#I'm not going to write it

[takenbtwind]

Stormlight Archive Circus AU! (AKA I went to the circus and wrote all this down in about 30 minutes)

Kaladin does trapeze (so does most of Bridge Four) (the circus is a great “disappointing his dad” line of work)

Lopen and cousins are the clown troupe

Teft is the human cannonball (the circus I saw had a middle aged man as their human cannonball so there)

Rlain, Dabbid, and Rock are the safety team/crew

Dalinar owns the circus (insert tragic backstory about how he used to be really reckless and ignore safety protocols until his wife died)

I have a very clear image in my head of Adolin being the guy who stands on two horses running at full speed

But also consider Adolin and Shallan looking really cool together doing couples aerial silks

Also if Adolin is doing something aerial and acrobatic that gives Renarin something very dramatic to long for that a person with epilepsy probably should not do

Anyway Renarin isn’t in the circus until he and Rlain develop a sick juggling routine

Or I think it would be cool if Shallan did design for the shows (the circus I saw had cool spinning lights that reminded me of Pattern)

Szeth is trying to sell Dalinar on his ventriloquy act (his puppet is a sword) but Dalinar keeps rejecting it because Szeth doesn’t seem to grasp that his act is supposed to be funny

Wit is the illusionist/magician that Dalinar keeps threatening to fire since he never shows up on time. Whenever he misses performances Shallan goes on (she’s not as good at it but she gets away with it by being really funny)

Lift gets to run away and join the circus like she was always meant to

[bokettochild]

The urge to create an AU where I cross over my current fandom (LU) with my first obsessive fandom that I have't reconnected with since the 22'd book was released in freaking 2011.

Like, at first it feels weird, but the vibes are immaculate. Four at the very least would be so happy!

[breezydaysoflife]

Just had the funniest image appear in my head

W&N Ineffables meeting post s2 Ineffables is one of the crack fic ideas I have had for a while that has. So much potential for both angst and humor.

But. Imagine. W&N Ineffables and early to mid S2 Ineffables.

The W&N Ineffables basically just gentle parenting their other selves and sending each other exasperated looks like "were we really this bad?"

W&N Crowley would definitely say something like "No flirting in front of the emotionally constipated idiots" at least once

[werewolves-are-real]

On one hand I'm pleased with how my fic 'Two Empty Graves' came out. I like it as it is, and Kirk is meant to remain 'dead.' It is a sad fic and the permadeath is necessary for it to work.

...on the other hand, I'm constantly tempted to write a sequel because the thought of the Nexus spitting Kirk back out a month after Spock remarries is very funny to me.

[nariarts]

Spent a ridiculous amount of time last night obsessively editing my hand written zines in Photoshop to take away any tiny blemishes so they were definitely readable.

Whatever. Understand or don't.

[ducktracy]

sharing a very sage bit of advice from The Simpsons' own John Swartzwelder that i've been trying to hamper down in my writing and drawing alike. let your inner crappy little elf do his worst

[lazylittledragon]

if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about

[mischievous-thunder]

Deadpool and Wolverine is a fanfic in the movie form that feels as much like a fever dream as a rom-com. The content creator only gave it an R rating as an umbrella term which includes all of the following ao3 tags:

Canon-Typical Violence, Blood and Gore, Canon Divergence, Multiverse, Meet Ugly, Enemies to Friends, Age Difference, Bickering, Undeniable Sexual Tension, Mutual Pining

Angst, Hurt/Comfort, Emotional/Psychological Abuse, Survivor Guilt

Pain Play, Car Sex, BDSM, Rough Sex, Size Kink, Porn with Feelings, Aggressive Sex, Orgasm Denial, Edging, Power Play, Cock Tease, No Refractory Period

Semi-Public Sex

Accidental Striptease

Friends to Lovers, Fluff and Cuddling, Domestic Banter, Falling in Love, Getting together, Idiots in Love, Old Married Couple in Spirit, Additional Tags to be Added...

[trickstersaint]

i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism

(link opens itch.io - she'll run on html in your browser! please be nice to her!)

[anneapocalypse]

So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.

[howlsnteeth]

24/05/2020

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[taco-rambles]

DC XDP prompt: Danny falls out of a portal literally into Batmans arms in a JL meeting.

Feel free to play with this. I probably will write more, but I'm STUCK and don't know how to write the JL or anyone else for that matter.

XXX

The Justice League meeting had gone very well. For once there were no major crisis from anyone attending, and all of the regular members of the league were in attendance. A few of the second row hero’s had begged off for one reason or another, but nothing that was a threat of any real kind.

