#I'm not very good at complex shading but

[ploompkin]

New hyper-fixation go brrr

I love love LOVE Mel and Zev together with all my heart,, just a couple of exiles

Speaking of which I finally decided on how Melekh meets the Elturel tieflings: they're a wanderer themselves and bump into the group shortly after they're exiled from Elturel, back when their numbers were larger. They joined them with the intention of it being temporary, but they and Zevlor got along like a house on fire so they ended up sticking around, happy they finally found their people after being cast out of their druid cicle so long ago TvT

Just the lineart under the cut, 'cause I really liked how it looked uncoloured

[shithowdy]

this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣

so what are some signs to look for? let's use this very good example.

what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?

your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?

Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.

But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.

This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.

Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.

Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:

-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.

-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?

-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!

-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?

Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.

peace n love

[knuppitalism-with-ue]

Something that has both fascinated me and frustrated me to no end as of late are the lacrimal crests of allosauroids and other such theropods. No living theropods, to my knowledge, possess such structures. The closest analog I could find were Geese. I'm being driven up a wall trying to figure out what they would have been covered with in life. How would they have been incorporated into the face of the theropod? What display structures could they support? Air sacs, keratin, or caruncles? How pneumatized were they? Were they even for display? Most paleoartists just reconstruct them as odd stones sitting on top of the animals head, or say they were just for shading the eyes, but that can't be it, right? It feels like something is missing.

As a Paleoartist, is there anything you can say on this? Because I don't know nearly enough.

Oh boi, this is a tricky one.

Cranial ornaments come in all kinds of shapes, sizes and surface textures. For Allosaurus it seems likely that they simply had keratin sheets on top of the lacrinal crests, at least that's what the rough surface and striations suggest. However it also seems like air sacs were reaching up from the antorbital fenestra

This is how I would reconstruct that part of Allosaurus in the moment.

There could have been more though, you can see in this photo of the skull of Big Al II that this animal had large opening behind the lacrinal crests, so there could have been other structures involved.

Maybe even better to look at is this 3d scan of Arkhane, from Brussels.

This could have been related to theroregulation, more display structures or simply further weight reduction.

There is quite a bit of wiggle room when it comes to the interpretation of dinosaur facial features and there is way too much already published and at the same time too little to put it all into a single blog post.

Also not all dinosaurus follow this patters, the cranial crests of oviraptorosaurs show no good indication for keratin crests for example. So it's better to say good bye to cassowary interpretations of these animals and instead cover them in skin and/or inflatable sacs, because these hollow chambers appear to be extensions of the sinuses. (my version of Corythoraptor on the right, Citipati from Wikipedia on the left.)

And then again in other theropods like Abelisaurs we see very rugose skull tops but without the striations you see on the lacrinals of Allosaurus, potentially indicating large scales. Here my, slightly over the top, interpretation of Skorpiovenator. And even then: within abelisaurus you have stuff like Carnotaurus which shows clear signs of keratin sheets on its horns.

This all has been complicated in recent years with new methods in bone histology, because as it turns out the internal structure of a bone can tell us stuff about it's outside, that's how we for example found out that Amargosaurus neck spines were no horns and probably conected with soft tissue, or that the osteoderms of notosuchians were covered by skin like in leatherback turtles.

Going back to Allosaurus and other allosauroids. Keratin sheets, scales, air sacs, all these were probably present in these animals, but their exact distribution is still a question of debate.

Here a paper from a few years back that maps para-nasal sinuses in extent and extinct archosaurus which gives you a little idea how complex their internal anatomy could get

https://anatomypubs.onlinelibrary.wiley.com/doi/pdfdirect/10.1002/ar.20794

[hotwaterandmilk]

Grabbed the latest issue of Sho-Comi because Mahou Shoujo Dandelion has been making waves on Twitter in advance of its release and I had to see how it actually turned out.

Mizuho Kaeru seemed a tad overwhelmed on socials about just how much anticipation the series was receiving based on concept and characters alone, but Mizuho should honestly be proud of how well they've lined up trending tropes in Dandelion.

You've got the nasty-cute monster dude (Shade) who would do anything for his bright ray of sunshine (Tanpopo). Throw in the nostalgic magical girl element and it's not hard to see why both Japanese and English-speaking fans have been anticipating this first chapter. So, does it live up to the hype?

I'd veture that yes, Dandelion is worthy of the excitement that has been building around it. It was good as a lunchtime read on my phone and while I'll probably have to re-read it to get everything I want from it, my initial impression is a positive one.

I'm not a fan of grumpy/sunshine type stuff but Tanpopo's strengths as a character really helped me enjoy what was on offer here. You can see why the Special Magic Warrior Management Organisation was interested in her, she's got a good heart and she's got gumption, even if Shade is the one who continually helps break her fall.

The complication here is of course that Shade, while obliging of Tanpopo in his own way, is also monstrous. He plays into this when he wants to, menacing Tanpopo herself at one point because he's A VILLAIN OK?? (Sure buddy.) With Tanpopo becoming Dandelion, how will their dynamic change? Can this uneasy relationship develop further when our leads are technically on opposite sides of a battle with life-altering stakes, despite a potential unspoken desire to present a united front?

What I like about Mizuho's approach in this first chapter is that the world these characters live in is already tinted with grey and what should be a black & white / good vs. evil situation is far more complex than this right out of the gate. The "monster of the week" that shows up here is grotesque and violent, hardly the sanitised version you'd see in childhood cartoons. However, the magic warrior org is quite willing to lop heads (literally) when they have to, showing that they are not all sparkles and rainbows either. Tanpopo and Shade are very much walking into unknown territory here and I'm interested to see how Mizuho handles things in chapter two.

I just have to add that I absolutely loved this moment where Dandelion, newly transformed, performs her first magical action -- restoring the umbrella she'd used defensively as Tanpopo. So much about her character expressed in this simple yet powerful action. LOVED ITTTTTT.

If the hype remains then I can see this one turning out to be a solid little series. There's definite potential here in both the characters and scenario. I highly recommend grabbing the magazine issue and supporting any other official releases that become available if you can. Mizuho is also happy for people to produce fan art, so maybe draw pic or share a tweet/post/etc. about it if you don't have the money to invest and help keep that hype train moving this way instead!

[gudgurkan]

Got any tips in shading stuff in black and white digitally?

Hi Anon!

You're in luck! I'm currently wrapping up a book which is shaded digitally, so I've been thinking a lot about this recently.

How I do this is by no means the only way, so take from these tips as much or little as you want! When I add grays and shadows to a line art drawing, I try to think about these things:

Preparing the image

I like to work with a file that has a white background and a layer with only line art on top of it. Between these two layers I add new layers where I use the pen tool and bucket to fill areas with black, then I lower the opacity for that layer to get a value that I want.

This method works well for me, and for simpler pieces I don't need more than 3 layers with different values - light, medium and dark grays.

I work in Clip Studio. Here's a picture of the layers of a recent drawing. Each layer is actually completely black but you can see the opacity percentages by each layer. Lower percentage -> brighter value. This makes it super duper easy to change the value of a layer, no need to repaint it, just change the opacity!

Value composition

For the best result, do a couple of value sketches with a limited set of values and find something that works well for the image. Getting the values right is what will improve the image the most! Here's a quick tutorial on muddycolors. Muddy Colors is a very nice art blog to check out. Looking at grayscale storyboard drawings or value sketches are great ways to pick up on this too.

