#I'll post her lore later but for now have this lol

[srenorsomethin9]

I just finished making Starlight's Step 2 Bio! This girl's trying to keep it together while dealing with her own shit lol.

I'm just gonna dump some info about her about her:

She took fencing as her after school activities cuz it looked cool (I dunno if like that even exists in Golden Grove but let me dream lol)

She dyed her hair the same color as her mom's so that it'd be easier to tell she's her child (it got annoying having to deal with people saying she doesn't look like her mom)

She modernized her outfits abit because people kept telling her that she dresses like a person in the 1900s

She's taller than most teens her age & gets mistaken for one of the upperclassmen

She started walking instead of riding her bike in between Steps 1 & 2 because her bike wouldn't be able to carry her fencing equipment

Despite her crush on Qiu, she gets nervous around them because of their cold personality

She realized she had a crush on Tamarack around Step 2 (Asteria already had a crush on Tamarack all the way back in Step 1 but she wasn't sure if it was one since the concept of having a crush with the same gender was new to her)

Fuckin people pleaser lol

[hide-your-bugs-away]

The Animal-squad and I are seeing Peter Noone from Herman's Hermits tonight!! 😎🐾✨️

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[local-lamppost]

Act 3 Thoughts

Watched Wicked, came home, waited 20 minutes, binged Act 3. I do not recommend this lifestyle. Anyway...

I was so satisfied with where we ended up, but I would have also appreciated about 20 minutes to an hour more. It felt like some beats were skipped over, they wanted to get to specific endings and didn't have the time to wrap them up as neatly as I would've liked.

Maddie is a good example. She's a plant for Ambessa, okay but when and why did she become one? She couldn't have been one before Cait being named commander and when we next see her she's pushing for Cait to take power back from Ambessa. Did Ambessa just message her right after Cait and Vi started working together again as like a "the woman you love's actual love is back in the picture, you can either wallow or get revenge with me", but also made a smarmy remark about Cait 'at least being warm' or something. We didn't need to absolve Cait or villainize Maddie for their 'relationship' because they didn't even have a relationship-just a coping mechanism for Cait, similar to Vi's drinking. At best it was all unnecessary and at worst a waste of time.

Away from that, I want to focus on some good.

I am officially a JayVik shipper now. Them disappearing into a void together, encircled with each other, after Viktor spend however long within timelines/multiverses in hopes of finding a Jayce able to bring him back to his humanity? Come on, they needed to kiss. Especially after Jayce and Mel's low key break up. Honestly we were denied the three of them working together, because they would have been unstoppable.

Speaking of Mel, I love her. I love her design, her powers, her matricide, her taking command of Ambessa's armies, etc. I wish we could have seen more of her adapting to her new powers, finding peace with what she now is. There could have been a cool interaction with Viktor over how Arcane power has changed them both for better and worse.

I don't think Mel's story is done. With other characters, I can see them coming in for future story arcs as like, cameos or background details, but if the next LoL story is in Noxus I fully expect Mel to be a major player again.

Back to Jayce. I like Jayce, that could be my Arcane hot take, and I definitely want to write something more in depth on him. On all the characters really. For now, I'll just say that his determination to destroy everything he has built, because the only creation worth saving is his relationship with Viktor is just... glorious.

Viktor was amazing. I love Viktor in the lore, and they took his traits from the lore and amped them up to eleven. His body being destroyed and rebuilt, the process of which has chipped away his humanity and mutilated his dreams. He lives up to his own quote: "In the pursuit of great, we failed to do good. We have to make it right."

Ekko is a character I never realize I miss. That sounds mean, it probably is, but I am never the less so happy to see him every time. It's like finding the missing piece you didn't even know was lost: that is Ekko to me. His mini adventure in the parallel universe was adorable. Us getting to see what could've been alongside learning what matters most to Ekko, him getting a taste of a near perfect life and still choosing to return to his own time. That's why Ekko is the true hero of this story.

In terms of Jinx, I'll just say I'm not a hundred percent sure she's dead. The airship leaving at the end followed by her scribbled sign off, plus not getting a dead body shot. It was definitely left open ended. Her looking to do something good, to not mess up, alongside her fear of not wanting to try again because she is just tired of failure, of being a Jinx, was too real in many ways. I will go in depth on her at a later date.

Caitlyn's arc is going to be argued about, no question. It needed more time (see the start of this long post) to make her point of her anger burning away, of it not being sustainable, hit harder. I would have made her realize what her anger was doing to Vi, have Jinx point out that they really are acting the same in their treatment of Vi, and use the whole Ambessa was literally stoking the fires of her hatred to help fit what time they had left. Honestly just have Cait learn Ambessa was the one behind the memorial attack, that would be a much better way to explain her anger diminishing enough to look beyond her own hurt to realize and take account of her mistakes.

Vi, as usual, needed more screen time. Not necessarily because her story would've been helped by it like in act two, but just because I wanted her to have more time to enjoy her life. I went into act three with the sole hope that Vi would have a nice day, only for her to loose everything again. The only people she has left are Cait and Ekko, and god help anyone who tries something against those too now. Her ending being the chance to finally rest, to lean on someone else, was beautiful. She is my favorite character and please let her have only good things in the future, she was traumatized in almost every scene this season please-

Nobody tell Vi that in a universe where she died young everyone else ended up living. It would destroy her.

Vi and Cait relationship was great. I wouldn't say it was rushed in act three, because it felt like it was where it should be for a final batch of episodes, if that makes sense. It felt like the set up was Cait being genuinely remorseful and Vi just wanting someone in her life who wanted her in return. It helps that they have great chemistry and that when given the chance they fit so neatly together. I think Jinx encouraging Vi to be with Cait is what sold it to me. Jinx realizing how much Vi has given/sacrificed and giving her blessing for her sister to be happy with someone she disapproves of; not to mention Cait pulling the guards from their posts to give Vi the chance to actually meet Jinx in order to have that conversation. All in all, it comes down to Vi's "I don't care" because that's really all there is too it for them. Vi is done being miserable and Cait makes her happy, vice versa. Cait is someone Vi can rely on, Vi is someone Cait can find strength in.

Spitfire round:

Sevika being made a councilor

Every single one of Mel, Cait, and Jayce's designs were 10/10s

Vi not being given an actual uniform, just armor and the gloves

Jinx cutting her hair further to match Vi

Ekko getting his crystal sword/bats

Heimerdinger dying after living a life where he could make his city something to be proud of

I was fully expecting Vander and Silco to kiss in that one shot

Everything with Benzo

Loris' name being said

Vi humming the song and the song being their mother's lullaby

Viktor being held within the Herald

Sky leaving so Viktor was free to bring Jayce to his space mind palace

Caitlyn's rifle never surviving

Fishman McBlue being the only one of Cait's soldiers to stick to his guns and stay loyal

Sevika and Shoola side eyeing each other

Vander and little Vi and Powder with the bunny

The bunny being a passenger on Jinx's balloon

Singed's messed up family getting a happy ending

[namelessdumbass]

Rite Here Rite Now

It was amazing and funny. Copia girlies and boys fucking won!

I expected different outcome, tbh. Tobias managed to surprise me and also made me a tiny bit sad (reasons will be explained in the spoilers below).

The film consists of like 95% of concert footage and 5% of off stage/plot stuff. The quality of sound and editing is just 🤌 I expected the live of Twenties to be good and gosh Ghost delivered. And Mummy Dust...Tobias let Mary Goore out! But i honestly prefer Terzo's version (CaD) better. Sorry not sorry haha. Ghouls/Ghoulettes footage. Everyone who loves them will be very veeeery well fed!

Dance Macabre live...i was'nt wrong when i called it a satanic gay party 😁

The movie is worth watching and i do hope Ghost releases it as soon as possible for all those who were not able to go.

The spoiler free review ends here. Don't read further if you don't want to spoil it for yourself. And please, don't copy them and paste it everywhere for the sake of ruining other people's fun! Seriously, don't fucking do that!

If you accidently clicked here, don't worry! spoilers will be below and you still have a chance to avoid them :)

Alriiiiight:

Movie starts with Saltarian who tells fans to record for the first 2 minutes, to show how happy they are etc and posted a qr code for fans to upload those recordings. I guess it will be put up on RHRN website. We'll see. There were also photos of fans who attended LA ritual. I fucking loved the person who showed up in a giant Plushia suit. I LOLed! Then fans were asked to put down the phones and enjoy the movie. The beginning was narrated Star Wars kinda style (a little bit) with the small recap of the chapters and about Copia's worries that he might die. And yes, it literally began in space lol. The movie is basically is like what we saw in small snippets Ghost posted earlier. Plot mixed with a really good show.

