#I'm about to write a whole essay about this | Explore Tumblr posts and blogs

yinyuedijun · 13 hours ago

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AVI!!!!!

thank you so so so much for your literal essay comment oh my GOODNESS 😭 endlessly appreciate that you read this despite not knowing the e.e. storyline (I hope it wasn't too confusing LMAO) and that you took the time to type out such a thoughtful comment!!!! I was kicking my feet the whole time I was reading it (and re-reading it, and re-re-reading it... etc) 🥺

ALSO thank you for saying "it's impossible for everything to be objectively your best" because that's very true when you put it that way and does it make my perfectionism tendencies feel very silly 💀💀💀 I am so happy that even my not-best writing is enjoyable for you alfsjlsdjs genuinely I am going to keep this in mind next time I'm ignoring my demons as I try to post something

SO SO GRATEFUL FOR ALL YOUR COMMENTARY WGHRKDJAK especially relating to the characterization!!! dropping the ddd characters into a new context felt so whack because they are SUCH high school goofballs LOL I'm glad you felt I pulled it off!!! also I'm super happy you liked this reader too, I had (comparatively) limited time to characterize her so I was worried how she'd land!!!!

SO HAPPY YOU noticed the parallels between feelings for jiji/e.e. to the evil eye's curse!! + the refrain "doesn't anyone love me enough to save me"! this was supposed to be a fic about fucking a ghost nasty but along the way it evolved into a fic about loving someone in damaged ways but being loved back despite it all. couldn't just write regular porn I fear 😔 and yeah HAHAA to be honest I think it would made for a better (and more consistent) narrative if e.e. had been pacified but then I wouldn't have been able to write about getting railed by a vengeful spirit 💔💔💔

again thank you SOOOO MUCH for your super kind comments 😭 both w this and bluebird, you have no idea how much your feedback makes me feel reassured as a writer 🥲 BIG KISS FOR U!!!

FUNERAL MARCH | evil eye x fem!reader x jiji

The Evil Eye doesn't love you. It's not in his nature as a demon, and he's not sure that it was in his nature as a human either. He wasn't loved and couldn’t love, and that's why he was given to the Tsuchinoko. But he likes to possess you nevertheless, and he often thinks about cursing you so that you’re bound to him. It would be the only way to keep you, because you probably don't love him, either—no human would embrace such a horrid and ugly existence. You just love the Vessel he inhabits. (Or: You and Jiji are now engaged. Of course, you have to ask the Evil Eye to marry you too.)

10.8k words. romance, smut, mild angst & comedy. rough sex with the Evil Eye (piv, creampie, overstimulation, bizarre magic, cnc elements in the “nooo it's too much” kind of way, dubcon with the magic). content warnings: aged up characterization, implied past sexual abuse (not involving Jiji or Evil Eye), brief mentions of suicidality, religious references (Taoist ghost marriage), use of English idioms that don't translate well into Japanese (forgive me), canon-typical crass humour. mdni.

I. THE GHOST

You’re in love with his Vessel.

The Evil Eye is well-aware of this. He hadn't known love as a human, but he saw it often enough in the House. Countless families moved in over the years, husbands and wives with little children who were frightened when he tried to play with them. After photography was invented, pictures lined the walls and decorated nightstands. They immortalized brides in their white kimono, grooms with their wide smiles, elegant ceremonies, decadent banquets.

The couples always looked like they were having so much fun, the Evil Eye noticed. Not just in the photos, but in their daily lives in the House—dancing with each other, pressing their lips together, laughing and singing and holding each other. Then they'd die together, hanging themselves because of that shitty worm. The Evil Eye always felt a kind of sadness seeing them in love—he’d never had that, and he'd never get it, and it was unfair in a way that filled him with a searing rage.

But he was even angrier when they died.

It used to make him angry too, when you talked about the Vessel. When he took over and he caught you laughing at something the Vessel had said, or dancing with him, or pressing your lips together. (Kissing, you’d told him the first time it happened. It's called kissing someone, when you do that.)

Then you started kissing the Evil Eye too, and suddenly he wasn't so angry anymore—the latent rage in him for once eased.

Still, it makes him feel sullen when you tell him, “Jiji and I want to get married.”

You are lying next to him in bed. Sweat is cooling on your naked body—you always get so hot when you and the Vessel get into bed with each other, or sometimes when he’s got you bent over the dining room table, or occasionally when you touch each other in that place you call the ‘locker room’, which tends to leave you extra breathless. No matter the place or the time, you’re always lighthearted, glowing, satisfied. It's the effect that the Vessel has when he’s inside you.

(Sex, you told the Evil Eye once, it's called having sex. Or making love. Not all sex is making love, but it's making love the way that Jiji and I do it. And then the Evil Eye demanded that you show him what exactly that meant, and that's when you took him inside you for the first time. He felt so good and so close with you that for a while, it was all he wanted to do.

Wants to do.)

“What does that mean,” the Evil Eye asks, although he has a good idea. You want to live in a House with the Vessel and laugh and sing and hold each other. You want to die together too, probably, your corpses hanging side-by-side from the same bannister.

“It means we’re going to dress up and make vows to spend the rest of our lives together,” you say. “And we’ll live together and build a home and maybe we’ll have babies too.”

The Evil Eye thinks of all those babies who lived in the House, impossibly tiny humans who were cradled by their mothers before they were burned alive as sacrifices. Before he became the Evil Eye—back when he was merely the ghost of a waif—he’d tried to play with them too, making silly faces and dancing as they giggled at him. He liked to pretend that they were his younger sisters or brothers, but sometimes he wondered how it'd feel to hold them and sing to them like their parents did. How it'd feel if he were a husband with a wife and a kid, what it would be like to dance with someone in the kitchen or tuck a child away into its cradle.

But every time he tried to pick the babies up, his hands would pass right through them. Kind-hearted ghosts can't love people in such a physical way; you need to be vengeful to hold onto anything. He'd had to learn to hate all humans before being able to touch them again, and now he's so rife with hatred that he can't love them anyway. All he can do is haunt them.

The Evil Eye doesn't love you. It's not in his nature as a demon, and he's not sure that it was in his nature as a human. He wasn't loved and couldn’t love, and that's why he was given to the Tsuchinoko. But he likes to possess you nevertheless, and he often thinks about cursing you so that you’re bound to him. It would be the only way to keep you, because you probably don't love him, either—no human would embrace such a horrid and ugly existence. You just love the Vessel he inhabits, and that's why he can kiss you and that's why he can hold you and that's why he’s allowed to sex with you (sex, not love—you've never called it making love when you do it with him, and you never look lighthearted after, and you never glow from his touch: he always leaves you panting, marked up, bruised, possessed).

You love the Vessel, so it makes sense that you would want to do all that with him: live in a House together and make babies together and eventually die together.

“Oh,” he says. “Sounds fun.”

You laugh. “Yes, I hope it'll be.” Then you lace your fingers with his, and look at him in a tender way that he'll probably never get used to. In a tender way that's meant for the Vessel.

“So, then,” you say almost shyly, “Do you wanna marry me too?”

II. THE VESSEL

Auntie Seiko is as beautiful, young, and no-nonsense as ever. Between meeting her as a child, coming into her care as a teenager, and now seeking her help as an adult, Jiji doesn't think she's ever changed. Most familiar to him right now is the expression that she’s wearing, the one that suggests that he might have shit for brains. Turbo Granny, perched on her shoulder, seems equally bemused, her porcelain cat eyes narrowed into judgemental slits. He'd been hoping that Momo and Okarun would understand his feelings, but they seem equally exasperated—Momo might even be a little appalled.

Anyone else might be disheartened by this reaction, but Jiji is undeterred. These are the people who once realised his wish to protect the Evil Eye; surely, they’ll also realise his wish for him to find happiness.

“—so we talked to him, right? Or my beautiful wifey talked to him, anyway—”

“We're not married yet, Jiji,” you interrupt dryly. “Don’t call me that.”

“—my future beautiful wifey talked to him about getting married, and he said yes! I'm on board. I think they should get a proper ceremony and everything. I know it's a little unconventional since she’ll be marrying me too, but I don't mind sharing, and I'd be willing to work out any legal issues. I'm sure we can find a country where polygamy is allowed.”

“Don’t you think the bigger problem is that he's an evil spirit?!” Momo asks—yells—but Jiji only shrugs.

“Evil or not, don't you think he deserves love and romance just as much as anyone else?”

“No!”

Jiji supposes that he can't blame Momo for her reaction, given how many times the Evil Eye has nearly killed her. Deeming her a lost cause, he turns his gaze on her boyfriend instead, almost puppy-like.

“Don’t you think so, Okarun?”

“Not really,” he admits, and Jiji nearly wilts at the betrayal before he adds, “but I understand where you're coming from. The Evil Eye was like a child when he first possessed you; his greatest wish was to find a friend to play with. Now he's basically a young man who's found his first love and his greatest wish is to be with her… and she, um, happens to be your wifey…”

“Don’t call me that!” you protest, oddly embarrassed, and Jiji resists the urge to squeeze you. You're so cute when you're flustered, it's unbearable. He makes a mental note to tell you this on the way home, though he already does this every day as a rule. When you were both still students, he would say it whenever he walked you home from school; nowadays, he more often says it during long-distance phone calls, or on FaceTime, or occasionally via text if your schedules are that misaligned. But he still makes it a point to remind you everyday, no matter where he is in the world: You're so cute. You're so pretty. You're beautiful, did you know that? I love you.

I love you, he thinks as he watches you. You look bashful right now. “We both want the Evil Eye to find happiness, and I’m pretty sure marriage will make him happy. And, well…” Your gaze drops. “It’d make me pretty happy too.”

Something in Jiji’s chest swells when he sees your expression. It feels mostly sweet, but there's also a painful edge to it. He’s always carried a kind of ache in his ribs ever since the day he caught his parents dangling from the second floor of the House and had to untie the nooses himself. Nowadays, he isn't sure if the pain is from that memory or if it's from the weight of the Evil Eye’s curse. Sometimes it feels like they're one and the same. Often it feels suffocating, like he's drowning and there's nothing he can do to breathe again—not laughing or joking or playing or running.

But you're always there when it’s hard. You're always beside him when he wakes up in the middle of the night to gasp for air, the way he used to when he was haunted as a teenager: It's okay, Jiji, you tell him, voice tender, I'm here for you. You aren't alone. I won't leave you. I won't let anything hurt you. I love you. The nightmares always leave him soaked in cold sweat, so he often switches in these moments, his consciousness displaced by a lonely, crying spirit. He doesn't know what it is you say to the Evil Eye, but when he comes back his heart feels lighter, and from that he knows that you've comforted him too.

The Evil Eye loves you—that much is clear. He loves you as much as Jiji does, probably. In a different way, sure, but just as much in strength.

It follows that nothing would make the Evil Eye happier in this world than getting married to you, Jiji figures. Dead or alive, who wouldn't be elated to marry the love of their life? And Jiji knows it'd make you equally as happy; only an idiot would think that you didn't love the Evil Eye back, and he's no fool. Some people might find it weird that he wants his wife to marry another man—and an evil spirit, at that—and maybe they're right for that. But why would Jiji ever turn down so much collective joy?

So he nods vigorously, giving Momo an intense look. “It'd make us all happy. Trust us!”

Momo gives you both a long, disbelieving stare.

“Well, when you put it that way…” She sighs, resigned. “When’s the wedding?”

“That's what we wanted your help with,” Jiji says, and he gives her grandmother an earnest look. “We want the wedding to be perfect, but we're not really sure how a ceremony would work with a youkai. What dates to choose, what venue to book, who could perform the rites… I mean, could you perform the rites, Ma’am?”

Auntie Seiko frowns. She looks on the verge of admonishing both of you, but Turbo Granny beats her to it: “Idiots. You can't do a Shinto ceremony with the Evil Eye. All three of you will combust into flames.”

“Oh.” Jiji remembers all the aliens and spirits alike that have burned upon attempting to chase them into the shrine grounds. He deflates. “Then… he can't get married?”

You squeeze his hand, and Jiji suspects that it's more for him than yourself. You don't seem nearly so worried.

“Would a Buddhist temple take us?” you ask.

“Doubt it,” Auntie Seiko says around her cigarette. “They’d probably try to exorcise your hubby on the spot—and even if they didn't, no Buddhist priest here would ever stand for tying the spirit of the deceased to a living person. It's how you get hauntings.”

“I don't mind being haunted by the Evil Eye,” you say immediately, and Auntie Seiko snorts.

“I know you don't, but it’s not in our job descriptions to curse people just because they're horny for a ghost.” Momo and Okarun cough loudly, and Jiji feels himself flushing; you cover your face with your hands. “I know a Chinese Taoist who’s done a few ghost marriages, though.”

“They’re okay with cursing people?” you ask, watching her through your fingers. “I mean—not that I mind.”

“Nah—they perform it as a pacification ritual. It would be the safest way to do something like this.” Auntie Seiko studies you closely. “I'm not sure how my acquaintance would react to an evil spirit or to polygamy, but I’ll call him and ask.”

“You're the best, Ma’am!” Jiji bursts, beaming. “We’ll save you an honoured spot in the front row! Turbo Granny too!” Elders should be respected, after all.

Turbo Granny makes a skeptical noise. “Don’t get ahead of yourself, numbnuts. Even if Seiko can find a priest stupid enough to oversee this wedding, there’s something you need that you probably can't find.”

“If we could find Okarun’s balls, I’m sure we can find anything,” you joke, but Granny seems unimpressed, her paws crossed over her chest.

Jiji frowns. “What exactly do we need to get?”

Turbo Granny gives you both an ominous look.

“His bones.”

III. THE CHILD

The Evil Eye hates being in the House.

All the spirits that he carries hate it too, airy things pulsing with rage and sadness and grief so palpable that he can always easily weaponise it. Any good memories that were ever constructed in the House are eclipsed by the hangings, the knife wounds, the suffocation, and also the burnings. Especially the burnings. Especially the white-hot lava washing over him, eating into his flesh—especially his last few days as a twitching, starving, dying thing on a stake; especially being buried, then the House being built atop his remains. Then all the children and babies sacrificed after him, wailing and screaming: unfair this is unfair let me go let me go let me go it hurts it hurts it hurts please stop this please help me Mom Mommy please help me please come back I don't want to die.

Doesn't anyone love me enough to save me?

He isn't ordinarily bothered by rage; he was born of it, after all. But he doesn't like feeling so much rage around you. The Evil Eye likes haunting you and will probably someday curse you—both things he once did to the families in this House—but he doesn't want to kill you.

He glances around the basement—the man cursed by Turbo Granny is here, and so is his lover. (Girlfriend, you’d called her. Momo is Okarun’s girlfriend, just like how I'm Jiji’s. You agree to be someone’s girlfriend when you have feelings for them and want to act on them. A-ah—what? Y-yes, I do have feelings for Jiji… Why do you ask?) The dancer and the Shinto priestess aren't here, and neither is the girl with the lizard suit, but they aren't needed.

If he tries to kill you, Okarun alone could probably stop him. This is the only reason that the Evil Eye agreed to let you come in the first place.

“This is so gross,” you whine, completely oblivious. You're knee-deep in the white gunk left by that shitty Tsuchinoko worm. “I can't believe you spent a whole day buried in this stuff, Okarun.”

“It saved me and Turbo Granny,” he replies, pushing his glasses up as he digs through the mess with you. “The lava would have gotten to us otherwise. I think it probably preserved the Evil Eye’s bones too.”

“I hope so…” You turn to the Evil Eye, head tilted. “Are you sure they're here, Jashi?”

Jashi. You say his title like it's name and not a curse. (Jashi, we should go try out this cafe, you'll say, or, Jashi, let’s go check out this show, or, I missed you, Jashi, it's been too long—here, can you feel how much I need you?) Sometimes he wonders if you ever forget that he's a ghost, or if using this Vessel fools you into thinking that he's human. If you lay beneath him in bed thinking that it's technically the Vessel inside you, and not just the monster possessing him.

“I’m a ghost,” he reminds you bluntly, “‘course I know where my remains are. Dunno if they've turned ash, though. Guess you can't marry me if they have.”

“No, we’ll get married,” you say, unbothered. “I'll dig up all the dirt from this shithole and say my vows to that if I have to.”

Okarun gives you a funny look. “How are you gonna get all that dirt out?” he asks.

“I'll make you carry it.”

“Huh? Says who?”

“Says Momo. He’ll help me carry it, right?”

“He will,” Momo affirms, and her boyfriend chokes. She ignores him, scanning the wreckage. “I hope it doesn't come to that, though. Hey, Evil Eye—can’t you be more specific with where we're supposed to dig? Coordinates or a map would be nice.”

“I'm not a fucking radar!”

You give him a pleading look. “Please, Jashi? Can't you try? For your future wifey?”

The Vessel's face gets hot. Its heart does the stupid thing where it jumps when you're around, or when he holds you after the two of you have sex, or when he stares too long at the engagement ring that's usually on your finger (now hanging around your neck on a silver chain, safely away from Tsuchinoko gunk).

“...fine. Gimme a sec.”

He closes the two eyes of the Vessel so that he can focus on his third. Human vision is too bound by shapes and light and figures; it distracts and deceives him. When he can't see your face, it becomes easier to hone in on his resentment. Unfair, his remains whisper to him, this is unfair let me go it hurts it hurts please stop please stop help me help me help me I don't want to die.

Doesn't anyone love me enough to save me?

“There,” he says eventually, pointing at the ground, “it's all there. In one spot. Guess I'm still a skeleton.”

You've got something of a sixth sense—whether it’s an effect of touching the golden ball or coupling so often with a spirit, the Evil Eye can't be sure. However it came about, it seems to tell you that he's right. Your eyes go soft when you rest a hand on the dirt he’s pointed at.

“Momo, Okarun,” you say, “Thank you for your help. I can dig this up myself—you guys can take a break.”

“Huh? No, we’d be happy to…” Okarun starts, but then Momo’s dragging him out by the collar and making him squawk.

“Sure—we’ll wait outside!” she says. “C’mon, Okarun, let's look for Mongolian Death Worm remains—I saw an occult article saying that it has medicinal properties if you make a powder extract from it…”

“You can't take that stuff seriously, Miss Ayase…”

After they leave, you spend the rest of the afternoon digging.

The Evil Eye offers to help, but you are determined to do it yourself. It's okay, Jashi, you say, I’m going to do it. You're going to be my hubby—the Vessel’s heart does the throbbing thing again—so it's only right that I'm the one to unearth you.

He doesn't understand it, but he shrugs anyway. Suit yourself. And he watches as you your fingers dig into the dirt, delicate nails collecting detritus. You don't want to use a shovel, you say, because you're sure that his bones will be fragile and you don't want to damage them. Even when he tells you that his bones are likely ruined in the first place, burned to shit and frail from rot, you don't let up. You just keep digging until you’re picking them out of the dirt.

You roll out a silk cloth, revealing lotuses against a pale backdrop. One by one, you lay his bones atop the pink and ivory thread, and you've found about half of them before he realises that you're reconstructing his skeleton. It's a small, pathetic thing. Help me help me I don't want to die, he can remember himself screaming. It hurts it hurts it hurts please stop. Doesn't anyone love me enough to save me?

The ghosts of the House begin to wail with rage.

Part of him worries for you—probably the part of him influenced by the Vessel, which is capable of a love that ghosts are not. It knows that you don't deserve his wrath.

“You should leave,” he says, but you shake your head. You take your time as you gather up bones, treating them all delicately as you roll them up in the silk, holding them close to you. As if you aren't in the presence of countless wrathful spirits. As if you are with the Vessel, and not with him.

“You were so small,” you say quietly. “Sometimes I forget that you were a child when you died.”

The Evil Eye stares at you, at the pathetic bundle in your hands. “That was ages ago.”

“But it never stops hurting, doesn't it?” you say, and the walls of the House close in on him. They tell him you're right, that you're a human, that you'll hurt him just like the rest of them, that you need to die too. But you look at him, soft in a way that belongs to the Vessel, tender in a way that the waif-ghost covets, and then the House shudders and goes quiet.

“I’m sorry I didn't help you back then,” you say, and it makes no sense, but he doesn't interrupt you. “I promise I'll make your married life a good one, now that we’re together.”

That's stupid, the Evil Eye thinks of saying, pedantic: I'm already dead. But you rise from the dirt before he can protest, and then you're taking his bones out of the House, cradling him in your arms.

Doesn't anyone love me enough to save me?

For the first time since being born, his body is allowed to leave the confines of its prison.

IV. THE BRIDE

The ceremony happens at night.

You spend the whole day readying yourself. Aira helps you get into your dress, admonishing you for the satanic rituals you'll soon perform but giving you her blessing anyway. Momo does your makeup, telling you to ignore Aira. Vamola says that you look lovely in stilted, earnest Japanese. Auntie Seiko helps you with your hair; she asks you, all the while, if you would like to wear a headdress that might protect you from evil, or for her to perform a consecration on your body. Turbo Granny is less roundabout, offering to take the Evil Eye’s banana in advance of your marital rites. Serpo warns you not to let the Evil Eye take your bananas—Why are you even here!? Momo yells at him—and Reiko Kashima says you shouldn't listen to any of them. You need to hold onto your man no matter what, she advises.

She also says you're beautiful, though of course you aren't as beautiful as her.

Beautiful. Are you beautiful? You'll be beautiful when you marry Jiji, because you're certain that his PR agent will want you prettied up by a team of stylists rather than a bunch of goofballs. You will need to look good for the photos, at least as handsome as him, and you don't know if you can manage that. You will need to be poised in front of the five hundred people attending, about which ten are your friends and none of which are your family.

You're already married to Jiji, technically. The two of you had a civil ceremony that only Momo and Okarun attended as witnesses, quick and dirty and secret. But the official ceremony will make it real, and you are terrified of that. You love Jiji beyond comprehension, and you know he loves you back tenfold, but you've never been able to rid yourself of the small voice in your head that tells you that you aren't good enough for him. It's been haunting you ever since the two of you fell in love, and you think maybe even before that. Maybe it started plaguing you when you were young.

When you were a child, you used to ask yourself if anyone would ever love you enough to save you from the things being done to you—the things you were convinced would be irreversible. You had confessed this to Jiji before you had sex with him for the first time. (Making love, he corrected you, I want to make love with you, and it made you feel so shy you nearly kicked him out of your bed.) He'd replied that he did love you enough, and that he would save you as many times as you wanted (I’m sorry I couldn't help you back then, he'd added nonsensically, but now that we’re together, I'll make sure your life is a good one), and you were so happy that you cried.

Sometimes you still cry, thinking about his words. But no matter how many times you replay the memory, no matter how often you tell yourself that Jiji is an honest man, the small voice in your head always warns that he’d lied to you. That your wedding to him will be a lie, too.

You often think about how he would leave you (gently), and why he would leave you (the list is endless). And then you try to imagine life without him—no cheerful kisses peppering your features, no goofy expressions putting you in stitches, no grueling morning runs, no messy kitchen sinks, no you're the cutest girl in the world, you're so beautiful I can't believe I'm dating you, how come you don't believe me when I say that stuff, I won’t let anyone hurt you ever again, I know you can get better I'll help you, I dunno how to talk about this with anyone other than you, sorry I cried that was kinda lame of me, sorry I need to go to Spain, sorry I was away for so long, I got you this merch, I got us tickets to this show, is it my fault you're going to therapy again, can you come with me to Berlin, is everything okay, come with me to the U.S., are you okay, are we okay, I don't want to break up, I love you, I love you so much, marry me, I'm being serious please marry me, I want to spend the rest of my life with you, I promise I won't leave you—

You don't think you could imagine living without Jiji.

Your looming wedding to Jiji terrifies you, but your ghost marriage does not. You feel calm in your dress, certain in your decision. Jashi has never scared you the way that Jiji has, after all. He doesn't frighten you even when the Taoist priest pulls you aside and tells you, “You can still back out of this.”

“Why would I?”

He dabs at his temples with a handkerchief. “This ritual is dangerous with a being like the Evil Eye. Ghost marriages are meant to pacify benign spirits—not vengeful ghosts. I can't guarantee that he will be calmed by this.”

You give him a quizzical look. “If he isn't calmed, then what would happen?”

The priest swallows. “There are three potential outcomes. One—he is pacified completely and moves on to the afterlife.”

This would scare you ordinarily, but you know Jashi well enough to understand that he would never move on. “Okay. What else?”

“Two—he is unaffected, and things remain the same.”

You wait, watching the way his fingers tremble. A wind blows; it carries the scent of burning sandalwood from the wedding altar.

“And?”

“And three—the most likely possibility—he will attach himself to you and curse you.”

“Oh.” The thought should scare you, but you don't think it's fear that’s squeezing your heart. “What would a curse be like?”

“Devastating. You'll never be able to live a normal life, nor will you have a proper afterlife.” The priest shudders at this possibility, which apparently frightens him too much to further describe. “Listen—if the Evil Eye doesn't pass on, you must not complete the marriage. Completing it would make the attachment permanent, and it would realise any curse he places upon you.”

“‘Completing the marriage”?”

“Consummating it.” His face is white. “Sex magic is unspeakably powerful. I don't believe anyone would be able to break a curse that’s born from it—at least not involving such a great yaoguai.”

Anyone else might laugh at his words, but you remain quiet. After spending so long chasing golden balls and bananas, after nearly a decade of fighting off aliens trying to have sex with Momo and Aira, you know that he is telling the truth.

And besides—you know just how permanently a touch can linger (a lifetime, forever, doesn't anyone love me enough to save me?), so you aren't surprised to hear the kind of curse it inflicts.

“Okay,” you say. “I promise I won't let it happen.”

It is only with this vow that the Taoist consents to overseeing the marriage.

The affair is a hodgepodge of Chinese funerary practices and Western weddings—foreign in every respect, but not uncomfortable. Auntie Seiko, clad in red-and-white robes and a golden headdress, walks you down the aisle. Against all her counsel, a white veil sits atop your head and chases after your shoulders. You stop before an altar of offerings and summoning talismans, Taoist spells lit up by the full moon hanged above. Instead of a bridegroom, you are next to a coffin that holds a tiny skeleton. The priest is before you, now possessed by a death god that will call Jashi back to his remains. Supposedly it is a Taoist deity, but its presence feels more extraterrestrial to you than anything spiritual. You will need to ask Serpo about it later.

You study the audience as the priest begins the summoning ritual. Jiji sits in the front row, watching you intently; if all goes well, Jashi will leave his body for the duration of the ceremony, along with all the vengeful ghosts that once resided in the sacrificial house with him. The spirits of the house scare you more than Jashi; you do not know how they will behave once cleaved from his control. There's a banquet for them in the back, a long table with a spread of incense, flowers, rice, and fruit—but you do not know if it will be enough to pacify them.

Your wedding party is equally on edge. As the White Impermanence begins its rituals, Jiji’s body slumps, and everyone else stiffens in their seats. The air grows rife with malevolence. The stars and moon blink out of existence, the world around you grows silent, and a suffocating darkness overtakes the night—almost as if you have been submerged in Empty Space. Tiny cyan flames erupt in the air around the banquet table, their glow eerie in the darkness. They must all be onibi, you guess.

Jashi himself emerges before you, standing over the coffin that holds his bones. You’d expected him to look like the emaciated child that he'd died as, or perhaps the stick-thin monster that used to haunt Jiji—but he takes another form altogether, a formless shadow that your mind can barely comprehend. You're vaguely aware of Turbo Granny covering Momo’s eyes, Okarun transforming, Auntie Seiko readying her bat—but you don't look at any of them. You only stare, as if in a trance, at the single vertical eye that is now peering at you from the darkness.

It is probably strange that you feel so calm. If you were a normal person, you'd probably run from your wedding altar of incense and offerings. Or, actually—if you were a normal person, your mind would be fraying at the edges, gripped by a desire to self-destruct. You would sob and beg the Evil Eye to lift its gaze and let you go and to return to you your life.

But you are not a normal person. The Evil Eye has never really made you feel particularly suicidal, nor have you ever really wanted to beg for your life before it. Your gaze is calm as you recite your vows from memory:

I shall marry this man. No matter what tragedies may arise, I will love this person, respect this person, console this person, help this person—until death, and beyond it. I swear these things before the gods.

When the Evil Eye makes his vows, it is in speech that human ears cannot understand. From the wedding banquet, the spirits of the house cry, their wails cacophonous and wrathful, and suddenly you realise that something has gone terribly wrong. Something has changed with this ghost wedding, and not for the better, but when Seiko rises from her seat, you raise a hand.

Finally, the Evil Eye recedes. The darkness lifts, although the spirits linger. Jiji’s eyes flutter open, immediately anxious and disturbed. You give him a reassuring smile—and the rest of your wedding party, too.

Something has gone terribly wrong. Still, you go about your business cheerfully. You thank the Taoist priest, and you insist to him that you will clean up the altar yourself. You greet your friends and say that they should head for the reception, which will have food for humans rather than ghosts. You peck Jiji on the cheek, beaming at him, and he relaxes and congratulates you.

He cups your face tenderly, kisses you on the nose. “You look happy,” he says.

Something has gone terribly wrong, but you still smile and tell him, “Yes.”

V. THE OFFERING

Your marriage bed is an altar.

Ivory petals are scattered across the bed, along with whole lilies and chrysanthemums. Sweetness permeates the room, carried by the smoke of burning incense. Flames dance upon red candles, flickering as they cast a gentle, soft light. This is your attempt to set an intimate mood, but the Evil Eye does not feel any form of love—he only knows greed. Every object in this room is an offering for the dead, meant for ghosts to consume, and you are the greatest offering of all, waiting for him on the centre of the bed in white silk. You are more fragrant than any joss, riper than any fruit, and he is the most ravenous ghost in existence.

“Isn't this romantic?” you say, beaming at him, and this is when the Evil Eye understands that he absolutely cannot have sex with you.

The wedding was meant to pacify him, perhaps even allow him to move on, but it only did the opposite. Seeing you before him at the altar, vowing to spend a lifetime with him despite all his resentment and ugliness made bare—it only made him more covetous. To move on would be to give up all the love you’ve offered him, the kind of love he'd been denied his whole life.

The kind of love he cannot return.

But he wants it anyway. And like any ghost, he’ll take it—take your love, your heart, your body, your life—if he is allowed to spread your legs and fuck you.

He knows this intuitively, although Turbo Granny also told him this. If you care for her even a little bit, she'd groused, you won’t go through with it. Then she'd threatened to take his banana and his nuts.

But vengeful spirits cannot care for human beings, not truly. It's a wonder that the Evil Eye is hesitating at all, why he feels a pit when he thinks about trapping you. It must be a consequence of his Vessel, who loves you so selflessly that even his body resists hurting you.

“We shouldn’t do it,” he says outright. You blink at him.

“Why?” You tilt your head. “...are you getting wedding night jitters? Do ghosts get nervous?”

He stares at you, uncomprehending. “What? No! I'm not fucking nervous!”

You frown. “Then what's the matter?”

It'll be dangerous for you, he tries to say, but then you're giving him a shy look and untying the sash around your waist. He swallows as the silk robe drops around your shoulders, pools around your thighs. The ivory lace covering your breasts and your core is so sheer that he can practically see through it. It's delicate, pretty—and he wants nothing more than to tear it off and ruin you.

“Don’t you”—you look so flustered, so cute, an echo tells him—“don’t you wanna make love to your wifey?”

Part of him thinks he might cum in his pants. The other part of him wants to leave. Wifey, making love—those are all words that you use on the Vessel. All words that are meant for the Vessel. You're confusing the Evil Eye with your real lover, under the delusion that he is human, unaware that you're being haunted. The Evil Eye is not the man you wish to marry, to live in a House with, to make babies with, to grow old with.

Unfair unfair unfair it hurts it hurts it hurts please please please I don't want to die. I don't want you to die. Why can't I touch you? Why can't I hold you? Please please please—

“I can't.”

Your brow arches. “What do you mean?”

“I can't make love to you.” He pauses, feels a kind of frustration bubbling up when you give him a confused look. “I don't love you.”

Your mouth opens, and you make a faint, strangled noise before asking, “What?”

“I don't love you.”

It takes a moment. You stare at him; you look down; you close your eyes. Your shoulders shake. You'll probably get angry and throw him out, or you'll just calmly ask him to leave. However you do it, you would cast him out, and it would be for the better. You would remain uncursed, free to live out a proper life with the Vessel, and the Evil Eye would get to keep his nuts.

But instead of doing either of those things, you start sniffling—and all the blood leaves his face.

“You”—your voice is so fragile, and it cracks and breaks and his throat feels like it's closing up—“what do you mean you don't love me?”

The Evil Eye's mouth drops open as you start to sob. “W-wait, wait—why are you crying? Don’t cry!”

You start to wail. “You don't love me! I just married you and you don't love me! How am I not supposed to cry?” Between hiccups and sniffs, you pick up one of the pillows and throw it at him. He's paralyzed, forgets to dodge, and it hits him square in the face. “What did I do wrong?!”

“Nothing!” he yells. His heart is pounding. It's squeezing and twisting and it feels so bad that he nearly wants to dispossess the Vessel. “You didn't do anything wrong! It's not you! It's—”

“If you say ‘It’s not you, it's me’, I'll kill you! I'll really kill you!”

“I’m already dead!”

“Then I'll beat your ass!”

“You can't beat my ass! You're not strong enough!”

“Then I'll banish you! I'll spray Jiji with hot water everyday and I won't let you come out! Not even to have Pampy! Not even to play with Okarun!”

The Evil Eye’s mouth drops open. “That's fucking mean!”

“You're fucking mean!” You look at him, and your gaze is so watery and pained that the Evil Eye can't help but go to you. He doesn't realise that he's wiping away your tears until his fingers are wet, and he can’t find it in himself to push you away when you press your face into his shoulder and cling to him. His arms—no, the Vessel’s arms; it must be the Vessel doing this—tighten around you.

“Why—why don't you love me?” you whine between hiccups, and the Evil Eye should call you foolish for expecting him, a spirit who intends to kill all of mankind, to ever love a human. To think that you could spend all these years around him and be so delusional about his true nature—is it that you've forgotten that he drives people to suicide? That his intent is to someday kill all of you, after killing Okarun? The spirits of the House scream at him to grab your face and force you to look at his hideous third eye, to remind you of what he is, to say you're a human you should die like the rest of them you’re as guilty as all of them, you would lock me in a cage too, you would burn me alive and bury my bones beneath a House.

Instead, he rubs your back until your breath begins to even out. And rather than grabbing you and threatening you, he clears his throat.

“I'm… a vengeful spirit,” he says lamely. “Love just isn't something that's in our nature.”

“Why not?” you sniff.

“‘cause if it were, we wouldn't be vengeful. We wouldn't even be ghosts in the first place, probably.”

“B-but,” you whimper, “we've been dating for so long. We live together and sleep together and eat together. You take care of me and I take care of you. We go on dates and hold hands. We even have sex—like, a lot of sex. You initiate it!” You sound accusatory, and the Evil Eye doesn't understand why. Of course he wants to have sex with you; it's one of the most addictive things about having this body. The part of the living world he wants most, nowadays. “If you didn't feel anything for me, why would you do any of that?”

He bristles. “Of course I feel something for you,” the Evil Eye says, oddly agitated. “Just ‘cause I can't love doesn't mean I can't feel. Resentment is what anchors ghosts to this world in the first place.”

“Then what do you feel for me, if not love?” Your fingers dig into the Vessel’s white suit. “Resentment?”

The Evil Eye stares blankly. He doesn't know how to describe it all—the longing, the greed, the envy for the Vessel. The euphoria and closeness of being inside you, a feeling so good that he didn't even know that such joys existed when he was human. The idea of living in a House filled with wedding photos, the thought of making babies with you that he might hold and touch and kiss. So many things that he never had in life. So many things that he can't help but want in death.

So many things that he can't help but want to trap you for them.

“...no, I don't resent you,” he says. “It’s more like I wanna curse you.”

He expects you to cry more—after living for such a long time among humans, he now has enough manners to understand that it is rude to curse someone who has only ever treated you with unconditional love, even if in error—but instead, you become strangely quiet.

You pull away from him so that he can see your face. It's—hopeful?

“You wanna curse me?”

“Yeah. Curse you—haunt you, possess you, control you.” He shrugs. “The usual things that ghosts do when they're so attached to something that they can't move on. You know.”

“Oh.” You wipe your eyes, and the Evil Eye has to stop himself from helping. “I'm so happy.”

“...you're what?”

“I'm so happy that you feel that way about me.”

He stares at you. “You're happy that I wanna curse you?”

“Yeah.”

The Evil Eye studies you. You never react to him in ways that make sense—you’re endeared by him when you should be afraid; you treat him sweetly when you should be callous; you even seem to enjoy his violence when everyone else always punishes it. Now you’re touched by the idea of being cursed.

“Why?” he asks flatly. “I thought you wanted to be loved. Or make love. Something like that.”

You give the Evil Eye a long, thoughtful look.

“Jashi,” you start, voice gentle now, “what do you think love is supposed to look like?”

A married couple in a House. A baby in his mama’s arms. Three children dancing in a field, giggling in the sunlight.

“Dunno.” When you stare at him, as if expecting something, he grows agitated. “I said it's not in my nature. Talk to the Vessel about that stuff, not me.”

One of your brows arches. “Why? You're my husband”—his heart kicks violently at that; he hates this fucking body sometimes—“I want to know what you think love looks like. And besides…” Your voice gets all quiet, and you look away. “It’s not like Jiji would necessarily agree with my views anyway.”

That gets his attention. “What do you mean?”

You hum. “How do I explain it… well, for example—if I found happiness with someone else and left to be with them, Jiji would be heartbroken, but he would be happy for me. Because he loves me, it's ultimately most important for him that I'm happy.”

A married couple in a House. Two corpses dangling from the rafters. A baby in his mama’s arms. A child suffocating in the darkness, crying for his parents. Three children dancing in a field, giggling in the sunlight. Starving in a cage nearby, I'm so hungry, I'm so cold. Unfair unfair I don't wanna die I wanna play with other children I want to dance in the field please please please why can't I touch you why can't I hold you why why why—

“That's fucking stupid,” the Evil Eye blurts out.

“But that's what he’s told me—and I believe him.” You smile at him. “Now, how do you think I'd react if someone took you or Jiji away from me?”

This feels like a trick question. He squints at you. “The same?” he tries.

“That would be ideal. But honestly,” you admit, “I would resent you all for the rest of my life and then think about killing myself. That's what love looks like for me.”

“Oh.” The Evil Eye nods, relaxing. “Yeah, that makes way more sense.”

You laugh, sounding genuinely amused. “Jiji doesn't think so. It really worries him that I feel this way. It would worry most people, actually.” Then you get a little quiet. “I do want to get better for him, but it doesn't come naturally to me, the way that he loves me.”

He doesn't like the tone you're using—soft, uncertain. Mournful. You feel like one of the spirits in the House right now. He thinks about the way you cradled his bones, and his hold on you tightens.

“Where are you going with this?”

“I'm saying that I don't mind that you want to haunt me, or possess me, or whatever.” Your eyes are earnest. Steadfast with the confidence you had as you unearthed his grave. “To be honest, being cursed by you isn’t nearly as frightening as being loved by Jiji.”

The Evil Eye cups your face, thumbing away your tears. Would you cry like this if you knew what it would mean, to be possessed by him? Would you regret your offer to him, the way that the Vessel regrets his? Or would you stare at his true face as you did at the altar and vow to love him anyway?

Instead of asking you any of this, he allows you to loop your arms around his neck.

“I want you to make love to me,” you murmur sweetly as you climb atop him, and that makes him pause.

Two corpses dangling from the rafters. A child suffocating in the darkness, crying for his parents. Starving in a cage nearby, I'm so hungry, I'm so cold. Unfair unfair unfair why can't I touch you why can't I hold you why why why—

“I said I don't know how to do that.”

“Fine,” you say, and then you’re pressing your lips against his, grinding your cunt against his hardening cock. “Then curse me instead.”

VI. THE DEMON

You've always known that the Evil Eye couldn't love you in a normal way.

It was obvious from the outset, simply cataloguing him for what he is: a monster born from human sacrifice; a curse that drives people to madness, to suicide; a thing that regularly exploits Jiji for his body and makes him commit violence against his will. Jiji and Okarun and the rest might be delusional about the Evil Eye nowadays—thinking that he's just like a kid, that he just wants to play, that he’s in love and wants to get married and play house—but you are not. He can't play with Okarun in normal ways, and he can't love you in normal ways. Every desire ends in blood. That's how it began for him, after all. How he was born.

Your mind has always known this, but your body only learned it the first time you had sex. The Evil Eye doesn't know how to make love to you the way that Jiji does. You’ve tried countless times now, and he's even demanded that you make him do it that way so that he knows what the Vessel gets to feel during sex with you. You've kissed him deep and slow, gently touched him until he felt desire, taken him inside you and pressed your forehead to his. Just like that, you encouraged him countless times, you're doing so good. Good boy. You're doing so well. I love you.

You always end up with your face pressed into the mattress, cheeks wet with tears and throat hoarse from screaming. Sore and bruised and fatigued and it's too fast, it's too big, I can't, please, and with any other man you'd probably hate it but when it's Jashi you always end up moaning and begging for more. You'd always thought you’d be disgusted with yourself for having this kind of sex, but with him, you feel too good to really care. All you can think about is his teeth marking your neck, the cruelty of his rough hands, how his cock fills you so well that you can hardly breathe.

He’s taken you like this countless times, but something feels different about it right now. It might be the incense, so thick in your throat and your lungs that you're dizzy with it. It might be the fragrant petals crushed beneath you, soft and strange things that you stole from your wedding altar. Flowers for the dead, the priest had said to you, given to the ancestors, or to bodies as they're lowered into the ground.

You think maybe that's happening to you, right now: you’re dying, you're being torn apart, you’ll break in Jashi’s hands. It'll leave a mark on your body for a lifetime, forever—and you don't need to be saved.

But even after being fucked so many times, even after your mind has been made so hazy and distant, you're still trying so hard not to come apart at the seams. An agonizing pressure is building in your belly, and you can't let it burst. It’s inconvenient when you get too wet; it makes Jashi switch, which is normally hilarious but would feel catastrophic right now, when you’re drunk on the feeling of his cock inside you and don't want any of this to end. But it's so hard, keeping yourself from drenching him—you can hardly think when he's fucking you like this, let alone control yourself.

“I c-can't anymore,” you whine. “Jashi, you gotta stop, I need a break, please—”

Jashi doesn't care. He takes and takes and takes, and of course he does. It's in his nature as a vengeful ghost, as an existence so empty it can't do anything but consume the life around it. It's not enough that you’ve been ruined by his cock, that you're being used like a fleshlight. It's not enough that he’s made you cum countless times—not out of consideration to you, but simply because he's addicted to the feeling of you squeezing and milking him. It's not enough that he's spilled himself inside you more times than should be possible, uncaring of the consequences. It's not enough, it's never enough—he always needs more from you; more tears, more begging, more feverish, white-hot pleasure.

You shouldn't be surprised when you feel his hips start to stutter again, his cock twitching inside you. Some distant part of you is alarmed anyway, even as your cunt tightens around him, eager to be filled. You've never let anyone fuck you raw before tonight, never had anyone fill your womb up like this—not him and not Jiji; you've always been too afraid of pregnancy—but with each passing moment, it is harder to remember why. Not when it feels so good to be pumped full by him, your body flooded with a strange warmth each time. Unnatural, you keep thinking, this feels weird, he's doing something to me, he's cursing me, he's claiming me. But all you do is wrap your legs around his waist when he cums again, greedy for more, and you sigh in relief at the feeling of it.

He has to stop after this. He has to be sated. He pulls out, his cock throbbing against your swollen pussy, painting it a creamy white—and then he throws your legs over his shoulders and sinks back into you.

“Nooo,” you moan, squirming, thrashing, knowing you'll burst if he fucks you again. “I can't, I can't—I can't hold it in anymore, I can't—”

“Then don't,” he grunts. He looks straight down at you, his weight heavy on you, oppressive, unnatural. You hold your breath as you look at his face—dark and vicious, the vibrant eye on his forehead enrapturing. For the first time in your life, you feel a madness creeping in as it stares at you, fraying at your control. You can't move, can't resist him, can't think, and when he starts thrusting again, your body floods with a euphoria so hot that all you know how to do is cry.

You’re going to break from the ecstasy.

“W-what,” you gasp, “what are you doing to—”

Something hits your sweet spot, and your voice clips off into a desperate whimper. His cockhead starts grinding against it, and you try so hard to squirm, to stop, to control yourself—but whatever he's done to you has made you weak, pliant, and you feel yourself start to pulse. Pinned beneath his gaze, you can neither get away nor fight it. You can only surrender. The pressure is too much, your womb is too hot, and suddenly your back is arching and you feel like you're dying as you gush all over him.

You're in hysterics as you come down, panting and gasping for breath. “No more, no more,” you beg, squeezing your eyes shut, clinging to him. You sob into the crook of his neck, and finally—finally—he relents.

He’s gentle as he pulls out, careful as he sets you down on the bed. Kisses pepper your cheeks, your eyelids, your lips. Then, finally—his forehead pressed against yours, lashes fluttering against your skin.

“You're alright,” Jiji murmurs. “You’re alright. I’ve got you.”

VIII. THE CURSE

The Evil Eye has cursed you.

Jiji saw it on your body: a sunburst of strange characters on your stomach, an eye in the centre. The Taoist priest had broken into a pale sweat at the sight, its implications: if anyone else tries to touch you, whether with the intent to do harm or pleasure, then the untold carnage will be wrought upon them. Should you ever try to leave the Evil Eye, he will drag you back with such violence that it will shatter you. That so long as that vengeful ghost is bound to this earth, then so too shall be you.

Jiji is less worried than he probably should be. He doubts that the Evil Eye would truly ever hurt you, and also doubts that you’re physically capable of leaving him anyway. Ever since being marked, you haven't been able to go a day without having either of them inside you—brutally if it is with the Evil Eye; gently if with Jiji. Either way, you’ve been desperate for their touch, plagued by an all-consuming lust if you can't have them. It puts a wrench into all the plans for your respective careers and for the long distance arrangement. Auntie Seiko plans to train you to suppress the curse, but it isn't sustainable.

Privately, though, there's a part of Jiji that doesn't mind the excuse to see you all the time. It’s not that he wants to deny you your freedom, quite the opposite, but—you're his beautiful wife. And he's ridiculously in love with you. He can't help but miss you every day you're apart, and he also can't bring himself to complain about this particular aspect of the curse.

He also understands the Evil Eye for doing this to you. Sure, cursing you wasn't Jiji’s first act as a newlywed—but he also kinda gets it.

Jiji shares dreams with the Evil Eye, sometimes. He sees within them everything that the Evil Eye has experienced—not just as a demon, but as a spirit, a child, a waif. Sometimes he hears the thoughts that he once had, the ones that made him turn vengeful: unfair, this is unfair let me go it hurts it hurts please stop please stop help me help me help me I don't want to die.

Doesn't anyone love me enough to save me?

After all that? Of course the Evil Eye doesn't experience desire the way that a human would. Of course playing with someone is the same thing as killing them. Of course loving someone is the same thing as cursing them. And the Evil Eye loves you—that much is obvious, would be obvious to Jiji even if they didn't share a body—so of course his instinct was to carve you open and mark you with his spell.

Jiji feels poorly about it sometimes, guilty and selfish and like he should have ended things after all. Then you'd be free to love whoever you want, without the threat of certain death looming over you. But then you smile at him in bed, so tender and pretty and glowing beneath him. “I'm glad I get to be with you both,” you sigh, and then he can't really complain. After all, you're his beautiful wife. Jiji is ridiculously in love with you. Of course he wants you to be happy.

If it really ever comes down to it, if you really ever wanted to leave—Jiji knows he'd have himself exorcised. He'd rather die than hurt you. But the possibility seems so distant right now, with how you're studying the stone monument before you. You seem peaceful, tranquil, a calm figure cut against a placid, blue sky. Jiji guesses that's appropriate: cemeteries are meant to be resting places.

This plot of gravesoil belongs to the Enjoji family, and there is a spot carved out for you, right next to the space reserved for him. You bear his surname now, so when the two of you pass, you’ll be allowed to rest side-by-side. He already knows what the Evil Eye would say to that: you'll live in a House together and make babies together and eventually die together and be buried together. And if Jiji could talk to him, if he could for once directly speak with the monster inhabiting him, he'd beam at him and say yeah, we sure are.

But the Evil Eye would miss one thing, and it's that he'd also be buried with you. He'd be buried with both of you.

In your hands is an urn, plain but dignified. It carries the ashes of a waif hundreds of years old, the remnants of a brutal sacrifice. The last step of a ghost marriage is to bury the bones of the bride with the remains of the groom, but you're an Enjoji now, and Jiji’s family does cremations, not burials. When the time comes, you'll be burned, and your ashes will be mixed with those belonging to Jashi. He’ll go before either of you: by the end of the day, his remains will be in the crypt, though Jiji doubts his spirit is going anywhere.

“We’ll be interred with each other, someday,” you say to the ashes, tender. “But first we’ll spend a lifetime together.”

Then you turn to Jiji, your smile sunlit. It's shy, because you're always shy around Jiji—even though he's now your husband and you’ve married him in front of five hundred people and he's made love to you every which way on every piece of furniture in the house since then—and you add, “And we’ll spend a lifetime together too.”

Jiji laughs. “I guess you're stuck with me,” he says, and a frown briefly overtakes your face.

“We’re all stuck with each other,” you correct him. “You're cursed as much as I am.”

“I guess.” He scratches his cheek, sheepish. “Sorry you ended up with a husband who’s possessed by a ghost.”

“I wasn’t talking about Jashi,” you say, and you seem a little uncertain, but Jiji can't help but smile. Partly because he appreciates it when you're earnest with him, but mostly just because he loves you.

“You're so beautiful,” he says, “did you know that?”

You huff at him, turning around. “You’re too much,” you chide, but he hears the fondness in your tone. Jiji grins, and—in the privacy of the cemetery—takes the opportunity to loop his arms around you. You giggle when he squeezes you, and then your voice goes quiet.

“I love you,” you say, “did you know that?”

“Uh huh.” He spins you around so he can waggle his brows and give you his most reassuring look. You snort violently at his expression. “It’s super obvious. You can't resist my charms.”

When your laughter passes, you look down at the ashes in your arms—the child that you carried out of the House.

“Do you think,” you ask, voice odd, “he knows that?”

Jiji’s eyes soften. Because he shares dreams with the Evil Eye, and sometimes he shares thoughts with him too—like the pain in his chest that's been aching ever since he found his parents hanging side-by-side from the second floor, the one that grew every time he found the body of a spirit medium, the one that choked him when his relatives called him cursed and slammed the door in his face. He slept on the ground in front of their house after that—he didn't want to go back to the place where his parents nearly died—and called Auntie Seiko the next day, when he realised that they truly didn't want him around.

Sometimes he shares dreams with the ghost haunting him, and when he screams in his sleep he can't tell if the voice in his throat is truly his or if it actually belongs to the Evil Eye. But no matter its origin, it goes quiet when you hold him in bed and kiss his forehead. Just like how it went quiet when you carried that skeleton out of the House.

Doesn't anyone love me enough to save me?

“Yeah,” Jiji says. “Yeah, he does.”

END

some general notes:

this was a weird fic to write. ordinarily I would write the evil eye as having a childish and immature narrative voice; however, I (1) had to balance it with an aged up characterization, and (2) did not want to get cancelled, so I instead ended up with something in-between that feels a little awkward

there is jiji-focused companion fic that is like 50% done about him fucking you nasty after he switches places with the evil on your wedding night. I will probably finish it and post it when s2 comes out LOL

i know this is not my best writing rip please forgive me

some cultural notes:

taoism has real-life sex magic practices and places a lot of significance on, err, certain bodily fluids in terms of spiritual energy. none of these beliefs have anything to do with getting cursed via freaky ghost marital sex, but they served as the general inspiration for the curse in the fic (alongside dandadan canon, which coincidentally also places a lot of spiritual significance in sex and sexual organs lol)

the vows recited by the reader are a modification of standard japanese wedding vows (found on Google, take with a grain of salt). incidentally, western-style weddings are apparently quite popular in Japan, hence the decision for the bridal dress.

a lot of the wedding details are inspired by chinese funerary practices in addition to actual taoist ghost marriages. I took a lot of creative liberties with the wedding scene in general; real-life ghost marriages are quite different (from my understanding; I have never attended one)

#srb

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your-turn-to-role · 3 days ago

Note

if it helps at all (reblogging directly from you starry bc can't tag you) - as someone who gave up on it pretty early on bc it wasn't really my thing, i have been wanting to look up more positive opinions on the campaign recently, i've just been really busy so haven't had time to respond to anything but what's on my dash, which yeah is a lot of critique, and with what i do know there's definitely stuff i'm not a fan of, sure

but also like. the critical role cast aren't some corporation just trying to squeeze money out of this show, like a lot of the things c3 has been compared to are

while they could have, in retrospect, probably made better decisions to really pull off whatever they were going for, they're also playing the game that makes them happiest (and they're putting it all online for free it's not like they're obligated to follow the fans' ideas of what should happen)

if you enjoyed it all start to finish, you're honestly a perspective i'd like to see round tumblr more! you're seeing what the cast see in this narrative and that definitely doesn't make you wrong or stupid. if there was no value in this story whatsoever they would have stopped a long time ago

as megs said, being able to articulate an opinion well doesn't make it objective truth. god knows i can pull out a million references for any of my essays but when i write them it's always gonna be me shining light on a specific angle of the narrative that appeals to me. other people can choose to pick a different angle and still be just as right, regardless of whether or not it's something i personally would enjoy looking at. and that's even more true in a fandom like this, where every narrative is in fact 7+ narratives that we hope will weave together well, and there's a million things to focus on that haven't all been handpicked by the creators for the sake of telling a singular story

if you're seeing an angle a lot of people aren't focusing on, hell, celebrate that! i love hearing about the moments that genuinely appealed to people, it just feels like there's been fewer and fewer of them focused on bells hells the longer the story went on. but i've also been in fandoms where i truly genuinely enjoyed the ending of a particular story and thought it was well told the whole way through, and then it turned out 99% of the fandom thought the ending was rushed and it ruined the whole thing, so i definitely get how that can feel a bit crushing and like you're fighting a tidal wave

(and hell to your tags about being worried c3 will become an automatic skip in the fandom - i also really love a lot of the c1 episodes before ep24 and think there's some great character stuff there that a lot of people skip bc orion or because the briarwood arc is where it gets 'good', so im with you on that one. it sucks but it doesn't mean i can't talk about, say, trial of the take, there still are and always will be people in the fandom who've watched it, and there will be even more people who didn't watch it but are glad to find out what's in it because they couldn't find out themselves)

so yeah all to say if you ever wanted to write about c3 stuff you loved, im on your side here

if you're just sad that the fandom reaction to stuff you liked has been overwhelmingly negative, that's also fine, and doesn't make you any less a valued member of this fandom

idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry

I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.

There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.

First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, which does strengthen his arc in its own right.

This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.

So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.

I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.

Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.

At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.

I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when no developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.

Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.

This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.

And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.

#cr spoilers #apologies for making a long post even longer #but for real my disappointment and frustration at aspects of it don't negate anything good people found in it

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