#I’ve been thinking about how david is the only one who hasn’t moved on from Reina’s death because his sisters moved on the temple moved on

[sacredhyacinth]

sigh 😔

[shuxiii]

Everyday pt.20

Hanni Pham x reader pt1, pt2, pt3, pt4, pt5, pt6, pt7, pt8, pt9, pt10, pt11, pt12, pt13, pt14, pt15, pt16, pt17, pt18, pt19, end

A/n yall reminder the next chapter is the last... 🥲🥲🥲 BUCKLE UP bc oh boy. Credits "every day" by david levithan.

Day 6030

I wake up only two towns away from her, in someone else’s arms.

I am careful not to wake this girl who enfolds me. Her feather-yellow hair covers her eyes. The beat of her heart presses against my back. Her name is Amelia, and last night she snuck in my window to be with me.

My name is Zara—or at least that’s the name I’ve chosen for myself. I was born Clementine, and I loved that name until I turned ten. Then I started to experiment, with Zara being the name that stuck. Z has always been my favorite letter, and twenty-six is my lucky number.

Amelia stirs under the sheets. “What time is it?” she asks groggily.

“Seven,” I tell her.

Instead of getting up, she curls into me.

“Will you be a good scout and check the whereabouts of your mom? I’d rather not leave the way I came in. My morning coordination is so much fuzzier than my nighttime coordination, and I’m always much more inspired when I’m approaching the maiden.”

“Okay,” I say, and in thanks, she kisses my bare shoulder.

The tenderness between two people can turn the air tender, the room tender, time itself tender. As I step out of bed and slip on an oversize shirt, everything around me feels like it’s the temperature of happiness. Nothing from the previous night has dissipated. I’ve woken into the comfort they’ve created.

I tiptoe into the hallway and listen at my mother’s door. The only sound is sleep-breathing, so it appears we’re safe. When I get back to my room, Amelia is still in bed, the sheet pulled back so it’s just her, her T-shirt, and her underwear. I have a feeling that Zara would not let this moment pass without crawling in beside her, but I feel I can’t do that in her place.

“She’s asleep,” I report.

“Like, safe-to-take-a-shower asleep?”

“I think so.”

“You want first shower, second shower, or both shower?”

“You can go first.”

She gets out of bed, and stops to kiss me on the way out. Her hands move under my oversize shirt, and I don’t resist. I fall right into it, kiss her a little bit longer.

“You sure?” she asks.

“You go first,” I tell her.

And then, just like Zara would, I miss her when she’s left the room.

I want it to be Hanni.

She sneaks out of the house while I’m in my shower. Then, twenty minutes later, she’s back at the door, to pick me up for school. My mother is awake now and in the kitchen, and smiles when she sees Amelia heading up the path.

I wonder how much she knows.

We spend most of the day together at school, but not in a way that limits our interactions with other people. If anything, we incorporate our friends into what we have between us. We exist as individuals. We exist as a pair. We exist as parts of trios, quartets, and so on. And it all feels right.

I can’t get Hanni off my mind. Remembering what she said about how her friends would never know me. How no one else would ever know me. How what we have together will only be us, always.

I am starting to realize what this means, and how sad it would be.

I am already feeling some of the sadness now, and it isn’t even happening.

Seventh period, Amelia has study hall in the library while I have gym. When we meet up after, she shows me the books she’s taken out for me, because they look like ones I’d like.

Will I ever know Hanni this well?

Amelia has basketball practice after school. I usually wait around for her, doing my homework. But she is making me miss Hanni too much; I have to do something about it. I ask her if I can borrow her car and run some errands.

She hands over the keys, no questions asked.

It takes me twenty minutes to get over to Hanni’s school. I park in my usual space as most of the cars head in the other direction. Then I find a place to sit and watch the door, hoping she hasn’t already left.

I am not going to talk to her. I am not going to start everything again. I just want to see her.

Five minutes after I’ve arrived, she appears. She is talking to Yeeun and a couple of her other friends. I can’t hear what they’re saying, but they’re all involved in the conversation.

From here, she doesn’t look like someone who’s recently lost something. Her life seems to be playing on all chords. There’s one moment—one small moment—when she looks up and glances around. For that moment, I can believe she’s looking for me. But I can’t tell you what happens in the moment after, because I quickly turn away, stare at something else. I don’t want her to see my eyes.

This is the after for her, and if she’s in the after, then I have to be in the after, too.

I stop off at a Target on the way back to Amelia. Zara knows all her favorite foods, and most of them are of the snack variety.

I stock up, and before I go back into the school to find her, I arrange them on the dashboard, spelling her name. It is, I believe, what Zara would want me to do.

I am not fair. I wanted Hanni to see me there. Even as I looked away, I wanted her to come right over and treat me just like Amelia would treat Zara after spending three days apart.

I know it’s never going to happen. And that knowledge is a flash of light I can’t quite see through.

Amelia is delighted by the dashboard display, and insists on taking me to dinner. I call home and tell my mother, who doesn’t seem to mind.

I can sense that Amelia realizes I’m only half here, but she’s going to let me be half elsewhere, because that’s where I need to be. Over dinner, she fills the silence with tales from her day, some real and some completely imaginary. She makes me guess which is which.

We’ve only been together for seven months. Still, considering the number of memories Zara’s collected, it feels like a long time.

This is what I want, I think.

And then I can’t help it. I add, This is what I can’t have.

“Can I ask you something?” I say to Amelia.

“Sure. What?”

“If I woke up in a different body every day—if you never knew what I was going to look like tomorrow—would you still love me?”