I try to group values when working with grays. Take this image for example:

The character in the foreground has mainly dark grays, which separates her from the background, which has mostly light grays. Then the windows are white and the roof black.

Value composition is a huge and complex area and I recommend anyone wanting to learn to be more conscious about their values and to do value sketches. Analysing art you think has good values is great too.

Shadows

Not every piece needs shadows, but they can add a lot to an image! I use three kinds of shadows when I work in grayscale.

Inked shadows - these shadows are added during the inking stage and usually show areas where light would have almost no way of getting there, such as under this tent.

Gradient shadows - these shadows usually represent something getting further and further away from a light source or an area that would bounce light. This tree receives a tiny bit of light from a campfire on the ground and moonlight that bounces on the ground and up, fading as we get higher up in the tree. But mainly I add these gradients in ways that look cool and will help the overall composition.

Hard shadows - these shadows appear when a strong light casts shadows and can be used on a shape or to cover something. Here's a werewolf with shadows on its back, which gives it a better sense of mass and is interesting visually!

You can also cover an area in shadow like this, where the tree casts a shadow down on the archer and the cliff.

Texture

I like to add a layer of noise as a finishing touch. In Clip Studio you can create a noise layer with Filter->Render->Perlin noise... Find a balance of scale and amplitude that works for the image, then change the layer mode to "Vivid Light" and lower the opacity of the layer to around 30%. I like how this looks, it's not super visible usually but helps make the drawing feel less artificial and digital.

I hope that helps! Here are some nice links too:

Muddy Colors

Android Arts

Gurney Journey - Read his books!

Happy drawing!

[nofomogirl]

We need to talk about body snatching

I'm not a massive fan of the 1827 minisode - if you're curious why it bothers me, I've explained it in my post about two GO canons - but there's no denying it does an amazing job at exploring the complexity of morality and moral choices. It starts with a very black-and-white two-dimensional image and gradually adds shading and perspective, making it harder and harder to judge as we go along.

I think it's worth digging into (pun not intended but I'll take it).

Layer 1: body snatching bad

We learn someone did something

It's those first few seconds where we see a person robbing a grave, and since we know that robbing graves is a crime and generally not a good thing to do, we can quickly form a tentative conclusion that this is wrong.

Okay, in this exact instance, we immediately get enough context clues to see that this kind of judgment would be oversimplistic and superficial. Only Aziraphale, who for some reason acts as if it was his first day on Earth after a thorough memory wipe, is ready to condemn Elspeth based on just that.

Nevertheless, this is the first layer - the deed itself with no context.

Layer 2: body snatching acceptable

We learn about the person who did the thing

That's the whole journey with the first dug-up body where we get to know Elspeth and become privy to her circumstances - she's desperately poor, she has another person depending on her, she robs graves to survive. Aziraphale's suggestions that she might earn her living by selling books, weaving or farming just serve to prove how inaccessible more honest and dignified professions are to her. In turn, her comment about how she's not hurting anybody who isn't already dead hints that from the realistically available options, Elspeth could have chosen something much worse.

Technically this layer is a significant step up from layer 1 but it still isn't really challenging. Things are spelt out really loud for us, and most importantly everything we learn about Elspeth is just attenuating circumstances. To top it off both she and Wee Morag are immediately endearing. The takeaway is that sometimes things that in theory are bad can be excused which is important but the verdict still comes without any second thoughts.

Layer 3: body snatching complicated

We learn the larger context around the thing

This mostly happens when Aziraphale and Crowley discuss body snatching with Mr Dalrymple. We learn that the stolen corpses are used for a medical study that can advance human knowledge and make it possible to save living people and that surgeons have no legal means to obtain enough of them for their research - hence their need to buy them from body snatchers.

At first glance it's just more of what we got in layer 2 - more agruments in favour of body snatching that aren't all that nuanced and don't really give us any pause - just from a larger perspective, beyond Elspeth's individual experience. But if you glance more than once you'll notice this is when things stop being straightforward and easy to judge.

The moment we enter a proper grey area is when Aziraphale asks why Mr Dalrymple doesn't acquire the bodies himself. This is a very valid question - while we might easily agree that studying the human body to further medical knowledge is a good thing, and with just the slightest hesitation admit that it's acceptable to resort to using stolen bodies if that is the only way the research may continue, it's not as easy to excuse taking advantage of the poor and the desperate to do the actual stealing that we know is very dangerous.

The moment we know without a doubt we are in a proper grey area is when Mr Dalrymple laughs at Aziraphale's concern.

Objectively, the surgeon is right that it's more effective if he doesn't risk his own life in the graveyard and uses his time on actual research, teaching students and saving lives. But it's also clear he doesn't exactly see people like Elspeth as actual human beings and feels he has every right to use them. On the one hand, he is paying, on the other, he happily benefits from the cruel class system and is not even one bit remorseful about it. On the one hand, he takes risks too, on the other he has a chance of rewards Elspeth will not benefit from. It's not the poorest whose lives will get bettered by the progress of medicine, even though they're the ones who pay with their lives for that progress. And if Mr Dalrymple gets lucky and is knighted for his work (we know he wasn't in the end but it was a possibility), the poor still won't be pardoned for stealing for him. Nevertheless, he has no issue with that.

As I said, things get nuanced.

Layer 4: it's different when it's someone you know

The thing actually happens in your life

I think you'll all agree that the turning point of the minisode is when Elspeth decides to sell Wee Morag's still warm body. This is what finally leaves us speechless.

That's because up until now we've been approaching the issue intellectually. It's not that we didn't care about the characters, but we were allowed to keep a safe distance. The whole thing was like a problem to be solved - "Is body snatching right or wrong? Discuss in 500-1000 words" - and everything we've learned so far was data for this assignment. I believe that one of the reasons why this detachment came naturally was that there was a very thick line between people involved in body snatching and the bodies that were being snatched. The former were, well, people, obviously. The latter were inanimate objects.

It isn't until Wee Morag is to be sold that we are forced to see a person in a dead body. This is also when real emotions enter the equation.

This shift forces us to question our judgment for the first time. It was easy to justify Elspeth when she was selling a nameless corpse. But the fact that she decided to sell her closest companion - and most likely lover - shocks us. Something inside us strongly objects to how quickly she makes the decision.

And then there's the transaction, and it is also different when it's someone we know. The fact that we knew Wee Morag fully exposes Mr Dalrymple for the heartless jerk that he is. The way he treats Elspeth is the absolute worst and if you haven't realized he was a hypocrite earlier, you should be disillusioned by now.

But at least Elspeth is not a hypocrite, right? It may seem cold that she sold Wee Morag but it just proves she simply believed it's all right to sell a dead body, doesn't it?

Well, about that...

Layer 5: it's different when it's you

You are forced to face the thing happening to you

This layer is reached when Elspeth plans her suicide and asks Aziraphale and Crowley to bury her "somewhere where no ghouls will ever dig her back up again".

It turns out Elspeth McKinnon really was a filthy liar.

Not long ago she was insisting that body snatching doesn't hurt anyone who isn't already dead, and asking why she should let Wee Morag rot in the ground when she starves. But she wants to make sure it doesn't happen to her own body. The idea that someone might dig her up terrifies her and she calls people who do it ghouls. So why was digging up other people okay again? Why should she rot in the ground while other people suffer? There were other people living in the street where she and Wee Morag hid. Why not ask Aziraphale to give the money to them? Or just anybody in need? Why not ask to sell her body as well and use the earnings the same way?

