#I'm including the Roman one

[greypetrel]

French historians outraged by Ridley Scott portraying Napoleon as a tyrant be like...

Actual people who were military conquered by Napoleon, had a foreign ruler installing a random relative who knew nothing of the territory, installed a level of bureaucracy it's still hard to get rid of still today, destroyed monuments and infrastructures, stole artworks be like:

Tell me again: which European country was the one so feudal and with rules so strict and rulers so shitty that the people actually rioted and started a terror period?

You can have all the opinions you want about that movie and Ridley Scott's historical movies, but if your argument reaches defending Napoleon, maybe you should stop talking and read some books written in countries that were actually conquered by Napoleon.

[oliviaischillin1204]

Imagine Pre-Accepting Anxiety Virgil walking into the common room and seeing the Light Sides having a tickle fight. Now he has to find a way to keep his tough guy act while dealing with being a secret lee!

HAPPY TICKLETOBER EVERYONE!!! we're starting off strong with this ask, sent to me on jun 18 2020 lmaooooooooooo. if this prompt seems familiar, it's b/c it was also sent to @why-not-a-tickle-blog around the same time! (link to her story here!) and when i tell you've literally been working on this wip on and off ever since i got it,,,,, i am such a wip harder AJDFHGHDJ

and now, without further ado, let's let tickletober 2024 begin!

tickletober day 1- "anticipation"

word count: 7,580 words

So... the Light Sides were weird.

Virgil knew that way before he’d started hanging around their little group. From movie nights to sing-alongs to family dinners, they were overall obnoxiously chummy and irritatingly comfortable with each other.

Case in point: when Virgil finally managed to roll out of bed at about two in the afternoon, there was a strange sound in the air. Not Princey’s singing, or Logic’s lecturing, or even Morality’s incessantly cheerful... whatever he does. 

After reapplying his smeared eye shadow, he meandered out of his room and headed to the common area. As he got closer, it sounded like... laughter?

He huffed a sigh as he swung himself down the stairs.

“Can you all please keep it down--”

Virgil froze, one hand on the railing as he took in the scene before him.

There were the three Light Sides, but he’d never seen them like this. Princey-- ugh, fine, Roman-- was lying on the floor, but what caught Virgil’s eye was the state of disarray he seemed to be in. Next to him was Patton, sitting cross legged and looking similarly rumpled, and next to Patton was Logan, who was normal except for the blush riding high on his cheeks.

That wasn’t the weirdest part, though. The weirdest part was the way Logan was pinching at Roman’s knees and thighs with a careful accuracy, or the way Roman was reaching to vibrate his fingers all over Patton’s stomach, or the Patton had a hand on both Logan’s and Roman’s sides and was squeezing away with reckless abandon. Or the way all three were laughing together in delight at the tickle fight Virgil had somehow managed to walk in on.

Speaking of Virgil: when he processed the scene happening before him, he couldn’t help but let out a surprised little gasp. That noise, quiet as it was in the chaotic room, still managed to stop the other three in their tracks, and they all turned to look at him.

Patton, of course, was the first to speak. “Well, hey, Anxiety!”

“Um--” was all Virgil managed to say. His face turned hot, and he prayed that it wasn’t as bright red as it felt. He gripped the railing under his hand and avoided eye contact. “I--”

Roman scoffed, hurriedly sitting up and pulling away from Logan’s tickly hands.

“Is there something we can help you with, villain?” he asked brusquely, but Virgil got the feeling that he was more embarrassed that Virgil saw him getting tickled than annoyed that the anxious side was there. Still, his words were enough to snap Virgil out of his spell, and he managed to roll his eyes.

“I said,” he repeated, hoping his voice wouldn’t fail him, “would you please keep it down? You’re gonna wake the whole Mind Palace with your... game.”

There was the crack in his voice; Virgil knew it was going to come, and he felt himself grow even warmer. Thankfully, no one commented on it.

“Apologies, Anxiety,” Logan said, straightening his glasses. “We didn’t intend to be so loud. We got... carried away.”

Patton giggled, his hands creeping back to Logan and Roman’s sides. “’Carried away’ sure is one way to put it, guys--”

The other two swatted his hands away, but Virgil caught the flustered grins that adorned both of their faces. Their eyes darted back to Virgil, and he swallowed, suddenly feeling very out of place.

“Uh, okay, fine. Whatever. I’m going back to bed.”

He turned on his heel and marched up the stairs, ignoring Logan’s calls about maintaining a proper sleep schedule, as he tried to stop thinking about what he’d just witnessed.

It wasn’t working. All he could think about now was tickling. How often did the Light Sides tickle each other? Was it often? Who was the most ticklish, and who was the best tickler? Was it always the three of them altogether?

Would they let him join, if he asked?

Virgil’s eyes widened at the thought that just ran through his head. No. Absolutely not, no way, don’t pass go and don’t collect $200.

Like, fine, maybe there was a small part of him that was maybe, just a little, interested in the concept of tickling. And... maybe there was an even smaller part of him that found the idea of being tickled by the Light Sides-- any of them-- somewhat intriguing.

But, fuck. He was Anxiety, for fuck’s sake. He couldn’t like stuff like that. If he asked to be a part of their stupid little game, they’d never let him live it down.

... But. Maybe if he didn’t ask?

He slowly stopped walking as he thought it over in his head. It wasn’t an awful idea. The Light Sides were weird enough that maybe, if he played his cards right, he might be able to lure them into tickling him without him asking.

Honestly, if the idea had come to him on another day, he probably would’ve shoved it way back to the back of his mind and pretended it had no appeal to him. But he could practically still hear the Light Sides’ laughter ringing in his ears, and as much as he was loathe to admit it, he kinda wanted to be a part of their game. So his plan was made.

~

His first target was Patton, which made sense for a lot of reasons. Patton seemed to tolerate him more than the other Light Sides-- more than tolerate, to be honest; it was as if he actually kinda liked him. Another good thing about Patton was his attitude: while Virgil normally found that much cheer to be a little nauseating, he couldn’t deny that if anyone was going to start an impromptu tickle fight, it would be Patton.

“Thanks for helping me with these cookies, Anxiety!” Patton said, bringing Virgil out of his thoughts and back to the present situation. He leaned against the counter, trying his hardest to appear open and approachable.

“Whatever,” he replied. “I don’t really have anything better to do, so. Uh. Yeah.”

Fuck, why was he always so awkward?

Whatever-- at least Patton didn’t seem to notice or care; instead, he was focused on pulling out all of the supplies and ingredients and laying them on the counter.

“Okay, first up is the dry ingredients!” he instructed. “Kiddo, you wanna hand me the flour?”

Virgil nodded, pushing himself off of the counter. “Where is it?”

“It’s, uh...”

Patton paused, looking around he kitchen, and Virgil smirked a little as he was reminded that the paternal figure wasn’t nearly as good at cooking as he implied.

“Oh! It’s right up there!” he finally chirped, pointing past Virgil to one of the cabinets. Virgil followed his finger to the very top shelf of the cabinet.

His eyes widened. Finally, an opportunity.

As casually as possible, he moved to the cabinet and braced on hand on the counter. The other hand, he raised high in the air, stretching out his entire body and putting himself in a very vulnerable position. He even stood on his tiptoes as he stretched, hoping Patton would take the hint and deliver what Virgil wanted.

He reached for the flour for as long as he reasonably could, but after about ten seconds, he had no choice but to grab it and pull it down. He turned around, only to find Patton carefully measuring out baking soda, not even paying attention to Virgil’s attempts at vulnerability.

Virgil kicked himself internally, and after a moment he moved forward and dropped the flour onto the counter.

“Here,” he said shortly. Patton turned, giving him a wide smile.

“Thanks, bud!” he said earnestly, opening the bag and grabbing his measuring cup. “Wanna do this one for me while I get started on the eggs?”

