#I've come around this novel is great actually

[grassbreads]

fucking cackling

[k0mmari]

SYSTEM! SHEN YUAN AU

Okay, look, I've head a System SY idea for a while now (in fact, some of the ideas for this were used when I was first planning out Locked & Loaded), but after seeing @/artsarasp's System!SQQ AU, the brainworms have been once again come alive and I just need to get this out into the world. This is a very bare bones idea that I (probably) won't actually write, so walk with me for a second! Also this is going to be a very, very long post.

In this idea, the System actually is an interdimensional organization that deal with creating new worlds based on stories and making sure these worlds continue working as intended and (eventually), sending transmigrators to worlds that need 'improvement' (this improvement being very subjectice depending on which worker is assigned which story).

In SY's case, he's just someone who usually works behing a screen, in the most exciting cases he gets to guide transmigrators around but most of the time he just makes sure the stories 'code' is running normally and nothing world-breaking is going on in the stories (like someone managing to find a hack to skip defining plot points, or activating God-Mode somehow). He's very happy with this arrangement, btw! He was never one to run around and his boss has warned him once or twice for apparently being 'way too harsh' on the few transmigrators he got to be a System for.

Unfortunately, one day he is assigned to 'manually inspect' a world because a certain co-worker of his (Shang Qinghua) had been sent down there to handle a glitch but had gone missing instead. When SY asks why was he being the one asked to do this (not that he doesn't care for his friend, but he REALLY isnt made for running around), his boss says SY is the only other one who is familiar enough with the world to not get lost.

So that's how he find out SQH had managed to get himself stuck on the world he created (as a joke even, he hadn't even expected that when he was messing around with the company's program he would actually be able to create a new world based on the shitty novel he'd written as a human). And of course, SQH only having one friend, subjected SY to the story.

SY grumbles and denies ever seeing anything about SQH's story (or liking it, even if his boss kindly points out they never mentioned SY liked it) but eventually he agrees; and that's how he finds himself being teletransported onto the world of PIDW, carrying a pair of Debugging Sheers he'd never thought he would have to hold (he calls them Big Scissors), with the mission of finding SQH and dealing with the glitch that was still somewhere in the world.

Though, when he goes to message his supervisor about the specifics (where he should go or what was the last known location of SQH), he finds out that his Personal System has apparently already been affected by the glitch ("ALREADY??") that he was realizing worked more like a virus. Fortunately some messages were still going through, and his supervisor notified him they couldn't send him directly to the location he needed to be, specially because the virus seemed to have fragmented and spread to various parts of the stories timeline. SY now has to jump around through time a few times and slowly cut doen the glitches caused by the virus.

Thus begins Shen Yuan's Great Narrative Haunting (in real time.).

Luckily, for him, the place he first appeared was already one of the spots the virus has infected the world, and it seems to be in a town not too far away from him, so with a quick activation of the 'Ghost Mode' function (avaiable for all System staff to make it easier when they have to manually fix something, making them invisible and untouchable), SY heads to the town.

The glitch actually doesnt take too long to find (it was a buggy tree clipping onto a nearby river, which only needs a snip of the Big Scissors to disappear from reality), but when SY and passing through the town to find some better signal for his Personal System so he can jump forward to the next stop, he sees a group of snickering kids leaving an alleyway. A bit curious, he passes by the alley and barely manages to see through the pouring rain and spot a trembling figure on the floor. Of course, PIDW was never meant to be a happy or forgiving world, so SY is not surprised at the idea that some kids were bullying a smaller kid, though it still makes him upset.

He kneels close to the child and turns off 'Ghost Mode', pulling out an umbrella from his inventory (yes, System staff ALSO get an inventory, no one wants to have to carry aroung those big ass scissors), covering him from the rain. The boy is shaking from the cold, and even if SY can't check the boy's identity (since his system is still buggy), he reasons the probability of him coming into contact with an important character is very small, and even if System staff aren't supposed to interact with characters, he limits himself to at least getting the boy out of the rain.

Luo Binghe later wakes in a bench underneath a small shop's roof, covered in a thick cloth, having no idea how he'd gotten there besides the vague dream (or memory?) of a strangely dressed person patting his hair and taking him into their arms. He notices the rain has stopped and he's perfectly dry. Shen Yuan, seeing the kid seems to be doing well, finally jumps to his next location.

It doesn't take long for SY to figure out where he is when he loads onto the next mission location, in fact, he's almost certain he'd recognize the bamboo forest and calm, almost dream-like atmosphere of Qing Jing Peak anywhere. Seeing there that Qing Jing even exists in the first place, he deduces Binghe is still not emperor, so this time he makes sure to not be seen by any characters. It also doesn't take for SY to find his next target, as a commotion behind him catches his attention.

And oh, if he isn't familiar with the scene. A few older looking disciples push around a smaller looking boy, while a girl insistently shouts for the leader of the older disciples to stop. SY barely managed to appreaciate how Luo Binghe looks so cute as a child before (who he assumes is) Ming Fan snatches rips an amulet out of Binghe's neck. It's quite the heartbreaking scene to watch live, poor Binghe fighting for the only remaining piece of his adoptive mother without even knowing he's destined to never see it again. SY's Personal System may be buggy but it's still functional enough to detect if SY has a direct impact on the main storyline, so SY is basically forced to stand still and watch.

Though, since he had a clear view of the whole scene, when Ming Fan throws the jade pendant into the forest, SY can perfectly follow the arch of the necklace and sees where it landed, which is when an idea pops into his head. Distantly hearing Luo Binghe and NYY frantically searching for a necklace they'll never find, SY spots where the fake jade glimmers high up on a tree brench, though it's glimmer is distorted by the distinct sight of a glitch corrupting it's form. If SY were to follow standard procedure, he'd just have to bring out his Sheers and snip the necklace out of existence, but looking at it... Would it be so bad if he debugged the necklace the longer way?

Besides, if Binghe has the necklace or not, it's not like this one item is going to interfere with the major story anyways. SY isn't stopping Binghe from falling into the Abyss, he's just... Returning a lost item to it's intended owner.

Later, after an exhausting afternoon of what seemed to be searching through every nook and cranny of Qing Jing Peak's surrounding forest, Luo Binghe goes back to the shed he sleeps in utterly defeat and feeling strangely hollow; that is, until he opens the door and finds a new, thick blanket neatly folded in the middle of the shed, way too clean to be anything he had previously owned, and atop of it, his precious jade pendent, sitting there as if it never even dissapeared. Luo Binghe distantly notices that nobody that visits the shed ever lets the door closed after they visit.

The third location SY goes to leaves him no time to acclimatize, as he's immediately attacked by a beast, and only after (struggling to) kill it, does SY notice the unfortunate situation he was placed into: the Immortal Alliance Conference. By this point, he's already figured out his Personal System is most likely using Binghe's energy as Protagonist to make up for the energy it can't use due to it being partially corrupted, and the energy it needs to save up so SY can go back to the System's head quarters, so it really wasn't a surprise that he would be sent to this specific plot point, but dammit can't he avoid having to be near the place where his favorite character is thrown into hell??

And, well, there's also the problem that a beast attacked him, which meant it saw him, which meant his Ghost Mode was also glitching out, and after fiddling around which a half functioning System interface, it seems that the presence of the virus here is stronger than the other places, though still not the biggest chunk. Truly, just the cherry on top of his situation that he'd have to scurry around and somehow manage to not bump into anyone.

As is his luck, as SY tries to head closer to where his System is signaling the glitch's presence, other monsters continue attacking him, which besides slowing him down a considerable amount, it also causes the risk of him being picked up by the people watching the Conference through the Spirit Eagles circling the area, which is the last thing he needs.

Eventually he goes to the closest spot he can to the glitch, but a snapping sound behind him sends him into full panic. A person stands behind him, which leaves SY wondering how he managed to miss someone sneaking up on him like this. "You seem to have dropped something." the person says, and SY eyes immediately fall to his body, scanning himself to what he might have lost, and his hand basically flies to his throat when he notices the tassle that is usually nestled there is missing. He quickly turns around, only to come face to face to the golden protagonist, mister Luo Binghe himself.

Binghe tries interrogating SY as to what he's doing, sneaking around the supposedly sealed off Conference grounds, and SY, in his panicked state (slightly fuelled by a fanboy-induced craze) tries to fumble for excuses, but only when Binghe finally understands that the feeling he gets when looking at this strange person is an undeniable sense of deja-vu and tries asking SY if they'd met before, a loud rumblind shakes the ground: the Abyss has opened.

SY feels even more panicked, cause what this means is eventually, not only will he be discovered by Luo Binghe (his supervisor is going to kill him), but he could possibly be discovered by Shen Qingqiu, of all people! He doesn't get too much time to think about his grand escape however, as a piercing shriek comes from the Abyss rift. Right, how could he forget about the Black Moon Rhinoceros Python? And-- Oh, of course! Of course the damn thing would be virus-infected object!

After teaming-up with Binghe, the both of them manage to subdue the monster long enough that SY managed to snip it, though while they both catch their breath, SY belatedly realizes he just helped Binghe fight with the monster he was supposed to fight. Alone! The monster who was supposed to break his demonic seal! And, like clockwork, he can distantly hear what can only be SQQ's hurried steps through the forest! FUCK!!

With no other option, and Binghe now wanting to continue his interrogation, SY hurriedly start to walk towards the Abyss rift, frantically giving Binghe tips about what he could do in the Abyss to have an easier time, though when he catches a glimpse of green robes between the trees, SY types something on a floating screen and jumps backwards, Binghe letting out a shocked scream. Unfortunately, the protagonist won't be able to do nothing about the seemingly insane and way too familiar man who just jumped into the Abyss, as a rustling sounds behind him, and he's met with a newly regenrated Black Moon Rhino.

SY feels horrible about spawning a new one after Binghe just finished fighting one, but the story must continue, and with his Personal System finally free from most of the virus corruption, SY leaves one last gift as an apology and warping away before hitting the Abyss' ground. Later, when Binghe wakes up at the bottom of the rift after being pushed by SQQ, the first thing he sees is a qiakun pouch, full of useful items and tiny note at the bottom that reads 'Sorry!'

Pt.2

Pt.3

[greaseonmymouth]

I saw this shared around on Threads (why do I go there, I hate it) and commented on as 'this article is so good' and 'must read' including by a few people whose opinion I normally respect, and seeing as monsterfucking and monster everything is like a special little interest for me, I of course instantly clicked through to read it

and I have to say

what the everloving heterosexual fuck is this

two fat paragraphs about omegaverse that don't even mention its origins - I mean - I just - gaze upon this phrase, and despair:

During estrous, Omegas’ vaginas ooze with “slick,” responding to the Alpha’s intoxicating pheromonal perfume.

IT'S CALLED "SLICK" BECAUSE IT'S FROM SELF-LUBRICATING ANUSES. THE REASON THE OMEGAS NEED SELF-LUBRICATING ANUSES TO BEGIN WITH IS BECAUSE THEY DON'T HAVE VAGINAS.

I. have been rendered figuratively speechless. the straights don't know what slick is. the. i. how. how did we end up like this

their dicks swell at the base, creating a “knot,” which lodges them inextricably in the Omega’s slick-soaked (I am so sorry) vagina.

"(I am so sorry)" girl you're writing an article about monster smut and then you have the gall to be embarrassed by the this tame ass (or should i say vagina?) heterosexual omegaverse?

okay, okay. deep breaths. we've only just got started. we started by covering Morning Glory Milking Farm, a minotaur/human erotic romance novel, which well - I've read it, and it's not a bad book by any means, it was actually very very good, a solid story with a great cast and perfectly paced and satisfying romance and loads of sex - is very straight. it's just a minotaur. it's a big guy with a big dick. it's your standard gentle giant/normal sized girl romance. it's not very freaky, but you know, I don't blame the average reader for coming into this thinking this is some out there stuff. gotta start somewhere, right? we didn't all come up through draco/the giant squid crackfic in 2005, you know? and now we've covered Sarah J Maas and we're entering omegaverse territory, this is getting knottier now, right, freakier? this article is going somewhere, right?

you can imagine the intrigue, enemies-to-lovers, and other story lines involved as each captured female eventually finds the member of the barbarian tribe who is destined to worship and fuck the living daylights out of her for the rest of their lives. Oh, and their dicks have a sensitive spur on top designed for clitoral stimulation. It’s just as blue and velvety as the rest of their big alien bodies.

okay so the minotaurs aliens are blue now, i guess.

It seems, also, like the romance genre as a whole is being pushed by monster romance to make things in human-human books as freaky as possible.

ohh?? are we finally getting a proper freak on now??

This genre, “why choose?” or “MMF” (or sometimes even MMMF or MMFM), and also known as “reverse harem,” always features a heroine who is showered with sexual attention by men who are also sexually involved with each other.

having a thousand yard stare moment over here

this author seriously thinks that all these heterofied monster romance tropes are paving the way for the real freaky stuff that is, checks notes, "two hockey players fucking each other while the heroine calls the shots"

this author is positing that human queer erotica/romance are freakier than monster erotica/romance. like. she said that. with her whole chest. black on white.

on one hand a monster, an inhuman being, and on the other, a queer person, a human being. and apparently the real freak is not the minotaur or the blue alien. it is the queer human.

is this satire? it has to be, right?

because if it's not satire, this article is an entire case study in itself on the monstering* of queer people. stunning.

*academic term

[solarmorrigan]

For the angst prompt thing: Steddie and "Don't fucking touch me."

Hello! Thank you very much for sending a prompt, I'm sorry it took me so long to post, but I do think this one is my favorite out of all the fills I've done for this prompt list <3

[No warnings; Unnamed Freak (who apparently got a name in the most recent novel, but I didn't know that at the time) is named Oliver]

Angsty-ish Prompt List

-

“I’m gonna step outside for a minute,” Steve leans in to murmur in Eddie’s ear, even though the music isn’t that loud.

“Yeah, sounds good.” Eddie nods, and only just keeps himself from turning to catch Steve’s mouth in a kiss when he feels the brush of his lips against his ear; it’s not his fault he’s developed some kind of Pavlovian association between having Steve’s mouth anywhere near his skin and receiving kisses – but they do have company.

Said company is just Gareth, Jeff, and Oliver, but still. Eddie has some decorum.

Steve stands from the couch and the arm he’d had slung around Eddie’s shoulders slides away slowly, his hand brushing warm and heavy over the back of Eddie’s neck, thumb stroking once, familiarly, along the side of his throat before disappearing entirely as Steve moves towards the front door. He doesn’t do so great with groups of people in small spaces anymore; the noise gets to him, and the heat generated by so many bodies in close proximity tends to give him a headache, so he takes breaks now and then, just to give his brain a few minutes to unbend.

The door swings open on silent hinges (Steve had attacked it with a can of WD-40 and a look of determination earlier today, insisting he couldn’t stand the squeaking anymore; he’s always doing things like that around the house – little repairs, organizing, picking things up, even though Eddie insists he doesn’t have to. He says he wants to, the endearing little weirdo) and Steve steps out into the cool evening, leaving Eddie and the boys behind in the warm light of the trailer’s main room.

“So,” Jeff says, looking up from his spot on the floor and gesturing vaguely at Eddie with his beer can, “how’s that going for you guys?”

Eddie blinks at him. “How’s what going?”

“The whole thing between you two,” Jeff clarifies, and Eddie raises a skeptical brow at him.

“You wanna talk about me and Steve having sex?” Eddie asks.

Jeff’s nose scrunches in distaste. “What? No.”

“Not ever,” Gareth jumps in.

“I mean…” Oliver says with a shrug, flinching when Gareth pelts him with a balled-up napkin.

“No,” Gareth reiterates.

“I refuse to apologize for simple curiosity,” Oliver sniffs, and Eddie, seated next to him on the couch, gives him a shove.

He’s glad his friends are accepting – supportive, even (he’d like to say he wouldn’t hang out with them if they weren’t, but let’s be real: nerds could be hard to come by in their neck of the woods, and as long as they were the quiet type of homophobic, Eddie would probably still play D&D with them. But he’s glad they’re not), but he does have some boundaries.

Like, one or two, maybe.

“I just meant the whole… dating thing,” Jeff says, taking a sip from his beer. “Because I’ll be honest, I really didn’t see it at first, but it actually seems to be working out.”

“Dating?” Eddie parrots blankly.

“Yeah. You guys are in, like, some kind of never-ending honeymoon phase or some shit,” Gareth says. “Hasn’t it been over two months?”

“Uhhh, no, I think you gentlemen are confused,” Eddie drawls. “Steve and I are not dating.”

This declaration is met with a moment of silence.

“Seriously?” Oliver finally says.

“Yep,” Eddie replies easily. “No relationship shit here. Strictly a friends-with-benefits-type deal.”

“Seriously,” Olver says again, flatly this time.

“Yes, Oliver, seriously,” Eddie huffs, reaching over to give him another shove, only to have his hand pushed away.

“Eddie, he was practically sitting in your lap just now,” Jeff says. “You two are all over each other.”

“Constantly,” Gareth adds.

Eddie shrugs. “It’s not like this is a big couch; we gotta squish. Anyway, Steve’s just a touchy kind of guy.”

“He doesn’t sit like that with any of us,” Gareth points out.

“Yeah, well, you guys aren’t the ones receiving benefits,” Eddie says. “You want him to sit on your lap? You could ask.”

Gareth lets his head hang back with a noise of frustration. “That’s not the point, and you know it.”

“Don’t you two go on dates?” Jeff asks. “I’ve seen you at the movies. You talk about going out to eat, doing other shit…”

“Yeah, see, that’s the friends part of friends with benefits,” Eddie snarks. “Friends hang out sometimes, I’ve been told. We are all, in fact, hanging out right now, but that doesn’t mean I’m dating any of you.”

“You don’t see the way he looks at you?” Oliver asks, and Eddie can’t help but scoff.

He appreciates the fact that Oliver is passionate about pretty much anything he does, but it also means he’s given to romanticizing. He doesn’t usually manage to drag Jeff or Gareth in with him, though.

“Pretty sure he looks at me like a friend, because that’s what we are.” Eddie rolls his eyes before offering a smarmy little grin. “I mean, I’m sure he looks at me as an exceptionally attractive friend, but that’s it.”

“Genuinely can’t tell if you’re fucking with us, man,” Jeff says, rolling his eyes.

“Genuinely, I am not,” Eddie promises, taking the last viable swallow from his beer before getting up and heading for the kitchen, wiggling his empty can at the others with a raised eyebrow in question. Gareth raises his own near-empty can with a shrug and Eddie nods. “Look,” he says as he ducks towards the fridge, “Steve isn’t the kinda guy you have a relationship with, anyway, you know?”

Eddie doesn’t mean this in a negative way, just as a matter of fact. Steve just doesn’t seem to be a relationship kind of guy. Nancy had been something of an outlier, in how long she and Steve had lasted, and it had become clear after the dust from the Upside Down had settled that he really doesn’t have any interest in pursuing her further. Just the other day, he’d mentioned to Eddie how difficult relationships can be, and about how glad he is they have their thing together instead.

“Being with you is just… easy,” Steve had said; he hadn’t been looking at Eddie at the time, his face instead pillowed on Eddie’s chest, hair sticking to his naked skin where the sweat was still cooling from their last round, but Eddie could see the edge of a smile on his lips.

And Eddie doesn’t have much experience with relationships himself, but he knows that being friends with Steve is easy and that the sex feels equally easy and that the way he’d agreed with Steve and carded his fingers through his hair had sent Steve right to sleep with that same smile still in place.

Easy.

Now, Eddie shoves his head into the fridge and reaches for the beers that have somehow gotten pushed to the back. “It’s nothing major, okay?” he calls back towards the living room.

“Eddie…” Gareth calls back, an edge to his voice.

“Yeah, yeah, I’m on it.” Eddie waves vaguely, making sure to grab a second beer. “Anyway, Steve’s a good friend, and he’s really hot, and we’re just having fun.”

The bang of the front door against the frame startles Eddie so badly he nearly smacks his head on the underside of the freezer as he stands, a beer clutched in each hand like he might be able to use them as projectiles.

There is no threat, though – just Steve, who had apparently failed to catch the screen door before it had shut too quickly behind him. He doesn’t seem to have noticed; he’s just standing there, staring at Eddie, color rising high in his cheeks, eyes wide and shocked, like he’s just been slapped.

Concern wells up from Eddie’s gut, and he opens to his mouth to ask what’s wrong when Steve finally speaks.

“Yeah,” he croaks, “I’m not having fun.”

Eddie’s brows furrow in confusion, the beginnings of cold dread trickling into his veins well ahead of any conscious thought.

“I think I– I think I should go,” Steve says.

He grabs his keys from the side table by the door, where they’ve lived next to Eddie’s and Wayne’s for the last few months whenever he’s been at the house, and then he’s gone again, the screen door banging shut once more behind him.

And Eddie has no idea what just happened, but he knows it wasn’t good. He drops the beers on the counter and bolts out the door after Steve.

Steve is nearly to his car by the time Eddie scrambles down the front steps, and he’s paying absolutely no attention when Eddie calls after him.

“Steve,” Eddie tries again, stumbling to a stop right behind him as he jams his keys into the driver’s side lock. “Steve, for fuck’s sake, what–” he reaches out, wrapping one hand around Steve’s bicep, and Steve jerks out of his grip.

“Don’t fucking touch me,” Steve snaps.

Eddie pulls his hand back, but doesn’t step away, entirely baffled by the sudden turn the evening has taken. “What the hell happened back there?”

Steve goes still, grip going lax on his keys. “I heard what you said, Eddie.”

“About – about what? Are you mad I was talking to them about us sleeping together? Because, Steve, they already knew,” Eddie insists, a little incredulous. “You said you were fine with them knowing! You were practically feeling me up in front of them!”

“I don’t give a shit if they know we’re having sex!” Steve hisses, finally whirling around to look at Eddie. “I meant the rest. About how I’m not the kind of guy you have a relationship with.”

Eddie’s stomach sinks. He hadn’t realized that was such a sensitive subject. “I – shit, I wasn’t trying to hurt your feelings, I just didn’t think you wanted–”

“About how we’re just having fun,” Steve cuts in, and if he’d sounded raw before, his voice is practically ground down to nothing now.

That brings Eddie up short. “…aren’t we?” he asks after a moment.

Steve says nothing.

“I mean, shit, Steve, it’s not like we’re in a relationship,” Eddie says, offering a little laugh, because even Steve would have to admit that the idea is a little silly.

Except.

Except Steve just glances away, staring at the ground beside Eddie’s feet, and – oh, shit.

“Oh, shit.”

Steve is still unnervingly silent, one arm curled around his middle while the other hand comes up to pinch briefly at the bridge of his nose. He still won’t look at Eddie.

“You… you thought we were,” Eddie says dumbly, and Steve shrugs.

“Can you blame me? We spend all our time together, Eddie. I’m here more than I’m at my own house, I think I can count on one hand the number of times I’ve slept in my own bed in the last month. We go out and do things together, I try to keep things nice around the house because I want Wayne to like me, we have, like, a lot of sex, and– we… I mean, we kiss and touch and just – do shit like that even when it doesn’t lead anywhere.” Steve shrugs helplessly, finally looking up. “I mean, Christ, Eddie, what did you think we were doing?”

“I thought we were friends!” Eddie insists. Steve throws him an incredulous look and Eddie amends, “With benefits!”

“Right.” Steve’s expression flattens back out, going cold and hard and unlike anything Eddie’s become used to from him. “Because I’m not the kind of guy you’d want to have a relationship with.”

“I said that because I thought you didn’t want to be in a relationship!” Eddie snaps. “It’s not like you stay with anyone for very long, so I just assumed you didn’t want to be with anyone.”

Some of the ice retreats from Steve’s face, leaving a watering kind of hurt in its stead. “Do you listen to me at all when I talk?”

“What? Of course I do!” Eddie might have gotten turned around in certain respects, but he will not have his merits as a friend called into question; of course he listens to Steve.

“Are you sure? Because I talk about you an awful lot. I talk about doing things with you, about doing things in the future with you,” Steve says pointedly, “about how I want to stay with you.”

And Eddie had wanted Steve to stay with him, too. He’s just been thinking – well, he’d thought it was because they get along so well, that Steve had wanted to stick around. That it had only made sense.

“We never talked about… being anything else,” Eddie says, the protest a little weak even to his own ears. “I’m pretty sure I’d remember that.”

Steve pulls a sharp breath in, pinching at the bridge of his nose again; he leaves his hand there this time, eyes scrunched shut. “Just a few days ago, I told you how much I liked being with you. How good and how easy it felt compared to anyone else I’ve ever been with,” he says, barely more than a rough whisper. “And you said…”

I like being with you, too.

Eddie had said that.

He’d meant that he likes being around Steve, likes being his friend, definitely likes having sex with him, but he’d said it while combing his fingers through Steve’s hair, while cuddled up with him in bed, and – okay, yes, he can see the mixed signals there. He can see where Steve might have gotten the idea that they didn’t have an arrangement, that they were just together.

“I– I didn’t mean–”

“Obviously,” Steve snaps, dropping his hand from his face and turning back towards his car.

Eddie tsks, frustrated, and reaches out to grab Steve’s wrist – not pulling, just trying to keep his attention.

“Don’t,” Steve warns him, pulling back from his grasp for a second time.

“I didn’t mean to lead you on,” Eddie tries desperately. “I really… I really didn’t.”

“Yeah. I can see that. But Eddie…” Steve is quiet for a moment, posture so tense and still that Eddie suspects he’s not even breathing. “I’m probably the best-qualified asshole around to tell you that you really have to fucking think about how what you’re doing affects the people around you.”

Somehow, that stings more than any screamed insult Steve could have thrown at him.

“Steve…”

“I’ll come get my shit out of your place tomorrow,” Steve says, low and sharp, before getting into his car and slamming the door behind him.

After that, Eddie has no choice but to step back or get run over, and he watches until Steve’s taillights are no longer visible.

He can hear the hissing of some whispered conversation just beyond the door as he trudges back up the front steps, but his friends fall conspicuously quiet the moment he steps inside.

“…hey,” Gareth finally ventures after several seconds of awkward, sticky silence.

“Hey,” Eddie says flatly.

“Do you… want us to stay?” Jeff asks.

Slowly, Eddie shakes his head. “I think I should… I need to– think about shit.”

The boys all nod, throwing him variously sympathetic glances and clapping him on the shoulder on their way out. Oliver pauses, as if he’s going to say something, but Gareth gives him a shove and gets him out the door before he has the chance. Probably for the best.

Eddie feels numb as he trudges back towards his room, trying to figure out what the hell had just happened.

He flops down on his bed, face landing in a pillow that smells entirely too much like Steve’s shampoo. Probably because it’s on the side of the bed that Steve always takes. Next to the nightstand with the small stack of sports magazines that definitely aren’t Eddie’s. And the spare pair of glasses that also isn’t Eddie’s.

With a low tug in his gut, Eddie realizes how much of Steve’s stuff has crept into his room, into the trailer, into his life – how much Steve has become a part of his life, how much of Eddie’s day has been built around him, how much he’s come to lean on his presence, has come to want him there.

And Steve is going to take it all back sometime soon. Take all of his things away before he removes himself from Eddie’s life, too, because Eddie hadn’t been thinking and he hadn’t been careful and he hadn’t realized–

Eddie’s pretty sure he just broke up with Steve.

He’s also pretty sure he hadn’t wanted to.

His main consolation, as he curls up on his side, nose still buried in Steve’s pillow, is that as soon as Robin hears what happened (and she will hear, he has no doubt), she’ll probably come murder him.

At least he won’t have to wallow for long.

Part 2

[dragonsbluee]

So I've recently been re-reading TCF And chapter 196 is such an excellent example of how Cale interacts with the people around him, how he views himself and how they view him. This is also at the point in the novel where he hasn't really accepted that he is Cale now, not KRS, because he doesn't feel like he can.

So anyway, we start the chapter seeing the people of Rain City react to Cale's shield and they say something important!

"Won't he faint is he uses such a large shield? Why doesn't he just activate it when the northern bastards come?" "Can't you tell? He doesn't want to see us or the territory getting hurt at all."

At first, I thought this was just the regular drama of people reacting to Cale, but then Choi Han, the kids, and Ron tell him he's being ridiculous, and I realize the townsfolk are right.

The Wyvern Battle is only the 2nd or 3rd major battle Cale has been in so far but only as Cale. As KRS, he's done this before, and having read later chapters, we know Cale holds so much guilt over those battles and how he wanted to keep those he cared for away from it all but couldn't. After all, record only gives him information to guide them and make plans; he often couldn't physically protect them. How many times has he defended a shelter or teammates and wished he could have just covered them all with a shield instead of giving commands from the back? We know how guilty he feels over Choi Jung Soo and Lee Soo Hyuk's deaths.

He knows he doesn't have to keep it up, and he's the one who spreads a rumour that it's taking all of his energy, but he's already considering himself a "bad person" for taking military command and only giving orders. (except that's what it means to take military command?) There is absolutely another motive for keeping the shield around the city. Cale wants the opposing forces to view him as weakened, or he doesn't want people to think his power is as strong as it is. However, at the same time, he's absolutely protecting them because, just like the townsperson says, he doesn't want to see any of them get hurt by an attack he could have blocked.

Cale is doing what he can to undermine himself while claiming he's going to make everyone else the hero of this battle, but he won't drop the shield, which means no one can disregard or forget his involvement. It's not intentional! He's just literally made himself the first line of defense as a direct parallel to every time he was the last line as KRS. He wants to stay at the back, he does not plan to get involved unless he has to, but Cale won't let himself stay out of it. So the shield goes up and stays for multiple days.

Meanwhile, all Choi Han, Ron and the kids see is Cale surrounded by paperwork (because taking command of the entire Northeast is a lot of work), keeping a shield up that's known to make him cough up blood (they don't know about it getting stronger or the vitality of heart), and only sleeping 1 to 2 hours a night (thank you crybaby), so they assume it's a combination of work and concentration to keep the shield up. As usual, they're worried and frustrated at Cale's self-sacrificing tendencies.

We haven't even gotten to the actual battle yet, but this is such a great setup of how it's going to go and how the novel goes.

[fuckyeahgoodomens]

David Tennant at This Morning show with Alison Hammond and Dermot O’Leary talking about Good Omens Season 2, 11.07.2023 :) ❤

DO: And David joins us now. I mean, this looks like a great show.

David: Oh, yeah.

DO: So, I mean, It's pure Terry Pratchett and Neil Gaiman, isn't it?

David: It is, yeah.

DO: The whole thing. So tell us, so if people haven't seen the first series and they want to go back, set the whole scene.

David: So I'm Hell's representative on Earth, Michael Sheen is Heaven's representative on Earth, put there to do the biding of our respective Head Offices. But we found out that if we became mates and sort of helped each other out, it kind of cut out the workload, cancelled each other out. So we're best mates. But in Series One we end up having to avert the apocalypse, which we managed to do, but as a result of that, we get cut off. So we're now living on Earth as independent individuals.

AH: So do you still need each other, then?

David: We still need each other. We've only got each other now because we don't have Heaven and Hell anymore.

DO: Because you both love earth so much, you both like.

David: Oh, we much prefer living on Earth because Heaven's a bit stuffy and Hell's awful.

DO: So you conspire to thwart the Armageddon. Exactly.

David: We thwart the Armageddon. That's fine. But Series Two begins when the angel Gabriel, Jon Hamm, who you just saw there, shows up at Aziraphale, Michael Sheen's bookshop, naked with no memory, holding a cardboard box. So suddenly we're locked into the politics of Heaven and Hell again. We don't know what's going on. We've got a mystery to solve. Why is the angel Gabriel here? The angel Gabriel tried to kill us both at the end of the last series, so we've got to...

DO: But now he's kind of got amnesia and...

David: Yes. So he becomes like our weird child, in this sort of weird sort of eternal marriage that Michael and I are locked in.

DO: So many shows now use a book as their base and then they do really well and you can see the company and the writers go, better come up some new ideas, I suppose. So the book's obviously Terry Pratchett and then Neil Gaiman, correct?

David: That's right. They wrote that together years and years and years ago. Much beloved. And that's what the first series was. But Neil and Terry had always talked about possibilities of this sequel that they never got around to making. Terry's no longer with us. But when the possibility came up, Neil thought, well, listen, I've got some ideas. Let's spin it forward. Let's see if we can tell the story we were always going to tell. So we get to come back.

AH: Should we have a little sneak look at the new series? Let's have a look. So good. Did you ever think it was going to be this successful? Did you even know that you were going to go into a second series

David: Oh, no, not at all. No. There was only one novel, so we just thought we were coming together to do that. And I didn't realise how beloved this book was. I first read a script. But it means a lot to a lot of people.

AH: And the look of you is so striking. Did you have any input into that? A bit, yeah, we sort of all found it together, myself and makeup and costume and Neil Gaiman, who ran the show. So, yeah, we kind of arrived... in the book he's a bit more - because obviously the book was sort of early ninetues, so he was a bit more sharp-suited and a bit more Wolf of Wall Street. So we've kind of had to find the kind of modern equivalent of that.

DO: Is he... obviously you're playing a demon. Has he got any humanity in him or is he purely self-centered?

David: Well, he's not a very good demon. He's good at sort of the snarl and the swagger and pretending that he's terribly cynical, but actually his problem is that he's a bit too...  there’s a bit too much heart, really.

DO: He's alright

David: Yeah, yeah.

DO: Must be wonderful playing a baddie.

David: Oh, it's great fun, but he's not a baddie, is not really a baddie.

DO: Yeah, yeah.

David: And just like Aziraphale angel is not always as goody goody as he likes it, so they meet very beautifully in the middle.

DO: You and Michael Sheen. I mean, you've worked together a fair bit, don't you. I loved Staged. That was such fun.

David: Yeah!

AH: Have you ever not worked together?

David: Now we only work together.

AH: All the time.

David: Yeah. I mean, He's not sitting on this sofa, but he is backstage. We can't be apart.

DO: He's speaking in his ear right now.

David: Exactly, yeah.

AH: But you are... you have got a genuine friendship. You're growing old together gracefully.

David: We're growing old together?!

AH: You look good for it, I'm not going to lie. What's the secret, babe?

David: A lot of makeup. It's very thick.

AH: We've got to talk about the fact that you are returning to Doctor Who.

David: Ah, yes.

AH: I can't believe this. And can you tell us anything at all?

David: I mean, beyond that I'm doing it? I think...

AH: No.

David: Really. Because that's the fun of it, isn't it? Hopefully tt was a bit of a surprise when I showed up. When Jodie Whittaker regenerated into me.

AH: We were shocked.

David: It was a bit of a surprise, so we wanted to sort of keep some shocks, but Catherine Tate's back, so it's a bit like 15 years never happened, to be honest.

DO: Know about it for a while. Like... did Russell T get in touch and say...

David: Yeah, it sort of gradually kind of evolved as an idea and we thought maybe they'd let us do a one off for old time's sake. And then suddenly it became a bit more than that and we were back for a bit of a run.

AH: So how many episodes did you get to do?

David: We did three.

AH: Wow. That's incredible. What's it like to be back? Did he just slot straight back in?

David: I mean, sort of. It felt weirdly familiar. Yeah. And you think, 'Oh, will I still able to run as fast? Can I still kind of...?' But it was like we'd never been away. It was joyous. Yeah.

DO: And could we talk about your son? Because is your son in Good Omens with you?

David: Ty's in... has a part in Episode Two of Good Omens.

AH: Is he?

DO: And I loved him in House of the Dragon.

David: I know. He's very good. He's very good.

DO: What a relief.

David: There he is. I know, what a relief. Exactly. No, I mean...

AH: Imagine if he was bad.

David: Imagine if he was rubbish. How would we tell him? Sit down, listen...I know it's sort of the family business, but maybe joinery? So... no, he's really good. And he's annoyingly good looking. You know, he's just got it all. So it's lovely and great to get to work together. Brilliant.

[lgbtlunaverse]

What kind of saber is baxia anyway?

I love my bloodthirsty princess of a cursed blade, and in my heart of hearts i am nothing but a sword nerd, so i've been extremely fascinated by Baxia and how we know frustratingly little about what she actually looks like!

I mean, look at bichen, right?

Bichen in the donghua:

Bichen in the drama:

They're clearly not exactly the same. The scabbards are different, and the guards have a different shape. But these are recognizably different iterations on one theme, right? Thin jian with a white grip silver guard, light blue tassel and silver mounting accents on the scabbard.

Now this is baxia in the donghua:

And baxia in the drama:

????????

THAT'S A COMPLTELY DIFFERENT WEAPON

it doesn't stop there either, the audio drama is kind enough to give us ANOTHER COMPLETELY DIFFERENT BAXIA

pretty! But how is that he same sword??

And when we go back to the novel, we get very little information on her appearance other than the fact that her blade is tinted red with all the blood she's absorbed. Which none of these designs incorporate.

This is not a dig on the designs itself, they're all quite gorgeous in their own right and i'm going to spend a while discussing all of them! Because isn't it fascinating how, since we know little about novel baxia beyond "saber" all of these designs ended up so different? What kinds of sabers are these, anyway?

So, a chinese aber, aka a "dao" (刀) just means a sword that has only one cutting side. As opposed to a jian, which has two.

You can see how that leaves a LOT of room for variaton.

I've actually seen some people get confused because Huaisang's saber in the untsmed is thin and quite straight, making it superficially resemble the jian more than drama!baxia, but it is still clearly a saber!

See? only one cutting blade!

This, to me looks a lot like a tang dynasty hengdao

credit to this blog for providing his image and being a great source for all this going forward.

TANGENT: during all this I found out the english wikipedia page for dao is WRONG! Ths is what they about the tang hengdao!

So that sounds like the hengdao was called that during the sui dynasty, but then, after that, started being called a peidao, right?

WRONG

I LOOKED AT THE SOURCE THEY USED AND IT SAYS THIS:

IT WAS CALLED THE PEIDOU UNTIL THE SUI DYNASTY, AT WHICH POINT IT WAS CALLED A HENGDAO. Which would carry over to the Tang dynasty. This was the source wikipedia linked! and it says something else than they say it does!

Anyone know how to edit a wikipedia article?

ANYWAY

BACK TO BAXIA

Since we're already at the drama, let's look at drama baxia: She's also straight! the general term for straight-backed saber is Zhibeidao, but that's a modern collector's term, and doesn't really say anything about which historical kind of saber baxia could be based on. Another meta i found on the drama nie sabers already went on some detail here.

I'm gonna expand on that a little: The kinds of historical straight-backed sabers we see resemble the hengdao a lot more than they do baxia. They don't go to their point as harsly as she does (she's basically a cleaver!) and they're all way skinnier.

No, my personal theory is that instead of being based on any kind of historical sword, drama!baxia is based on a Nandao.

I mean, come on, look at it!

Baxia!

The Nandao... isn't actually a historical sword. It was invented for Wushu forms. There's a really fascinating article about its conception, but that's why the swords in the images look a little thin and flimsy. Wushu swords are very flexible and light, they're dance props, not weapons to fight with. There are actual steel versions of Nandao, but they're recreations of the prop, not the other way around.

So That's one way in which Baxia differes from the Nandao: she's actually a real weapon. The other is that, as you can see above, the nandao has an S-shaped guard. Baxia doesn't. She's also much more elaborately decorated, of course. Because she's a princess.

Now: audio drama baxia!

This is much easier. with that flare at the tip?

Oh baby that's a niuweidao, all the way!

There are more sabers with that kind of curved handle, but the broad tip is really charcteristic of the niuweidao. The Niuweidao is also incredibly poplar in modern media, often portrayed as a historical sword, but it originated i nthe 19th century! And it was actually never used by the military!

That's right, the Niuweidao was pretty much exclusively a civilian weapon! That makes its use here anachronistic, but so is the nandao, and considering that the origin story of the Nie is that they use Dao intead of Jian because their ancestors were butchers, portraying them with a weapon historically reserved for rebels and common people instead of the imperial military is actually very on theme!

Finally, Donghua/Manhua baxia. These two designs are so similar I'm going to treat them as one and the same for now.

Unlike both previous baxias, The long handle makes it clear this baxia is a two-handed weapon, though Nie Mingjue is absolutely strong enough to wield her with one hand anyway. Normal rules don't count for cultivators.

Now, this is where things get tricky, because there are a lot of words for long two-handed sabers. And a lot of them are interchangable! This youtube video about the zhanmadao, one of the possible sabers this baxia could be based on, goes a little into just how confusing this can get. This kind of blade WAS actually in military use for many centuries, making it the most historically accurate of all the baxias. But because of that it also has several names and all of those names can also refer to different kinds of blades depending on what century we're in.

So here's our options: i'm going to dismiss the wodao and miandao, because these were explicitly based on japanese sword design, and as we can see manhua baxia has that very broad tip, so that won't work

(Example of a wodao. According to my sources Miaodao is really just the modern common term for the wodao, and the changdao, and certain kinds of zhanmadao... do you see how quickly this gets confusing?)

Next option: Zhanmadao.

Zhanmadao stands for "horse chopping saber" so... yeah they were anti-cavalry weapons. meant to be able to cut the legs and/or necks of horses. That definitely sounds like a weapon Nie Mingjue would wield. But if you watched that youtube video i linked above, you'll know the standardized Qing dinasty Zhanmadao looked very different from earlier versions. It was inspired by the japanese odachi, and more resembles the miandao than its ealrier heftier counteprarts.

Earlier Ming dynasty Zhanmadao on the other hand were... basically polearms. the great ming military blog spot, another wonderful source, says these are essentially a kind of podao/pudao (朴刀) which looked like this

Now that blade looks a lot like baxia, but the handle is honestly too long. Donghua!baxia straddles the line between sword an polearm a little, but while zhanmadao have been used to refer to both long-handled swords and polerarms, this was undeniably a polearm, not a sword.

If you want to know what researching this was like, I found a picture of this blade on pinterest-- labeled as a "two-handed scimitar"-- and the comment section was filled with people arguing about whether this was a Pudao, Wudao, Zhanmadao, Dadao, Guandao, or a japanese Nagita.

So... that's how it was going. This has kept me up until 2 AM multiple times.

However! Thanks to this article on the great ming military blog I found out there have historically been pudao blades with shorter handles!

Specifically, Ming dynasty military writer Cheng Ziyi created a modified version of the pudao to work with the Dan Fao Fa Xuan technixues-- aka technqiues for a two-handed saber, which would alter heavily influence Miaodao swordmanship-- thereby, as the article points out, essentially merging the cleaver-polearm type Zhanmadao with the later two-handed japanese-inspired design.

This is the illustration for the Wu Bei Yao Lue (武備要略) a Ming dynasty military manual

This blade shape in the illustration doesn't match Baxia exactly, but since it's a lengthened Pudao-like blade and we've seen above that those can match Donghua Baxia's shape, i'm gonna say that calling Baxia a Zhanmadao with a two-handed grip isn't all that innacurate!

However, because all of these terms are so intertwined, there are a dozen other things you could call her that would be about equally correct.

To show that, here's a lightning round of other potential Baxia candidates:

Dadao (大刀)

Which are generally one-handed and too short. However!

Another youtube video i found of someone training with a Zhanmadao that resembles baxia a little also calls it a "shuangshoudai dao" (雙手带 刀) shuangshou means two-handed, and while 雙手带 seems to refer to a longer handled weapon, when looking for a shuangshou dao or shuangshou dadao (双手大刀) we find a lot more baxia-resembling blades like here and here

I also found that, while the cleaver-like Dadao is strictly a product of the 20th centuy, since dadao just means big sword or big knife, it has been used to refer to loads of different weapons! Some people could've called the zhanmadao and pudao "dadao" during the Ming dynasty as well.

Another potential baxia candidate that mandarin mansion classifies as similar to the later dadao (though longer, as seen in the illustration below) is the "Kuanren Piandao"

Which piqued my interest because this diagram classifying different tpye of Dao:

Claims that a Kuanrenbiandao (diferent spelling, same sword) is the same as a modern day Zhanmadao.

(So once again, all of these terms are interchangable)

Another opton Is the Chuanmeidao/Chuanweidao (船尾刀) below you can see a diagram, based on the Qing dynasty green standard army regulation, of blades all officially classified as types of "pudao"

The top middle is the Kuanren Piandao, and bottom left is the Chuanweidao.

Both of these have a lot of baxia-like qualities.

So there you go! live action baxia is based on a Nandao, audio drama baxia is based on a Niuweidao, and Manhua/donghua baxia is some kind of two-handed Zhanmadao/Pudao/Dadao depending on how you want to look at it.

I'm honestly surprised no one has made the creative decision to portray Baxia as a Jiuhuandao, aka 9 ringed broadsword yet.

I mean look at it! Incredibly imposing. Would make for a great Baxia imo. (@ upcoming mdzs manga and mobile game: take notes!)

[cowboybeepboop]

I'm not too sure if you're still taking requests but I was wondering if you can do a Scott from twisters and a super shy reader one? Like it could be Scott is her boss or something and he notices that she's super timid and shy and takes care of her. It could be fluff or smut but mostly leaning towards smut lol

I absolutely love all your work and you are such a talented writer!

Pairing: Scott Miller x fem! Reader

Genre: Romantic smut with fluff at the end

Word count: 5 k

Warnings: a little bit of roughness, p in v sex, fingering, semi public sex

a/n: Omg, I’m actually so excited you requested this bc I’ve been thinking of writing something similar for a bit. I’m always happy to take requests as well 😝 Also thank you so much! I hope this lives up to what you were expecting <3

You’ve been working at a small publishing company for the past couple months. It’s all been great, aside from the *strange* interest your boss Mr. Miller has taken in you. He seems to thrive on pushing your boundaries and putting you in situations that you would usually try and avoid. But at least he doesn’t yell at you or get on your ass about every small detail like he does with the rest of his crew.

The office buzzed with the usual cacophony of clicking keyboards and hushed conversations, but your desk remained a bubble of relative calm. That was, until James, the office chatterbox, perched himself on the edge of your table, his elbow propping up a paperback novel and his legs swinging carelessly.

He had a way of invading personal spaces without so much as a knock. "Hey, could you just...?" he began, dangling a manuscript in the air expectantly. It was the third time that week he'd asked you to cover for him. His eyes sparkled with the hope that you’d once again take the bait.

Your heart sank, knowing you couldn't refuse him without causing a scene or damaging the precarious office dynamics. But before you could utter a word, Mr. Miller's sharp voice sliced through the air like a hot knife through butter. "James," he barked, his stern gaze sweeping over the room and landing on the manuscript in James' hand, "this is the third time I've caught you offloading your work. Do it yourself or face the consequences."

The room fell silent, and James, caught in the act, had the decency to look sheepish. He scurried away, muttering something about deadlines and coffee. You couldn't help but feel a twinge of gratitude towards Mr. Miller, despite his mysterious intentions.

Your eyes brightened as you smiled up at your boss, giving him a silent “thank you”. Mr. Miller's gruff expression did little to hide the smug satisfaction that briefly flashed across his face before he turned away, the tension in the room dissipating as swiftly as it had appeared.

He marched back to his office, the heavy door swinging shut behind him with a decisive thud. You watched him go, feeling a mix of relief and curiosity about the enigmatic man who had just come to your aid. The silence was broken by the resumption of whispers and the shuffling of papers, but your thoughts remained fixed on the peculiar exchange.

You chew on the cap of your pen as your mind continues to wander to your boss. The tall and buff man who never lets a single hair get out of place. You couldn't deny the undeniable attraction you felt towards Mr. Miller, despite his brusque demeanor. His piercing blue eyes, chiseled jawline, and the way his tailored suits hugged his broad shoulders had not gone unnoticed by the female staff, or anyone with a pulse for that matter.

Yet, his rough around the edges personality kept everyone at bay, except for you. The way he'd occasionally drop a curse word in the middle of a meeting or roll up his sleeves to reveal strong muscles was oddly charming. You found yourself eager to learn more about the man behind the stern facade, hoping that there was a softer, more approachable side to him that the office hadn't yet discovered.

As the lunch hour begins, Mr. Miller steps out of his office, his gaze sweeping over the bustling office. He spots you, diligently working at your desk, and saunters over. He leans against your cubicle, arms crossed, emanating a mix of authority and nonchalance. His eyes lock onto yours, a subtle smirk tugging at the corners of his lips.

“So,” he drawls, his gruff voice a contrast to the ambient office chatter, “busy day, huh?” Your gaze meets his.

“Yeah, I guess so.” You give him a soft smile before looking back at your computer screen, trying to ignore the way your heart rate picks up in his presence.

“Uh-huh.” He lets out a low, contemplative hum, his eyes studying you, making you feel almost exposed. His gaze lingers a beat longer than necessary before he glances away.

“You look... stressed,” he comments, his tone casual but his observation astute. He leans in just a bit closer than what would be considered appropriate for coworkers.

You gulp as you lean back in your seat, trying to create distance between the two of you. “I’m not stressed.” Your pitch becomes slightly higher as a soft flush paints your cheeks.

Mr. Miller notices your shift backwards and the subtle rise in your voice, his smirk growing as he pushes himself off the cubicle wall and stands tall over you. He towers over your sitting form, the intensity in his gaze increasing.

“You sure about that, sweetheart?” he drawls, the last word rolling off his tongue in that way that always makes your heart skip a beat.

“Uh, Mr. Miller?” Your voice cracks a little as you shoot out of your chair. “I’ve got to go grab some things from the storage room.” you mumble as you slide past him.

Scott watches as you dart out of your seat, his smirk still firmly in place. He allows you to brush past him, his eyes following your every step. He waits a beat, letting you gain a small lead, before he slowly starts to follow you, his footsteps nearly silent. His eyes never leave your form as he continues to walk a few feet behind, his hands shoved into his pockets.

You open the door to the storage closet, taking a deep breath as you walk inside. An annoyed sigh leaves your lips as you notice the stapler you need is on the top shelf. You stand on your tippy toes, which doesn’t get you close enough so you begin to jump, not noticing your boss standing against the closed door.

Mr. Miller stays back, silently leaning against the door as he watches you attempt to reach the stapler on the top shelf. A hint of amusement dances in his eyes and a slight smirk tugs at the corners of his lips. He remains quiet, a silent observer of your struggle.

He lets you jump for a few moments, enjoying the way your body rises up and down, before he finally makes a sound. “Need some help there, sweetheart?”

“Oh shit!” Your eyes widen as you turn around, startled by his voice. He chuckles, the sound low and rough, as you inadvertently collide with his chest. He leans down, reaching easily over you and plucks the stapler from the top shelf. His other hand lands on your hip to steady you, his grip firm but not unwelcome.

“You’re a bit jumpy, aren’t you?” he teases, his voice a low rumble. He looks down at you, his eyes glinting with amusement.

You clear your throat as your eyes fall to the floor. “I didn’t expect you to be in here,” you fix your skirt as you shift awkwardly.

Mr. Miller takes a step closer, closing the distance between the two of you, effectively trapping you between his body and the wall. He looks down at you, his eyes darkened with something you can’t quite place.

“You didn’t expect someone to walk into the storage closet?” he asks, his smirk turning into a small, sly smile. He raises the stapler in his hand, still grasping it just above your head, his forearm mere inches from your face.

“Well,” you look up at him, chewing on your bottom lip. “Everyone else went to lunch, so I didn’t expect anyone to come in…” your voice trails off as you glance past him at the closed door.

Mr. Miller notices your gaze flicker to the door, his smirk widening as he leans closer, his free hand bracing against the wall beside you, effectively caging you in.

“So you thought you’d be all alone in here, did you?” he drawls, his voice lower and more intimate, the scent of his cologne filling your nostrils. He shifts his foot, his legs now bracket yours, trapping you even more effectively.

“Mr. Miller?” You press your hand against his chest, pushing his body slightly. A dark blush paints your skin as you gaze up at him.

Scott feels your hand push against his chest, but he doesn't budge. Instead, he leans in closer, his body practically flush against yours. His eyes roam over you, taking in the way the blush colors your skin.

“Yes, sweetheart?” he responds, his voice a deep rumble. His hand on the wall moves to your waist, his fingers splaying out across the thin material of your blouse.

“What are.. are you doing?” You gulp as he pulls you closer to him. Scott lets out a low chuckle, his smirk still firmly in place. He continues to press you against the wall, his body almost enveloping you completely.

“What does it look like I’m doing?” he drawls, his hand on your waist shifting slightly, his thumb starting to trace small, infuriating patterns across your hip bone.

You lean into his chest with a soft gasp at his touch. “This isn’t very, uh, professional…” you groan out as his hands trail over your skin.

Scott lets out another deep chuckle, his touch growing more purposeful as his hand continues its maddening journey across your skin. He can feel your body responding to his touch, your gasp of pleasure feeding his growing desire.

“Professional…” he echoes, his voice a low rumble in his throat. “It’s lunch break, sweetheart. There’s no one here but you and me.” He leans closer, his lips hovering just above yours, his breath hot against your skin. “And I don’t feel like being professional right now.”

Scott’s smirk turns into a full-fledged smile as he reads the clear invitation in your eyes. Before you can fully process his intentions, he pulls you into a passionate kiss, his hands sliding your skirt up as he does so. Your body responds instinctively, your arms wrapping around his neck as his lips claim yours.

His touch is surprisingly gentle, yet firm, leaving no room for doubt or denial. You can feel the heat from his palms as they graze the bare skin of your thighs, sending shivers down your spine. His kiss is demanding but not aggressive, a silent declaration of his desire that you find yourself unable to resist.

The sound of your breath mingling with his fills the small space as your hearts race in tandem, the line between professionalism and passion blurring like the ink on a freshly edited manuscript.

Mr. Miller's hand slides down further, slipping under the hem of your skirt and brushing against the silk of your panties. His touch sends a jolt of excitement through your body, making you squirm against the wall. He chuckles against your lips, feeling your wetness through the thin fabric.

His fingers trace the edge of your panties, teasing the sensitive skin before hooking them and sliding them down your thighs. His palm flattens against your bare mound, the heat of his hand sending a rush of pleasure through your core. You gasp into his mouth as he massages you, his thumb circling your clit with a masterful pressure that leaves you trembling and desperate for more.

The storage room suddenly feels much smaller as your world narrows to the feel of his body pressing against yours and the sensations he's coaxing from your body. Your thighs instinctively squeeze around his arm as he expertly works his thumb against your clit, his movements growing more insistent and deliberate.

His other hand moves to the small of your back, pressing you harder against the wall, his body pinning yours in place as his kiss deepens. His tongue delves into your mouth, mimicking the rhythm of his thumb, and you can't help but moan softly. The pressure builds within you, your breaths coming in short, sharp gasps as you feel the beginnings of an orgasm coil in your belly.

Your hands grasp his shoulders, nails digging in as you try to anchor yourself against the overwhelming sensations. The room is filled with the muffled sounds of your moans and his groans, the only music to the illicit dance of your bodies. His fingers continue to explore, slipping one inside of you, stretching and filling you with a delicious fullness that makes your knees weak.

Your hips buck against his hand, desperately seeking more friction as he whispers dirty words into your ear, his breath hot and heavy. The walls seem to close in around you, and all you can focus on is the exquisite torment he's inflicting, the promise of a climax that seems just out of reach.

You pull away from the kiss, moaning out his name. “Scott..” you bury your face in his neck. Mr. Miller's thumb continues its relentless circles around your clit, his hand curling into a fist as he feels your wetness soaking his fingers. His other hand squeezes your ass, pulling you even closer to his growing erection, which presses against your stomach.

He seems to enjoy the way you're responding to him, the way your body moves with his touch. His teeth graze your neck, eliciting a shiver that runs down your spine, as he whispers in your ear, "You're so fucking wet for me, aren't you?" His voice is thick with lust, his breath warm and heavy against your skin.

Your moans become louder, muffled by his mouth, as he brings you closer and closer to the edge of ecstasy. The storage room feels like it's spinning around you, your body a taut bowstring ready to snap. And just when you think you can't take it anymore, Mr. Miller's thumb presses down hard on your clit, and you shatter in his arms, your orgasm ripping through you like a wildfire, leaving you boneless and panting against the wall.

As the intensity of your climax subsides, Scott’s kisses turn tender, pressing against your cheeks and neck as he supports your trembling body. He gently sets you on your feet, his strong arms keeping you upright as your legs wobble like jelly.

With a satisfied smirk, he withdraws his hand from beneath your skirt and brings it to his mouth, licking his fingers clean with a wolfish gaze that sends another wave of heat through your core. His eyes never leave yours as he tastes you, savoring the sweetness of your arousal.

The intimacy of the moment is almost overwhelming, leaving you breathless and utterly exposed in the dingy office storage closet. You stand there, panting and flushed, unable to look away from the raw hunger in his gaze. The air around you feels thick with unspoken desire, the silence only broken by the distant hum of the office outside the door, a stark contrast to the passionate scene playing out in the shadowy confines of the room.

Your body feels alive, every nerve ending still singing from his touch, and your mind is racing with the implications of what just happened between you. His fingers move to pull the hem of your skirt down, fixing your clothes as he pulls away from you.

He runs a hand through his tousled hair, a satisfied smirk playing at the corners of his lips as his eyes roam over your disheveled form. The sight of you, leaning against the wall, looking utterly spent, fuels his inner dominance, his primal desire to possess and claim.

He takes a step back, putting some distance between you, but his gaze remains fixed on you like a predator studying its prey. He runs a hand along his jaw. "You taste even sweeter than I imagined," he murmurs, his voice low and gravelly.

Your skin turns a deep red as you cover your face in embarrassment. “We should probably go back to work now…” You mutter while trying to change the subject.

Scott lets out a throaty chuckle at your sudden change of topic, his gaze still locked onto every move you make. He can tell you’re feeling embarrassed, flustered by what just took place between you, and he can’t help but find it amusing and adorable.

He takes another step back and leans against the door, arms crossed over his chest now. "That’s the last thing on my mind right now," he responds with a smirk, his eyes raking over your body.

Your hand grasps his arm as you push him away gently. “Mr. Miller,” you bite your lip, “We *should* go get back to work before…” your voice trails off.

Scott’s smirk deepens as you push him gently, his eyes darkening with a mixture of desire and dominance. He doesn’t budge, his body tense and unyielding under your touch. His arms remain crossed over his chest, his muscles corded and taut.

"Before what, sweetheart?" he murmurs, his voice a low rumble in his throat. He takes a step closer, invading your personal space again. "You want to act like nothing just happened in here?“

“No. That’s not what I meant,” your tone is soft as you gaze up at him. “But, we have to go back to work before anyone notices..”

Scott’s smirk softens, his expression gentling a bit as you gaze up at him. He can see the genuine concern in your eyes, and he understands the logical reason behind your words. It’s true that you can’t stay in this storage closet forever, not without the risk of someone discovering what just happened.

He uncrosses his arms and reaches out, taking your chin gently between his fingers. “You’re right,” he murmurs, his thumb tracing a lazy path along your lower lip. “We do need to go back eventually.”

Standing on your tippy toes you pull him into a gentle kiss. Your hand trailing down his muscular chest. Scott melts into the kiss, his arms wrapping around your waist to pull you flush against his body. He returns the kiss with equal gentle passion, his tongue tracing the seam of your lips, seeking entrance.

His hands move over your body, pulling you even closer, his muscles tense and taut beneath your touch, as if he’s holding himself back from losing control.

When the kiss breaks, he rests his forehead against yours, his eyes closed as he tries to regain his bearings. "We should really go back, sweetheart."

“Mhm..” you murmur, “We really should.” You step away with a sigh not willing to leave his embrace. Scott lets out a small huff of laughter at your reluctance to leave.

He understands the feeling, the desire to remain in this intimate bubble you’ve created together, away from the outside world. But he knows just as well as you do that it’s inevitable, you have to go back to work eventually.

"Come on," he says, his voice gruff but gentle. "Let’s get out of here, before we get ourselves into more trouble.” You follow close behind him groaning when you sit back down at your desk, your eyes following him as he returns to his office.

Scott returns to his office, shutting the door behind him with a soft click. He can feel your eyes on him as he walks away, and it takes everything in him to resist the urge to turn around and pull you back into that small storage closet.

He takes a seat behind his desk and lets out a deep breath, trying to focus on the paperwork in front of him, but his mind keeps wandering back to the taste of you and the feel of your body against his.

The rest of the work day drones on endlessly, your eyes constantly flicking between your boss and the clock. You spin in your chair while chewing on your pen again. As the day comes to an end, James finds his way back to your desk this time with a sweet smile as he grabs the back of your chair, turning you to face him.

James approaches your desk, a mischievous grin tugging at the corners of his lips. He gently grabs the back of your chair, spinning it around to face him.

"Hey there," he greets, his smile widening at the sight of you. "Got any plans for tonight?" You gaze up at him with an awkward smile.

“Uh, actually I need to stay late tonight..” you turn your attention back to your computer, fumbling with a few scattered papers on your desk.

James tilts his head as he watches you mess with the papers on your desk, a small frown creasing his forehead.

"Stay late?" he repeats, taking a small step closer to your desk. "Why do you need to stay late tonight?"

Just as you're trying to come up with a response to James' question, Scott's deep voice calls out from his office.

"Ms. Y/N, can I see you in here for a moment?" he calls out, sounding casual but firm. You hurry towards Scott's office, your heart pounding in your chest as you step through the door, Scott is seated behind his desk, papers spread out before him, but his eyes are fixed on you as you enter.

"Close the door," he instructs, his voice low and commanding. The door shuts with a soft click, enclosing you and Scott in the quiet solitude of his office. He watches you move towards him, his gaze intently fixed on you.

"Come here," he commands, beckoning you forward with a crook of his finger. You bite down on your lip as you walk to him, sitting on the desk in front of him.

As you perch yourself on the desk in front of him, Scott's hands come to rest on your thighs, his palms hot even through the fabric of your skirt. He leans back in his chair, his gaze roaming over your body, taking in every detail.

"We need to talk," he murmurs, his fingers tracing lazy patterns on your thighs. Your feet hook into the arms of his chair as you pull him closer to you, your arms wrapping around his neck.

“Mhm, we need to talk.” You look at him with eyes full of desire. Scott's lips curl into a smirk as you pull him closer, his hands sliding up your thighs to rest on your waist. He lets you pull him in, his chair rolling easily as he comes to a stop right in between your legs.

Scott chuckles lowly at your brazen move, a sly smirk tugging at the corner of his lip. His hands slide up your thighs, pushing your skirt higher up your legs until they're resting on your hips.

He looks up at you with a dark, smoldering gaze, his hands squeezing your hips tightly. "Is this how we talk now, sweetheart?"

You pull him into a passionate kiss, Scott grins against your mouth, his hands sliding around to cup your ass as he kisses you back with a fervor that takes your breath away. He stands up from his chair, pressing you back against the desk as he deepens the kiss, his tongue exploring every inch of your mouth.

You wrap your legs around his body pulling him tight against you. Scott groans into the kiss, his body molded perfectly against yours. His hands grip your thighs, holding you in place as he rocks his hips into you, his hard length pressing against the thin fabric of your panties.

He breaks the kiss and moves to your neck, his teeth and tongue nipping and soothing the sensitive skin. "You have no idea how badly I've been wanting to do this all day," he whispers hoarsely.

“Show me how bad,” you moan out, your hands moving to his belt as you fumble with the buckle. Scott grins at your demand, watching as your shaky hands struggle with his belt.

"Impatient, are we?" he teases, his hands covering yours, aiding you in undoing his belt and the button of his pants.

He presses you back against the desk, pinning your hands above your head as his hips grind against yours, his teeth nipping at your earlobe. "I don’t think I’ve ever seen you this eager before, sweetheart."

“Scott I need you,” you moan quietly, “please.” Scott's smirk turns into a full-blown smile at your needy whimper, his eyes darkening with desire. He quickly pulls your panties aside, revealing your wet, swollen sex to his hungry gaze.

His own arousal is palpable, his cock straining against his briefs. With a swift motion, he releases himself and sheaths it with a condom he's had in his pocket, anticipation making his hands shake slightly. He lines himself up with your entrance and with one powerful thrust, he's inside you, filling you completely.

You gasp into his mouth as he starts to move, his strokes deep and measured, his hands holding you down on the desk as he takes you over and over again. Each thrust sends waves of pleasure crashing through your body, making you arch into him, desperate for more.

The sound of your moans mingles with the rustle of paper and the slap of skin on skin, creating a symphony of passion that echoes through the otherwise silent office. The urgency in his movements grows, his hips slamming into yours with a rhythm that matches the racing of your heart.

You can feel yourself getting closer to the edge, your muscles tightening around him as you whisper his name like a prayer. His grip on your wrists tightens, his hips moving faster, more insistent. You know it won't be long before you both succumb to the overwhelming desire that's been building between you all day.

As the tension between you reaches a fever pitch, Scott's hips begin to move with an erratic rhythm, his breathing heavy and ragged against your neck. You can feel the head of his cock hitting that perfect spot deep within you, sending shudders of pleasure through your body with every stroke. His grip on your wrists tightens even more, his movements becoming more forceful as he nears his own climax.

Your eyes flutter closed as you lean back, arching your body into him, silently begging for more. His teeth graze your skin, his tongue tracing a wet path up to your ear, where he whispers a string of filthy words that only serve to stoke the fire burning within you.

You tighten your legs around his waist, urging him deeper, faster, the pressure building until it's almost unbearable. And then, with one final, powerful thrust, he groans deeply, his body tensing as he releases inside the condom. The wave of your own orgasm follows almost immediately, a powerful crescendo that leaves you gasping for air. Your bodies remain intertwined for a moment, both of you panting and trembling from the intensity of your shared release.

As the tremors of your shared climax subside, Scott pulls out of you gently, the feeling of emptiness making you whimper. He quickly disposes of the condom in a nearby trash bin, his movements swift and practiced, not wanting to break the spell that's woven around the two of you. He then presses soft, delicate kisses along your neck and collarbone, his breathing still heavy with desire.

Each kiss feels like a whispered promise of more to come, a silent apology for the roughness of his earlier touch. His hands glide over your body, smoothing out your rumpled clothes, his eyes never leaving yours. The air in the office is thick with the scent of sex and the unspoken understanding that everything has changed between you. You watch him, your heart racing, as he takes a step back, his gaze lingering on your swollen lips and flushed cheeks.

He helps you down from the desk, his hands lingering on your waist as you stand unsteadily on wobbly legs. He pulls his pants up, his eyes never leaving yours, as he tucks in his shirt and re-buckles his belt. With a soft smile, he leans in to kiss you, his hands moving to fix your skirt and panties. His touch is gentle, almost reverent, as he ensures you’re put back together properly.

You watch him, still dizzy from the passionate encounter, as he straightens his tie and runs a hand through his hair. The smell of sex lingers in the air, a potent reminder of what just transpired. He pulls you into his arms, pressing sweet kisses to your forehead, your cheeks, and finally your lips, his breath warm and comforting against your skin.

Scott wraps you in his arms, pressing gentle kisses to your forehead, your cheeks, finally your lips. You shiver slightly, still a bit flushed and breathless from the passionate encounter. "You alright, sweetheart?" he murmurs, his voice gruff yet gentle.

“Yes, more than alright.” A soft smile paints your lips as you press your face into his chest, breathing in his cologne.

Scott grins as you bury your face in his chest, his arms holding you close. He revels in the feel of your body against his, the warmth and softness of your skin.

"Good," he murmurs, running a soothing hand down your back. "Because I have a question for you." You hug his waist cuddling into his warm and muscular body.

“What is it?” You pull back a bit, looking up at him. Scott keeps you snug against him, enjoying the feel of your body cuddled into his. His arms tighten around you, reluctant to let you go just yet.

"I was wondering," he begins, a hint of a smile playing at the corner of his lips. "If you'd like to go out to dinner with me tonight?" You smile at him sweetly.

“I’d love to.” Scott's smile widens into a full-blown grin at your acceptance. He gently cups your chin with his thumb and forefinger, looking down at you with a gaze that holds a hint of possessive intent.

"Good," he says, his voice low and husky. "Because I can't stand the thought of letting you out of my sight for too long."

[smhalltheurlsaretaken]

One thing I do like about TOTJ's take on Dooku's fall is that it really highlights that the Dark Side makes you absolutely masochistic. (Mega long post ahead).

One thing TOTJ establishes is that Qui-Gon's death is absolutely on Dooku (no matter if the show itself doesn't seem to be aware of it).

His tone is concerned and his attitude sympathetic and supportive, but he knows. He knows it's a Sith Lord (he even knows Maul's name). He knows Qui-Gon almost died and is marching right into another trap, but he asks questions anyway and affects ignorance.

"I've been warning them about the coming darkness for years," he says, "never to be taken seriously." Using the Council's skepticism as an occasion to complain about how they didn't believe him while lying by omission is a great case of that hypocrisy Dooku loves denouncing in others. Dooku would rather Qui-Gon share his disillusionment with the Jedi than actually do anything to help Qui-Gon. The Council don't believe him? Okay, Dooku, but YOU DO. You can just tell him what's going on.

But he doesn't.

On some level, Dooku has to be aware of what's about to happen. Qui-Gon is walking into grave danger, and Dooku's response to that - before it happens, when there is still time to stop it - is to put the blame on the people who don't know shit while not doing shit himself. (Why can't Dooku be there to protect Qui-Gon, other than because he's already slavishly loyal to Sidious' plans?)

And this moment puts every subsequent action of Dooku's throughout the Prequels in perspective - particularly his relationships with Obi-Wan, Ventress and Yoda.

Dooku is a glutton for punishment.

I've written here about why I think the 'Box' from TCW 4x17 is meant to parallel Obi-Wan and Qui-Gon's mission on Naboo. The dioxis, ventilation shafts, the catwalks and lightsabers, the ray shields, the fire pit... Dooku's idea of a test to find the best mercenaries around is to have them survive what killed Qui-Gon (what he allowed to happen).

During the challenge, it's pretty obvious he starts to suspect Hardeen is Obi-Wan.

Or at the very least, he's taking an interest in the man who supposedly killed Qui-Gon's own apprentice - Dooku's spiritual grandson (see RotS novelization), whom he's been trying very hard to either recruit or kill himself. And what does he do with that interest? Tries to push "Hardeen" to kill Eval in anger.

Dooku, who still mourns the Padawan he knowingly let walk away to his death, watches a pantomime of his Padawan's death, while putting in mortal danger all he has left of said apprentice. If he knows Hardeen is Obi-Wan (and it's pretty obvious that he does), he tries to get Obi-Wan to Fall (or potentially die) in a scenario reenacting Qui-Gon's death. If he doesn't know for sure, then he's encouraging his all but grandson's killer to win the tournament because he admires him (for killing someone Dooku wanted by his side).

Whatever the outcome, Dooku chooses to relive his guilt and chooses to make the same choice to kill his loved one all over again, even though we know he hates that he made this choice:

He misses Qui-Gon and needs him but tries to kill or destroy Obi-Wan, whom he needs and wants by his side. (I haven't counted just how many time he does try killing Obi-Wan in TCW while still expressing his indefectible admiration for him - it's frequent, the Box just stands out to me as one of the most noteworthy occasions.)

And he keeps doing stuff like that!! He keeps choosing the path that causes him the most pain. He does it with Sifo-Dyas, he does it with Yaddle, he does it with Yoda and he does it with Ventress.

Just look at him confronting Sidious about Qui-Gon's death:

He KNOWS following Sidious got Qui-Gon murdered and he KNOWS Sidious will continue to kill or order him to kill people close to him. And yet he's quick to reassure Sidious that this doesn't change anything. Securing his position with Sidious matters more than his rage and grief. The ONLY WAY this behavior makes sense is if Dooku is fully aware that he had a choice about Qui-Gon's fate, and decides that this is the path he's on now: Sidious might make him kill everyone he cares about, but he's going to do it. Every time, things will play out the same.

Sidious tells him to kill Ventress, his new apprentice? Sure, why not!

(And it's not even out of true loyalty for Sidious, because he constantly tries to double-cross him later on. It's pure self-destruction:)

He hates it, Sidious promises him more of it, and he goes along with it!

This is why Yaddle's attempts at bringing him back don't work, in my opinion:

"Whatever lies he's told you, whatever you have done, you can make up for it now by bringing him to justice." This might convince a man who is looking for atonement, except Dooku isn't. He is looking for punishment.

Killing or harming those close to him leaves him broken, furious or in pain? He'll just keep doing it.

Sidious offers him nothing more than agonizing slavery? He'll keep on kneeling.

That's when Yaddle literally offers him the Light - the light that is so much more powerful than the Dark that it has Sidious cowering, the light that can save him if he wants - Dooku just strikes her down, even though he was heartbroken over thinking he had killed her just a moment ago.

He chooses to kill her, regrets it and hates himself for it, and chooses to kill her again. HE KEEPS MAKING THE CHOICE THAT HE KNOWS WILL HURT.

His remedy to guilt is to pick a shovel, because by God if he hasn't hit rock bottom yet he's going to dig!

[breathlesswinds]

(Devlog) What We Learned Making A Trans Dating Game

Hello, Amelia here, the writer for Breathless Winds. It's been 250,000+ words, countless revisions, and three years since this game entered development, and I wanted to talk about what I've learned leading up to release.

The concept for Breathless Winds was actually sort of a joke between friends. I was talking with Doris about how there should be a dating game where you play as a trans woman and your dating options revolve around certain ‘tropes’ we’d both seen in trans fiction-- the totally accepting cishet guy who falls in love with the trans heroine before she even knows she’s a woman, the cool trans woman who the heroine doesn’t know if she wants to date or wants to be, and so on.

Doris wound up suggesting we make this game ourselves. We both like visual novels and want to tell LGBT stories. Still half-jokingly and half-seriously, we started fleshing out what the romance options would be and coming up with a setting-- and soon, we were fully committed to making this game real.

I was a fan of visual novels but had only ever written prose. I knew which visual novels I liked and which scenes stood out, but I didn’t know why they did or how to make my own. 

I read some great advice from visual novel developers, but a good amount of my knowledge came from just working on Breathless Winds. As our first project, this game has grown a lot with us and we’ve learned a lot while making it.

Learning How to Write Visual Novels

A bad habit I had to break out of was only using the ‘novel’ part of the game and not the ‘visual’ part. I would sometimes write “He smiled” or lines like that, and Doris informed me that we can convey this much more simply with a sprite change.

It sounds obvious in retrospect, but lines like that are often pretty invisible when you’re reading a non-visual novel. These lines change the sprite of the character inside your head (if that makes sense, haha). I realized that I’m so used to them being ‘invisible’ that I didn’t notice their absence in visual novels I liked, so I would accidentally include them while writing. 

I was also writing these routes in a word processor, so I didn’t have the visual portion to reference, myself. I wound up making a lot of ‘tone’ notes like, “Lantana should be smug here” so that the meaning would carry when revising and implementing these into Ren’py. 

So, while visual novels share a lot with prose, they’re an entirely different medium. On the subject of representing things visually, I’ve struggled trying to figure out how much can be visually represented and how much should be written. 

Every asset in the game has to be drawn by Doris, so if I want the characters to go to a new location for a scene, I have to keep in mind that’s another background that Doris has to draw. If I want a new character to show up, that’s another sprite she has to draw. I don’t want to overload her, but if I’m trying to avoid this entirely, characters sometimes wind up standing in one room talking for ages without anything significant changing on-screen.

I’ve learned that it’s recommended for something to almost always be changing on-screen, though, so sometimes I just have to ask Doris to make a new asset for a certain scene. I still try to stick to locations/characters that already exist more often than not.

Every single thing in a visual novel is deliberate. Another thing I’ve had to learn that I never even considered before is how to write each line so it fits in the text box. It sounds obvious, but when I’m playing a visual novel, I don’t usually think about how each line has to be carefully constructed so it doesn’t need to be split up into two or more text boxes. In my mind, if a visual novel is well-created, there’s not much that breaks a reader’s immersion.

Planning & Outlining

The previous section might sound really weird to some people, so let me elaborate.  I’m a lifelong ‘write by the seat of your pants’-er, so the biggest trial-and-error of creating Breathless Winds for me was planning out the game.

Initially, I created outlines for each of the four routes, and we agreed ahead of time on which CGs each route would have. That way, Doris could draw the necessary backgrounds and CGs while I was in the long process of drafting this game.  My original outlines weren’t great. I know a lot of people have different experiences with writing, but for me personally, a story is always shaping itself in my mind. When I started making the outlines for Breathless Winds, I knew the concepts we wanted to convey, but I didn’t know what each route (and the game as a whole) was really about yet. This might sound weird and unprofessional, but sometimes, I don’t know what a story is about until I finish the first draft.

So while I was writing, I would look at my outlines and I would think, “this doesn’t actually make sense, he wouldn’t say that” or “this plot point would work better if moved to this other section” or “there’s a plot hole here I didn’t notice”. The story wound up changing a lot in this way as I learned what it’s really ‘about’. 

And even after I finished the first draft, I’d get feedback from Doris and/or my editor and they would suggest fixes to problems that even I hadn’t noticed, and then I would revise the route some more, and later on I’d come back and need to redo part of the route to comply with something I wrote in a later route-- I haven’t really felt ‘finished’ with Breathless Winds at any point, and I think I’ll still feel this way after the game is released.

This means that sometimes, a background was created but would go unused because there was no space for the scene that would use it, or we’d need a new CG last-minute, or so on. 

When I’m figuring things out as I go while writing a non-VN, the only person that I can adversely affect is my own self… so I’m eternally grateful for all of Doris’s patience with me on this matter. I think Breathless Winds has come out a much better game for all the re-plotting and revision. 

I redid the outlines several times as I went. I think I’ve understood how to create outlines that personally work for me-- ‘living’ outlines that hit all the main points, but leave wiggle room for moments when a character does something unexpected, work the best for me.

Scope Creep

So, originally, each route was meant to be 40,000 words. “With four routes, that’s only 160,000 words!” I thought. “And some of my favorite visual novels are about that long, so I can write that much, too!” ← clueless

This is the most infamous mistake that new creators make, and I walked right into it. I should have known better since I’ve bitten off more than I can chew with past non-VN writing projects before, but I was starry-eyed and didn’t realize how much work it is to make a VN. Some of those favorite visual novels I referenced were made by much larger teams, writers whose full-time job was writing (I wrote all of these routes on the side while working at a day job). 

If I could have done it again, I would have asked Doris to start out with a really short VN. But, I don’t regret making Breathless Winds at all. It’s brought Doris and I a lot closer, for one. Every time I thought I wanted to give up on this, Doris would motivate me to continue. Without the two of us both and our strong friendship, Breathless Winds wouldn’t exist, and I think that’s beautiful. 

No matter what, we’re going to see it through to the end. (I hope people like it, though…)

Anyway, here I am talking about how much 40,000 words is. Each route now is about 60k to 70k words. The problem with having evolving outlines is that they can often evolve into double their original size.

We came up with the idea of the poachers really early in development, and then not addressing the poachers felt like a failing, but by that point it was too late to remove the poachers entirely… and so the game wound up a lot longer dealing with the poachers. 

I think that if we had an editor sooner on in the game’s development, then we might have had someone to tell us, “do you really need all of this in the game? Does this plot point really need to be there? Will you be able to write all of this in a reasonable amount of time?”, haha. But Doris and I were really excited about the possibilities of this game when we started creating it, and without anyone to reel us back in, we wound up coming up with more and more things we wanted to put in the game.

Did you know there was going to be an island full of talking rats who say things like “the big cheese” and stuff all the time in Breathless Winds? Yeah. 

The Core Design Philosophy of Breathless Winds

So, for anyone who’s read this far but doesn’t know yet-- the premise of Breathless Winds is that you play as a trans woman who doesn’t know she’s trans yet, and she finds love with one of four love interests as she discovers her gender identity. 

In real life, it can be a lot messier for a person to date when discovering their gender identity. To put it briefly and mildly, a trans person’s life and sense of personal identity can rapidly change during a gender crisis and the early stages of transition. 

However, we wanted to make this game a ‘wish-fulfillment’ type story-- a trans fantasy about acceptance, community, and love. During a gender crisis, it can be easy to feel as if one has lost touch with themselves and become isolated from others. A sincere wish shared by many trans people is to be accepted, loved, and even celebrated as their true gender, not just tolerated. 

Since many trans people don’t get love and acceptance in real life, especially with the ongoing transphobic moral panic, we wanted to create a game that would bring this feeling of trans joy and celebration to trans audiences. 

We also hope that cis players will still enjoy the story and characters, and maybe come away from the game with a new understanding about being transgender and other aspects of LGBT identity (although we never intended this game to be ‘educational’).

Making Characters that Celebrate Trans Identity

Although we went through several revisions, the core identities of each character stayed the same since the game was first ‘jokingly’ pitched. In another post, I discussed how each character is themed around a change in seasons. (I also wound up theming them around the four humors when I was initially concepting them-- I really wanted to avoid too much ‘overlap’ in the LI’s personalities, haha). 

Ultimately, characters are created to serve a role. The LIs in Breathless Winds were designed to be love interests, of course-- characters who would appeal to the hypothetical trans femme audience. As mentioned earlier, we modeled them after other trans fiction tropes because these types of characters have a certain tried-and-true appeal, but this left plenty of flexibility to put our own spin on it. 

A trans woman being loved as a woman by a cishet guy can feel like a high form of ‘passing’, ‘fitting in’ to the female gender role, and being validated by his orientation. He only likes women, and he likes you, so you’re undoubtedly a woman. As a cishet guy, he represents a sort of acceptance into a societal norm that trans women can desire to live to. (Lantana, as a cis lesbian, represents the sapphic counterpoint to this-- although there is of course a big gap between the ‘normalcy’ of a cishet man and a cis lesbian woman, and I don’t mean to say those two are equivalent.) 

But not all trans women want to live to that (cis) societal norm. Rue and Valerian, as a trans woman and a trans man respectively, are the t4t options. 

Rue’s route represents that trans/sapphic ‘envy’ (“do I want her or do I want to be her?”) as well as finding power in community aside from what society considers ‘normal’. We’ve always been pretty clear about what we wanted to do with Rue’s route.

We went back and forth a lot more on Valerian’s route. Initially, we were unsure if he should be trans. He and Rue are the two less-friendly love interests (at least initially), so I was afraid it would come across that t4t is a more hostile option, which is not true at all. But it also felt like a mistake to not have a trans man in the game-- but making Gallardia trans would have required a big overhaul of what we had in mind for him and his route. (Although, childhood friends t4t is a really good idea...)

Beyond that, Valerian takes a villainous role in any route that isn't his own. We were worried that it would be wrong to have a trans antagonist who represents unjust power. However, Breathless Winds is a queer game with other positive trans characters, and we've always approached Valerian as a hot anti-villain man that you can't help but like.

In the end, Valerian’s route is about breaking generational cycles and what it is that makes you a man, and I also managed to sneak in a scene where they dance at a ball in the royal palace, so in the end I think it all worked out great.

Wish Fulfillment and Catharsis

Doris and I both agreed that we wouldn’t depict on-screen transphobia in Breathless Winds. Poppy worries about not being accepted, but fear of acceptance can come with any change in identity. Rue was rejected by her family for being trans, but this doesn’t take place ‘on screen’ in the game. There exist certain metaphorical parallels for transness and transphobia, but every route has a happy ending. 

Following up on this-- it can be difficult to write about discovery of gender identity without writing about transphobia, considering how many trans people suffer from internalized transphobia during their period of repression.

Sometimes, repressed/closeted transgender people ‘hyper-perform’ their assigned gender as a form of denial. A trans woman might grow out a beard and join a gym, while a trans man might become very interested in makeup and feminine clothing. 

In Breathless Winds, Poppy often struggles with ‘strength’ and what it means to be a man. In several routes, she tries to prove her strength under the assumption that being stronger would make her happy. Afraid the world would reject her if she became who she really is, she preemptively rejects herself.

Not every trans person suffers from prolonged denial, internalized transphobia, or even gender dysphoria. I don’t think it’s impossible to tell a purely-positive story about trans joy. 

While Poppy never gets rejected for being trans, faces transphobia, gets called a slur, etc, she faces both internal and external (metaphorical) obstacles to realizing and accepting her identity. 

Gallardia represents a societal norm that Poppy can’t live up to herself as a man.

Lantana suffers from certain aspects of her identity as a woman, which makes Poppy feel guilt for wanting to be a girl.

Rue is isolated from town at the start of her route, a ‘punishment’ for breaking this societal norm.

Valerian has to hyper-conform to his masculine gender role at first in toxic ways before finding acceptance from within and from his loved ones.

These struggles are real to a lot of people, but instead of pretending they don’t exist, I hoped to tell a story about catharsis. Poppy is able to live up to her truth as a woman and finds love with Gallardia, Poppy and Lantana redefine what being a woman should and does mean to them, Rue and Poppy find community in others who don’t fit the norm, Poppy and Valerian stop seeking gender validation from a society that was never made to serve them. 

Although these powerful forces of oppression exist, loving yourself as a trans person- and loving those around you, protecting the natural world, and standing up for what you believe in- can save the day. That’s the kind of story we wanted to tell.

Wrap-up

There’s a lot more I could write, but this has already gotten really long (sorry!) so I’ll wrap it up here. 

Learning how to write a visual novel in terms of technical skill (how to depict events on-screen, how long each line should be) as well as in terms of writing skill (how to outline the game, how to plan visual assets) has been a massive undertaking for me. 

Writing Breathless Winds has been a big challenge but also deeply rewarding, and all of your support has made the experience even more wonderful. Thank you for reading and thank you for supporting the game!

[batmanisagatewaydrug]

reading update: October 2024

hello, ahoy, and welcome to my October reading recap.

I made a real effort to focus on spooOOOoooky books this month, in the name of the season; you may even recall that I started early and read some spooky stories at the tail end of September. (read Carmen Maria Machado's comic The Low, Low Woods, btw.)

I've never been great at sticking to a theme but I think it helped that what gets classified as "horror" can vary greatly, so I never really got bored of the genre. I did get disappointed more than once by how Not Spooky some of these books turned out to be, but that's a totally different question.

right at the end of the month you'll notice a couple of outliers with Caped Crusade and Luster, which happened entirely because I was out of library books and on the road for a conference, so I was reading what I could get my hands on! I've been working on rereading Caped Crusade on and off for a couple months and I bought Luster at a cool indie bookstore in the town I was visiting and then inhaled most of it on the way home.

ANYWAY. to the books!

And Then I Woke Up (Malcolm Devlin, 2022) - this is a novella with an interesting spin on the zombie story, where the "zombies" are actually people who have started suffering hallucinations that fill them with paranoia and force them see other people as monsters. so, like, there were never any REAL monsters, but a woman looked at her young son and saw him as a cannibalistic monster, so she killed him. so who's the real monster? it's very deep. this story's explanation for this is "the narrative," an idea so strong that it simply seems to take hold of anyone who's around a sufficiently charismatic ringleader who drives them to join in their delusions and kill innocents who don't share their worldview. it's not a super subtle zombie metaphor, but I guess very few zombie metaphors are. it's fine.

Through the Woods (Emily Carroll, 2014) - I truly wholeheartedly wish I had more to say about this but it's just a very charming creepy collection of comics. my favorite was the one that was the scariest, involving humans getting taken over by body-snatching worm monsters, but on the whole it was a very minor creepy factor. the art's great the whole way through.

Happy Medium (Sarah Adler, 2024) - Happy Medium is October's romance novel as picked by my patreonites, and I will admit: my hopes were not high going in. a conwoman posing as a psychic clashing with a skeptical hottie goat farmer didn't ping me as a great mix, but honestly? HONESTLY? it kind of served. there was a much more well-rounded emotional core to this book than I often encounter in my romance novels; at risk of sounding like a cornball it genuinely had a lot of heart. the conwoman is actually extremely charming, I was rooting for her in a big way, and her emotional journey goes so far beyond just falling in love with the goat farmer. I'll happily claim Happy Medium as my #1 romance of the year unless a challenger arises in the next two months, but it's not looking likely.

The Ones That Got Away (Stephen Graham Jones, 2010) - this is a collection of Graham's short stories that was published long before he became a huge name in horror with books like The Only Good Indians and My Heart Is a Chainsaw. and as much as I hate to say it, I think I personally prefer his longer form fiction. none of these short stories were bad, per se, and they're incredibly stylized and polished, but I think I like Jones' work a lot more when it has time to simmer out. I may have also been biased by the fact that I was desperately seeking something scary to read, because while Jones plays with some pretty narsty concepts, the horror tends not to hit until a last page reveal that recontextualizes everything that's come before. which is cool! but not scaring me as much as I wish it was.

The Salt Grows Heavy (Cassandra Khaw, 2023) - a lot of people told me I should read this because it stars a killer mermaid and a plague doctor, which are two aesthetic archetypes I love, and I will give this to Cassandra Khaw: I liked this a lot more than their other book, Nothing But Blackened Teeth. which is clearing a very low bar, since I didn't really like that book at all, but I do think Salt is genuinely a pretty marked improvement. the prose is still kind of torturously overwrought in many places and I desperately wish that Khaw would put the thesaurus away, but there's like. a Concept here. the core is fun.

Tell Me I'm Worthless (Alison Rumfitt, 2021) - this book is by far the scariest I read, because the horror is hatred and bigotry and a fucked up, evil house that brings out the very worst of everyone who steps inside of it. this book gets so fucked up and bloody and downright nasty in its exploration of the characters and the underlying bigotries that turn them against each other and drive them apart. I don't want to spoil anything, but the book follows a white trans woman named Alice and her mixed race, cis ex-girlfriend Ila. in the past Alice and Ila entered the evil house with their friend Hannah; that ended with Hannah dead and missing and Alice and Ila both scarred and traumatized, each certain that they were raped by the other. so that's what this book is like! not a lighthearted undertaking, but one that I could. not. put. down.

A Sunny Place for Shady People (Mariana Enríquez, trans. Megan McDowell 2024) - what is there to say? Enríquez is my short story queens, and her new release absolutely lived up to the precedent set for me by The Dangers of Smoking in Bed, which was originally published in 2009 but not translated into English until 2021. this collection is sooo aptly named, because many of the stories are obsessed with the terror of places: hotels haunted by memories, neighborhoods filled with ghosts, junkyards where bodies are hidden, towns abandoned and taken over by something sinister. also, completely detached from the quality of the writing, this book has one of the most striking covers I've encountered this year. the screaming yellow cover and bold purple text looked SO COOL under the purple string lights in my bedroom, which was a little +1 to my mood every time I saw it :)

Thirst (Marina Yuszczuk, trans. Heather Cleary 2024) - I think if I had to pick a favorite book from my spooktober reading, Thirst would edge Tell Me I'm Worthless out by just a hair, because I'm just SUCH a sucker for a modern gothic. this novel is split into two chunks. the first is narrated by a vampire (hinted to be one of Dracula's infamous brides) who flees the Old World and crosses the sea to find safety in a young Buenos Aires, where she struggles to figure out how to slake her thirst and escape from loneliness while avoiding detection in a modernizing world. ultimately she seals herself away in a crypt to escape the relentless pace of change around her, and that's when our perspective shifts. here we join a modern woman with a young son, an ex husband, and a dying mother, who's struggling under the pressure of grief as she watches her mother waste away. she ends up accidentally reawakening the vampire from the first half of the book, and you can imagine things get weirder from there. honestly, for me, the part of this book that's most brilliant is the latter half and it's deep meditation on grief, but the historical portion of the book also plays the vampire gothic to the hilt. delicious!

The Caped Crusade: Batman and the Rise of Nerd Culture (Glen Weldon, 2016) - this is a really fun piece of pop culture history, tracking how Batman came to be DC's little #1 it boy alongside the developing prominence of nerds and fandom as a cultural force to be reckoned with. as I said above, this was a reread for me, because I wanted to circle back now that I've actually read most of the major comic events discussed in the book. Weldon weaves between Batman in comics, TV, and movies to examine on how one portrayal influences another - for instance: the goofy '66 TV series saw a huge backlash in comics, which went way dark to reinforce a grim and serious Batman for 'real' fans who objected to the show making Batman a joke to much of the normie population - and I think that's a really neat lineage to trace. while I think Weldon is sometimes a bit too transparent with his own disdain for certain adaptations, he overall has an extremely levelheaded approach to Batfandom and a conversationally informative approach that I really enjoy. of particular note is the fact that Weldon is himself a gay man, making him one of the only writers I trust to talk about why he personally dislikes Joel Schmacher's movies without getting homophobic about it.

Luster (Raven Leilani, 2020) - this book!!! this was one of three novels recommended to me by Bonnie at Snowbound Books, and Bonnie if you are on this website I owe you my LIFE because you were 100% correct. I was obsessed from the very first line and it only gets better from there; Leilani's prose is painting a searing, witty Sistine Chapel to render her protagonist's miserable life in vivid color and detail. the short version is that our 23 year old hot mess finds herself jobless and homeless and ends up moving in with her married boyfriend who's 23 years her senior, where she forms a powerfully weird connection with his rage-filled wife and develops a bond with the couple's nerdy adopted daughter, as the two of them are the only Black women in the excessively white neighborhood. (spoiler alert: she also realizes that her married boyfriend is a fucking loser.) it's a simple enough premise but the execution is bananas in its flair. I couldn't believe this is Leilani's first and so far only novel; if she ever drops another I'll drag myself through barbed wire to get my hands on it.

Juniper & Thorn (Ava Reid, 2022) - I first became aware of this novel via twitter thread of Reid's that made its way to tumblr, in which Reid bemoaned being harangued by readers who were shocked that her dark fairy tale retelling had, you know, dark shit in it. having now read the book, I have to say: these people are fucking pussies. going into this book I was under the impression that there was full on-page father/daughter rape happening, which is actually NOT the case, so you can breathe easy if incest is a hard no for you. what's actually here is a wizard dad who's emotionally abusive, non-incestuous sexual abuse in the backstories of the main character and her love interest, some moderately explicit consensual sex, some bulimia, and [spoiler alert!] admittedly a lot more cannibalism than expected. it's not a lighthearted romp but it's also like, come on. come on. grow up. in terms of the actual book, rather than its controversy, I didn't LOVE it but I'm still compelled enough by the world building (particularly Jewish author Reid's Hueli people, who are a fairly obvious stand-in for Jews down to people claiming that they have horns and using phrenology to prove the have an unfair advantage at making money) that I'm going to check out Reid's earlier novel, The Wolf and the Woodsman, a novel set in the same world. it felt a little repetitive in places and the characters were largely pretty predictable, both of which may be a byproduct of trying to encapsulate the vibe of a classic fairy tale, but I had a good time reading it.

[amarmeme]

I finally finished the game last night and have a lot of thoughts/feelings left lingering about Lucanis/Rook. I know people have gone on and around on this already, but I am compelled by this fictional mess.

I don't even think we need more from Lucanis, but more from Rook, which is my takeaway from the game as a whole regardless of romance, but I would guess is most highlighted by his romance path in particular.

Spoilers below the cut.

Pretty much anything I have written or will write is going to include some degree of angst. It's my favorite brand of tension.

Case in point: my favorite Austen novel is Persuasion. If that shows anything, it's that I live for inner turmoil, quiet suffering, yearning, unspoken words, and two idiots in love.

I want to get my heart shredded until the love makes it whole. The Lucanis romance has the potential for this in spades, but the execution is just lacking and that's because we never go beyond surface with Rook's thoughts. It feels like this romance is supposed to carry on the backs of the players' imagination, which feels a bit cheap.

I've seen criticism of not enough from Lucanis and also defenses that he's been through A Lot so we shouldn't expect more. I'm actually past that. Yes, more scenes with Lucanis would have been great, but I actually want more scenes from Rook's perspective, even if alone, to fill in the strange gaps.

Before you lock in mechanically, imagine if you will, Rook having a reflective conversation with Varric, or in Varric's mirror. Rook asks if they are imagining a connection, or seeing into things.

What if Rook has a chance to speak with Neve, given she and Lucanis have a clear connection whether they get together or not? Or Harding, one of the other people who appear in Lucanis' mind prison?

I could see this continuing after the romance "locks in" -- companions comment on Lucanis looking happy, them being together, but what about Rook? If they're not ready to comment directly to Lucanis on what this really means to him (since they never kiss, touch, exchange soulful looks, etc.), Rook should be able to ask the companions what they have noticed/what they should do to advance things.

This comes down to my struggle with this game versus past Dragon Age games. It all boils down to the lack of interaction between Rook and others. If Rook could ask their colleagues questions rather than just listening to ambient conversations or helping further their personal quests, it would do so much to make this game as amazing as the past installments.

Rook is so lonely, surrounded by all these people. You have to choose to imagine they are connected and are having these interpersonal conversations about themselves, because they never happen on screen. At least I didn't get any of that in my Shadow Dragon Rook playthrough.

I am completely fine with what feels like one-sided pining, and even angst about what Lucanis actually wants out of Rook, but the game needs some mechanics to put into place to make it feel like Rook isn't just quietly okay with an empty relationship, or expect us to imagine things are happening when the game presents them as very much not.

So much of what is there is perfectly rife for fanfiction, but I expect the logical progression to be clear in the game where it really is just not. I have no idea how Lucanis/Rook get from point A to B to C. It feels like it is missing content, and it could even just be Rook-specific content to smooth it over. As it is now, it feels like an unconvincing story.

Maybe one day I'll play it again as a crow to see if that adds any crumbs, but for now I'm just feeling kinda conflicted for my poor Rook. I love the potential, but am not super pleased with the execution.

[kingdomoftyto]

I'm crying laughing, the DVDs are even worse than I remember... Season 1's menus are silent with a single static jpg of the same key character art they use for everything else, and the episodes on the Season 2 discs don't even match what's listed on the box! Absolutely stunning lack of shits given. Truly unparalleled. But I really shouldn't be surprised given... well... everything about how this series has been treated since the very beginning.

Time for a quick ~✨PHANDOM HISTORY LESSON✨~ to give newer/less hyperfixated folks more context for why the graphic novel being as great as it is is such a HUGE deal:

Danny Phantom was one of Nickelodeon's MAIN cartoons, in its time. It was a central pillar. One of the top three or four of their lineup, which is saying something when the competition includes the cultural juggernaut that is Spongebob.

Despite this, and despite its superhero theming making it perfectly marketable, it got basically ZERO official merch.

What little we did get was often ugly and very, very cheap. The dedication at the start of the graphic novel that jokes about collecting the Burger King toys? That's because it was some of the most notable merch the franchise EVER had. (I sadly do not have any of it. There was no BK in my hometown. Here's a pic from the internet, though, to give you an idea.)

If you think I'm exaggerating about that being the most significant physical merch to come out of the series, consider that the first video game had an entire menu option specifically for the Burger King promotional tie-in:

That video game, by the way, was one of only two ever based on the show. The first was an adaptation of "The Ultimate Enemy" in the style of a short sidescrolling beat-em-up, and the second was themed around "Urban Jungle" and (as far as I can tell--I've only played the first couple levels) was an arcade-style scrolling shooter. Both were for the Gameboy Advance, and both are...... fine, as far as cash-grabby video game tie-ins to kids' shows go. This was pretty normal for the time, so I suppose we did okay in that department, actually. They're not GOOD, but they're playable and have at least a bit of effort put into them.

But besides those two video games (plus a handful of simple, long-defunct Flash games on nick.com)? In the decade and a half since the show ended?

Nothing.

No books, no games, no comics, no web shorts--unless you count mega-crossovers with every other Nicktoon (a la Nicktoons Unite), or soulless promotional material like "Fairly Odd Phantom" (which, trust me, despite being the first new DP animation in over 10 years was not even worth the effort of watching).

...I think there was a limited edition FunkoPop once?

So yeah.

A Glitch in Time is not just the first cool, well-made thing we've seen from the franchise in a while. It's the first THING we've seen since the show. PERIOD. And arguably the first worthwhile supplementary material to EVER come out of the show, depending on how you feel about those GBA games and the Nicktoons crossovers.

This franchise is widely beloved even now, almost 20 years after it first aired, and it feels like that fact is now, finally, FINALLY getting some official recognition.

PLEASE read A Glitch in Time. Tell other people about it. The series--no, the fans--deserve this (and more of this, if the folks in charge see enough of a response and decide to grace us with any followup). It's LONG overdue, but better late than never.

[vampyrekat]

cant believe i forgot about maleficent and her emo boytoy omg thank you for cleansing the timeline🫶

I am so pleased to bless the timeline with a fine vintage ship, come join me in savoring it. I checked out the novelization on a whim (commuting) and I was like, oh right! I forgot this movie and specifically this ship was made in a lab for my brain. So now I've rewatched the film and I'm lost in the sauce.

I love that Maleficent/Diaval is the story of two people accidentally raising a baby into a teenager together and the whole time Maleficent is oblivious (not her fault! she has bigger things going on!) while Diaval is like "that's my wife, she's terrifying. i love her. <3" Even when Aurora meets them properly as a 15 year old, Maleficent is Going Through It™ while Diaval is just so hype to finally introduce himself to his child.

Pictured above: moments that really did a number on me. He raised this kid and now he gets to finally meet her properly and they're both so delighted by it while Maleficent watches from the corner like }:-(

I really feel like the most beautiful and unique part of it is the genuine backtalk; Diaval might start out subservient and he certainly maintains that position but as time goes on he proves himself perfectly willing to correct or backtalk Maleficent. He basically functions as a reminder of her heart and moral compass while she is recovering from her hurt (and subsequent revenge bender) and it's delightful to watch because you rarely see a position where a male character is so open and honest while the woman gets to have the delicious redemption arc. Maleficent is going through an enemies-to-godfamily relationship arc with Aurora while Diaval is patiently waiting for her to realize he's got heart eyes (AND for her to realize she does actually love Aurora, that's another great element, he realizes this LONG before Maleficent does and tries to gently nudge her over to that revelation). But also this:

He really said "I am just pretending to be afraid of you; I know you won't hurt me even if you push me around" and he was right. What a lovely thing to be playing out as the B or maybe C-plot. There's enough insane drama happening, it's nice that there's something a little lighter and more steady in the background of the story.

Another thing I was musing on through the book and film -- as much as I adore found family and platonic love, it's nice to see a story where a victim of what is clearly coded as sexual assault and is at least intimate partner violence finds love again. I know Maleficent & Diaval isn't technically 'canon', but again, the film was juggling enough relationship arcs with Maleficent & Aurora and Maleficent & Stefan. It's okay, in my eyes, for the romance element to be subtext, when it's clearly still important and given some narrative space and weight.

I had a more coherent thought but finally found a gif of just this moment (thank you, @raainstorms, you spoil us all) so instead you get this. I love it. Maleficent really said "go defend our kid who I haven't realized yet is our kid" and Diaval said "understood". Never proposed but nevertheless they've been married for years.

"Who fell first vs. who fell harder" is defunct. "Which one is the evil minion who adopted the baby on sight and who is the Evil Empress who had to slowly realize they love the baby" is the vintage yardstick everything else has to measure up to. I will read 100,000 fanfics of Maleficent only belatedly realizing that somewhere in the process of acquiring her goddaughter she also acquired a husband. Maybe she acquired the husband first, she certainly does not know. Diaval understands this and is okay with it, Aurora probably doesn't understand in the slightest how her godmother did not pick up on anything.

And the sequel! I realized after reading some other posts that I did NOT remember the sequel correctly because my memories are "fairy genocide and also Diaval and Maleficent are co-parenting". Apparently somewhere in there Maleficent is shoved into a love triangle with two men who are not her long-term boytoy/coparent/external moral compass, which is ridiculous, because the film ends with them attending their daughter's wedding in matching outfits.

If Maleficent 3 (boo hiss at Disney, make something new, cowards) isn't about Aurora parent trapping them I am going to riot in the street.

TL;DR: My roommate described maleval as this post and I have not been able to shake it from my mind because it really, really fits:

[poomphuripan]

what do you think of the comments on mdl of my stand in calling ming a cheater?

hi nonnie []~(￣▽￣)~* that's actually something i've been thinking to write about because i saw those remarks as well but it is such a controversial thing to discuss. if you don't mind, this discussion post will be filled with mild spoilers of the novel.

!!!!!! novel spoilers warning !!!!!!

alright so first of all, @ineffable-opinions wrote an excellent post about the danmei tropes in my stand-in (which i highly recommend everyone to read). this is a great post as they discussed the white moonlight trope presented in my stand-in.

i don't consider ming, a cheater because as i see it, tong was simply ming's white moonlight. ming never established a physical nor emotional connection with tong, throughout his time knowing joe. tong was always an idealised fantasy, he's mistaken it for it to be love. in other words, i see it as ming looking up tong like a delulu fanboy with an idol crush than him actually having any substantive feelings for tong ever. i mean if you had a partner that looked like a kpop idol, and sex with your partner makes you feel like you're achieving your sexual fantasy, are you cheating on your partner? maybe? maybe not? probably controversial and debatable question but for me, i don't consider it 'cheating'. i do think ming took for granted joe's genuine feelings and did not fully appreciate joe's affection (ming you ungrateful bish, repent).

during their time together playing pseudo 'not boyfriends', ming showed that he could be an okay partner. whether it's caring about joe's day at work, how hard joe's job as a stuntman, accepting joe's invitation to accompany him to his wrapped filming party.

i mean it's really bare minimum but that's already quite a lot coming from the dude who's afraid as hell once joe started mentioning the 'faen' word, triggering his self-defense mechanism, depreciating himself trying to claim that joe wouldn't be able to stand him.

i think one of the most obvious example of how afraid ming was to lose this relationship, was him using the word 'faen' in the last breakup fight with joe. this line was very ironic of him to say, because i'm sure even ming knows this line applies more to himself (how in this life, ming won't be able to find a better boyfriend than joe).

i absolutely love ming's emotion progression in ep 4 because it encapsulates perfectly his 21 year old spoiled brat attitude. he was confused when broken up over the phone, then mad and started throwing tantrum trying to get joe to coax him (like joe always does), until he realized it wouldn't work this time and he started frantically begging for joe to stay so they could go back to playing house and being happy.

personally, i don't consider it cheating because by around ep3/4, you can already started seeing ming settling down with the option that makes him "happy". some may even argued that by this point, he has 'recognized' his feelings (not me though, i think he just wanted his simple happiness/domestic bliss back, i still think it's during the period he lost joe 1.0 that he learned what love truly is).

now the most important question of all: is ming cheating on joe 1.0 with joe 2.0 or vice versa?

to quote chapter 63 of Professional Body Double (My Stand-In novel), i think the author puts it best how ming views joe 2.0.

He has fallen to the point of looking for the shadow of that person in a substitute. This is his punishment. When he thought that he was using [Joe] as [Tong]’s substitute, he was not aware of the actual person who had entered his heart. He had failed miserably with this method but still could not help himself from wanting to try. There are no other reasons. Just that he was in too much pain. He can’t endure anymore. He was adamant that [Joe] is not dead but no one could confirm it. That little doubtful voice in his heart is getting louder and louder, but is roughly suppressed by him time and time again. To continually be persistent with this thought, he needed a lot of willpower. He knew better than anyone else. Even if this [Joe] could bring him a little comfort, he wanted to be close to him, just like a long frozen person wanting to be close to a matchstick. This can’t save him… but he couldn’t stop himself from taking that little warmth.

i LOVE this metaphor and this little inner thought of ming we got because we can see how he's very much aware that he's falling right back into the bad habit that got him into trouble in the first place but... he's a fucking fool... who resorts to spiritual shamans for hope...

but also the familiarity he got from joe 2.0 is way too strong to joe 1.0. so for me, i'm seeing it as ming is using joe 2.0 as a means for comfort and relief as well as keeping him close to observe the similarities between him and joe 1.0, rather than viewing joe 2.0 as a replacement for joe 1.0 (because keep in mind, at this point he doesn't know they're the same person yet).

so !!!!!!!!! BIG WARNING of spoilers from the novel !!!!!!!!! if joe had considered joe 2.0 to be a direct replacement of joe 1.0, i don't think he would have had this conversation with joe 2.0 about joe 1.0.

Ming spoke right at this time. His voice sounded very faint and very soft, “Joe, are you hiding something from me?” Joe didn’t know what Ming meant by this. He asked cautiously, “I don’t understand what Khun Ming means.” Ming, “The feelings you give me is too familiar. It’s as if I’ve known you and have lived with you before. Why is this?” Joe forced himself to responded, “Maybe this is fate.” If it wasn’t because they are fated, they would not be in the predicament of today…with a relationship that is so unclear in both past and current lifetimes. “Joe. Tell me….If a person had been missing for more than two years, do you think he may still be alive?” Joe’s tensed up and smiled, “Most likely impossible. If still alive, he would have come back already.” “Why can’t he be alive? It could be that he didn’t come back because he doesn’t want to come back.” Joe is silent for a moment, “Khun Ming, are you talking about the other Joe?” Joe clearly felt Ming’s body stiffened. Then Ming asked, “How much do you know about him?” “I don’t know anything at all. I just heard from what others have said.” Ming quietly asked, “Then do you know what relationship I have with him?” Joe’s heart tightened, What relationship? You say, what relationship? He clenched his teeth in the dark, “I don’t know.” Ming’s voice is like the rising of the quiet abyss, cold and empty, “I feel that he’s not dead. He just doesn’t want to come back.” Joe heard his own voice dissociated from his thoughts and automatically asked, “Why won’t he want to come back?” Ming didn’t respond to his question, instead he tightened his arms around Joe.

i like that in the 2.0 timeline, we got ming learning but also not learning his dumbass mistakes at all. ming learned that he should be upfront about his feelings and be straightforward with his sexual partner, but at the same time he's still impatient, hot tempered and say hurtful things easily.

so i think through and through the second half of the series, you'll see his fidelity to joe (the soul) only. while perhaps it was the shadow of a back that mesmerized ming in the first place, but it's the kindhearted soul of joe that ming truly fell in love with, the person that showed him what love means, the only period in his life where he felt happiness.

© gif courtesy of the talented @alienwlw

you can also check out @befuddledcinnamonroll and @ineffable-opinions discussion on matters of transmigration, attachment of the soul with the body in their excellent posts, here and here. to sum it up, i think up kinda succintly puts it here in this interview.

of course, this is not to excuse dating/fucking anyone who resembles your missing ex but then treating them like they're your object ;_; like i'm just saying i don't think what ming is doing with joe 2.0 can be categorized as cheating (for me). it's something scummy, foolish, dumb, really stupid but... not cheating ┗( T﹏T )┛.

also if you notice, ming doesn't sleep around. surely he could have slept with dozen of nice looking man with similar physique to joe 1.0 to "keep the warmth" if he was that type of dude... but he doesn't... so for me, i see this proposal he has for joe 2.0 is not simply because of a physical attraction/similarity to joe, but it's the vibe/the aura/the ✨energy✨ that joe 2.0 radiates that is too similar to joe 1.0, drawing ming to him again.

tldr: ming is a lot of things but for me, i would never characterize him as a cheater. ming is a scummy, spoiled, arrogant, entitled, hot tempered hi-so brat but also a foolish little crying bag with zero wife-chasing skills. his only tactic is begging and getting his waterworks flowing.

ps: i'm not sure if this ask actually answers your question at all but hopefully some of my thoughts made sense ಥ_ಥ

[whetstonefires]

Do you have any opinions on Scholomance?

I do! I like it a lot. I really enjoyed all three books, blitzed through them easily and was much more excited to see how the plots unfolded than I'm used to these days, as a jaded adult, and I also really appreciated them as works of craft.

Especially the first one, I spent the whole time being all 'wow!' at how simple it was. So easy to read, but no waste. You really need to know what you're doing, to get that kind of pared-down elegance of form to work and still fit so much content in.

Like these are dense, there's a fantastic stylistic minimalism that allows El's character all the space it needs to breathe by making absolutely every other thing and person in the whole novel also do character work for her, which is exactly where the first person voice shines.

Also great use of character perspective to make the pacing feel really natural, so the fact that the first book takes three weeks, the second book takes one year, and the third book is like. Five or so incredibly stressful days spread out over the course of a few weeks? Doesn't feel imbalanced.

I actually got distracted from the story a few times by noticing the strength of Novik's technique. 😂 This is a me problem, in itself it's the opposite of distracting. Very low-profile.

I think the Scholomance is a great example of how far you can go in specfic when you aren't cringing from the label 'derivative,' because the Scholomance books feel very fresh ad clean specifically because nothing in them is concerned with standing out as 'original,' whatever that's supposed to mean, only with being well-executed and suitable to its task.

Hm, maybe that's where Liesel was born, the intersection of the efficient narrative style and the vast proportion of the story that concerns the maximization of utility and the instrumentalization of persons by themselves and others, and the forces that incentivize these behaviors. Or maybe she's just the narrative counterweight to Orion 'Head Empty' Lake lmao. How's that for a principle of balance, Galadriel?

I really did enjoy how beautifully it was laid out, over and over, in dozens of shades of humanity, how no matter where you go in an exploitative system almost everyone is being driven by the same survival instincts.

Because I don't think I've ever seen made so cleanly clear why you just can't expect any person or small group of people, no matter their level of goodwill or status, to unmake one of these systems from the inside; how it's not a matter of people being bad but of every single person being very...small.

And then not retreating into the idea of a person who is Big coming and breaking the cruel system from the outside as some kind of panacea, because 1) that is terrible, even if it's necessary and done in the best way possible and 2) that's not a sustainable answer to anything. Getting a balance between the protagonist being able to effect change and not subscribing to the great man theory of history can be really tricky!

Also did I mention, I love El, and I love most of the cast, even the dreadful ones. How am I going around with this many feelings about Li Shanfeng who doesn't appear until the actual climax?

The romance murdered me a bit, but it took up no more space than it absolutely needed to do its job, and I respect that. Also I appreciated Orion as a love interest; Novik has a slight record at this point of a version of that style of male love interest who's like a caricature of Mr. Darcy but old, which was shaping up to be my least favorite thing about her body of work.

...Orion is kind of like if you took the human king from Spinning Silver and gave him an alignment flip come to think of it, so he's not coming out of nowhere. Lmao.

Which reminds me (re: romance character typing) I've heard Novik didn't want it to be known she was astolat, which this series has renewed my sympathies if so. Because if I were a published novelist I wouldn't want people going 'you know, that resolution was really emotionally satisfying! reminds me of that fic she wrote where optimus prime and megatron get stuck in a hole underground and hatefuck about it.'

I don't even like Transformers. That fic almost made me cry. Actually I suspect it reads better if you don't like Transformers because I'm sure it does not give a shit about canon.

Anyway, whoever pointed out that one of the things El has going on is she's Enoby (and we're going to sit down and explore what the true reason to put your middle finger up at preps is, and what are some constructive ways to channel that socioeconomic wrath, and what it means that there is no ethical consumption under capitalism) was right and I'm not entirely over that either.

Fucking love El's mom as a character. Spectacular level of parent relevance and usefulness. A+.

Aadhya and Liu are also characters who fucking delivered.

Re: minimalism though, I laughed at the start of The Golden Enclaves when I realized that none of the enclaver characters who'd gotten development in the the first two books were from London, the enclave El was theoretically shooting for when we met her.