Also, if you look at it from a certain perspective, Elspeth betrayed Wee Morag in the worst possible way. Wee Morag believed that if someone's body gets cut, that person's soul cannot enter Heaven. Yet Elspeth sold her to Mr Dalrymple, claiming that Wee Morag would have wanted her to have the means to survive. Perhaps she was right. Perhaps Wee Morag would have made that sacrifice. But then Elspeth decided to kill herself and use the money she got for Wee Morag's body for her own funeral.

But does it make Elspeth wicked? Certainly not. She's simply torn by grief. I seriously doubt she's been planning to commit suicide when she was taking Wee Morag to Mr Dalrymple. She might have genuinely tried to carry on but the reality of what happened caught up to her. Mr Dalrymple's cruel words certainly didn't help her cope with a personal tragedy. I even suspect one of the reasons she sold her friend was that she had no idea what else to do with a dead body.

Does this excuse her actions? Kind of, but not really.

Elspeth was a tragic character, not an innocent lamb with a heart of gold.

The point is - can any of us really judge her?

Which, coincidentally, is a question that the original Good Omens book toyed with quite a lot.

If you've reached this far, thank you for reading!

[lover-222]

Detective Badge J.P

warning: smut 18+

…

you want to what now?", he asked her as they laid in their bed.

her cheeks were a crimson shade of red, "nothing nevermind".

he grabbed her hands that were covering her face. he looked at her gleaming eyes, she slightly bit her lip and sighed.

"tell me what you want to do pretty girl", he smirked at her then caressed her cheek.

"i want to have sex while you have your detective badge on" she shily said.

"wow and i thought you were innocent" he told her as he began to leave small kisses on her cheeks.

he kissed her lips passionately, then left kisses trailing down her neck. he separated from her to put his badge on.

she grabbed him by the collar of his shirt and continued to kiss him roughly. jake smoothly took off her shirt and her skirt.

"you're so perfect, a complete goddess", jake said as he kissed her shoulder.

his fingertips grazed her arm that trailed all the way to her shoulder. he played with her bra straps, making her whimper.

"please touch me" she whimpered frustrated.

he swiftly took of her bra, and kissed her on her collarbone. he began to feel her breast, making her whimper and moan.

to him it was like music to his ears. god, he loved making her feel good. he sucked on her nipple as his other hand teased her left.

she squirmed next to him and kissed him again roughly, her lips were a deeper shade once they separated from each other.

"no fair, you have to take this off" she told him.

she unbuttoned his flannel, his light complex made him bruise so easily. she would joke about that with him, but she secretly loved it since her marks would show up easily.

she kissed his neck, "stopppp that tickles", jake said as he giggled.

she chuckled and sucked on multiple parts of his neck. as resulted her marks started to show up on his neck. she discarded the rest of clothes.

she was already wet from all the teasing he had done. she needed him so desperately.

"i need you jake, so bad" she whimpered.

jake got on top of her, his hand trailed down to her cunt. she always got so wet for him.

"fuck baby this all for me?" he teased her.

she nodded, "please i need you please please".

"good girls get what they want, are you a good girl" he asked her seductively.

"i am, i'm your good girl detective peralta" she told him while biting her lip.

he chuckled and inserted himself into her. as soon as he started moving and she adjusted to his size, her eyes rolled back. she loved how he made her feel.

"jake faster please" she moaned as she closed her eyes in pure euphoria.

"open your eyes or i won't go faster" he said as he stopped moving completely.

she whined, then opened her eyes. he smirked at her and railed into her at a much faster pace. he went faster and deeper, making sure that she felt him.

she looked at him, he looked so hot as his pace became faster and tiny sweat dropplets formed into his forehead, along with his purples bruises on his neck.

although what turned her on was the gold like badge that dangled on his neck. just by looking at it placed on his neck made her want to cum at that very second.

"fuck it feels so good", she pulled him by his badge and kissed him roughly.

he was still inside of her, his fast pace made his badge dangle in her face. jake looked down at her, she was moaning uncontrollably.

"i'm gonna cum, you're going to make me cum, fuck babe" she groaned.

"cum for me pretty girl" he said as he fastened his pace even more.

she felt him deeper, he was hitting the perfect spot. she felt her orgasm come on.

he kept going at his pace while cirlcing his fingers on her clit. this move made her insane.

she reached her climax, she squirmed and moaned underneath him. she was perfect to him, her mouth made an o-shape as she shivered.

"too good?" he asked her.

"so fucking good, perfectly good" she said as she kissed him.

------

a/n:

not a football one-shot but i had too write this jake peralta smut because i saw a hot edit of him on tiktok LMAOOOO

hope ya'll enjoyed :)

[knarme-art]

@recom-week

RETURN TO PANDORA MONTH

DAY 1 - MOUNT DESIGN (1.12.2024)

Ikran Series - Ngulya, Kxasi's Ikran

Name meaning - 'gray air' Bonded to - Kxasi of the Kxayltirey people Age / sex - nearing an older adult's prime, female About - Ngulya's psyche has a calming, comforting effect on Kxasi. She enjoys complex tasks that require good memory, making her an ideal companion to Kxasi, who is very ambitious and energetic.

Above: Only minimally shaded, mostly flat color reference missing the glow effects on the bioluminescent markings.

Above: Ngulya's bioluminescence in dim lighting

Above: Ngulya's bioluminescense in night lighting

History of Ngulya's design

Above: February 18th in 2023 - Here you also see Kxasi's old design. The purplish-gray look and orangeish/reddish bioluminescense have been a part of my vision for Ngulya from the very beginning.

Above: March 9nth in 2023 - Here is my first take for a full reference for Ngulya. This is the point where the pale head and neck became iconic traits to the otherwise dark purple design.

I've always been torn between oranges/browns and actual purples for many of the color areas in this design, as you see from that earlier color draft.

Above: This year, I wanted to finally make proper ikran templates for the sake of more comfortable designing of all my ikran characters.

This is an early version of the final template set I created, and two different drafts of Ngulya.

Sadly I never saved these drafts, so these are just badly compressed screenshots from my Bluesky and Twitter accounts.

The one on the right is my last draft before beginning work on the final one, as I started to be happy with the markings.

The orange one on the left of the 2nd image is not Ngulya, but a draft for another ikran entirely.

Above: For a very long time, I could not make the bioluminescent highlight markings fit anywhere into this design, so I almost called it 'done' in this stage.

The color pallette was more brown than purple. It was a really hard decision to tweak the pallette once more, so I could make it all good-looking with the highlight color.

About my thought process...

I create my ikran OC designs entirely via body/emotional/visual synesthesia. This intuitive process doesn't contain conscious thought, but rather letting an 'inner eye' show me things.

This method lets me get ideas I couldn't otherwise get, unlike when combining my old clichés in a calculated manner etc. Instead of such calculated process, instead I succumb to a more dreamlike intuition where my brain can just fire whatever.

For these ikran, I must feel like I am them, to create their appearances. For the same character, like Kxasi, even for a long period of time, I've been getting the same results with this process...

I imagine the na'vi during their 'Iknimaya' (or equivalent), the type of feeling I would have about them as a person, as if they stood in front of me.

Then, I imagine I'm indeed an ikran looking at them, - what kind of a mental and emotional being would I be, to feel particularly drawn to this na'vi? I imagine the feelings.