Batman was wary, and on edge as the meeting wrapped up. It was never this simple, it just couldn’t be. There was always some kind of threat to keep an eye on, but the worst thing that had come up during the meeting were routine security updates.

No one else seemed to be on edge from the far too calm, routine meeting, and Bruce had just about convinced himself that it was really just one of those meetings where nothing outrageous would happen. It was ideal even…

Then the alarms went off, in the specific modulation that indicated a magical incursion.

Batman wasn’t the only one who’s hands went to weapons when the portal materialized above the meeting room table only a moment after the alarm went off. Swirling lazarus green had him ready for the fight even as the rest of the league went into defensive positions around the incursion.

“What…” Flash started to ask about a minute later when nothing had happened yet, the alarms still blaring.

That’s when something came flying out of the portal, at speed, back first.

Batman had a split second to decide to attack… or not. A split second to try to process the impressions and decide if this was an attack.

The portal closed as he cradled the small body that had crashed into his arms, the alarms silencing a moment later as the rest of the league tried to catch up, all of them wondering if this was some new threat.

Batman looked down at the child in his arms, a boy in his mid teens and small for his age, with white hair framing a frighteningly familiar looking face, gently pointed ears, and fangs in a mouth that gasped for breath against pain. The eyes were closed, twisted tight as the child clutched at his chest and belly, holding together severed flesh that leaked lazarus green blood from a clinical and too regular wound. Fingers tipped with small claws spasmed, tears coming from closed eyes.

“Batman?” Wonder Woman asked, Diana’s voice filled with concern as Bruce wrapped the child in his arms and stood up from where he had been knocked on his ass catching said child.

“Call down to medical. Severely wounded unknown,” he snapped, moving towards the door, only to stop as there was a flash of light in his arms, and the child suddenly gained a solid weight that was closer to human. The blood dripping from passed out hands was now brilliant red, fingertips blunt with chewed nails, the boy’s skin going from pale white to… a healthier tone.

Bruce consciously stopped cataloging his observations then, swiftly making his way to medical. Whatever this boy was, whether he intended to tug at Batman’s heart the way he was or not, was severely wounded and needed medical attention immediately.

He could process it all, and wonder why a child looking exactly like Damian Wayne had been thrown into his arms through a lazarus portal later.

XXXXX

An hour later, after a discreet call to his youngest just to be sure, Bruce watched the now sedated child in the medical cot, working on trying to face match the databases and find out if the child came from earth or not.

The searches primarily turned up Damian Wayne. Bruce knew for certain this child was not his son, but he was also running a DNA analysis because this Might be his son. It made a disheartening amount of sense for this boy to be another version of Damien, perhaps from another dimension, or some manner of clone, or perhaps Talia had simply hidden another child of his away… Bruce needed to narrow down the possibilities, to find the truth.

Of course, it was equally possible that this boy was some manner of mimic, taking on a form that would ensure his safety in unknown environment, a shape shifter intentionally injuring himself in order to infiltrate the Watchtower. Though that last theory didn’t make sense for a number of reasons. Most shape shifters would be secure enough in their abilities to simply try to mimic someone who already had access to the watch tower, to say nothing of the boy’s dramatic entrance.

Batman wasn’t thinking logically. Bruce couldn’t simply leave the boy here though. Not until he knew more, everything relevant by preference. The thought that this might be his son in any way was enough to keep him near, but he could already tell he was compromised.

He had already informed Diana and Clark, and both of them had agreed that he should stay nearby until they had the situation sorted out.

Bruce had been stuck in a circular though pattern for about fifteen minutes when a green form came into the room, J’onn looking at him calmly.

“Can you find anything out?” Batman asked without preamble, unable to bring himself to observe polite pleasantries when he was so unsettled.

“Nothing beyond surface thoughts. The boy’s mind is static and pain of the emotional kind,” J’onn stated after a moment.

Batman nodded, accepting the answer. J’onn’s abilities weren’t always the answer to everything, could indeed often be a crutch that led to the wrong answers. But they could also give the Justice League a starting point often enough.

“You should rest friend. It is unlikely that the boy will awaken soon…” J’onn cut himself off with a quiet look at the boy. “Or not. He’s coming around.”

Batman watched as the child’s eyes blinked open, drowsy expression turning to the two heros without much recognition. Bruce didn’t let himself react, kept himself in a calm pose even as his mind once more went into overdrive.

The boy had blue eyes, not green like Damian's.