#I've been feeling a lot better since I've been trying to transition into just working from home again
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ghostofasecretary · 10 months ago
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it's been a while since i've cried hard enough to have a headache but. sure got there today, babes!
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queencvbra · 2 years ago
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good morning besties <3
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vincentbriggs · 7 months ago
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YOU'RE TRANS ????????
sorry mate you're just. you're so cool & as a little baby history autist i really look up to you as one of the only men i see in the. is scene the right word. and i've been following you since 2021? 22? and i love your work and i had no idea and i'm trans too and idk it feels hard to see a future sometimes but here you are ?? doing with your life exactly what i hope to do with mine ?? and idk i may have cried a bit anyways happy tdov <3
Sure am!! Started transitioning in late 2016! Hello and happy TDOV! and thank you!!
Here's a picture I posted last year of just how very much that jacket in the post I reblogged today does not fit me any more. (Age 18 vs 28) I can't even get both shoulders into it, and that's after having chest material removed.
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None of my older waistcoats fit either, because my posture straightened up a ridiculous amount, and my ribcage definitely got bigger. (Which gradually happened over more than a year, so to anyone reading this who's planning on top surgery - don't make any super elaborate heavily embroidered waistcoats until at least a year after, or it will probably get too narrow in front! I've donated nearly all my pre-2018 waistcoats and coats to a local theatre!)
I ought to mention being trans more often so more people can go "same hat!", and I should also try to remember to make sure my pin cushion is visible in my sewing videos sometimes.
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Also! I think having a rounder face and wider hips makes me better suited to early 18th century looks.
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And late 17th if I get around to sewing some stuff from then. And the 1820's-40's, the men in fashion plates around that time were VERY hourglass shaped. And probably other periods too, the modern ideal of broad shouldered square jawed dudebros looks rather strange in a lot of historical eras!
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captn-trex · 3 months ago
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make it feel better
Rex x F!Reader
word count: 4.3k
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description: when scouting a new planet, you fall into a bed of flowers that you understand the effects of all too well. Captain rex is the only person around and the only one who can help you.
warnings: NSFW (18+) minors begone! sex pollen/aphrodisiacs, oral (f! recieving), pinv sex, almost voyeurism not really, some reader masturbation, swearing, little bit of praise, non-established relationship
a/n: okay so this is the first ever proper smut I've posted and I'm SCARED. do not judge me pls and thank you <3 I haven't seen any sex pollen with Rex so I thought I'd try my hand at it
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The sun was only just clinging to the horizon as you made your way back to the ship, taking a shortcut through the forest. You and Rex had been scouting for a new, and safe, planet to move to, where the small rebellion you were a part of could operate without detection. This one had been uninhabited, and so far proved to be a solid contender. You had come along because of your in depth knowledge of various flora and fauna across the galaxy, and Rex deemed you the most qualified to ascertain whether or not the planet would be suitable. He also enjoyed your company but he wasn’t going to tell you that.
You and Rex had known each other for many years, as you were somewhat of a consultant to the jedi in the war. Your knowledge of different cultures and languages throughout the galaxy proved most useful, and you often became an intermediary between the Republic forces and the primitive beings you encountered. A lot of your time was spent in the field, which was where you met Rex.
The 501st had been part of a relief mission to Abednedo, where you were required for translation purposes. The Abednedo mostly spoke basic, but it was their written language that proved difficult for the Republic to understand, and with you understanding the Republic’s supply logging system, they opted to have you catalogue the supplies rather than teach the Abednedo to use it.
Rex had been uneasy around you initially, with you being someone from outside of the GAR, but he quickly warmed to you when he saw how well you integrated with the rest of his brothers. That was part of the reason that you joined his band of rebels in the first place - you definitely had a soft spot in your heart for the clones, and even more so for Rex.
Your feelings for Rex had grown steadily. Naturally, you found him to be handsome when you first met, his closely cropped blond hair making him stand out among his brothers, but your attraction for him really set in when seeing him on the battlefield, taking down almost a whole wave of droids with only two DC-17s and his own sheer will.
Though that was years ago. Now, you found yourself harbouring deeper feelings for him, feelings you had been reluctant to admit to yourself.
When Rex had found you after the end of the war, sending you a message on your encrypted comm channel, you felt like you had finally hit a stroke of luck. The transition from the Republic to the Empire was turbulent for you, to say the least. The Empire had uses for your intellect, but you had quickly become disillusioned with the whole regime when you realised the deception that they covered up in every corner of their reach. Rex had all but saved you from the Empire, and for that, you’d always be grateful to him.
Meeting him again after the end of the war, when you hadn’t seem him in some time, was like a breath of fresh air. You had never been exceptionally close with him, no closer than you were with any of the other clones at least, but upon seeing his tired and haggard figure on the other side of the hangar, you couldn’t help but speed over to him and embrace him in a tight hug. He had chuckled and returned the embrace, commenting something about ‘understanding the feeling’.
Since then, the dormant feelings you had previously harboured for him only grew. You worked closely with him, spending most of your days by his side in the command centre, helping however you could. It was an inescapable fate that you would fall for him, and now here you were, living out that very fated feeling. You had no indication from the Captain as to whether he felt the same way, and so you kept it close to your chest, electing to not tell him.
Rex had gone back to the ship to comm the others, to say that this planet you were on could be the one, while you had stayed out to investigate a few final things. The water from the natural springs was drinkable, and the small bug you had captured carried no known diseases, and so you were satisfied that this planet would do nicely. You commed Rex and let him know what you were coming back, not waiting for an answer before you switched it off. It didn't really matter whether he heard you or not, you'd be back soon.
It was dark in the forest as you cut through, but it was just bright enough to see where you were going. Mostly.
You found yourself disproved when your foot caught on a tree root and you were sent tumbling forwards with a small yelp. Thankfully, there was a thick bed of flowers that cushioned your fall, so the pain from the impact dissipated quickly. You stood and brushed yourself off, but immediately felt your nose itching, and before you knew it, you were sent into a sneezing fit. You had sneezed at least ten times before you lost count, and you stumbled forwards, resting yourself against a tree when you came to a clearing.
The orange tone of the sky cast a gentle golden light over you as you caught your breath. The sneezing subsided, but as you breathed deeply, you realised that something felt wrong.
You felt your insides burn hot, the heat spreading through your body like a wildfire. An uncomfortable feeling settled in your stomach, but it quickly twisted into a heavy pain. You doubled over, holding your stomach as it cramped up and sent shockwaves through your system.
You dug your hand into one of the pouches on your belt urgently, pulling out the small torch you carried with you. You switched it on and shined it over the bed of flowers that you had just landed in, and inspected their yellow petals and purple centre, your eyes going wide.
Fuck.
You knew exactly what flower these were, you had studied them and their effects in your time at University on Coruscant. You knew exactly what was going to happen to you, and you almost wish you didn't.
Aphrodisiacs.
You dug your heels into the ground in frustration as you threw your head back into the tree, your eyes screwed shut. The burning in your stomach was quickly transforming from a small flame to a full blown bonfire.
Somehow this was typical. This planet was so close to being perfect, and now you had to go and trip into some flowers that would cause you a pain so sensual you'd be driven out of your mind. It had to be you, didn't it?
As you were writhing against the tree, contemplating if you could really get yourself off right here, you heard your name being called and groaned quietly. Why did he have to come looking for you right now?
You tried your best to stay quiet, listening to him calling out to you and hoping that he wouldn't find you, but then he came through the treeline, his eyes finding your struggling form.
“What's wrong?” He darted over to you, at your side in an instant, and you instinctively flinched away from him. His gaze was filled with worry.
You we're clearly in some kind of pain, your skin damp with sweat and a deep blush across your cheeks.
He reached out for you as he called your name, and you moved away again, having to look away from the man that you desired fiercely at any other given moment, but especially this one.
“Rex” You breathed out, trying to keep your voice steady, “Please don't touch me”
“Why?” He asked quickly, “Is it your skin?”
“It's… everywhere, it's not going to go away, It hurts, it hurts so much” You spoke, though you weren't sure your words were even coherent.
“What hurts?” He asked more urgently, trying to get a read on the problem the best he could without touching you.
I can't tell him. I just need to get him away.
“You need to leave. Go back to the ship and wait for me” You pant.
“What? No, let me help you” He knelt down beside you, his hand itching to reach out and comfort you, “What can I do?”
“Nothing. Please go away” You begged, but he didn't understand what was going on at all. For all he knew, you could be asking him to leave you to die here.
“Please let me help you”
You let a small moan escape your lips, one hand stifling it and the other gripping at your clothes to resist from touching yourself right in front of him.
“Rex please go away” You said desperately, your head now in your hands and gripping at your hair to try and distract you.
“I can't! I can't leave you like this, are you crazy?” His voice was so exasperated, and you ground your teeth together as you shook your head in defiance.
“I need you to leave, now. Plea-” You were cut off by your own whimper escaping your lips.
The pain in your core was becoming unbearable. While you knew you couldn't die from this drug, you knew the only solution was to satisfy the intense desire that it gave you, but you would've taken death before pleasuring yourself in front of Rex.
“Cyar'ika let me help you” He said softly, coming closer to you again.
“Please don't call me that” You practically whined, your body acting without permission and splaying out of the floor, twisting back on itself.
“Tell me what's wrong” He ordered firmly, and you felt your desire for him only spiral further.
“The flowers” You exhaled, “They're making me… hot”
“Hot?”
“Yes, hot” You gritted through your teeth, your hand playing with the top button of your trousers. You had to relieve this pain soon before it became worse.
“What can I-”
“Just leave Rex!” You hissed, the pain becoming blinding, “Please leave” You were on the edge of tears, your frustration nearly matching your arousal. You continued begging, different sentence formations that included the words ‘leave’, ‘please’ and ‘Rex’ tumbling from your mouth in a last desperate attempt.
“Cyar'ika” Rex grabbed your chin, forcing you to look up at him, and another whimper escaped you at his touch, “I'm not leaving you”
You whined, “If you don't leave I-” You couldn't finish the sentence.
“You'll what?”
“I need to- you can't be here” You said already unbuttoning your trousers with shaking hands.
“Why not? Cyare you're not making any sense”
You'd were finally at your limit, the pain driving you insane.
“It's an aphrodisiac Rex!” You screamed, hands tightened into fists to hold yourself back.
Rex froze, “Oh”
“Yeah. Oh” You mustered up a desperate chuckle, curling up in a ball on the floor.
“What should I-”
“I don't know. I don't know, you just need to get out of here before I do something I regret” Your words tumbled over each other as you spoke.
He touched your shoulder lightly, and when you moaned at the simple gesture, he understood how bad it really was.
“Rex, leave!” You screamed at him again, your hand finally finding its way past the waistband of your underwear.
Rex immediately averted his eyes, “I'm just going to be over there, I don't want to leave you here like this”
“Whatever! Just do it!” You said, a loud moan escaping you as you fingers found themselves running easily through your slick folds.
Rex quickly moved away from you. The sounds of your moans spilling from your lips were driving him crazy, but he was also overwhelmingly worried about you. He wanted to help you, but he knew that wasn't something he could really do without… well, fucking you. The idea alone was working him up, and the sound of your moans growing more and more frustrated had his cock hardening and pressing into his codpiece uncomfortably.
“It's not working” You cried out and removed your fingers from working your clit to pull your top off, trying to at least ease some of the heat. You were at your wits end, your thoughts all blurred together.
“Rex!” You shouted helplessly, “Please come here!”
Rex ran back over to you in a flash, the sight of your body sprawled out on the floor making his heart beat out of his chest.
“It burns” You choked out, tears spilling from your eyes, “It hurts so much”
“Maybe I could help?” He suggested, letting his emotions get the better of him.
“Help?” You said in a disbelieving laugh, “Are you going to fuck me yourself Rex?”
The silence was so loud.
You looked up at him, standing above you, and his expression was absolutely flat.
“You're serious?” You practically gasped, and he just nodded.
You brought yourself onto your knees and cradled your head in your arms, mumbling under your breath. “Maker, this is so fucked up, I can't believe this is happening. I can’t-”
Rex interrupted your ramblings as he knelt down in front of you, placing his hands on your arms to take them away from your head. You looked up to him desperately, and you could see the pity in his eyes.
“Rex it hurts, it really hurts” You whispered, the pain continuing to burn into you.
“I know” He said soothingly, “I'm going to help you, okay? I'll make it feel better”
You whimpered, your breathing calming just the tiniest bit.
“Is that okay?” He asked, getting a confirmation that this is what you wanted from him.
“Yes” You breathed out, any shame now escaping you, “Please help me”
With that, Rex took you up in his arms, and darted back the short distance to the ship. He set you down on the bunk in the back area and pulled off your trousers and underwear in one swift motion. The sight that greeted him drew a deep groan from within his throat, but he was hesitating.
“Rex please” You begged in a strangled moan, needing to feel him immediately.
“I'm sorry Cyar'ika, I just didn't think it would happen this way” He said honestly.
“Wha-?”