And the plot: -Short footage of Copia and Ghouls arriving. ALmost the whole set was the same as any other concert from Re-Imperatour + a few awesome exceptions. -Dews does that annoying thing with guitar, Rain stops him, takes his pick and throws it into the crowd and Dew...he freaking showed him YouSuck sticker on the backside of his guitar. Peak Dew moment! -Copia asked the right question about the Clery. He also does not quite understand what it does, why and where it goes. I suppose Tobias decided to thicken the Ghost lore a bit and will have more clarity in the nearest future. -Remember when Copia jumped at the end of the Watcher in the Sky? He ended up in one of those stage boxes (for equipment or something) and is taken to the stage B. While he's carried to it by Kevin he has a chat with Nihil's ghost. Nihil says he recorded not 2, but 3 songs. That probably means that we'll hear a new one. (UPD: the new song we heard during the credits, "The Future is a Foreign Land" is Nihil's 3rd song! Confirmed by Tobias himself in a new interview). He also tells Copia to breath in deep and then farts. -On the Stage B Copia sings "If You Have Ghosts". 3 Ghoulettes played piano and violins and the 4th one did the haunting ghost-like opera vocals. It was beatiful. Copia kissed her hand. -He then wore boxing robe and went next to crowd. Almost the whole scene was shown in the trailer. -Btw, remember that silly moment when Nihil's eyes were crossing? Well, Kevin was also included in that staring contest. -Twenties live. The skeletons, the performance and one of those skeletons who crawled between Dew's legs...that's hot. -Nihil calls Copia "son". Copia calls Nihil "Dad". Cardi will insult him later, don't worry. -Nihil/Seestor cartoon during MOAC. Yes, that's when Sis hit him with the car. Basically it's what happens after "Kiss the Go Goat" mv. Sister leaves and Nihil runs after her. "I'll never let you go". They end up kissing in a coffin on a graveyard , later Nihil wakes up naked in a bed in a motel and we see Sister leave. -There was a moment in a movie when we see Ashley (stage crew) bring Copia a new pair of shoes and put the on on his feet. Tobias, goddammit what the hell was that? :D -Seestor was a in wheelchair all the time -She and Nihil encouraged Copia throughout the whole movie and gave him a piece of advice. -About the baloon from the poster. Copia flies on it after finishing the set...or he imagined that because a few moments later after Nihil/Seestor flashbacks he ends up on the floor and watches Seestor die. All of the Ghouls and Ghoulettes also stood right next to her. -Copia has a twin brother -Copia didn't die and became the head the Clergy (Father Imperator or something like this). He found out about his new position from a letter Seestor left for him. -New song during credits (credits show dictators, assassinations, wars and the use of nuclear war). Years 1984 and 2024 mentioned. The song is not heavy. -Ghouls/Ghoulettes real names mentioned in the credits -Funny post credit scene with Copia. He had no piant on and had a new cool drip (with black jacket and red and black cross). Seestor is also a Ghost now. Tobia's children cameo. They're also Ghosts. -Papa V is teased the same way Copia was teased in a chapter 1. They even used the same music (Pro Memoria). No face reveal. Either he will be revealed in new Chapters or at some point during the new tour???

-aaaand my biggest disappointment: no footage of Primo, Secondo and Terzo. Literally ZERO.

I mean, Nihil is a Ghost, Seestor also became a Ghost, even Tobias' children made a cameo as Ghosts, but nothing for previous Papas? Really?! The same could have been done for them, but i guess Tobias doesn't care about them anymore :( And it hurts. I know that's my fault that i had so many expectations and hopes, but holy shit :( As a newbie who never saw previous Papas, i'm so sad i'll never get a chance to see them and there won't be any new footage of them. Being Terzo widow is so hard. Guess that's why i'm a bit salty Copia lives (sorry, guys, i like him, but i also hate him haha)

And yes, as it turned out the twins theory from Square Hammer was true...but not for Terzo 😭

I enjoyed the movie nevertheless. It's fun and kinda gives you an opportunity to see the band "live" if you've never been to a ritual before. And yes, the movies was'nt just about Papa IV and his fate, i believe it was also Tobias' message for us to enjoy the life rite here rite now! As i said, Copia's girlies and boys truly fucking won. Congrats, lads, your Papa lives and will live! I bet that feels amazing. Thanks for reading! P.S. since you know the plot, don't spoil it for the others please.

[clare-with-no-i]

theogony part 1 behind the scenes

**SPOILERS ahead for theogony and mild spoilers for Outlander!**

this is just going to be a long infodump of all of the things I pondered while writing theog (specifically part 1, part 2 will come later) but never talked about! I'll try to go chapter by chapter, and maybe I'll end up adding more later on, but for now I just think it'd be fun to chitchat and reminisce on some of my favorite tidbits. this story is really my baby idk :")

Prologue - Alalá

one thing that I wanted to establish in the prologue, other than the obvious James-Sirius dynamic, is the presence of otherworldly or spiritual premonitions in this universe. it was always important to me that the first person who actually made any sort of prophetic declaration was James.

so much of the story relies on Lily's status as an oracle, but this little tidbit here helped build the world for me so much; we can't be sure if James's various dreams and premonitions are wishful thinking, or really the Gods speaking to him, or something else entirely. of course, this story deals with time travel, so there's an inherent supernatural element. but Lily and James's conflicting ��� and sometimes competing – conceptions of God felt like such a necessary tension for me to explore. it was such an incredible shorthand for the tension between modern and ancient sensibilities. and we never get a definitive answer to those looming questions, which I knew I wanted to do from the outset. did the Gods bring Lily back to the past? did James? did she do it herself? does God/the Gods even exist?

also: there are probably moments where I failed to do this, but I tried to capitalize Gods in all of the James chapters but not in Lily's, unless she was referring to the Abrahamic Capital G God. that is, until the last chapter, which I'll elaborate upon later :)

also: i wrote the prologue first, then the epilogue, and then i posted the prologue pretty immediately after. I had the entire story roughly outlined but I absolutely jumped the gun when it came to posting the prologue LMAO I didn't even really announce the story, I just joked about writing it and then posted the prologue, which you can see from the beginning note. i remember Suze was about to go to sleep and she started messaging me like wtf Clare what do you MEAN?

and the rest was history (pun completely intended)!

Chapter One: Ouroboros

the narrative brushes past the other statues in this section pretty quickly, but I always imagined that the first bust is Philoctetes, James's father. I think the consensus on this one tends to oscillate between Philoctetes and Aristides, which is another great interpretation.

The reason I wrote it this way and imagined it to be Philoctetes is because I thought it would have been nice to let Lily 'meet' James's father (in a sense), even before she 'meets' him. when I read this chapter back after I first finished the story, I had a very soft moment where I close-read my own fic (lol) and thought that maybe it was Philoctetes who sent Lily back to the past. maybe he sensed something about her and knew she'd be right for James and for antiquity.

sooo many people forgot about this! which i was hoping for!!!!! I was hoping everyone would forget about James's statue holding something until the Big Reveal. fun fact is I wrote the reveal right after this. I liked the idea that, no, he was never going to actually be holding anything. he'd be reaching for Lily. the choice to accept his hand was always going to be hers.

a fun fact about this chapter is that I had to pull from a bit more Outlander lore than I originally thought. and no I don't mean the 'Jesus H Roosevelt Christ' part lol. It was always hilarious to me how Outlander set up Claire to be the objectively perfect person to go back in time. she was a combat nurse who happened to develop an interest in medicinal botany and Scottish-English history. she also happened to spend her formative years with her adventurous archaeologist uncle after her only living relatives died. like girl. lol.

so I had to really toss up which traits I thought it would be appropriate for Lily to have as she traveled back in time. the biggest one, obviously, is her field of study, which was necessary given the language barrier and the completely foreign nature of social norms in Classical Athens. I toyed around with the idea of making her mum a nurse so as to give her some base medical knowledge, but that felt a) unnecessary given the circumstances of the story, and b) far-fetched that she would have gleaned enough transferable skills to apply in 479 BCE.

it was also fun to give her more reason to go back to the future; she has a sister who, while they aren't in contact, is a significant emotional attachment; she has academic goals; she has a best friend (however toxic we know him to be). it added a layer of conflict that I enjoyed playing up, even if I definitely could have explored her modern life more fully.

Chapter Two: Kinesis

soooo much exposition and worldbuilding in this chapter. oml. it was so much fun to play around with the reasons why James would be in Tatoi in the first place; I can't remember quite how I landed on the Persian auxiliary soldier thing, it might have been from my initial (admittedly extensive) research on the months leading up to Plataea; it may have just been the fact that I KID YOU NOT this story used to take up all of my fucking brainspace. I couldn't stop thinking about it. I'd be doing work for my research fellowship and just daydream about theogony. the initial idea came to me AS A JOKE!!!!! when i was idly pondering before going to sleep (as one does), and then it just wouldn't leave me alone. i kept imagining what it might look like. I thought about how the time travel might work. I thought about James's Greek equivalent. I ranted to my sister and her dog (he did not care) about what the statue might look like and mean (sorry bestie love u).

one narrative decision that has given me a bit of strife was the Dimitrios-James name change. I've had a number of people ask me if I'd ever try to pubilsh theog – and this is one of the (many) reasons why that would be pretty categorically impossible. using James's English name in his internal narration, instead of the name I give him as a Greek man, is something that only translates to fic. it makes pretty much no sense at all if you consider these original characters lol.

honestly putting the word 'practicum' in here caused me SO much pain. in James's chapters I tried really hard to use words which had Greek roots and not Latin roots, even if they're in modern English today. in most of his chapters, I'd try and find synonyms for big/complex words so I could use ones that came from Greek. it just helped me stick to his narrative voice a bit more.

I forgot how much STUFF went on in this chapter. oh my god SO much happens?? we get the lack of the Parthenon as the time marker (felt very clever doing that), Lily processing the fact that she's time traveled (lazy writing on my part to not have this happen in a Lily POV chapter but I'll take that on the chin), the Plataea reveal. OML. tired just thinking about it. lily sweetie i am so sorry

guys, the amount of time I spent wondering if I should Greek-ify Sirius's name is insane. For so long I thought about making him Seirios, which is the original Greek version of Sirius. But I felt like I had already messed with their names too much, and so I left it. but honestly I'm still torn. looking back, maybe it would have been the right move to make him Seirios and have Lily give him the name Sirius, but I guess we'll never know!

one of my favorite Sirius moments, and something that, essentially, sets up the rest of the story. but I wanted there to be a little ambiguity throughout the story about how much of this Sirius actually believes.

we know that James has just confessed to Sirius and Pétros that he was hoping they'd desert the Athenian army. we know that he thinks he's going to die, and he's adopted this sort of fatalist view of his future. and then here you have Sirius, who could never abide such a thing, pretty much leaning into the idea that Lily can tell the future – which would allow him to challenge James's prediction. I always wanted to leave it up to interpretation, and I know it comes up in later chapters (at the komos especially), Sirius's skepticism about Lily's origins. but it's such a fun question to ask: does he really believe that she's the Oracle that James prayed for, or does he just need that to be true so he can try and influence the future himself?