Virgil blinked. He’d kinda forgotten that his whole excuse for hanging out with Patton was baking cookies. “Um, sure.”

Patton gave him yet another sunny smile, and Virgil felt compelled to give him a small one in return as he accepted the measuring cup from him.

The two worked together, measuring and mixing ingredients as Patton chattered away. It was-- kinda nice, to be real? Like, maybe Virgil should offer to do this more often, and if he weren’t in one of the most massive lee moods he’d ever been in in his life, he’d probably be able to appreciate it more.

“Alright, time to get these babies on a cookie sheet!” Patton announced, handing a big spoon for Virgil to use. “And afterwards, don’t tell Logan, but we’re totally gonna lick the bowl.”

Virgil nodded, but he didn’t wanna give up on his mission just yet. “Um... can I, uh, get anything else for you?”

Patton turned and looked at him, blinking in surprise before his smile brightened.

“Well, sure, kiddo!” he replied. “There are some chocolate chips on the top shelf, do we wanna add some of those?”

He pointed to the cabinet that was right above them, and Virgil’s heart beat faster. This was it.

“Sure,” he replied as casually as possible. “I’ll get them.”

He placed a hand on the counter to brace himself, and raised the arm closest to Patton as high as he could reach, pretending to scrabble around for the bag of chocolate chips for a few seconds longer than necessary. He even angled his body as subtly as he could, so that his midriff was practically in Patton’s face as he left himself totally exposed.

But nothing happened.

Virgil frowned, but after a few seconds grabbed the bag from the cabinet anyway, lowering himself back to the floor as he broke the seal on the baggie.

“Here,” he muttered, passing it to Patton without making eye contact. There was the slightest pause, but then the bag was lifted from his hand with no more than a cheery, “Thanks!”

Virgil felt himself suppress a sigh as he helped Patton mix in the chocolate chips. Well. On one hand, he got to spend some time with Patton (and even got cookies out of the deal). On the other hand, his genius plot to get tickled had failed with his first target. It was time for target number two.

~

The sound of operatic singing through the halls of the Mind Palace lead Virgil directly to his next target.

He sighed as he nibbled on one of the chocolate chip cookies he and Patton had made, trying to dispel some of his nervous energy before he reached the living room. It wasn’t even just nerves about his current... desires (although there were plenty of those inside of him right now) but-- fuck, he didn’t do this, he didn’t hang around in the common areas like the rest of them, and if it would be totally weird for him to even try, and they were gonna get angry at him, and it would make getting to know them even more difficult in the future-- 

“Oh, Anxiety.” 

A voice full of suspicion snapped him back to reality. He blinked and realized that he’d made it to the living room, where Roman was standing with some sheet music in hand, rehearsing for some musical, based on how loudly he’d been singing moments before.

“To what do I owe the displeasure?” he continued, eyes narrowed sharply. Virgil mentally shook himself and put on his trademark ‘evil’ smirk.

“Hey there, Princey,” he drawled, holding out the Tupperware container in his hand. “Wanna cookie?”

Roman peered down at the peace offering like it was a bomb. “From you? What, are they poisoned?”

“Yep, I poisoned the cookies,” Virgil deadpanned. “That’s why I’m eating one right in front of you, genius.”

He counted the look of embarrassed realization on Roman’s face as a small victory. 

“Well-- well, you might’ve poisoned all but one of them, just to throw me off!” Roman added haughtily. “So, ha!” 

Virgil raised an eyebrow at him. “Ha.” He looked at Roman for a moment more before taking another bite. “Well, you were rude to me, so now you get no cookies.”

“What-- hey!” Roman replied indignantly. He moved to Virgil, but the dark side easily held the box out of reach. “Anxiety! That’s not fair!”

“You’re gonna have to work a lot harder than that to get these cookies,” Virgil said smugly. He was all to aware of how exposed he was making himself-- it would take so little effort for Roman to grab his side, or scribble at his armpit, or...

But, as expected, nothing came of it, and instead Roman moved away with a derisive sniff.

“Whatever,” he said, turning away. “Even if they’re not poisoned, you probably added salt instead of sugar and cumin instead of cinnamon--”

Virgil narrowed his eyes in annoyance. “Hey, Patton and I made them together, and they’re actually good, so--"

Suddenly Roman's arm shot out, taking advantage of Virgil's distraction to swipe a cookie from the box. “Ha! Got one, thank you!”

Virgil blinked. “You--"

He cut himself off at the genuinely triumphant grin on Roman's face, and it took more willpower than he would've admitted to keep from smiling along.

"Yes, yes, you’re very smart," he said, flopping on the couch and rolling his eyes. "Shut up.”

As he reclined against the sofa, he let his eyes drift shut (insomnia's a bitch, even for a man on a mission to get wrecked), but very quickly it became clear that the other side was going to make a fuckin' production out of eating this cookie.

“Mmm... Mmm, mmm, mmm, mmm!" Roman pondered with his mouth full. He waved his arms emphatically as he continued, "This is just the most scrumptious, the most divine, the most splendiferous cookie I’ve ever--”

Virgil's eyes snapped open. “Are you always this dramatic and loud? I’m trying to relax.”

That caught the creative side's attention. Roman turned to look at Virgil with his regular suspicion back in his eyes.

“Relax? Here?”

His tone made Virgil tense up behind his cocky facade. “What about it?”

A few second went by as Roman looked at him skeptically. “Nothing, it’s just... You’re always in your room, hiding away like a hermit in a cave.”

“Hiding?" Virgil repeated, eyes narrowed. "What, from you? Not likely.”

Roman moved closer, suddenly leaning over Virgil's laid out form and coming just inches away from his face.

“Aw, don't tell me that I scare you, little Anxiety?”

With that one sentence, Virgil mood came back even stronger than before. There was something in Roman’s voice-- either his teasing tone or his babyish words-- that made Virgil’s stomach do a completely rude and uncalled-for flip, but he merely rolled his eyes.

“The only thing scary about you is your ego,” he retorted. He scanned Roman up and down before closing his eyes again. “Otherwise, you’re just soft.”

Roman scoffed, turning to leave. “Shut up.”

“Make me, loser.”

He watched Roman’s back as he froze in place, and slowly the creative side turned back around.

“You wanna say that again?”

Virgil felt his breath catch, but he forced himself to stay calm. Now was his chance.

He opened his eyes, shooting Roman the cockiest smile he could muster.

“What, make me?”

The prince was glowering at him, his arms folded across his chest. When he spoke, it was in a deep, smooth voice that sent a shiver down Virgil’s spine.

“You don’t want me to make you.”

Virgil smirked, folding his arms behind his head and gazing up at Roman with a smug look on his face.

“I’d like to see you try, Princey.”

That was it. Roman’s eyes narrowed, dark and competitive, and Virgil had to bite his cheek to keep from laughing preemptively.

“You’re gonna regret that,” he muttered lowly, stalking over to Virgil and-- holy shit, he actually straddled Virgil’s waist and placed his hands on either side of his torso, and this was happening, this was happening, this was--

“Oh my goodness gracious, there it is!”

Roman voice derailed Virgil’s train of thought, and he blinked in confusion at the creative side, who wasn’t even looking at him anymore.

“What--?”

Roman laughed lightly, reaching over Virgil’s head and pulling something out from between the couch cushions.

“My sketchbook!” he said triumphantly, shifting off of Virgil and flipping through the pages. “Finally, I’ve been looking for it forever. I had this great idea where I can use a mix of paint and glitter glue to--”

Virgil’s head spun with the shift in the conversation as Roman rambled about his newest project. The anticipatory tension in his stomach started to lessen, leaving him feeling dazed and confused.

“Um, you-- so-- you--”

Roman wasn’t even listening to him; he easily stood up from the couch-- and Virgil definitely did not try to lean into his touch as he moved away, shut up-- and moved toward the door.

“I must get started right away! My paintbrushes aren’t going to wait any longer!”

He hurried out of the room, leaving Virgil alone on the couch, face flushed and mind full of visions of how exactly he wanted Roman to use those paintbrushes.

He dropped his face into his hands. Why was this so hard?

~

The rest of the afternoon passed without another little event like that-- Virgil had been so flustered, he’d had to go back to his room for several hours, alternating between screaming into a pillow at his own awkwardness, and daring to reminisce about the feeling of Roman's weight pinning him down.

This was such a bad idea. Not only were there a million ways it could go wrong (he could make a fool of himself, he could genuinely cross someone's boundaries on accident, his plan could be found out and his desires could be rejected-- the list goes on) but now he also had to deal with coming so tantalizing close to what he wants more than anything, only to have it slip just out of his reach.

He sighed for what felt like the hundredth time that night, flopping back on his bed--

pressed against the couch cushions, Roman easily holding you down with one hand as the other searches all over for the exact spot to make you beg for mercy, which you know he won't give you, he wants to make you scream--

Immediately he shot up again, face flushed. God, he was jumpy tonight, and that was saying something. He stood up, stepping cautiously around the piles of clothes on the floor to work some of his jitters out. He tried to recall some of the simple exercises Logan had shown him once to help relax him before bed: rolling his neck and shoulders, twisting back and forth to crack his back, raising his arms and stretching them high to the sky--

Patton right behind you, grabbing your hands and holding them nice and tight as he laughs and whispers in your ear, taking full advantage of your riding-up shirt to spider all over that one tickle spot just above your belly button--

His arms snapped down with a choked-off gasp.

Okay. Being in his room was fucking with him. That was definitely why he was feeling jittery and twitchy and sensitive to his own shirt rubbing against his skin. No other reason.

... He had to get out of there.

Grabbing his phone and flipping up his hood, Virgil slid back out into the hallway. It was later in the evening, past dinner time (well, past the time the Light Sides had dinner-- his dinner would involve cold leftovers eaten in front of the fridge at 2 AM) and the Mind Palace was quiet.

Well... mostly quiet.

Virgil crept down the hall to the top of the stairs. From the top, he could make out some sound coming from the living room-- no laughter this time, thankfully, but some quiet droning noises coming from the TV. Probably Patton or Roman-- Logan didn't watch much TV.

Virgil stood with one hand clasped to the stair railing like a life line. He gnawed on his lip, a fluttery, delicate feeling lighting up his chest.

He wanted to try this. There were very few things Virgil ever, ever wanted to try... but he wanted to try this. It was clearly something that was normal among the Light Sides, and-- and despite what he'd previously thought, they don't actually... seem to despise his company. This was-- this was something he could ask for, even just to ask, and even he could admit that the idea of one of them saying yes wasn't impossible.

All at once he lunged down the stairs, feet thumping loudly as he got closer to the living room. He would do it-- he'd go right over to the couch and shove his feet onto someone's lap and surely then, surely then, someone would take pity on him and just freaking tickle him already!

Virgil rounded the corner into the living room, and before he could question himself he hopped over the arm of the couch and threw himself down on the cushions, shoving his feet directly onto the lap of the side sitting at the other end of the couch.

Immediately, he felt two inquisitive eyes boring into him in bewilderment.

"... Anxiety?" Logan asked. "Are you alright?"

Aaaaaaand there went all of Virgil's confidence. He hadn't planned for Logan to be there, not now, not when his mood was at an all time high and he was face to face with the person least likely to do anything about it.

Virgil ignored the tense, mortified feeling in his stomach. “Yup.” A beat, and then he pulled out his phone, as if he hadn't just jumped over the couch just to put his feet in Logan's lap--

“Can I... do something for you?” Logan continued.

Yes, you can pull my socks off and hold my ankles down and--

“Nope.”

Silence fell once again. Virgil was all too aware of his body, too tense to move a muscle or disrupt Logan any further.

“Is this comfortable for you? To have your feet on my lap?”

But... he'd come this far, he'd already pushed past the walls he'd built between himself and the other sides. If nothing else, if this plan failed and he never got what he wanted, at least he could say that he tried.

He shrugged. “Yeah."

He felt Logan's eyes on him a moment longer.

“Very well, then.”

Logan turned back to the TV, and Virgil felt himself wavering already. This was maybe his most ill-conceived idea yet-- they weren't even doing anything together, not really, and try as he might he couldn't think of any way to engage Logan in conversation about anything, let alone anything related to tickling--

“Hey, gang!”

Virgil froze, his stomach plummeting. He shot a desperate glance at Logan, but the logical side paid him no mind as Patton and Roman entered the room, carrying snacks and blankets.

“Ah,” Logan said, turning to the two of them without another glance in Virgil’s direction. “I had forgotten that was tonight.”

Virgil couldn’t help letting out a sigh of frustration, making Roman raise an eyebrow.

“Oh, and I suppose you’re just too cool to deign to join our movie night, huh, Doom and Gloom?”

“Now, Roman, don’t be mean,” Patton gently chastised, placing the snacks on the table and beaming down at Virgil. “We’re happy to have you with us, Anxiety! It’s about time you start joining our group activities.”

Like tickle fights? Virgil thought but didn't say. His ever-growing lee mood was making him feel all fuzzy, and all he could think about as he looked between the three other sides was Patton’s hands, Logan’s fingers, and Roman’s voice, all teasing and tormenting him in unison.

“Whatever,” he finally said, forcing himself to shrug blithely. “I don’t really care--”

He cut himself off with a choked gasp as Roman leaned down and abruptly picked up Virgil into a bridal carry. They stayed still as Patton sat down next to Logan, rearranging the blankets and chattering innocently about what movie to watch, but all Virgil could focus on was the feeling of Roman’s hands on his body and the teasy, squirmy feeling building up in his chest and stomach.

“Are you staying with us or not?” Roman asked lowly, and Virgil had to fight the urge to squeak as his warm breath hit his ear. 

“Uh-- sure.”

Roman hummed, and then he was leaning forward, dropping Virgil into Patton’s lap with his feet resting on Logan’s thighs.

“Woah!” Patton chuckled, looking at Virgil with amusement. “Comfy, kiddo?”

Virgil face flushed red. “I-- I didn’t--”

“He’s gonna stay anyway, and we all know he likes to sit in weird places, so,” Roman explained, flopping down on the couch next to Patton and throwing an arm over the back of the couch. He pulled a pillow into his lap and gently pushed Virgil back by his shoulder, until the Dark Side somehow found himself stretched between all three of them on the couch.

“Anxiety, is this acceptable for you?” Logan asked distantly, and Virgil peeked up to find him observing him closely. Virgil froze in his gaze for what felt like far too long, but eventually managed a short nod.

Patton clapped. “Awesome! Now we all get to hang out together. It’ll be so fun!”

He leaned forward to grab the remote, and Virgil swore he could feel his hands as they ghosted over his stomach. He squirmed minutely, both hoping that no one would call him out on how flustered he was, and praying that they would.

This was way more than he was expecting.

"Ah," Logan said as the movie began playing. "I do love this opening number."

He moved like he was folding his hands in his lap, but really, he placed his hands directly onto the tops of Virgil's ankles. The music started, and Logan-- Logan tapped out a rhythm against Virgil's skin, matching the tempo of the music on the TV.

Virgil clenched his jaw so quickly he wondered if they could hear it. It... didn't tickle, not really. The touch was too light, too quick, too inconsequential to really light his nerves in any way. But the anticipation was there, bubbling inside him, and he found himself shifting his legs restlessly at the touch.

"Is something wrong, Anxiety?" Logan asked, and Virgil paused. It-- it must've been his imagination, that spark in Logan's eye that matched the spark in Virgil's stomach. "No," he said, just slightly breathless. Logan hummed and returned his eyes to the screen.

Then his hands moved: one hand tapping more firmly against his ankle, and the other running its nails along the top of Virgil's foot.

Virgil tensed every muscle in his legs; it was so much worse this time-- not only did being stretched out make Virgil feel so much more vulnerable, but now there were two other people he had to hide his reactions from. Roman was right there, for God's sake, his face mere inches above Virgil's-- Virgil had to turn his head completely toward the TV just to hide the small smile that was already on his face.

He stayed in that position as the movie played, but he couldn't tell you anything that was happening on the screen. All he could focus on was Logan's fingers as they slowly migrated from trailing the top of his foot, to tapping directly over his socked toes, to drawing delicate circles along the ball of his foot. His other hand stayed on Virgil's ankle-- like a restraint.

Virgil felt flushed, and prayed that the dark lighting of the room would cover it. Distantly he heard Patton laughing, and he could feel Roman's chest rumble where it was pressed against his shoulder.

And then he felt Logan take all five fingers right to the center of Virgil's sole and tickle.

"Nah-hahaha!" Virgil screamed, yanking his leg back and just barely missing Patton's face with his knee. He felt both Patton and Roman jump underneath him.

"Anxiety, are you okay?" Patton asked in a panicked voice. He didn't even seem bothered that Virgil had almost thrown his knee into his nose.

Roman looked down at Virgil with bewilderment. "Jiminy Crickets, is the movie that funny to you?"

“Ah,” Logan said. “My hypothesis was correct.”

Virgil froze.

Patton quirked his head. “You have a hypothesis?”

Roman eyed down at Virgil suspiciously for just a moment more before gesturing to Logan. “Please, Teach, explain."

Alarm bells went off in Virgil's head. He was suddenly desperate to leave the entire situation before it was too late, but Logan's hand resting on his ankle felt like a vice he couldn't escape.

“Well," Logan began in his lecture voice, "for the past few hours, Anxiety has been expressing an interest in becoming closer with the three of us through quality time, amicable banter, and excessive physical contact. The physical contact is really what gave it away, but it all comes down to the fact that this change in behavior occurred immediately after Anxiety walked in on our... roughhousing this morning.”

Virgil was distracted by the way Logan tried to avoid saying the word tickle (and man, Virgil thought, it’d be so much fun to see him forced to say it, oh my god shut up brain) but Patton’s gasp of understanding brought him back to his present situation. He looked away from the moral side, but to his distress he found himself face to face with Roman, who was looking at him with a growing interest.

“Wait a minute,” he said slowly. Virgil squirmed.

“Shut up.”

“Are you telling me--”

“Princey, I swear to God, if you don’t stop talking right now--”

Suddenly Patton’s hand was on his leg, his fingers pressing in just above his knee, and Virgil’s words turned into a choked gasp.

Patton quirked his head. “Are you ticklish, kiddo?”

Virgil’s mouth opened and shut. “I-- I--”

And of course, Logan chose that moment to drag his nails all the way down Virgil’s foot, the hand resting on Virgil's ankle suddenly tightening to keep him from jerking away as his fingers wiggled right against Virgil's tickle spots.

Virgil couldn’t help it: he squealed, loudly, and immediately buried his face in his hands.

“That seems to be the answer to that question,” Logan said, sounding far too pleased with himself for Virgil’s taste. “The more important question, however, is whether or not Anxiety wants to be tickled. Although I believe we know that answer to that question, as well.”

Even with his face behind his hands, Virgil felt all three pairs of eyes on him.

"I--" he squeaked, then coughed, blatantly stalling for time as his mind spun in circles. "I-- um-- you don't-- I guess--"

"Kiddo, is that really what you've been trying to do all day long?" Patton asked gently. Virgil made one short, choked sound, and nodded rapidly.

"... So when I told you to be quiet earlier," Roman said slowly, "and you said 'make me'... that was you trying to get tickled?"

A beat, and then Virgil nodded again. He quickly debated the merits of allowing himself to be swallowed by the floor.

"Well..."

Logan's voice was laced with something that Virgil was wholly unprepared for.

"It would be a shame," he continued nonchalantly, "if Anxiety came so far out of his figurative shell only to not receive any recognition or praise for how difficult that must have been. Perhaps some positive reinforcement will help encourage him to continue this behavior in the future."

Logan didn't even have to finish his sentence before Roman dove for Virgil's wrists. Virgil yanked as hard as he could, but Roman was in a better position and easily managed to pull his arms above his head. Immediately Virgil's fight or flight instincts kicked in, and he was about to start literally kicking (even though his brain was screaming at his body to shut up stop it play dead holy shit they're giving you what you want) before Patton leaned as far over his torso as he could manage, keeping his middle pinned in place.

"Anxiety..." he cooed, actually cooed, and yup Virgil was totally gonna die. "Wanna look at me, sweetheart?"

It took Virgil a second to realize that his eyes were screwed shut in anticipation. He peeked out only to find Patton looking at him with the most soft, loving, mughy-gushy expression Virgil had ever seen, especially directed towards him. It made him feel like he was melting.

"When we play our tickle games," he continued, "we always say 'red' when we need a break. Is that okay for you, too?"

Virgil couldn't even speak, so he gave a jerky nod.

"For safety, we should proceed slowly," Logan said, "in order not to overwhelm him." The way Logan was talking to the others like Virgil wasn't there sent a small thrill down his spine.

"I disagree," Roman replied. "I think our poor, sweet Anxiety has waited much too long already." His upside-down grin made Virgil want to spit curses up at him, except he was pretty sure the only thing that would come out if he opened his mouth were pathetic squeals.

"Where should we begin?" the creative side continued, tracing his thumbs around the soft skin of Virgil's wrist. "His... bright red ears? Or his wiggly hips? Or his bouncy little tummy?"

"Fuck off," Virgil gasped.

Roman clicked his tongue. "Temper! Patton doesn't like swearing!"

"Oh, let him fuss," Patton replied. "This is all very overwhelming for him, it's okay! If I had known you liked tickling too, Anxiety, I would've gladly done it for you a long time ago!"

"I don't--"

Then Virgil gasped, and fell into helpless frantic giggles. In unison Roman and Patton swiveled their heads to look at Logan.

"There's no use in lying now, Anxiety," he said calmly, his fingers flicking and fluttering all over Virgil's soles. "We all know that if you didn't like tickling, you wouldn't let us do this at all. Ergo you must enjoy tickling, more specifically being tickled, otherwise you wouldn't have put yourself in this position in the first place. Does that make sense?"

Virgil couldn't answer, because he was in heaven. Or maybe hell. Logan's fingers were deft and torturous, flitting back and forth faster than Virgil could process. Belatedly he wiggled his feet, trying to hide one behind the other and continuously failing. And damn Logan for real for being so observant, because when he noticed the spot on Virgil's arches that made him kick the hardest, he focused all of his attention there, switching between his feet as fast as he could.

"Wait wait wait, waitwaitwhaihaihaiait!" Virgil couldn't believe the noises that were coming out of his mouth right now. He had never laughed like this around the light sides-- had barely ever laughed at all-- and now they were getting to hear him like this, his giggles embarrassing and dorky and loud--

So loud, in fact, that he barely even heard Logan say, "Patton, would you like a turn?" before ten fingers dove in to vibrate all over his vulnerable, ticklish stomach.

"Nah-ahahahaha!" The shriek that left his lips shocked everyone in the room, and Virgil used the confusion to yank his arms out of Roman's grasp, sitting up and trying to launch off the couch in the same motion. He would've gotten away with it, too, if it weren't for Patton's meddling arms around his waist.

"Woah!" Patton laughed out. "Easy now, kiddo! Don't wanna waist this chance to get tickled!" On cue he tazed his fingers where they laid in the divots of Virgil's sides, causing the anxious side to jerk and flop like a worm on a string. His hands grappled desperately for Patton's, but he made no progress getting them off before Roman's hand entered his vision.

