#I'm pretty sure I had some more ideas

[evilkitten3]

someone's been liking a lot of my old posts relating to my attempts to rewrite fairy tail.... which, and this may astound you, is not actually a cancelled project in spite of the fact that it's been nearly a decade since i first started trying to figure it out

[atomicsuperrobot]

Rereading again, and it's really interesting to note just how different the early art style is from the later style- and especially from the anime itself. With the manga, you can at least see where things came from; in the anime, it's a fairly radical departure that is only barely recognizable as what it's meant to be, at least in regards to Joker himself, specifically.

The early manga has lots of sharp points and angles, creating a character that, even if he behaves in largely similar ways, still feels almost entirely different from his animated counterpart. No wonder I was so put off by the anime's designs, originally- and that I had gotten the impression that he was older than he actually wound up being, or was type-cast as. Funny how I now largely prefer his anime design and personality, even if it's altogether not that different!

Fun fact, when I first started reading, before I had started watching the anime (and even for a bit after I had started), the voice I had for Joker in my head was the same as Kaito's, from Magic Kaito- which, as far as anime goes, would be from Detective Conan and Magic Kaito 1412, specifically. Even if he seemed older, at least in looks, in my head he very much still read as a bratty teenager, it would seem.

[schadenfreudich]

Immediately forgot what that dream was about, but we/I did have a little more facial hair

[turtlemagnum]

one of my favorite parts of strategy games like chess and advance wars is that feeling when you haven't quite won yet but the enemy has no real options so it feels like you're just sloowly wrapping around them like a snake. when all your enemy has is their king and you've managed to turn 3 of your pawns into queens, and all you've gotta do is get in juust the right position, and in the meantime all they can do is squirm. god, that's such a wonderful feeling. nothing quite like it

[sheyshen]

Something I want to build on with vincent at some point is how much the years of being an adventurer has taken a toll on him. he spent so long just being angry at the world but as he gets closer and closer to carteneau he does start recognizing how reckless he's been and the mistakes he's made over the years. friendships (especially with layla and nhea) helping him get a little closer to how he used to be before finally stopping and trying to do better for himself when he loses his leg. and the fact that guilt has really solidified in him to still make him push himself in his healing rather than combat (though sometimes still pushing himself too far) and how the years of treating himself like a weapon have taken a toll on his mind (he has terrible nightmares that only a select few have been able to help him through it)

[idiosyncraticrednebula]

I don't understand why TLM 2 tried so hard to emphasize and clarify how much Ariel is like her mother in terms of personality when she is, in the movie, quite frankly, written to be more like Eric in character. She was really primarily introverted, shy, awkward, tomboyish, mild-mannered and more serious, which is more like her father. I guess it was her impulsive, curious, rebellious and reckless nature that made the characters in the movie go, "Ow, she is so like her mother!", but I don't know, whenever I see Melody, I see her as closer to her dad. I'm pretty sure I'm not the only one who sees it this way. I don't believe for one second that NO ONE in that universe was able to notice the similarities she had with her father. C'mon, she even has his doggone smile! 😂

[rawliverandgoronspice]

I just: finished my translation work 😭😭😭😭😭😭😭😭

[sysig]

Collective consciousness (Patreon)

[futuregws]

I think it's so funny how Portuguese people (I'm Portuguese so don't come for me for saying this) wanna take credit in the smallest things and I think "taking credit" might not be the right words, so I will just explain, the new short film coming out with pedro pascal "strange way of life" that film has a Portuguese actor in it (not sure what role he is playing but pedro has posted photos with him) and the name of the movie is the name of a veryyyyy iconic song here in Portugal from a very well known and loved singer that is no longer alive, and during press for the last of us one Portuguese interviewer asked pedro about it and I have no idea what he said I wasn't paying attention but from what I've seen this film has NOTHING to do with the song or the singer they just used the name of the song and translated it to English and Spanish and people here were milking that shit, soooo that's what I mean and it's amusing to say the least

[jacksintention]

I can't with the previous post. It's just so good applied to Levi, Lacie, Oswald and even Jack.