Chapter Three: Peribolos

omg. lol. the chapter three opening academic argument scene. this is a favorite of mine, and something I had so much fun writing. it's actually based on an argument/"spirited discussion" I had with my dad a few years ago about moral absolutism versus moral relativism which forced me to interrogate and expand my knowledge on the subject. I thought it was such a fun way to get into Lily's politics and her character without doing crazy exposition in the ancient world.

it also touches upon one of the touchstone themes of the story: that to study something is, in a way, to detach yourself from it. academia is routintely completely disconnected from its subject matter, and it creates this weird disdain for lived experience versus book knowledge. Lily has spent upwards of ten years studying (in some capacity) the ancient world, but she is so utterly out of her depth when she experiences it herself. as such, she espouses these very revolutionary politics when examining historical conflicts, but she has a blindness to what the real-world realities may have been for the people living in those conditions at the time.

alsooooo, The Return of Martin Guerre is one of my favorite books I read in college, and the easter egg here is that it's about a person of dubious origin entering a community and the politics of how the community might accept or reject them. ha ha!

^^based on something I said in an argument with a Poli Sci major in college and I have to say one of my better moments. was an absolute haymaker. this was very 'author gives main character a zinger' of me and I will not be ashamed of it

this! ladies and gentlemen! this was basically a declaration of love!!!! to be loved is to be remembered!!!

in a very romantic way, the study of history can be such an act of love to those who lived before us. i just adore the idea that, even before Lily developed real romantic feelings for James, she had this itching sort of feeling; AKA, when someone has made such an impression on you, and you know (or in her case, you think) that you'll be leaving them at some point, and you just want to be interesting enough, be impressive enough, that they remember you, that they think of you randomly as time goes on. that is such a giddy hallmark feeling of having a crush, in my book. I liken it to making eye contact with someone or having a brief conversation on a night out, maybe at 3am on your way back from a bar when things are sleepy and dizzy, and you just have this sense that you're being seen in that moment as anyone you want to be. i love this moment so much I feel like I could give it its own meta LMAO

Chapter Four: Hamartia

this chapter really put the pedal to to the metal lol. at the time of writing the story, I generally didn't (and still don't) love fake dating that much as a trope; I don't typically love plotlines predicated on (even harmless) deceptions, it's just a sensitivity of mine that I don't expect anyone to relate to or share. but when I was considering how to structure theog, it just made so much sense for James and Lily's arcs to have them get 'married.' there was no way that Lily was going to be able to navigate Classical Athens as an unsupervised woman alone, and even with the Oracle title offering her some protection, there was nothing really tying her to James. much like Outlander, it really did feel like the last possible resort, which softened me to the idea of using the trope.

fun fact, i got a snarky comment a few months ago complaining that i was trying to pass the story off as historically accurate (lol to the fifteen disclaimers I embedded throughout which addressed that) and one thing they took issue with was that lily wouldn't have been able to own property and the only thing that would have kept her from being a slave would have been marriage.

which! yknow! none of which contradict the story! but anyway I digress.

I was initially nervous about how early on the fake marriage happens; we don't really know the characters that well yet, we're not sure who James is as a potential partner to Lily, or how Lily's feelings for him are starting to bump up against her very rightful and justified desire to get the hell out of dodge. but – we only really see James in canon as a husband and as the father to the main character, so it felt pretty true to the source material to throw him into being a husband pretty early.

I loved writing this scene with Aristides. I've always been partial to his appearances throughout the story, and this one is just so special to me. I think of him as a driving force in humanizing the ancient world in theog, sometimes even more so than the main cast of characters. to elaborate a bit on that: with the Marauders and Lily and the other transplanted HP characters, I think there's this inherent sense that they are already fleshed out people (to some degree) even before they hit the page of the story, because they appear in canon and across Marauder fic verses. no matter how much I make James into Dimitrios and Peter into Pétros and Fleamont into Philoctetes, people know them and love them outside of theogony verse. but not Aristides. he doesn't have a one-to-one HP character. there is some version of him that really existed in 479 BCE (my complex and largely negative feelings on RPF are setting off alarms at this but we proceed) and that's it.

it would have been easy to just give him this very gruff and surly character, to make him a military general who didn't care about anything other than the war. I think that's how we conceptualize historical people sometimes, often without meaning to. but he was a person, and he had likes and dislikes, he probably had a family and maybe he'd fallen in love, and it was such an honor to give him such dimension. not to say that I'm putting that personality upon the actual historical person; but just to really take my time with a character outside of the Marauder canon. in this scene he has this human moment where he reminds James that, yes, love is a worthy pursuit, even to those in positions of incredible power. even when the discussion isn't about romantic love but about James's love for his closest friends. it's this permission that James didn't even know he was seeking but ultimately that changes the course of his and Lily's lives. Aristides is who James might become, in many ways. in the actual Plataea chapter this becomes more and more prevalent. (more on this later!)

overall, I am forever hoping that people come out of reading this story with an appreciation for the humanity of those that came before us. I did a poor job with other characters in this story, and I own that, but I'm proud of how I wrote Aristides.

oh my godddddd I fucking love this part. i am so fucking proud of it. LMAO. achieving wordplay in an ancient language that i have never studied should be on my fucking CV I swear. like this was just perfect I'm sorry I am BUZZING that I pulled this off.

also, a cute way to introduce a phrase to the narrative which will become very important: se filo!

I remember that I wrote this passage, which many people commented on and which I loved writing, in a coffee shop on a sunny day when my cousin was visiting me to introduce me to his girlfriend. there wasn't any wifi in the coffee shop so I was blessedly devoid of distractions and could only focus on the doc, and i was LOCKED IN let me tell you.

when my cousin and his girlfriend arrived I told them I was sending an important email and edited the last sentence of that paragraph about four different times while they sat in silence and waited for me to finish LMAOOO

Chapter Five: Ascesis

a profoundly insane moment in my personal history was reading excerpts from Eudemian Ethics, Nichomachean Ethics, and Memorabilia just to passively mention them in a flashback in a fic. relied heavily on Foucault for this, I will be so honest. why did i do that tho. like girl take a breath...

but in all seriousness this was just a joy to write. i miss being a history student and having these discussions – law school is great, but history classes will forever hold my heart ngl! also, this passage is in some ways an homage to my grandfather, who is one of my favorite people ever. he taught himself Classical Greek and Latin when he was in his 20s, before he went to medical school (and get his pilot's license for fun, he's seriously the most interesting guy alive). he gifted me his leatherbound Great Books printings of Aristotle's works and of the Iliad and the Odyssey shortly after I started theogony, and I cherish them so much. he spurred my interest in ancient greece when i was young. so this is for him :)

one of the hardest things for me to articulate (and maybe something I could have done better) was the war and the balance between James's inherent goodness and his growing feelings for Lily. i wanted her to have plausible reason to think that he doesn't at all feel romantically towards her, even as she's growing to admire him more and more. I hoped, as I wrote the story, that these little interactions where the reader clues into his feelings (this protective 'peninsula' moment being one of them) still walked that line. as in, i wanted lily to reasonably believe that he's just that good of a guy that he would take issue with anyone being taken advantage of, not just her. she's so destabilized in this moment as well, I think that worked to my advantage. or I hoped it did LOL.

from what I remember of writing this chapter, it just came really quickly and naturally. much more than the later ones. this early period of writing was just an outpouring of the ABSOLUTE BRAINROT I was going through after conjuring up the idea for the story. it just flew. the ending scene where they have their little almost-moment was probably about an hour's worth of writing. it's like I couldn't type fast enough to keep up with my thoughts. not sure i've experienced that since!

also, the now, here, alive line reappears in the last chapter, which is one of my favorite callbacks:

:) :) :)

Chapter Six: Kleos

one thing I used to worry about CONSTANTLY is that I was losing the classic (and necessary!) Marauder goofiness to the more somber setting. so it was a jaunt and a boon to write scenes like the opening one here, where it honestly could be copy-pasted into the Gryffindor Common Room and it'd look a lot like my canon stories.

he's just a dude being hungover and embarrassed about the previous night with his bros!

the first time we get a hint of Pétros disappearing to dubious locations!

this chapter was one of the most research-heavy. it was a new setting, filled with new characters, and predicated entirely upon planning the Greek front at Plataea. so if I couldn't nail that down (at least to some degree), I was going to have trouble. of course I took liberties, but I spent a lot longer combing through sources for this chapter than some other ones, I'll tell you that for free. it took ages to find any treatises on ancient athenian sword combat, sigh.

yeah I mean i remember thinking that the subtitle for this chapter could have been 'I am going to create an environment that is so toxically masculine' because that's pretty much the whole vibe. James is not immune to that, either, and that was intentional. he feeds off of the violence and the anger of the men surrounding him, and he exhibits some behaviors in this chapter (rushing off to kill Anaxagoras after he grabs Lily's arm, for instance) which are not ideal! but I do think that there's meaningful conversation to be had about Lily's cultural assimilation into an ancient, misogynistic society, and how there was absolutely no way I was going to get out of this story without giving James some sort of period-typical attitude. now again, I took the liberties I deem necessary, because I have no desire to make my main romantic lead into an asshole. that's not my James Potter. not that that's news [gets taken out by a sniper]

i got CLOWNEDDD for referring to this dude as Dion son of Dion but idk what to tell you!! that's how the old documents referred to him!!! i didn't make that shit up I swear to god!!!!

also - that's the actual text of the Oath of Plataea, except (as Lily points out) it should read Athena Areia. is it likey that she'd remember this off the dome? no. is it possible that she just recognized the missing descriptor from context clues? yes. did i care enough to explain this either way? no, no i did not.

the Big Ticket Item of this chapter, though, is the oh.

and it wasn't just an oh, it was an oh followed by this innocuous conclusion that isn't even about Lily. i made myself laugh so hard with that. he's just like 'oh god my friend is going to wave this over my head FOREVER' and you know what? he's right!

as for the previous paragraph in that passage, I pulled a bit of a bait and switch, but not as badly as you might think! it was a risk to even bring up the idea that James could leave Athens, because I know it spurred some people into thinking that he'd go to the future with Lily (sorry babies that was not on the table). but what I intended for this passage (however successful it may or may not have been) was to just…allow him a moment of real, visceral empathy for the sensation of displacement that Lily's experiencing, and as well, introduce the idea that he might leave the life he's cultivated in Athens. his entire upbringing has been himself, the consummate Athenian man, surrounding himself with people from outside of Athens and drawing from their experiences, but never venturing outside of his little realm. in so many ways, the story questions what Lily's relationship with 'home' is (especially later on), but it always felt necessary to me to reckon with how 'home' may change for James as well.

finally:

yeah honestly i just remember the exact moment i thought of this passage. i had been reading the secret history (shoutout Donna Tartt i idolize and fear you) and i was lying down in my local park in the summer. I just thought about the Greek myths I knew, and the kind of cosmic horror that it is to really admit you're falling in love with someone, that they have this power over you that you didn't anticipate. and that closing line of the scene really struck me out of nowhere – I wrote it down in my notebook and just stared at it for a good few minutes. it's still one of my favs of the story :)

ok! if you made it this far, you are just amazing. this has to be a few thousand words at least. TYSM!!!!

see you all later for the part 2 BTS ❤️

[readypanda]

Indigo Park Spoilers (and very long post) ahead

Since Indigo Park is the newest fandom I've been dipping into, I figured I might as well make my own analysis for the game. The question I'll be discussing today is,

WHAT EVEN ARE THESE THINGS?

(sry for bad picture quality lol)

The thing I find interesting about these mascots (Molly, Lloyd, and what we've seen of Finley) that kind of sets them apart from other monsters in the mascot horror genre is...they almost seem like they're just animals. (I'll go over evidence for this in this post)

Think about it. In other mascot horror games, we've gotten:

animatronics possessed by dead children

employees/kids surgically(?) turned into toys

people mutated by a giant ink machine

animals/people who have had their DNA spliced with a mutagenic chemical

A little girl somehow turned into a monster (I think??)(really sorry Amanda I don't know what you are)

etc.

(I'm not up to date on all these properties and I know there's many more, so forgive me if my lore understanding is less than adequate. you know how it is with indie horror)

The important note about all these is that for the most part, these mascots are intelligent, or at least have the capability of intelligence. Almost everything on this list was at one point human, in fact.

So why do I think Indigo Park is any different? What leads me to believe they aren't intelligent? (at least, the animal versions of the characters that we run from in the game. Whether they are separate from the versions of the characters Rambley interacts with is something I'll touch on later)

I think the most obvious piece of evidence in regards to Molly and Lloyd (again, not much info on Finley yet) is how Lloyd acts. He doesn't talk at all, he just stalks the main character and attacks like an animal might (with the exception of a couple times he stands on two legs or props himself up here and there).

As for Molly, I hear you saying, "But she talks! We hear her speak!" And yes, dear reader, you are right. Molly does speak. This would disprove my argument of the mascots being purely animalistic, if it weren't for this kill screen.

Now, do we ever actually hear Molly say something that isn't a repetition or couldn't reasonably be a repetition? Has she said anything to prove her intelligence at all? (genuine question here because I haven't examined every one of her voice lines lol. If I'm wrong about this then whoopsie!)

Despite the past 250 words of speculation, though, whether they act just like animals isn't actually that important. We'll see more of them in later chapters anyway (or Lloyd and Finley at least) so that will likely prove or disprove this point with time.

The more interesting question is, what are they? Like, physically?

When Molly dies, we clearly see blood around her decapitated head. At the very least that rules out animatronics or something mechanical. In addition, in the audio of the hidden tape you get when you show Rambley one of the collectables, you can hear two staff members complaining about being replaced by "new mascots" right after they "got a new raccoon costume." This could mean a few different things, but it seems to imply that the mascots we see in this chapter are meant to be replacements for actors in suits (for meet and greets, promotion, shows, etc) and/or replacements for limited, expensive, and cumbersome animatronics. If this is true, we can also probably rule out them being human. Unless Indigo Park also had a secret human experimentation lab, which I wouldn't put past them.

I think it's too early to definitively state what these mascots are, but based on the evidence of above, I have a theory.

My personal theory is that these mascots are just animals who have been changed or mutated in some way to allow the park to have more "realistic" representations of the characters (also probably to cut down on the costs of paying a human employee). That would explain why they act the way they do and why they are so violent. They literally are just wild animals who have been warped to represent these cartoon characters.

Another important caveat to this theory is that, if this is true, then the mascots who attack us in the game are most likely NOT Rambley's "friends" as he knows them. That would explain why he doesn't call attention to Molly chasing us or Molly's dead body (with the exception of one very small reaction when he talks about the mascots). You would expect him to seem a little more upset if he thought that was his friend, but maybe on some level he knows it's not really her, just a representation of her.

That brings up another question, which is a can of worms I won't fully open here: Do Molly, Lloyd, and Finley have sentient "AI" equivalents like Rambley? If not, does Rambley know his friends aren't real? I'll let you decide.

Anyway, that just about closes my thoughts on this silly raccoon game. Thanks for letting me ramble on about it, and thanks for making it to the end of the post!

Lemme know about your own theories in regards to what these things are, or if there's any key evidence I missed. Kinda threw this together lol. Most of it will likely get disproven by future chapters but hey, thus is the price of theorizing ¯\_(ツ)_/¯

[venus-is-thinking]

DRDT Chapter 2 Episode 12: Initial Thoughts

Hello everyone! I thought it'd be fun to do a post going over some of my first thoughts from the episode after each release. "Initial" is a bit of a stretch, considering I did watch it a second time while making this post, but it's more "initial" in the context of being before the next episode drops. It's sort of like my "initial thoughts" of the Milgram MVs, which are actually the result of, like, 3 hours of obsessing and research, lol.

(By the way, @accirax and I watched the episode together, so apologies if her initial thoughts end up being, like, the same as mine.)

SPOILER WARNING FOR DRDT CH 2 EP 12!

T/W: Body image issues/body dysmorphia, murder, suicide

The Reactions

Confirmation of what I think most of us already suspected! I do think it's a little weird that Nico didn't bring up their testimony about all of the fish being there at the last time they fed the fish. That probably means it's being saved for later in the Trial, I guess?

It's okay Teruko, I saw literally no one in the entire fanbase figure this one out either!

Why is everyone so mean to her though. Everyone here has been an idiot in the Trials at LEAST once

God I missed David

This was so funny. Get his ass.

(In all seriousness, though, I do wonder if we're going to come back to what J said. I don't currently (?) think Arei was drenched, unless the real purpose of the water WAS just to confuse the time of death, so if the water didn't connect with her enough to cool her down, it might be weird that the body isn't warm after all.)

This took me out. Who let you say that. What.

Okay, but Ace, outside of a killing game... why. Like, literally why would a plastic surgeon need to know how to do an autopsy. King.

Like Felicity...? /hj

All in all, though, this was a really interesting character moment for Arturo! And god, the fact that he started learning medical knowledge and spedrun plastic surgery specifically since age 12 HAS to mean something. My vague theories of Felicity having struggles with body image/dysmorphia (Arturo's section of this post) are... maybe real???

Honestly, I'm starting to wonder if Arturo is going to go farther in this game. I don't expect him to survive or anything, but I could see it taking him a surprisingly long time to die. He feels like he's got too much lore to unpack to die, like, next chapter. Unless he gets HELLA focused next chapter, which is definitely possible.

This is so silly. I love them.

(Note: I'm not a Whit mastermind truther, but if I were, I would point out that MonoTV sort of covering up a rules violation for Whit could be relevant. I'm not a Whit mastermind truther though, so I think this is just a very silly joke a la "no wifi! why live :(" )

Well you see Eden, the killer would have actually had all night to prepare. If, say, they mentioned that they could dial in and focus on their work for like 14 hours straight, they could have gotten a lot done before 7:30 AM!

I'll talk about this more later, but the fact that J, David, Veronika, Hu and Nico seemingly have alibis that actually matter is so iconic. I can't believe that many theories died that quick. I'll talk about that more in my theories section, though!

It's been said before, but. Funniest fucking reaction to being declared innocent of murder.

"David still has a family history of depression even if that isn't his secret" nation where you at?

This one made me laugh out loud. Who does it like him

How truthful do we think David is in this next section? I refuse to believe it's 100% a lie, just because he's cooking SO hard on SOMETHING, but I could also believe David thinks he's lying to an extent. I could definitely see a "the best lies are based on the truth" kind of thing?

Also, damn. Xanvid really is real. LGI got me to believe it but WOW David's just being gay on main now

This was a really good, succinct way to have Teruko show her opposition to David's ideas. Even if it is to end the killing game or do something "good' or whatever, Teruko is still hurt and betrayed by what Xander did. Xander tried to kill her, and presumably would have tried to kill everyone else. David is now doing the same thing.

It's going to be really interesting if, whether genuine or not, David is kinda taking on Xander's position. That's going to give Teruko a reason to (outwardly) hate him even more. I'm really looking forward to learning more about how both Teruko and David view Xander.

Also, it's so fucking funny that Teruko and David are literally fighting over Xander. Like, valid, but. Guys.

(Also, David soooo knows Teruko's secret is the killing game is all your fault. Idk if he specifically knows that Xander's plan was to kill Teruko no matter what, but he's definitely caught on to some extent.)

This was crazy. Is Xander famous? Why would everyone recognize him? Like, did David just take particular notice of Xander because he's a simp, or is there something else going on?

Notably, it's also extremely interesting that David says "Even if you all lost a year of memories for this killing game." It almost implies that David didn't? What do you know???

Also, if David DOES have weird memories about this that no one else does, it's a really interesting comparison to Teruko remembering the existence of a killing game in the area investigation when she was talking to Veronika. Are these two getting special memory privileges because they're important? Or does everyone have some kind of memory that they all should have, but only one person knows each thing?

At first I was confused when David said this, because I really don't know how dear anyone in DRDT's life to him was other than Xander. But then I realized, if David is talking about killing 15 others and yourself, he's definitely still talking about Xander's mindset. Xander had something worth the lives of 16 people that he was trying to do.

I don't know how much David cares about ending the killing game. I wonder if "belief in Xander" is the thing he's willing to kill 13 people plus himself for?

I'm starting to get REALLY curious what J's deal is. Between this and her voiced line earlier in the trial saying something along the lines of "it's like you all still haven't grasped just how serious murder is," she definitely seems to have strong opinions on specifically the morality of killing other people. WHY is she being singled out with these beliefs, what does it say about her, and where is her character headed?

(If she is the mastermind, does this couple with the "all murderers must be held accountable" rule?)

"Any answer" is so funny. I think she's looking for the truthful answer, David. This is why no one believes you when you say anything ever /aff

Notably, this is VERY similar to the plan Eden came up with that Veronika described: using the fact that TV shows need entertainment to continue to end the killing game. It's the same thing, but with a much more depressed "everyone should just give up" kind of flavor.

The level of similarity does make me think David is probably not being 100% truthful, and that he just repurposed Eden's escape plan to be something sort of similar to what he was going for.

I do think that he WAS trying to defeat the killing game by killing people through the class trial. I just think that, between Xander's actions and the motive secret he received, he was trying to kill Teruko specifically. Yet another way that David's unhinged behavior ties into the Chapter 2 secrets.

*Hu hopeless child looms in the distance*

I'm so glad that Hu gets to pop off though. She really hasn't gotten, like, any content in the series so far. Here's hoping this is kicking off her getting a bunch of time to shine!

Interesting that they had both Ace and Hu cut Nico off in this interaction. The staging definitely implies that they're trying to show that while Ace is wrong for talking over Nico and not letting them say anything, Hu is also wrong to an extent for not letting Nico defend themself and running to their rescue all the time.

I am begging you. Please discuss the murder method. I didn't realize until my rewatch of the trial that they have actually literally not talked about the murder method at ALL except for telling David that he doesn't know shit about it.

HUH?????????????

Theory Update/Analysis

Well, I'm gonna start this off by saying that I'm still pretty locked into Eden being the killer. We still need to address the tape, and I personally still found her to be decently shifty now behavior wise (she seemed nervous when we turned back to solving the trial, and she says something about "it's too hard to narrow down the killer :/" when people were talking about morning alibis). I just think it makes the most sense.

While obviously my logic for why Levi would be the accomplice has to be at least somewhat flawed, given Levi's surprise confession (!!!), I still think it's possible that Levi is the accomplice here. He could be doing this to further confuse/complicate the state of things (hence why he calls it leading people astray), and it's possible he's not being 100% honest here.

Something that Levi could be doing here is taking control of the situation and spinning the truth in his favor. Hu mentioned earlier (e11, I think?) that the secrets are phrased dramatically. Similarly, Levi may be trying to offer an explanation for his secret that might be more tame, but still believable.

For example, if Levi says that he killed one of his parents because of the circumstances he grew up in, but it turned out that his parents were extremely abusive to him in some way (cough cough Amane Momose), wouldn't people be more willing to forgive the fact that he's a "murderer"? There are different levels to the culpability of murders.

So, it's definitely possible this is still an attempt by Levi to conceal the truth of his secret. It's true that, right now, no one's really trying to match all of the remaining secrets up with the remaining secret holders in-universe, but the entire fanbase pretty much slam dunked this one. Once the content of the secrets was revealed, it wasn't too difficult to track the origin of this secret to Levi. Levi might know that, and might be trying to spin it in a positive way while he can get everyone's attention and tell everyone the same narrative here in the class trial.

I don't think any Levi accomplice or killer truthers have to fully give up on the idea, or at least not until we see what Levi actually says after this. It's a WILD topic to reveal we're going to talk about, but we haven't actually talked about it yet. If we were told "we get David's motivations for trying to throw the trial," I doubt literally any of us would have locked in the prediction of "David is trying to follow in Xander's footsteps by killing everyone via the trial because he kind of remembers Xander." So, until next week, I'm keeping an open mind!

This was insane. I can't believe we actually got a new episode, and that we're gonna KEEP getting new episodes until the chapter finishes. What the fuck!!!

[meanbossart]

Massive ask compilation time OH LORD

YES, her journals are a fun read. I somewhat wish there was more to her and The Dark Urge's interactions, too - she's wonderfully evil and clearly very attached to you if you're playing as that character, but I had hoped there was more of a reason for her obsession besides just "you were fun to cut up", haha. I remember reading her journal over a couple of times looking for something I might have missed.

His reaction was pretty in line with the Narrator's cues, just immediate rage over what she had done to him - DU Drow may be a masochist but that's reserved for people he cares about! So, her and her posse met a swift end. Also, despite the fact that the whole tadpole thing turned out being for the best, I think he's easily overtaken by resentment over his lost glory-days whenever faced with it so directly (he misses living in obliviousness) - not to mention his profound fear of vulnerability, and of feeling... Small. The way Kressa spoke to and of him would have absolutely shook him to his core, especially by doing so in front of the others.

[MORE UNDER CUT]

THANK YOU so much for your kind words first of all! As for the question, it depends a bit on the timeline; his dislike of female drow, especially at the start of his tadpole'd journey is pretty irrational and faith status wouldn't be of too much relevance, he just thinks It's in their nature to want to put him down and be conniving, and wants nothing to do with them.

Later, and especially post-game, he might at least give them a chance to prove they aren't "like other drow", though it would take him a lot to ever let his guard down entirely - UNLESS you seem like a complete fool LOL he's actually easy to trick into dismissing you as long as you don't mind playing the role of a dumb idiot.

But if not, he'd have an extremely short patience for any attempts to exert authority over him or his actions - or jokes at his expense, or any level of smugness or secrecy. Nymea would definitely feel kept at arms length because of the gender+race combo alone and have to put up with a lot of snideness. Basically, she'd have to treat this 6'4" feet tall freak with kids gloves to ever develop a rapport LOL

But also... The vampirism may "help"? He'd consider her a "lesser drow" for it. In that regard her attitudes toward Astarion would probably come to be relevant. I'm not sure about that aspect of it to be honest!

First of all, this is a hysterical scenario because he Would just fucking put the ring on without thinking about it LOL so thank you for the laugh that mental image just provided me with.

Oh he wouldn't care though. I mean, he dislikes drow in general, but he is a drow (up for debate, but you know, generally speaking) and he thinks he's pretty great. As long as he's still huge and strong he could wake up a woman tomorrow and not give a damn. And, frankly, his dick could turn into a pussy at any point in time and it wouldn't change anything about his character save for having to add a recurring UTI problem to his character sheet - he'd probably have fun with it.

TOTALLY FAIR, I'm very sorry it went past the point of enjoyment for you, but I'm glad you knew when to put it down!!! We're in our hand-holding and elf-smooching era now with the occasional visceral description of violence LOL SO YOU'RE WELCOME IN IF YOU'D LIKE. Thank you for dropping by!

Just putting this here because - I actually haven't decided yet, so that's pretty funny you asked LOL I'm leaning eyes closed though, nothing like a smooch to calm the big weirdo down.

HAHAHAH WELCOME BACK, I've been around this whole time! But I was hanging out on twitter for the most part. HOPE YOU'RE INTO THE DND STUFF LOL

DROW DURGES RISE UP I'll be honest with you friend, DU drow's lore has been as accidental as something like that can be, so much of it has felt completely organic in the way it came up - I guess that's what good RPG does to your brain. The rest of it has just been a wonderful opportunity to develop my writing that I decided to take full advantage of this year. Thank you so much for the lovely message!

---

Aaaaand I can barely muster something to say that feels like an appropriate response, but again I wanted to acknowledge all the sweet compliments people take the time to leave in my inbox. Some of you guys' comments about the things I create blow me away, I think I'm pretty confident in my art but... Damn, makes me so happy to know the stuff I create can hold a little special place to some folks. Thank you all so, so much for taking time out of your day to spread a little kindness around, and make mine a little better.

Again, thank you all for humoring me, have a lovely day folks!

[bunnakit]

my stand in ep 2 thoughts, feelings, etc.

alright i wanted to write this up nicely but it took me... two hours to get through the episode bc i kept stopping to write notes, so i'll do my best i guess.

weird thing about me is when i watch shows and write notes for these posts i always write the notes on napkins? i have like 5 different notebooks in arms reach at all times but i really like scribbling on a napkin for the true unhinged effect.

anyway blah blah reminder i'm just a silly dude on the internet, idk shit about dick, i just like to say shit, don't take me too seriously.

also please DO NOT leave novel spoilers in my reblogs, tags, or replies without some kind of warning label. please? it seems to happen with every show i write meta for and i LOVE that people get hyped but there's no way for me to avoid it when it's in my notifications like that.

some before the actual episode stuff; after learning last week that some of the kinnporsche people worked on this it really becomes apparent, especially in the style of the intro.

the music choices also seem a bit reminiscent of kinnporsche (and a little bit of not me) which i really enjoy. it feels kind of familiar and comforting.

immediately i loved how soft this episode started, the slight stubble on each of them, the way joe speaks so softly as if afraid to shatter their little bubble of peace, etc. i also love that the show doesn't skirt around the topic of sex and the fact that sometimes sex is awkward and clumsy, especially with a new partner and doubly so when it's your first queer partner.

and then the peace was shattered with ming kissing his back yet again. ouchies.

"will tong be at the set?" he's just not even trying to hide it. he basically said 'yeah ur great and all but tong????' but DAMN if poom isn't the absolute king of microexpressions.

at this point i can't really tell if tong is being a spoiled prince (derogatory) or if he's tired of acting in general? judgement withheld until a later date.

and then we jump into this actress being a parallel to ming and OOF OUCHIES MY ORGANS. she's a fan of tong but has to "settle" for joe - just like ming. and yet joe takes the time to be kind, to soothe her worries and put her at ease, because he has a heart of absolute gold. "it's her first movie but she was left to drown by the male lead." it's ming's first love and he has been left to drown in it.

mek's acting is really endearing. this is my first exposure to him (ive seen some of his social media and really like what he stands for as a person) and i'm instantly drawn to his performance. he also pulls off a great balance of adorable/sexy.

OOH THE SHOW SAID BISEXUAL OUT LOUD. A WIN FOR THE BI'S WE LOVE TO SEE IT.

i personally find ming's jealously hilarious. what a little caricature of toxicity.

anyway, it seems to me that if ming could get over his feelings and enjoy what he has in front of him he could be part of and enjoy a very sweet family, as it does seem tong IS giving him love, just not the exact flavor he craves.

the cut to joe's training made me laugh. little oat lore dump but my bio dad was actually a stunt man for movies (which is another part of why i was so excited for this show) and i can promise you nothing like this was part of it. what do i know, though, maybe things have changed since the early 2000s lol.

(no, they're probably not any movies you know, aside from maybe wild wild west [1999]. he mostly did westerns, historical docudramas, and historical fiction.)

ANYWAY AGAIN. with this little glimpse into ming's home life we get to see that he's very accustomed to doing what he wants and getting what he wants, which makes a lot of sense when applied to his almost obsessive behavior regarding tong - and now joe. i did absolutely LOVE linin and her sassy independence (minus the 'i can buy anything i need'.)

but... girl... did you just spray perfume in your mouth?

your actions are strange and unsettling. i like that in a woman.

ugh getting into ming venting his frustrations on joe's body. listen. liiiisten. while toxic without prior discussion... i'm into it. it may or may not be one of my favorite tropes in fanfic. toxic and unhealthy as fuck and i'm here for it.

AND THEN DAMN POOM THOSE NOISES. ACTING FOR YOUR LIFE BBY -- and the SNEEZE AT ORGASM LMAAAO oh i hope that's a running bit for some comedic relief.

because we then make a SHARP pivot into "then stop me" and there's so much potential for pain and self loathing there, for joe to think "i can't blame ming, i didn't stop any of it." i'm sat.

a little side bar, but i'm enjoying the fact that while there is discussion of topping and bottoming as a narrative device there really aren't any stereotypes here. i think on a surface level people would think "oh joe is the top" (pit babe style) and the show said no actually he isn't. love that for us.

"you can even move in haha jk" but the thing is, not jk, because joe would do that for ming - for anyone - bc that's the type of person he is.

[i had to stop and have a lil snack here]

hold up is this wut out drinking with them? OH SHIT IT IS. OKAY. it didn't give us much but at least it's a little connection to him finally. we knew joe knew him from his first life, just didn't really know how.

"i missed you" and when was the last time someone missed joe? not who he's replacing or the space he's filling, but HIM?

love ming's goofy ass locking the door and going inside just so he can make a dramatic ass appearance like he's 'the other woman' or some shit LMAO.

"what's in you to make me jealous?" quite possibly the worst dialogue tree choice ming could've picked.

[joe's emotional well being -45]

[everyone hated that]

"don't be so full of yourself" something joe has never been a day in his life. "you're just a stand-in." he knows. it's not something he ever forgets.

but after all that toxicity we have ming back home, seeking out joe's food for comfort, and we finally get to see him interact with his sister. i LOVE that she knows the importance of being a little silly as a treat, one of my biggest life mottos. we also get to see more of how ming is surrounded by love that he misses out on bc of his own wallowing and self sabotage.

oh, the homoeroticism of sparring with your bestie.

[everyone liked that]

oop- joe is wearing the shirt ming borrowed while sol is wearing a shirt with the word 'fantasy.' i'm good, i'm fine, gwenchana, gwenchana.

ough. sol with too many eyes on him and none of them sincere and joe with nothing but sincerity to offer but remains invisible. oof ouch.

enter ming with more religious imagery to match last week's cross scene. something something the sin of greed? confessing your sins? coveting - idk man, i don't have any religious trauma, my family let me just do my own thing.

but with ming knowing joe's true feeling every toxic thing he does is going to be 1000x more painful and i'm here for it. bring it you fucked up little guy.

"we can't mess with each other's privacy" don't mess with MY privacy. "you can't mess around with anyone else" emphasis on YOU, not we.

and then it's driven home what a romantic joe is, both with his workout heartbreak poetry and this little lady and the tramp noodle moment. this man, again much like pit babe, wants to be domesticated so bad.

and i know we all have hated on ming, that's the point, he's been a caricature of a toxic relationship spelled out in neon letters --

but when was the last time ming laughed with someone like this?

ok im exhausted, i'm falling into bed to read fanfic, but i'm absolutely in love with everything this is doing so far. i haven't written anything as in depth as this since last twilight (pre-betrayal) so it's really nice to feel insane again.

[13eyond13]

Hey Bloz! How r u? I cannot even begin to express how fun it’s been to see ur Beatles posts on my dash. the minute I saw the Real Love demo I was like ok… she’s fallen down the rabbit hole XD I was fixated on them last year for a good few months. It was a lot of fun reading about them, watching their movies, and reading fan analyses online. There’s so much out there! And Beatles rpf is a whole world unto itself lol at first I was skeptical of it but then… I was intrigued haha

Do u have any fave songs or albums? :)

Omg hello Jess!! I miss you and it's so nice to hear from you 🫂

Hahaha YES I'm pretty deep into The Beatles lore rabbit hole already, it's been my main fixation for entertainment for the past month or so. You're right, there's just so much to dig into. Caught me totally by surprise, I feel like I'm so late to the game to just be having a Beatles phase now... I never felt extremely interested in learning about them before, but a randomly recommended YouTube video (x) about how it's reductive to blame the band's breakup solely on Yoko Ono drew me into this whole fascination a few weeks back.

😆 And hah, you must have sent this ask to me right before I deleted that "Real Love" demo reblog, because I thought I'd better delete it after I looked in the notes of the post and saw the OP wasn't taking kindly to anybody questioning if John was actually giggling instead of sobbing there (which is what I think he was doing, personally... but it still sounded like he was writing something about Paul? 🤷‍♀️ idk, doesn't need to be crying for it to still be a bit of an eyebrow raiser, imo)

I haven't actually really looked into any rpf yet, just digesting the "canon" material and whatnot (listening chronologically to their discography and not completely finished with that yet, up to halfway through the White album rn). Been watching their movies and behind the scenes stuff and documentaries (the Get Back one by Peter Jackson was fascinating even for a relatively new fan to watch, imo), reading a bigass biography about them (Tune In by Mark Lewisohn, it's like this great slowburn real-time mosey through the band's childhoods and earliest days together), and watching the occasional YouTube video deep dives (this one series in particular is p beautifully made and impressively researched and really got me in the feels regarding the shippy theories about J&P: [x])

As for my faves of their music, I haven't finished listening to 100% of their albums yet, BUT right now I'm actually very partial to some of their earliest records. I feel like some of their more normie stuff from the early 60s is actually the most fantastic fun to listen to, and Please Please Me and A Hard Day's Night might be the two albums with the most bangers that I never want to skip so far. Their more experimental and psychedelic and surreal later stuff is also interesting and arguably more unique and groundbreaking or creative or whatever, but I'm not as familiar with them outside of the main extremely famous tracks on them yet, and I'll need to finish listening and let them grow on me a bit before I can probably say for sure. However I think so far my faves from their later stuff would probs be Magical Mystery Tour, Abbey Road, and possibly the White Album (once I actually finish listening to it).

John is definitely my favourite Beatle, which was actually a complete surprise to me, I thought he'd be my least fave. And there are so many good bops that it's hard to narrow it down, but some of my personal faves so far are I Saw Her Standing There, I Should Have Known Better, I Want to Hold Your Hand, It Won't be Long, A Hard Day's Night, Do You Want to Know a Secret, Oh! Darling, I Want You (She's So Heavy) and If I Fell... hmm, I think maybe I'm just kinda a sucker for their simple and enthusiastic and joyful love songs the most, usually?

Thank you for sending me this sweet ask! I'd love to hear what some of your faves are too 🧡

[milksuu]

ur aphelios fic w solari priestess reader was soooo good, i can't stop going back to reread it bc i'm eager for pt 2 if you do end up writing one 😭😭 but there's so much potential for this man bc hello ?? enemies to lovers(?uh) ?? i really like the idea that they're on opposite sides bc as a lover of solari n lunari lore, it feels much more taboo. especially considering how scornful the solari people are of the lunari people which is clear in how the reader treats him 😕 a bit unjustified but it's nice that we aren't exactly a blank sheet of paper in this bc ofc we'd still have to abide by our morals and views 🩵🩵 i also wonder what alune thinks of this if she ever found out, would she even in the first place LMAO "i fear your brother nonconned me 😓😨🧟‍♂️" HDHDHDHS whenever there's an aphelios fic alune always pops into my mind afterwards since she's so dear to me, would the reader ever interact w her through aphelios? bisexuals really winning w this champ 😔

LKJSDVGBFLJHSDFVLSH!! omfg thank you for thinking so much about it. im cryiinnngggg!!! and yeah, im totally writing a part two. I'm at 1.8k words right now. sorry I bounce around a lot so i take a while to write lol.

BUT UGH YES. i definitely wanted to do an enemies/lovers kind of feel. (although i think in phels perspective reader's more 'lover' by his terms because well he's pretty unhinged in his perspective. what can we expect from a guy born and raised as a religious assassin who only ever interacts to his sister?? yeah his 'social' skills aren't going to be the best lmfao)

and like you stated anon, them being lunari/solari just adds the extra layers of drama, depth, and juicy plot potential. all in all, quite a banger.

as far as alune goess, I'd say she 100% knew. only because, alune is a Seer that shows aphelios' path, and directs him on missions. basically the moon told alune "yeah this is going to happen" then alune was like "heyyy soo....you're going to have to do this bro" and then ofc phel was somewhat conflicted the whole time but hey FAITH is never questioning and doing what you're told cause it's supposedly 'right'. and he definitely wants the believe it was all for a 'good' reason. Like him and reader are destined lovers since otherwise, why would the moon have him do that instead of just kill her? kinda like getting a gift for always being obedient to his faith (the copium is strong with this one). but yeah, phel made sure the toxin wore off so that his poor sister didn't have to endure that. (but assassinating people is totally fine obvs!)

alune and reader would have some sort of relationship a bit later. reader is technically a priestess, even though a solari one, she'd still be able to have some way to connect to the spirit realm. or reader can feel the ethereal vibrations emanating from him, but not fully understand/hone in alune's presence. but i think slowly over time, readers growing connection with aphelios will have her gradually connected with alune at some point.

and I want to say the moon goddess has a plan as to why that had to be done to reader. not sure how far i'll actually get to reveal it or develop it, since honestly, i had no intention of continuing let alone build any lore (THIS WAS JUST SUPPOSED TO BE SMUT DAMNIT HAHA) but we'll see.

whew, kinda went on a tangent, but i hope i've given you some good context anon! again, thank you for rereading my fixations and wanting more. as you can see, you've set off my dopamine receptors with this post lmfao. <3

stay tuned for part 2. ;3

[riagraie]

The Extinct People of Balance: Harmonizers

I FINALLY BRING YOU ALL HARMONIZER LORE!!! For those who don't know, Harmonizers are an original species I created for my Ninjago universe and specifically my OC Hanna. Below is everything you need to know about who they were, what they looked like, and what they did/didn't do. I also threw in some nice bits of extra culture lore bc why not lol.

Backstory:

First of all, we are aware of 16 Realms in the Ninjago Universe (examples of them are Ninjago, the Never Realm, The Realm of Oni and Dragon, The Wyldness, etc). Harmonizers originated from a 17th Realm, one that isn't canon to the actual series.

This realm is called, "The Lost Realm." It's because this realm was destroyed and became a barren wasteland without life because of a war.

So, in modern day Ninjago (Dragons Rising Era), The Lost Realm doesn't exist, most people don't know it ever did. When The Lost Realm became void of life, it crumbled into what I call Realm Essence.

Also in my lore, the First Spinjitzu Master used the Realm Essence from The Lost Realm to complete the creation of Ninjago. I'll touch more on this in a bit, explaining why this is.

What was in The Lost Realm?

Well, The Lost Realm housed a species of people called Harmonizers. I'll talk about Harmonizers specifically below, for now it's stuff about just The Lost Realm.

The Lost Realm was also a jackpot of various minerals and plants which are rare in other realms like Traveler's Trees and Chronosteel deposits.

In The Lost Realm, there was also vegetation with powerful healing properties. These plants would end up transferring some of their healing power into the soil, allowing for everyday plants to be grown and have similar healing properties.

There was also this specific kind of fruit called Master's Root (yes root even though its a fruit). It looks like a mango but tastes like a strawberry. And if an elemental master consumes it, they get a temporary boost in their powers.

So for example, if Kai ate Master's Root, he would go from an average firepower of say 4 out of 5 to a 6 out of 5 for as long as the fruit is in his system.

The fruit has negative properties too, it's juice is venomous to Harmonizers. If they consume Master's Root, it can cause various negative side effects. The known side effects are; opposite personality changes, aching muscles and joints, extreme migraines, fatigue, and uncontrollable power fluctuations. I'll explain more about this later.

How did The Lost Realm fall? What was the 'war?'

I say war in quotations because technically, there wasn't a civil or native war to The Lost Realm. In actuality, The Lost Realm was invaded by a different species from a different realm. The Invaders... invaded (lol) because they wanted the power of the Harmonizers for themselves (classic Ninjago occurrence).

The Lost Realm was put under extreme distress because of conflicts between the Invaders and the Harmonizers. So much so, it produced a freak event in the form of a child named Fuwa. Like other things, I'll explain Fuwa later.

All thats needed to know about Fuwa now is that she was the reason The Lost Realm fell. She was able to recognize the Invaders wouldn't stop their assault on her realm and if they succeeded, they would only move onto a different realm to take over. So in a very sad scene, Fuwa used her power to destroy The Lost Realm and everything in it, including the Invaders and the remaining Harmonizers, leaving her as the last living Harmonizer.

This also means Fuwa was the one who caused the burst of Realm Essence for the First Spinjitsu Master to use. Before you wonder, yes, Fuwa and the First Spinjitsu Master have a relationship (FRIENDSHIP!!! NOT A SHIP!!) and would end up becoming the 'gods' of Ninjago basically.

wow this post is long. i'm breaking this into two parts uhhhh

the second will be coming soon i promise gang

comment, reblog, or send asks with questions about anything here or any tips/advice!!!!!!!

[ravioliet]

more Odd Squad oc posting! here are my main silly guys :D

character lore under the read more because i just know i'm gonna go on a whole ramble and don't want to make the post super long

so both of these guys are from precinct 73559 (which is the precinct we made for our ocs), Oriole is the creature room director and Orion is of course the branch manager. both of them are relatively new to the precinct, having been transferred there together just before Okiku stated working there (Okiku is @/dragonroar87's agent character btw! i consider her a main character which is why i'm using her as a reference for the timeline lol), and they are also quite close and consider each other as best friends (hence the bracelets) because before Orion was promoted and they were transferred the two of them were actually partners in the investigation department! although most agents in 73559 don't know this so they're just left to wonder why Oriole is always hanging around their manager's office and why she calls him Orion instead of Mr. O

personality-wise the two of them are pretty much opposites of each other and they definitely fit the whole 'silly partner and serious partner' pattern that canon kinda has, with Oriole being the more energetic and silly one and Orion being the more quiet and serious one, although their personalities and energy kinda rub off on each other when they're together.

Orion himself is like that introverted person who keeps taking leadership positions for some reason even though he doesn't particularly like public speaking or anything like that, because someone has to do it. he is actually a good leader though even though he doesn't realize it a lot of the time (he has a pretty bad case of imposter syndrome), and he cares about his agents a lot. he also happens to be a pretty big nerd which Oriole teases him about. he's also been through some pretty traumatic stuff and is a pretty anxious person as well, but he doesn't talk about any of that usually (i'll go into detail about it later but for now i'll just say that Oriole was not his first partner. do with that information what you will)

Oriole on the other hand is just a silly little guy full of joyous whimsy. she is very eager to learn things and to solve problems, but she has some chaotic tendencies and when she isn't causing problems on purpose she tends to cause them on accident instead, and she always manages to fix them in the end but that doesn't stop her from getting into trouble. she ended up transferring to the creature department after Orion was promoted because during the series of events leading up to that she was noticed for her talent in dealing with creatures, so in a way she and Orion were kinda promoted at the same time and i love that for them tbh. she enjoys her job very much, but she also still kinda multiclasses in investigation sometimes to help with cases and basically serves as an unofficial third partner to Okiku and Oceane a lot of the time. she has a few creatures that she calls her companion creatures that she's trained and she likes to bring them with her on cases and send out at villains like they're pokemon, the main one being a size-changing feathered snake/serpent dragon creature that she named Updog (she LOVES using the updog joke on people btw) and due to their shrinking ability Updog hangs out in one of her pockets usually. a few of her other creature names include names such as Mister President (so she can say things like "Mister President get off of the table!" or "the President ate my paperwork sorry"), Gazebo, and Periscope

[weirdraccoon]

First of all, I wanted to wish you a belated birthday greeting and tell you that I found the drawing in the last post cute. ☺️🩷

(Lol sorry if I'm bombarding you with requests and just because I have a lot of ideas in my head that I've had for a while but I was shy about asking on Tumblr)

angst/comfort.

Again based on my MC's lore, basically when she receives the Hogwarts letter from Fig she doesn't seem openly convinced that she wants to be part of the magical world but in the end she is convinced.Some time later (again set before the Hogwarts events and when he was with Eleazar) MC opens up about the reasons why he was hostile to "re-entering" the magical world.MC was born into a pureblood family living a relatively normal life until her parents realized she would apparently never have magic and not wanting to tarnish their image with a non-magical daughter they disowned her and abandoned her somewhere in the muggle world with only herself.(This is why she is afraid of being part of the same world that she expelled there)

first of all: Thank you!! <3

and now, I'll add more to it and say Fig takes her to receive her Order of Merlin (cause of course, the Ministry has to acknowledge what she did after all of Hogwarts speaks of it) AND she comes face to face with no others than the people who disowned her in the first place.

ft Protective Fig and vengeful Ominis

MC pulled on her sleeves. She reached to pull on her corset but a hand stopped her. She huffed.

"Relax," Ominis soothed. "It'll be over before you realize it."

"I want it to be over now," MC grumbled, pulling on her sleeves. "This is suffocating."

"Well, I can't say for sure but I bet you look gorgeous," Ominis shrugged.

"That doesn't help," MC pouted. "I always look gorgeous," she added under her breath.

"Yes, you must do," Ominis snorted. "Now let's go. I'm sure Fig will help keep the attention off you, and I'll be right next to you. If Father taught me something useful is how to manage these people."

MC took a deep breath and nodded. Taking Ominis' hand in hers, she crossed the wards. The Minister was using some rich family's grounds to host her Order of Merlin award. She would pity those poor idiots if they weren't richer than dirt. They probably had an army of house-elves to do their cleaning, maybe even a human maid or two for appearance's sake.

However, she froze as soon as she saw the manor.

There was something familiar about it.

And now that she was paying attention, there was something familiar about the magic of the place. The wards.

"I can't be here," she panicked. "Ominis-

"It's ok," Ominis frowned, concerned. "We'll leave as soon as we can. But you have to receive the award. Hero or not, you can't dismiss these traditions."

"But Ominis this is-

"Mr. Gaunt, such a pleasure," a woman's velvety voice called. "Please do come in. It's warmer inside and even if our fairies are friendly I wouldn't stay out too long."

"Lady Crawford," Ominis greeted. "This is M-"

"You!" Lady Crawford's eyes turned icy and her glare stabbed MC's defeated gaze. Lady Crawford lowered her voice to a hiss, not unlike Ominis' parseltongue but ten times more poisonous and rude. "What in Merlin's name are you doing here, you filth? I thought we were clear you wouldn't put a foot back in after you turned out to be a squib!"

"Believe me," MC gritted out. "I want to be here less than you want me here. So, let's get this over with, Mother, I promise to be out of your hair once the Minister takes some pictures."

"The Minister," Lady Crawford scoffed. "Why would he want pictures with you?" She eyed Ominis' frowning face with a wicked glee. "Oh, did you drug this poor heir? I wondered why the Gaunts were so evasive about their youngest."

"Didn't you say I'm a squib?" MC growled. "How would I drug him? Amortentia needs magic to work!"

"I don't know, filth, maybe those muggles we left you with taught you something," Lady Crawford shrugged unapologetically. "They did promise us to put those... traits of yours to good use. Said you'd pay for your place yourself so we didn't have to worry about anything."

Ominis' magic flared, causing both witches to look at him. His face was as impassive as always, and only MC felt how tight his grip on her hand had turned.

"As lovely as this reunion is," he drawled. "I'm afraid MC here has to speak to the Minister now. She has an award to receive, after all, what with all that saving Hogwarts from a goblin rebellion. It was good to see you before your fall Lady Crawford. It's always nice to know how high you feel you are before I make you fall."

Ominis didn't give her an opportunity to answer, he pulled MC to the Hall and maneuvered her to the farthest corner from the entrance, where the lady of the manor was still welcoming guests.

"What was that?" he asked lowly. "Mother? You're a Crawford?"

"What do you think the 'C' stands for?" MC rolled her eyes, still feeling vexed after seeing the woman who abandoned her when she was a child. "Fig helped me and gave me the 'Carrow' cover, but that's not my real name. I don't have one, really, disowned as I am."

Ominis pursed his lips.

"Disowned or not that's your family name," he said. "I would know."

"Your parents still acknowledge you as a Gaunt," MC shook her head. "My parents pretend I never existed. Sold me to the first cathouse they found. I'm not a Crawford."

Ominis was quiet for a moment, head tilted to one side, brows furrowed in annoyance.

"Well, no matter," he sighed, clearing his expression to one of polite cordiality. "The Crawfords will be no longer important in the Wizarding World by the end of the year."

MC shuddered. She knew Ominis could be fierce when he wanted to be. She felt touched, too, that he would use his contacts to punish the people who wronged her. Ominis wasn't one to pull strings often, but when he did, it was serious.

At least Sebastian wasn't anywhere near. He'd probably plan their demise along with their fall from grace.

"Oh, there you are!" Fig grinned, walking towards them with two other men behind him. "MC, this is Lord Crawford and Minister Spavin."

Unlike his wife, Lord Crawford hid his surprise well, only frowning in contempt when he recognized the girl before him. The Minister, however, was most excited to shake her hand and ask about her life and the goblins.

"Well, it wasn't only goblins, minister," MC said. "There was a group of dark wizards as well, working with Ranrok."

"Ha, wizards working with goblins?" Pavin waved it off while Lord Crawford snorted. "Unbelievable. But tell me how did you manage to defeat Ranrok? Fig here says your magic is extraordinary but he won't go into details and I'm sure the Prophet and all its readers would like to know."

He would like to know.

"Don't worry, Minister," MC smiled sweetly. "I don't plan on taking over, I just want to finish my studies and maybe work as a researcher and professor."

"That's for the best I think," Lord Crawford drawled. "Researching is not too difficult, even a squib would be able to do it, leaving the experimentation to those who actually have magic."

"I do have magic, Lord Crawford," MC glared. "Or I wouldn't be attending Hogwarts."

"Hogwarts is not what it used to be," Lord Crawford shrugged. "Minister? Are you sure this girl is the one who stopped the goblin rebellion? I know she didn't show any signs of magic when she was younger, and I heard she only got to Hogwarts at fifteen. Maybe Professor Fig is not telling us something? Say, Fig, wasn't it you who defeated the goblin leader? It won't change your standing if that's why you're lying."

Fig frowned.

"I'm not lying," he said slowly. "MC saved my life, Hogwarts, and she was the one who faced Ranrok by herself."

"Hm. It just seems unlikely."

"Why do you say she's a squib?" Ominis demanded, standing close to the Minister to stop him from leaving. "Most purebloods nowadays show signs of magic much later, when they're older, especially when the family doesn't have any particular magic such as parseltongue or metamorphosis. While it is uncommon not to have accidental magic or for the magic to unlock after fifteen, it is not unheard of."

"He got you there, pal," Pavin snickered. "The Unspeakables are actually investigating such things. Mr. Gaunt, I didn't know you were interested in that."

"I'm not," Ominis shrugged. "My best friend is, though. He stumbled into that research while looking into curse-breaking, and I admit it's very interesting but I prefer to study charms."

MC shifted her feet. Fig was eyeing her with concern, glancing between her and her father. She wondered what he'd do if he knew.

She didn't have to wait long. Like a candle, Fig's eyes lighted up and he glanced between father and daughter one last time, as if making sure he wasn't imagining things. Then his expression turned murderous and even Minister Pavin took a cautious step back.

"You thought your daughter was a squib!"

Lord Crawford blinked taking a step back from the angry wizard.

"She was," he said.

"And what did you do!" Fig continued, ignoring the Minister's attempts to calm him down and MC's trembling figure behind Ominis' own angry form. "Sold her to the muggles! Left her to her doom with those animals!"

"What," the Minister asked, looking at Lord Crawford with disgust. "You sent her to the muggles?"

"He sold her to the muggles," Ominis spat. "The worst kind. She was just a child!"

"Now, now," Lord Crawford tried to calm them down. "She wouldn't have been happy with us. A squib surrounded by magic? No, so we sent her somewhere she would feel like she belonged."

"They used me," MC said, stepping around Ominis to glare at her father. Her voice was low and dangerous but mindful of the other people around. She knew some people were listening, but she rather avoid a bigger scene. "They used me and sold me and locked me up when no one picked me for the night!"

The Minister and some eavesdroppers gasped.

"You are not welcome here," Lord Crawford said, much like his wife before. "Magic or not."

"Good for me," MC hissed. "I'm not a Crawford. I wouldn't want to be one."

"I wouldn't want to be one either," Ominis added, smirking. "And even though we're all used to calling her 'MC', I have to say 'MG' has a nice tone as well."

"We're leaving," Fig said, "Minister, we'll reschedule this whole affair. Maybe a smaller ceremony at the Ministry. It's, after all, only a sixteen-year-old squib getting an award. We don't need all this extravagance."

MC sighed, grateful, and followed Ominis when he pulled her to the exit.

"Those- people," Fig was growling. "If the Minister wasn't there I would've cursed them."

"Oh, don't worry about it, Professor," Ominis grinned. "I did it. And I'll make sure their name is forgotten before they know it."

MC squeezed his hand. She sent Fig a grateful smile.

Maybe she didn't have parents, but she couldn't have asked for a better family.

[galaxythedragonshifter]

Hello!! First: I think calling your asks a mail box is so cute )::

Secondly: Are.. you a nightwing? Have you ever thought about mixing TDCA with WOF?? I personally see sun and moon as a nightwing sandwing hybrid who was cursed by magic to switch forms between the light and the dark ::3 but I would love to hear your thoughts!! (If you don’t care much for WOF still would love to hear your thoughts on dragon versions of sun and moon !!) - Muffiiee

TYSM!^^ I might change it eventually, as I had it like that because I was playing around with my phone notification sounds skkdjwjeej. I'll probably keep it for a while tho!

Also, the "I wonder who it's from!" in the gif immediately made me think of Blues Clues akdbdbdbdbbb

And no, I'm not a Nightwing. Dw tho! A lot of people get her confused! She actually has a separate WoF design (Rain/Night) that's on my TH!^^ Her regular design is non-wof.

And yes, I have! AKJSJSHSHHS i finally get to talk about them! I am currently working on the WoF!DCA lore (at least for my renditions).

Base by LotusMoon

They're separate dragons in mine, and they're brothers! They're Sand/night hybrids with just a biiit of Skywing heritage (hence Sunny's tail!)

They ended up working for Thorn in the Scorpion Den during the tail end of the war as caretakers, mainly caring for injured and orphaned dragonets.

After the war, they decide to start a daycare/orphanage, considering there were still many displaced dragonets during the war. (Mind you, they're still 17 or so in human years at this time, so probably 6-7 in dragon years and still considered dragonets. Around the same age as the DoD ig idk anymore lol)

I don't have their lore figured out much beyond that though-

(However, I have thought about pulling these two into my Ninjago Multiverse AU. Galaxy, (my sona) is the MC of that au and got dragged to the Pizzaplex to stop the virus via her Portals, and now works there. Sun and Moon have accidentally ended up on two adventures with her (Hunger Games and an MLP infection world). Maybe I'll add a third at some point, and DCA Sun and Moon end up dragons for a while ajdjdhjd)

I also have a few OCs I want to involve in their lore somehow. I was actually writing in that specific Google doc when I got this ask LMAO-

I can give you a few snippets if you want! :D (Some of it not Sun and Moon related specifically, but I might tie the other character's story into theirs later! (If I make full fledged fics, I'll probably post em in a similar style to the WoF books; one in Skyfrost's pov, one in Sun's, one in Moon's, ect. Although, I'm already working on two fnaf fics and many little smaller drabbles so it might be a while before I get anything very long XD)