These feelings inform me of the ikran's whole design, as well as personality.

Kxasi's ikran Ngulya is a character I can understand, put myself into, imagine her feelings and personality/temperament from the inside, and how she'd feel even when connected with Kxasi's consciousness via tsaheylu.

I can also imagine how Kxasi feels connected to her.

Their personalities contrast each other. Kxasi is hot-headed and energetic, while Ngulya is a calming presence. Usually, Ngulya even discourages Kxasi's antagonistic impulses when they're connected.

However, if overwhelmed by the need to protect, Ngulya's mind will be drunken on quite the berserker's adrenaline, - also affecting Kxasi that same way. Their minds will melt into one demonic entity with the sole goal of turning someone into minced meat. This can be triggered by putting their loved ones or personal home etc. in danger.

Ngulya resembles my favorite, now-deceased dog Lola a lot by her personality. Her 'feel' is very much like what Lola was, even though I did not intentionally create her in Lola's image.

She's funny and silly like Lola, obsessive and persistent in tasks like Lola, has basically endless energy to run (fly), hunt and play, - and there is a soft comforting energy to her. She's also fiercely territorial and protective, - just like Lola... I definitely see her as a Pisces, like that dog was, also.

[firstdivisiongirl]

If I could may I please request a Law x reader? Where reader is really creative and artsy, they love doodling on Law or coloring/decorating his tattoos

Hey there. This was a really cute idea. I can't even begin to explain how much I liked your idea. I'm really happy you brought this request to me. I hope you enjoy it!

Law x Reader: Adding Color to His World

Law didn’t see life in color.  He could see colors, but to him, everything was mundane and simple.  You, on the other hand, saw the color in everything.  Everything to you was bright and complex.  That is what made you two such a good team.  You balanced each other out.

As an artist and the Heart Pirates’ painter, you were in charge of any repairs to the exterior paint of the Polar Tang, as well as the interior.  And let’s just say since you came on the ship, the Polar Tang was a lot more colorful.  And Law loved that about you.  He loved that you brought color to this mundane world, like Corazon did.  You two got close and love blossomed.

That led you to where you were now.  The two of you sat on the deck of the Polar Tang.  The sun was shining and the sky was a beautiful light blue shade, very few clouds.  He was sitting there on a lawn chair, relaxing and reading a medical book.  Suddenly, he noticed that you were doing something to his arms and shoulders.  He looked down at you.  You had all of your markers and you were coloring in his tattoos.  You were were very focused.

“Why are you coloring my tattoos?  You have canvas and paper,” he asked, looking down at you perplexed.  You looked up with a smile.

“Because I think you need a little color in them.  It’s boring to just have boring black tattoos,” you replied before going back to focus on your art project.

“Is there a reason for each color?”

“Of course!  They represent everyone.”

“Everyone?”

“Yeah.  All the people who love you.”

You explained to him how each color was for a different member.  You colored in one gear yellow and the other orange to represent Ikakku and Penguin who had hats with those colors on them.  You colored the one heart on his shoulder blue, which was Bepo’s favorite color.  The other heart was pink, which was the color of Corazon’s shirt he always wore.  The heart on his chest you colored in red because you loved him and you wore red the day you met him.  Since day one, you added color into his world.  And he knew, he wanted nothing to do with gray anymore.

Please do not copy, modify, translate or repost my writing on other platforms. Comments, reblogs and likes are highly appreciated!

[fr0stf4ll]

Forge of Starlight - Epilogue - A New Dawn

paring; Azriel x reader

summary; In the heart of Velaris, a skilled blacksmith's quiet life is turned upside down when unexpected bonds begin to form with the enigmatic Spymaster of the Night Court. As she navigates the challenges of her craft and the complexities of newfound relationships, she discovers that love and loyalty may be the strongest forces of all in a world where darkness often lingers just beyond the light.

word count ; 4.1k

warning; mentions of death, fight.

notes; Hey so here is the last chapter of the story, i hope that you enjoyed it. It was something very new to me to write such story but i'm happy that some of you stayed until the end. I'm working on some one shots for the moment, much lighter than this story, my requests are also open for those who have ideas. See you soon and thank you again <333

here is the link for part 16

---

The first rays of morning light filtered through the curtains, casting a soft, golden glow across the room. You stirred in the warmth of your bed, the familiar scent of home wrapping around you like a comforting embrace. As you slowly blinked your eyes open, the first thing you saw was Azriel, lying beside you, his gaze already on you, filled with love and warmth.

“Hello, my love,” he whispered, his voice soft and tender as he reached out to brush a stray lock of hair from your face.

A smile spread across your lips as you leaned into his touch, the warmth of his hand on your cheek grounding you in the present, in this moment that was filled with peace and contentment. You reached out, wrapping your arms around him, pulling him close as you buried your face in the crook of his neck, breathing in his familiar scent.

“Good morning,” you murmured against his skin, your voice still thick with sleep but laced with happiness. You hugged him tighter, savoring the feeling of his strong arms wrapping around you in return, holding you close as if he never wanted to let go.

These were the moments you cherished most—the quiet, peaceful mornings where it was just the two of you, wrapped up in each other, the world outside nothing more than a distant memory. It was a far cry from the life you had once lived, filled with turmoil and pain, but now… now, there was only love, only happiness.

After a few moments, you pulled back slightly to look at him, your eyes tracing the familiar lines of his face. There was a softness in his gaze, a quiet joy that made your heart swell with love.

“I still can’t believe this is our life,” you whispered, your fingers gently brushing over his cheek. “That we’re here, together, after everything…”

Azriel’s smile deepened, his hand coming up to cradle the back of your head, pulling you close for a gentle, lingering kiss. “It’s our life, Y/N. Our home. And I wouldn’t trade it for anything in the world.”

You glanced around the room, taking in the space that had become your sanctuary, your haven. The apartment was different from the one you had once shared with Alex, the one filled with so many memories—both good and painful. This was a new place, a new beginning. The walls were painted a soft, calming shade, and the furniture was a mix of both your tastes—modern pieces blended with rustic touches that gave the space warmth and character.

It was your home, yours and Azriel’s, and every corner of it reflected the life you were building together.

The decision to move had been difficult, but ultimately necessary. You had wanted a fresh start, a place that wasn’t haunted by the ghosts of your past, a place where you and Azriel could build something new, something that was just yours. And here, in this apartment in the heart of Velaris, you had found that.

“Are you happy?” Azriel asked, his voice gentle as he searched your eyes, his thumb brushing over your cheek.

You nodded, a smile spreading across your lips as you leaned into his touch. “I am. More than I ever thought I could be.”

Azriel’s eyes softened, and he pressed a kiss to your forehead, holding you close. “Good. That’s all I ever wanted for you.”

You sighed contentedly, resting your head on his chest, listening to the steady rhythm of his heartbeat. “And you? Are you happy?”

He chuckled softly, his hand gently stroking your hair. “How could I not be? I have everything I’ve ever wanted, right here with you.”

You closed your eyes, letting the peace of the moment wash over you. Two years had passed since that fateful night in the forest, since you had reclaimed your power and your life. So much had changed since then, but through it all, Azriel had been by your side, your constant, your anchor.

