#I'm not going to write it

[bokettochild]

The urge to create an AU where I cross over my current fandom (LU) with my first obsessive fandom that I have't reconnected with since the 22'd book was released in freaking 2011.

Like, at first it feels weird, but the vibes are immaculate. Four at the very least would be so happy!

[breezydaysoflife]

Just had the funniest image appear in my head

W&N Ineffables meeting post s2 Ineffables is one of the crack fic ideas I have had for a while that has. So much potential for both angst and humor.

But. Imagine. W&N Ineffables and early to mid S2 Ineffables.

The W&N Ineffables basically just gentle parenting their other selves and sending each other exasperated looks like "were we really this bad?"

W&N Crowley would definitely say something like "No flirting in front of the emotionally constipated idiots" at least once

[werewolves-are-real]

On one hand I'm pleased with how my fic 'Two Empty Graves' came out. I like it as it is, and Kirk is meant to remain 'dead.' It is a sad fic and the permadeath is necessary for it to work.

...on the other hand, I'm constantly tempted to write a sequel because the thought of the Nexus spitting Kirk back out a month after Spock remarries is very funny to me.

[nariarts]

Spent a ridiculous amount of time last night obsessively editing my hand written zines in Photoshop to take away any tiny blemishes so they were definitely readable.

Whatever. Understand or don't.

[ducktracy]

sharing a very sage bit of advice from The Simpsons' own John Swartzwelder that i've been trying to hamper down in my writing and drawing alike. let your inner crappy little elf do his worst

[lazylittledragon]

if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about

[mischievous-thunder]

Deadpool and Wolverine is a fanfic in the movie form that feels as much like a fever dream as a rom-com. The content creator only gave it an R rating as an umbrella term which includes all of the following ao3 tags:

Canon-Typical Violence, Blood and Gore, Canon Divergence, Multiverse, Meet Ugly, Enemies to Friends, Age Difference, Bickering, Undeniable Sexual Tension, Mutual Pining

Angst, Hurt/Comfort, Emotional/Psychological Abuse, Survivor Guilt

Pain Play, Car Sex, BDSM, Rough Sex, Size Kink, Porn with Feelings, Aggressive Sex, Orgasm Denial, Edging, Power Play, Cock Tease, No Refractory Period

Semi-Public Sex

Accidental Striptease

Friends to Lovers, Fluff and Cuddling, Domestic Banter, Falling in Love, Getting together, Idiots in Love, Old Married Couple in Spirit, Additional Tags to be Added...

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[howlsnteeth]

24/05/2022

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[naydralikessoup]

jojo's bizarre adventure is a life altering series if you're susceptible to the brainrot pathogen. if you're not i'm sure it's kinda whatever but if you are. you get enrolled in a secret jojo club and you lose the ability to fully speak your mind outside of it. you realize a tantalizing desire to sightsee in italy, but know that you must never, ever set foot there, else you'll risk annoying everyone around you with the constant pointing out of familiar locations. you cannot go to an aquarium without thinking, "jotaro kujo would love this." when you take a drink of water that's especially refreshing, you think of okuyasu, in tonio's restaurant, where he cried the sleeplessness out of his eyes, and wish you could do the same. and like a zombie, you attempt to spread the disease to others, the people you love most. you say to them, with a sly smile, "hey, there's this anime i think you would like," and if they're not sick of hearing about it, on the off chance they decide to try it, and like it, you'll rejoice at having another person share your curse. now you're both ruined, swapping looks and pointing out things "you just thought were cool." you have matching cherry earrings. your music taste is better than it's ever been.

[peachesofteal]

Through Me (The Flood) - secret baby fic Simon Riley / female reader 18+ mdni, these two and their usual kinks, mention/discussion of pregnancy, Simon in his BDU so... you know.

You have a stage five clinger.

That's the only way to describe Simon lately. He's your shadow. The only time he separates himself from you is to take care of the baby, and even then, he's usually always in sight line.

Most people would feel smothered. Annoyed. Fed up, probably. You would have too, with past partners. But for some reason, with him, the irritation doesn't exist. He's working through something in his mind. Repairing something. Healing something. Even though the day in the hospital is long buried, you know it still sticks with him, the evidence clear in the way he still treads carefully, still handles you gently in bed.

The attention, the devotion, doesn't bother you. The need to reassure him drives you into his arms as often as possible, and when he holds on longer than usual, you never pull away.

The last day in your apartment is bittersweet. Mostly packed up, only the skeleton remains, a shell of what was once your home. You expected to feel sad, mournful, as you sweep up the dust in the living room, but your emotions are conflicted, a turbulent sea of satisfaction and already growing nostalgia. You're ready to turn the tide, move forward, while still appreciating the place you became a mother.

You're grateful to Gaz and Cami for taking Orion all day. They're at home, no doubt spoiling him rotten, while you try to wrangle dust bunnies and cleaning the oven. You get lost in the chore of trying to clean up, distracted enough you don't hear the door click.

When heavy footsteps sound in the entryway, you turn.

And lose your breath.

He's in the uniform again. The more formal one, the one that Price makes him wear for meetings. It fits him like a glove, snug in all the right places, and there's no denying what it does to you.

You're already wet. Just staring at him.

He smirks. "Alright?"

"Oh, yeah, I'm just... I'm almost done." You gesture uselessly around the kitchen, half pointing to the oven door, eyes still trained on him, sweeping up and down, over and over.

He steps closer, head cocked, leaning into your space just enough your body instinctively closes the gap. "See something you like honey?"

"Y-yeah."

"Gon' tell me what it is?"

"You look good, in the uniform." You clear your throat. "I... I like it." Your hand unfurls, palm flat, and he tugs on it, folding it over the hard bulge in his pants.

One moment, you're looking up at him and the next you're being spun around, back to his chest, thick fingers plunging into the waistband to tug your panties aside. He groans, stroking over your clit. "You're bloody soaked f'me."

"For you." Is all you can manage, voice twisted into a whisper, and he rips your pants down to your feet, lifting them out to kick your legs wide.

"Hands on the counter," he presses you forward until you're nearly at ninety degrees, cool air ghosting over where you're exposed, slick and swollen. "There we go, jus' like that." He grips fistfuls of your hips, your ass, and then tugs at his zipper, its echo instinctively rising you up onto your toes. He's still in his uniform, completely dressed, and you stare at him over your shoulder, legs trembling, soaking it in. You think you might be drooling. Blunt pressure notches at your pussy, the crown of his cock working its way forward before he slams the rest in, your scream pinging through the empty flat. "Fuck."

"Simon- ah,"

"I know, sweet girl, I know. You can take it, pussy looks so good stretched around me." He's teasing, in control though the clench of his jaw hissing through his teeth is clear, hips snapping over and over, rocking inside you. His lips graze your temple, breath hot on your cheek. "I want you to stop taking your birth control." You shudder, clenching around him. "We're ready, mama. You're ready. Let's," He shoves deep, deep enough you turn to liquid, body bending to accommodate, "have another baby." The rough fabric of his uniform pants scrape against your ass, brush and burn delicious with a bite, and you moan.

The mind has a funny way of erasing the memories of birth. Oxytocin is a finicky trick, the halo effect obliterating trauma and replacing it with joy. You can't say no. You don't want to say no, and the idea giving Orion a sibling, holding another sweet, squirmy baby in your arms, one with Simon's eyes, detonates in your heart, flutters spreading all the way through to your fingers and toes. Your spine arches, hips flexing back towards his own, and he chuckles-

before pulling out and flipping you over, hoisting you up onto the counter with your legs wrapped around his waist. Your eyes roll backwards as he slides home again, pinching your jaw between thumb and forefinger. He looks at you expectantly. Waiting.

The agreement sears on your tongue, incendiary heat forcing its way through your lips. "O-Okay."

"Say it." He thrusts, rubbing your clit at the same time, rolling you close to the edge. "Say yes daddy like a good girl."

"Yes, daddy." His nose touches yours. For a moment, you're both suspended, pupils dilated, sharing the same breath, the same DNA, the same blood. He slows down, and you squirm. "No, no don't stop- p-please-"

"'Say yes daddy, I want another baby' and I'll make you come mama. Tell me." He licks your cheek. You're barely hanging on, holding the front of his uniform. He teases your clit again, working it slowly, and you whine.

"Yes daddy, I want... I want another baby." It's enough. Enough for a dark glint to spark across his eyes, the same glimmer you see from time to time, the possession, the instinct, deep rooted desires.

It sends you into orbit, head tipping back, his teeth on your neck, the two of you coming together and riding through the wave until it's over, and he tucks you into his chest, cock still seated deep.

"I love you." He murmurs. "I'm gonna take care of you this time. I'm gonna be here." You don't ask about the what ifs, what will happen when he's away, what if he misses it. You just bask in the warmth of the moment, and sigh.

"I love you too."

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[zephyrchama]

Water Wrinkles

Seven demon brothers sat solemnly in a circle around you. You did your best to ignore them. It wasn't often that you got to spend time at the human world villa, and you were intent on soaking up as much sun as you could before returning to the Devildom.

You reclined your beach chair back, crossing your arms under your still-wet hair. It was a gorgeous day. Perfect for being at the pool.

Leviathan let out a muffled sob. As the demon with the highest affinity for water, he blamed himself.

"Let us take you to a hospital," Satan insisted for the tenth time.

"They're going to laugh us out of the ER," you nonchalantly repeated.

Satan lowered his eyes and muttered, "I couldn't find any traces of a curse in the water... So how...?"

Asmodeus had his head in his hands, unresponsive. Sometimes his fingers curled around the ends of his hair. You briefly glanced over to make sure he didn't pull his hair out - that would be grounds for a real emergency.

"I can't bear to watch. Lucifer, do somethin'," Mammon whined. He was fidgeting all over the place and winced whenever he looked at your feet.

The oldest glared at you. You knew it was out of concern, but his fears were unfounded. Even Lucifer refused to listen to reason when he thought you were in danger.

"Actually, yeah. Lucifer, can you pass me a towel?" you asked. It was embarrassing having seven shirtless demons intensely staring at you. If they wouldn't let you go back in the water, maybe covering up would make you feel less self-conscious.

Lucifer didn't move. It was Beelzebub who plucked a spare towel off his younger twin and handed it to you with a shaking arm. He looked like a wet puppy, having been the one who first discovered your "condition" and swept you out of the pool.

Belphegor hadn't gone in the water that day. He only hogged the plush towels because of how comfortable they were and, following Beelzebub's lead, dumped them all onto your chair. Now he sat, wide awake. He was anxiously squeezing a loose chunk of concrete but at some point, without realizing, it got crushed to powder in his hand.

You had more than enough towels now.

"In half an hour you're going to forget this all even happened," you said to reassure the worry warts.

"In half an hour, you might be gone!" Mammon snapped back.

"You're going to be a wrinkled mess of skin and bones," Asmodeus weeped quietly.

Leviathan pressed his hands over his ears. Though, with nothing to cover his eyes he was forced to look at your wrinkled hands again. Based on the noises he was making, you'd think someone was torturing him.

"As I've said!" you reiterated. "All humans get wrinkly in water. Look, now that I'm drying off it's going back to normal."

Beelzebub grabbed your ankle, raising it for the brothers to observe at eye level. "I don't see a difference."

You didn't expect the sudden manhandling and slunk several inches down the lounge chair while the demons stared at your foot. Kicking and twisting your leg was futile. You modestly crossed your free leg.

"I think it's getting worse," Satan said.

"We need to take action," Lucifer decided.

Asmodeus was actively quivering now. Belphegor and Leviathan had crept behind you and started picking at your wrinkly fingers. You tried to swat them away to no avail.

"Give me 25 minutes! Literally! Probably even less, this will go away on its own! I just need to dry off."

"We need a solution now," Mammon asserted. The cogs in his brain were turning. "We need fire."

You tried to sit up, to jump up and stop Mammon before he burned the whole villa down in an attempt to dry you off, but Beelzebub had not let go and you stumbled. You grazed your knee on the concrete and winced.

A second round of panic overcame the demon brothers. Beelzebub let go, Lucifer picked you up, and Belphegor wrapped your knee with every available towel he could lay his hands on. Asmodeus and Leviathan were crying on each other's shoulders. Mammon came running back, oblivious to the second disaster that just occurred, with a flaming stick in his hand that Satan tried to keep at bay. If you got burnt on top of everything else, they'd probably go insane and destroy the human world.

In the midst of the chaos you caught a glimpse of your hand. It was practically dry. You couldn't even see the wrinkles anymore. You angrily wiggled in Lucifer's grasp as various hands fussed over you.

"Stay!!" you shouted over the clamor.

The brothers went tumbling to the ground, save for Lucifer who fought to stay rooted in place. You could finally hear yourself think again. There was primarily one thought on your mind.

"I just want to go swimming."

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.