Before you could even ask what he meant, his tongue found its place between your legs. You cried out, the pain in your stomach melting away into pure pleasure. He was eating you out as if it was his last meal, as if he hadn't eaten in weeks. It felt so incredible, and yet, your head still felt foggy, and your pulse was elevated to an unhealthy rate. Even as he worked at your clit, the sensation of him sucking and biting feeling divine, given straight from the maker, you knew it wasn't enough.
“Rex I need-” You began, your words getting caught in your throat.
“Tell me what you need Cyare” He hummed against your pussy, “Anything”
Your hips bucked, “I need more, I need you” You panted.
“I'll need a little bit more than that I'm afraid” He said, and you looked down at him to see the slight teasing smile curling his lips.
“Please don't make me say it” You whined as he licked a stripe from your entrance to your clit.
“Come on Cyar'ika, tell me” He cooed, his hands gripping at your thighs tightly.
“I need your cock! I need you inside me Rex! Please” You finally admitted, and felt Rex hum against your core.
“See that wasn't so hard was it” He rumbled.
He placed a kiss to your clit before he moved away, and you shuddered, feeling the pain begin to twist at your core once more. Rex made short work of his armour, his dexterous fingers working the clasps quickly, his brain on autopilot as he looked down at you writhing beneath him. He then slipped off his blacks and his cock finally sprung free. You moaned as you saw it, throwing your head back onto the bunk and trying not to think about how wrong this was.
“See something you like Mesh’la?” You knew Rex was smirking, you could hear it in his voice. It only drove you more insane.
“Shut up and fuck me Captain” You hissed, which pulled a deep groan from Rex.
He chuckled slightly as he replied, “Yes Ma’am”
He lined himself up with your entrance and looked up to you for confirmation, taking your face in his hand to make you look at him. You could see the question in his eyes, and behind all of your blinding arousal, your heart fluttered at the careful actions of the man you were undoubtedly in love with. You nodded.
“Please” You sounded so pathetic, and Rex brushed his thumb across your cheek tentatively.
“I’ve got you Cyare, don’t worry, I’ll make it better”
He breached you entrance and the moan that escaped your lips was the most sinful sound he had ever heard.
“Oh Rex” You whimpered sadly, and he stopped his movements to check that you were okay.
“What is it?” He rocked his hips back and then forward very gently, earning another moan. “What is it Mesh'la?” He whispered.
“I'm sorry” You whispered
“Why are you sorry?” He frowned, and pushed your hair from your face to get a proper look at you.
The pain burned hot inside you, but you needed to say this.
“You shouldn't have to do this, I'm so sorry”
“Cyare, I can stop if you don't want me to do this, I can let you finish yourself”
“No!” You said quickly, too quickly, “I mean-” You were floundering to find the right words but Rex just pressed a soft kiss to your temple.
“You don't need to say anything” He said gently and pushed deeper inside you, his cock now fully sheathed within you. You moaned gently at the sensation of the stretch, and it was music to his ears, “I'm going to fuck you now, and we can forget about it later okay?”
“Okay” You breathed out unsteadily.
He started to pick up the pace and it was heavenly. The feel of his cock dragging along your walls was divine, and if this was any other time it would have been perfect, but right now, you needed more.
“Rex, please-”
“Tell me Cyar'ika, what do you need?”
The underlying feelings that you already harboured for Rex were spilling into your words before you could stop them.
“Please, I need it harder, faster. Fuck me like you mean it Rex, please”
“Won't be a problem” He said breathily before he began pounding into you, and you could already feel the familiar coil tightening in the pit of your stomach, replacing any pain that once inhabited it. Rex slid his arm around you, arching your back so he could hit the deepest possible spot within you.
“Fuck” You hissed.
“That feel good?” He panted out, and you nodded hastily. Rex tutted slightly, “Use your words Mesh'la, tell me how it feels” He said, dragging his lips across your neck, leaving small markings behind as his teeth nipped at you.
“Fuck Rex, it feels so good. Please don't stop, I need you” You were whispering, as if it were a secret you didn't want to tell.
Rex groaned loudly, burying his face in your neck, “Say it again”
“Which part?” You said letting a small smirk onto your face at his reaction to your words. You knew exactly which ones he wanted to hear.
He looked up at you in disbelief of your teasing at this moment, then pressed his forehead into yours, slowing down his pace and making you whimper at the loss of intensity, “Tell me you need me”
You had no problem saying something as true as that. “I need you Rex, I want you” You emphasised, your eyes burning into his from a mere hairbreadth away.
He groaned, the distinction between the two phrases not lost on him. He quickly resumed his punishing pace, pulling away from you slightly to watch you. You felt the coil pull taught within you, just waiting to snap. You weren’t certain if the drug had something to do with it or not, but you had never been wound up to an orgasm so quickly by anyone else before.
“Stars, just like that” You moaned, eyes closing and head pushing back into the bunk.
“Fuck, look at you” Rex breathed out, “You’re so beautiful taking my cock like this”
The words hit you in the very centre of your being, and without thinking, you grabbed the back of Rex’s neck and pulled him in to your lips. His hips stuttered for one second, but then he was groaning into the kiss, his hips snapping to yours even harder, his fingers holding you down with bruising strength. You didn’t care at all. The idea of having his hands imprinted into your skin only sent you careering towards your orgasm.
“Rex I'm gonna-” You couldn’t even get the words out.
“That's it Mesh'la, let go, cum for me”
His words tipped you over the edge, the coil snapping suddenly and harshly, filling your system with intense pleasure. Rex wasn't far behind.
“Where-”
“Inside, please. I want to feel you Rex” You scraped your nails down the back of his neck as he rode you though your high.
“Kriff, you're going to be the death of me Cyar'ika” He mumbled, hooking his lips with yours as he snapped his hips to your one final time, spilling all of himself inside.
You both took a second to come down from your highs, breathing heavily against each others lips. The more your breath returned to normal, and the burning inside of your limbs subsided, the more the dread crept in.
Rex slid out of you without saying a word, without looking at you. You whimpered slightly at the loss and covered you mouth out of embarrassment. He left the room and your thoughts instantly spiralled out of control.
He’s never going to speak to me again. He’ll never look at me again. I’ve ruined everything. There’s no way we can just move on from this. I’m never going to be able to forget this. He’ll never look at me the same.
A moment later, Rex returned with a damp towel and knelt on the floor, placing a hand on your knee. “Open” He said gently, a kind smile across his lips as he guided your legs open to clean you up. You couldn’t look at him, opting to lay your head back and stare at the ship’s ceiling.
“Rex, I’m so sorry” You said quietly, tears pricking at the edges of your eyes.
“Don't be, I'm just glad I could help you” He replied, as sweet as he always was, and you felt the tears spill, running silently down the sides of your face.
Everything's ruined.
When he finished cleaning you up, Rex noticed your despondent expression and tear stained face and grabbed your hand tentatively.
“What are you thinking Mesh'la?” He asked, his deep voice exceedingly smooth.
“This isn't what I wanted, it shouldn't have been like this” You stared up blankly, blinking hot tears out of your eyes.
Rex's heart started beating faster, “Did I hurt you?”
“No!” You sat up, looking into his eyes, “It's not that it's-”
He brought a hand to cup your cheek and his thumb gently caressed your cheekbone, wiping some tears from under your eye, “It's what?”
You took a deep breath. Now felt like both the right and the wrong moment but you were past caring, your dignity was already laid outside in the bed of flowers that started this whole mess.
“I- I actually like you Rex, I might even love you, and now…” You looked down to your lap, shaking your head, “Now I've ruined everything. I'm just sorry” You buried your face in your hands, feeling ashamed of your actions, even if they weren’t entirely your own.
“Hey, hey” Rex pried your hands away from your face, “Cyar'ika look at me”
You raised your gaze to look into his eyes, your head still angled down as if it would stop the confrontation.
“You haven't ruined anything okay? Its not your fault, I-” He smiled a little, “I like you too, might even love you” He mimicked the way you had said it and your heart stopped.
“You do?” Your eyebrows pinched as you stared into his amber eyes, seeing only admiration and honesty swimming in their depths.
“Yes” He placed his hand on your cheek, “It's like I said, I didn't think it would happen like this”
“Oh, that's what you meant” You said plainly, and he chuckled at your expression.
“Yeah” He said, gently rubbing your thigh, “I'm sorry, I should've told you before all of this happened” He said, some kind of guilt creeping across his features.
“It’s okay” You took his face in your hands, “Thank you Rex, for helping me”
A smirk grew on his face, “Anytime”
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haliteatiger · 6 months ago
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Happy Werewolf Wednesday, ya'll! We're serving up a big pot of tea tonight so get those cups ready!
Special thanks to Blackbackedjackal and King for their help in putting this together, editing, and especially to Jackal for being so supportive and encouraging. I'm very much not normally the type to do call-out posts, but people need to be aware of Dogblud, as she has hurt, not only myself, but quite a few others as well, and seems to have somehow gotten away with behaving like this for 20-odd years. I'm of the mind she shouldn't be allowed to do so any more, hence this post.
TL;DR - Beware of Dogblud, aka Ashryn, aka DogofBlud, aka ThatDogMagic. Very, very long post under the cut.
With everything happening with DogBlud and Blackbackedjackal's studio, I felt emboldened to come forward with my own experiences with her. This is something I've been carrying around since it happened roughly 2 years ago. It was one of the main reasons that put me off drawing werewolves, my own characters, or engaging any more in the fandom. I've hinted at it a few times but I've never had the energy to come forward and deal with the fall out. I wanted to move on with the rest of my life because IRL was more important than online drama. And I knew her behavior would come back to bite her sooner or later, regardless of what I did. 
It's been very validating to see that I was right.
It was around the time that Blud and I became friends that I was feeling a bit burnt out on werewolves. I'd been trying to pull together my own werewolf-related project for something close to 12 years. The past 4 years had also been pretty draining on me creatively and socially, as it had for a lot of artists with regards to the pandemic. I also had some IRL things I was dealing with: mainly with my marriage and transitioning between medications to manage my anxiety + bipolar.
Unfortunately, I didn't have the foresight to screenshot everything at the time. I do have logs from back when we roleplayed together. There are several conversations in them but because they were saved as text documents, they're pretty dubious in terms of solid evidence. 
It would have been better if I had taken screenshots as it was happening, rather than just saving the logs. With what I *do* have, however, I feel as though it may be enough to make the point that I'm trying to make, and to exhibit how horrible things got.
I'll provide some context.
I had talked with Blud on and off over the years, and we had always gotten along. We had a lot in common and after we had started talking more, our friendship eventually grew into a collaborative project. We were going to combine our stories and write a comic based on it. We had a lot of discussions on how Blud was reticent to do this in the beginning and how she wanted a contract to be made up so that in the event that something *did* happen, we could both walk away feeling like it was handled fairly.
Honestly, I should have listened to the first alarm that went off in my brain, when, in an act of ominous foreboding she said something along the lines of don't be so sure, it could happen. It was in response to me being like "we're getting along so well and share so much of a bond right now. I can't fathom that being a problem!" 
The contract never materialized. It was something we had decided to do *after* we had put together something of a prototype project to see how well we worked together. It made complete sense to me at the time as we were both eager to focus on the fun parts of writing and drawing together.
It was decided that I would be the lead artist (doing coloring and final lines) while Blud would do everything else (which was inking, layouts, and the majority of the writing). The both of us felt that she had more experience in those areas. I also believed that she had a better knack for it as well. I had felt that she had a better understanding of story structure than myself. And I thought that Blud had felt the same way about my art. That I had the experience to take point on that. 
Since I had collaborated with other artists and writers before, I attempted to approach the project with the same sort of professionalism I always do. Especially the projects that I genuinely thought stood a chance of being published in the future. We had started out trying to get a feel for each other's flows and rhythms. I had expected Blud to try and meet me in the middle of where our processes would potentially differ from one another, so that we could develop a fairly smooth workflow.
I had also expected, according to our discussions on the matter, that we would value each other's opinions on things and take them into consideration. We had such good synchronicity already.
In the beginning, there wasn't any unusual behavior that caught my attention. Blud was a bit uncomfortable with trying out new things but I did my best to accommodate her so that our project could move forward without too much turbulence. She had also mentioned to me before that she was autistic, and since my husband is also autistic, I knew how difficult it could be when it came to adapting to new routines. But when it was time for her to deliver the first set of layouts, it wasn't at all what I expected.
What I had expected was something with margins, clearly marked boxes, and figures that I could do rough lines over. I also expected notes that confirmed what we had discussed earlier about the project; that way I knew what she wanted or if there would be any changes. She took offense to this, feeling like I was violating our agreement. Though Blud did try to give me space with regards to the actual art, and while she would offer criticisms here and there, I trusted her opinion as an artist and as a friend. But apparently that didn't go both ways. In fact, Blud seemed to be offended that I expected more from her.
Blud agreed to concede. She suddenly seemed fine with the changes that I had asked for after seeing the layouts. I guess she was feeling overstimulated by the change and I might have been applying too much of a critical tone to her responses to begin with. I have had to deal with rejection sensitivity throughout my life and it's certainly prompted me to approach what people say to me online with a bit of scrutiny (sometimes too much).
And while I was mildly annoyed, although admittedly I was more concerned with Blud's overall reaction to my asking for clarification about several things in the layouts, I let it go. But it seemed like there was a problem. The majority of my ideas were either rejected or outright overridden with Blud convincing me that my faulty memory had made me unable to remember what we had agreed upon. Or that I might have been misremembering in my own favor.
There was one time where we were discussing a monster's design. Blud had already decided to settle on one design that she had come up with, even as I continued to offer other suggestions. The story was to take place in my setting, so I was under the impression that I got to decide what kind of creatures should populate it. The conversation ended somewhat ambiguously. I had assumed that we'd come to a solid conclusion later. 
I came back the next day and it turned out that we were using her design because that was what we had decided on. "Don't you remember? You really need to do something about that faulty memory of yours, Tek. I can't be doing this for you all the time."
At which point, Blud would go back and meticulously scour the conversation until she managed to find a set of lines that would make it seem as though I had 100% agreed. Even when I tried to explain that I had meant something else, she took it as an affront on her inability to understand nuances due to her autism.
I admit that my memory isn't that greatest at times, but I've never had anyone complain about it before. And none of my friends have ever minded providing reminders to me if I did misremember something incorrectly. We all forget stuff at times, right? It's *still* something that I'm self-conscious about because (like a lot of people with ADHD) my memory seems selective at times. This was, apparently, a problem that I needed to manage. 
And even as I'm remembering these incidents to the best of my ability, I've already spent so much time recounting all of this to friends. I feel confident in my recollection. There are some details that may overlap or become entwined with other things, but it all basically tells the same story. Especially in conjunction with what's been said by others. You're free to take it as hearsay since I do not have screenshots to back this up.
I will mention (since I've been told it's something that Blud has taken particular interest in) that at one point, I did have a crush on her. I was having some problems IRL, and it was nice to have someone whom I felt actually understood me. I also felt like I saw a lot of myself in her. I think that, at one point, I did describe her as the kind of "girlfriend" I would want. Blud seemed to indicate the feeling was mutual.
Between our collaborative partnership and all of the details we shared about our lives, it did feel like an intimate relationship at times. I had no intentions of pursuing it. We were not compatible in our romantic and sexual identities, and I had no intention of leaving my current partner for her.
I had begun to notice red flags, even if I wasn't ready to accept them yet.
I've had experience with abusive relationships in the past but they were in person, and not online. I knew what to look out for and yet I was being willfully ignorant about our friendship. I wanted to give Blud the benefit of the doubt. I wanted the project to work *so* badly that I was willing to work with her increasing demands as the months went by.
I had no idea that those demands would change into, quite literal, temper tantrums. It would then trigger my fawning response which was due to an abusive family situation that I had dealt with before I moved to Canada. The tactic was this: concede to someone until there was a time that they either understood reason or I had the chance to use it against them if necessary.
I started to take screenshots. I wish that I had taken a lot more of them so that everyone could get a better idea of what was happening. I did go back and manage to record the majority of the first outburst. It was the first inkling I had that Blud wasn't playing with a full deck of cards. I knew that that would be one of the first conversations that she would promptly delete. And consequently, I was right.
This assortment of screenshots will exhibit the first serious confrontation that Blud had with me. I am absolutely *not* proud of how I handled this. I was literally panicking at the time and doing whatever I could to get her to calm down. Because I have a temper that can look similar to this in person, I knew that I had to wait until the post-tantrum clarity would hit Blud. I tried my best to not lose my own temper in turn but looking back, I feel that I came off as sounding too timid.
I didn't want to ruin this project.
I wanted to make a comic with an individual that I admired and respected as a fellow artist. And, with me not knowing how to respond, my main priority was to not make things any worse than they already were.
Below is the conversation in its entirety:
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I had taken this screenshot on my phone after I had stepped away to compose myself. Blud had handled the confrontation and criticism with a reasonable amount of apprehension. But what had not occurred to me was that I could have said something that would remind her of past experiences with a roleplaying group.
It was something that had evidently scarred Blud for life.
I took away the wrong things from what she had told me, choosing to focus on the aspects of the "betrayal" that had appeared to bother her the most. And in hindsight, I did not see the correlation. I was genuinely apologetic that I had hurt her feelings.
But I *will* critique Blud for her poor handling of the situation. Whether or not I had hurt her feelings, no one is entitled to act like this or claim that this is what attempting to resolve a problem should look like.
I wasn't sure on how to initially respond to Blud. It had been ages since I'd had to deal with someone flying off the handle like that.
The following screenshots are where the conversation picked up, after she had already deleted the above message:
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We had weathered the "storm" and after Blud calmed down, she was ready to communicate. There was a part of me that was genuinely sincere when I apologized to her. I did mean it when I said that I had no intentions of hurting her and that I hadn't considered how my statement would sound to her.
I had hoped that this had been a stress response due to factors outside of our collaboration. And especially when I took into account how she had interacted with me in the past. I knew that Blud had a lot going on IRL, and that she had already put a considerable amount of energy into this project.
I had taken her meltdown more personally than she could perceive that I would, because this was something that was acceptable to her. She had a "condition" that would absolve her of these abhorrent meltdowns and I needed to get used to them if we were going to continue working on that project together.
I was shaking the entire time we were typing in the chat.
I was sincere in my responses. I really did want to work things out with Blud and give her the benefit of the doubt. I could have been taking the things that she said too personally or maybe I had been reading too much into the situation. Was there a chance that I could have been misreading her outburst? I tried my best to keep an open mind though I was still somewhat baffled by the fact that she would have meltdowns as often as she did.
I confided in my husband and some other friends about the situation. They were also bewildered by Blud's actions.
By this point, I was struggling with the reality that this collaboration was most likely *not* going to work out but I still wanted to try. I still cared about Blud. We would still hang out together and talk about things like music, our characters, or our stories.
While I did have the foresight to go back and screenshot this section, I wasn't fast enough to get screenshots of everything else that I will be going over. Blud *did* admit to going back and deleting certain exchanges due to a mixture of shame; not wanting to look at them when she would scroll through our conversations. 
In retrospect, it was very telling.
And even after that meltdown, I still enjoyed the friendship that I had with her. I kept my guard up but I was willing to make compromises on her behalf if it resulted in better communication between the two of us. Blud made me promise to immediately tell her if I had a problem with something. I also agreed to keep notes of our conversations.
It worked for the most part.
In the end though, it became apparent that Blud wasn't willing to do the same for me (even after we had an extended conversation about it). I then realized that I had been tasked with basically *managing* her autism for her. I was already busy with my supposedly "bad memory" at the time; and Blud was more than ready to scroll back up through our conversations to cherry-pick a line or two of text to remind me of what was said earlier.
Because, for her, circumstances couldn't ever change. If they did, it would mean that Blud had lost control of the situation and that she was in the wrong. She could *not* be in the wrong. 
And if she was in the wrong? It would take solid evidence, three witnesses, and a court of law to prove it.
She had two other major meltdowns after this. I managed to step away from communicating with her through one of them and I don't remember the other meltdown lasting very long. She immediately deleted the texts of both of those instances before I could take screenshots of them.
It seemed like I could do nothing right when it came to Blud, no matter the lengths I would go to accommodate her. I knew that it was a common tactic used by abusers. I finally accepted that our partnership wasn't going to work out and I began thinking about an exit strategy. The final straw was when she began to expect me to be at her beck and call.
I had promised that I would be there for her, within reason, and I was willing to offer reassurances whenever she would ask me for them. The promise had been made back when we had first started to talk to one another with more frequency, before Blud had shown me her true colors. I would end up completely underestimating just how badly she would need reassurance.
To be frank, I underestimated a lot about Blud in the beginning.
I would end up mentioning that I enjoyed my space in several different conversations with her. That there was a chance that I might be offline for several days so I could take care of things IRL and recharge my social batteries. I'm somewhat of a recluse. And an adult who enjoys things that aren't online.
She said that it was fine.
I became incredibly anxious when I would talk to Blud, especially after her somewhat abrupt change in personality.
I then attempted to put my foot down about boundaries and this is what she had to say:
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I decided to walk away for a bit and I came back after I had had some time to think things over. This wasn't healthy for either of us. I wrote a couple of sentences to say goodbye to Blud before I blocked her. I knew that my actions would probably infuriate her. She had told me in the past that she *hated* not being able to have the final word... which she was able to do through email:
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“And I'm not letting you pretend you have control over the situation, or the high ground. You distinctly have neither. But since you're determined to stick to your 'principles' on this, I've decided to make it easier for you.”
She thought that she was absolved of all sins just because I had said that I would stand by her at her worst. And at the time that I said that, I had no idea that her worst would be her trying everything possible to protect her boundaries while stomping all over mine. It didn't matter what she said or how often she would apologize when I would confront her. She kept doing it.
I admit that I wasn't perfect in this situation either.
There were times when I was condescending, critical, or downright mean when I talked to Blud because that was the way I had felt when she was talking to me. I soon realized that it didn't matter either way. I could have been using the friendliest tone imaginable and she still would have perceived it as either mocking or dismissive on my end. There were even a few times where I would preface my explanations with an advisory “please know that I am not attacking you and try to read this in an understanding tone,”etc. I would then post an explanation I had spent hours picking at to ensure that there was no way she could misinterpret the intent. Even so, she still read the majority of what I said as criticism and would take it to heart.
I never expected Blud to do something that made her uncomfortable; nor did I expect her to overextend herself when it came to our project. I would go out of my way to make sure everything was fine when we would talk about it. I only expected mutual respect in return.
When we would get into discussions (arguments), she would never attempt to understand my point of view or let me explain myself. It would have made it about me when it should have been about Blud and her needs. She sometimes would agree to come to a compromise about something, but only if I would admit that I was in the wrong.
I know that if Blud was to look at these screenshots, she'd be incredulous that I'm trying to distract from the horrible things that *I* did. And those horrible things that I did? I tried my best to work with her.
It wasn't just her poor teamwork that bothered me. It was her attitude and the lack of respect that she showed me. She would never ask me to clarify something that I said; always assuming that it was a criticism against her. I can only speculate that Blud did not want to hear about how any of this was her fault, like in the email she sent me.
I don't know if I was actually her friend at any point. Friends make efforts to understand one another. Ideally, they’d want their friendships to continue, and they would want everyone to be getting along and having fun. She seemed to actively defy that.
I would argue that things like this don't just happen in a vacuum. There's almost always a reason for such things, but it's honestly a mystery to me as to where this vitriol comes from. I don't know why Blud sees monsters in every word, especially if they come from a  "friend". 
I've seen her viscously mock herself during meltdowns; it seems like she hates herself and expects everyone else to hate her too. I think that she wants it to be the truth, so that it validates the feelings she has about herself. The behavior patterns that I'd been exposed to are consistent with the idea that Blud is seeking confirmation about the personal assumptions she has about herself. It's what makes her so volatile to those around her. Yet, she refuses to break the cycle.
I hope that she can make that choice in the future but at this point, I'm not holding my breath.
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lovelytsunoda · 1 year ago
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crying over it all // clement novalak
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summary: there are few things in this world more mortifying than failing your drivers test when everyone else your age has a license. it’s made even worse when your boyfriend is a racing driver
pairing: clement novalak x female reader
warnings: reader fails her driving test, which leads to significant self loathing, clem is just trying to be supportive and god I need someone like him right now
authors note: guess who failed her drivers test 🙃 I’ve rebooked it but now I have to commute by way of three buses to my college campus :( and don't even get me started on field placement...i wish i had never left it this long but at this point i need to trust to process and find some sort of way to move past it.
“I’m sorry, but you will need to retake your road driving test. I understand that’s not what you wanted to hear, but you need some more practice. you can see the full list of mistakes inside.”
it had been twenty minutes since she’s heard those words, and she still felt shaky on her feet. her hands had shook and tears fell down her face as she went inside, taking a number and waiting in a notoriously long dmv line to admit to the woman at the desk that she needed to rebook her test.
she didn’t want clement to see her like this, utterly defeated and trying not to scream her lungs out as she watched four teenagers in line in front of her get their licenses.
she was twenty one, for god sakes. she should have been driving by now.
she was sitting on the wooden bench, slouched I gracefully and letting the tears fall as she played with her car keys when clement found her.
what was the point of even owning a fucking car if she couldn’t drive it?
“oh, love." clem frowned, feeling his own stomach sink when he saw how distraught she was. "i take it that things didn't go well."
"could you tell?" she sobbed, trying to wipe her eyes. "was it that obvious? i hate myself, clement. how is it that i can't do something that pretty much everybody my age has been able to do since they were sixteen."
his heart ached as he heard her words. he'd passed his test on the first try, and he drove things for a living, so he's never really thought about what it must have been like for her, having to bum rides off her friends and family or to be bound to the transit schedule. while she was in college, it hadn't been the biggest deal, although it was a minor inconvenience. now that she would be working full time, the stakes were higher.
"i'm sorry, pretty girl." he frowned, pulling her closer, allowing her rest her head on his shoulder. "but you can take it again, and you know what you did wrong, right?"
"i start work next week, clem. i've looked up the commute and if i take public transit, it's almost two hours each way. and i feel like i'm a burden by constantly asking people for rides, or telling them that if they can't pick me up, we can't hang out. hell, my mother had to drive to my first date with you!"
clem chuckled at the memory, the image of a frazzled y/n stepping out of her mother's suv and frantically scanning the parking lot for clement. moments later, her mother had insisted to getting out of the car and introducing herself to clem. y/n thought that she would combust then and there.
"your mother loves me!"
"yeah, but imagine being a grown-ass adult and still having to get your mother to drive you to appointments because you don;t want to chance the bus route not aligning with your appointment time? i feel like my grandmother, and she's ninety, clement. she had her license revoked because she has cataracts."
"i know it hurts right now, but you are never a burden, y/n. your friends love having you in the car when they drive. hell, i feel like i drive better when you're next to me. i don't mind driving you places, you know. it means that i get to spend more time with you."
she smiled at the gesture, turning to allow clem to cup her chin and wipe some of her tears away. her face was flushed, eyes red and puffy. she couldn't shake the idea that she might have made a scene inside the testing center.
"i know. i just wish i could be more independent. transiting gives me so much fucking anxiety. i went over the curb when i three=point-turned and an old lady on a mobility scooter started yelling at me."
"but you never go over the curb."
"exactly! i think i was nervous, when i practiced the route with my dad, there were never any cars on the road. and i think after that happened, i got into my head and it screwed everything else up. i'm such a fuck up. i feel like i've let everybody down, especially you, since you helped pay for my fucking car."
'"hey, hey, don;t talk like that. you'll get it. i promise you. you know jenson button didn't pass his road test on his first try, right?"
she snorted, sitting up straighter, but still clutching clem's hand. "did he really?"
"yeah, and i think lando failed as well."
"yeah well, i've seen how lando drives. that doesn't surprise me at all."
having a laugh seemed to help, and at least now if people mwere staring at her it was because of the f2 driver sitting next to her, not because she was a grown woman who still couldn't drive and decided to cry about it, and then fling her keys onto the grass.
"i have some plans i might have to move around, and then i need to call my parents, and then my dad can take me out to practice a bit more but i have to trust that when i take it again in october, something goes right. because i know exactly what i fucked up."
she moved to get up from the bench, clm following closely behind as she shamefacedly handed him the keys to her volkswagen. well, the volkswagen now, since she couldn't drive it without someone who'd had their license for five years present.
"i'm proud of you for trying. i know that this was something you put off for a long time because of your anxiety, and even though it didn't work out, at least you tried." clem encouraged, his arms comfortably slung around her shoulders as she laced her fingers with his. "hey, it could be worse. you could have had your dad drive you here."
"clement, don't even joke!" she laughed. "you know that i hate taking transit, and that i don't always feel safe going places alone."
"i know. and if you ever feel unsafe, or too anxious to function, or just like you want to see my gorgeous face, call me. as long as im in the country, i will come and get you. and if im not, i'll send someone i trust."
"like who? max fewtrell? his driving is worse than landos."
clem snorted. "i meant ria. or pietra.
"thank you, clement." she sighed, leaning into him as he unlocked the car. "i love you."
"i love you more, pretty girl." he kissed the top of her head softly. "it will all work itself out, love. just you wait. and then you'll be the one driving me places."
TAGS:
@httpiastri @magnummagnussen @oconso @thatsdemko @scuderiamh @libraryofloveletters @diorleclerc @sidcrosbyspuck @cartierre @clemswrld @love4lando
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ghuleh-recs · 9 months ago
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Cardinal Copia had his own Fic Rec Friday and now it’s Popia’s turn. I've compiled a healthy mix of x reader and x ghoul below. A little something for everyone! I may have gotten a little carried away— there's a lot to see here so make good use of your ao3 bookmarks!
Take my hand. Let’s read about the HBIC together. ♡
recs under the cut.
Papa x Reader
Don't Go - @ramblingoak - papa iv x gn!reader
While trying to convince Papa to cancel the tour you end up confessing how you feel about him.
Rough Day - @writingjourney - papa iv x f!reader
papa takes care of you after a rough day.
Your Star Wrapped in My Cloak - @sherwood-forests - papa iv x f!reader
You find Copia in the library, in hopes of apologizing.
VIII Strength - @anamelessfool - gn!reader
VIII STRENGTH Strength (Physical and Will), courage, persuasion, influence, compassion Copia is a pent up sort of man, he always has been. He enjoys being Papa but on his worst days the title has a near physical weight pressed across his shoulders. He comes home to you, and you can tell when it's been one of those days. Luckily, he has you to guide him.
Forbidden Fruit - @ink-and-dagger - papa iv x f!reader
It's a pleasant surprise to stumble upon the newly ordained Papa Emeritus IV browsing through the library stacks. Even more pleasant that he happens to be halfway up a rolling ladder, and wearing one of his sinfully tight suits. What better opportunity to give Copia's cakes the attention they deserve. Or No snakes needed to convince you to take a bite out of this apple.
Forever Yours - @sweatandwoe - papa iv x gn!reader
Ever since you had entered into a relationship with him, you had learned three strict rules about Copia. One, he did not like to be tickled in any situation. Two, he always had to have a drink after sex. Three, the make-up stayed on. The first two were easy to follow but the third though, was getting harder to try not to bend.
Worship - @copiasjuicebox - papa iv x transmasc!reader
Tumblr Request: trans!copia worshipping your body after your t shots have had time to work. he understands how to worship your body properly bc he’s been through the transition, he gets it.
on leather wings - @ghostchems - papa iv x f!reader
copia surprises you with a spooky weekend getaway, culminating in some winged bedroom time
Papa IV x Ghouls
tumblr ficlet - @st-danger - papa iv x dewdrop
"Papa," Dew murmurs, and Copia feels a tremor move through him; there's a particular voice Dewdrop uses when he wants something. Silky and dark and slow. A drawl. It's what he's using now, and he hasn't the ability to deny him anything. And if Dewdrop is about to angle for a little action, backstage and hurried with Copia in his papal robes- well. It'd be sinful, of course. And it would be wrong to not take advantage of that, right?
What's My Name? - @copiasjuicebox - papa iv x swiss
"Why don't you ask me how I'm doing?" in which, the audience doesn't refer to Papa as "Papa" and it strikes a chord.
And You Know That It Takes Two - @forlorn-crows - papa iv x dewdrop
“Well, I do. Of course I do,” he assures the ghoul. “Quite fond of you all, actually. It was, admittedly, a little rocky when we first met. But.” There’s that heh Dew was expecting just moments before. “Here we are, no?” When Copia starts rubbing his thumb up and down the inside of his knee, Dew’s brain stops working. His gaze zeros in to the fingers splayed across the side of his thigh, so foreign, so bare, so pink against the black of his casual uniform pants. His mind is full of static and all he can hear is his own blood pumping through his head. But there’s a weird something tugging in his ribcage; something new yet old, unnamed but familiar.
tumblr ficlet - @littlemoon-beam - papa iv x dewdrop
He can't look away from his hands, the way the veins flex under his skin as he expertly plays. Copia hears his own shuddering breath, wishing he could feel them on his skin even if only for a moment. He'd worship every fingertip if given half the chance. What really gets him though, what makes his chest tight and his stomach twist, is when he finishes and smiles, head tilted and eyes bright. "Was that ok, Papa?"
Changing of the Seasons - @kissingghouls - papa iv x cirrus
Cirrus and Copia share an umbrella on a rainy day.
𖤐 you know the drill--bookmark, read, and leave kudos/comments!
Did I forget your favorite? You've got a standing invitation from me to add your own rec and reblog ♡
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genericpuff · 7 months ago
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Hey, found you on reddit long long ago and have since been a follower. I wanted to say thanks for all of your essays, for your advice about comics and creative work in general, and especially for the coherent thoughts on webtoon as a company... seeing you do LR and just BE outspoken about the experience of working on webcomics and being a professional artist, it gives lots of people hoping to go into the industry or do that sort of work (myself included) the courage to stand on our feet. I saw in real time that reddit post you analyzed in your last post, and I've made the (honestly pretty scary) decision to stop publishing my own comic on WT completely and abandon ship for a third party site. Still trying to decide which would be best. It sucks feeling like you're abandoning an entire audience, but the knowledge that your work will remain your own and on your own conditions... that's far more valuable at the end of the day. So thanks for the (accidental) help with that decision, and I'll do my part in spreading the word. I really enjoy lore rekindled, thank you for all your efforts and hope you're having a great day :>
Aw hey! It's always humbling to hear that people find strength in my crazy wordy essays LOL I don't particularly like saying 'you're welcome' with this sorta thing so I guess I'll say, no prob, glad I could help? 😆
I understand all too well that fear of 'abandonment'. I'm currently in the process of moving all of my work off WT as well, notifying my readers, all that fun stuff. I've considered using it just as a mirror site for the sake of trying to get audience members, but honestly, I've been using it as my primary site for nearly a decade with no luck so keeping it on the platform even just as a mirror just feels... I dunno, like I'd just be getting the same results regardless. Especially now with the site going in the direction that it is, and the fact that they're clearly moving towards AI, at best I don't want my work to be bringing in the site any more traffic (even if it's just a drop in the bucket) and at worst I don't want my work to get scraped by AI or some shit down the road LOL I often wonder why I've bothered putting up with Webtoons for so long, when I left Tapas over far less. I think it's just the fear of being a disappointment. But really the only person I should be most concerned of disappointing is myself - and I don't want to continue to disappoint myself by sticking it out with a platform that's getting worse by the day.
Something that's helped me reframe my perspective on the "loss" of Webtoons as a platform is just viewing it less as 'abandoning' and more like 'upgrading'- upgrading the environment in which I host my work, so that it can be in a place that works for my goals and stories rather than against them. It's like the golden rule of dealing with employers, if you're not getting adequate raises or proper treatment, then you leverage your skills and experience into a better position. Nothing is forever, including webcomic platforms. But change doesn't have to be a bad thing, so long as you can use it to your advantage somehow.
Take what you can of your audience with you. Encourage them to try new spaces. Turn the transition into a party, get people so excited for it that they'll feel like they're missing out if they don't hop on! Have confidence, even if you don't have everything figured out yet. The readers that truly love your work and want to read it will follow.
And worst case... send me a link to your comic sometime and I'll do what I can ;) I'll see you on the other side of wherever our work ends up (•̀ᴗ•́)و
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pandorasfruit · 3 months ago
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Umbrella Academy season 4:
I finished the entire season a few nights ago, so lets talk about some things;
I haven't checked in with the fandom in any way, but from most of the tiktoks i've seen, not many like this season. Completely understandable, makes sense, especially after seeing that weird (a lot of people used the word:) predatory relationship which went down between Five and Lila. I definitely did not see it coming, and though I don't find it predatory myself, as they are both consenting adults, since Five is in the body of an (i think) 20-something year old, but has the mind of an (if i remember right) 60/70 year old(?). I think how it happened can also be an excuse; they were trapped together for (what felt like to them) 7 years. Not to mention that Five had probably been lonely for some time now, and though Lila claimed that her marriage satisfied her, I really don't think it did.
This all however, is totally not an excuse for their behavior. Lila was married with three kids, and Five was the brother of her husband. They were in-laws, which does add to the weird pile.
The only thing I really enjoyed about their "hang", was their travels through all the different timelines. And now we have another academy (The Phoenix Academy), that's just a fun thought. I would have loved to see an episode where they explored the different timelines with different academies.
In other news: I love Luther.
I'm sorry, but I just do. I think the way he desperately tries to keep everything together when it comes to their family is commendable. In previous season, I always hated how he excused Reggie's behavior, but now that he's left that behind and focuses solely on his siblings instead is adorable. Both and he and Allison have given up on the whole incestuous relationship they had, and now they don't even mention it nor acknowledge it. Though normally I would say that that's not a healthy way to deal, I think it's actually better to just leave it all be.
Yes, I know he's kind of pathetic. Yes, I know he is also somewhat selfish. No, I do not care. He's trying very hard to be cool older brother Luther and cool uncle Luther. I think his whole descent into sex work should have been talked about in a better way, but somehow he always brought it up as a thing he enjoys doing? I'm not going to go into prolematic things that the writers have been doing, but this is definitely one of them. There's nothing consensual about sex work, and it should never be shown as something that one might enjoy doing.
This is one of the first actual seasons, however, where we get to witness Diego doing his thing! (I know we've seen him do some other tricks, but they never been this detailed.) I was so shocked to see him do his little spin in the air to redirect the bullets during the second episode, but I was disappointed to see that Lila did NOT care.
Talking about Lila and Diego, did anybody else catch that one part in the first episode about how they basically had the twins accidentally? Diego explains to Luther that though he loves Lila and his kids, he feels exhausted and not at all satisfied. Then he explaines that they had the twins through Lila telling him that since she was breastfeeding, she couldn't get pregnant. It's unclear now if they were both mistaken, but just the way he was talking about it, it felt like to me that he felt betrayed by Lila. I'm pretty sure that Lila was aware that she could still get pregnant, she just knew that she wouldn't be able to convince Diego, so instead she did this.
Viktor is as cool as ever. He's always been very cool, but thinking back to all other old (pre-transition) Elliot Page roles, its so noticiable how uncomfortable he was in his body, and getting to see him now, playing a male character, whos not only accepted by his siblings but Reggie too?! Amazing. And him bonding with Reggie? Delicious, I ate that right up. Reggie calling him "boy" (and other masculine nicknames)? Love, love, love.
This is one point for the writers and Netflix, this is exactly how Hollywood should handle an actor coming out, and I hope that this will be an example for future media that will feature transgender actors in the middle of transitioning.
Klaus is our little weirdo who DESERVES a break. He needs it. Please.
We get to see him clean this season, but I did not expect him to behave like this while off drugs. Honestly, I'm not sure I expected anything. I guess I kind of just thought he'd do drugs anyway? Or that he'd get clean but still behave somewhat the same way.
Poor Klaus was also a character subjected to sex work this season, it just made a bit more sense this time. He definitely did not enjoy it, that was something they made very obvious, but they still couldn't do it just right. It was awful watching him have to make a choice between getting money to pay off his debt and leave or a sole condom for "dealing" with costumers. They didn't make it obvious how many clients he really had, but through dialog, you could kind of guess that he had way more than the one girl whose money he tried stealing.
I loved seeing his relationship with Allison this season. And I loved his relationship with Claire even more. I felt the scene where he went home to rob Allison's place so he could get money to buy drugs was realistic, but since I've never had any experiences with addiction of that kind, I won't speak on it.
The villains of the season were kind of nothing if I'm being honest. I loved their sense of style, but other than that they were basic, text-book style villains, who were mostly around to just help the story along. They weren't too memorable, but neither was Reggie's wife? Partner? I'm not sure who she was, or if she counts as a villain or not? I didn't really understand her role, but I did like how she treated the siblings the first time they met.
Then there is Ben and Jennifer.
I feel like we never really made Ben an official part of the siblings, even though he is supposed to be. His relationship with Jennifer was very cute, but once again, it was not too memorable, even though it was supposed to be the main story of the entire season. I find it weird how it all looks unplanned while also being completely planned? Like, you'd assume that ever since season 1, this has always been the story of Ben's death, and yet it still feels like it just wasn't? It feels like they were putting this whole thing together blindly, and then someone thought of the right thing and that was what made it all make sense.
And I don't like how things with Jennifer went unexplained! What does that fucking squid have to do with anything???
But anyway, other than all that, this season was a very basic example of a Netflix series. It was entertaining but not deep. It was a good watch, but I don't think I could ever do a re-watch. I think it was overall, just nice.
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presiding · 4 months ago
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I'm not a new follower and I've been here long enough but i do have a relatively bad memory
So I've wanted to ask, what's your opinion on "Dishonored: death of the outsider"?
Right now I'm replaying Dishonored games not in the release order, i already finished DH2 and started Daud dlcs. Maybe I'll go for vanilla DH later
But thoughts about going through death of the outsider again makes me feel something that i can't explain... 😬
It has some interesting ideas but antagonists are underused. Locations repeat a lot. And Billie herself deserved SO much better than whatever is going on with her character
I'm genuinely debating if i should revisit *this* one or pretend that DH2 is the last game. I know that some people love DOTO but i can't find strength in me
love to chat about death of the outsider, ty for the ask!
i feel your pain. it's the one game i struggle to revisit. but! i was thinking about your points and how DotO has the feel of budget cuts.
it's been about a year since my last DotO post - so, essay time -
a measured response to common DotO criticisms
(the thousand bugs of dishonored 2 I had borne as I best could, but when doto ventured upon sidelining billie and retconning daud's arc I vowed revenge*
*can't resist a cask of amontillado joke
criticism is easy and creation is hard, so, if this isn't the type of response you wanted, you can read my other DotO posts:
how i'd write death of the outsider
that post i did after trying to play doto a third time and couldn't make it past the opening scene (you might like my tags on this re: your comment "makes me feel something i can't explain")
billie lurk as a nonprotagonist & misogynoir (more on this below...)
gonna leapfrog off your comments cause I agree!
antagonists are underused/locations repeat a lot.
who is steering the boat?
let's start up at the top; everything stems from there.
DotO was caught up in ownership/transition issues. here's an article about harvey smith and raphael colantanio at that time. if you didnt know, colantonio is the main founder of arkane (semi-related but just for fun look his appearance up then go through arkane's protags and tell me what you notice...).
quote from harvey smith re: DotO -
“Then, just as I move back, [Colantonio is] announcing that he’s leaving. Going forward, I’ll focus more and more on the Austin studio and what we’re going to do there. Death of the Outsider is my wrapping up with the guys in Lyon – the first half of that we planned together while I was living there, but the second half was worked on while I was living in Austin. I’ve been communicating with them through video conferences and stuff, so they carry a lot of the load of the second half of it.”
so the founder jumped ship and the co-creative director has to step away from his usual position (over to sinking ship Austin). meanwhile, DotO is still in development. i'm a big believer in people making art, and not companies (even in this article Smith acknowledges much of their "secret sauce" can be traceable to specific devs but i digress)
$$$ kaching - some speculation
on the note of founders - past this point in arkane's history (ie. the main founder stepping back), arkane would have been being primed for sale. this translates to high scrutiny on project expenditure (such as hiring cheaper early career staff, hiring less workers, denying your best staff raises causing them to leave and hiring cheaper workers in their place, etc) to make the company's EBITDA look more appealing to buyers (briefly, its the piece of paper that proves you're profitable). based on speculative timelines, from a purely $ perspective within the first year of dh2 being released is when you'd be looking to slim down your capitalised expenditure (aka: cutting staff while the revenue is at a peak to make number go brr and make your company look like a better investment) because to maximise the profit of a company's sale, you really have a great track record for a few years.
this is purely speculation based on timelines. companies are very careful to hide when they're doing this, ideally they want ~3 years of a great track record (and staff that will keep working their hardest).
big goals and no money
DotO was meant to be a two-part DLC like the Dh1 DLCs, so shout out to what could have been made if their original pitch had worked.
On locations & antagonists & budget - this dev's site discusses the Conservatory level in game AND specifies it was budget constraints being the reason for cutting off traversable area from that mission. Great link for comparing the original level & the DotO version, especially re: your point about reused assets/levels.
We could pick other examples here but this post is already long so -
Billie herself deserved SO much better than whatever is going on with her character
i would forgive this game anything if there was any good billie storywriting.
:')
its never just the writers
after revisiting articles to fact-check for this essay, i've seen a lot of articles blaming writers by name (you didn't do this anon which i love <3)
games are made by teams, and decision making is generally done top-down, so blaming individual contributors is shit. 1) writer's pay isn't good enough to cop this kind of abuse. 2) it's rarely in their control - you can write a beautiful scene only to have that level cut due to costs (etc), and then you need to work out how to make the story make sense. ideation & decision-making are separate and i guess 'this idea was [X]'s' should not be mistaken for 'this is the fault of [X]'s.'
on hiring fans (& imm-sim writing strategies)
the new writers [...] already had an idea of the world, as they’d seen it from the outside, as fans. “These are all people that knew this world we had created and they took it as canonical, as the gospel. Whereas, for us, it was bits and pieces we’d made up along the way.”
as someone who used to hire writers, and i promise this isn't in bad faith: don't hire fans unless your priority is cost then, sure, fans are likely to put in overtime (and not be in a position in their career where they can ask for higher remuneration - they'll pay the passion tax to be involved).
writers (esp new career writers) have to be open to receiving feedback assuming healthy/functional processes, and being a fan makes that harder because you care more. and, as a fan, you know what loose ends exist and that's where you'll naturally jump to, even though writers should start with target audience and branding, and build from there. if i expand on this i'll get offtopic so let's keep going!
DotO feels lifeless because it doesn't add anything to the DH universe, it only takes away by closing storylines without the satisfaction of closure. sure, stuff was added - the cult subplot, locations, some NPCs/enemies, etc. but they feel like part of the objectives, not part of the dishonored universe. you can feel the decision-making process when you play: there's a feeling that the priority was to finish the assets required for missions, instead of writing a story that feels immersive.
compared to standard videogame writing, where you can generally get away with "everything you touch and read relates to your objectives as the protagonist", as an imm-sim writer, you need to focus on:
how does this text build the universe so that the player feels like they're only seeing a small part of the world?
of course - this is difficult with budget/time concerns. i've said it before but this is part of why we rarely have games as rich as dishonored 1 & 2, because imm-sim design philosophy flies against the current videogame industry trends of microtransactions & cheap-to-make addictive mobile games. given a tight budget you focus on the high level story, but player immersion is a function of details.
most likely, dh2 was the end of an era. typing that out makes me sad.
what did the devs say about writing billie
*breathes deeply*
the death of the outsider protag was originally pitched as being about a regular human, someone not related to emily and corvo but instead an overseer or a brigmore witch. daud was also pitched.
this could have worked! really cool to have a nobody, or a heretic, or an overseer, be involved with the death of a god. and i've mentioned before that storywise DotO's protag could have been anyone (i think i made a joke about wyman? hah) and wouldn't change the story much, bar some daud bits.
quote from the same article:
eventually Arkane settled on Billie Lurk, Emily's companion from Dishonored 2. [...] Bakaba tells me that because Billie had already received her redemption arc in Dishonored 2, Death Of The Outsider's story could be about something more than that.
welp.
so there's two things here - a redemption arc claim, and DotO's actual story.
in addition to not being the first pick, the view was that billie's story was over. i question the 'redemption arc' claim - sure, billie helps the protag in dh2 but after her confession, if you tell her she's changed, she brushes it off and you part awkwardly without forgiving her... does that count? if a tree falls in the forest and no one is around to hear it does it make a sound? if a character redeems themselves but the story never tells you, are they redeemed?
billie's role in dh2 isn't really that different to the dlcs, where she follows you around being Mr Exposition while withholding a LOT of information that could have actually helped the protag. given DotO's plot, going after the killer who shaped her doesn't scream 'reformed' either. ludonarratively speaking, the lack of chaos implies billie never changed from being a callous killer - which i'm not against, it would have been a cool story.
and! contrast this with daud who already had his redemption arc!
When first conceptualising Death Of The Outsider in around 2014, Smith and Duval knew they wanted two things: Billie Lurk being used to get to The Outsider himself, and closure for Dishonored villain (and later ally) Daud.
in the two DLCs, as we know, he comes to realise his actions sucked, and as the player you actively make things right (related: my post about ludonarrative dissonance in dh2). so if billie had "already received her redemption arc", why was this another daud story?
imo this isn't a budget issue but a misogynoir issue. "we want this story to be not about the protagonist so any random NPC will do, how about we go with billie lurk and get a black woman as a dishonored protag?" this logic, which is what i'm reading of the above two quotes, feels frustratingly tokenistic when she's an established character with a rich background. it's an example of surface level diversity because DotO is not about her by arkane's own admission. it's a similar vibe to the companies who say they have a diverse team but you check their staff page and all the people of colour have 'assistant' in their title and the board is all white, so it's not people of colour who are driving the business. maybe this was entirely by accident but these accidents add up to systematic failure - billie gets her own game but never her own story. it feels like she got assigned the caretaker role for these two guys. great.
for fairness, let's compare to dh2. corvo & emily are relatively hands-off protags in terms of their ongoing thoughts about their surroundings and the lore placement about them specifically is sparse, and this style continues in DotO. the issue is the core narrative: corvo & emily are both the protagonists of their story in the sense that dh2's story reflects their goals ("take back what's yours"), whereas Billie is an established character who has arguably little reason to go along with each mission. worse, the main plotline she's literally forced into going along with. in the opening scene billie gets assaulted and still helps the guy who assaulted her.
fundamentally, DotO's narrative is not about billie but about daud and the outsider, and this article makes clear that was by design.
whats the takeaway
DotO is the weakest entry in the Dishonored series for most people, and blaming budget & a corporate changeover makes me feel... uh well it doesn't really help me tbh but your mileage may vary. it does interest me to think about what we could have had!
for me, my opinion is that if writing billie was a priority (link to my own post where i describe the feeling of playing doto as someone interested in billie) arkane would have made it a priority, even amidst constraints. billie's redemption arc was not resolved imo, and putting her in a game without a chaos system feels like as much a backwards slide for her as daud's plotline to kill the outsider was for his arc.
we absolutely 🤝 on not being in a rush to play the game again.
on the upside. dishonored 2 is a really wonderful game and i love it very much.
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spacelazarwolf · 1 year ago
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I really hate how often neo ra/df/ems will go on and on about how trans fem's transitions are waaaaaay more difficult and they're waaaaaay less likely to pass, but if a trans masc dared to make any similar comparisons, they'd be fucking crucified.
There are a lot of feelings I have around sex-based discrimination and the difficulties of a masculinizing transition. On one hand, I don't think comparing struggles like that is useful (i.e. trans women have harder transitions).
On the other hand, I feel like the reality of the situation is actually quite the opposite for many people (everyone acknowledges that testosterone makes your voice drop and you grow hair, but nobody seems to want to acknowledge hysterectomy vs orchi, voice training is still often needed, electrolysis for phallo, the fact that bottom surgery is usually multi-staged [even metoidioplasty is sometimes 2 stages] with a lot of moving parts and far worse scarring, top surgery is almost a necessity for passing whereas not every trans fem wants top surgery + scars are easier to hide, face masculinization is far less common w/ fewer options, puberty begins earlier in perisex people AFAB and puberty blockers don't always allow for full height to be achieved bc they don't typically allow you to start testosterone until you're about 15 even IF you were a "classic" trans-since-3-years-old kinda case, the extreme body horror that is accidental pregnancy and abortion and menstruation when that's dysphoric vs not being able to carry a pregnancy just feels like an insulting comparison sometimes and I've had multiple trans women call me inconsiderate for expressing horror at getting my bodily rights taken away bc "that triggers my dysphoria", testosterone is a scheduled substance and has more difficult administration methods than simply a pill, etc.)
And so I bite my tongue and try to be the better person, because stooping to that low doesn't help anything. But at the same time it's so extremely frustrating to be told that you "have it better" when, considering the facts, it REALLY feels like the opposite. There's this level of bitterness around that that I am DESPERATELY trying to resolve within myself. I have a therapist. I know it's projection. I'm working on my own bullshit. But please tell me I'm not alone in feeling this way? I just wish they'd stop with that rhetoric and realize just how difficult the average trans masc transition truly is
yeah it's really frustrating for ppl to present Trans Women's Experiences and Trans Men's Experiences as diametrically opposed, with one experience being Eternal Pain And Inescapable Suffering and the other being Barely A Blip On The Life Radar. and while i understand it's coming from a place of pain, i've also experienced a lot of trans women shutting me down when i try to talk about how abortion rights affect me. back when i was first dipping my toe into trans spaces, i was friends with a trans woman who told me it was transmisogynistic of me to want to transition because "trans women would kill to have been born in your body." and while it absolutely comes from a different place than when cis men try to assert control over me and there's not the same power dynamic, it's still a complete stranger feeling entitled to tell me what to do with my body because of the sex i was assigned at birth. it's frustrating to have people i'm supposed to be in community with play into the same sexist bullshit that other people, regardless of gender, have been holding over my head my whole life, feeling like they own my body bc women and ppl who are forcibly assigned the role of women in society are seen as public property. our bodies aren't our own. everyone feels entitled to comment on them and touch them and make decisions about them. and it sucks when it comes from other people who should understand how that feels.
and like. obviously this idea that trans men's transition is so much easier than trans women's is unhelpful bc 1. there is no one particular way for trans men to transition, 2. not everyone who transitions in the way typically associated with trans men is a trans man, 3. it doesn't take into account how disability, race, ethnicity, etc. play into people's experiences before, during, and after transition, and 4. it's just not a fucking competition????? the fact that a disabled black trans man is going to be more systemically oppressed in society than a wealthy white trans woman doesn't mean trans men as a category are Objectively More Oppressed than trans women. bc gender is like. the worst possible way to try to gauge a group's place within the system. bc at this point, gender is not the most powerful system, race is. and i feel like a fuck ton of people really do not recognize that.
another thing that has bugged me for as long as i've been in trans spaces is this bizarre attitude that trans women are doomed to this miserable life of clockability and will never be able to pass as cis women thus they must accept that their life will be nothing but pain and suffering. and that's just very much not true! i know plenty of trans women who "pass" or who are happy with their bodies, who have jobs they love and friends and family who love them, who have a community that supports and celebrates them. and it has just always rubbed me the wrong way that people think they're helping trans women by presenting their existence as Inevitably Miserable when all it does is terrify closeted trans girls who think they're better off never coming out or transitioning, or better off dying. like. we have to understand that these narratives we create, the idea of the perpetually suffering trans woman and the lonely isolated trans man, are absolutely driving people to suicidal ideation. and if we give a shit about trans people, we should be changing these narratives.
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usertransducks · 5 months ago
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DCRC Week 1 or "Ducks Tries Not To Spoil His Second Favorite Comic Series"
I've been ready to write the post for PKNA #0: EVRONIANS since day 1 but I was trying to do it without spoiling future issues. I'll be summarizing the issue while adding my own thoughts!
Just a heads up that my blog won't be spoiler-free because I reblog a lot of fan art!
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We're immediately introduced to our main hero and villains for the series on the cover; the long-time favorite Paperinik, known as "The Duck Avenger" in English, and the titular Evronians. It has that 90s dark Sci-Fi feel that tells the reader that this series will be somewhat different from the usual PK stories they've read before.
The issue starts out with the invasion of an, at this time, unnamed planet by an Evronian fleet.
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Although most of the people we see end up getting cool-flamed, at the end of the segment we see there is at least one survivor. They'll be important later (and I can't wait!!!!!!)
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After that, we transition to Duckburg! Its time to learn about the city's favorite sitcom, Anxieties, and finally meet up with PK. Unfortunately, the actress Duckie Starry ends up being attacked by cool-flames, who are a bit stronger than PK's usual foes.
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After an Evronian flies off with the cool-flames, we encounter the guy whose figure is super expensive on eBay and he orders the absorption of PK's emotions.
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(why are you so expensive *cries*)
The next morning, Donald's tv time is interrupted by a call from Scrooge, who has bought Ducklair Tower and wants Donald to work there. We learn the Everett Ducklair is missing and Scrooge bought all his stuff at an auction.
Donald is put in charge of custodial of all 150 floors of the tower, but because Donald is just like me fr he ends up counting all the floors and realizing there are 151 floors instead.
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We see inside the offices of Channel 00, where we have to, unfortunately, meet Angus Fangus in exchange for meeting the platonic love of my life, Lyla Lay. She is one of my 3 favorite female characters in PKNA and I regularly want to fight characters who mistreat her in a Family Dollar parking lot. Expect a lot of gushing about her when we get to later issues 👍
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Angus goes to harass Donald because he's a known friend of PK (established in the older PK comics) and we get to meet Camera 9!!!! I love him and there is a fic shipping him with Donald that I have in my Mark For Later list to read tonight. Camera 9 tells Donald that the actor Brad van Beck is missing, although Angus claims that he never speaks.
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That night PK breaks into the 151st floor and we finally meet the whole reason why I try to get people to read PKNA:
UNO!!!!!!!!!!! 🥳🥳🥳
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Uno is the AI running Ducklair Tower who was built by his dad, Everett Ducklair, so he could talk to someone just as smart as him. Uno tells PK about how everything Everett builds ends up being a weapon of mass destruction, even when he doesn't intend to do so. He then runs away from all his problems to a monastery to "better himself."
Anyways now they're friends!!! YIPPEE!!!
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More people who work on Anxieties get cool-flamed, PK gets chased by Evronians, and unfortunately PK has his first of many near-death experiences involving the Duckburg subways. This one is not even close to the worst one so I don't have to add anything to Donald's trauma counter yet.
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Donald and Uno scheme to convince Scrooge to rent out the terrace of Ducklair Tower so the Anxieties cast can have their party there. The Evronians crash the party and try to cool-flame Lyla, but the beam just bounces off of her! (I wonder why that is? :3) PK also shows up to crash the party.
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This is when we see PK's main weapon for this series, the X-Transformer Shield, in action! It's resistant to the Everonians' weapons, it has a beam that can suspend the target's subjective time, and it allows for PK to have a tiny Uno with him at all times! Uno calls him "partner" :)
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The shield has a ton of other features that we'll see later but for now PK throws it as a boomerang to save Duckie Starry once again. Because of this, PK gets his first of many kisses (sadly he doesn't get one from Uno or give him one either)
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Angus Fangus makes everyone reading the comic want to fight him by going on air and accusing PK and the Evronians of working together. Paperinik Will Remember That
Breaking the formula to say that I love that Uno stops PK from going on the roof and tells him to sleep so that he doesn't stay up even longer. Currently most of this care and "mommy-ing" is because PK is his first friend, but later that care becomes more and more genuine because he learns to, quote, "have affection" for him. That's why a lot of us ship them <3
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I adore most of the characters in PKNA and even the ones I hate I love how they fit into the story. Hope y'all enjoyed this issue and want to read more!!!!!!!
Also someone help me find cheap PKNA figures I cry every time I see the Uno orb listed because even when the price is affordable it'll have $30+ shipping even though all the other stuff I've ordered from Italy has had significantly cheaper shipping.
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kitashousewife · 2 years ago
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text me
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an: i luv luv shoyo he is so sweet and special. i thought he would be perf for this!
pairings: timeskip!hinata x fem!reader
warnings: none, fluff fluff fluff!!
-
the cloud of vapor that swirls from hinata's lips causes him to shudder. for the first night since high school, he stands at the bus stop in the middle of winter.
the sky paints a beautiful picture above him with vivid streaks of pink and orange. those that pass by offer him a friendly smile or nod, and the sun sets with a warm goodbye.
if he didn't know any better, tonight almost feels hopeful.
hinata can't help but smile. really, today couldn't have been worse. not only did his car not start this morning, but he lost his wallet as well. he missed almost every serve at practice, and he's pretty sure he rolled his ankle at some point. the cherry on top was when every teammate of his left, leaving him stranded at the gym.
which is where he finds himself now, standing at the bus stop with nothing but the keys to his apartment. he chuckles to himself as he pictures his wallet, resting in the middle of his kitchen island, where it always is.
a habit he can't seem to break.
thankfully public transit is free, or he would really be stuck. he fixes the beanie on his head, one that he found at the very bottom of his gym bag, and checks his phone. it's friday night, which means the start of a small break for MSBY before their next trip. hinata grins once more, remembering his plans for the night. a quick shower, grabbing something to eat, before heading to bokuto's for some movies and hopefully, drinks.
the hiss of breaks grabs his attention, pulling him away from the group chat on his screen. he steps on, finding a spot quickly, and lets out a sigh of relief at the warmth. his cheeks turn pink, nose a tad rosy, but he feels at ease.
when the bus pulls away from the stop, he feels a bit more relaxed. he's already mapped his route home, only six more stops to go. his fingers come up to run his hands through his hair, completely forgetting about the hat. it slips off, slowly falling to the bus floor. hinata's fingers reach to grab it, but he's met with something much warmer.
"oh-"
"sorry-"
he looks up and meets your eyes, and can't help the gasp that leaves his lips. how he didn't notice you before, he's not sure. you're breathtaking.
at this rate, he's never fixing his car. not if it means he can see you again.
"here," you gesture the hat towards him, and he accepts.
"thanks. y'know, i forgot i was wearing it," hinata smirks. "i just don't wear hats very often."
"you're welcome. i know the feeling."
a silence falls over the two of you. with only the isle between you, but it feels like yards away. you were dying for an opportunity to talk with him since he walked on the bus. his bright smile, soft red hair, and cheery attitude were almost magnetic.
"so," you clear your throat. he looks in your direction with his eyebrows raised. "do you take the bus often? i don't think i've seen you on before."
his arm reaches up to scratch the back of his head. "almost never, actually. you see, my car wouldn't turn on this morning, and i didn't have time to fix it today. i was able to get a ride this morning, but i was left on my own tonight," he shakes his head with an airy laugh. "but i don't mind. i used to ride it a lot in high school."
you hum. he points to you.
"how about you?"
"oh!" you suddenly feel nervous with his warm brown eyes on you. "the bus stops right in front of my work, so i just take it in every day. much easier than driving through downtown during rush hour."
"right!" hinata turns his full body towards you in excitement. "i absolutely hate when our coach schedules practice for those times-oh, my name is hinata shoyo by the way," he reaches his hand out, and you share your name while you shake. "my teammates never seem to care though. i just get so impatient,"
"tell me about it," you sigh. months of trying to navigate the stresses of the parking lot come to mind. "you mentioned teammates, right?"
"yep!" he beams. you could melt on the spot. "i play volleyball, um, professionally," his words trail off at the end with a polite, less enthusiastic smile.
this is the part where hinata usually falters. the conversation goes one of two ways after this; either they perk up at the sound, suddenly interested in the word professional, or they roll their eyes. no matter how he delivers it, it's never received in the way that he hopes.
"wait, for MSBY right?"
his ears perk up. "yes! how-"
"i've seen you before. there's a billboard right outside my office."
he nods, almost a little embarrassed. he really hopes that it's at least a good photo.
he only has a couple stops left, and he really doesn't want to blow this. you're the most beautiful girl he's ever seen, and he is positive that this isn't by chance.
"w-well, i could get you tickets if you would like. i mean, if you're into that sort of thing,"
you smile. "i would love that! i've actually always wanted to go to a game,"
"what! now you have to go," he laughs, a real laugh and you can't help but feel warm inside. you can't seem to remember the stresses of the week, not with him beside you. "here, if you wouldn't mind."
he hands you his phone, contacts already opened and ready for your information. you fill it out quickly, sending yourself a message before handing it back to him.
"we're actually headed to tokyo next week, so our next home game won't be for a bit. but, i promise i will let you know when i find out!"
"you're sweet."
hinata blushes. his mouth opens to speak, but he's cut off by the hiss of the bus breaks once again.
"well, this is me," you stand up, grabbing your things.
his stomach flips.
"mind if i join you?"
you giggle. "to walk off the bus? is this even your stop?"
no, it's not.
"why not?"
you think for a second before nodding. he gives you a toothy grin. the two of you thank the bus driver before heading off, one right after the other. hinata hits the pavement with a sigh.
"it was good to meet you tonight," he says your name with a smile.
"you as well hinata. got any fun plans for the evening?"
"i was going to see some of my teammates. how about you?"
"oh my gosh," you stretch, looking up at the light dancing of stars. "order take out, watch a show, go to bed late," you shake your head. "nothing too exciting."
the two of you stand in silence once again. hinata kicks at a rock on the sidewalk, and you pull at a thread on your jacket.
"hey-"
"yeah i-"
the two of you look at each other with shy smiles and quick laughs.
"i have a few days off until we head to tokyo. would you want to get some dinner with me before then?"
"i would like that," you eye him as he starts to turn on his heels.
"okay, then it's a date!"
"see you soon, hinata. text me!" you shout with a giggle and he turns around to give you a wink.
"you can count on it!"
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racefortheironthrone · 9 months ago
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So! I was planning on writing a Batman fan fic and had a question about the urban facing side I was wondering if you could help on. I suppose this can intersect with other super hero / billionaire figures. Interested in exploring urban development in the setting but trying to avoid pitfalls , but ofc no worries if this isn’t something in your purview or interest
I feel like Gotham, so deeply realized as a fictional setting and riddled with its issues as a city, would be a great template to explore these urbanist issues. And while Batman treats symptoms - protecting people from acts of violence, and also pursuing those who are responsible for the corrupt systems who have put themselves above conventional pursuit. But Bruce Wayne I feel like by a lot of fans can he overlooked as an agent of improvement in Gotham - he can use his political and economic clout to both publically and privately improve the systemic conditions of the city, like his famous hiring program for ex cons. And I would like to explore this side a lot deeper, however I’m wary of showing a billionaire as the only solution , or even the best solution to a city’s issues and basically recreating public policies privately.
Since showing a privatized solution to be the answer to all these problems isn’t the sentiment I want to give, as often private corporations are the ones exploiting / building up this cult of personality around millionaires is already troublesome. But ofc, Bruce Wayne is fictional and can be an example of how a CEO ought to act, but would like to show these solutions are achievable and to be sought after in the public sphere - we shouldn’t expect CEO to hire ex cons, build free transit, eliminate all these zoning issues by buying half the city because 1) unrealistic and 2) can institute a dangerous mindset where it’s like “just give everything to billionaires and they’ll fix things!” (See, the cult of musk)
So my question is, do you have any recomendations on how to achieve this balance of using Wayne as a championing workers rights, urban development , reform etc. without just shilling for billionaires? Because, after all, billionaires have been opponents and don’t want to diminish that. Perhaps using his influence to give away his infouence to others , if that makes sense. or even better - historical examples of figures of privilege utilizing their position to advocate for the public sector and go all in as earnest urban Allies as a roadmap to model this after?
This is a really interesting question, and I think points to some of the limitations of what can be done with the Bruce Wayne archetype.
As I've said before, I think what can be done to make Wayne an enlightened person without falling prey to the mentality that "the billionaires will save us!" (looking at you, RALPH) is to really explore the limitations of top-down reform.
Because if there is one genuine weaknesses both to the Batman and Bruce Wayne, it's that he has a well, "heroic" mindset in which he thinks that if he's just smart enough, prepared enough, tough enough, that he can win a one-man-war on crime and other social evils - but you don't really see him engaging in movement-building in either his vigilante or civilian sides.
In the former, even if we leave aside his more "lone wolf" depictions, Batman has issues with trust and working well in groups. At best, he cultivates a small number of people (the Robins, the JLA), and he tends to keep people at arm's length. In the latter, even when Bruce is trying to make systemic, social interventions in transportation or housing or health care or social welfare, it's usually done through a top-down approach - build this project here, support this politician there - rather than sitting down and doing an analysis of how he could build a sustainable majority coalition with the muscle to change Gotham on its own.
Realistically, an honest, militant, and strategic Waynetech union (albeit assisted from the shadows to keep the mob and the supervillain gangs at bay) could do more to change Gotham for good than any Foundation that has ever or could ever exist.
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steamberrystudio · 11 months ago
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03/12/2023
Hey everyone! Time for the bi-weekly tumblr update for Steamberry stuffs!
Summary
Finished editing Chapter 5 (WSC)
Decided an additional chapter was needed to fix pacing/plot stuff.
Received some new BG art (WSC)
Worked on the GS lore book including adding profiles and short stories
Ramble
Okay so in my last update I was in the middle of editing chapter 5 and was nearly to the start of chapter six in editing Asher's route. I finished up chapter 5...
At that point when I was looking ahead, I started feeling like I wanted to add in a transition scene to move between Chapter 5 and Chapter 6.
As I started plotting out this scene, one of my ideas took on a life of its own and I realised that it might be better to interject a new, fleshed out story incident that would allow me to slow the pacing as well as flesh out the setting and universe a little more. This incident would also let me tie into some earlier events and connect them to something that occurs in chapter 6, also foreshadowing the chapter 6 incident.
 Ultimately, this became too much to call a "scene" and I decided to branch it off into a supplementary chapter (IE a chapter a bit shorter than the others and meant to be released along with another chapter.
That is what I've been working on since the last update.
This chapter has now served to set up multiple important things.
And is currently 17000 words long (it's going to end up closer to 25k by the end I think. There is a pretty significant story branch that happens at this point based on a specific player choice (That is or is not available based on other factors). If the choice is available and if the player makes that choice, it leads to an entirely different flow of events for a substantial portion of the chapter. That's what I'm currently working on writing.
I have it plotted out in a very detailed way and just have to write it.
Chapters with heavy branching are always a bit of a doozy to write and the WSC chapters are pretty long in general (the longest chapter is 62,000 words right now). So yeah.
Adding new content is still a part of editing I suppose. At least sometimes. I was so excited to cut 4000 words of content in chapter 5. 
Then I added 17000+ more. So.....
That sounds accurate for me. 😱
I've been having a lot of health struggles the last couple of weeks mostly related to chronic fatigue and pain. That, in addition to some really irritating "real life" stuff. But things are still moving forward.
Current word count is 440,000 words.
Regarding the GS lore book - I've been adding character profiles to a "people" section and have also been working on some of the short stories/drabbles. It's close to 300 pages at this point. 💪
Other Stuff:
As usual, I have received a completed BG and sketch, acquiring the game environments at a steady pace.
Upcoming Weeks:
This is getting into a busy time of year so I have a lot of real life distractions even apart from HEALTH. ❤️‍🩹❤️‍🩹 Progress always slows a little for me during this period since we have a lot going on.
But here is the plan.
Try to finish adding the profiles to the lore book. (Noooot sure I will. There are still a lot to go and the formatting for them is tricky. And I'm alternating between adding profiles and finishing writing a few side stories I've had ideas for for a while)
Try to finish chapter 5.5 for WSC
That's all for this week. There should be on more update here before the end of the year. See you then! 💪💪
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your-ne1ghbor · 7 months ago
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My problems with Magnifico and Amaya and how I would rewrite them (TKoRaT AU)
GOD DAMN IT NOW I WISH MAGNIFICO AND AMAYA IN MY VERSION WERE GOOD PEOPLE AHHHHHHHHH-
Ahem..sorry..what was I gonna say?
Oh yea! Feeling like a long rant again, so prepare your eyes!!!💀
Sooo, I kinda have been off putting stuff again since I had school work and a bunch of ideas like this one, so I decided to just share it so I don't loose the idea (ik I can write it down but idk I felt like sharing it). Plus the fact that I've been more chatty lately lol.
Idk how to transition to my problems with Amaya and Magnifico so here.
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Magnifico and Amaya's Character in Wish 2023
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Magnifico
Magnifico in the film is...well is a pretty stand up guy! Sure, he is paranoid most of the time and is pretty stubborn, but he is very selfless and a really generous person!
You can say he is more in line with the kings of original films that deeply care for their children, such as King Sefan from Sleeping Beauty, or King Frederic from Tangled.
In this case, he deeply cares for the people of Rosas. I mean yeah, it is weird that you forget what your goal is in life, but if I had nowhere to go and no roof over my head, of course I would go to Rosas to live there safely. Heck, in perspective, you have a chance of your wish getting granted, and don't have to pay rent to live there. It is a pretty fair deal, especially for families who want their kids to grow up out of harms way. Sure, he can't grant all of the wishes, but his reasoning is pretty valid. The only line I could get from the film that would support this would be when he commented on Asha's Grandfather's Wish (which is to inspire the next generation):
"To create what? A rebellious mob perhaps? Inspire them to...to do what? Uh, destroy Rosas, maybe?"
And a lot of people can argue that Saba's wish is very simple or isn't dangerous, but here is the thing. Simple things can have dangerous concequences no matter how small or big they are. Sure, you can start out small, like inspiring people, but it will cause a domino effect that can lead to something greater. Either for the better or worse. And example would actually be Walt Disney himself! He started out small, but without him, animation would not have gotten to where it is today. With his love and passion to art and story telling and taking risks, we WOULD NOT have gotten Puss in Boots, SpiderVerse, OR EVEN ANYTHING ANIMATION WISE. Walt Disney really pioneered animation and without those baby steps, there would not be an Disney, Pixar, Dreamworks, ect. It would just be...well...live action I guess. Hate the Disney company or not, Walt helped get animation to where it is today, and it sucks that his company, even after death, wont try anymore to push the limits of animation except for companies that isn't Disney.
Plus, I don't even blame Magnifico for thinking this way! Although it is sort of annoying that his backstory was told instead of shown (not that there is nothing wrong with telling, but showing for me is a more effective way of story telling for me. You can take the little mermaid for example), I personally understood where he was coming from. In his backstory, his home was destroyed from thieves and barbarians, with his family and possibly everyone he knew being dead. Its honestly tragic, so him making a kingdom for people to not suffer that pain again is very selfless of him and just...feels good in a good way you know?
But as everything in this movie is, it takes the good things and beats it over with a 30 foot pole and leaves it to rot.
He is turned into the villain. And no, it isn't because of Asha not getting what she wanted, and no, it isn't because Amaya, his wife died (she never did btw)! OH NO IT IS MUCH WORSE.
He opens up a mAgIc bOoK oF dArK mAgIc and becomes the bad guy...
...What the fuck. Actually no, applauds to you Disney! This is such a effective way of telling a story. 10/10 forever and ever. Great job! :D
(I am being sarcastic, this is legit the worst way for a good guy becoming the villain, its so fucking stupid-)
He is just simply stripped of his good qualities and only lets his bad qualities shine through. It kind of feels like he was being held at gun point here.
"OH PLEASE BELIEVE THAT I AM ACTUALLY THE BAD GUY. OH PLEASE GOOD CIVILLAIN THEY ARE GOING TO PULL THE TRIGGER-"
Seriously, there was no other way of making him the bad guy? Like legit? Simply remove his backstory and make him evil at the begining. I guess it would be weird if he took the wishes without reasoning, but even then, why give him good qualities when he is supposed to be the bad guy? He became more of a tragic hero than a tragic "bad guy".
I will go more into my problems with him after I talk about Amaya for a bit since talking about her character is more shorter than Magnificos.
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Amaya
The best I can say for her character is that she is like Jimmy Cricket but fell in love with Pinnocio (I know that sounds weird pls spare me).
She is like the voice of reason for Magnifico, and it is best shown when Magnifico FIRST concidered on using the book for "his evil deeds". This scene specifically:
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Other than that, she wasn't really a character in the film AT ALL. It sort of sucks concidering what the original concept was (WE WILL GET TO THAT) and instead degraded her character to...well...nothing.
I can't really say anything about her since she just was "I am loyal to my husband" to "actually fuck you I will believe a 17 year old instead of the man I trusted for the amount of years it took to get the kingdom to it's feet." I want to, but I can't. SHE HAS NOTHING.
I wish I can say more about her character, but it would just be me ranting about how trash her is character and was handled. Speaking of that, lets get into why I dislike how they were handled.
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Why does their character bother me so much?
Well it is sort of hard to explain, but I'll do my best.
Magnifico was supposed to be the return of the classic villains. You know, on the levels of Jafar, Ursala, Evil Queen, Malificant, ECT, he just...wasn't. Although he had a bunch of Evil Queen inspirations thrown into his character, it felt like more of refrences to a better film than being apart of his character. Plus, I feel like I sympathized with him way to much. I personally felt more emotion when he was on screen instead of the main character because I understood where he was coming from. Its honestly baffaling to me, since if he didn't have his backstory told to us, I still would not rooted against him. Even without his backstory, it just sounds like he was doing this at the bottom of his heart and empathizing with people who are doing far worse than what he is going through. Its honestly heartwarming seeing a person trying to do good in the world and provide a safe place for everyone to be free from the burden of this world. And want to know something? None of the classic villains had tragic backstories. They are evil for the sake of being evil. There probably was some with sympathetic traits, but from what I recall, there is none. So going with the sympathetic rout is not on par with classic villains.
However, there is nothing wrong with giving your villains sympathetic traits. It makes them feel more rounded as a person/character, and you can get a lot of emotion from that alone. I just think that Magnifico being the villain doesn't make sense since as I said, they made him so generous and kind in the begnining and only destroyed it since "oh wait, we need a villain, so why not make the good guy the villain" and threw in the dark magic book and called it a day. Not even that, but he is not threatening in any way. What I mean by that, is that his powers don't really get an upgrade at all. His magic just sort of turns green and thats it! I even bet that he can crush wishes even without the powers of the magic book.
Going off topic, but making plushie..COUGH... star...(plusie = wish 2023 star) less "stronger" to make the female lead stronger just makes Magnifico's reason for going after plushie's powers even more useless. Even with plushie's powers, HE IS JUST THE SAME. I guess he can now create vines? BUT IT JUST DOESNT WORK. It makes more sense for Magnifico going after plushie when it is powerful because he could see that power as a THREAT to his own powers and his kingdom.
Now for Amaya, her turning against Magnifico is just stupid. Haven't you went through a lot with him? Why the hell did you give up after "oh he can't be saved"? I feel like she could have done a "true loves kiss" sennario which breaks the spell it has on him. Not only that, she barely contributes to the plot at all. The only thing she contributes to the plot is just "getting the teens into the castle so they can free the wishes" then disappears, then reappears at the finally when Magnifico got a little too silly with his drugs-I MEAN wishes haha... Then she becomes the ruler of Rosas. It feels weird and out of place, especially concidering her character MOST LIKELY went through so much with Magnifico only to turn on him when he gets a little mad. It is so stupid. Also, if you just remove her, nothing would really change except the first scene where Magnifico has the book, only this time, no one is there to stop him. And as I said, HER CHARACTER IS NOTHING. But here is the thing...
When concidering the concept version of Amaya, she would have been the villain along side Magnifico. Not as a selfish love relationship or they are together at ones expense (gaining something from one another for only themselves) no, THEY WERE MADLY IN LOVE WITH EACH OTHER. Something to note here is that there is barely ANY villain couple or ANY VILLAINS who are like this, let alone love each other for the sake of it instead of a "selfish love relationship and then one gets redeemed " situation (im looking at the mayor of paris from miraculous ladybug). So that, THAT RIGHT THERE, would have been a brilliant idea and brings something new and fresh to the table. Not only that, it is so brilliant that it would have respected all of the male/female antagonists we had for the past 100 years with the company. It is also A RISK. Walt was all about taking risks, even when his company would have floundered at the expense of making art. Snow White for example had a lot of money put into it that if it failed, well Disney would not exist in this timeline so to speak. So taking that risk is also RESPECTING Walt's legacy in a really good way.
I personally just see this as a fun way to explore their characters, especially when you can reflect their characters off of our main characters, Asha and Star (boy), if you want to of course. I can imagine Magnifico kinda be like Gaston from beauty and the beast with some Frollo flare to it (not the lust thing tho but yk what I'm getting at) and Amaya can be like Ursala or Gothal. Plus, it works as a power balance. In the original concept, Amaya was the potion maker while Magnifico does all of the magic. Its honestly a fun way to play with power set ups. Magnifico can just be for show and Amaya can just be a drug dealer (or basically Ursala).
But NOPE. WE HAD TO SHIT ON WALTS LEGACY TO GET THOSE SHINY DOLLAR SIGNS $$$$$$$$$$$$$
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Here is the thing: I can get over Star Boy not being in the film, like I get it. We gotta have that girl power in Disney movies now, and they have to be emotionless people. But a Disney power couple? WHAT THE HELL??? LEGIT THE BEST IDEA YOU HAVE EVER HAD IN 100 YEARS. AND YOU GOT RID OF IT BECAUSE WE CAN'T TAKE RISKS ANYMORE??? BUT WALT WOULD HAVE TAKEN IT. YOU WANT TO RESPECT HIS LEGACY? THEN TAKE THE RISK TO DO SO YOU SELFISH, INSUFFERABLE, PIECES OF SHI-
(This section was removed because I went a little crazy there. Sorry about that. I'm not sure how I can transition into the rewrite section, again, soooooo here:)
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How I would rewrite the characters
There is no wrong or right way of rewriting a character, especially when a lot of people interpret them in different ways, and that is completely fine!
This will also fall into somewhat Asha's character and she will be mentioned to fit what I am going for with the characters. I will also leave out what they both do to the wishes since I am making a whole reimagined scene and it is going to include what they do to the wishes there. It will leave out some stuff I had with it here, but I will do my best interpritation of the characters the best I can, even when I can't really say much about it :)
Magnifico:
🌟 For starters, right off the bat, he does not have any of that sort of backstory they gave him for the original. For what I am going for, his backstory will not fit his reasonings for what I am going for, especially for his character.
🌟 He is more on par with the original personality from the original storyboard, specifically this one:
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(This also goes for Amaya too personality wise)
🌟 Something that is very different from a lot of villains is that he has sympathetic traits. Although he has more negative traits than positive, he has more of a caring side. Mainly to Amaya, but Asha as well. When Amaya found Asha at their door steps (they aren't holding me hostage as I write out this specific part guys, I swear) at first he saw her as an opportunity to boost his and his wife's popularity that would have other people come more to their kingdom (its more of like they are seeing their "generosity" side and dismiss the problems the kingdom has). But as she continued to live with her adoptive parents, Magnifico became pretty close to Asha. Its mainly because of her passion to what she strives to be, to be like him. Probably feeding into his ego, but you know, nice to know he cares.
🌟 Just because he treats Amaya and Asha well, doesn't mean that the kingdom gets that same treatment. He doesn't care about the people at all. He actually has enjoyment when he hurts or breaks people's dreams. He gets all excited about it and you guys can ask him why he finds enjoyment out of it cause idk it would be more fun that way and gives you guys the chance to interact with him :D
🌟 The wishes boost his powers temporarily. It fades away after either a few days or hours. When his powers are boosted, he has more control over the people. And, to who he consumes the wishes of, can see through their perspective for a little while. It also makes civilians more compliment with him and not question his authority. This does not work with people who have not given up their wishes though. Only to people who have already given up their wishes. He can also make people forget certain memories (that might be Amaya's thing though but I'm not too sure) and can put on much more longer "light shows" (think on the level of: Playing with the Big Boys, but more flashy and crazier). He can also manipulate his surroundings with images, but not at a physical level. (Like hallucinations so to speak)
🌟 His powers without the wishes are more of what he uses to do simple things or put on small light shows. Not as flashy than ones when he has his powers boosted, but he puts on the smaller ones to "gain more people to comply when they have to give up their wishes", one might say, inspire them to do so. He also uses it to help Asha practice with magic (She can't even do magic STFU I KNOW.) It also can be used to take desires that you have deep in your heart.
🌟 If hair jell were to exist in his time period, he would eat it with no regrets (Amaya would make it so he can eat it without getting hurt)🔥
🌟 When he consumes a stars powers, he legit goes insane and can shape shift like one, but more corrupt with no consistancy to what he turns into since he legit gone insane. With a star, a star can shapeshift to whatever it wants or to express it's emotions. With him, it is all over the place. He can't control it.
🌟 Like Frollo, he tortures anyone who is against him, and will not hesitate to take it to the extreme if needed too (or that he wants to, to please himself).
🌟 What his wife says or does, he will willingly go through with it. After all, he loves her with all his heart.
🌟 He can't let Asha out of the castle often to make sure that the people will not take advantage of her generosity (thats what he thinks though, in reality everyone is just scared of the royals.. most of them at least) or learn-
Magnifico then breaks the forth dimention and destroys my house.
Ah...right...
🌟 He is such a silly goober!!1!11!1!11!1 o(* ̄▽ ̄*)o
(He told me to write that or else he will kill my dog and cat. HELP ME PLEASE-)
Amaya
🌟 For starters, she is much more involved in the story than she is in the original. She doesn't have a backstory like what Magnifico had in the original, nor does she need too. Not sure how they would meet at the moment, but I'd like to think that they met and then were like: love at first sight and became more silly as time went on...including their insanity <3
🌟 As I said for Magnifico, she is more on par with the concept version personality wise. But she is more of an Ursala and likes to put herself as the victim to get more people to feel bad for her (MANIPULATION AT ITS FINEST 😜)
🌟 Just like Magnifico, she has sympathetic traits. And she only has it, because of our main character Asha! She just found her one day at the castle doors. She didn't understand why, but like Magnifico, only let her stay for as long as she did to post her popularity with the commoners, and grew closer to her as she became more of a mother figure to Asha. (Ruh Ro, anyone sensing Mother Gothal vibes?) Unlike Magnifico though, she uses her sympathetic traits to get people to comply with their ways better. Her main trait she is good at looking at the person's situation and understand it well, or aka being empathetic. She uses that to her advantage when manipulating them to do whatever she pleases.
🌟 She is more of a witch than anything. I imagine her somewhat like Ursala (yes a heavy load of Ursala), Evil Queen, and Yzma (Emperor's New Groove) when in terms to what they make. She does make a lot of poisons to use if anyone is getting a little too close to the close and they gotta...TAKE THEM OUT without anyone knowing. She can also use it for like a form of medicine too.
🌟 Some potions, like turning people into animals or certain poisons, requires people's desire. More so with turning people into animals as a form of punishment. She can also use her craft at potion making to have her wield magic for a certain amount of time WHEN NEEDED. (Gee I wonder what she will use that for). It can also be used like a drug, or to get someone to comply with what they want a little better than Magnifico. She can put on pretty shows too, but more smoke themed and is better at manipulating her surroundings.
🌟 Although Amaya would teach Asha how to make potions, she worries that the people of Rosas would take advantage of her kindness and use the skills that she would teach Asha to their advantage and form a revolt to take them down. (Which really, with them ruling, who can blame them?)
🌟 I would say she is more of a planner than Magnifico. She plans ahead and makes sure everything is in line with what they want and makes plan Bs or Cs even Ds in case anything would go wrong. Asha actually gained that trait from her believe it or not!
🌟 Magnifico is more reckless than his wife. Amaya is more so less confronting and tries to keep up their image. She actually have certain gestures that Magnifico would take notice too. And since he trusts her a lot, he complies and lets Amaya take lead in certain situations.
🌟 Yes...she also finds enjoyment of seeing people getting tortured. They actually made up a game on how they would torture a certain civilian 💀
🌟 When it comes to how she treats the people of Rosas, she is as I said, less confronting and puts on more of a fake smile and gaslights everyone that their kingdom is fine or whatever (It is not gaslighting when it is telling the truth. I feel so offended right know! DUDE LADY CHILL I AM CREATING YOU RN AND YOU ARE ALREADY TRYING TO GASLIGHT ME WTF😭)
🌟 When she has a star's powers, I feel like it would let her create whatever the fuck she wants at an insanity level. Wishing stars create items that would help users on their journey, so with her, she can use it to her advantage. Also she becomes just as insane as her husband. It also gives a difference in terms to what they would do when they have a star's powers. Magnifico would be able to shapeshift at a corrupt level, and Amaya can manipulate her surroundings that would become reality so to speak at an insane level. I chose this one since it fits her not being more confrontant while Magnifico is more so on that. She be lurking in the shadows like a cat :3
🌟 How she knows so much about the people, is by her cat! I think the cat would be called Custos. Idk the name yet, might go with the concept version of the name.
🌟 I learn more about my prey before I strike at their weakest point. (Nah that's very catnap of you. Unless you want to fall asleep for 100 years, I suggest you choose your words carefully. Bruh alright lady💀) And yes she wrote that in...
🌟 She is such a silly lil guy...AMAYA STOP LET ME BE SILLY U SON OF A BI-😡
Erm anyways...(she tried to eat my dog and steal my cat. GRRRR)
I feel like it would be fun if it is just expanding their empire for their main goal or taking over the world. Kind of like this song as their modivation:
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I want this to be their goal since it kind of feels like some of the old Disney Villains, for me at least :3 (And I am having WAYYYY to much fun with their characters already hehe)
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Final Thoughts
On a final note, I will mention that there is a possibility that all of this wont make it into the final version. And in all honesty, I'm actually shocked I was able to compose all of this together without mentioning what they do with the wishes, like what- 😭
I also am still debating if Amaya and Magnifico made the kingdom or it was passed down through generations. Don't know yet tbh :^
Also, Amaya was sort of difficult for me to jot down since I didn't know how to get her into the story, and I think I am slowly, but surely getting there :D
I also really tried to make it different and fresh from the other versions and I am very excited to show that "I DECIDE WHAT EVERYONE DESERVES" when it is done (it is now We decide what everyone Deserves).
You can also ask both Amaya and Magnifico questions regarding the info you know about them now and about how they feel with the other versions of them if you want to of course (and I can show off their designs HEHHEH)
And yes...I had too much fun with writing out how they would interact with the post. DW, they wont interact here in the Final Thoughts section hehe ( ͡° ͜ʖ ͡°)
I might also do a post on Asha since I have been pretty quiet on her character design/rewrite and another post about Star Boy since I wanna get more in depth with the ideas of Wishing Stars in my AU.
Speaking of Au...
what to call this AU of mine hmmmmm
I'll go with The Kingdom of Roses and Thorns, or TKoRaT. Feels fitting to me, at least for what I am going for story wise and character wise. Might change it since I can't stick with one thing, but rn it rolls off the tongue nicely.
Until then, I hope you have a great day and I hope Magnifico and Amaya don't steal your dreams 💀
@oh-shtars @annymation @chillwildwave @signed-sapphire
(They are thinking of working with your versions of Magnifico and Amaya oh boy not good 💀)
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