She doesn’t miss a beat, or even act like the question is strange. “Even if you were green and had a beard and a male appendage between your legs. Even if your eyebrows were orange and you had a mole covering your entire cheek and a nose that poked me in the eye every time I kissed you. Even if you weighed seven hundred pounds and had hair the size of a Doberman under your arms. Even then, I would love you.”

“Likewise,” I tell her.

It’s so easy to say, because it never has to be true.

Before we say goodbye, she kisses me with everything she has. And I try to kiss her back with everything I want.

This is the nice note, I can’t help thinking.

But just like a sound, as soon as the note hits the air, it begins to fade.

When I walk inside, Zara’s mother says to her, “You know, you can invite Amelia in.”

I tell her I know. Then I rush to my room, because it’s too much. So much happiness can only make me sad. I close the door and begin to sob. Hanni’s right. I know it. I can never have these things.

I don’t even check my email. Either way, I don’t want to know.

Amelia calls to say good night. I have to let it go to voicemail, have to compose myself into the most like Zara I can be, before I answer.

“I’m sorry,” I tell her when I call her back. “I was talking to Mom. She says you need to come by more often.”

“Is she referring to the bedroom window or the front door?”

“The front door.”

“Well, it looks like a little bird called progress is now sitting on our shoulder.”

I yawn, then apologize for it.

“No need to say you’re sorry, sleepyhead. Dream a little dream of me, okay?”

“I will.”

“I love you,” she says.

“I love you,” I say.

And then we hang up, because nothing else needs to be said after that.

I want to give Zara her life back. Even if I feel I deserve something like this, I don’t deserve it at her expense.

She will remember all of it, I decide. Not my discontent. But the contentment that caused it.

Day 6031

I wake up feverish, sore, uncomfortable.

July’s mother comes in to check on her. Says she seemed fine last night.

Is it sickness or is it heartbreak?

I can’t tell.

The thermometer says I’m normal, but clearly I’m not.

Day 6032

An email from Hanni. Finally.

I want to see you, but I’m not sure if we should do that. I want to hear about what’s going on, but I’m afraid that will only start everything again. I love you—I do—but I am afraid of making that love too important. Because you’re always going to leave me, Yn. We can’t deny it. You’re always going to leave.

H

I don’t know how to respond to that. Instead, I try to lose myself in being Howie Middleton. His girlfriend picks a fight with him at lunchtime, over the fact that he never spends time with her anymore. Howie doesn’t have much to say about that. In fact, he stays entirely silent, which only infuriates her further.

I have to go, I think. If there are things I will never have here, there are also things I will never find here. Things I might need to find.

[the-one-where-casey-watches-tv]

The Marvelous Mrs. Maisel episode 5.09 "Four Minutes"

Rachel Brosnahan in "Four Minutes". Image courtesy of IMDb.

I guess Amy Sherman-Palladino still hasn’t figured out how to end a show. I’ll admit that I’ve watched every episode and felt entertained, but I never fully embraced Maisel. I’m hard on it because it had so much potential and was always right there on the edge of being a landmark in tv- it just didn’t have that last little oomph. But even among the avid fans that I’ve talked to, I haven’t heard from anyone who appreciated the way this story ends.

Before I get to the wild things that happened in season 5, I just have to say- I never liked Midge. That’s really my only problem with the show, but it’s a big one. Maisel did so much telling rather than showing in that regard: they didn’t make her likable, they told me that people liked her. I’m supposed to be charmed by her the way everyone else is, but more often than not, I’m pulled out of the moment wondering how she’s suddenly somehow won people over. Most of all, though, I don’t think she’s that funny.

Rachel Brosnahan in "Four Minutes". Image courtesy of IMDb.

The Marvelous Mrs. Maisel is hilarious. Sherman-Palladino knows how to make a beautiful, colorful, bustling setting full of quaint and funny people who talk back and forth very quickly. With those strengths, I have to wonder what inspired a premise centered around a career of stationary monologues. The show made me laugh out loud countless times, just never at one of Midge’s jokes. So frequently Midge would force her way onstage, royally pissing people off in the process, but suddenly everyone loves her act so much- or worse, just thinks she’s so pretty- that all is forgiven. An act that I didn’t even laugh at.

The show has an obviously feminist premise, but its execution here too leaves me feeling like the only takeaway there is “women can do anything they want!! No matter how good they are at it or how they treat people along the way!! If they make a mess, a man will be possessively in love with her and toxically sacrifice himself to make it all okay. As long as she’s pretty.”

So this is already the headspace I went into season 5 with, and its ultimate conclusion really doubled down that sentiment for me. The setup for this season has Midge working as the only female writer on America’s number one talk show, the Gordon Ford show. Gordon is a new character, but I warmed up to him quickly. He’s chill, surprising, and funny- actually funny. Midge isn’t intimidated by him because has she ever been? She’s demeaned at having to be a writer and not “talent”, but she’s gonna grin and bear it. A job plenty of ladies (me included) would kill for, and that she’s breaking the glass ceiling by having. But she’s slumming it.

Midge’s privilege is another roadblock to her likability. Not necessarily the fact that she has it financially, which I am glad this season touched on, but it’s the attitude she has about it. All the Weissmans have lavish class privilege, and this season used Zelda’s quitting to gently poke fun at their helplessness, but Rose and Abe at least have an awareness and sense of gratitude for the help they receive. Abe’s journey of self-awareness throughout this season was incredibly moving and heartfelt, and the way he beat himself up over the most minute of mistakes at his newspaper job really highlights the lack of those qualities in Midge.

Let’s address the elephant in the room: the chronologically confusing time jumps revealing the demise of Midge and Susie’s friendship and business partnership. God, I feel so bad for Susie. There’s a Friends blooper where David Schwimmer just bursts out laughing and goes, “poor Ross”. I would be amazed if Alex Borstein hasn’t had a similar experience.

Alex Borstein and Rachel Brosnahan in "Four Minutes". Image courtesy of IMDb.

Here’s the quick version of what happened over these 9 episodes: Susie’s been in bed with the mob since before this season- I was honestly thrown for a loop when they became such an important part of this season, they’ve always been surprisingly sweet, funny, and helpful. Nonetheless, they asked Susie for the favor of having Midge star in a musical about the waste department. See? Sweet and funny. It was significant, though, because Susie thought this would make her square with Frank and Nicky. As in, no more getting a cut of her and Midge’s profits. But Midge looked down on the whole trash gig thing and phoned in her performance when the rest of her life wasn’t going the way she wanted. This sparked a conversation between Susie, Frank, and Nicky that Joel observed from afar. Susie tried to promise that Midge would step up her game so they could all part ways, causing Frank and Nicky to explain that there was no “getting even”. Susie always thought she owed them a favor that one day she would repay and wash her hands of the whole thing, but Midge’s poor attitude only revealed that even if they had done everything perfectly, there was no getting out from under them.

Joel didn’t hear the conversation, but somehow he put the whole thing together really quickly, getting in Susie’s face and saying that he won’t stand for Midge being caught up with guys like that, because he’s very familiar with them. I really don’t know when Joel became such a hard-ass or got all of this mob experience. Susie tells him that she’s got it all under control- maybe she does, maybe she doesn’t- we’ll never find out, because Joel takes it upon himself to meet with Frank and Nicky and fall on the sword to protect Midge. He lets the mob in on his club business, mixing their books as he begins to buy more clubs. Midge never has any idea until his eventual arrest, in Temple no less, where he’s put away for the entire mob operation. Midge doesn’t hesitate to cut Susie off and stay by Joel’s side, religiously visiting him in prison during decades worth of time jumps.

I hate all of this for a few reasons. It really just feels like Joel felt he had to find a way to keep himself relevant in this story and in Midge’s life, and it’s so disappointing to me that this works on Midge. Before all this, Midge and Joel had a really mature and endearing post-divorce friendship. It’s hard to say if Mei’s abrupt departure at the end of season 4 was a logistical hurdle for the show or a creative choice to free Joel up to do this, but regardless, this was an unwanted replacement for a fleshed-out relationship between Joel and Mei, whose story still feels unfinished. And his weirdly intense speech to Midge on the fire escape about not letting anyone hurt a hair on her head? I’ve never seen a not creepy use of that phrase, so I don’t know what to make of Midge eating it up. This all really undermines the respectful, minding-their-own-business nature of their progressive relationship. I think if someone had said at the end of season one that this show ends with Joel’s relentless love for Midge disseminating her friendship with Susie, we would have all thought that was very off-message.

Not to mention, as all of this unfolds, we’re also treated to a glimpse of everything Susie did for Midge over the years of their partnership. When Midge got cold feet the night before a destination wedding because he didn’t make her laugh, Susie tried to put her foot down and set some workplace boundaries- this has nothing to do with Midge’s career, Susie has no obligation to untangle the mess Midge has made of her own personal life. But Midge bursts into tears, and of course Susie makes it all okay.

But the biggest catalyst of emotions boiling under the surface comes from Gordon Ford’s wife. I don’t think Susie’s sexuality was a mystery to anyone, but we’d never talked about it before Hedy. Susie was clearly deeply wounded by her, and even though she’s not one to spill her life’s story, that much is clear. Nonetheless, when Midge finds out that Susie knows her personally, she aggressively pushes Susie to talk to her about getting Midge on the Gordon Ford show. Susie is extremely hesitant, leading Midge to say that whatever is holding her back, if Susie doesn’t do this for her, then Midge will know that her manager didn’t do everything she could for her.

With the context of everything Susie has ever done for Midge, this is such a slap in the face. Add in the heavy hinting that Susie is in love with Midge, and the whole thing just makes me sad for her. The lesbian sidekick being in love with the straight main character is so tired to me. But of course, Susie talks to Hedy, and of course she pulls it off. Once Susie’s done what she wanted her to do, Midge softens and convinces her to talk about what happened between her and Hedy. Then, Midge says if she had known she would never have pressured Susie to talk to her. As if there was no way of initiating this conversation sooner.

Alex Borstein in "Four Minutes". Image courtesy of IMDb.

So for Midge to not even hesitate to turn on Susie after Joel’s arrest, something he brought entirely on himself against Susie’s wants and pleas, is so blatantly cruel that I almost wonder if Midge isn’t even supposed to be the hero of this story.

This brings us to the title of this episode and Midge’s tendency to act like- and be treated like- her showing up is God’s gift to whatever room she’s in. Susie talked to Hedy, Hedy talked to Gordon, Gordon begrudgingly broke his longstanding rule to not have staff members on the show. But, if he’s gonna do it, his frail ego is going to do it his way (remember when he started a bar fight with Hank Azaria for wanting Midge to work for him? He was being ‘noble’ because clearly Azaria’s Danny Stevens is just attracted to her. Gordon won’t let her be on the show but also won’t let her work anywhere else, how protective and helpful!).

It’s moments before the show when Midge and Susie learn that Midge will appear on the show, but not as a comic- rather, she will be interviewed by Gordon as a writer on the show, a human-interest piece. Midge is to sit on a stool, rather than the respectable couch the ‘real’ guests get to sit on. Even in this Gordon is seething and throws the show to commercial only seconds into the segment. There’s still “Four Minutes” to fill when they come back, tensions are high, and Gordon is as unhappy as someone can be on national TV.

I’ll give Midge credit for getting Susie’s blessing before she does this. I don’t even blame her for doing it, to be honest. The Gordon Ford show returns from commercial and Midge steps over Gordon’s return to the segment, walking up to the mic and doing four minutes of standup while Mike and Susie do everything they can off camera to keep Gordon in his chair.

I’m the petty bitch that counted, but if you’re literally gonna call the series finale “Four Minutes” I’d like to think it would actually be four minutes. She talked for almost ten. I believe in the universe of the show it really was just four minutes (even Midge Maisel can’t eat into somebody else’s primetime air), but to me this confirms Sherman-Palladino’s disconnectedness to standup itself as an art form. They call it a ‘tight five’ because it’s hard to do, and I was actually really interested to see what Midge could pull off in that amount of time.

I’ll admit that it was one of her better sets, but certainly not something of the caliber that warranted a complete 180 in Gordon Ford. He laughs out loud as she talks, and when she’s done, he invites her onto the couch, reintroducing her as a comic, the marvelous Mrs. Maisel. Why is she even still using Joel’s last name? I digress.

Reid Scott in "Four Minutes". Image courtesy of IMDb.

With some comparable behavior, Midge and Susie do ultimately repair their friendship. Susie, later in life, is an ultra-successful talent manager, repping the biggest names in entertainment and becoming something of a celebrity herself. Her falling out with Midge, though, is the elephant in every room she’s in. There’s a roast for Susie in one of the bigger flash forwards, with everyone she cares about there to good-naturedly poke fun at her. Everyone except Midge, which all the guests speculate about throughout the event. Then, at the end, a screen descends from the ceiling, and a recorded video of Midge plays. It sounds like she’s ready to make amends with Susie and see her again, and Susie, of course, is tripping over herself to find her way to her. After everything Susie did for her, Midge is the bigger person? The hero? Just for showing up? Again, I digress.

The series closes on the two of them watching Jeopardy! together over the phone, chatting and laughing, hard, something that’s always been important to Midge in the people she keeps close. And this time, Midge really is funny. She’s at her best when she’s interacting with people. It’s a really sweet scene and I’m happy to see the show end this way. I just wasn’t able to enjoy it as much as I would’ve liked after everything that happened to get us there.

What did you think? Do you see a different side of Midge than I do? Was Susie more wrong and Joel more right than I think they are? Does Midge’s standup make you laugh? Let me know!

[ins0mnia-an0nym0us-au]

i just really need Jodie Whittaker to know that most of us know that it wasn’t her that made her seasons of Doctor Who tank - it was the absolute shit writing from Chibnall

idc if you liked the new seasons or not - the metrics speak for themselves. 

a large majority of viewers did not like it. a very small amount of them were the sexist ones. but most doctor who fans are actually very forward thinking about the whole gender of the doctor. what they didn’t like was the writing

the fact that Chibnall came in with Jodie’s first season & said that there would be nothing from the previous seasons/iterations of Doctor Who (villains/companions/etc) was dooming it from the beginning because New Who has been nothing but based on Old Who & banking on the old fans to come back & bring new fans with them

so much so that Chibnall had to reverse it so fucking fast they brought Daleks back in the Christmas special 

Jodie’s second season got better but only a few episodes. i also noticed this. it was incredibly strange. it felt like they filmed the episodes that were essential to the seasons plot & then read the fans feedback that they wanted more random adventures & scrambled to film more episodes to address some of the feedback & then shoved them in every other episode. it made those episodes feel completely out of place against the other ones

some of the episodes never even showed the TARDIS or them arriving with it - which made it feel incredibly weird. i’m sure that some other (new) Doctor Who seasons had episodes like that but never so many all jammed together that i can remember

not to mention the very controversial episode Fugitive of the Judoon which now rewrites Old Who lore/canon. which a lot of old fans aren’t okay with. personally i don’t mind it. what i didn’t like was the fact that they technically took the mantle of being the first female doctor from Jodie??? like??? was that really necessary??? don’t get me wrong. the actress - Jo Martin was great & the chemistry between the two was phenomenal but like??? really???

the most current season has been much better in my opinion but it’s too little too late. Jodie has said she’s leaving. Chibnall is going as well (thank god) but we didn’t get from this season what i was hoping for -

a scene with the level of Matt Smith’s rage, sorrow & happiness during A Good Man Goes to War or something like Peter Capaldi’s epic performance during Heaven Sent or maybe a two-parter as tense & heartbreaking as David Tennant’s - Human Nature & The Family of Blood. i’d even have taken a moment similar to the Christopher Eccleston episode The Doctor Dances where “Just this once - everybody lives”

but there hasn’t been a single moment during these seasons where i’ve been brought to tears or moved emotionally like the past doctors have done. Thirteen has made me smile & yes i have laughed. but a good story can do both & it can tell you the difference between right & wrong without pointing at the bad & going “see. see that right there. bad. we bad humans need to stop. so bad.” which is exactly what Chibnall did during most of his run

most people watch sci-fi or fantasy as a form of escapism from daily life. this doesn’t mean it can’t have some form of message in it. but that does mean you have to be more careful with how you deliver it. because otherwise people won’t digest it well - hell they won’t even swallow it. they’ll just spit it right out & call it propaganda. that’s the difference between good writing & bad writing. getting people to empathize with your point of view without them even realizing it.

but anyway. i’ve ranted long enough! TLDR -

REBLOG THIS if you NEED Jodie to know that WE KNOW it wasn’t her

also that we would love for her to stay on for another season if she’s up for it now that they have a new head writer planned. because i’ve watched Broadchurch - she has the range. they just never gave her the chance

[uncpanda]

Back to the Navy Yard: Part 5

Sypnopsis: Being the daughter of Leroy Jethro Gibbs wasn’t easy, but you made it work . . .right up until you decide to break away from the “safe” life plan and join the FBI. When your father and the family you’ve made stops talking to you, you find a new one with the BAU. But years later, when murders connected to you and your father start popping up, you’re forced to examine the past along side your fiance and unit-chief Aaron Hotchner, and soon to be step son Jack. Really, your whole world is up in the air. 

Notes: Eli David and Jackie Vance are both alive, also the timeline between Ziva and Tony was sped up, because slow burn is only good for so long.

Master List

You and Ziva had always had a unique bond. She’d seen you for the first time the night she had killed Ari. She’d been slumped down on the ground in front of the door to the basement, when you had wandered into the house. You’d been in your freshman year of college, and commuted to school while living at home. Your dad’s GI bill was paying your tuition and you weren’t going into debt just to live on campus. 

There was something in your eyes, red and puffy, that made her think of Tali. That, perhaps, Tali would have grown up like you; happy and in love with life. You had gone to her, looked at her for a moment, and then down the stairs. Gibbs had still been staring at Ari’s body. 

Your voice had been hesitant, “I’m sorry.” 

Those two words had softened something in Ziva, because you had meant them. You had hated Ari for what he had done to Kate. You had considered the woman an older sister in a way, but you also knew the pain of losing a sibling. You had watched Kelly die in that car. And no matter how bad Ari had turned, he had still been her brother, and she had still loved him. 

You had not shunned her, like the rest did. Instead, you often spent evenings by her desk doing homework, and talking about things that would have had your father stuttering: mainly more revealing clothes, boys, and sex. And Ziva had been so grateful for that connection; grateful to have you in her life. To her, you were pure, unworried by the world, and not exposed to its horrors. And that was why she had gone along with Gibbs’ plans; she didn’t want to worry about losing you or have that innocence erased from your eyes. She should have known better; you were more stubborn than Gibbs. So, having you come back into her life, engaged and with a step-son, that was a lot to swallow. 

She kept her eyes moving as she entered the bull pen, at the first sight of Agent Hotchner, she planned to pounce, to interrogate him, and find out his every secret. You had good judgement, but she needed to be sure. She settled her bag at her desk, and it takes Tony three tries to get her attention, “What?” 

Tony’s eyes go wide, “I just asked if you were okay?” 

“No. Y/N is engaged. To Agent Hotchenr. She has a step son.” 

There’s a lot of blinking from both him and McGee, before Tony smiles, “You’re messing with me, right? I spent all day with those BAU people, and I swear Hotchner never smiles. He’s all business. He’s . . . you’re not joking.” 

“No.” 

“McGee! Start digging.” 

---

Awkward doesn’t even begin to describe the meeting currently taking place. It’s one pm and you’re already on your second glass of wine. Dave had wisely chosen to go check the perimeter. Uncle Dwayne’s voice is a little high pitched,  “Engaged! You’re not old enough to be engaged.” Your eyes flicker to your father; he hasn’t said anything in the hour and a half Leon and Dwayne have been ranting. It had started when they noticed your ring, and had only increased since they found out who it was.

“I’m twenty-nine and a federal agent. I’ve killed people. I think I’m allowed to get married.” 

Your dad straightens at that, “Who the hell did you kill?” 

“A serial killer.” He doesn’t need more information than that. 

Uncle Leon nods, “That’s another thing, how are you going to raise a family with this man when you’re both away from home so much? You both travel all the time. That’s not good for kids! 

You jump to your feet at that, and you stop a foot away, “You don’t know what you’re talking about. You haven’t been there. You don’t know how we run our lives/” 

He stares at you for a second before nodding, “You’re right. I crossed a line.” 

“Everyone is crossing them.” You turn to face your dad, “You can’t cut contact for years and then expect to get a say in my life choices. Especially not through your friends.” 

Your dad’s lips twitch, “How’d you know?” 

“The first thing they did was search my hand for a ring, and from there they waited. It’s not hard to spot when you spend your days doing it to catch killers. Plus, you were too calm when you found out about Aaron.” Your phone buzzes and you answer without looking, “Shannon.” 

“Ohhh that is not the sound of a happy kitty.” 

“What’s wrong Garcia.” 

There’s a moment of silence, and you know she can hear how stressed you are, “I found the picture. You were an adorable child, not that I had any doubt. I’m running traces on those who have viewed the article within the last five years. There’s a few from private IP addresses which check out for like ancestry trees, and it looks like her father looks at it a lot too, but I doubt he’s our guy. No sign of traveling or expenses. He teaches now.” 

“And?” 

There’s a hint of a smile in her voice, “And what?” 

“You have something, I know you Pen.” 

“Yes you do. There’s one from an internet cafe in California, right down the road from the murder that happened there. I’m trying to get a list of users now, as well as footage from their security cameras, and the cameras on the surrounding streets. With any luck . . ?” 

“You already told Aaron?” 

“Via Chocolate Thunder. I did not, however, tell him that someone from NCIS is trying to hack his file.” 

You spin to look at your father, “Someone at NCIS is trying to hack Aaron’s file?” 

Your dad shakes his head, “Not me.” 

You smirk, “Shut them down Pen. Crash their system. Show them why you’re the best.” 

Vance actually groans, but Garcia is all smiles, “Ahhh and so the claws come out. Done and done hellcat.” 

You grin and hang up, “Someone accessed the picture from an internet cafe a few miles from the crime scene in California. Garcia is trying to track them down.” You turn to face your dad, “Call Ziva and tell her I’m disappointed in her. Then tell McGee, that if he tries anything like that again, I'll unleash Garcia’s full wrath on him, and he’ll never be able to get near another computer again.” 

You stomp outside, and find Dave smoking a cigar, “Seriously?” 

“This from the woman who’s had two glasses of wine?” 

You shrug, and turn to look at the trees, you can feel Dave studying you, “They’re concerned.” 

“They lost the right to be concerned.” 

“Nahh. From the way I hear it, that’s how parenthood works. You’re concerned for your kids until the day you die. Aren’t you that way with Jack?” 

“I’d never stop talking to Jack, no matter what life choices he might make. I’m his Marmee.” 

Dave pulls you in for a side hug and whispers, “You’re a good Marmee.” 

You lean into him for a moment before saying, “It’s only been two days and I already miss them so much.” 

He doesn’t say anything, there's nothing he can say.

---

Aaron is grumpy, and the thing is, he knows it. Throughout the day word had gotten out that the two of you were together. He’d been stopped no less than six times, and Gibbs’ team had taken to staring at him. Normally, that wouldn’t have meant a thing to him, but he was missing you and so was Jack. He’d been heartbroken when he realized you wouldn’t be home tonight, either. And at this point it would be a surprise if he was able to get home to see Jack himself. Still, he was doing a good job hiding it. Or, at least, no one on the team has said anything. 

He’s sifting through evidence and files when Jess calls, the first thing he notes is the amount of terror in her voice, “Aaron.” 

His back goes ramrod straight, “Jessica.” 

“We’re okay, but when we got home the door was kicked in. I got us out of there, but . . .” 

“Where are you?” 

“The cafe down the street. Someplace public I thought. . .” 

“Stay there and stay on the phone.” 

He’s moving out of the conference room a second later, and barking out orders with Morgan on his six. He knows what this means, whoever this person is, they’re making you a target. 

He’s the one to drive, he needs that control. By the time he pulls up, Metro PD is already there. He lets out a breath of relief before going to get Jack. The moment his son is in his arms, he knows what he needs to do. 

He takes Jess to the side, “Jack and I are going to the safe house. My mistake last time was not being there, I’m not making it again. You’re welcome to come or I can station an agent with you.” 

She reassures him, she’ll be fine. He sends the agents anyway, and goes to wait in the car with Jack. Once he’s distracted by the phone, and Aaron is certain his son is okay, he slips out of the car to find Derek there with bags of clothes and toys. “Haley’s name was written on the wall in paint. No bodies.” 

Aaron swallows the lump in his throat, “The unsub wants us to know that he knows things about us. They want us to know that they’re in town.” 

“You heading out?” 

“Yeah. I need to be with my family. I’ll have my phone and a secure internet connection. 

Y/N and I will consult from there. Also, check agent Gibbs house. There’s a chance the unsub went there. You won’t need a key or anything, Y/N said he always keeps it unlocked.” 

“You got it. You want me to drive you guys?” 

“I can do it.” 

They leave with a handshake. 

---- 

You know something is going on. Dave was on the phone, and Leon, Dwayne and your dad had been whispering to each other ever since. You corner him the moment he hangs up, making him jump. 

“I’m going to get you a freaking bell if you keep doing that! Make noise when you walk.”

“What happened?” 

Your stomach drops when he tells you. 

“This isn’t your fault.” 

“He’s targeting me Dave.” 

“No, he left a name at your house, in paint, and turned things over.” 

“You said the alarm didn’t go off.” 

He nods, “We’re looking into it, but why you’re here, maybe look for a new place? This one might be jinxed. Two serial killers?”

You slap at his chest, before running your hand through your hair, “The unsub went after my family Dave.” 

“Yeah. It’s happened to us all at some point, and it’s not our fault. They’re sick, and look at it this way. Soon, you’ll have your boys.”  

 You cling to that thought, and spend the time waiting on the front porch. When the headlights flash, you let out a sigh of relief. And you make a mad dash towards the car. Jack is quick to jump out of his seat and into your arms, “Marmee!” 

You hug him close, and you can’t help but think, you won’t be able to do this too much longer, he’s getting too big. Aaron’s arms wrap around the both of you a second later, and you take comfort in his scent. You tilt your head up and place a kiss to the underside of his jaw.

“I’m so sorry.”

He kisses the top of your head, “It’s not your fault. We’ll catch him, and we’re together. That’s what matters.” 

[cs-and-bellarke]

CS FF: The Hilltop

Ao3, FF

Background:

 Killian Jones (26) comes to the states looking for a new start in StoryBrooke Main, he finds a hilltop to find peace in his messed up life.

Emma Swan (24) comes back home after moving to New York with her brother James and her Friends Robin and Regina, she goes back to the hilltop that she has always gone to when she meets the man she talked to when looking for her brother David. 

Killian’s P.O.V

Being new in a small town is a bit strange because everybody knows everybody except you and you don’t know anything about anything, when I moved to StoryBrook Main I did it to start fresh, to get away from my problems and maybe make new friends and everything. I live in a 1 bedroom apartment and I just moved here 2 weeks ago, I work as a police deputy and the shariff seems to be okay with me thank god.

I go into work and I see David on the phone and when he gets off the phone he has the biggest smile on his face that I have ever seen. “Should I ask what you are smiling about?” I asked him.

“My sister is coming back into town and she has some news for me but she will not tell me over the phone” he says.

“Wait a minute...you have a sister?”

“Yes and don’t get any ideas”

“Wasn’t planning to...how old is she?” 

“She’s 23, and she used to live here but she moved and now she is coming to visit, I would like you to meet her”

“You would?” I asked him unsure if he was being serious or not.

“Yeah why not” he asks.

Okay one finding out that my only friend here in StoryBrook has a sister and my boss is one thing but him wanting me to meet her is another, why does he want me to meet his sister...I don’t get it but I am not going to argue with him. 

*A week later*

I am doing paperwork and a beautiful blonde goddess walks into the station.

“Can I help you with something?” I asked her.

“Yes, is David Nolan here?” she asked.

“No he’s on his lunch break, want to leave him a message?”

“No I know where he is, thank you”

She leaves and I am just sitting there wondering who the fuck was that and how the hell can I talk to her.

Emma’s P.O.V

I go down to granny’s where my brother is having lunch, I came to see him a week early because I am moving back here and I needed to be here for when my stuff got here. When I went to see if he was at work and the man who asked if I needed help was hot as shit, like where the hell has he been all my life and how to I get one.

I sat in David's booth and it took him a minute to notice I was there but then “Emma what are you doing here, you’re not supposed to be here for another week?” he says.

“I know but I came early” I say to him.

“So what was it you wanted to tell me”

“I’ll tell you later, you have to get back to work”

“Fine but I am holding you to that”

He leaves and I go down to my hilltop that I have been going to since I was in high school, it’s so peaceful and it gives me time to just think. When I get there I see that it hasn’t changed, no one knows that I came here, not even David. All of the sudden I felt someone behind me and when I turned around it was the man from the station.

“Hey it’s you” I say to him.

“And it’s you,” he says.

“How do you know about this place?”

“I was hiking one day and found it, you?”

“I’ve been coming here since I was in high school”

“Oh so you’re from here?”

“Yeah, but I am just now moving back, I’m Emma by the way Emma Swan” I tell him.

“Killian Jones” he says with a smile. “It’s peaceful here” he says out of nowhere.

“It is, it gives me a chance to think...are you new in town?”

“Yeah, I move here about 2 weeks ago”

“How are you liking our little town”

“I like it but I only have one friend”

“Make it 2, I’ve gotta go but I’ll see ya around Jones” I say to him then I leave.

It is so hard not to stare at him but I tried my best not to, he seems so sweet and I know that he will be a good “friend”. 2 of my friends are moving here with me from New York and I am happy about it, they have been there for me when I have needed them most. Robin I have known since I was 5 and Regina I met in high school. 

I went to David’s and he wasn’t home yet so I got Granny’s to go and waited for David to return...when he got home he looked tired and I knew that he was. “So what did you want to tell me?” he asks.

“Well...you know how you’ve been wanting me to come back?” I asked him.

“Yeah”

“Well, me, Robin, and Regina are moving back to StoryBrook”

“Are you serious?”

“Yeah” 

He smiles and hugs me, I am glad he is happy that I am moving here and I am glad that I am moving here.

Killian’s P.O.V *1 week later*

It’s been a week since Emma fully moved back to StoryBrook and I found out a couple days ago that she was David’s sister. I have met Emma on the hilltop every day since the first time and we sit and talk and I’m becoming a closer friend to her then I am with David and I know that she is his sister so have no chance with her without him going nuts. I would love to take her out and give her everything that she has ever wanted but I can’t not only because of David but because she has become my friend and I don’t want to ruin that even though part of me does.

Emma started her new job at the high school as an English teacher and I heard that she got Belle and Gold's son who runs the high school, Gold is mayor of StoryBrook and he does a good job for the most part so that's good I guess. I have learned a lot about Emma and I also know that her and David are not related because his mom adopted her when she was 6 because Ruth couldn’t have a daughter but she did have 2 boys, David and James and they don’t get along but I guess Emma was living with James in New York and David doesn’t know about it. She is closer with James then David but she came back because she missed her brother, yea she will miss James but she thought it was time for a change.

I haven’t really told her about my family because it’s complicated and I don’t want to drag her down that hle of a mess called my family, maybe one day I will tell her but not right now at least. Almost every day I see her at the hilltop and every time I see her my heart skips a beat because she is so sweet and so beautiful and I am very attracted to her. Nothing can happen though because one her brother would kill me and make it look like an accident and two because I don’t believe she finds any attraction towards me.

“Hey Swan” I say to her as I arrive at the hilltop.

“Hey Jones, what’s up?” she asks. Yeah she calls me Jones when I call her Swan.

“Nothin, just got off of work, how was work for ya” 

“It was okay, teaching high school students is fun but tiring but coming here makes my day a bit better”

When she said coming here made her day better it made my heart flutter, yeah I know she wasn’t talking about me but part of me wanted to think it was. “Yeah, kinda wish I grew up out here” I say to her.

“Where did you grow up?” she asks.

“Ireland, with my brother”

“You have a brother?”

“Yeah, we stopped talking last year, I am all I go I guess other then you and David of course”

“I’m sorry to hear that, sometimes family sucks...having your brothers hate each other growing up was hard. Don’t tell David this but James was always my favorite because he wasn’t overprotective like David was and is. James would let me do more things, when he was invited to a high school party he would let me go with him but when David found out hell broke loose”

“He was just trying to protect you,” I told her.

“I know but as a young teen I thought he was just being a jackass because I liked spending more time with James then him, but that wasn’t true” she says.

She’s opening up to me more than I am with her and when I told her a tiny bit about my brother I think she knew not to push so she didn’t, it’s hard to open up about my family but I think I am going to. God she is so beautiful and any man will be lucky to have her.

“Why don’t you talk about your family?” she asks.

“It’s complicated”

“Don’t pull that, I know complicated , trust me. I was adopted when I was 13 but my parents didn’t care enough for me to drop me off at a police station no they left me on the side of the highway like a piece of trash, so I know complicated...my life is complicated but you can trust me”

“Where do you want me to start?”

“The beginning”

“Well my mother died when she gave birth to me and I think my father blamed me for it my entire life, my father left when my brother Liam turned 16, I was 13.  We were homeless for about 2 years then he continued to raise me as I finished high school. When I was about 24 my brother found someone he really loved but when I wouldn’t come to work with him he got mad, but I didn’t care because I was almost done with the academy. When Liam got engaged, he changed and he was trying to control me, make me be like him...after his wedding our father came back and he forgave him, he forgave the man who left his sons to defend on their own when they were just children and Liam wanted me to forgive him too but when I wouldn’t he told me I was being childish and I should forgive the man who ‘gave us life’. He didn’t give us life our mother did, my father is just a coward and one thing I didn’t tell my brother was when we were younger my father would wait till Liam went to bed to tell me the reason my mother was dead was because I was born and then he would hit until I passed out. Liam would ask about the marks but I just told him I fell and we moved on. I love my brother but I can’t have someone in my life who can forgive the man who left us like we didn’t even matter, because to my father we didn’t matter, I can’t have someone in my life who thinks what my father did was okay and that can forgive him for what he has done” I explain to her.

She says nothing and just tackles me with a bear hug, I of course hug her back and bury my face in her hair. We hug for like 5 minutes and then she pulls away and I can see tears in her eyes, I wipe the tears off her face with my thumb and she smiles.

“How could you leave your children like that...I’m so sorry, what your father did was not right, but your brother doesn’t know everything your father did” she says.

“Yeah but he still forgives him for leaving us on the streets”

“I get it, I do but I wouldn’t know what to do without my brothers” 

“I don’t know what to do without him but I have to learn”

“Well you have me, so it’s a start” she says with a smile as she grabs my hand.

“Yeah it is, thank you” I say to her as I pull her into a hug.

Emma’s P.O.V

We sat there just looking at each other after he told me pretty much his whole childhood, god he has really beautiful eyes and right now all I want to do is kiss him. He pulled me into a hug and he smelled like the ocean and...home, we pulled apart and he rests his hand on my cheek and he moves his thumb back and forth across my cheek. 

We stare at each other and he has this look and I have no idea what it means but then he starts to lean in and I didn’t stop myself from leaning in either, then our lips met and when they did electricity went through my body. Thank god for the hilltop.

[stop-breaking-my-heart-telltale]

One of my favorite narrative choices/interpretations in twdg is how tied together Clementine’s “death” scene and Lee’s death are. Yeah sure, there are the obvious visual parallels but that’s not exactly what I’m talking about.

For the longest time, I was one of the people who always shot Lee, y’know? It just makes sense, you can’t let Lee become a walker, it’s so much more tragic for Clementine to be the one to put him down. Clearly shooting him is the right answer. After all, the player percentages don’t lie.

But then years passed and I eventually played the other route where I asked Clementine to leave Lee, and I am no longer one of those people.

Don’t get me wrong. Both endings make me cry. They’re powerful in different ways, but there’s something about the way that leaving Lee to turn into a walker can affect an interpretation of TFS and Clementine as a character.

[note: this turned into a bit of a Clementine character analysis and it’s long and I’m sorry that this is the way I am]

Y’see, having played through the series as much as I have, I’ve grown to love this narrative that you can build leading back to this choice and the ways it stuck with Clementine over the years, and subsequently affects the way she raises AJ.

When you ask Clementine to leave Lee, he gets the chance to give her a little more advice and it get progressively heavy:

Lee: You can leave me. It's okay.

Clementine: You'll be just like them.

Lee: It's okay. It won't be me.

Clementine: Lee...

Lee: Clem, it's time to go. You gotta get out of here.

Clementine: You can come with me.

Lee: No, honey, I can't. It's okay.

Clementine: Please?

Lee: You have to go, now.

Clementine: Maybe...maybe...I shouldn't let you turn.

Lee: I don't want you to have to do that.

From here, you have a set of options that allows Lee to explain why she shouldn’t shoot him: Shooting people changes you and Lee doesn’t want Clem to get used to that, she can remember him alive as her last memory of him rather than her shooting him, she should save the bullet, or the noise will draw more attention than it’s worth.

After that, depending on your choices, he’ll further explain himself. I usually get:

Lee: Pulling the trigger of a gun and ending a life, Clem...you feel yourself lose something every time. The first time, the most. Don't do it unless you absolutely have to.

Clementine: I'll go. I'll...leave you. I'll go as fast as I can.

Lee: And as safe as you can. Always be safe.

Lee is barely breathing at this point, he can’t keep his eyes open, he looks like he’s on the verge of turning into a walker at any moment. Clementine, gun her in her little hands, turns to him and one last time, asks him not to go.

Like… the whole scene is more than enough to make you teary eyed.

There are a lot of reasons for making this choice, most of which you’re allowed to explain through Lee. Some people have a more logical take on this by saying that it doesn’t matter if Lee turns or not, Clementine isn’t in danger with him chained up, therefore she doesn’t have to waste a bullet in killing him. That bullet might be the difference between life and death in the future. 

Then there’s a more emotional approach of not wanting Clementine to be the one to have to kill Lee, forever traumatizing her even further after everything she went through with the stranger and her parents. Lee can’t ask her to do that, he can’t force this little girl to kill him just so that he won’t turn into a walker. It’ll change her.

I like to think it’s all of the above. