#I'm going to bed bye bye

[imaginariumwanderer]

Nighty night

[messrsbyler]

you. yes you, person with rejection sensitive dysphoria. this message is for you. your friends DON'T hate you. they aren't mad at you. they aren't talking behind your back or wished to cut their friendship with you. they love you and treasure you and they are good people who wouldn't hurt you like that! ok, that's all. have a nice day.

[beets]

baby, bi bi bi

[dragon-spaghetti]

I KNOW WE KNEW THEY WERENT GONNA DIE BUT IM STILL RELIEVED 😭

[kierunculkin]

[wyvernity]

sss day my favorite national holiday WOOOOHHHH

bonus

[iwasntstable]

♱₊⁺ 𝗡.𝗦. | 𝗔𝗡𝗬𝗧𝗛𝗜𝗡𝗚 ❯ 𝗛𝗨𝗠𝗔𝗡

| WORD COUNT: 845 | RATING: SFW | CONTENT TAGS: angst |

𝗧𝗛𝗜𝗦 𝗟𝗜𝗙𝗘 𝗪𝗔𝗦 𝗔𝗟𝗟 𝗜𝗧 𝗛𝗔𝗗 𝗧𝗢 𝗕𝗘 𝗗𝗘𝗦𝗜𝗚𝗡𝗘𝗗, 𝗕𝗨𝗧 𝗡𝗢𝗧 𝗙𝗢𝗥 𝗬𝗢𝗨 𝗔𝗡𝗗 𝗠𝗘 𝗜 𝗪𝗔𝗧𝗖𝗛𝗘𝗗 𝗬𝗢𝗨 𝗧𝗨𝗥𝗡 𝗜𝗡𝗧𝗢 𝗜𝗧 𝗔𝗡𝗬𝗧𝗛𝗜𝗡𝗚 𝗠𝗢𝗥𝗘 𝗧𝗛𝗔𝗡 𝗛𝗨𝗠𝗔𝗡 𝗪𝗘 𝗧𝗥𝗜𝗘𝗗 𝗧𝗢 𝗟𝗢𝗩𝗘, 𝗧𝗢 𝗟𝗢𝗦𝗘, 𝗧𝗢 𝗚𝗥𝗜𝗘𝗩𝗘 𝗢𝗨𝗥 𝗧𝗜𝗠𝗘 𝗪𝗔𝗦 𝗔𝗟𝗪𝗔𝗬𝗦 𝗢𝗨𝗧 𝗢𝗙 𝗥𝗘𝗔𝗖𝗛 𝗜 𝗡𝗘𝗩𝗘𝗥 𝗡𝗘𝗘𝗗𝗘𝗗 𝗬𝗢𝗨 𝗧𝗢 𝗕𝗘 𝗔𝗡𝗬𝗧𝗛𝗜𝗡𝗚 𝗠𝗢𝗥𝗘 𝗧𝗛𝗔𝗡 𝗛𝗨𝗠𝗔𝗡

➔𝐢𝐰𝐚𝐬𝐧𝐭𝐬𝐭𝐚𝐛𝐥𝐞➔➔　𝘪𝘯𝘷𝘪𝘵𝘦𝘴 𝘺𝘰𝘶 𝘵𝘰 𝘛𝘩𝘦 𝘈𝘳𝘤𝘩𝘪𝘷𝘦!+　　[𝘦𝘯𝘵𝘦𝘳 𝐀��𝟯]

When she started to change, all he could do was watch. They chose to walk down that road together, but deep down, he knew their fate was predetermined. Inevitable footsteps leading towards disaster. No matter how much love he held for her, it would always be incompatible with reality. He tried so hard to fight it, defying the path and desperately holding on to her, but fighting for her turned into fighting her. Tears shed and tender embraces, words softly spoken and promises sealed with kisses, turned into fierce altercations, biting back in anger, things that couldn’t be unsaid, backs turned and promises broken.

Grief had found him early, settling itself into his heart while she was still there. It watched him beg despairingly all the while still holding onto her and stubbornly refusing to let go, carrying her dead weight. It watches his life cease, his hopes and dreams forcefully pushed aside, allowing her to take centre stage. All of his efforts though were a waste, and his precious time was squandered. It watches as words fall upon deaf ears; his family beseeching him to let her go, to unshackle himself in order to live again, but pleading with her to come back to him, to be who she was before. And when he finally accepted it as a part of him—the grief—he knew the last of their finite time was up.

On his knees, he cups her face in his hands, pulling her close and resting his forehead against hers. “I love you,” his voice cracks, his tears falling onto her cheeks. “I love you so fucking much. That’s why I have to do this. I’ve tried so hard, so fucking hard. I’ve put so much on hold to be here for you, and I did it gladly, but it’s clear to me now that I’m not the one you need. I tried to be. But I can’t watch you slip away anymore. Nothing I do is helping, you need real help, someone that can stop you from withering away,” taking in a shuddering breath, he pulls her in closer. She’s limp against him, but he holds her ferociously tight, like she’d slip away if he let go. He knows, after all, that she will slip away when he leaves.

Her head against his chest, his heartbeat is the backing track to his words. Arms so secure around her, she can scarcely breathe. If she died here in his arms, she thinks, she’d die happy. “I’ve been putting you first for so long. You’ve always been my priority, but... you can’t be anymore. It has to be me. I have to let you go,” his breath catches in his throat as he cries into her hair. “I have to live for myself now. And you do too, you have to live for yourself. You have to be yourself again. I never needed you to be anything but you.”

He holds her there, for how long he couldn’t say. Until his legs stiffen and his back aches. Until his tears subside, and finally, he feels he can let her go. He takes one last look at her when he releases her from his arms. Her face betrays no sign of emotion, her eyes, no signs of life, devoid of the light he fell in love with. And he knows he’s making the right decision.

Brushing her hair out of her face for the last time, he tucked it behind her ears like he did on their first date. Like he did when they’d cook together. Like he did when she was engrossed in a book. Like he’d do before he’d lean in to capture her lips with his. He does that one last time too, salt-stained lips brushing against hers; cracked and cold. “I love you,” he whispers, for the final time.

EPILOGUE; The sun was high in the sky when he saw her again.

Her.

As she was.

He prayed the night he left. For the first time in years, he fell to his knees, hands clasped in front of his heart, and he spoke to God. He prayed for her—for her health, for her mind, for her life. He prayed that she’d survive and that He would give her the strength she needed to live. But most of all, he prayed to see her again, if not here on Earth, then on the other side.

Her skin was vibrant and full of life, hair long. Longer than he’d ever seen it. She smiled ear to ear as she spoke on the phone—that very same heart-stopping smile that captivated him all those years ago. She’s just as she was. A familiar warm glow emanated from her, as though pure light itself was radiating from within. Her heart being the power source, or maybe her soul.

He was frozen to the spot, and when she sees him, she too halts as though time had stopped for them both. The only two people in the world, hearts beating in unison.

“Noah?” She smiled at him.

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[silentgrim]

and so i drew him too... gunther archibald munch!

@gunthermunch

[pathetic-gamer]

Fashion in Fódlan: a very long, non-comprehensive, and entirely unsolicited analysis

The fe3h writers did a pretty solid job of creating three nations with clear social, economic, and political differences. The fashion stands out to me as doing exceptionally well at expressing those differences, and, just like in the real world, it works as a sort of socioeconomic barometer that helps tell Fódlan's story.

In this post, I'll break down the key clothing trends in the three regions and provide some light interpretations, largely related to $$

Please note that I'm NOT using this post to discuss historical inspirations. Also, not everyone from every region is included. In particular, anyone whose outfit is too much of just a riff on a class uniform (like the Ashen Wolves or the various minsters in the empire) is left out.

There's a part 2 now lol (church of seiros time); part 3 as well!

1. Holy Kingdom of Faerghus: function IS fashion, baby!!

Fearghus, beloved land of ice and snow and spooky folktales about watering your fields with blood and ghosts living under the ground - you did not come to fuck around. You're here to protect the commoners and go back home to a stew that may, if you're lucky, actually have some meat in it. In this kingdom, you're going to dress warm and you're going to like it. Oh, you have some extra money? Gonna spend it on something for yourself? Better be using it for something useful, like keeping your plate armor in good condition. (Please note: Catherine, though being Faeghan, is excluded because she wears the uniform of the Knights of Seiros, not her own clothes.)

Trends:

High collars, long skirts - generally as little exposed skin as possible. (There is exactly one pair of bare hands in the entire kingdom. Mercie is getting a little bold 👀)

Fur cloaks/capes/gloves, or just fur around the cuffs and collars if they don't have a full fur cloak.

Armor - every single man is dressed in armor, as is Ingrid. Most of the men have full suits of plate armor, but Felix, Rodrigue, and Ashe are wearing only gambesons (note the quilting in Felix's sleeve - that's what gives it away, imo). The folks in plate armor would have gambesons on as well (you can see Ingrid's underneath her breastplate), acting as padding for the plate armor. I think Gilbert is wearing plate armor with a tunic over it (a realistic historical practice).

Fastening is accomplished with clasps and lacing, and there are relatively few buttons or adornments to be seen on the main garments - Annette is an exception, which will be addressed later.

Brief analysis:

Notice the economical use of fabric - their clothing tends to lie flat, with fabric being layered for warmth rather than pleated, gathered, or puffed. The folks in plate armor may spice it up a little with a sash of some kind if they aren't already wearing a cloak or cape. I'm assuming Gilbert's ~stylish tunic~ is keeping him warm well enough to not need a cloak or larger scarf. (Mercedes has a ruffles and puffier sleeves, plus a fuller skirt, but it's worth noting that she is currently part of a merchant house, and merchants tend to be wealthier and actually occupy a unique social class between nobles and commoners.)

Note the colors, too. Greens, browns, and yellows are the cheapest and easiest dyes to make and use. That bright sort of tawny color that Gilbert, Annette, and Jeralt all have is easy and cheap. Gilbert's grey tunic could feasibly just be undyed wool. A true blue is difficult, but you'll note that the blue the people wear up here leans towards grey and green - could be that the dye is faded, or that it was never very blue to begin with. The only true blue is on Dimitri.

All of this reinforces the idea that Faerghus is not a rich nation, and the nobility don't live too far off from the common folk. The vast majority of the cost we see is actually their armor (worn by Dimitri, Dedue, Sylvain, Gilbert, Jeralt, Matthias, Ingrid, and also if we're getting all the way into it, Gwendal, Miklan, Lonato, and Baron Dominic as well), which is would have been pretty expensive. You'll notice they mostly wear grey armor with very little extra decoration, keeping the costs low. Ingrid, the poorest of the nobles in armor, also has the least actual plate. Felix and Rodrigue both have full cloaks, which most other people don't have (just Dimitri), but they also aren't wearing plate, so clearly that's a calculated choice.

That being said, even within these more economical fashions, we can still see clear differences between classes. Most noticeably, Felix (rich) and Ashe (not rich) have very similar outfits, but Felix's tunic/gambeson is lined with fur, while Ashe's is not.

BTW I'm of the opinion that the Fraldariuses are the richest people in the kingdom other than the royal family, and I believe that specifically of their fancy cloaks lol

so luxurious~

2. Adrestian Empire: look at my money bitch

Ah, the land of beauty and excess! I love to live in the capital and visit the cultural icon that is the opera and pretend that I'm not in Wealth Inequality Central. (Please note: Petra is not included, since she dresses according to Brigid's fashions. Also note: I fuck w these styles so hard, dude.)

Trends:

Short skirts (above the knee - Dorothea has a draped over-skirt thing, but her main skirt is shorter, and Manuela has leg slits instead of a short hem), low or square necklines, open backs. In general, we're looking at a lot of exposed skin. Forgot to include Cornelia in the pics, but she has this too.

Tailored jackets with just SO many buttons. Hanneman fits into the tailored jacket category, but isn't included in the highlights by virtue of Not Enough Buttons. (Some concept art is included here to drive the point home.)

Finally, there's this specific very specific double-breasted neckline thing (baby edelgard is separate bc i forgot to include her when i made the first image shhhh)

Brief analysis:

Adrestian fashion is all about displaying status and wealth, in this case through ornamentation, rich colors, uniforms denoting class/role, and also a fair amount of excess fabric.

Historically, fabric itself was one of the major indicators of wealth - in fact, certain historical styles very explicitly showed off just who was rich enough to afford, for example, a whole gown made from the same length of fabric, or even just an entire skirt panel with no piecing. In the Adrestian Empire, We've got excess fabric galore, tucked away into all those beautiful ruffles and bell sleeves, layered skirts, unnecessary capes, double collars, and puffy pants - and it's all in much more luxurious colors, too. In fact, I'm pretty sure the largest single piece of fabric on anyone in the game is Edelgard's cape, which is then also adorned with dozens of buttons and extra bits of fabric. It's almost definitely fully silk, both the outer layer and the lining. (And it's badass.)

Look at all that fluff! Dimitri's cloak probably rivals hers in the size of the actual fabric itself, but his is likely a heavy wool (unlined, maybe?), plus has a lot of fur.

"Oh, but pg, there are capes in Faerghus, too!" yes, but in Faerghus, they live in the arctic /hj. Note the vast expanses of exposed skin down here in the empire - clearly, cold is not an issue. You'll also note that the cloaks in Faerghus were heavy and lined with fur; that's not the case here. Given the prevalence of tailored jackets and the dual colors on Ferdinand's cape, I'm guessing they're either a comparatively lightweight wool with a silk lining (typical for tailored suit jackets, nothing particularly noteworthy about that), or just fully silk. (Bernie's shawl is just cotton though, prove me wrong...) Hanneman and Manuela are exceptions, since they both have fur, but they live at Garreg Mach, not in Enbarr.

The jackets themselves, by the way, could be silk OR wool. Ferdinand's in particular (especially thropes) reminds me of early 18th c. waistcoats, which would have been full silk.

We also have much richer colors down here in the land of art and song. Red, purple, and black were all very difficult colors to maintain, and very expensive. The most expensive colors, in fact. Not gonna lie, as far as price per yardage goes, I think Hubert's outfit might rival Edelgard’s in expense.

A notable exception to the excess fabric bit is Bernadetta. However, her dress is in what is arguably the most expensive color, and is heavily decorated, so that's a reasonable trade-off, and I don't blame her. I, too, would go for a smaller amount of pretty purple silk embroidered with bright, beautiful gold and yellow instead of a bigger, more impressive-looking option. It's about the little things.

I do want to take look at Caspar, in particular. He's unique in that he's dressed in a full suit of armor. But, given that he's the second son and not set to inherit anything, unlike all his waistcoat-wearing friends, he isn't being held to some particular uniform, and even if he were, it's the ministry of military affairs. Of course they wear real armor. What's interesting is that his armor is a sort of rosy grey/brass, rather than silver, and he has a lot more decoration and flair than the folks with full armor in Faerghus, in both his throuses and thropes outfits.

Worth noting, btw, that we have exactly zero examples of actual commoners in Adrestia, other than generic NPCs. Dorothea belongs to that peculiar niche that is opera and acting, so she is expected to dress and act like a noble, despite not having a title or property of any sort.

Adrestia - and Enbarr in particular - leads the slow march of fashion across Fódlan, given that it's a cultural hub and is so much wealthier, while Fearghus slowly picks things up over time. Thus, we have Annette, who lives closer to the empire and has disposable income, having some decorative buttons and tassels and a mock low neckline.

It's not nearly as much as the actual Adrestians, but she's picking it up!

3. Leicester Alliance: the beeeest of both worlds~

Oh, Alliance, you messy bitch. What we see here is a mix of everything, where some of them are influenced by Faerghus, and others by Adrestia (just like how some of them have kingdom-style names and some have empire-style names), and a few fit neither camp. There are clear reasons for similarities where they exist, though, so let's take a look! (Please note: Claude is not included, since his clothes are heavily influenced by Almyra.)

Hilda and Lysithea have the frills, puffy sleeves/skirt, short hems, low/square necklines, and expensive colors of the empire (plus, Lysithea gets a decorative veil in dark purple. How ~fancy~). This reinforces the idea that Adrestia sets the standards for fashion: Hilda cares about fashion and keeps up with the times. Lysithea lives on the border and was briefly under the control of the empire, and thus is influenced by it. Mostly, though, I think it's about how she tries to seem older and tends to see Hilda as a model of maturity (lol), so she's following that example.

Holst's armor is quite decorative, similar to Caspar's, but what stands out to me is the fringe in particular. We see the exact same fringe on Caspar, Hubert, and Edelgard, but not anywhere else.

Lorenz and Erwin are a bit of a border case, tbh! They both wear practical, full plate armor with little in the way of extra decor (other than Lorenz's rose and Erwin's little cape thing), but Jesus christ how much does it cost to keep it all so purple like that??? That's a blatant display of wealth that would impress any empire noble.

Marianne, on the other hand, would fit right in in Faerghus, with the old fashioned long skirt, high collar, capelet, and lack of extra decoration other than some pretty trim. Makes sense, since her territory is so close to the kingdom and she's clearly not interested in trying to stay fashionable.

Judith is dressed very practically, has some fun puffy sleeves and bright but inexpensive colors, has a short cape and gambeson (a short vest one, though). I want to say leans toward Faerghus, which makes sense since it's on the border and the house did at one point split off, with part going back to the kingdom.

Now we get to the only real, honest-to-god, never-owned-land-or-property, born-as-and-remain-now peasants/commoners: Leonie and Cyril. (Raphael was born into the merchant class and was able to support himself and Maya by selling his estate, so while we can consider him a real commoner at this point, it's not nearly to the same degree.)

Their economic status is obvious from their outfits: both have very practical clothes with no extra decoration, in cheap and easily accessible colors. Leonie's cloak wrapped around her waist is purely functional - she can use it when the weather calls for it, but it's out of the way of her arrows when she doesn't need it - and looks to be pretty soft, so likely is lightweight. She has a hint of some light protective wear (note the quilted sleeve) and the same front clasps as Felix and Ashe, so i think she's also meant to be wearing a gambeson, but it's shorter and less protective. Cyril doesn't seem to have any armor at all except for the shoulder protection - we can tell from the lack of center-front closures on his shirt and the shape of the cuffs of the sleeves that he's actually just wearing a tunic (or rather, two tunics on top of each other).

Raphael also has a very practical outfit, but notice that his is so much more protective, probably because he has a little more money than the other two. He has very limited, sparsely placed plate armor, but he is covered head-to-toe in quilted cloth armor. He's ready to get some punching done, baby!

Our real outlier, however, is Ignatz... But you bet your bottom dollar I've got an explanation for that one, too!!!!! Mans is an artist and he has rich(?) merchant parents, he can do whatever he wants.

Absurdly unnecessary lengths of (probably not very expensive) cloth? Sure. Fancy feathers that literally no one else gets? Why not! A billion buttons, half of which arent even keeping anything closed? Curly and intricate cloak fasteners probably made of some kind of cording? Sashes and tassels and a decorative sword??? Fuck it, we ball. I love this so much, it's easily my favorite outfit in the entire game and I would ABSOLUTELY wear it irl. I already have the right haircut and glasses and boots, I'm ready

4. In conclusion

These designs really are Fódlan in a nutshell. From the quiet wealth and functionality in Felix's fur-lined gambeson to the audacious luxury of Ferdinand's waistcoat to the unrepentant anarchism of Ignatz's entire vibe, we can see the history - and future - of the continent outlined right before our eyes:

Faerghus is cold, practical, focused on survival, and probably has the most even distribution of wealth. Leicester is a mix of remnants of the empire and kingdom, with clear wealth disparity but also a relatively high amount of social mobility and communal support systems. Adrestia has significantly wealth disparity, with nobles very disconnected from their people and instead busy politicking about.

Side note I know I said I wouldn't go into the historical inspirations, BUT I do think it's interesting that the men's clothing in Adrestia - particularly the tailoring - is similar to much later styles than the men's clothing in Faerghus, and the reverse is true of the women's sleeves and necklines.

Okay that's all, thanks for reading!

[gregoftom]

things that make you go hmmm

[ratguy-nico]

HAPPY PRIDE!!!

Gente I know is no longer 1th of June but I really wanted to made something for the first day of Pride but didn't know what and than Full Moon happened and here we are

This was made in a rush, lit I made it everything today, but hey, is not half bad

DRAWING HELLUVA/HAZBIN CHARACTERS IS TOO HARD FOR ME

Not totally happy, I feel like I cannot capture the beuty sillyness of my gay clown just the right way, but practice make the master or something like that

If you notice I add some details to make it even gayer if even possible, So proud in that front

DYING

Very proud of this Sneak Peak I made myself

[king-candybug-backup]

Currently obsessing over the idea of an 80s Boyfriends animatic with the "You'll Be Back" song, like I can see it so freaking well with all of Turbo's different forms as the song progresses, like-- "You say our love is draining and you can't go on, you'll be the one complaining when I am gone" HELLO???????? AND THE "ROYAL SUBJECT" PART?????????? THE "LOVE YOU TILL MY DYING DAYS, KILL YOUR FRIENDS AND FAMILY ETC." PART AS A CY-BUG???????????????? SEND HELP PLEASE I'M LOSING MY MIND

[chronokepts]

Oh Luffy we're really in it now

[chuffycharles]

Before, during and after exile Tommy was consistently fed lies and was manipulated, being told that he couldn't trust or believe anyone besides them, how no one cared about him. Of course those were lies meant to isolate him and make tommy dependent, but when it comes down to it all good lies stim from truth.

Before exile though not very noticeable people needed a scapegoat and who better a scapegoat than an annoying impulsive child who just so happened to be at the heart of the war?

People though once again not very noticeably separated themselves from Tommy not everyone, but quite a few people, mainly Niki at the time, began blaming him for what had happened that faithful day, blaming him for the wars, and the death of their commander, brother-in-arms, son, father, the list goes on.

It was subtle but it was still there, then post-exile when Tubbo caught him in L'manburg having thought he was dead but wasn't openly grieving, Tommy assumed it was because he did not care of course we know that wasn't the case and it was just Tubbo rejecting his grief and diving into work, pushing and bottling all of it down till it no longer affected him, (it never worked as he hoped always at the back of his mind he was nagged by the regret and guilt)

At the community house when he was framed of blowing it up, people believed Dream no questions asked despite the evidence that it wasn't him.

Then during the disc finale Tommy finally had reason to believe people cared about him enough to save him, though soon after Niki and Jack try to kill him and people go back to blaming him once again. After he was revived and let out of them prison he was simply a science experiment to people, he no longer trusted Sam and his relationship with Tubbo was being held together with a frayed knot.

Thats all I feel like typing I'm about to pass out so apologies for any mistakes with the timeline, canon or grammar.

[zhongrin]

@rowavolo ! @lychniis ! @faesther ! @xianyoon ! @vennnnn-diagram ! @abyssmal-skies ! @baizhusangel ! @silentmoths ! @cerberuscaeli ! @dustofthedailylife ! @silkjade ! @soleillunne ! @average-yandere-enjoyer ! @navxry ! @the-travelling-witch ! @2broschlininahotub ! @mochinon-yah ! @queen-belial

🎤 someone has something to say about you... »»

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[sacred-coffin]

12 am time to post Coffin's first smut (real) (not fake)

Come get your tooth rotting Terzomega smut . or don't idc