kind of know the answers to those questions, the next step is just to write! i probably have about... hm... 30-50k of fic in my icloud that i wrote before i started posting things. the purpose of it was just to figure out how i liked the turtles to sound. because i write them as older adults, they sound just a little different than they do in the show. i inject my headcanons into their voices. these things change how they act, and i fiddled with it until i was happy with it. knowing i wasn't going to publish these made it really easy for me to get creative and push things, until i found the boundaries that i like and that feel good for me.

flow

so good flow is something that really comes with a lot of experience writing. it's one of those things you... pick up as you write a lot, so this part is going to be a bit more. hm. disconnected. nuanced. how you like things paced, how things feel good under your fingers; these are things you'll get better at as you go on. that said, it's something i've very consciously worked on myself, so i do have a few tips for you that'll hopefully speed up that process for you!

my biggest tip is to READ. find authors (fiction and fanfiction!) you like, and READ them. but again, we're not doing it recreationally, we're doing it as a writer.

read your favorite authors and think. think about the things they include and what they don't. what information do they convey in great detail? what information do they convey in exposition? what information do they leave for you to garner on your own? why do you like how they include things? why do you like what they don't? do you miss certain things? do you wish they wouldn't bother with others?

for example, i really love brining in the emotions of a scene. how something makes a character feel. basking in that is something i really love reading, so i have a lot of it in my writing. and i enjoy doing it without Telling you how someone feels. i don't say "donnie is sad." i tell you how his shoulders slump. how he gazes off to the side with a listless expression. how his eyes cloud over with uncertainty. these are things i've enjoyed reading, and so i've incorporated into my writing. i will slow down the flow of my fic, putting a bit of rubato on these moments, because i like how it feels.

i personally enjoy things to be very fluid, connecting from one scene to the next with as little a break as possible. think of french vs english. french is very fluid, english is very percussive. they're both languages, both good, they just sound different to the ear. part of constructing that, for me, means i write from beginning to end without skipping around. it's a style that has its pros and cons, but it allows me to have a single thread, unbroken, though the entire work.

ultimately, your writing is a stained glass of everything you love. the words you think are pretty, the turns of phrase that catch your eye, the verbs that bring action to life. this is the foundation of what people will call your "voice," and a large part of that is your flow, or pacing. i can't really... tell you how to create your stained glass. but this is how you can create your own, and make it something you find beautiful.

[moltensmusings]

Wanting to ramble a bit about them so figured I'd give my late take on some of the concept art from rwby remnant archives that people have shared online.

Starting with the dresses:

There's a high chance due to budget and restrictions of the animation program these designs got replaced with what we had in the end. But these are infinitely better than the ones we did get. The ruby hair and clear rose dress, the Weiss look being simple but also very expensive in appearance as her fits should be. Blake with the longer version of her dress that fits her so well at this point in canon. And yang dress is just, top tier. I've always disliked her actual dress from the show because it just didn't fit her as a character. Yang has a loud personality and the dress should be eyecatching.

Penny concepts:

I adore these penny designs and I think in a more traditional Pinocchio story they'd fit, but it does make sense that they opted to use what ended up as her canon design. The ones I like the most are the blue and white, the bottom right green dress, and the two top green and purple dresses.

Penny has always felt very refined and put together in her design. A perfect robot visually. I think she really does look like something someone from atlas would design and that's fantastic. All in all no bad designs here but some just made more sense.

Neo concepts:

Controversial take maybe, I'm glad they didn't make her a faunus. I've never made it a secret that their faunus lore/handling of the faunus characters is bad and I think her final look is just perfect. She's a design where her inspiration isn't immediately clear but it's such an intelligently done one that when you hear her design inspiration it clicks.

Faunus Neo is cool in theory but doesn't work to me.

Sun concepts:

I love these designs but I do understand why they shifted things. I do wish they'd reused them in volume 4, though, when Sun's traveling around. A big disappointment of rwby is how much team SSSN gets disregarded by the writers. Maybe we'll see portions of this reincorporated in Vacuo if we get volume 10.

I could stare at this concept for hours, I really love it.

Those are the ones I've been thinking about since I saw them. Hopefully I can see more character concepts later.

[utilitycaster]

Hi! This might be a bit of a weird ask (and a rambly one - sorry!) but you're one of the most level-headed and rational fandom members I know and I might need you to slap some sense into me, so to speak, especially considering you've been vocally critical of Marisha's choices for Laudna before. Now I loved the episode and the inner-party conflict in this episode. It was so fun and investing and tbh I've never been as interested in Laudna as a character as during last episode (she just doesn't work for me on several levels) and I do think Marisha did a stellar job RP wise. But something grated against my nerves about how she said OOC that Laudna hasn't lied. Because Laudna has lied. By omission, deflection or otherwise. It cannot all be attributed to Delilah being the pushing force of that. And I feel weird about Marisha (afaik) not acknowledging that. If she said "Laudna feels like she hasn't lied" it would probably be different but the "I still maintain: Laudna hasn't lied. It wasn't Laudna." at the end of the episode after Laura calls Laudna out for the direct lie about the harness feels kinda trying-to-have-my-cake-and-eat-it-too in this regard. I know that Marisha can make decisions that I don't gel with and make characters that can get under my skin in specific ways (and I enjoy that about her!) but idk maybe I have difficulties putting my trust in her with this because I didn't like a lot of her choices for Laudna so far. Anyway. Maybe I just need to hear from you that I'm being stupid about this and that Marisha is going to handle this in a differentiated way. (also highly unrelated but to end on a more positive note I'm excited for you to catch up on fhjy!)

Hey anon! Thank you for all the kind words, and good news! On CR Cooldown Marisha does clarify she means this as "Laudna is not lying because, whether or not it is correct, this is what she believes". I'm going to talk more below, but hopefully that helps.

For what it's worth, I tend to not put a huge amount of emphasis on things the cast says OOC as compared to what's happening in game, for a number of reasons, and advise others do the same. I think it's really easy for those statements to become outdated or outright contradict the text (remember when people kept bringing up Laura on like, one of the first 4SD episodes saying Imogen tries not to read people's minds and it's like. ok but in canon, she does this ALL the time so this is a useless argument?), the cast is working off more information than we are slash might deliberately be hiding info from each other, and also anything said right after they break is often a really emotional statement that they, as Marisha did here, will immediately either clarify or recant after a few minutes to, well, cool down.

The lies of omission thing is also incredibly rich as a source of conflict here, particularly between Imogen and Laudna, which, as someone who's been very frustrated with a lack of conflict on that front, is very exciting. What happens when you have someone who, in classic warlock fashion, hews to the law of lying (I didn't say anything literally false!) and not the spirit (lying by omission that Delilah was the cause) and who also makes promises she's unable to keep; and she's in a relationship with someone who is exceptionally sensitive to lies by omission, lying in general, and kind of has trouble with people simply not revealing their true intentions? I think Laudna is so suggestible that she's a liability, and the party just found out, and that's the dangerous thing - if she were malicious and lying maybe they could pick it up and this would have an easy fix, but she really does believe it will be different this time and Delilah isn't misleading her for power (Delilah is 100% misleading her for power), and that makes it much more complicated. It's very juicy.

[rebouks]

Hello! I'm that anon who once asked you about the lots you use in your gameplay and whether you built them all. I'm so impressed that you create most of them yourself! But ever since you replied to that question, I've been trying to envision a lot for one of my upcoming gameplays, but I'm struggling to fully see it in my mind, so I was wondering if you'd mind giving some tips on your process of building your lots. Building is my weakest skill in the game, but I want to give it a try!

hello again anon!! i'm very flattered u think it's impressive 🥺 i truly love creating spaces for these guys! i'll try my best to kinda go into my process but be warned.. like anything else i do it's pretty much just chaos/winging it dkjsdkj (it'd be much easier if i used floorplans or smth simple so i could be like, here do this! but alas...)

okay i'm prolly gonna ramble a lot here but i mostly base my builds off random visions/future scenes that pop into my head or straight up vibes.. which isn't very helpful ik but hopefully if i explain it'll make a bit more sense!

so with Oscar's house above i knew i wanted it to be BIG, but i didn't want it to feel like a mansion they couldn't afford so i added some other houses on the lot and just gave em the biggest plot! i also knew i wanted it to be symmetrical, but only from the outside cos i wanted it to feel slightly chaotic on the inside, also hence the random tower addition on the left and the sunroom on the right.. like it used to be a big grand symmetrical "mansion" (prolly at the time it was built) but over the years kinda ended up as a convoluted mess left to rot until someone rescued it (yay for Oscar's impulsivity 🤸‍♀️) AND IT NEEDED AN ATTIC!! u kno cos where else would Clementine live?? 👻

so really i had no inspo pics or house plan layouts to go off here, just a vibe and an idea, i started with a rough shape and worked out all the kinks from there, then added the other lots.. be prepared to hate your wip and start over tho cos ig it's all part of the fun!

here we have an actual wip to use as an example! so with this one i basically knew i wanted a wrap around style house around a "courtyard" but since mt. komo is shit and doesn't have any decent sized lots we'll have to go with an L-shaped design and a third floor ig 😩 i started with the ground floor and just pissed around with the others until i ended up with smth just right, like anything else i do, building is just ruminating on an idea until i'm like.. yeah that works sdkjskj.. also handy to place the bare minimum furniture items as u go to get a feel of how the space does or doesn't work so u can fix it n stuff!

also feel free to make shit look strange if it works, for example these window placements look weird as hell on the outside, but real life houses aren't always symmetrical or perfect on the outside and we spend most of our time on the inside where the windows make perfect sense so.. yeah! i'm big on views from the INSIDE of the house so i just make stuff work, also big fan of using ivy/wall decs n stuff to "fix" the way it might look on the outside if needs be too..

the school i made for Robin n' co. was entirely built around this pool (cos it's IMPORTANT) and the fact that it had to have a glass roof (it just HAD to ok idk why but we must kneel to the vision when it strikes 🧎‍♀️) i tried to make the rest of it make sense around it tho, like maybe it was added on afterward so the rest is a pretty standard shape with offices n shit near the entrances etc.. ALSO (wait i actually need to explain smth else before we get to this also BUT BEAR WITH ME!)

ask yourself some questions (if u want? or just dl a house idk dskjdk)

i treat building similarly to writing and that means asking yourself some questions.. like you might ask why a character is doing/saying something, what happened in the past to make them this way? what're they aiming for in the future to choose these paths etc etc.. WELL.. what's this building for, who is it for, who chose to live here, who got stuck here, why do they like it, why do they hate it, etc etc.

we either get stuck somewhere we hate and it doesn't suit us, or we're lucky enough to choose somewhere that we love, but why? Oscar's house is sprawling and chaotic because they kinda are, and it suits them! all the random cupboards leading nowhere and the quirky additions are just perfect for them, if they were real people looking for a real house they'd view it and LOVE it, but other characters definitely would NOT 😅 the wip is neat and practical cos the people who're gonna live there are! 👀 and the school (see we got to that ALSO eventually) has that huge "grand" courtyard at the front that's actually pretty useless because it's a shitty comprehensive school that wants to give the image that it's decent, but actually it's a bit shit and there's nothing going on in the back, nowhere for the kids to play outside and very limited resources/equipment for them either.. like everything is built the way it is for a reason, which is why i think i find it so impossible to use other ppls builds, cos they don't fit all these visions in my mind...

ok i'm gonna shut up now but i HOPE this rambling mess somewhat explains how i go about starting a build and why.. i'm not sure i can help with the vision part since your brain is your own but floorplan websites and things like pinterest or even just google images are great for giving you ideas if you're struggling!

[chubbygrape]

Chidaruma's Magic Door (going full meta again)

I find it so interesting that we've seen so many elaborate magic doors in dorohedoro (this including the devils', like Haru and GuraGura, and Holey's) and yet Chidaruma's is so plain.

It's a standard, simple, plain door - Literally no personality to it whatsover.

And Hayashida has dropped her SWEAT over these magic door designs, so theres no way at Volume 19-20 she decided to get lazy with Chidaruma's.

we know the magic doors in drhdr represent some sort of aspect of the character, and my understanding by looking at the diff doors is that it's varied, and can be anything from identity, aesthetic, past, future, to inner psyche etc etc

So I am just trying to wreck my brain here as to what it would mean if Chidaruma's door is entirely plain. He definitely has a personality, it would be stupid to say that's the reason, and I've never sensed a lack of identity from him.

The only thing that comes to mind is perhaps that is a reflection of his inner world/psyche? That he's empty/blank inside? I think he's great in many ways but i do see him as a sort of 'shell of a person' personally

Little HC section:

[this is where i rl start rambling sr yall]

Given Chidaruma's shown using Doors this early own, it must be that this is a 'skill' he passed onto sorcerers upon creating them --- Which makes me just wonder where the hell did he get the idea of a 'door' as a portal????

Not that it doesnt work (love the idea, thanks Hayashida xx) , but my lorefinding-obsessed brain just wants to know where the idea came from. .

my personal HC is that it relates to Black House. Bear with me as I have very little to none ground for this, but we know as per canon that (1) Black House is Chidaruma's house and (2) Black House is very affectionate of Chidaruma --- I also view BH as an independent entity that wasn't created by Chidaruma, so in my head Chidaruma and BH go waayyyy back

I like the idea that BH became and was Chidaruma's home since the beginning of time and BH's door inspired the whole door mechanism ; this could also explain why Chidaruma's own door is very plain (like houses is)

Cause also! pretty sure BH can just teleport right?? (aside from just 'cruising') so from Chidaruma's perspective, each time BH's door opened he was basically in a new location, so you see the parallel there???

But ALSOOOO !! (going off the rails here) - One of BH's wishes is that he(?) can transform at will , which to me indicates that the appearance of a 'black house' is somewhat imposed by Chidaruma , who's also been shown to direct BH's internal appearance on a whim (slightly going on a tangent here) ;

so i think Black House's appearance is something Chidaruma desires, which would sort of suggest he likes this appearance and thus could colerate with the design of these 'portals' called 'doors'.

but i am also just gripping at straws here, but i really like this HC ; I am so inherently obsessed with anything Chidaruma/Black House/Store and everything eldritch like that in dorohedoro

Hopefully with Dai Dark happening we can learn a bit more abou Black House x Chidaruma weooo

[republicofyolossia]

UK bros? Nah Celt bros lol

Some incoherent rambles on design below:

I like the shade used for Wales hair in the official art (though him being blond is a little disappointing) but I thought I'd try a brighter shade here to reference daffodils. Not sure I like it, and might try dirty blond in future?? Also I was worried about making him and Norn look identical, since their hairstyles are similar. I've decided to make Wales chubby/overweight and Norn more scrawny.

Ire having ginger hair and green eyes is a little cliché. Nothing inherently wrong with it, but I've had 12 years of looking at Ire OCs with identical hair and eyes. The shade of his hair, at least, is something different from MSpaint orange, so I'll take it.

I'm glad at least one brother has darker hair. It's a refreshing design, and I'm glad Scot is canon now and has hopefully killed pixiv!Scotland's popularity. I hate that dogshit OC. I find it funny that my old Scot OC was the shortest brother by far and canon Scot is the tallest. Nothing wrong with either interpretation! I just thought it was funny. His design also gives me Gordon the engine vibes which I also find amusing. I think his hairstyle's nice and makes him stand out a bit more.

I'm sorry but I will never interpret Norn as Eng's older brother. It makes no sense and there's no justification for it, so I'm gonna portray him as a teen, like I did with my old OC (about fifteen y/o or so physically). Not that I think this is the only way to portray him, I'm just not gonna make him an adult. Besides that, I kinda like his design.

Also I'm giving all of them freckles. With a lot of the HWS characters, I tend to err on the side of darker skin because skin tends to get darker the older you become because you've spent more years in the sun. Therefore the nations would probably have slightly darker skin than average. I don't think that these guys can tan (thought I've had English county OCs in the past with tans because British people can tan pretty dark sometimes), so a lot of freckles are the equivalent for them.

Don't repost/steal

[lexxierave]

When Fate Intervenes- tasm!Peter Parker x Reader Part 3

[Part 1] [Part 2]

Days went by without the two of you thinking about the other. Something more important always came first. For you it was work and other classes. For Peter his time as Spider-Man seemed neverending.

It wasn't until the morning the two of you finally arrived for class that you noticed there was a change in seating. Notably the only two seats available were next to each other and that you were praying the other person was sick for the day.

It wasn't the case when Peter swiped into the seat next to you and gave you a weak wave.

"Mr. Parker. Ms y/l/n. Please see me after class." Mr.Hertz bellowed out as he continued writing on the chalkboard.

Some snickering would be heard around the room but you paid it no mind. Rolling your eyes before you get out your textbook and notebook to hopefully get down some good notes.

Peter still was a light embarrassed for being called out like that and sunk down a bit before following you and grabbing his own supplies out.

After the lecture the two of you waited as everyone else darted out the room. Some lingered to try and catch what the professor was talking to you two about but his stern look told them to leave.

"How's the experiment coming along?" He questioned when the two of you walked up to his desk.

"Well…" Peter began before you cut him off. 

"Splendly." You quickly said, "we were just about to grab something at the cafeteria and discuss what we could be lacking some more." You nudged Peter, hoping he'd go along with it.

"Yeah. Right. We were just about to do that. At the cafeteria." Peter's short phrasing not going unnoticed by you or the teacher.

"Well then I won't keep you but I expect a paper from each of you about what the other person could possibly be lacking by next week. '' Mr. Hertz warned.

Once outside the classroom you tapped your textbook to your forehead and gave out an exasperated sigh. So much for getting a nap in before work today.

"Alright, Parker lead the way." You said as you turned to your companion.

"What? You were serious in there?" He asked puzzled for a moment

"Yeah. So you coming or what?" You shouted over your shoulder as you continued walking.

"Yeah. Yep." Peter replied as he lightly jogged to catch up to you.

The two of you made it to the cafeteria and found a small table in the corner to sit at.

"So tell me something about you Parker?" You pointedly said.

"Uh. Where do I begin? I've lived in Queens my whole life with my Aunt May." He began to ramble off.

"Peter." You  laugh, put a hand on his shoulder to stop him, "Facts about you as a student. I'm pretty sure this whole thing has to do with that aspect of our lives." You told him your idea.

"Oh. Right. That makes sense." Peter muttered.

"You know for such a smart guy you sure missed such a basic thing. Maybe that's one of the things you're lacking." You pointed out.

"You might be right but then what is it that makes you lacking?" He quickly turned to ask.

"I don't know. I have a problem with turning in work I guess. I just feel it's so mondaine." You honestly told him, "I'd rather spend my time helping other people understand the work or reading than do the paperwork."

Peter could understand that. Half the time he didn't want to trouble himself with doing the needless homework that the professors tended to give him either but regardless he made sure to run through them before every class 

"I can understand that." Peter admitted "but for someone who doesn't want to make friends you sure do like helping people." He pointed out.

Peter was right. You do like to help people but that didn't mean you had to make friends with them. That takes more time and energy than you were prepared for, not to mention most of the people here weren't people you'd want to be friends with.

They were stuck more on themselves than actually making lasting friendships. And you didn't have the time or energy to give it to someone who wouldn't last in your life.

Peter and you were stuck in the same boat and didn't even realize it. The two of you needed each other more than you knew.

"It's complicated Parker, I'm not sure you'd fully understand but I've been burned too many times by fake people and I just don't have the energy for it anymore." You sighed, the weight of your words making you seem older than you are.

That interest in you started up in Peter again. What had happened to you in your past to close you off of friendships so badly?

There was something about Peter too that interested you. Sure you noticed him in class when he'd come in later than you, bruised up sometimes even. He'd always know the answer to the question the teacher would ask without even knowing the full question. It was fascinating, really. Made you want to know what went on inside his head.

"Well I guess we have what we need for our papers, see you around Parker." You said as you picked up your bag to leave.

Something in Peter wanted him to make you stay a little longer but he too had to leave for patrol.

"Yeah. See you later." He agreed as he watched you leave before coming back to reality and heading out on his own path.

The whole time on patrol Peter was trying to think back to seeing you in class but it was hard for him to do. He was more focused on hiding his identity and various bruises as best as he could. 

He was pretty sure he'd remember a pretty girl like you if he saw you but for the life of him he just couldn't place you and it was driving him crazy.

His thoughts were abruptly halted by a scream from a small convenience store near his apartment complex.

"Great. Just when I was about to call it a night." Peter groaned.

Part 4