Becoming the emissary of the Night Court had been a natural progression. You had always been skilled in diplomacy, in navigating the complex web of relationships between the courts. And now, you used those skills to strengthen the Night Court’s position, to forge new alliances and maintain old ones. It was a role that suited you, that gave you purpose.

But even though you had taken on this new role, you hadn’t completely left behind the forge. Blacksmithing was still a part of you, a part of your soul. Now, it was more of a hobby, something you did when you needed to clear your mind or when inspiration struck. You had set up a small workshop in the apartment, where you would spend hours tinkering with new designs, creating weapons that were as much art as they were instruments of war.

It was a balance that brought you peace, a way to honor your past while embracing your future.

As you lay there in Azriel’s arms, you couldn’t help but think about how far you had come, how much you had grown. The pain of the past would always be a part of you, but it no longer defined you. You had found a way to move forward, to build a life filled with love and happiness.

Azriel shifted slightly, his hand tilting your chin up so that you were looking into his eyes. “What are you thinking about?”

You smiled softly, your hand coming up to rest over his heart. “Just… everything. How lucky I am. How grateful I am to have you.”

He smiled, his thumb brushing over your lips before he leaned in to kiss you, slow and sweet. “I’m the lucky one,” he murmured against your lips.

You laughed softly, shaking your head. “We’re both lucky, then.”

He pulled you closer, holding you tight as if he never wanted to let go. And in that moment, you knew that this was where you were meant to be—right here, in Azriel’s arms, in the home you had built together.

And no matter what the future held, you knew that you would face it together, with love, with strength, and with the unbreakable bond that had brought you both to this moment.

As the morning light grew brighter, you felt a sense of peace settle over you, a quiet contentment that filled your heart. This was your life now, and you wouldn’t trade it for anything in the world.

The day passed peacefully, a gentle rhythm of tasks and small moments of joy that filled your new home with warmth. As evening approached, the anticipation of gathering with the Inner Circle brought a sense of excitement. The bond you had with Azriel’s family—the family you had become a part of—was stronger than ever. Tonight was just one of those nights where you could all come together, relax, and enjoy each other's company.

You dressed in something simple yet elegant, a deep blue dress that complemented the rich tones of Azriel’s favorite color. He smiled approvingly when he saw you, his eyes lingering with a mix of admiration and love. “You look stunning,” he murmured, pressing a soft kiss to your temple.

“Thank you,” you replied, returning the affection with a gentle smile. “And you look as dashing as ever.”

Azriel, in his usual dark attire that fit him perfectly, offered you his arm, and together, you made your way through the winding streets of Velaris to the townhouse where the rest of the Inner Circle awaited. The stars were just beginning to appear in the sky, twinkling above like a promise of the good night ahead.

When you arrived, the townhouse was already filled with the familiar sounds of laughter and conversation. The scent of delicious food wafted through the air, mingling with the warmth and comfort that always radiated from this place.

As you stepped inside, you were immediately greeted by Cassian’s booming voice. “There they are! Took you two long enough.”

You laughed, shaking your head as Cassian pulled you into a bear hug. “Good to see you too, Cassian,” you teased, patting his back before he released you.

Mor was next, her smile bright as she took your hands, squeezing them affectionately. “You look radiant, Y/N. I’m so glad you’re here. You have to tell me everything, how was the Summer Court, you have been there for two whole weeks. ”

“Of course haha. It’s good to be here,” you replied, returning her smile. Mor’s warmth and friendship had been a constant source of comfort over the years, and you cherished her for it.

Amren, ever the enigma, nodded to you from her place near the fireplace, her sharp gaze softened just enough to convey her approval. You nodded back, grateful for the bond you had formed with her—a bond built on mutual respect and understanding.

Rhysand was the last to greet you, his expression filled with genuine affection as he embraced you. “Welcome, Y/N. It’s not the same without you here.”

“Thank you, Rhys,” you replied, feeling the warmth of his words settle in your heart.

The dinner that followed was filled with laughter, stories, and the easy camaraderie that had come to define your time with the Inner Circle. The food was delicious, as always, and the wine flowed freely as the conversation moved from topic to topic.

At one point, Cassian leaned back in his chair, a mischievous grin on his face. “So, Y/N, how’s the emissary life treating you? Got any juicy tales of court intrigue to share?”

You chuckled, shaking your head. “It’s been interesting, to say the least. But I think you’ll have to wait for the next Night Court council meeting for the really juicy details.”

Cassian groaned, pretending to be disappointed. “You’re no fun.”

Mor, sitting beside him, elbowed him playfully. “Leave her alone, Cass. She’s already done enough, wrangling all those high lords and their egos.”

“I’m sure Y/N has some good stories,” Rhysand chimed in, his eyes twinkling with amusement. “After all, she’s met some rather interesting characters over the years.”

You rolled your eyes good-naturedly. “Oh, there have been a few. But I think the best story is how I managed to survive the chaos of this lot.”

Azriel squeezed your hand under the table, his smile softening as he looked at you. “You’ve done more than survive. You’ve thrived.”

The conversation flowed effortlessly, touching on everything from the latest news in Prythian to the more personal, day-to-day happenings in Velaris. There was an ease to it, a sense of belonging that made you feel truly at home.

As the evening wore on, the group moved to the sitting room, where more wine was poured and the fire crackled warmly in the hearth. You found yourself nestled on the couch beside Azriel, his arm draped comfortably around your shoulders.

Rhysand raised his glass, his gaze sweeping over the room. “To family,” he said, his voice filled with warmth and sincerity. “To the bonds we share, and to the future we’re building together.”

Everyone raised their glasses in a toast, echoing his words. “To family.”

You sipped your wine, feeling the truth of those words resonate deep within you. This was your family now—these incredible, powerful, and loving people who had welcomed you into their lives and hearts. And as you sat there, surrounded by laughter and warmth, you knew that this was exactly where you were meant to be.

The night eventually wound down, and one by one, the members of the Inner Circle began to make their way home. Cassian and Mor were the first to leave, Cassian pulling you into another hug and whispering a teasing remark about not working too hard. Mor kissed your cheek, promising to visit you soon for some “much-needed girl time.”

Amren nodded to you as she departed, a rare but genuine smile playing on her lips. Rhysand was the last to see you off, his hand resting on your shoulder as he looked into your eyes.

“You’ve come a long way, Y/N,” he said quietly, his voice filled with pride. “We’re lucky to have you with us.”

You smiled, feeling a lump in your throat as you nodded. “I’m lucky to have all of you.”

With that, you and Azriel made your way back to your apartment, the night air cool and refreshing as you walked through the quiet streets of Velaris. The city was bathed in moonlight, the stars twinkling above like a promise of all the good things still to come.

When you finally reached your home, you paused at the door, turning to look at Azriel. His expression was soft, filled with the same love and affection you had seen that morning.

“Ready to call it a night?” he asked, his voice low and gentle.

You smiled, feeling a sense of peace settle over you as you nodded. “Yes, let’s go home.”

—

The cemetery was quiet, the air filled with the faint scent of blooming flowers as spring finally began to take hold of the land. You walked slowly along the path, the familiar weight of the past pressing lightly on your shoulders. It had been a long time since you’d visited this place—too long, and the guilt of it lingered in your chest.

As you approached Alex’s grave, a sense of peace washed over you. The headstone was simple, yet elegant, adorned with a few weathered tokens left by you and others over the years. You knelt down, reaching out to gently brush away a few stray leaves that had settled on the stone.

“Hi, Alex,” you whispered, your voice soft as the memories flooded back. “I’m sorry it’s been so long since I visited. Life has been… well, it’s been busy.”

You sat down, crossing your legs beneath you as you let the silence stretch between you and the grave. It felt good to be here, to talk to him, even if he couldn’t answer.

“I’ve been working as an emissary for the Night Court,” you began, a small smile playing on your lips. “It’s been challenging, but I think I’m making a difference. I’ve visited nearly every court, negotiating, building relationships. I even went back to the Day Court recently. Helion still hasn’t given up on trying to recruit me, by the way.”

You chuckled softly, imagining how Alex would have laughed at that.

“The shop… it’s closed now. I still do some blacksmithing, but it’s more of a hobby than anything else. I think you’d understand why I needed to step away from it, why it was important to start fresh. Azriel and I have a new apartment in Velaris—our home. It’s a place where we can build something new, something just for us.”

You paused, your fingers idly tracing the grooves in the stone. “I miss you, Alex. I think about you all the time. There’s so much I wish you could have seen, so much I wish we could have done together. But I hope��� I hope you’re at peace.”

The words hung in the air, heavy with the weight of all that had been left unsaid. You felt a lump form in your throat, but you swallowed it down, determined to keep your voice steady.

“I love you,” you whispered, your eyes stinging with unshed tears. “I always will.”

As you sat there in the quiet, you felt a gentle touch on your elbow. You turned to see Azriel standing beside you, his expression soft and understanding. “It’s time to go,” he said gently, his voice filled with warmth. “We have dinner tonight, with everyone.”

You nodded, giving the grave one last lingering look. “I’ll be back soon, Alex,” you promised. “And I’ll bring you more stories.”

As you stood up, your eyes caught sight of something near the base of the headstone—a small, delicate flower, its petals a brilliant shade of blue, the same color as the flames of your power. It hadn’t been there before, and its sudden appearance felt like a sign, a gentle reminder that life goes on, that new beginnings are always possible, even after the coldest winters.

You smiled, a sense of calm settling over you as you took Azriel’s hand, feeling his warmth seep into your skin. Together, you turned and walked away from the grave, leaving behind the past but carrying its memory with you.

As you left the cemetery, the sky above was clear, the stars beginning to twinkle as evening approached. The world felt alive, vibrant, full of promise. And as you and Azriel made your way to the townhouse, ready to join your family for dinner, you knew that you were exactly where you were meant to be—moving forward, with love, with hope, and with the strength of those who had come before you.

The small blue flower by Alex’s grave swayed gently in the breeze, a symbol of the new life that spring had brought, a life that you would continue to cherish and honor, now and always.

---

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don't hesitate to comment if you want to be added to the tag list ;)))

[ruija]

Well I really love your art, may I ask how do u color? I struggle with coloring turtles and I wasn't to know how do u do that?

Hi anon! That's a very broad question, so you've given me a great excuse to ramble anything I want about my coloring, eehehehee~! This will be in two parts and I'll start with talking about my simpler coloring style.

As in, when I color characters on a white background, with a limited or light palette.

The driving force behind this style is me being lazy. My time, energy, and attention span are pretty limited, so if I want to finish anything, I gotta do it fast. And with fanart, I'm usually just doing it for fun and relaxation, so there's no need to push myself to polish it too much.

Despite that, I rarely post just black and white sketches or line arts. I always try to add at least a little bit of toning or shading, because that makes the image easier to read. The characters and their shapes pop out and catch the eye of the viewer better.

However, in this particular example, just the couple toning colors don't quite do the job. The way Don and Leo are entangled makes the center area of this illustration very busy and hard to read.

As a comparison; this pic has only one tone + mask colors, and it works. This is because all the characters are standing separately and their poses are very stationary and simple.

So for the Don + Leo pic, adding some shadows helps in bringing out shapes and depths. Also in general, if you don't feel like drawing BGs, it's good to at least add a shadow below the characters. It grounds them and makes them feel like they exist within a space.

Sometimes if the posing looks too complex and busy, it might just be best to color in the characters fully.

However, even if I do full flat colors, I tend to use a lighter palette. Putting characters in their neutral/default color on a white BG can look a bit jarring as if they're floating in a void. It feels less immersive and like the picture is unfinished.

Using lighter colors makes the image more cohesive, and fits the characters into the white environment a bit more naturally.

If I'm too lazy to draw a BG, I prefer using stylized and limited colors. It feels deliberate and that the whiteness is just part of the palette, whereas the character-accurate colors on white don't match as well, even if they're more pastel.

That being said, there's nothing wrong with just slapping the flat-colored characters on a white background. As you know, I do it too. I'm just exposing my 'fancy coloring style' for what it is; me being lazy, hah!

Limited and monochromatic palettes are a nice shortcut even when you do actual backgrounds. It's faster and you don't have to worry about clashing colors. And you can still convey atmosphere and mood.

Also, on the topic of conserving your time and efforts; I think it's very common among younger/less experienced artists to think that the amount of time you spend on your art piece = how good and well received that piece will be.

Which has some merit to it of course, but it can lead to putting too much effort into areas where it's not necessary. E.g. filling the piece with tons of details and clutter that don't serve an actual purpose, but rather make the image hard to read. Or doing really complicated shading for a meme/comic, where simplicity would deliver the joke better.

So whenever I'm drawing something I intend to publish, whether it's a quick doodle or a more polished piece, I try to follow these two principles: Make it easily readable and do the bare minimum that needs to be done to convey what I want to convey.

Putting time into practice is important, but if you draw for work, it's also crucial that you know how to prioritize and use your time efficiently!

Anyway, thanks for reading! In the next part I'll go into how I do my fully colored pieces, so stay tuned for that!

[toadsong-art]

I currently only use PayPal. Everything here is in USD, but PayPal can convert most currencies.

If you have any questions, you can contact me here or:

On my main, @toadsong

At my gmail, rhidrawsthings@gmail.com (I do not check this often I will be honest, anywhere else is better)

My discord, which you can ask for.

Other pricing notes:

Shading is +100% price per character- AKA, it doubles the price. A $30 comm would become $60 if you want it shaded.

Generally, characters are priced separately. This means if you want a scene with two characters, one being a fullbody ($45) and the other being a bust ($35), it would count as a fullbody+bust ($80) combined. Shading price would be calculated after the total ($160).

Prices can vary depending on complexity of the character.

I price backgrounds on a case by case basis because there's so many factors that go into it.

If something doesn't fit into any of the categories above, I'm happy to work out a unique price.

General process:

You message me telling me what you want (characters, poses, style, etc), and I help estimate what it would be and the pricing. Once you've confirmed you're good with the price, I will start. I’ll send you a sketch to confirm everything how you want it. Then, you’ll send payment, and I’ll finish the piece! I will not give you the finished piece before you pay. I’m sorry, but there's just too big of a risk to waste my time on a finished piece and not get paid.

Examples:

I feel very comfortable with a wide range of subjects, art styles, palettes, and characters. Because I do such a wide range of art, I would prefer you work with me to help narrow down what 'style' you want your commission in.

Here's some examples. You can also find even more examples in my art tag, here.

[jel-jel-jel]

THOUGHTS on the new #3 etude thing that just got translated. marina acht confirme

ooohhhh my goddd oh my god you have no idea

etude #3 aligns basically perfectly with what I interpreted about Acht and Marina's characters and relationship. especially what I believed about Acht's self esteem issues and how they were treated as an outcast.

I've always thought Acht had a crush on Marina, that they strongly admired her, and strongly believed they were never good enough for her. I think a lot of their avoidant and seemingly apathetic attitude in the story is somewhat in attempt to keep Marina at arm's length. They've internalized other people's perception and treatment of them (in addition to their CANONICAL dysphoria), and want to spare Marina of being dragged down by association. Acht sees themselves as tainted almost.

But despite believing they're not worthy, they still want to be close to Marina. And that's why the idea of her finding somebody more suited for her (in their eyes) makes them upset. I dare say even a little jealous. Acht wants the best for Marina because they believe she deserves it, and they themself do not. But the selfish part of them still loves her I think.

It makes their awkwardness about Pearl and Marina's relationship much more complex. There's multiple times where Pearl is referred to as amazing or incredible by Marina, and even Acht themself.

I'm sure even after all this time, it stings, because Marina really did find someone as interesting as her. Someone she should be with. Someone who's amazing, and incredibly incredible. Someone Acht has never seen themself as.

A very important part to Acht's character, in my opinion, is their purposeful indifference. They try to be more stoic and hide how they feel. They wear shades because they don't like how their face looks "too cute". They act aloof and laid back, but really they're just awkward and shy.

I need whoever gave Acht dysphoria a kiss on the mouth. It's amazing enough to have a nonbinary character in this series, it's a whole different level to talk about these kind of personal issues that a multitude of real trans people experience daily.

Acht tries to be their idea of cool. And they really are cool! But I love that their confidence is paper thin. I love that they're committed to self expression through their clothes and their piercings and their music. I love that they struggle with self image nonetheless. etude has only cemented these traits we could've caught in side order itself.

All that being said, I've been seeing some Marina hate (mostly in jest), for leaving specifically Acht behind when she left the domes. I think this is wholly unfair vfnjdk we know exactly why Marina left, and that was also reiterated in etude. Octarian society is strict and harsh, and punishes those that stray outside of the mold, like Acht. Marina, though exceptional and diligent, understood that her elite standing could be ripped away swiftly if she too were deemed "a delinquent". This clearly put a lot of pressure on her, and pushed a wedge between her and her oldest friend.

Marina sacrificed a lot to be happy. And yes, her friendship with Acht was one of those things. But truthfully, it seemed apparent to me that no matter what, they were going to drift apart and eventually stop talking, despite how neither of them would've wanted it to be that way. At this point, Marina had no idea this was really going to be the last time she saw Acht (until side order, obs), but they both knew on some level that her reassignment to the Octavio unit would be the end of their time together, or at the very least, the beginning of the end.

I don't think Acht holds any resentment towards Marina at all. I think if Acht had been brave enough they would've left too, given the chance. I think they're just happy to be able to put the past behind them, and be close with Marina again, something that was unlikely to be if they had both stayed in the domes. I would, however, be interested to see if anything about it will be mentioned in future stories. I'd love to see Marina and Acht talk and interact more on their own. A detail I really loved in side order, is if you sit in the elevator before deciding a color chip sometimes, you can see them actually talking indistinctly in the background. They both even laugh now and then, it's incredibly sweet, they have so much to catch up on!

Sooooo yeah! That's some of my thoughts adjacent to #3 etude! Thank you for thinking of me, and being curious... hehe.... I'm sooooooooo so so so happy more people are seeing the potential in Acht and Marina's relationship, platonic and romantic!

MARINACHT #1!!!!!!!!!

[popsartattic]

Commissions Open

Hey all, my cat is sick and his vet bills have been pretty high so I'm opening up commissions again. I'll draw your OC or favorite character for you! I can do multiple styles, but my main four are a simple cutesy style, a cartoony style, anime style, or a slightly more complex semi-realistic style. Prices for most styles are the same but the cutesy style ones are cheaper because they're quicker and easier to draw. Anyway, here's the pricing-

CUTESY STYLE

HEAD/BUST:

Lineart - $10 Flat Color - $15 Shaded - $22 FULLBODY: Lineart - $18 Flat Color - $28 Shaded -$35

ALL OTHER STYLES

HEAD/ BUST:

Lineart - $18 Flat Color - $25 Basic Shading - $30 Fully Rendered -$40

HALFBODY:

Lineart - $25 Flat Color - $35 Basic Shading - $42 Fully Rendered - $50

FULLBODY: Lineart - $35 Flat Color - $55 Basic Shading - $65 Fully Rendered - $85

EXTRAS

Backgrounds/Props: $5-$50 depending on complexity. Simple gradient backgrounds or very simple patterns are free.

Extra Characters: 2/3 of base commission cost per character

All prices are subject to change and open to negotiation within reason (I'm willing to work with you, so long as you're negotiating in good faith). Prices will not change for an individual commission once a price has been agreed upon, of course. I reserve the right to add an extra charge for designs with excessive detail.

I currently have ten commission slots open.

I look forward to drawing your OCs and/or blorbos!

[jeonscatalyst]

Hi May, so glad youre back!

There has been a lot of negativity in this fandom since AYS dropped, and it's always nice to have sensible Jikookers to turn to and discuss some things from the show.

I'm curious about your take on the car talk - since that one has been most controversial one. I know you said you'd probably make a master post about AYS but in the meantime I'd like to hear your overall opinion

Hey anon, thank you so much.

Yea it’s been a shit show since AYS dropped with everyone having very different opinions about different things but if you think about it, it’s always been like this. It’s literally always been a war zone everytime we got a new content with Jikook so just like any other time, this too shall pass.

Now about the car talk.

I think many of us already knew that Jimin and Jungkook weren’t seeing alot of each other or spending much time together in chapter two mainly because of their different schedules but them actually talking about it gave us more context.

Now, I am not going to behave like a taekooker and start coming up with lame ass excuses like, “it was scripted” or “they lied to hide their relationship” or “they didn’t mean it like that”. I’m not going to do all of that. If Jikook said they didn’t see each other much, then they didn’t. If they say they didn’t make time to call each other much then I 100% believe that, that is exactly what happened.

The car conversation started with Jimin saying that it’s been long since he went somewhere with Jungkook and Jungkook joined in a mentioned that they were supposed to go for drinks but unfortunately didn’t. Jk then mentions that when he was free and Jimin was busy, he didn’t call him and when he was busy and Jimin was free, he didn’t call him. Jimin said no he called but it seems like Jungkook doesn’t remember that he did. I have seen some different translations suggesting that Jimin and Jungkook weren’t talking about literally calling each other on the phone but talking about calling each other to hang out and do stuff together but all of those are technicalities and don’t really matter or make much of a difference to me because the point still stands that they didn’t seem to make time for each other for some reason and it seemed to have been a mutual thing.

Now, while some people will hear this and throw their hands in the air saying that this debunks Jikook and pack up their bags, it doesn’t. The only thing this possibly debunks is the fact that Jikook possibly weren’t actively in a romantic relationship at that particular point in time but it doesn’t debunk the idea that Jikook have in a romantic relationship before or are currently in one.

I have mentioned before that so often, many of us only look at the black and white of the world and neglect the grey and possibly the color. People often have a simplistic, binary way of thinking where things are seen as either all good or all bad, right or wrong, with no middle ground or shades of gray but the truth is that, in the real world, things don’t quite work like that. Situations, decisions, and people often exist in a spectrum, with various factors to consider, and understanding these subtleties is important. It important to look beyond rigid categories to appreciate the complexity and diversity of perspectives, emotions, and experiences in life. To put things in lay man’s terms, if Paul and Mary were in a relationship 6 months ago yet for some reason weren’t in a relationship last week, does this mean they never were in relationship? Short answer is no. People possibly not being together at one particular point in time doesn’t debunk the idea that they have ever been together and thinking that Jikook’s car talk debunks them completely is you looking at the world only in black and white and again, the real world doesn’t work like that.

I had also mentioned before on my other blog (gosh can tumblr give me my blog back already😩) that there was a good possibility that Jimin and Jungkook were not in the traditional or conventional type of relationship many of us are used to but this idea wasn’t welcomed by so many people because once again, to so many people, it is either Jimin and Jungkook are in a committed long lasting relationship or they are not at all but the issue with limiting things to opinions like this is that, when we get this kind of information that we got from Jikook, you don’t know how to make sense of things because to you, it had always been either this or not, true or false, yes or no and never the possibility of maybe or maybe not and that is why I kept maintaining that it was necessary to open your minds when it concerned things we don’t have full context of because you never know. You could be 100% right about Jikook being in a romantic relationship but when you limit that type of romantic relationship to just the conventional type, then it that’s an issue. It could also be a little to heteronormative to look at things like that and that unfortunately doesn’t also factor in so many things that could affect the kind of relationship jikook have, like the fact that they are idols, members of the biggest boyband in the world who live in a homophobic country etc.

Let’s look at Jikook’s history for a bit. Out of all members, Jimin and Jungkook are possibly the two who were usually seen around each other in and outside of work the most. For years, they were the two who spent most of their time together, by their own admission so they have a long history of spending time with each other in and outside of work. Taekook on the other hand don’t have a history of spending much time together outside of work. As a matter of fact, they both admitted that they didn’t. The person we always saw Jungkook with for so many years was Jimin while Tae was usually seen with his wooga and other sets of friends outside of BTS. So a jikooker thinking that just because Jikook were not seen together in chapter two, completely debunks Jikook is exactly the same as a taekooker thinking that just because Tae and Jk hung out together quite alot in chapter two proves they are a couple even though they don’t have a history of hanging out together outside of work before chapter two. See how dumb it sounds? It makes no sense because for a romantic relationship to be plausible, there needs to be history and that is something that Taekook doesn’t have while Jikook have a lot of it, so Taekook could have hung out every single day in chapter two while jikook never hung out a single day in chapter two but that will still never mean that Taekook is real and Jikook never was.

Jimin and Jungkook had consistently prioritized being with or spending time with each other more than anyone else for years, so the fact that this abruptly stopped in chapter two, convinces me more than anything else that those two did not have a platonic relationship with each other and that something probably happened. Jimin isn’t the type to just stop hanging out with his friends and especially not Jungkook. He isn’t the type of person who is flaky in his relationships. He isn’t the type of person who doesn’t value friends and relationships in his life. Jimin did seem to make time for everyone else but just not much of Jungkook and we know that it’s not like there wasn’t a chance for them for them to meetup at all because even Jungkook had tried a few times to ask Jimin to come have chicken with him, come box with him, come do a Live with him, Jungkook even opted to go to Jimin but Jimin said no. I’m not going to pretend like I know what was going on with them because I obviously don’t but it is obvious that something was off.

I think that now, it makes more sense why we saw Jungkook obviously pining. It makes more sense why we saw him waking up at 4am to watch Jimin. It makes sense why we all saw him visibly glow up everytime he saw Jimin comment on his Lives. It make sense why he talked about Jimin so much because for two people who didn’t seem to care to reach out to each other, they both really seemed to have each other’s names in their mouths and thoughts alot especially Jungkook. It made alot of sense for Jk to mention Tae as much as he did because he hung out with him alot, but what was his reason for mentioning Jimin as much as he did when according to them they barely kept in toch with each other? What was his reason for sitting his ass down and watching Jimin centric videos as much as he did?

I think that something was off with Jimin and Jungkook at the beginning of the solo era but it seems like things went back to normal after their NY trip because we know for a fact that Jimin and Jungkook spent time together after that. Jimin spoke about always discussing music with Jk when they were together, we heard him singing 3D before it’s release date which means he had heard it and the most important thing….Jimin and Jungkook enlisted together. They wouldn’t have done that if they were not in a good place.

It’s important to note that we are all watching Jimin and Jungkook’s lives unfold before our various eyes and what this means is that, we would witness good, bad and ugly moments. We would witness moments of them being so in love with each other as well as those moments when something seems a little off. These are things that happen even in our own relationships and maybe if we all had our lives being broadcasted and we sat down to watch every action, word, facial expression, body language etc, we would be more understanding of these people. We wouldn’t be so quick to judge, to get annoyed, to accuse, or to jump into conclusions. We would understand that human beings are complex and life itself is not and will never be a one size fits all.

Seeing as we are still following the story, I guess we all would have to wait to see how things play out but for now, I think Jimin and Jungkook are good. I cannot say for sure what they are to each other (cause I really don’t know) but what I can say is that those two really love each other.

[ask-the-rag-dolly]

hi! i’m currently making my own ask blog and was wondering if you had any tips abt literally anything? including art and stuff ^^’

trying to find my style but also find a style that i can easily draw over and over again

hi ! yeah i can give some tips

really the first thing of all is to Have Fun . i'm running this blog as i have always wanted to run an ask blog for a long time and thus have the energy and motivation to do so . really , ask blogs can be pretty demanding to run so just know if you're up for the challenge ... !

as for the art , it's fuckall really . what i loved about ask blogs back in the day is the variety of art styles i could find . it just depends on how frequently you want to update and the mood of the ask blog , really ! more sillier and character-based ask blogs have simpler art styles while story-based and elaborate ones have a more complex one - having colors and shading and all that

but Be Careful if you're going for the latter !! you might get burnt out and that's no good !! which is why i'll say you shouldn't feel pressure with updating often . ask blogs most of the time are comics , and comics take a while to draw . so take breaks if you can (: some ask blogs have an update schedule like actual webcomics and that's also another option .

and don't overdo it in the tags , like . don't put the characters that aren't in the post in the tags . it's both annoying and would get you blocked by a bunch of people . just put the main tags and character tags and you're done . i've since phased out the main tags as i've already have an audience for this thing . surprisingly .

and if you're running a story-based blog ... um ... ask blogs are very fickle . like think of this as a dnd campaign — you're not really in control , your players are . they might say or do something that will change the story's direction but may be even more interesting than what you have actually planned . basically do not expect things to go 100% as planned .

the only thing you have 100% control over really is the lore that your askers would uncover ! and that leads me to the next tip - how much power does your askers have ? are they just voices in the character's head guiding them or are they agents of chaos that can do literally anything ?

now . for the asks itself ... You Guys Don't Have To Follow My Way Of Doing It - which is just opening the asks and picking out the ones i feel like drawing . some ask blogs do an ' ask limit ' where they only allow a limited amount of asks before closing the inbox . which i think is good if you're not a fast artist like me

if you don't get a lot of asks , it's okay to ask your friends to drop some ! really , do it . it's a way for you to start posting and let people know it's active .

oh lord , long post ! but yeah here's my tips ... ! i love ask blogs so it's nice to see people make more (: