#I’ve definitely seen its flaws more with time and I don’t know that every part of it has aged well

[itspileofgoodthings]

I love a movie that has many relationships stacked on top of each other and woven around each other, a movie that has many hugs, and a movie that is emotionally resonant because of but even sometimes in spite of the writing.

[starry-skies-116]

There’s several differences between my Jack and canon Miko that I feel like highlighting just so people don’t mistake them for ‘the same personality:’

They’re both reckless idiots, but while Miko puts herself and others in danger to get in on the action and try to prove herself, Jack does so because he feels personally responsible for the wellbeing of other people- especially those he cares about. It’s basically a situation of acting on an inferiority complex vs a hero complex.

Jack makes way more absurd and borderline idiotic decisions than Miko: jumping off of speeding motorcycles, licking spilled chemical samples off the floor to try and identify its properties without a scanner, trying to ingest laundry detergent to build immunity, digging through the trash for spare parts, throwing himself into danger multiple times just to try and do the jobs of the other Autobots- he puts himself in harm’s way a LOT.

You know that ‘exaggerated swagger of a black teen’ meme? Yeah- that’s season 1 Jack in a nutshell. Bro’s an unchecked theater kid on top of being a mad scientist- if Ratchet thought Miko was bad, this Jack would be enough to give him an aneurysm.

“Oh, you look like you’re having fun! What are you doing?” “eating laundry detergent” *panicking “NOW WHY IN THE NAME OF PRIMUS WOULD YOU EVEN-”

He’d definitely insult Miko’s hair, too. Like- he’d take one look at the pigtail and rat-tail combo coupled with the razor-cut scene bangs and instantly think: “That is the most ghetto sh█t I’ve ever seen in my entire life.” He’d be acting like he didn’t try to cut his hair with a cosplay sword on his own back when he was twelve.

Their definitions of punk are very different, too. Wild outfits, speed metal, loud music and American pop culture are primarily what Miko thinks of punk culture. Jack holds a philosophy similar to Hobie- that being punk is doing whatever you like to do and doing right by what you believe, even if it irritates other people. He takes the sentence ‘freedom is the right of all sentient beings’ and makes it a creed that he lives by.

He applies this trait to the other Autobots as well- he doesn’t ‘other’ them into separate categories and solely think of them as war machines. He recognizes their capabilities and their strength, sure- but he also recognizes how much pain they’ve been through, all the mistakes they’ve made, and still chooses to see them as people worthy of being loved. That’s one of the main reasons why the Autobots develop such strong emotional connections with him.

The death of Jack’s father absolutely destroyed him to the point where he doesn’t really value his life anymore. Like- at all. He’s so willing to throw away his own livelihood, compress himself into a box and try to cover every single one of his insecurities and shortcomings entirely on his own just so he can feel secure about the fact that people don’t have to worry about him anymore.

The worst part is- by the time Season 3 rolls around, Jack is so critical of his own flaws and mistakes that he genuinely believes that every bad thing that has ever happened to the Autobots is his fault and that it would be better if he never existed.

This one’s a no-brainer: Miko’s terrified of spiders- Jack thinks they’re cute.

If he was present during the ‘band practice’ scene, once Miko starts shredding on the guitar he’d start singing all of his favorite Celestial Odyssey OST’s to his little heart’s content. No doubt about it.

[theflixdiaryproject]

"no, I'm not drunk at all. you're just blurry." - Jesse

Beca Mitchell (Anna Kendrick) is a college freshman who reluctantly joins an all-female a cappella group, The Barden Bellas, after being pushed by her friends. as the team struggles to reclaim their lost glory, they must learn to work together, embrace new ideas, and deliver a show-stopping performance at the national championships. along the way, friendships are formed, rivalries spark, and music becomes the unifying force.

read my review below (may contain spoilers):

watched August 17th, 2024

I watched Pitch Perfect because I’d heard so much about its music and funny moments. it’s a typical college movie, but instead of focusing on sororities or sports teams, it gives us a cappella competitions. that is refreshing, and it makes the movie stand out. I love the way they use familiar songs, blending them in creative ways. everyone in this movie can sing, which is amazing to watch. one of my favourite characters is Fat Amy, played by Rebel Wilson. I didn’t expect her to sing, but she surprises me with her talent and her sense of humour, obviously. she steals the show every time she’s on screen. her personality is so likeable, and she adds a lot of charm to the movie. another favourite is Ben Platt, who plays Benji. I know him from Dear Evan Hansen, and I’m a huge fan of his Broadway performance (though I’ve only seen bootlegs). I’m a bit disappointed that Benji doesn’t get much screentime. he’s rejected from the male a cappella group, which feels unfair, but at least he gets a chance to perform later. even then, the song doesn’t really show off his vocal range or power. he deserves a big solo moment with high notes; it would have been amazing to hear. still, he brings a lot of heart to the story.

Anna Kendrick’s character, Beca, is okay as the lead, but she feels more like a supporting character. she doesn’t have that "umph" factor to make her truly memorable. the movie also feels rushed at times, like it’s trying to fit too much into its runtime. some of the characters don’t get enough development, which makes it hard to connect with them fully. the best part of the movie is definitely the climactic performance. it’s exciting and makes all the build-up worth it. the energy, the harmonies, and the choreography come together perfectly. this scene alone deserves a place in my rewatch library. the movie is fun overall, even with its flaws, and it’s the kind of feel-good story I can enjoy again and again.

final verdict: I think it was okay/watchable

maturity rating: 13+ genre: comedy, musical duration: 1h 52m (112 mins) country of origin: United States language: English screenplay: Kay Cannon, Mickey Rapkin major cast: Anna Kendrick, Brittany Snow, Rebel Wilson, Anna Camp, Skylar Astin, Ben Platt, Ben Devine

[thattotalloserrain]

Terms in this post

Adoptive - The person that was adopted into the family

Adopted - The person who adopted a person into the family

As I notice new fans continue to enter the TMNT fandom, (or people are starting to talk about it more) I’m going to talk about 2012 especially because a lot of people are missing the points of writing flaws, and people are arguing for the wrong points and defending very problematic relationship issues.

I’ve came across this post, and it was really… concerning. I’m not gonna name them, or point them out, (And I can’t find the post, so I don’t know if it was deleted or not) but if you know what I’m referring to then just be respectful, I don’t mean any disrespect either because at the end of the day… It’s a cartoon, and we can still enjoy things while there’s still questioning things about it. The only harm that may come to conversations like these is because it can be very serious in real life. Yet, I find it strange how people are defending the wrong things for the same problem: the writing.

Let’s paint the picture.

The turtles are just now starting to go out to the surface, and with Leo’s situation, he ends up fighting a girl from the Foot. Romance is in the air, and he definitely falls in love with her. He never met her in his life, but he knew that he was the daughter of his fathers enemy- his adopted brother. (Let’s keep the adopted part in mind for later) So they already knew she was related in some way, blood or not.

Okay this is fine, it’s normal, and it’s trop that writers like to do- good guy falls in love with bad guy- it’s great. Until…

Now, Splinter has to tell Leo something after he also discovered it. His new born daughter that he thought perished that same night he lost his wife , and that so happened to be the girl Leo was fighting with. (And falling for) Is alive.

My 11 year old self at the time when he told that, made me widen my eyes.

I want to point out that TMNT 2012 is my favorite, and always will be. But that doesn’t mean I won’t point its serious flaws that the writers have done. For example,

Writing Donnie to be a stalker, (He is. There’s no argument about it. Following a girl, and getting caught after being told NOT to, is stalking behavior! Even when there’s good thought behind it! Poor Donnie doesn’t deserve to be written like that, though.) But as soon as we see that character development be “Yeah, I shouldn’t do that. I will stop.” The same girl she falls for is like “NAH, it’s okay because you’re my mutant~! Doesn’t help anything either.

Having Donnie, April, and Casey in this weirdest love triangle ever. (She tells both of them that she needs space at some point, but whenever they DO, she does something that makes that behavior more acceptable at that time. She goes back and forth between them clearly. And again it’s not April’s fault when she has bad writers)

We have Mikey that’s just doing his thing but ends up having something between Renet (whom isn’t born yet, but what the shell, at this point it fits the writing themes beautifully.) and Shinigami (Who wouldn’t, she is literally so hot.)

Now, I KNOW people are going to smite me for this but it’s only fair I still point things out in one of the best ships of the show so I can try to remain as unbiased as possible- Raph meets an alien in space. No questions between if they’re even equivalent to the same age or near, and already starts making out with her only within an episode (perhaps a few days) Kind of just like how Donnie also did with falling for April.

And we don’t see much with Yoshi having a relationship with Tang Shen until season 4, because she’s literally dead, and we haven’t seen any other interaction with her besides Splinter standing ground to his loyalty of his clan.

Do we see the similarities of why these writing flaws is happening? Do you see what they are common with?

They’re all relationships. The entire shows writing flaws, nearly every single one has to do something with relationships.

Every. Single. One.

The writers wanted to put romance into it, and failed miserably.

If you’re still reading this, congrats. I’m not done yet.

I feel as if I need to put some of my life experience into this to hope you all see the point I’m trying to make, and I know people that may have experienced similarly, that they still could have very different opinions to my own.

I’m adopted. And I only found that out when I became a teenager. Just as Karai has. I was lied to over and over and OVER again until I was finally told.

I’m not going to label Leorai something to extreme, but the ways people are defending it, is almost making it look like they know it is at some way, and are trying so hard to make it look like it’s completely fine, and you know what I’m talking about if you’re still reading this post, or you’re catching on to what I’m saying, I’ll make it very short and simple. And it’s really gross and scary how people think it’s okay.

Leo, and the rest of the turtles is related to Karai. Being a sister, or not. If they truly can’t be siblings, they are at least cousins, if we’re going to argue about how they weren’t raised together at all which… doesn’t make someone not related to someone.

And it was established that they both have romantic feelings for each other.

An argument that I saw was that the turtles aren’t technically adopted, or shares any DNA with Karai. (And honestly perhaps not, but we literally can’t rule anything out because we don’t have anything like mutagen in OUR world, so we can’t even argue anything about science because guys, come on… They’re four giant human turtles, and then there’s a literal trash mutant, so I don’t think we can say we’re experts on how mutagen works in this world or not.) So therefor, Leorai doesn’t count as (insert extreme label) And Splinter is also a harsh teacher, so Therefor- they aren’t his sons in any way because he can’t legally make them his sons. What?

Splinter is a mutated rat, and he may have just bot four baby turtles as a human, having no idea what is about to happen. Where is he going to go to the city, and find someone who would let him adopt four mutant turtles, to be his legally, official sons that he loves so much? Are we kidding? We’re going degrade the way that Splinter died and Mikey literally cried out “Papa.” And the thousands of times he calls them his sons and they their father and teacher? Fathers and mothers ARE our life teachers. And splinter KNOWS, that if NONE of them can defend, or fight for themselves, they would be killed easily from the harsh world. Of course his teachings will see VERY harsh. But he is literally preparing them for the worst, because he knows it can happen because he experienced it when he lost his wife to his adopted brother. And comparing to his brother, his brother literally kidnapped his daughter after murdering her mother and attempted murder of his adoptive brother! Why are we saying it’s okay for this heartless man to have the right to have Karai when Splinter can’t even do anything legally because he’ll get killed just from being a mutant?

Why is this even a point to make it seem like Leorai is okay or not? It literally makes no sense to use this as a reason why it is or shouldn’t, it has nothing to relate to it whatsoever. And at the end of the day, this entires shows romantic relationships isn’t okay. It’s just degrading a good father, and praising a horrible one for doing the ‘legal’ and ‘better’ thing??

Okay, another point that I saw was that none of the turtles weren’t raised or even knew Karai to begin with. That is true. They didn’t know she existed; and when they met her, they all didn’t know how she was related to them either way. Until they knew that Karai was Shredder’s daughter, then they definitely knew that the could be in some way. But like… if I find a sibling out there, adoptive, blood or not, I would back the heck out. It’s not the 1800’s where it’s fine to marry your cousin or aunt/uncle. And apart if the argument is that they can’t help their feelings or change them in anyway. (Pardon my language, but what the f*ck.)

Do you know who in the show was raised to be brothers, and ended up hating their guts, like literally? Splinter and Shredder. They changed they way they felt. And yes, it is more extreme comparing it to Leorai, but it’s also stupid not to point it out because it’s obvious.)

People are trying so hard to make it look like Leorai is fine in anyway, and it isn’t. It just plain isn’t. But again, the way people are defending (insert extreme label) They are still related. They. Are. Still. Related. Blood or not, they are. It is not okay to okay this behavior and or/writing that it is.

And people are defending this SO much they really believe and can say that it’s not (insert extreme label) because it only has to have two people be related by blood to make it (insert extreme label). Which isn’t the case, if someone is related to someone in anyway, then it is (inset extreme label.) and if you’re this person, your painting yourself as a person that is okay with in*st in anyway. I said what I said. If people can defend things like this, I can say my thoughts as well.

Get your head out of those sewer apples and GROW up. It’s fine to admit your wrongs and realize that things about your favorite show just isn’t okay. The writers wrote very problematic things, it’s the writers fault, and it’s okay to still like this specific show as a whole. Don’t let nostalgia make you look like you can also defend other problematic things.

Congrats; you made it to the end. Have a pizza 🍕

[ferne-exst]

A two part Revalink drabble that was going somewhere, but then didn’t.

Inspired by “Socks” by Dominic Fike

-

The hero of Hyrule stared at his shoes. He looked like a child, and not a young man that had slain the universe’s greatest evil three years ago.

I’m messy. Simply said, reeking with shame.

“Oh, do I know.” Revali said without missing a beat. The hero’s head did not raise. He actually seemed to wilt even more.

And irresponsible. I irritate you.

“Very much so.”

And I have twigs in my hair.

“That will be a real pain in my feathers to extract once we’re home, yes”. Revali said with exasperation, but with not an ounce less of fondness.

Link then huffed in frustration; whatever plan he had was definitely not working; whatever cryptic message he was trying to say wasn’t being understood. He finally looked Revali in the eye, to shoot him a glare of all things.

A real one, this time. His thick eyebrows were furrowed so hard, the skin between them wrinkled. And his lips weren’t pulled into that little pout Revali liked, but a tight, angry curl. The Rito just rolled his eyes.

“If this is an attempt to scare me away by listing all your flaws,” He moved closer to the hylian, beginning to almost circle him, “it’s not going to work.”

“I’m afraid I’ve come to love every little irritating thing about you.”

“You’re correct. You are messy, and some days, you make me want to pluck every feather out of my head out of stress. And you have many twigs in your hair.” His face wrinkled with disgust as he ripped one loose, leaves and all.

“But I’ve already made up my mind to clean up your messes for the rest of my life. And to preen this rats nest of yours even after it’s turned gray. And I do not see that as a burden, but a reward, and it is something I look forward to very much.”

He cupped Link’s face in his hands and gave him a doughy smile. Link could only stare back, mixed with a whole bunch of feelings

“And I’m - although I hate to admit it,” he let out the most dramatic sigh, that almost made Link chuckle even in his terrible mood, “a bit abrasive, over critical, certainly not the most sociable, and judgemental. Even though most of the judgment is warranted!” That last part did succeed in getting a small laugh out of him. Revali basked in it with pride, and he made sure the last part of his speech was extra sweet.

“Yet you continue to love me as I am, in my entirety. Why do you feel as if I’m not already devoted to giving you the same treatment?”

“Well, nice try. But you’re stuck with me.” He said with probably the cheekiest smile Link had ever seen on him. It made his heart ache. He couldn’t bring himself to say anything in return.

“Which honestly is a privilege more than anything.”

——

“Are you serious?”

Link just nodded his head in agreement, with a pleasant smile on his face. The same gleeful response he’s been giving his partner for the past ten minutes. It’s driving Revali mad.

Every flaw you have is a part of you. And I love you, so the rest doesn’t matter. Link shrugged, like that made perfect sense to him. Like he - a single little Hylian - had cracked the key to love, one of Hyrule’s greatest mysteries. To hell if he was one of Hylia’s favorites, she couldn’t have possibly whispered the secret of love into his ear.

Could she?

“That’s ridiculous.”

I don’t think so.

“You’re crazy.”

Maybe.

“You can’t say that, you don’t love everything.”

I do

Revali looked scandalized. “You can’t love my attitude.”

I do

“Or when I insult your hair, or your posture.”

The Rito had begun quickly pacing around the room in his stress and confusion, circling Link like a really confused hawk might its prey. Link just sat in the center, watching him circle around content, singing the same phrase.

I do.

“I’m completely sour, I’m insufferable.”

No matter what the Rito bit at him, Link didn’t budge. The warmth in that upturned gaze never faltered, and he smiled at him like a precious gemstone that he had found.

Even when he was thrown the harshest jabs or complaints Revali could muster, and his face scrunched up in anger at some of them, Link’s eyes still shone with an undying fondness. As long as Revali looked into his eyes, he’d know that there was someone madly in love with him. Any doubts of ever being loved could be thrown to the wind.

[diavolosthots]

Well kids its that time again where I'm contemplating my life and continuing with this masterpiece

ₓ˚. ୭ ˚○◦˚ASMODEUS proposing headcanons ˚◦○˚ ୧ .˚ₓ

What is love? (Baby don’t hurt me, don’t hurt me, no more...)

In all seriousness, it’s not that he doesn’t know love or how to feel it, not at all

If anything, he’s kept away from it 

As much as he hates to admit it, he doesn’t like being vulnerable with people. He doesn’t like the idea of someone seeing him as anything other than perfect. 

Of course his constant wannabe narcissism is a facade. He’s hiding his insecurities, damnit! But he’s not going to say that out loud!

Don’t get him wrong, he IS confident; just not as confident as he makes it out to be ya know? More so… Lucifer confident but with the awareness that there ARE flaws; little imperfections. 

But you don’t care about that. As a matter of fact, he’s pretty sure you know how insecure he can get beneath it all

That’s why he has to marry you, though. You actually accept him for who he is and damn if that’s not the most attractive thing he’s ever seen in anyone, including himself. 

The ring is actually quite simple 

Shocker, right? Not really. He wants it to be more meaningful than expensive. It’s still.. Flashy, no doubt about that, but it’s not massive. Everything is in the details, you know? It’s a Oval Vintage Floral Bridal Set in Scalloped Band with Peach Sapphire and Curved Leaf Diamond Band. Kind of princess-y? Maybe, but he wants you to know that he thinks of you as royalty and he honestly adores the pink and the leaf-y band on it. It’s unique, much like you and him. 

Is it weird that he isn’t even nervous, though? Like… he’s not that worried about proposing to you. 

As a matter of fact, he does it in the most random moment. There’s no pre planning or nerve wrecking, in-front-of-the-mirror type of speeches, you know? He’s just… winging it. 

Well, kind of.

He does have one trick up his sleeve

And that’s something you call a bathbomb. 

Taking baths with Asmodeus isn’t that unusual. As a matter of fact, he asks you to join him all the time and whether or not it leads to something sexual is completely up to you.

“Can you put the bathbomb in? It’s the one beside you.” 

The thing is, you’re already in the water? The bubbles are already there? You were confused, but his soft laugh and funny face made you do it anyway, “whatever you want, Asmo.”

This is the part that he enjoys the most. He wraps his arms around your waist because you’re most definitely sitting between his legs and then both of you watch the bathbomb dissolve and pop little jewelry pieces up. At least, that’s what he likes to watch and you never complained about it.

This time, though, when a black box popped up, instead of letting you have it, he snatched it away from you, “hey!” You laughed at him, turning your head with a grin, but Asmo was actually looking down at you with a soft blush spreading over his features.

Ah yes, that’s where the nervousness went.

“(Y/N)... my dearest… my beautiful little dove..” he laughed when he saw you roll your eyes, but he continues on anyway

“I know you hear me say this a lot… that you are perfect… well, almost as perfect as me. But I also know that’s a lie. You are just as, if not more perfect than me, but don’t ever tell anyone I said that… I’ve got an image to uphold!” he’s making funny little jokes to soothe his own nervousness, “(Y/N).... you see me for who I am. For who I try not to be although he IS me… and you don’t judge me for it. You’re pure and full of love; the angels would be jealous! And you don’t belong down here… not with a demon… and yet… you choose me every day just like I choose you every day..”

He smiles softly, no hint of amusement or underlying intention, just pure love. And then he opens the box to reveal the ring, turning your head toward him once you took a good look at it, still smiling. 

“And I want to continue choosing you for every day that is to come… you’re my dove, my favorite flower, and I can’t let you whither or fly away ...so I ask… with nothing but love for you in my heart, Will you become the perfect addition to my perfect life?”  

[littlemixnet]

To me, a good ally is someone who is consistent in their efforts – there’s a difference between popping on a pride playlist or sprinkling yourself in rainbow glitter once a year and actually defending LGBT+ people against discrimination. It means showing my LGBT+ fans that I support them wholeheartedly and am making a conscious effort to educate myself, raise awareness and show up whenever they need me to. It would be wrong of me to benefit from the community as a musician without actually standing up and doing what I can to support. As someone in the public eye, it’s important to make sure your efforts are not performative or opportunistic. I’m always working on my allyship and am very much aware that I’ve still got a lot of unlearning and learning to do. There are too many what I call ‘dormant allies’, believing in equality but not really doing more than liking or reposting your LGBT+ mate’s content now and again. Imagine if that friend then saw you at the next march, or signing your name on the next petition fighting for their rights? Being an ally is also about making a conscious effort to use the right language and pronouns, and I recently read a book by Glennon Doyle who spoke of her annoyance and disappointment of those who come out and are met with ‘We love you…no matter what’. I’d never thought of that expression like that before and it really struck a chord with me. ‘No matter what’ suggests you are flawed. Being LGBT+ is not a flaw. Altering your language and being conscious of creating a more comfortable environment for your LGBT+ family and friends is a good start. Nobody is expecting you to suddenly know it all, I don’t think there’s such a thing as a perfect ally. I’m still very much learning. Even recently, after our Confetti music video I was confronted with the fact that although we made sure our video was incredibly inclusive, we hadn’t brought in any actual drag kings. Some were frustrated, and they had every right to be. You can have the right intentions and still fall short. As an open ally I should have thought about that, and I hadn’t, and for that I apologise. Since then I’ve been doing more research on drag king culture, because it’s definitely something I didn’t know enough about, whether that was because it isn’t as mainstream yet mixed with my own ignorance. But the point is we mess up, we apologise, we learn from it and we move forward with that knowledge. Don’t let the fear of f**king up scare you off. And make sure you are speaking alongside the community, not for the community. Growing up in a small Northern working-class town, some views were, and probably still are, quite ‘old fashioned’ and small-minded. I witnessed homophobia at an early age. It was a common thought particularly among men that it was wrong to be anything but heterosexual. I knew very early on I didn’t agree with this, but wasn’t educated or aware enough on how to combat it. I did a lot of performing arts growing up and within that space I had many LGBT+ (mainly gay) friends. I’ve been a beard many a time let me tell you! But it was infuriating to see friends not feel like they could truly be themselves. When I moved to London I felt incredibly lonely and like I didn’t fit in. It was my gay friends (mainly my friend and hairstylist, Aaron Carlo) who took me under their wing and into their world. Walking into those gay bars or events like Sink The Pink, it was probably the first time I felt like I was in a space where everyone in that room was celebrated exactly as they are. It was like walking into a magical wonderland. I got it. I clicked with everyone. My whole life I struggled with identity – being mixed race for me meant not feeling white enough, or black enough, or Arab enough. I was a ‘tomboy’ and very nerdy. I suppose on a personal level that maybe played a part in why I felt such a connection or understanding of why those spaces for the LGBT+ community are so important. One of the most obvious examples of first realising Little Mix was having an effect in the community was that I couldn’t enter a gay bar without hearing a Little Mix song and watching numerous people break out into full choreo from our videos! I spent the first few years of our career seeing this unfold and knowing the LGBT+ fan base were there, but it wasn’t until I got my own Instagram or started properly going through Twitter DMs that I realised a lot of our LGBT+ fans were reaching out to us on a daily basis saying how much our music meant to them. I received a message from a boy in the Middle East who hadn’t come out because in his country homosexuality is illegal. His partner tragically took their own life and he said our music not only helped him get through it, but gave him the courage to start a new life somewhere else where he could be out and proud. There are countless other stories like theirs, which kind of kickstarted me into being a better ally. Another standout moment would be when we performed in Dubai in 2019. We were told numerous times to ‘abide by the rules’, which meant not promoting anything LGBT+ or too female-empowering (cut to us serving a four-part harmony to Salute). In my mind, we either didn’t go or we’d go and make a point. When Secret Love Song came on, we performed it with the LGBT+ flag taking up the whole screen behind us. The crowd went wild, I could see fans crying and singing along in the audience and when we returned it was everywhere in the press. I saw so many positive tweets and messages from the community. It made laying in our hotel rooms s**tting ourselves that we’d get arrested that night more than worth it. It was through our fans and through my friends I realised I need to be doing more in my allyship. One of the first steps in this was meeting with the team at Stonewall to help with my ally education and discussing how I could be using my platform to help them and in turn the community. Right now, and during lockdown, I’d say my ally journey has been a lot of reading on LGBT+ history, donating to the right charities and raising awareness on current issues such as the conversion therapy ban and the fight for equality of trans lives. Stonewall is facing media attacks for its trans-inclusive strategies and there is an alarming amount of seemingly increasing transphobia in the UK today and we need to be doing more to stand with the trans community. Still, there is definitely a pressure I feel as someone in the public eye to constantly be saying and doing the right things, especially with cancel culture becoming more popular. I s**t myself before most interviews now, on edge that the interviewer might be waiting for me to ‘slip up’ or I might say something that can be misconstrued. Sometimes what can be well understood talking to a journalist or a friend doesn’t always translate as well written down, which has definitely happened to me before. There’ve been moments where I’ve (though well intentioned) said the wrong thing and had an army of Twitter warriors come at me. Don’t get me wrong, there are obviously more serious levels of f**king up that are worthy of a cancelling. But it was quite daunting to me to think that all of my previous allyship could be forgotten for not getting something right once. When that’s happened to me before I’ve scared myself into thinking I should STFU and not say anything, but I have to remember that I am human, I’m going to f**k up now and again and as long as I’m continuing to educate myself to do better next time then that’s OK. I’m never going to stop being an ally so I need to accept that there’ll be trickier moments along the way. I think that might be how some people may feel, like they’re scared to speak up as an ally in case they say the wrong thing and face backlash. Just apologise to the people who need to be apologised to, and show that you’re doing what you can to do better and continue the good fight. Don’t burden the community with your guilt. When it comes to the music industry, I’m definitely seeing a lot more LGBT+ artists come through and thrive, which is amazing. Labels, managements, distributors and so forth need to make sure they’re not just benefiting from LGBT+ artists but show they’re doing more to actually stand with them and create environments where those artists and their fans feel safe. A lot of feedback I see from the community when coming to our shows is that they’re in a space where they feel completely free and accepted, which I love. I get offered so many opportunities to do with LGBT+ based shows or deals and while it’s obviously flattering, I turn most of them down and suggest they give the gig to someone more worthy of that role. But really, I shouldn’t have to say that in the first place. The fee for any job I do take that feels right for me but has come in as part of the community goes to LGBT+ charities. That’s not me blowing smoke up my own arse, I just think the more of us and big companies that do that, the better. We need more artists, more visibility, more LGBT+ mainstream shows, more shows on LGBT+ history and more artists standing up as allies. We have huge platforms and such an influence on our fans – show them you’re standing by them. I’ve seen insanely talented LGBT+ artist friends in the industry who are only recently getting the credit they deserve. It’s amazing but it’s telling that it takes so long. It’s almost expected that it will be a tougher ride. We also need more understanding and action on the intersectionality between being LGBT+ and BAME. Racism exists in and out of the community and it would be great to see more and more companies in the industry doing more to combat that. The more we see these shows like Drag Race on our screens, the more we can celebrate difference. Ever since I was a little girl, my family would go to Benidorm and we’d watch these glamorous, hilarious Queens onstage; I was hooked. I grew up listening to and loving the big divas – Diana Ross (my fave), Cher, Shirley Bassey, and all the queens would emulate them. I was amazed at their big wigs, glittery overdrawn make-up and fabulous outfits. They were like big dolls. Most importantly, they were unapologetically whoever the f**k they wanted to be. As a shy girl who didn’t really understand why the world was telling me all the things I should be, I almost envied the queens but more than anything I adored them. Drag truly is an art form, and how incredible that every queen is different; there are so many different styles of drag and to me they symbolise courage and freedom of expression. Everything you envisioned your imaginary best friend to be, but it’s always been you. There’s a reason why the younger generation are loving shows like Drag Race. These kids can watch this show and not only be thoroughly entertained, but be inspired by these incredible people who are unapologetically themselves, sharing their touching stories and who create their own support systems and drag families around them. Now and again I think of when I’d see those Queens in Benidorm, and at the end they’d always sing I Am What I Am as they removed their wigs and smudged their make up off, and all the dads would be up on their feet cheering for them, some emotional, like they were proud. But that love would stop when they’d go back home, back to their conditioned life where toxic heteronormative behaviour is the status quo. Maybe if those same men saw drag culture on their screens they’d be more open to it becoming a part of their everyday life. I’ll never forget marching with Stonewall at Manchester Pride. I joined them as part of their young campaigners programme, and beforehand we sat and talked about allyship and all the young people there asked me questions while sharing some of their stories. We then began the march and I can’t explain the feeling and emotion watching these young people with so much passion, chanting and being cheered by the people they passed. All of these kids had their own personal struggles and stories but in this environment, they felt safe and completely proud to just be them. I knew the history of Pride and why we were marching, but it was something else seeing what Pride really means first hand. My advice for those who want to use their voice but aren’t sure how is, just do it hun. It’s really not a difficult task to stand up for communities that need you. Change can happen quicker with allyship.

Jade Thirlwall on the power, and pressures, of being an LGBT ally: ‘I’m gonna f**k up now and again’

[all-about-seggs]

Sultry Blues-

Rating: ❌18+, Explicit❌

Pairing : Gojo Satoru x Insecure! Fem Reader

Word count: 2.5 k

Warnings: Trigger warning for insecurities (not specified), Body Worshipping, a bit of food play, cunnilingus, Semi-public sex.

The faint sounds of ringing bells from the shrine was still in the air as you made your way to the inner structure of the prestigious Jujutsu academy. The path to the meeting room was straight and lined with stone carvings which gave the entire place an ancient look. You had a lunchtime date with your boyfriend, who would, hopefully be on time so you could be on your way.

This place always made you uneasy, not because of the dangerous connotations it brought in everyone’s lives but it was the people who freaked you out the most. To you, each one of the teachers as well as the students looked like some characters straight from a book, elegant, strong and perfectly capable of doing things normal people like you could only read about. Not having enough confidence on yourself physically or mentally worsened every time it dawned on you that you were dating the most perfect being of them all.

Perplexing wouldn’t even began to describe your state of mind when Satoru first took interest in you, sure looks or status didn’t meant anything to him but even in terms of personality you never thought the two of you would get along, so much so that you would become such an irreplaceable part of each other. But you knew his feelings for you did nothing to stop the ache in your heart when you saw him getting ganged up on by a bunch of women. Women attractive than you, smarter than you and definitely stronger than you.

This was exactly the place where all those kind of women lived making you feel even more of an outsider in his world. Not wanting to cause Satoru any worries you tried to psyche yourself up by picking up your pace only to be met with a hard shoulder to your cheek.

“I’m sorry! I wasn’t looking”, you looked up at the stranger, she was tall, her sturdy figure seemed like she was also a sorcerer but her ID pass was tucked on the breast pocket of her coat along with her youthful face indicated she was a student, you squinted to see that her name was Lisa and as you were about to apologise when you saw her sneer at you.

“ Ugh… outsiders. Don’t you know how to walk properly? Or did you not learn that in your no name school?”, her condescending tone took you aback.

You knew you didn’t exactly belong here but she wasn’t cutting you any slack for being a civilian either. You wanted to ask her why was she being so rude but your queries were cut off as by the girl.

“ No need to explain yourself I already know who you are, I’ve seen you following Gojo- San like a lost puppy a lot of times, seriously it’s like you don’t even have a presence without him.”, with a pause you finally thought her pointless berating would come to a stop but she went on.

“ He has a reputation to uphold here so don’t go around embarrassing him with your airheaded and average looking face”, now with THAT she crossed the line but as much as you wanted to give her a comeback all you anger turned into self loathing in a matter of seconds and you stood there dumbly not being able to defend yourself from the onslaught of verbal attacks that even you partially agreed with.

Not even bothering to look at her when she passed you thought about her mean words that were half untrue. You knew dating a popular guy would include more that just a little bit harmless envy of girls. At this point you’d be lucky if you didn’t get attacked by one of your boyfriend’s fangirl. But, It wasn’t about Satoru anymore, you thought. It was about how you were letting the jealousy of his superficial admirers who didn’t even knew only knew his name and face. Before you could delve more into your darkening thoughts you heard a cheery voice call out to you.

Bag at hand, which probably contained some sort of dessert you saw Satoru gleefully making his way towards you. It took you a few seconds to plaster a believable smile to your face so you could greet him normally.

“ Wow I can’t believe IM the one who had to wait around this time”, placing a tiny kiss on your nose he pulled you in for a hug, his warmth seeping into you put your mind at ease and help you distract yourself from the horrible encounter before.

“ The meeting was pointless and even the snacks turned out to be lame”, whining a little he waved the bag in front of you. A convenient store vanilla sponge cake with a packet of strawberry sauce was right in front of you and honestly if it were you, you’d probably eat it without question but knowing his love for quality sweets it was understandable why he’d complain.

“ Well actually, with the right toppings and modifications even convenient store packed cakes can taste top class!”, thinking about all the ways you’ve experimented watching diy food videos you started thinking up of ways to serve it to him.

“I see, that’s a good idea and I think it’ll give us some headstart for our date wouldn’t it?”, saying that he gestured you towards one of the buildings that lead to the back exit.

Walking hand in hand Satoru came to a stop which seemed like a closed off gate that was not in use anymore.

“ Why are we here? I thought the back exit was the other way around?”, confusion painted over you face you turned to face your mischievous partner.

“ you said you’d help me eat them, and I think it’s a pretty good place, don’t you?”, stepping closer he urged you to take a look around. The area didn’t have any benches, buildings or even people around and the only sound you could hear was the birds and the small artificial streams of river that flowed a few steps away from the closed off exit.

If Satoru was insinuating something you started to get the hang of it and you soon felt you face get hotter. The afternoon sun did nothing to help you cool down as you struggled to make sense of the situation. His hands were all over your body, caressing, pinching and feeling you up.

“ What’s wrong? Not up for it in semi public style?”, his breathy voice got lost in the crook of you neck where he inhaled your scent, “ you know nobody’s gonna come” with a slight push, he pinned you againt the vine-covered gate, “Except for you”.

“what the- WAIT! It’s still so bright out here not to mention we’re in PUBLIC Satoru!”, wide eyed you try to grab at his hand that was halfway done unbuttoning the top of your blouse.

“Do you want me to blindfold you?”, throwing these words nonchalantly he started licking every bit of exposed skin he could find from your ears to chest.

His mouth made contact with your covered breasts and without bothering to remove the piece of clothing he latched his mouth onto your hardened nipple to give it a gentle bite. Holding back your own moans you placed you hands on his broad shoulders, a feeble attempt at stopping him.

“How would THAT resolve anything?!” already half naked, your retorts seemed like pathetic excuses even to your own ears. It wasn’t until you heard a sharp rip that you realised your underwear was no longer on your body anymore. With a horrified look you saw your unusable underwear in Satoru’s hand.

“ I don’t think you’ll be needing these anymore my sweetness because I want to see ALL of you”, dangling the fabric from his long fingers he made a show of tucking it in his pocket. Hiking your skirt up with one hand he caressed the soft flesh with his thumbs.

“I knew you had no sense of danger but this could even get us arrested”, your reasoning seemed to fell on deaf ears as your boyfriend, already half way down on the ground, pulled his blindfold down with ease. Looking at up at you with his ethereal turquoise eyes that lied beneath strips of heavy white eyelashes, this part of his face was something you couldn’t see all the time.

“You’re beautiful……”, the genuine nature of his words felt unreal when compared to his everyday frivolous self, “at least I’ve always thought so”.

All the voices in the place except for his, got drowned out by the throbbing of your heart in your chest when he kneeled right in front of your crotch. The warm smile on his lips contradicted with his tantalizing actions but he enjoyed it precisely because of that.

“Open your legs a bit more y/n, I need more space to eat”, with his haughty smirk back he exposed more of your pussy with his fingers and dribbled the strawberry sauce over it until it started trickling down to the ground underneath it.

“This looks like a good dessert, waaay better than the one I was offered before”, making one last smartass comment he threw the now empty packet away and your sugar coated pussy was soon met with Satoru’s soft, warm tongue as he buries his face in it. His tongue worked it’s way beneath the layer of your pussy hair and down to the soft flabby skin underneath. Your natural slick combined with the dressing sauce tasted even sweeter in his mouth, the pleasant hums falling uncontrollably from his mouth made you wetter.

All the blemishes, scars and your self imposed flaws started melting into something more complete and unbreakable in its nature when you felt Satoru touching you, feeling you and tasting you from the inside and out.

His warm hands firmly gripped your thighs to lap at the soft peak in between. All the sensations his tongue was providing you made your vision turn black and your body heated up to the point of burning. The broad daylight and your exposed form added to the fear of being found out but your trust in your boyfriend outweighed everything so you let him have his way.

“ Hmmm, yeah y/n…”, the exaggeratingly loud slurping of his mouth came to a stop as he looked up at you, his pink lips glistening even more when he spoke, “Even this cheap stuff tastes better when I eat it directly from you”.

You were a panting mess, already having lost the ability to make coherent words you kept you eyes on Satoru as rose to his feet.

“ Let’s move on to the next part shall we?”, after smoothening out your skirt of you he held out his hand and your need for release took over all rhyme and reason so you put one of your shaking hand in his. The next few moments were confusing as a white light enveloped both of your forms and by the time your vision returned you found yourself in an unknown room.

The place itself was nothing out of the ordinary, some books, a cupboard and a vanity. The single bed near the curtained window was properly made. It was clearly not Satoru’s room but the neatness of the place also suggested that it wasn’t an unused room either.

“ Hey we’re are we?”, you question the white haired male when he casually made his way to switch on the lights.

“Don’t worry we’re still in the academy premises, you wanted to finish this right? And I didn’t wanted to go another second with hearing your pretty voice, so you can scream now,” his voice dangerously low, he held your arms in both of his hands and guided you to the single bed in the corner.

“ and I didn’t meant that as a request”, flat on your back you had no time for further questioning as your exposed cunt got filled to the brim in a single thrust. The stretch made you cry out and remembering Satoru’s previous warning you didn’t bother covering your mouth. The light in the room was enough for him to see all of you, even if he had all of you memorized at the back of since the first time.

Your twisted face that you’d consider ugly was nothing if not arousing to him from the kneeling position of his at the edge of the bed, endearing even at how the side of your eyes well up everytime he fucked you so hard, the creaking of the bed acted as a proof of his brutal pace that threatened to break the furniture.

Each powerful thrust of his made your entire body lurch from its position, your juices flowed endlessly down your thighs, on Satoru’s cock and down to the sheets. Your voice ricocheted off the walls and gave life to the entire building.

Having your orgasm cut off before, the anticipation that had build up made your upcoming release feel even ore intense. Your walls started clenching around his shaft, already feeling waves of ecstasy you waited for it to reach its peak.

“ Y/n...Come for me”, in between his grunts he placed on of his hand on the side of your head, lowering himself till your noses touched. Breaths intermingling, you came with a loud cry of his name. Euphoria spreaded through both of your bodies making a gush of liquid come out of your pussy when Satoru pulled out, both of your mess soiled the sheet.

Few minutes of silence passed by as a fully clothed Satoru sat beside you, stroking your head until you calmed down.

“ Hey y/n?”, abruptly his cheeky tone filled the room and you looked up at him questioningly,

“ Wanna take a pic? ya'know, as a momento”, the odd question made you come to an obvious conclusion, which now seemed obvious considering your boyfriend’s not so secret rebellious nature and with how much of a brat he can be it was nothing short of hilarious.

“ It’s Lisa’s room isn’t it?”, barely controlling your laughter you tried to pry an answer out of him, the soothing motion of his hands never coming to a stop he took out his phone with another.

“ Yeah, it is, I’d say it’s an excellent way of showing her our ‘bond’ dontcha think?”, his cringey answer made you burst into laughter. The first real smile he’d seen on your face since you got here was something Satoru wanted to be a constant thing, always there when he wanted to see it just like a still photograph.

Bending his face down his lips softly met your forehead and before you could open your eyes back up you heard the click of the camera go off.

“ Heh, so how is it?”, propping yourself up on your elbows you tried to peak at the screen but it was pulled out of sight just as quickly.

“ It’s perfect”, with a warm smile that reached all the way to his eyes Satoru put his phone down before peering into your eyes, “and it’s mine”.

[highsviolets]

INTERVIEW NO. 1: RACHEL @djarinsbeskar

hello hello! i am so happy to announce that rachel — aka the immense talent that is @djarinsbeskar — has agreed to be my first interviewee for this new series! thank you to rach and to each one of you for all of your support. to read more about the project, click here, and to submit an author, click here.

| why rachel? |

Rachel captured my imagination from the first time we interacted as mutuals-in-law. She’s bursting with energy and vivaciousness, with a current of kindness just underneath everything she does. Her work is no exception. Oftentimes gritty, raw, and exposing (in … ahem…more ways than one), Rachel challenges her readers to dig deeper into both the story and themselves. Her smut brings a particular fire as it’s laced with need, desire, and mutual trust that leads us deeper into the characters’ identities and how physical affection can mimic other forms of intimacy. She’s a tour de force in this fandom and an absolute joy.

| known for |

Engaging with and encouraging other authors, cultivating inspo posts, attention to world building & character development

| my favorites |

Stitches

Boxer!Din

Full Masterlist • Ko-Fi

| q & a |

When did you start writing? What was that project, and what was it like? Has that feeling or process ever changed over time? Why?

I can’t remember a time I wasn’t writing. I was an avid reader, as I think most writers are—and I remember, after picking up Lord of the Rings—that I could live so many lives, experience so many things, all from the pages of a book. I could make sense of the world through words and ink and paper. And it offered me a level of peace and clarity I wanted to share with others. So, I started writing.

My first project I remember to this day, was a short story about a dog. I had been so heartbroken when I learned that dogs were colourblind. I must have been about seven or eight at the time, and I was fixated on this idea that dogs couldn’t see the vibrant hues that made the world beautiful. It was something I wanted to change—and with all the righteous anger of a child not getting their own way, I sulked over the fact that I couldn’t. Until I wrote it down.

“How do dogs see colour?”

And much like my writing today, I answered myself.

“Dogs don’t need to see colour. Dogs smell colour.”

And so, I wrote a story, about a puppy being brought on different walks by its owner. And with every new street it walked down—colour bloomed with scent. Colours more beautiful and vibrant than we could ever hope to see with our eyes. And it gave me solace and helped me work through an emotion that – granted was immature and inconsequential – had affected me. To this day, I still smile seeing dogs sniffing at everything they pass on their walks. Smelling colour. It gave me the key to my favourite thing in life. I don’t think my process has changed much since then. Much of what I write is based on a skeleton plan, but I leave room for characters to speak and feel as they need to. I like to know the starting point and destination of a chapter—but how they get there, that still falls to instinct. I think I’ve found a happy medium of strict planning and winging it that suits me now—and hopefully it will continue to improve over time!

When did you start posting your writing, and on what platform? What gave you the push to do that?

I mean, fanfiction has always been part of my life. I think anyone who was growing up in the late 2000’s and early 2010’s found their way to fanfiction.net at some time or other. The wild west compared to what we have now! My first post was for the Lord of the Rings fandom on fanfiction.net. It was an anthology of the story told through the eyes of the steeds. Bill the Pony, Shadowfax—it was all very innocent. That was probably in 2010 when I was fifteen. I had been wanting to share writing for a long time but was worried about how it would be received. I didn’t really have a gauge on my level or my creativity and – one of the many flaws of someone with crippling perfectionism – I only ever wanted to provide perfection. That was a major inhibitor when I was younger. By wanting it to be perfect, I never posted anything. Until that stupidly cute LOTR fic. It was freeing to write something that no one but me had any interest in, because if I was writing for myself then there was no one to disappoint, right? And that was all it took. I had some pauses over the years between college and life and such, but I’ve never lost that mindset when it comes to posting.

What your favorite work of yours that you have ever written? Why is it your favorite? What is more important to you when considering your own stories for your own enjoyment — characters? fandom? spice? emotional development? the work you’ve put into it? Is that different than what you enjoy reading most in other people’s fics?

I don’t think it’ll come as much of a surprise when I say Stitches. While not original, I mean—it follows the plot of the Mandalorian quite diligently, it is the piece of work I really hold very close to my heart. Din Djarin as a character is what got me back into writing after what must have been five years? He inspired something. His manner, his personality—he resonated with me as a person in a way I hadn’t felt in a long time. And gave me back a creative outlet I had been missing.

It’s funny to say out loud—but I wanted to give him something? I spent so long thinking about his character that half my brain felt like it belonged to him—how he reacted and responded to things etc. and of course, like every dreamy Pisces—I wanted to give him love and happiness. So, Stitches came along. Personally, when writing—it’s a combination of characters, emotional development and spice (I can’t help myself) and when we can follow that development. With Stitches, it’s definitely the spice that is the conduit for development—but I adore showing how the physical can help people who struggle to communicate emotions too complex for words.

I don’t usually read for Din, as most people know—but I do enjoy reading the type of work that Stitches is. Human, damaged—but still with an undercurrent of hope that makes me think of children’s books.

You said, “much like writing today, I answered myself.” Could you talk about that in relation to Stitches?

So, I’m endlessly curious, it has to be said. Especially about why people are the way they are. Why people do A instead of B. Why X person’s immediate thought went to this place instead of that place. And I’m rarely satisfied with superficial explanations. One of the most exciting parts of writing and fanfiction especially, is making sense of that why. There can be countless explanations, some that are content with what is seen on the surface and some that go deep and some that go even deeper still.

Stitches is almost a – very long winded and much too long – answer to the questions I was so intrigued by about Din Djarin, about the Mandalorian and about the Star Wars universe as a whole. I often wondered what happened to people after the Rebellion, the normal people who fought—the people in the background. What did they do next? Did some of them suffer from PTSD? What was the galaxy like right after the Empire fell? That first season of the Mandalorian answered some of those questions, but I wanted to know more. So, I created a reader insert who was a combat medic—and through her, I let myself answer the questions of what happened next.

Regarding Din as a character, I wanted to know what a bounty hunter with a code of honour would do in certain situations—what made him tick, what made hm vulnerable. I wanted to explore the discovery of his identity. Din Djarin didn’t exist after he was taken from Aq Vetina. He became a cog in a very efficient machine of Mandalorians—and it was safe there. I wanted to see what – or who – might encourage him to step into his own. Grogu was that person in a familial sense, but what about romantically? What about individually? There’s so much to explore with this man! So many facets of personality and nuances of character that make him so gorgeous to write and think about.

Talk to me about the Din Djarin Athletic Universe. How does Din as all of these forms of athlete play off who you see him as in canon?

The Athletic Universe! How I adore my athletes. Despite being in a modern setting, I have kept the core of Din’s character in each of them (at least I hope I have!). I like to divide Din’s character into three phases when it comes to canon because he’s not as immovable as people seem to think he is. We discussed this before, how I see Din as a water element—adaptable, but strong enough that he can be as steadfast as rock. But I digress, the first phase is the character we see in the first episode. Basically, before Grogu. There’s an aggressive brutality to Din when we see him bounty hunting. He works on autopilot and isn’t swayed by sob stories or promises. He has the covert but is ultimately separate. Those soft feelings he comes to recognise when he has Grogu are dormant – not non-existent – but they haven’t been nurtured or encouraged. This is the point I extracted Boxer!Din’s personality and story from.

Cyclist!Din on the other hand—is already a father, a biological father to Grogu. And his personality, I took from that moment in the finale of Season two where I believe Din’s transformative arc of character solidified. He was always a father to Grogu, but I do believe that moment where he removes his helmet is the moment, he accepts that role fully in his heart and mind. And that is why I don’t believe for a second, that removing his helmet was him breaking his Creed. In fact, I believe it was the purest act he could do in devotion to his Creed—to his foundling, to his son. The Cyclist!AU is very much the character I see canon Din having should Grogu have stayed with him. This single dad who isn’t quite sure how he got to where he is now—but does anything and everything for his child without thought. It’s a natural instinct for him, and I like exploring those possibilities with Cyclist!Din.

You also said, “he has the covert but is ultimately separate.” What does it take for him — and you — to get to that point of being ‘not separate?’

I mentioned this above, but one of the biggest interests I have in Din as a character is his identity. He’s a Mandalorian, he’s a bounty hunter, he’s the child’s guardian but those are all what he is, not who. I think Din is separate while being part of the covert because he doesn’t know. I don’t think anyone can really be part of something if they don’t know who they are or, they struggle with their identity. It’s curious to me—how you can deceive even yourself to mimic the standard set for the many. In the boxer verse, he identifies himself in relation to his boxing—and every part of his outward personality exhibits those qualities. But when he’s given a softer touch—an outlet of affection, and comfort—we see the softer side of him surface. It’s very much the same with Stitches Din. Identity is like anything, emotions—relationships, bodies. It needs nurturing to thrive, an open door—a safe space. At least, that’s what goes through my mind when I think of him.

Who is your favorite character to read?

Frankie because there are so many ways his character can be interpreted and there are some stellar versions of him that I think of at least once a day. Javi because he reminds me of kintsugi-- golden recovery, broken pottery where the cracks are highlighted with gold. I also adore reading for Boba Fett, Paz Viszla and the clones!

Is there anything else you want your readers to know about you, your writing, or your creative process?

Hmm... only that I am quite literally a gremlin clown who is always here to chat Din, Star Wars, literature, book recs and anything else under the sun! I like to hear people's stories, their opinions etc. it helps me see things from alternative points of view and can truly help the writing process! Other than that, I think I can only thank readers for putting up with my ridiculously long chapters and rambling introspection. Thank you for indulging me always! ❤️

[genshinobsession]

About the sentience au, i have no idea if u take request/ consider ideas so feel free to ignore

I got some thoughts so i hope u don't mind me ranting here hehe

But here's the thing, if the character somehow got to our world and found out that their life was created by someone for ppl to pass time and entertain themselves, what would be their reaction to the fandom (fics, ships, reader insert stuff, fanart and other fan made stuff), the creator (and them getting profit or being responsible for their suffering and creating them the way they are? Like flaws/ appearance/ personality n that shit), the gatcha, other characters that they knew, and just generally to the whole thing about them being a fictional character from a game in a different world

Thank you for coming to my ted talk <3

Sentience Au

characters included:

Diluc,Kaeya,Zhongli

(More is coming after, I just didn’t want there to be do much scrolling to get to the character you want)

Diluc

“So, what you’re saying is I’m from a video game, and I am a very desired character. And because of this many people draw pictures of me.” He asks, standing with his hand on his chin as he tried to process this.

You nodded and you got your phone and looked up a simple

“Diluc fanart”

And showed him the results.

He was a little put off now knowing that there were so many people watching him at all times. Not only were they were watching him but they liked him enough to draw him.

“Well, they all are very talented, but why is this one titled ‘Daddy Diluc’ with my shirt off?” He asked, and you snatched your phone from a him as quick as possible and closed out of whatever file or photo album he scrolled to.

With a nervous laugh you turned back to him hiding your phone, not wanting to admit to what he had seen.

“How about we look at some fanfics instead.” You suggested, changing tabs on your phone. You showed him the Tumblr thread as he began to scroll.

“And these are-?” He asked as he looked back at you.

“Stories about you and other characters, or somethings you and the person reading. Those are called self inserts.” You explained, he nodded, slightly understanding until he had scrolled to an NSFW story.

“What does NSFW stand for?” He asked, you shot up from your chair and smacked the phone out of his hand as quickly as possible.

“Okay maybe that’s not a good idea either.” You laughed nervously again as Diluc stared at you curiously. As far as he was concerned NSFW was just a couple of meaningless letters thrown together, but your reaction makes him think it was obviously more than that.

“How about I explain it this way. Because you’re a very desired character, many people are attracted to you,” You began. He nodded, understanding.

“myself included,” you mumbled, he didn’t catch it so you cleared your throat and continued.

“Many of them make art of you and other characters together and more often than not it’s because of a ship.”

Right at that moment you completely lost him. He looked at you confused,

“What do boats have anything to do with this?” He asked, his eyebrows were furrowed together as he tried to think of a logical way that a mode of water transport would have anything to do with him and other characters.

“No no, this kind of ship is a pairing of you and another character, like a relationSHIP.”

Diluc nodded in response,

“So wait, people pair me with other characters? Like who?” He asked, you sighed knowing the question was going to come up sooner or later.

“Well-“ you began as you listed off every person he had been shipped with. As you went on Dilucs face began to contort out of confusion and slight disgust.

“Just... don’t ask and we can both forget about it.” You suggested and he nodded in agreement.

“Gladly.”

Kaeya

“Well this is... interesting.” The blue haired man muttered as he had scrolled through the object that he held in his hands.

He had just seen it lying face up on the counter and his curiosity got the better of him.

And he was very surprised by what he saw.

Just, pages and pages and pages of him in different poses with different people, in varying levels of... intensity.

He was very confused at first, unsure of how to respond but as he wen through he realized each post had a red heart underneath it.

What could that possibly mean?

As he scrolled through he eventually got into the works of writing, all with the same ‘Kaeya x reader’ underneath their titles.

Before he could scroll any farther he heard the door creak open as you walked into the room with a warm joyous smile on your face.

Well until you saw Kaeya with your phone.

“Kaeya, why do you have my phone?” You asked, he looked down at the bright object then back at you.

“So that’s what it’s called, well you did just leave it open so I decided to have a look.” He admitted with a shrug.

You quickly snatched it from him and looked at it realizing he had been through all your posts that you had saved under the label ‘Kaeya’.

Your heart pace quickened out of embarrassment,

“How much did you see?” You asked, he chuckled and moved closer to you, he lightly lifted you chin so you’d look at him, he leaned into your ear and whispered,

“You seem to like me in some interesting positions.” He teased, and let go of your face.

You covered your face, not wanting to look at him.

“Oh, don’t be shy now, its quite cute that you like me that much. I find it, oddly endearing.” He admitted, patting your head lightly.

You finally took your head out of your hands as you looked up at him. He smiled at you as he leaned in close to your face yet again.

“Although, you should be more careful about having your ‘phone’ open to such a... suggestive image.” He teased yet again as you backed up from your face and walked out of the room.

You looked down at your phone which screen has been dimmed a bit, as you raised the brightness you saw a picture of Kaeya you definitely would not be able to unsee for a long while.

Zhongli

Zhongli is definitely a fan of stories,

But the stories he found were definitely not the ones he had in mind.

You didn’t know how to explain to Zhongli that he’s from a game and people all over the internet love and adore him, without showing him.

He doesn’t even know what technology is, let alone the fact people use it to create artwork of him.

“Traveler, I apologize if this is a bit odd, but I saw you looking at some paintings of me on your phone item. How do you have so many? Did you make them also yourself? You’re quite talented if so.” He asked, as you looked from him, to your phone, then back up to him.

He was just patiently standing infront of you, waiting for an answer.

You sighed slightly as you put down whatever you were doing and grabbed your phone.

“Oh, I’m sorry, was that not something I was supposed to bring up?” He asked, confused by your reaction.

You shook your head as you patted the spot next to you, gesturing for him to sit down next to him.

“No no, you were going to find out sooner or later.” You said as he politely sat down next to you and faced you, ready to listen to whatever story or explanation you were going to give him.

As you explained he asked a few questions, which you answered as best you could.

After you explained how the world Zhongli came from was not exactly real, he was just a character in a video game, and because of that, many people around the world love him and make things to show their love and appreciation for him.

He nodded, trying to understand,

“Well that’s definitely not what I expected. I’ve always had some sort of following but this, admittedly was not what I expected. So all of these people know about Rex Lapis?” He asked, to which you nodded in response.

“I see, well. There’s not much I can to about it now I suppose.” He said, turning back to you with a slight sigh. All the effort putting into hiding and it was, somewhat for nothing.

Liyue was going to have to learn how to be on their own regardless, so leaving wasn’t going to affect them to much, which was comforting to him.

“Thank you, traveler, for answering my question. I understand it was probably hard to explain this to me but I believe I understand now.” He thanked, you nodded accepting it and smiled at him.

However, your smile faltered when you saw Zhongli so lost in thought. You supposed it was because he basically left behind the only thing he’s every known.

You lightly put your hand on his shoulder, snapping him out of his thoughts.

“Hey, Why don’t we make some tea, I feel like you’d want to try these flavours.” You said, as he looked back over to you, he recognized this as a way to cheer him up and appreciated it.

“That would be wonderful.”

(Next part coming out is ‘they escape Part 2 pocket edition’)

-Birdy

[fucktheroyals]

You know after reading and reading and reading peoples theories and the meta from before the spn finale aired and the meta writers reactions to the finale I think I have a theory of my own. We don't have any answers tho, so this is pure speculation. If you wanna add something to support or discredit any of this that's cool but there's too many things floating around. Know I dont have proof for this conclusion at all. A lot of what I say is just guesses based on previous facts.

This all came together in my head when I realized how much this finale REEKS of the original producers and who the show was originally for. It REEKS of Robert Singer. Like if the execs started saying they didn't want it, Robert Singer was the one pushing that the story was about the brothers. That kinda thing.

Then, I was thinking of the problems in this episode and it struck me these are all of Supernatural biggest issues and to be honest all of it feels completely deliberate.

Take the sexism for example, Supernatural in it's later seasons largely out grew this, we have Jody, Rowena, Donna, Charlie, Mary, Claire (and even a wayward sisters pilot with MORE women/girls) all making regular appearances. They're mainly good characters and mostly aren't there to hurt our boys. Rowena, of course, is the one outlier being very about herself but it's clear she still cares for them, I mean its part of her development. But they're all real, with character flaws just like everyone else. (And we have Death too and she was POC 😭 THANK GOD)

Now look at the earlier half of Spn, we have Ellen and Jo, who's appearances were far in between. There's Bela in season 3, recurring for quite a bit (5 eps), but she is a character that is only there for herself, definitely not found family (unlike Ellen & Jo), and she's got more episodes in season 3 than Ellen and Jo in season 2 who aren't seen again til season 5. The "fans" send in hate mail after hate mail to try to get these characters off, and eventually they are. Then there's Ruby who's character stayed for a whole two seasons and was a largely recurring character. Why does she get to say so long? She's a plot device. She's supposed to be there to betray Sam. She has to stay (plus Jared obviously likes her). But she's not just a character the writers like writing about. Same with Lilith. Obviously not as recurring but still a plot device. Did they get hate mail tho? You can bet on it. Why? because tHeY'rE gOnNa PuSh ThE bOyS (Dean and Sam) aPaRt ThE sHoW iS aBoUt ThE bOyS oNlY. Without even thinking about the hate mail, just notice how large the difference is from how women are seen in the earlier seasons to the later seasons. Misha got tons of hate mail too for being a character that could split up the boys (probably only being allowed to say because he a man, thanks sexist producers and execs).

Only after Castiel was killed off and then Castiel fans successfully (thank you guys) got him back on the show did the hate mail largely simmer, which means female character's were allowed to stay! Which has lead us to a show with a good amount of female characters. But can you imagine having to kill characters off time and time again because people keep complaining that the show is "only about the boys." Fun times really.

So now we get to this final and we see sexism. But it wasn't just the plain old regular sexism you find in the earlier days of spn. Because now, there ARE women to talk about, talk to. But this episode was DESOLATE women wise, unless they were used for plot (which is also sexist!). Small scenes, they're barely there. Women gets her tongue cut out. Random women from s1 gets killed. Sam doesn't SPEAK of Eileen. Nothing. No mention of any female characters from the boys mouths unless they were from/in this episode itself. That's WIERD. I know we've all said it. But that goes beyond forgetting about characters. I mean its SAM'S GIRLFRIEND for Christ's sake. There is NO REASON they couldn't have said Eileen's name. Notice how Sam's wife is just... faceless. This is literally an age old sexist trope. Like... one of the things about bringing Mary back to life for s12+ is that it takes this trope... of basically a generic mother, and gives her life and feelings, whether you like them or not, they're real feelings. They said Mary isn't just a mom she's a person. Mary's existence in the later half of spn is to fix this kind of female tropes that fall upon her character, to not let these her stay a 2 dimensional character. They said we should know she's more than just the mom who tried to save her kid. Do that is the exact opposite of Sam getting a nameless, faceless wife. The sexism of the old spn wasn't just brought back, it was completely amplified. It wasn't just accidental or some exec "fixing" the story it was DELIBRATE. Whoever wrote that, didn't do ALL OF THAT by accident. Because an exec or a producer who doesn't see the flaws in old supernatural isn't going to write it that deliberately.

Let's bring it back to s10 when Charlie was killed (singer was mainly to blame). Dead in the bathtub, age old classic of burying ur gays. If you were here you know people never let Supernatural live that down. THEY KNOW what bury ur gays means. Hell, Robbie Thompson left because of Charlie's death and you think the writers don't know what it means? I mean both Bobo Berens (especially) and Steve Yockey's careers are centered around LGBT+ storytelling and you think they don't know? They know. They know.

And Dean wasn't just apart of the bury your gays trope, it is so far BEYOND that. Dean being killed on a rusty nail/screw, the tongues ripped out, things that seemed to be meant for other people. Jensen's acting in the last two episodes was giving us "DEAN RECIPROCATES" but no one ever actually saying it. I think it's clear that Dean was killed for being Bi. They didn't address it for a reason, they just silenced him. His narrative was supposed to be about letting him be HIM for the first time, to say what his feelings are instead of having them miscommunicated, and instead of doing that, they just silenced him. And the more we look at this scene the more horrific it gets. The more it's a complete slap in the face and it's supposed to be. Some guy who knows nothing about the LGBT can't write a scene this horrific.

Some guy who knows nothing about Dean couldn't write a scene that deconstructs all of Dean's character development and gives Dean his worst nightmare. I MEAN DEAN WANTED TO LIVE HIS LIFE! THEY DIDNT HIDE THAT JOB APPLICATION (or whatever job related thing that was) IN THERE FOR SHITS AND GIGGLES THEY WANT YOU TO KNOW THIS IS THE ABSOLUTE WORST SITUATION. Dean isn't Barney from HIMYM. If you watched HIMYM then you'll know Barney went from being a stereotypical ladies man and treating women terribly to being in love with a women and treating her right and working hard for it. The last episode of HIMYM (why its so bad) Barney's character development is thrown out and he's back to being a stereotypical ladies man. You don't need to know Barney's character very much to do that.

To kill Dean during a hunt his father never finished, to not have anyone at his funeral, to have Dean die young like his life didn't matter. Those are Dean's worst fears and you'd only truly know that if you watched the gin episode in s3, where they are basically laid out for you. You HAVE to know Dean's character to tear him apart like this.

This episode took all the core elements of the show and did a complete 180° the name of the episode itself is "Carry on" and Dean and Sam very much did not carry on. Sam grieving his entire life so that he good get to heaven and see Dean again. Dean being ready to live his life, despite the enormous pitfalls and learning to love himself only to be killed. "Family don't end with blood." Um.... it did in that episode either literally with Dean's death or you know BECAUSE NONE OF THEIR FOUND FAMILY WAS THERE. Not Jack, Not Cas, Not Eileen, Not Donna, Not Charlie, Not Jody, Not Claire... on and on we go. No one was there, nobody was even mentioned. Dean's funeral, no one even called that we know of. It was just Sam and Dean. Sam and Dean. And Bobby. Don't forget Bobby. But yeah Sam and Dean.

That's what the show is about right, the brothers.

Except it's not anymore. It hasn't been for years.

Cas not being there was deafening but it brought us to a major point. Becky. Becky's telling us about the terrible ending.

And many of us are wondering why would they literally tell us this is the worst ending and then... make it the ending.

Now before we move on, it very apparent many of you think Dabb doesn't ship Deancas. And Dabb doesn't care about the characters.

Say what you will about any plot holes in his writing, the point he is VERY GOOD at writing the characters, and giving us good ones.

Why do we know Dabb ships Deancas? (ill say when its cowrote, other wise its not) cowrote ep 8.02 - purgatory "I prayed to you, Cas, every night" "Cas, Buddy, I need you." "I have a price on my head, and I've been trying to stay one step ahead of them, to – to keep them away from you." 8.08 Hunteri Heroici - Cas helps them hunt! 😊❤ Dean & Cas have a serious convo about why Cas doesn't want to see/go to heaven. 8.22 Dean's mad at Cas. Sam's explanation of why Dean should be easy on Cas: "It's Cas." Dean then points out how he'd knife anybody else if they did what Cas did. 9.10 - Cas comforts Dean when Dean can't take seeing Sam (Gadreel) being tortured anymore. Also tons of Cas. 9.20 (bloodlines) - Canonical couple parallel "I was there, where were you" 9.22 The angels make Cas choose between them and killing Dean and he "gave up an entire army for one guy" 10.09 Claire's reintroduction. Cas heavy ep. DeanCas date. 10.22 THE PRISONER - u know the ep where Dean beats the shit out of Cas but loves him enough to not kill him.

We COULD keep going but I think I've made my point. If Robert Singer is the guy that is like "the show is about Sam and Dean only" Andrew Dabb is the DeanCas shipper. And you could even say a Cas stan.

Notice! How in s13 for SEVEN episodes we have a story that revolves around Dean's grief about losing Cas. Notice! How often the stories in all these seasons have a focus on their relationship. THAT is Andrew Dabb. If it weren't for him doing that, we wouldn't be able to easily say after Dean's lack of a response to Cas' confession, that Dean reciprocates.

To me, when I was (binge) watching s12 for the first time, I thought damn this is really got a lot of DeanCas. So I went to look at who was in charge, who was writing. I saw Andrew Dabb, associated him with Deancas episodes, saw all the new writers, Bobo, and then I saw that Yockey is known for same sex stories and it clicked. Dabb assembled a team to give us Destiel. THAT WAS IN SEASON 12!!!!!!!!

The amount of people saying he's homophobic flabbergast me. Open your eyes! That isn't what's going on.

Imagine making a show and trying to right all the wrongs of Supernatural. Imagine trying to write the greatest love story ever told and you have the entire season planned out for it to end off beautifully, it may possibly be your greatest achievement when it's done and then boom. someone comes in and tells you you aren't allowed to make Dean bi or make destiel endgame, after he was most probably already given the go ahead.

Sure. You could imply he's bi or into cas still in a way. Still make nice-ish ending. just give everyone what the kinda want.

Or you could scrap the last season, nothing close to a canonical bisexual Dean Winchester or Deancas endgame in site. People can be done with it be happy with the show, continue to live their lives in ignorance as to how close they were to Canon destiel.

OR you can lead everyone to the very closest you can get them to what you were aiming for and then show everyone the ugly truth and reality. Light it all on fire. Burn the show to the ground in your wake. Try your darnedest to making these people's (the people saying no) pockets suffer. Show us, the audience, what happened. Show us what this show really is.

I've seen people talk about the ending being changed during covid but I dont think that happened. I think what happened was Dabb already had this season planned out before it even started. Obviously the details were wobbly but it was all lead up to this ending. Destiel endgame, Canon Bisexual Dean, whatever it was. They were ready to write the greatest love story ever told and then someone shut it down.

Imagine the pain that must have caused them to be told no when they already said yes. They must have been so excited to give this to us.

I think someone (some producers) told him what this show is "really" about. The brothers. Can you imagine, after being told no, some kinda bullshit like this is said to you: "Why aren't you bringing it back to the brothers, Andrew? that's what the shows about. What with all this homosexual stuff, you know the audience won't like that. Not really." Imagine the original producers pushing this kind of view on you. "You know when we started it was Sam and Dean. It should end with Sam and Dean." That kinda sounds like someone huh? huh.

So why give us a nice acceptable finale, when you can take every problem Supernatural's had either up front or behind the scenes and create a finale so incredibly bad that people don't want to watch it anymore.

Someone made a good point about how Sam was originally supposed to be the main focus (this isn't to put any hate on Sam or Jared). Dean and Sam are the main characters but Sam was supposed to be the focus and for Dean to have become the focus, must have annoyed the producers because... well here we are. They wouldn't listen to Jensen. The producers liked this ending. Jensen's opinion didn't matter to them.

In some ways, if this is really what happened, it can be seen as childish from Dabb. To hurt all of us like that. Yes, he's hurting the producers, the execs, the cw. But to hurt us? Yeah it stings.

But in other ways, if this is really what happened, this is Dabb showing us the muck and gunk under the shiny surface. The hate for Misha. The hidden hate for Jensen. The underlying sexism. The underlying homophobia. The people REALLY in charge don't care about us, they just want our money. He needed to open our eyes and free us, at least free the people that he was writing for. The people he sees that care about this show.

This is the ending the powers that be wanted and its a big fuck you for a reason. I dont think this is Dabb spitting in our faces for loving this show, I think this is him trying to get revenge for us.

But from here, you can see it how u want it. If this is really what happened, I'm not in charge of your emotions, if you wanna be mad be mad if you wanna be grateful be grateful. And you don't have to believe me either I said this is speculation.

Also, as for all of the rumors like there being shots to the confession scene that we didn't see, which Jensen himself implied, I think that might have been a last ditch effort to canonized DeanCas but obviously it was cut. Like the name change was pretty clear. As for Misha possibly having shot some stuff for 20 I dont know what to tell you. If it's true I dont know where the blame would lie.

I do think however, that if all this was the case, the writers were prepared to become villians here. I mean they told us the writers were villians with Chuck right? So. Who knows what went down so they could give us such a vile ending. It could've been the producers or the writers, who truly knows. I do think tho that people we "trust" did some pretty shitty things to push the narrative in certain directions so now one would see this as the actual ending that was coming.

So again do with my SPECULATION what you will. This was in no way meant to put Dabb on a pedestal or anything. Just meant to give a bit of perspective.

(Also Jensen didn't unfollow Dabb recently he was already unfollowed for years)

[probably-haven]

after binge reading i have come to a new revelation: I’m not a fan of most Xiaoven fanfics

Don’t get me wrong, I love the ship and its one of my favorite to think about.... but most of the fanfiction for the ship just- doesn’t sit right with me for a number of reasons. 

Disclaimer: these are personal opinions from my own taste and are in no way an attack against any authors out there, because frankly fanfic authors are great and not like i could do better lol. As these are personal opinions, I acknowledge here and now that a number of people disagree and that they are under no obligation to change their opinions in any way as it is not and never will be my intention to tell others what they should be thinking That said- read at your own risk if you want- meh, anyway-

time to share some opinions that have been on my mind lately

The biggest reason.... is how they handle Xiao. And I don’t even mean mischaracterization because Xiao is such a complex and yet simultaneously simple character that as long as you’re somewhere in the range of “Xiao vibes” it’s really hard to write him out of character because of his complexities. What I mean is something that i actually completely agree with as being accurate to his character. In nearly every single fanfic I’ve seen, there is some element of idolization that Xiao has for Venti, or for the sake of reference, Barbatos. He tends to think himself beneath Barbatos and/or indebted to him, whether that be because he’s an archon, because he saved him, or simply because of Xiao’s tendency to dehumanize(yes i see the irony in that word usage) himself.  This by itself isn’t an issue but its often how this trait of his is treated.

Imma just list a few ways I’ve seen this be handled within Xiaoven fics. - It isn’t handled, it’s just there and accepted as a part of who he is in the story - It isn’t handled but his trait is treated as source of humor within the story - Venti(and others) roll with it (finding humor in it, just cant change it, encouraging it, making jokes about it, etc.) - Venti takes advantage of it(whether accidentally or purposely) - it’s actually addressed(by Venti or someone else or the narration- can go a number of ways, but just- even a brief reference to the fact that its not a good mindset fits in here) - savior!Venti(Where venti disagrees with it but the way it’s written gives off “god among mortals” vibes- like he’s just being humble and truly is above him in reality) - its the focus of the story  - not directly addressed but shown to be destructive.  - they chose not to not include this in the story’s characterization of Xiao(just saying that this is valid ahead of time) Theres others but i have a lot already.  Note that I tend to read more ‘serious-toned’(idk if that makes sense) fics so that may skew my perception

Now there’s a few that i have issues with on their own- both instances of it not being handled, Venti(and others) rolling with it, Venti takes advantage of it(purposely(and without good intent)), and savior!Venti. Xiao not only has this trait, but he is unfamiliar with what is normal in relationships or emotions as a result of isolation and inexperience. He is also either not aware of or not concerned with what is considered strictly “healthy.” Combining these makes for a rather dangerous combination and just accepting it as “oh he’s just like that, it’s who he is” or making it out to be something funny- It’s not wrong or bad by any means necessarily, and I could still possibly enjoy it to an extent depending on a series of different factors, but its- not as often.  Even in the case where I do enjoy reading it however, I would still feel uncomfortable sharing it with or recommending it to others because in the first instance it feels like normalizing a destructive and dangerous mindset, and in the second case it does the same while simultaneously making a joke of it. It’s the same deal with Venti or other characters rolling with it, but that’s probably gonna be mentioned later too. Not to say that this is a “wrong” way to handle it, that it makes the fic bad, or that authors even are normalizing anything by doing so, just that in my specific instance- not a fan. 

I’ll get to the others when i talk more about Venti, but for now: It’s the focus of the story. I think I saw like... 2? where the story was like- focused on this and why its a problem which- power to them, address those real world problems like a boss- but also i wouldn’t actively seek it out or anything- like, good job, but doing so just leaves it open neutrally for other factors to decide how good a story i think it is. 

not directly addressed but shown to be destructive. You’d think i wouldn’t like this- but frankly in fanfiction not everyone wants to address every character flaw verbally because it can through off story, narration, dialogue, and general flow to do so. This can be with an event, an action, a dialogue, a mere comment, making it actually fit into the it’s actually addressed category except that its- subtle enough to make its own category. plus i live for show not tell- in everything- its a thing. im- very much a fan of when the fics do this but the subtlety is easy to miss and its not common so- 

It’s actually adressed- doesnt have to be a lot- just mention anywhere or imply anywhere that maybe idolizing someone as a god and savior and being in a relationship with them while having little knowledge of standards, emotions, relationships, or healthy behaviors in general- maybe isnt the smartest idea in the word. (”Call me Venti, not Barbatos” by itself is not enough to fit in this category tho as a note)

-

Now lets talk about Venti...

uh.... those who have followed me for awhile will probably already know this but... I have a lot of opinions on Venti and a pretty- “niche(?)” perception of his characterization that isn’t shared by a lot of others- so I don’t actually read as much Venti fanfic in general as you might expect because I often end up disagreeing with how writers portray him, which again, in no way is their characterization wrong, but- “their perceived truth” conflicts with “my perceived truth” and by extent so does the characterization, though neither is any more correct than the other from an objective point of view, if that makes sense... but anyways now that that’s said, moving on before this becomes a philosophy lecture, as fun as that would be for me.  I’ll try to keep my “perceived truth” out of this for the first bit. 

Venti’s response to this: 

He rolls with it: this depends on the mood of the fanfiction. If they dont put a lot of stress on that trait of Xiao’s it totally fine but if the trait seems to be a major part of Xiao’s character, it seems like normalization once more. (more on this later)

he takes advantage of it purposely: if its an AU or something and Venti’s like a villain(i saw a few) then- villain venti isnt my cup of tea but i have no qualms. If they don’t portray Venti in a negative light while having him take advantage however that’s a bit uncomfortable to read for me because it feels like normalizing taking advantage of that mindset as well as the mindset itself. However, i did see a number of instances of Venti using it as leverage for like- self care- which i definitely have no qualms. Xiao: [insert probably destructive idolizing statement about being indebt] Venti: How bout you pay me back by actually sleeping for once smh or other variations are okay and depending on the vibe are actually a really fun dynamic as long as it doesnt turn into romanticizing or normalizing it, y’know?

Venti accidentally taking advantage of it.... I love angst- and in most of these theres a sense of guilt when he realizes- and i just think thats a lovely way of addressing the dangers of such a mindset for both sides. As long as it doesn’t keep repeating to the point of romanticization its totally cool to read in my eyes(not irl ofc). If Venti never realizes he accidentally took or is taking advantage it feels a bit like normalization, and if he does but just- doesn’t care thats- a rip.

savior!Venti...... i- i hate. the story giving off vibes that Xiao’s mindset is technically correct while Venti oh so humbly tells him to treat him as an equal like the wonderful and charitable person he is.... i just- no. of course thats over dramatizing it- I think the main thing that gives it this vibe is when Venti doesn’t seem either concerned, surprised, uncomfortable, or otherwise have a negative feeling towards Xiao’s mindset. Just- it makes the whole thing weird in my eyes when Venti doesnt really seem to have his own reason to oppose the mindset idk- 

-

fact time!

Venti is the god of freedom. His backstory is freeing Mondstadt from a god’s tyrannical reign. His origin is a windsprite, just another breeze bringing changes for the better. His form is a nameless boy who played an instrument and then died, thus failing at his only dream and only ever accomplishing anything because of the help of others. He slept for a thousand years after the archon war to avoid putting Mond under the rule of yet another tyrannical god. He only even became a god because Andrius chose to let him. He wouldn’t have even had that chance if the nameless bard had survived, he’d remain just another wind while his friend ascended to godhood. Venti sacrifices his own power for his people’s freedom. 

now that I’ve laid out a number of canon facts, time for opinions:

Venti has little to no desire to be seen as a god. He thrives in, comes from, and emphasizes a lack of superiority in quite nearly everything. The first Ragnvindir, who canonically turned his back on Venti after Decarabian’s fall, likely did so because one- he anticipated power would corrupt and Venti would soon become just another tyrannical god, two- he suspected Venti used the nameless bard in an attempt to rise to godhood, or three- idk insert other possibilities to acknowledge again that i could totally be wrong.

Look me in the eyes and tell me Venti wouldnt trade godhood for his friend in an instant. His godhood was only granted to him because his friend died and could easily serve to constantly remind him of what could have been and what he lost. Venti takes no enjoyment from being seen as superior and in my opinion, I feel that it could actually make him largely uncomfortable when his divinity and abilities as an archon get involved-

also self promotion for my favorite posts- check out #archon war era venti if thats interesting to you

so anyway Venti rolling with it or making jokes about it just doesn’t sit right with me.- 

-

Okay! enough talking about that mindset!

idk- i have... a few/lot of other gripes and stuff or just things that kinda throw off the vibe for me but that’s the main one plus my general personal pickiness when it come to Venti fanfics- but this has gotten long enough already- 

idk i just felt like rambling about it and i haven’t done a long post in a while so-

again, I love the ship and its actually one of my favorites- just the fanfic isnt my thing..... that doesn’t mean i don’t still love it and come up with a whole ton of brainrot and ideas on it tho lmao

[deripmaver]

y’all read that tor.com article right??? the one that was just another “yaoi/omegaverse/whatever is just putting mlm couples into cishet roles”??? this one here. well maybe not but im bored and its annoying me so im gonna make a long post on it

nice ratio did ur MOM pick it out for u??? jk ok

the biggest flaw in this article is, imo, assuming that this is a new, untapped topic of discussion, and not a debate that’s existed since time immemorial - or at least as long as fandom has been a thing. every point the author brings up has been hashed out and rehashed to absolute death, and it brings absolutely nothing new to the table beyond the same bland platitudes and critiques i’ve heard dozens of times. 

this article doesn’t even bring up the boogeyman of the “cishet white girl fetishizing mlm” it’s about queer people writing fanfic, which imo makes it all the more egregious. 

how?????????????? is this not queer???????????????? a lot of this makes me think of the discussion about how gay marriage was less important than other forms of queer liberation bc it just allowed queer folks to assimilate into a cisheteronormative lifestyle. 

the article then goes into how people change the physical attributes of the two men to have them better fit into a “male” and “female” esque role. i think the above sentence was meant more as a lead in to how the two men will be shoehorned into roles based on their physical attributes, which is them being shoehorned into a male/female dynamic, but still. two men In Love is very much queer. actually, lol, tangent but there’s this song “two men in love” that latvian figure skater deniss vasiljevs skated to as an exhibition, and tv channels kept censoring its name, so....

as folks will point out, the Large Top/Small Bottom dynamic is one that actually does exist among some irl queer men. i’m very firmly of the opinion that the only thing queer folks can do to to express cishet norms is by actively working to undermine queer rights and gay lib, anything else a queer couple does is outside cishet norms by virtue of the couple being queer. a queer couple wants a white picket fence suburban life and 2.5 kids??? still queer.

there are two points about this: changing the physical characteristics of two male characters to get them to fit into a large/small top/bottom dynamic is annoying. it’s bad characterization. i still am not 100% sure i’d say it’s forcing mlm couples into cishet norms, bc of what i mentioned earlier. 

i also don’t know if this is something i’ve seen much of recently? maybe i’m just more discerning in what fanfic i choose to read now, and i’m much more likely to go based on recs and not just pick a fanfic and start reading it. the “yaoi hands” debate was old by the time i got online (just about 20 years ago now lmao). 

i think that omegaverse existed to codify a lot of the trashy fandom tropes that existed prior to its inception into one universe. mpreg, self lubricating buttholes (lol), sex pollen, found family/pack dynamics... it started out as a dubcon-y porn trope. idk also queer people wanting babies isn’t cis heteronormative.

not the first person to point this out but this is a significant double standard. why is this an example of positive queer representation but alpha/omega with men is imposing cishet norms on queer relationships? is it just that m/m is more represented in fanfiction while f/f is still relatively rare?  

ok lol i got bored part way through that’s enough of that

i think discussions of representation, as well as just changing attitudes, have meant people try hard to avoid tropes like making all the women screaming banshees, or shoehorning male characters into top/bottom roles, or having the relationship start out.... kind of rapey lol. but individual queer people writing fanfic arent corporations, queer ppl don’t exist to perform activism 24/7, and queer people by definition cannot be cishet

ok thats it

[i-make-fun-of-spn-characters]

i actually did think you didn't like sam and cas for the longest time, but it's more than your bias for dean is evident. it took awhile to see through that and understand you are coming at sam and cas out of love and in a fun way and just happen to like dean more. there are a lot of other blogs that make digs at characters (esp sam and cas) in a NOT fun way, but pretend they "love all of TFW" and that's on me for lumping you in with them.

.

You know Anon, back when I used to post absolutely NOTHING except for memes, and also had a Sam banner and icon, someone asked me who my favorite character was, and I made it a poll because I was curious how good of a job I was doing keeping my content even. Lo and behold—they chose in order by vote percentage:

Sam

Cas

Dean

Jack

Then as the poll has stayed up ever since, I think Dean and Cas have traded places in the voting (but by now everyone knows Dean is my favorite). But a very large percentage of people did not know Dean was my favorite starting out. I was surprised, because I do indeed love Dean very VERY much. It isn't that I don't like Sam and Cas—but to me, Dean is possibly one of the greatest characters of all time. I could not possibly put into words how much I enjoy his character and all of the reasons why he's touched my heart. There is just no one out there quite like him in my mind. I think my bias for Dean has come through more in recent times—especially since the finale, because I miss him very much and his shitty death gutted (DON'T) me.

I think watching the show, when you look at the story only through one characters' lens, it's very easy to resent the others for not being perfect friends/family/brothers. I have even seen someone voice the sentiment before, "To some degree, to love Sam is to hate Dean, and to hate Dean is to love Sam" (paraphrasing). The thing is, when you genuinely look at your favorite (whether that's Dean or Sam or Cas) and look at their motivations and feelings and actions, it's clear that they love each other very much. That's an unavoidable fact in my mind. Both the best and worst things they've done have been at least partially motivated by the love they have for one another. I cannot, ultimately, dislike Sam or Cas knowing how much Dean loves them. To hate them would be to hate a part of Dean that is innate to who he is—his love for his family—and the choices and sacrifices he has made due to that love. It would be to say that there is something broken inside him that makes him unable to make the right choices about who should and should not be in his life. It would be to say that the foundation of the show, at the center of which is Dean's heart and how people around him are pulled inside of its orbit, is something tainted and unworthy.

It would also be to say that Dean's mistakes are okay and theirs are not, because you will find countless parallel events and threads tying their different actions together in ways that are different but also are often very much the same, if you get their motivations.

I think, for every stan out there of any main character... it would be a good idea to watch through the show trying to see it through a lens besides that of your favorite. I did this with Sam, and I am currently doing a rewatch where one of the goals is to focus on Cas's point of view more. Nothing can give you greater compassion and understanding than trying to step inside someone else's shoes, and having done this is one of the primary reasons I can't bring myself to follow many SPN accounts I have come across on Tumblr, because resentment runs rampant in many places, over characters or ships, and I don't care for that negativity. It's also the primary reason I started this blog to begin with. I wanted to carve out a positive space, where I didn't completely refuse to engage with the characters flaws (god knows fandom won't shut up about them anyway), but a place where I pointed out their flaws only to say those flaws are okay, don't make any one of them more unworthy of love than any of the others. Those flaws (at least—the ones I agree exist... there's a lot of flaws attributed to Sam, Dean, and Cas that I don't agree with at all) are what makes them human (err... or angel, respectively). I am not interested in Mary Sues (and I am definitely not interested in fans who sand down characters into Mary Sues to escape any semblance of their favorite being "problematic"). Just show me why they make the choices they do, even when those choices are broken, and I'm compassionate and I'm fascinated. I dare anyone to do better than the characters did with the cards they were dealt—with the lives they lived.

I can't say I've had the same experience on Tumblr as you with blogs pretending to like Sam and Cas while having a clear bias for Dean... I've tended to see quite a lot more of the opposite or worse. There are, after all, several blogs dedicated to absolutely nothing except trying to spread outright hate for Dean, and there was a time not long ago that you could not even go in the Dean tag without seeing countless ugly posts spewing vitriol about him (that has faded significantly since the show ended). But I think we're all bound to be most wise to the bias against our favorites (hell—I have picked up on someone's dislike of Dean from a gif blog before... and it was later confirmed that I was right). This is also part of what feeds the culture of anti-ism in the fanbase. People watched these characters for 12-15 years, and they latched onto one of them, and they know that character, and in many cases find identity and comfort with that character, and they see that character accused of terrible things that really aren't accurate at all, and the kind of innate human response to that is to want to do the opposite—hate their favorite because they hate yours. I think it's clear that that isn't what we're really supposed to get out of SPN. I don't think the intended narrative is that Dean hates Cas or Sam or that Sam hates Dean or that any one of them is unworthy of love and acceptance or is perfect or is too flawed. People can choose the narratives they want, but I'll continue vehemently disagreeing with them and making fun of them with the tag #don't feed the stans after midnight.

[oumakokichi]

hello! could you talk a bit more about the original (as in jp, not localization) ouma's personality and speech patterns? you've mentioned that he tends to trail off or speak more softly when it is implied he is speaking the truth, etc. and how he is not so loud/intentionally obnoxious. //btw when does he call himself a fairy? that's so cute

I got a couple of questions asking about the fairy line Ouma has, so I don’t mind sort of rolling them both into one! And I’m more than happy to talk a little more in-depth about Ouma’s speech patterns and personality in the original game, too!

Since I’ll be covering some late-game spoilers, I’ll put the bulk of this under the cut, so be careful when reading!

First off, I cannot stress how much I recommed playing ndrv3 with the Japanese voices enabled. If you’ve already played through the English dub but never experiened the original voice acting cast, I promise you won’t be disappointed. The Japanese cast are all fantastic, incredibly talented VAs who, unlike the dub, were hired specifically for these roles and not just re-casted from previous DR games.

Hiro Shimono as Ouma gives an absolutely incredible performance. The localization might still have many flaws in its translation and omission of certain lines or punctuation, but you can still very much get a feel for how Ouma’s character was intended by listening to Shimono’s performance. Re-playing the game with the Japanese voices will definitely let you hear how soft and tonally different Shimono’s performance is in places from the English dub, and compare it to the way in which many lines are written and punctuated as if Ouma’s yelling at everyone.

That isn’t to say that Shimono’s Ouma is never loud or excited: Ouma is a character whose moods and façades are all over the place, and therefore his performance requires a voice actor who can similarly change moods and intonation on a dime. Ouma is very much loud and haughty and deliberately annoying when he’s supposed to be, but his voice is also low and ominous at other points when he’s trying to be scary. And again, it’s soft and hesitant in places where he’s considering divulging some of his information, or when he’s insisting that all the things he does are for everyone’s sake, because he cares about them and doesn’t want anyone to die.

These moments feel so much more genuine in the Japanese version of the game--because they’re meant to be. As fantastic of a liar as Ouma is, it’s much easier for us, the player, to tell when he’s lying on a re-play, knowing the information from chapters 5 and 6 that we do, and looking at cues like his sprites (often his blank-faced ones) and, yes, his delivery of certain lines.

This probably sounds like me just gushing about what a fantastic voice actor Hiro Shimono is, and in part that’s exactly what it is, but I want to stress that pretty much every single voice actor in the Japanese cast is just as fantastic and that they all do their jobs incredibly well. With all that gushing out of the way, I’ll move on to talking about some of Ouma’s actual speech tics and the way he refers to other characters.

Like most things about him, Ouma’s speech patterns are sort of an interesting mix and even seem a little contradictory at times. He uses the very masculine pronoun “ore” (オレ), but he also refers to nearly everyone (with only a handful of exceptions) by their surnames and the much more childish honorific “-chan” (i.e. “Saihara-chan,” “Akamatsu-chan,” “Amami-chan,” etc.)

The use of “-chan” is very interesting. Honorifics in Japan are extremely complicated and tend to mean different things depending on who is using them. Typically, “-chan” is seen as a very feminine way to refer to someone else, commonly used in close-knit friend groups among school girls.

There are, of course, a few notable exceptions to this however: often times, middle-aged or elderly people will call a child “-chan” regardless of gender, as a way of showing they find them cute and endearing. And sometimes, people will use “-chan” to refer to other things they find cute, such as pets, or even to refer to themselves in a sort of informal, tongue-in-cheek way.

The fact that Ouma uses “-chan” as an honorific to refer to nearly everyone in the game stands out quite a lot: by and large, boys don’t use this term to refer to other boys. Using “-chan” to refer to anyone you’ve just met or don’t know very well is already somewhat frowned upon, but a boy using it to refer to other boys is especially rare. This helps set Ouma’s character up as someone who is both incredibly casual and informal with others (not to mention, you know, quite coded). Considering childishness and lightheartedness are traits Ouma values, and how much emphasis is put on him having “a very innocent, childish streak that’s hard to hate,” it makes sense then that he would talk like this.

Not counting Monokuma and the Monokubs, the only characters who Ouma doesn’t refer to with “-chan” are Gonta and Kiibo, who he simply calls by name. This also says some interesting things about his character.

Gonta is easily the character who Ouma interacts with the most often, as well as the charater he hurts the most in the end. Ouma’s choice to exclude Gonta from his usual way of calling people is, I think, a testament to how much Gonta really wanted to be friends with him, even if their friendship was never exactly on equal footing.

Meanwhile with Kiibo, I feel the choice to exclude him from his usual way of addressing others is indicative of how much Ouma tried to remind himself that Kiibo “wasn’t human,” and therefore how suspicious he found his presence in the killing game. We know Ouma suspected Kiibo and likely even had an inkling of his role as the audience proxy/camera in the game, due to how Kiibo’s picture is one of the only others set aside on his whiteboard besides Saihara’s, with the word “weird” written next to it (he also clearly guessed about the cameras after Gonta’s line in chapter 2, as we see from how he commissioned Miu for the bug-vac).

Ouma clearly enjoys teasing Kiibo a lot, and their banter reads very much like a manzai comedy duo; I feel like Ouma often tried pushing himself to remember that Kiibo “wasn’t human” on purpose in order to not get too attached to him or too distracted from his goal of ending the killing game. I don’t think Ouma’s decision to exclude Kiibo from the way that he very particularly referred to most of the rest of the group was just an accident or a coincidence.

Honorifics aside, Ouma also refers to several characters in interesting ways. He often uses “daisuki na ___-chan” (大好きな) to refer to some of the other characters, a phrase which more or less equates to “my beloved.” He uses this phrase with Saihara more than any other character of the game, but there are a few other instances where he does use it with Amami, Momota, and (if I’m remembering correctly) Kaede. Pretty much every single instance where the localization put, “because I love you” or “because you’re my favorite” whenever Ouma was talking to Saihara was usually a point where he would specifically call him “my beloved Saihara-chan.”

In chapter 4 during the scene where Ouma is alone in the parlor of the VR world, he also specifically, exclusively refers to Saihara as “suki ni natta hito” (好きになった人), literally: “the person I fell in love with.” This line was changed in the localization to, “when there’s a person I like,” which is more or less literally correct--however, the phrase “suki ni natta” is much heavier and more loaded with explicitly romantic implications than “suki” would be on its own, as it’s often used in Japanese love songs and shoujo manga love confessions.

Worth noting in my opinion is the fact that this is the exact same phrasing Maki uses to describe her romantic feelings for Momota. Since Maki’s feelings for Momota are considered canonically confirmed because of this, Ouma’s feelings should be considered equally canon, but a lot of people don’t know this because, well, it’s sort of been lost in translation.

And now, on to the fairy line! Ouma calls himself a fairy in chapter 3, when he pops up in the middle of Saihara and Korekiyo’s discussion of the katana in Korekiyo’s lab. Full of enthusiasm, he decides to touch the sword and examine it for himself; Korekiyo starts to object, but Ouma interrupts and says:

“Come on, it’s not a big deal! I’m like a fairy, so it’ll be fine!”

I’ve always really loved this line and thought it was super adorable, both as a nod to how fairies aren’t supposed to be able to touch steel in most fae mythos, as well as the fact that fairies tend to also have a love for mischief and pranks and lies. The localization apparently didn’t like it so much though, because this line is simply changed to, “Come on, would I lie to you?” instead.

One final thing I can think of as far as Ouma’s speech tics go is that his laugh in Japanese is romanized as “nishishi” instead of “neeheehee,” as this is closer to the Japanese onomatopoeia for the sound horses make--but I actually don’t mind this localization change at all! “Neeheehee” definitely looks a lot closer to the word “neigh” and helps capture that horse joke in a way that I feel like western players can more easily understand.

All in all, while I still definitely feel people can like and enjoy Ouma’s character from playing the localization alone, I still stand by my opinion that listening to the original Japanese voices helps give a much better picture of how the character was intended to come across, and really shows how much depth Hiro Shimono put into his performance. He’s quoted in the official ndrv3 artbook as saying that he believes Ouma is someone who’s actually “really meek if you take away his strong wish to outwit everyone” (credit to @kaibutsushidousha for the art book translation), and I think this interpretation of Ouma really shows through in so many of his lines.

Thank you both for the really fun questions! I hope I could provide some more interesting information about Ouma and the translation!

[cinearia]

The "Morally Grey" in ACOTAR

I decided to write something I have been thinking about since I saw some people saying this when pointing out the wrong attitude of some characters in ACOTAR (aka Rhysand and company), but I think this can apply in general. In another specific story, but I will focus on ACOTAR.

And please, if you disagree, that's fine. This is an opinion of mine that I decided to write and post, because I find it an interesting subject that does not necessarily apply only in ACOTAR, but that is in the saga and I have seen people commenting on it. I don't want to fight with anyone, okay? I put in the tags that fit in.

So...

I love morally gray characters, but just to make it clear right now, I don't think that EVERY story has to have ambiguous characters. It's okay if the story is to follow a line more heroes versus villains line. But one of the things I saw here on tumblr and twitter about the attitudes of IC, Rhysand and Feyre was using that same argument, that they are not perfect, that they have their flaws. I definitely agree with that.

But history itself does not recognize this (and some fans too). Because nobody seems to call their shit out.

Starting from a general view that can include all of the IC. Like, how not to worry about your image while protecting your city? Okay, i get it, we had to be the tHe BaD gUyS, but y'all will suffering the consequences for this, especially if its to protect your own city. Some other people are protecting their citys too. Doesn't mean that you are wrong, but everything has consequences.

Or, how they constantly abuse their power; how Rhysand threatening and using his powers even at a political meeting sound good? How Feyre ended up hurting someone during that same meeting, even if unintentionally, was just fine? No one will call their shit about using their powers? Do you really seek to make allies and friends in the middle of a war by showing abuse of power and threatening others (and not just feysand doing this)? Or saying that they should step over the others so that there is only one king and queen in Prythian (that was right for you, Amren).

And that is partly the fault of writing. Now, more specific:

They lie and steals a valuable artifact from a possible ally and political leader of an entire court? Ah, but it is for a greater good. It will not jeopardize the confidence of a HIGH LORD OF A COURT who was supposed to be his ally in the midst of a war.

Did Feyre decimate an court? Ah, but the leader was abusive to her, she felt trapped in the place that was rebuilding because of a curse of hundreds of years, even though there are innocent people. And, of course, you will have the consequences for this.

(this one more personal and less political) Elain, perhaps the least worst of all, neglected Feyre as much as Nesta did, and also do nothing when she went hunting? Ah, but Elain is Elain.

Did Rhysand hide information from Feyre's pregnancy that she and the baby could die in childbirth? Ah, but he didn't want to worry her, he was scared to lose her and her son. And the whole IC agreed not to tell her anything? Ah, they also care about her, the High Lady.

(And this is the worst and yes, I’ve seen someone say that) Rhysand did it all with Feyre UTM, drugged her, put her in a dress that didn’t cover anything, made her dance all night on his lap? But because he wanted to protect her, we need to hear both sides of the story.

And that's fine because they are the good guys in the story. But it is nothing more than pure hypocrisy, and no consequence falls on them. If it happens, it will be unfair, is just to move the plot.

Do you want us to believe in the heroes of history, do you want us to side with them? Great, we can do that. We could have liked Feyre and Rhysand and the whole IC more, as a group that doesn't always do the right things, except that would have to change literally EVERYTHING (a little bit of charisma would be good).

Instead, for me, it became an egocentric boring FoUnD FaMiLy group that only cares about their own city - and it's not necessarily wrong to be concerned only with Velaris, it's part of their history. But forcing an image on them that doesn't match their actions makes me believe the opposite, especially cause started in ACOSF, again from AMREN, about a King and Queen in Prythian.

So, I came to believe that it was a POV issue. For IC, they are the heroes of history, and think they are better than the rest.

It would be curious, in fact, if the whole point was that Feyre's POV would incapacitate us from seeing the flaws that she doesn't see. And totally proposital. That is why we have to see her as a saint, but at the same time so badass. Wow, no one, i repeat, NO ONE, suspect of me while i pretend to be innocent.

Or how we see her mate so perfect, to the point that history doesn't allow us to stop and think 'wait, this is kind of ...weird'. Or that, as much as there is an error there, but not leat the reader question the characters themselves. Rhysand, for Feyre, is perfect.

We have to see Rhysand as that altruistic, laid-back person who does everything for others, mostly because he did it for Feyre, and that can't be denied. He saved her, took her to her city, her family. What made me stop to think is how Feyre may be reproducing their behavior. How he seems to want her to be part of it so badly. I don't know how to put it into words, but that's more or less what I wrote in another rant I did.

Everything she does is justified by the other characters. At the same time that she, Rhysand and everyone in the IC have hypocritical and very wrong attitudes that history itself does not recognize. And, worst of that, the story seems glorify her POV.

Seriously, when she disobeys the instructions given to her (what she does the most) she has no one to say 'girl, please stop. Just STOP)

And with this said, i add:

We don't have to agree with everything that the characters and the protagonist do. We can love them and still disagree with them, because they are people, or fae, like any other, and there will always be something in them that we will disagree with. It makes them real. They can be heroes and still have their dark side.

The reasons may be as noble as possible, but that will not exclude the consequences, it will not exclude them from being wrong. They do not necessarily need to take a spur or a lesson in morals, but just do not miss out on what every action can bring, especially political leaders in the midst of a war.

Whenever the IC does something, it is for a "bigger" reason, but without giving us the chance to even question it. We don't see them paying for their words, without necessarily moving the plot of the story, in a story that focuses so much on the development of the characters themselves and putting the war in the background (or how should been). Without us being able to question the motivations of the good guys and always doubt the villains.

And this is where I’m going to focus on a more specific point; funny like any character who is "MoRaLlY GrAy" and who "have YOUR rEaSoNs" are men or with history of abuser. Thats funny, right? The new one now is Eris, who was part of Mor's trauma and one of Lucien's nasty brothers, that one who already attacked Lucien, the one who was going to kill Feyre. Who did all that to Mor.

But having Eris saying that she, the victim, didn't tell the whole truth, and the history is now showing that we will see his side...

It just makes me ask, how, in ALL the process of creating and writing these books, passing for her editors, in the books that she wants to pass the message of feminism so much, SJM didn't stop to think, or didn't have a friend to put their hand on your conscience, how wrong does it sound for the abuser to say that the victim is lying?

Why are the men in this saga constantly gaining the gift of doubt?

I can no longer see Rhysand as being morally gray precisely because of what SJM wants us to believe as he is and justifies his actions. What could have been in ACOTAR stopped being completely from ACOMAF, probably because SJM wanted that in her story, the girl would stay with the """villain"""

For from then on, every action of Rhysand is justified and without future consequences, since we are supposed to root for him. Now he is the protagonist's new love interest. So we don't blame him for what he does. So, everything is fine. He's not the bad guy.

And meanwhile, Tamlin comes down to being the bad, abusive guy and... That's it. And no, I don't think he's a good person, he doesn't have to have an arc of redemption, what he did with Feyre is still wrong. The difference now is that Tamlin is just that, those are his only attributes now, while Rhysand has attitudes as bad as, perhaps more, than he had. One is being extremely vilanized while the other is the hero of history, when they are only two sides of the same coin.

I can share this hatred as ALL characters feel for Tamlin, if I didn't see how everyone else did such bad things. Let's remember too, one has the job of torturing people, another has decimated an entire village. They really do what they want and... It's okay.

Doesn't work say that the story has a morally grey area with the characters if the consequences balance it does not lean towards the protagonists.

It costs me less to believe that they are what they are every time SJM reinforces in Feyre's POV how selfless Rhysand is and how much Feyre talks about how badass she is and the two of them such a powerful couple. Literally, I start to think the opposite.

(I did a second part of this rant, but I think it can get a little more personal cause focus in Nesta and Feyre that I decided to split it in two)