"Come back here, Gay-Lee Shrilliams!" Roman sang. Blindly, he grappled for Virgil's wrists, grabbing one and yanking him back towards Roman's end of the couch. Virgil was disoriented, and took the time to inhale greedy breaths before he was suddenly flipped around again. Now Logan was sat straddled over his shins, Patton kneeling on the floor beside him, and Roman's chest was pressed against his back with his wrists in each hand.

For a moment there was silence.

"Well," Logan said curtly. "Let's try that again, shall we?"

And immediately his hands were clamped above Virgil's knees, and they were off to the races.

"Ahahahahahahaha!"

"There we are," Logan said, a hint of smugness in his voice as he prodded up and down Virgil's thighs. "We'll have to avoid any further interruptions if we're going to find all of your ticklish spots, Anxiety. Please behave yourself."

"I'm-- you-- nahahaha!" Virgil squealed; Patton had placed his hands on either side of his ribs, and was now squeezing them as if Virgil were a particularly squeaky bagpipe.

"Hold him down!" he called affectionately. "He's a squirmer!"

Virgil gasped through his laughter as the other two followed Patton's instruction; he could feel them rearranging their positions on his arms and legs in order to keep him even more stuck than he already was. Blearily, he turned onto his side as much as possible, facing the back of the couch and weakly attempting to hide his stomach from his ticklers.

"Uh oh, where are you going?" Roman asked, all sugar sweetness. "Is someone trying to hide away? Hm? Big bad Anxiety trying to run away from the tickles?"

Without warning he released one of Virgil's hands, and took it upon himself to use his free hand to investigate all over Virgil's exposed armpit. Virgil spasmed and shrieked. His free hand might as well have not been there at all, considering how absolutely useless it was at protecting his armpit, or his ribs, or--

"Uh oh," Patton cooed, voice sickeningly sweet, and Virgil could only look on in giddy terror as he wiggled his fingers in the air. "Don't think I just forgot about that tummy, Anxiety!"

Just like before, Patton pressed all ten fingers into Virgil's stomach fat, wiggling mercilessly; unlike before, Virgil couldn't shoot himself off the couch with Patton himself kneeling in the way. Logan and Roman had stopped their tickles, but only so they could restrain him even further to avoid another escape attempt.

"Nihihihiehehehehehe!" Virgil didn't even know what he was begging for anymore. For less tickles, or more?

"A ticky-ticky-ticky-ticky-ticky!" Patton sang. "Who's a ticklish goober? Is it Anxiety? I think it is!" He giggled as he easily avoided Virgil's free hand, darting back and forth as it fruitlessly tried to cover his stomach from Patton's wiggling fingers.

Through his teary eyes, Virgil accidentally made eye contact with Roman. He immediately regretted it: both because he saw something akin to actual affection in Princey's eyes (which, gross) but more because he watched that affection slip away to smug mischief.

"Hey, don't be greedy, Padre!" Roman announced. "I want a turn!"

And with that he let go of Virgil's other hand, but the anxious side had no time to do anything about that before he, too, was digging his fingers into Virgil's stomach. Virgil squealed again, arching hid back and curling in on himself over and over in an endless loop. While Patton had no trouble attending to Virgil's tummy pudge, Roman's hands were positioned at the top of his stomach just below his ribs, and he had no issues at all jumping up to pinch and massage along the sensitive bones every few seconds.

"Fascinating," Logan said, and oh god, why did his voice make Virgil feel even more trapped than he already was? "Patton, scoot down a bit. I'd like to try something."

Virgil felt Patton slide his hands slightly up Virgil's torso, still plucking away at his oversensitive nerves like guitar strings.

"Slow down for a moment," Logan instructed, and the others listened, thank God. Virgil took the opportunity to breathe, his eyes screw tightly shut. He couldn't handle seeing Roman's smirk, or Patton's giddiness, or Logan's studying stare.

"I've noticed something in his reactions," the logical side continued. "And I have another hypothesis."

Virgil should've opened his eyes.

If he had, he might've been prepared for when Logan's fingers descended all around his bellybutton and squeezed.

Virgil shrieked. He screamed. He yelled and hollered and wailed and every other synonym he could think of, except he couldn't think at all because Logan was flexing his fingers over and over and over again with terrible, ruthless accuracy. Virgil used all his strength to try to curl up, but with Logan on his hips, Roman behind his back, and Patton in the middle, there was absolutely nothing he could do to protect his tummy from ticklish agony.

"I think we found his favorite spot!" Patton cooed.

Yeah, no fucking shit, Virgil thought wildly. He could barely breathe, his face hurt from smiling, his head was melty with joy, and his innards felt as if he had swallowed a dozen butterflies that continued to dance around inside of him. He felt trapped, and teased, and embarrassed, and desperate, and he--

And he loved it. Oh my God, he loved it. Had he been missing out on this all along?

It took a long, long time before Virgil realized that Logan had stopped. His hands, warm and heavy, laid flat on his stomach, and his palms rubbed firmly against his skin. He blinked his eyes opened-- when had he closed them?-- and realized he was practically lying down again, having slid so much he'd ended up resting his head against Roman's thigh. It took another minute for him to realize that his hand felt strange; looking over, he flushed anew when he saw Patton's large hand wrapped around his own, fingers intertwined. Did Virgil do that?

Reality jolted back into him, and like a bear trap he sprang up and closed in on himself, shrinking away from any touch.

"Um-- I'm done-- red," he stuttered. God, why was he a loser? They had already stopped tickling him, he didn't need to say the safeword-- but his skin still felt alight with nerves, and despite how the whole experience had made him feel, he really didn't think he could handle anymore tonight.

Virgil didn't know why it surprised him that all three of moved back, Logan and Roman scooting to either end of the couch and Patton leaning back on his haunches. It surprised him, but it shouldn't. Because they're them. The light sides, the "others" as he'd always thought of them-- they were nice. Fun. And they cared.

"So..."

And of course, there was Princey to ruin it. Virgil dared to shoot his eyes over and was met with the smuggest goddamn look he's ever seen on Roman's consistently smug face.

"Was it everything you hoped for, sweet Anxiety?" he crowed. Immediately Virgil dropped his face into his hands and groaned.

"Aw, there he goes! Too much sweet talking for such a sourpuss like you?"

Virgil hissed at him, only to hear twin snorts from the other two Sides. He looked up, betrayed.

"Apologies, Anxiety," Logan said, biting his bottom lip as he smiled. Patton was covering his own mouth with both hands. "I can assure you we hold no judgement or mockery for you. It's just that this entire display was... objectively adorable."

"Noooooo..." Virgil whined. He slid down in his seat and covered his face again. His cheeks burned against his palms.

It was only a few seconds before he felt a tap on his knee, and after a moment he lowered his hands enough to peek out beyond his fingers. Patton was there, ducking his head a bit to catch Virgil's eye.

"Was that fun?" he asked gently. A beat. Virgil nodded. "Would you like to do it again?"

Virgil snapped his arms down to his sides and slammed back against his seat. Patton raised his hands placatingly.

"In the future!" he said. "I just mean..."

He looked at the other two Sides before confirming, "Well, I think we all had fun. And we can work out what exactly you're comfortable with later, but... I hope you'd like to do that again sometime."

"Please--" Virgil blurted. "I mean. Yes. I want to. Again."

"Good," Logan said. "Now lay back down."

He looked over, inquisitive, only to flush again as Logan leaned back and patted his lap.

"You can't seriously think I'm gonna fall for that."

"We are not going to tickle you again unless you explicitly ask for it," Logan said (and wow, now Virgil was gonna have to store that away in his anxiety-fantasies, not getting tickled anymore unless he uses his words). "You've just been exerted very quickly in a very short amount of time, you've been anxious and twitchy all day prior to this evening, and even now you're struggling to remain upright."

Virgil blinked; it was true. His head was lolled back against the cushion. His body was tired, it's true, but his mind felt somewhat hazy, somewhat calm. He blinked slowly.