Levi has his hands tied by the Baskerville system that is a sort of scam by the Jurors‚ like every Glen. But he says "let's just create a change" and gives a will to the Core. And he does so with the full intention of changing the narrative, if just to avoid the boredom of spending eternity watching the same thing happen over and over again from a sit in someone else's mind.

Lacie goes along with it because of her desire to ease the Core's loneliness, but in her idea of the children of misfortune being a consequence of this loneliness and her feelings of doubt or reservations, perhaps, revealed even before the tree scene in the scene in which she talks about this with Oswald, we could interpret this as her desire to end the existence of the children of misfortune and thus the cycle.

Jack plays into this in his attempt to take the "real" world to the "Abyss" world, but when he most consciously twists the narrative the Jurors had settled was when he intently made the decision to take the power from the Baskervilles. And I do think it has to do with ending the very system that doomed Lacie and Oswald and he deemed cruel and like torture, but mainly it is so that no one would interfere with him in the future.

Oswald tries to destroy the new narrative Jack has or is creating first by trying to stop him, but later on by trying to stop Levi's schemes before everything happened, resettling the narrative he was controlled and doomed by, serving still as their tool. And then he literally faces the truth, in the most explicitly way no one ever has been told this in that "real" world before, and threatens to kill the instigators of that narrative. And then just renounces, in a lack of action that is him at his most active ("not with a bang but a whimper", how fitting is that?!!!).

Ultimately there is a middle ground but the narrative is changed for good. For better or worse. With uncertain future consequences. But it is changed, and it feels kinder. And as a thank you the source of every narrative, the ink and paper of the narrative, lulls someone who shouldn't have existed but changed the world to sleep by telling him a different story. Because that's it. They're stories, and Oz deserved to go with a kinder one, because the ink and paper of the narrative loves him. And it's so interesting how that works metanarratively too. The author tells the story, but the author tells the reader a story about the stroy telling a softer version of the story, so that the reader too will get it alongside Oz. That works on several levels and it's so so interesting.

[cuntwrap--supreme]

Night 2 in a row of not being able to sleep because my pelvis hurts too fucking much. I took ibuprofen before bed, but it didn't do shit, much like it didn't do shit for me throughout all of yesterday. So sick of there always being something that hurts bad enough to disrupt my sleep.

[tropical-lazor-beams]

[image description: black and white sketch. dangeresque, further in the background, points his nunchuck-gun forward in a wide stance. dangeresque too, in the foreground, leans back on his feet & points his own gun in the air. they both look seriously to the right at an unseen target. at the left are some crates in the background. the caption is red, blocky & curvy text, reading "you take the big guy". end image description]

i honest to god put more stock into the relationship between these double-fictional characters than sb & hs themselves sometimes

[thatonebjp]

Custom mtg mechanics jumpscare

[chatonmagique]

I'm discussing neurodiversity with a friend and she actually suspects she has adhd. I might have all the experience of adhd but who am I to judge right? But the thing is.. she has such strong qualities in area's that are challenging for people with adhd. And I feel like her definition of disorder because she is so balanced and organized in everything she does is on a whole different level. Like she is used to following through in her calculated choices and sticks to her habits more then almost any person I've known and it really sticks out to her when she doesn't. And her definition of I might have adhd is "I've always been dreamy and get distracted by my own thoughts when I'm supposed to be paying attention when someone is talking" Which IS a hallmark of adhd. But I can't feel help but feel.. misunderstood? Because I feel like she underestimates what it means to actually live with adhd. And it's such a fundamental aspects of my life that I know she'd be damn good in masking and overcompensating most adhd symptoms if she had it. I feel a little stupid for letting me bother it, but it still does? Maybe more because she is a close friend of mine.

[girlscience]

my brain: hey, you haven't had a breakdown about pregnancy in a while. would you like to?

[nochepsicodelica]

"All those drinks are gonna do you dirty, ma. You're gonna throw up if you don't get some food in your system, so eat," Toji says, pushing the box closer to you.

You giggle at his serious face, before standing up from your chair for the fourth time, trying to go around him. Toji's used to this by now and stands up, bringing you back down to your chair.

"Stop getting up and eat your food. You literally begged for this. Why aren't you eating it?"

"Why aren't you eating it?" You return, raising your brows at him, seductively. It doesn't come off too sexy when raising your eyebrows makes you immediately squint because of the light going into your sensitive eyes, but it does lure a chuckle out of Toji.

"I'm ignoring that. Just eat. I don't wanna hear you upchucking in a couple hours."

"You won't hold my hair back?" You pout. Your feigned little flash of sadness produces real tears in this state, so it's a little confusing for Toji when you start giggling while wiping at your reddened cheeks.

"Your food's getting cold. I know how you are about reheating fast food, so eat it before it goes to waste."

You smile at him, your eyelids almost completely shut in your drunken daze. Toji can't even lie, it's cute. It's the only reason he's not up the wall about this little situation. Then you decide to drop a bomb on him.

"I'm not hungry anymore. Too tired to eat." You rest your chin on your palm, shutting your eyes. It feels nice. It would take less than thirty seconds for you to fall asleep.

Fuck. Think, think, think...

"Hey." Toji pokes your forehead, lightly, earning a hum and a furrow of your brows. "What if I feed you?"

You laugh, giddily. "Ooo, you trying to romance me?"

"Sure, if you eat."

You laugh again. "Toji, you dog, you. I'm not putting out." You shake your head, eyes closed with a dumb grin on your face. "No, sir. It's food and then goodnight for me."

"You already put out for me, earlier, doll." He smirks at the way you blush, clearly having an 'oh, yeah...' moment. "Eat some more so we can go to sleep."

"Hm?" You hum, rolling your eyes open after your blink of sleep. You crack a grin as soon as you look at Toji. "You wanna kiss me sooo bad. Look at you."

"I'm not gonna kiss you. You're not listening. You think you deserve kisses for that?"

"Uh... yes? I mean no. Pshhh, nooo. Of course, not."

"That's right. So eat, or you'll go to sleep without kisses, tonight."

"Noooo," you whine, dramatically. "Wait! Fine, fine. Look." You take a huge bite of your sandwich, your cheeks puffing up as you chew. "Oh, this is really good," you say, muffled by your mouthful of food.

"Don't choke, doll. Small bites are fine," he says, picking up a napkin and wiping the excess condiments off your face.

You push through it and gulp down the bite. "That was a lot. Got bread stuck on the roof of my mouth." You take a sip of your drink to wash it all down. "Did I look so pretty for the party, today?" You ask, your lips curling as you put the cup back down.

"You did, mama. Stunning. Swept everyone there, off their feet."

You smile, the gesture transitioning into a giggle. "Even Shiu?"

"Yup. Even Shiu said he wanted a piece of you."

You gasp. "No... Did you fight him?"

"Nah, I wanted to, but I kept my cool. If he had put his hands on you, then I might have, but I had my eye on you all night, to make sure nobody did more than look at you."

"I wouldn't have followed him anywhere, anyway." You roll your eyes, suddenly so hostile against the host of the party. "Probably would've kicked him in the nuts and gone to find you."

"Yeah, that's a smart idea, doll."

Toji's elaborate answers to your questions kept you awake long enough for you to mindlessly eat while he talked. You were at the end of the sandwich when you realized how much you had eaten and how full you were.

"Can't... do it..." You groan, lying on the arm you have extended on the table. "Too full." You sigh, heavily, setting the rest of the sandwich down on the scattered fries in its box.

"That's good, ma. You don't have to eat it, anymore. We can go to bed, now."

You let out another heavy sigh, sluggishness washing over you before you force yourself to stand up from your chair, this time with Toji's 'okay'. He looks at your little belly as it protrudes from your dress, proof of how full you actually are, and pokes at it. Your usually soft tummy is temporarily stiff and it's adorable.

You grab Toji's hand so that you don't stumble as you walk. Before leaving the table, he finished the remainder of your sandwich in one bite and threw out the container with the remaining cold fries.

"Damn, you were right, baby. That was good."

"Mhm," you mumble, waiting for him to lead you to the room.

Toji helped you brush your teeth and wash your face, and when you finally made it to the room, he helped you dress down into comfier clothes. Now, you're in bed together and you're in his arms trying to doze off, but you can't with the way he's smothering your face with kisses. It's just kiss after kiss with him and you can't focus, but It is what you wanted. After all, you stuffed your face for this.