#I've got MORE in the brain

[walkingstackofbooks]

A 9-year-old Julian Bashir who has had nightmares about evil doctors in an alien hospital for as long as he can remember. He doesn't tell his parents though because "he's a big boy now" and nightmares are for little kids, so he knows he should deal with them alone. And even if he'd like a hug sometimes, his mum only gives him hugs for doing well, not for doing badly, so he figures there's no point bothering her

A 15-year-old Julian Bashir who realises that the nightmares he used to have were based on the apparently very real alien hospital his parents had taken him to as a kid, and spends hours trying to figure out what were real memories and what his mind had made up over the years as he slept. The nightmares come back with an intensity, but they're nothing compared with how he's feeling when he's awake, and pretty soon they become a normal background noise of his life.

A 19-year-old Julian Bashir who's finally been moved into a solitary room after his third roommate in as many weeks complained about the almost-nightly screams. His advisor asks if he wants to speak to anyone: he claims they're just night terrors and he doesn't actually remember them. Besides, even if he could talk about what was in them, he probably wouldn't, because he's fine - he's used to them by now.

A 24-year-old Julian Bashir who gets woken from his nightmares by warm hands and gentle kisses, and learns what is like to be soothed back to sleep by the soft voice of Palis Delon

A 32-year-old Julian Bashir who has a different nightmare every night. The last year's been difficult. But then, it's been difficult for everyone, and he knows he's far from the only one to be suffering from nightmares at the moment.

A 34-year-old Julian Bashir who can't stop dreaming about the torture he went through four weeks ago, who's missing Ezri and who Miles is increasingly concerned about. When the O'Briens offer him their spare room for a while, he warns them multiple times about his nightmares, and is pathetically grateful when that doesn't change their minds. "We have nightmares too, Julian," says Keiko. "We can cope with yours."

A 34-year-old Julian Bashir who is confused when, three days later, Miles remarks, "You are having a bad run of those nightmares, aren't you?"

"They've been better than usual, actually," he replies awkwardly. "It's been really nice being able to go back to sleep afterwards, for once -- you and Keiko have been so generous in coming and checking on me."

"Course we're gonna come and check on you," says Miles gruffly. "You woke up terrified. We're not letting you do that alone."

"I'd be fine, Miles," Julian reassures. "I'm hardly going to expect one of you to come in every night."

Miles pauses. "...How long are you expecting to have them 'every night' for?" he asks, with some concern. "I mean, after a thing like this, how long does it usually take them to settle down?"

Julian stares at Miles. "I... have nightmares, Miles," he replies, frowning. "Just like you. Nightmares happen every night."

"No, they don't," says Miles, equally confused. "Don't get me wrong, they can do: after something big then sure, they're like that for a few weeks - a couple of months, even. But eventually they fall down to once, twice a week..."

Julian is looking at Miles incredulously. "That might be how it works for you," he says. "I guess my brain's different to yours. Mine don't stop, they just... mix. Change. Get confused with one another, eventually. I've had more dreams about being genetically modified by Sloan in the Dominion camp than I care to remember, you know?"

Miles' concern has turned into abject dismay. "You're saying you've had nightmares every single night since the Dominion took you?" he exclaims.

"Well, maybe not every single night!" retorts Julian, a little unsure what Miles is getting so het up about. "I do have some days when I don't... But yeah, pretty much. I've had nightmares most nights since I was fifteen, it's just how my brain processes stuff."

"Fifteen?"

...

A 34-year-old Julian who finds out that having nightmares every night for two decades is, apparently, "not normal" and something he should be seeking help for.

If Ezri comes back alive, he supposes he might take it up with her.

[cangrellesteponme]

wife

[bizarrelittlemew]

calling it right now that season 3 starts like this

[collophora]

Building Bridges by @maidenvault Found this fic again In my saved ebooks so I couldn't resist. Short fic I like a lot for portraying the "boys being boys" vibe of the early batch XD (I didn't draw the funniest parts 'cause my brain focused on the end but read it.)

Small spoiler for the end under cut

[holographings]

happy valentines day may all your love be monstrous and uncontainable

[countthelions]

"[..] but they’re not Etho. They can’t be.”

“How can you be so sure?”

“Because Etho never left my side.”

[the curse of deepfrost, ch14] by @capriciouswriter207

[muttmedley]

thinking abt them sitting in my lap, riding me...

my lips on their lips, their jaw, their neck...

my hands wandering their body, trailing up their thighs to their waist, to their ribs, and back down to their hips...

holding them down as i grind up against them, both of us moaning and gasping at it all

[mathildejr]

going back to gouache after about 10 years of leaving it alone 👀 here's Mariam as a kid

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[silvers-starrway]

ALT

Rendered some older sketches now that Silver and Nine have designs! Go check out the lineup done by @cherbearsz as Knuckles, Rouge and Whisper are there too!!

I have much more of this au I need to get posted but I'm really happy with how these renders turned out so have them for now. Finished vs initial sketch comparison for the S drawing below the cut bc I think it's neat!

[necrotic-nightshade]

“A PLAYLIST IN FULL COLOR”

---

So uh... my old color palettes started blowing up out of nowhere and it made me wanna make a new batch and ‘remix’ some of the older ones. The fun part about this one is that all of the palettes are named after (and sorta based on) songs I’ve listened to or added to playlists!

As always, these are free to use and people are free to send these with a character for me to draw!

[anonymouspuzzler]

a ton more @heartbreakgulch x @villain-coded-comic stuff because i have uhhh Problems It Appears. thank you @strangegutz for letting me play with your tuoys. and also featuring one zo by @dollie-hearts thank you bon i love zo forever &ever

[vaggieslefteye]

CHARLIE MAGNE from HAZBIN HOTEL (2019): Pilot - "That's Entertainment" ↳ "So, I've been thinking: Isn't there a more humane way to hinder overpopulation here in Hell? Perhaps we can create an alternative way to change souls through... redemption?"

[relicsongmel]

Something I've always found fascinating about Raymond Shields is that despite seemingly having altruistic reasons for being a defense attorney, his reasons for trying to convince Miles to be one are anything but.

It seems understandable enough on the surface. After Ray comes around and agrees to work with Miles in The Imprisoned Turnabout, he sees remnants of Gregory shining through him despite von Karma's influence. Whether or not he recognizes that Miles' decision to become a prosecutor wasn't just born from that alone—that it was in tandem with wanting to distance himself from anything that reminded him of his father to alleviate the burden on his heart—is up for debate, but regardless: he acknowledges Miles as Gregory's son through and through and wants to capitalize on his dedication for pursuing justice in a way that he knows would make his father proud. He wants to let Miles in on the life he was robbed of at 9 years old—the life he once dreamed of living, where he follows in the footsteps of his father by giving everything he has to save people, by fighting like hell for the vulnerable and the condemned.

That said, as much as Ray dresses up his proposition by making it out to be as if he's looking out for Miles' best interests (and the best interests of society, even)...his motives for trying to get Miles to switch sides are almost entirely selfish. Ray's efforts (and most of his actions in general, really) are ultimately a product of his desperate attempt to cling on to anything related to Gregory out of an inability to move on from his death. Wearing his hat and coat, leaving the name of his office unchanged...and now, requesting that his son literally change jobs just because he can't bear the weight of his own loneliness anymore. Because he can't bear to think that the damage done by DL-6 is irreversible and Miles has moved on while he has stagnated for the past 17 years. Because he has an idealized vision of what he thinks Gregory would want and fails to realize that his son's occupation wouldn't matter to him as long as it brings him happiness and fulfillment. In his mind, letting Miles go means accepting the circumstances that brought him where he is and allowing both of them to move on. And that terrifies him.

It's even more deceitful when you realize that Ray's pitch comes at a very opportune time for Miles given his circumstances at that point: that is, he's under threat of investigation for prosecutorial misconduct and at risk of being stripped of his badge. Ray might fake incompetence, but he's not stupid—and he takes full advantage of Justine's warnings to try to sway Miles when he's in a more vulnerable position in terms of his job. Which is...pretty fucked up, to put it lightly. Despite having a better idea of where he came from compared to most people, through this Ray shows a lack of understanding of who Miles truly is and a lack of respect for what he's come to value, even if his path toward obtaining those values had some bumps along the road. But he's so blinded by his grief that he doesn't even stop to consider how much he's really asking of him, or what Miles is really searching for.

Ray was moved by Gregory. He values saving people. Defending the weak is an undeniably noble endeavor. But to ask that of someone else without consideration for their best interests is decidedly less so.

For all his occupation requires a certain selflessness, Raymond Shields is far more selfish than he lets on. And I for one find that contradiction fascinating to unpack.

[wardingshout]

that one very important meme...

[poorly-drawn-mdzs]

Have you watched Dungeon Meshi yet? I feel like you would LOVE dungeon meshi (see also: I think it would give you obsessive brain rot)

I uh... um... yeah I like Dungeon Meshi a normal amount.