"... Are you gonna put the movie back on?"

Roman scoffed. "Of course we are. We know you need background noise, Sleeping Beauty."

Right. Of course they knew that. Because they knew him, now.

Virgil fidgeted, then nodded. "I'd... I'd like that."

And he did.

[blondie-drawings]

[a-god-in-ruins-rises]

"till death do us part" is because, according to christians, there will be no marriage in heaven

[ars-ceratinus]

Some thoughts about Friede while I try to get back on my feet. The younger, politically intelligent, favoured sister. Her and Belladonna never... truly reconcile. Not until it's too late at least.

[fluffykitteninabox]

listen, what's the point of them including a flower bouquet in this set if not for shipping reasons??

[phoenixcatch7]

Okay do I make a) my Percy Jackson reincarnates into dc, or b) my loz link goes to camp half blood au.

[the-everqueen]

17 + 24 for violence ask game pwease :3 perhaps both sandyman and sucksession

17. there should be more of this type of fic/art para mansand: i want more Lucienne art in general. Viv's insta features some fucking cute fits that would be great fanart inspo. for fic...i'm going to continue preaching the gospel of Coco/Luce. i'm currently writing the Coco/Rose fic i wanted, because the people who write that pairing turned me onto it and i owe them my life.

para succshow: i have many many arts in my likes after the finale, pero if anyone has Roman Roy in that cage with a dog collar...that would be highkey relevant to my interests. idk if anyone is doing the cosmic horrors/waystar crossover but i do sometimes think about the kids' monstrosity being literal.

24. topic that brings up the most rancid discourse already answered but just for you, shall answer again 😘

para mansand: "here's why h*b/dream are actually soulmates" inevitably leads to some incredibly misogynist (and occasionally biphobic) takes. i'm not sure why, in the year of our lord 2023, we continue to find "person you are inextricably bound to" as anything other than horrifying (and if someone has a horror fic based on that premise, lmk), but then again, i'm also not sure why the very normal stance "i like [this] ship" nearly always becomes an excuse to shit on fictional women. (that's a rhetorical statement, i know why.) the actors already gave us the lovely line "Dream is the cast bicycle" so i think people should run with that and diversify the ecosystem.

para succshow: i should say Shiv, because no one can be normal about the one woman, pero sometimes i do a great job curating my experiences on the margins of fandom, and i've actually seen some really good nuanced takes on the finale. so instead i'm going to say tom/greg discourse is, imho, Bad. these men don't secretly love each other. no one loves each other on this show. no one on this show knows what love is. that line "i'd castrate you and marry you in a heartbeat" is not fucking romantic, it's about ownership and dominance because that's the framework of all relations under capitalism. and that's the only framework the Roys have for anything.

[imperatorrrrr]

You are called to choose the starting lineup for the Olympics. Who are you choosing? You can only choose one player from a team

okay because I've been talking about a Team USA v Team Switzerland showdown a lot let's do those two teams shall we?

Team Switzerland! Forwards: Kevin Fiala, Nico Hischier, Nino Niederreiter Defensemen: Roman Josi, JJ Moser Goalie: Akira Schmid

Team USA! Forwards: Jason Robertson, Jack Hughes, Jake Guentzel Defensemen: Quinn Hughes, Noah Hanafin Goalie: Joey Daccord

[s17s17]

So back in church camp we had these night games right, straight up "hey we're up on top of a mountain in a forest, let's turn the kids loose in the dark in known bear territory" American Fun, and I loved that shit more than any other part of the camp. But I had two 'stelf' moments that were both insane in that I didn't get caught, but also that means I don't know if they were straight fucking with me.

Basic premise of the game was counselors and a few select campers would have flashlights, all other participants were literally running blind in the dark, trying to escape capture. Captees were encouraged to protest loudly, and the kid I saw caught was *very* good. I was out here in straight up grey sweats and a sweat top because I didn't know this was happening, so like not particularly great camo, yeah? I find myself cornered in some bush up against a tree, so I ball down and face out just a bit so I'd have hair showing instead of all grey, I was WAY into it for some reason. Night forest just made things like that make sense. The kid with the light has two followers who were sure they saw movement, but after shining the light over me a few times he just says "it's a tree with some blue spot on it, nothing there" and walks off. I was wearing a blue shirt under my sweatshirt, so I KNOW he saw that, but like. Did he fucking see ME and just let me off for holding perfectly still even though I was dead busted? No clue, I never saw who it was to ask. A little later I was busted my cabin counselor moving across a clearing stupidly, but he says "I only caught you because we're straight up having a meeting here in a few seconds, just drop in this tall grass and don't move". Six more hunters show up, they have their meeting right next to where I'm laying prone in some grass, and then they just leave. Did he point me out and they were just laughing about it? Did they all legitimately not look down and see me in the dark? I never found out.

[reasonsforhope]

This is kind of a weird reason for hope, honestly, but it genuinely changed how I think about catastrophe.

Historical fact that you probably do not know:

At least 30-50% of the population of Pompeii survived.

Maybe even the majority of the people of Pompeii survived.

(The numbers 30-50% there are according Professor J. Theodore Peña, a professor of ancient Roman archeology who studies Pompeii, whom I took a class on Pompeii with in 2018. The numbers of "maybe even the majority" are from articles linked below.)

Yes, that Pompeii, the one where the entire city was swallowed by a volcanic eruption.

And no, I'm not kidding. x, x, x, x, x, x

So how this is possible, that anyone could survive, when the entire city was literally buried in volcanic ash? And the answer is that the eruption actually took place over the course of almost 24 hours, as the earthquakes and clouds of smoke emitting from Pompeii gradually got worse and worse, followed by the ejection of ash and giant stones that gradually escalated, until the fifth pyroclastic flow (aka giant wave of searing hot ash) hit the city.

So, people had a bit less than 24 hours to flee the city. And many of them did, whether by boat or cart or horse or foot. And many of them made it.

Pompeii is the iconic, ultimate example we have, culturally, for a natural disaster that causes complete annihilation.

But it never caused complete annihilation at all. Not of the people who lived there.

I think climate change, ultimately, is going to be like Pompeii. Yes, there will be natural disasters. Yes, it will keep getting worse for a while.

Yes, people will die, and yes, we do need to act fast, and we need to do all that we can to save every single living being that we can.

But unlike the people of Pompeii, we have the ability to fix most of the effects of climate change. We have the ability to cool the planet down from whatever temperature it ultimately hits. (Masterpost on this here.)

Natural disasters fucking suck. But as the true story of Pompeii exemplifies, they are often a lot more survivable than we think. And we have benefits and resources and technology and knowledge above all communication that the people of Pompeii never did - in fact, we're getting so good at building for and detecting and warning for natural disasters that the number of people dying from natural disasters has been plummeting, even as natural disasters are getting worse and worse (x).

We are going to survive climate change (x). We are going to fix as much of it as we can (x). And we are going to rebuild afterward.

Because as the many survivors of Pompeii show, that's what humans do.

[internetgiraffekid1673]

Today on the list of "good stuff that happened": I got to tell my brother about how Percy Jackson in the Son of Neptune is absolutely insane and spends basically the whole book just making the Romans go "?!"

Highlights include exploded water cannons during war games, showing up carrying a goddes and tearing apart furies with a whirlpool, mouthing off to Mars, third-wheeling/babysitting the precious young smoll inexperienced beans that are Frazel, willingly drinking Maybe Poison, and generally breaking a lot of things by Fighting Like a Greek. Continued to explain that the best part about the multiple perspectives in these books is this:

Percy: I'm a loser, lol! I have no idea what I'm doing, also everyone is cooler than me and I'd die for them! Also Annabeth is cute when she's threatening people with a knife.

Annabeth: *while planning 6 steps ahead* Percy is an idiot. Dear gods I love him so much. Such a wonderful idiot.

Literally everyone else: Percy is (one of) the most powerful demigod(s) I've ever heard of, and he gives no shits about any rules anymore. This man is scary and dangerous and I am so glad he's on my side. Annabeth is a terrifying force to behold and I can't keep up with her. I am unsure if them being so in love with each other makes it better or worse. If they ever turn evil, we are so fucked.

[applesauce42069]

There is a massive historical discourse issue when it comes to Israel-Palestine and yeah it pisses me off, firstly as a Jew, second as someone who is pursuing a degree in Jewish history.

You can see a part of it by looking at the historical narrative presented by a very popular source, DecolonizePalestine. This source has been shared widely by celebrities, by activists. It has been quoted to me on this website. It was even in the instagram bio of one of my TA's. It is considered a helpful and trustworthy source on Israel-Palestine.

The website has a Palestine 101 section, which includes this helpful module:

okay lets take a look:

I've never heard of the Peselet tablet, so let's do a quick google.

Huh. That's weird.

There actually is a 3,000 year old Egyptian tablet (stele) that talks about the levant though.

Oh no! Anyways. Lets move on:

I'm sorry but how do you mention the Assyrians without mentioning that they destroyed the ancient Kingdom of Israel. And the Persians without mentioning that they allowed for the end of the Babylonian exile and the building of the second Jewish temple in Jerusalem . And the Romans without mentioning what they named their province in the levant. Judea. This is where the name "Jew" comes from. There isn't a J in Hebrew.

wait the ottomans???? We already got to the Ottomans??? We just skipped literal centuries.

There's clearly a narrative being created here, not by the inclusion of historical facts, but rather the purposeful omission of historical facts. No serious scholar would be able to discuss the history of the levant and COMPLETELY LEAVE OUT THE JEWS.

This is the dominant historical narrative in discourse on Israel-Palestine and it is harmful. Not only because its untrue, but because it involves the destruction of Jewish history and the right of Jews to steward our own history.

Where we come from is and has always been a huge part of Jewish identity. I cannot stress this enough. It is wrong and yes, it is antisemitic to warp and erase Jewish history for your own political purposes.

and here's what gets me: it is completely unnecessary.

You can recognize all the horrors that the zionist movement and Israel has inflicted upon Palestinians without denying Jewish history. You can demand Israel take accountability and stop what it is doing without denying Jewish history. You can advocate for Palestinian freedom, statehood and self determination, without denying Jewish history.

But people don't want to *just* do that. In the minds of many, the only acceptable Free Palestine is a Palestine Free of Jews or Jewish autonomy.

And for that, fuck you. Palestinians are indigenous to the levant. They know their history and where they come from. Jews are indigenous to the levant. We know our history and where we come from.

No one is going anywhere.

Be better.

Free Palestine and Am Yisrael Chai.

[awkwardwhims]

In celebration of reaching 900 followers!

Ever since I started playing the Globetrotter challenge by @moonfi; I've been creating a collection of UI Widget style templates. This collection includes 20(ish) different templates for you to use in your gameplay screenshots. I'm hoping I did my best to make this as user-friendly as possible; but if you have any questions or notice something off - don't hesitate to message me or send an ask!

[Terms of Use] Do: Use & edit as much as you want and/or know how to. Don't: Reupload & claim as your own. Do: Link back to this post if asked where they're from.

[You Need] Fonts: April | Lemonmilk | Kids Handmade TS4 Icons: deathbypufferfish | w-sims | TheSimKid (I've had L'Universims' icons before they were hacked but as far as I know they've moved to a new website so download from there at your own risk.)

DOWNLOAD (SFS) 66.3mb **FIXED** (Missing moodlet)

[Tips & Hints]

Open the awkwardwhims psd collection file in Photoshop, then drag & drop the folder or group of templates onto your image.

The photo album template was inspired by @folkbreeze (definitely check out their resources, they're all so nice!) & other various examples I saw online.

Resize the template by selecting the folder as a whole; resizing individual layers may makes things unaligned.

Feel free to change background colors/fonts/etc as much as you want.

The text message template has 3 styles: sender, green receiver & blue receiver. There are also reaction icons & a separate reaction bar.

For the to-do list template I didn't include every aspiration icon (I was trying to keep this file as small as possible) but you can download this pack by @deathbypufferfish that has all the aspiration icons you'll need. However, it may be missing some of the newer aspiratons.

When adding photos (album cover/recent photos/etc) use a clipping mask.

The weather template includes all the different weather icons, so be sure to hide/unhide the one that applies.

For the new transaction template, make sure to only change the number of the price otherwise the Simoleon symbol will get changed to Times New Roman.

The notification message template is for life events, bad events & default game notifications (ie: legacy player, etc).

DOWNLOAD (SFS) 66.3mb **FIXED** (Missing moodlet)

@alwaysfreecc @maxismatchccworld

[vaspider]

In defense of retellings & reimaginings

I'm not going to respond to the post that sparked this, because honestly, I don't really feel like getting in an argument, and because it's only vaguely even about the particular story that the other post discussed. The post in question objected to retellings of the Rape of Persephone which changed important elements of the story -- specifically, Persephone's level of agency, whether she was kidnapped, whether she ate seeds out of hunger, and so on. It is permissible, according to this thesis, to 'fill in empty spaces,' but not to change story elements, because 'those were important to the original tellers.' (These are acknowledged paraphrases, and I will launch you into the sun if you nitpick this paragraph.)

I understand why to the person writing that, that perspective is important, and why they -- especially as a self-described devotee of Persephone -- feel like they should proscribe boundaries around the myth. It's a perfectly valid perspective to use when sorting -- for example -- which things you choose to read. If you choose not to read anything which changes the elements which you feel are important, I applaud you.

However, the idea that one should only 'color in missing pieces,' especially when dealing with stories as old, multi-sourced, and fractional as ancient myths, and doing so with the argument that you shouldn't change things because those base elements were important to the people who originally crafted the stories, misses -- in my opinion -- the fundamental reason we tell stories and create myths in the first place.

Forgive me as I get super fucking nerdy about this. I've spent the last several years of my life wrestling with the concept of myths as storytelling devices, universality of myths, and why myths are even important at all as part of writing on something like a dozen books (a bunch of which aren't out yet) for a game centered around mythology. A lot of the stuff I've written has had to wrestle with exactly this concept -- that there is a Sacred Canon which cannot be disrupted, and that any disregard of [specific story elements] is an inexcusable betrayal.

Myths are stories we tell ourselves to understand who we are and what's important to us as individuals, as social groups, and as a society. The elements we utilize or change, those things we choose to include and exclude when telling and retelling a story, tell us what's important to us.

I could sit down and argue over the specific details which change over the -- at minimum -- 1700 years where Persephone/Kore/Proserpina was actively worshiped in Greek and Roman mystery cults, but I actually don't think those variations in specific are very important. What I think is important, however, is both the duration of her cults -- at minimum from 1500 BCE to 200CE -- and the concept that myths are stories we tell ourselves to understand who we are and what's important to us.

The idea that there was one, or even a small handful, of things that were most important to even a large swath of the people who 'originally' told the store of the Rape of Persephone or any other 'foundational' myth of what is broadly considered 'Western Culture,' when those myths were told and retold in active cultic worship for 1700 years... that seems kind of absurd to me on its face. Do we have the same broad cultural values as the original tellers of Beowulf, which is only (heh) between 1k-1.3k years old? How different are our marital traditions, our family traditions, and even our language? We can, at best, make broad statements, and of inclusive necessity, those statements must be broad enough as to lose incredible amounts of specificity. In order to make definitive, specific statements, we must leave out large swaths of the people to whom this story, or any like it, was important.

To move away from the specific story brought up by the poster whose words spun this off, because it really isn't about that story in particular, let's use The Matter of Britain/Arthuriana as our framing for the rest of this discussion. If you ask a random nerd on Tumblr, they'd probably cite a handful of story elements as essential -- though of course which ones they find most essential undoubtedly vary from nerd to nerd -- from the concept that Camelot Always Falls to Gawain and the Green Knight, Percival and the grail, Lancelot and Guinevere...

... but Lancelot/Guinevere and Percival are from Chrétien de Troyes in the 12th century, some ~500 years after Taliesin's first verses. Lancelot doesn't appear as a main character at all before de Troyes, and we can only potentially link him to characters from an 11th century story (Culhwch and Olwen) for which we don't have any extant manuscripts before the 15th century. Gawain's various roles in his numerous appearances are... conflicting characterizations at best.

The point here is not just that 'the things you think are essential parts of the story are not necessarily original,' or that 'there are a lot of different versions of this story over the centuries,' but also 'what you think of as essential is going to come back to that first thesis statement above.' What you find important about The Matter of Britain, and which story elements you think can be altered, filed off or filled in, will depend on what that story needs to tell you about yourself and what's important to you.

Does creating a new incarnation of Arthur in which she is a diasporic lesbian in outer space ruin a story originally about Welsh national identity and chivalric love? Does that disrespect the original stories? How about if Arthur is a 13th century Italian Jew? Does it disrespect the original stories if the author draws deliberate parallels between the seduction of Igerne and the story of David and Bathsheba?

Well. That depends on what's important to you.

Insisting that the core elements of a myth -- whichever elements you believe those to be -- must remain static essentially means 'I want this myth to stagnate and die.' Maybe it's because I am Jewish, and we constantly re-evaluate every word in Torah, over and over again, every single year, or maybe it's because I spend way, way too much time thinking about what's valuable in stories specifically because I write words about these concepts for money, but I don't find these arguments compelling at all, especially not when it comes to core, 'mainstream' mythologies. These are tools in the common toolbox, and everybody has access to them.

More important to me than the idea that these core elements of any given story must remain constant is, to paraphrase Dolly Parton, that a story knows what it is and does it on purpose. Should authors present retellings or reimaginings of the Rape of Persephone or The Matter of Britain which significantly alter historically-known story elements as 'uncovered' myths or present them as 'the real and original' story? Absolutely not. If someone handed me a book in which the new Grail was a limited edition Macklemore Taco Bell Baja Blast cup and told me this comes directly from recently-discovered 6th century writings of Taliesin, I would bonk them on the head with my hardcover The Once & Future King. Of course that's not the case, right?

But the concept of canon, historically, in these foundational myths has not been anything like our concept of canon today. Canon should function like a properly-fitted corset, in that it should support, not constrict, the breath in the story's lungs. If it does otherwise, authors should feel free to discard it in part or in whole.

Concepts of familial duty and the obligation of marriage don't necessarily resonate with modern audiences the way that the concept of self-determination, subversion of unreasonable and unjustified authority, and consent do. That is not what we, as a general society, value now. If the latter values are the values important to the author -- the story that the author needs to tell in order to express who they are individually and culturally and what values are important to them* -- then of course they should retell the story with those changed values. That is the point of myths, and always has been.

Common threads remain -- many of us move away from family support regardless of the consent involved in our relationships, and life can be terrifying when you're suddenly out of the immediate reach and support of your family -- because no matter how different some values are, essential human elements remain in every story. It's scary to be away from your mother for the first time. It's scary to live with someone new, in a new place. It's intimidating to find out that other people think you have a Purpose in life that you need to fulfill. It's hard to negotiate between the needs of your birth family and your chosen family.

None of this, to be clear, is to say that any particular person should feel that they need to read, enjoy, or appreciate any particular retelling, or that it's cool, hip and groovy to misrepresent your reworking of a myth as a 'new secret truth which has always been there.' If you're reworking a myth, be truthful about it, and if somebody told you 'hey did you know that it really -- ' and you ran with that and find out later you were wrong, well, correct the record. It's okay to not want to read or to not enjoy a retelling in which Arthur, Lancelot and Guinevere negotiate a triad and live happily ever after; it's not really okay to say 'you can't do that because you changed a story element which I feel is non-negotiable.' It's okay to say 'I don't think this works because -- ' because part of writing a story is that people are going to have opinions on it. It's kind of weird to say 'you're only allowed to color inside these lines.'

That's not true, and it never has been. Greek myths are not from a closed culture. Roman myths are not sacrosanct. There are plenty of stories which outsiders should leave the hell alone, but Greek and Roman myths are simply not on that list. There is just no world in which you can make an argument that the stories of the Greek and Roman Empires are somehow not open season to the entire English-speaking world. They are the public-est of domain.

You don't have to like what people do with it, but that doesn't make people wrong for writing it, and they certainly don't have to color within the lines you or anyone else draws. Critique how they tell the story, but they haven't committed some sort of cultural treachery by telling the stories which are important to them rather than the stories important to someone 2500 years dead.

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*These are not the only reasons to tell a story and I am not in any way saying that an author is only permitted to retell a story to express their own values. There are as many reasons to tell a story as there are stories, and I don't really think any reason to create fiction is more or less valid than any other. I am discussing, specifically, the concept of myths as conveyors of essential cultural truths.

[ask-whitepearl-and-steven]

Question for the artist, whats the parameters for drawing fusion fanart? Because a lot of people see it as a romanic thing, but it isnt always that. For example, are you okay with fans drawing steven fused the crystal gems? Are you okay with fans drawing any fusions including CG, or is that an ick?

Okay, SO. I apologize for answering this late - I was trying to find the correct way to reply to this ask without coming off as someone extremely senile and jaded.

First things first - I really appreciate you taking my feelings into consideration on this! I can tell it comes from a place of genuine kindness and caring, and I think that's awesome.

I'm not unfamiliar with the fact that some artists feel very protective of their characters, and sometimes try to lay down rules about how they are to be viewed, how they are to be drawn by others, etc. So I don't blame you at all for assuming this is something that needs to be done, given the current fandom environment in certain spaces.

That all being said.

This idea that drawing characters in Situations Which May Be Uncomfortable To Someone With A Specific Interpretation Of The Media (which is not at all supported by canon text) is transgressive is..... boy...... that's not a good one.

It is..... Extremely Evangelical in its conception.

Guys. GUYS. Thought crime isn't a crime. ART isn't a crime.

But to answer your question -

Yes, you can absolutely draw Steven - WD!AU Steven - fusing with the gems or CG.

Yes, you can absolutely draw CG fusing with Steven or the Crystal Gems, etc.

Because

Even if someone DID assume fusion was romantic primarily, that doesn't mean it should be the default, and in fact it ISN'T. Many, MANY fusions in the show are not representative of romantic relationships.

Canon Steven, in the Canon show, fused with TONS of people he didn't have romantic feelings for. Most of the people, outside of Connie, for a start.

Even if imagining CG in a romantic relationship with the Crystal Gems DOES give me the 'ick' (which, actually, yeah, it kinda does I guess, given that I can't really see that thing happening given that she's effectively (not LITERALLY) a child) that doesn't mean YOUR art has to be limited by my presumptions of what fusion means in this context, if we disagree on it

And not to put too fine a point on it but

Fusion ISN'T inherently about romance.

Fusion ISN'T inherently sexual!

No part of the show supports either of these ideas. Fusion is and always has been explicitly about various types of RELATIONSHIPS - including things like sibling bonds (Smokey Quartz), parent-child relationships (Steg, Steven and ANY of the CGs), friendships, Unhealthy Control-Seeking (Malachite) and just straight up collaborative murder (a la Aquamarine and Ruby).

Yes, some fusions ARE inherently romantic in nature, but that does not mean ALL fusions adhere to these rules. In fact, MOST fusions aren't even about that.

And even if they were.............we're all allowed to express our OWN interpretation of things using art. That's not an Ungood Thought that you should be shamed for.

thank you for coming to my ted talk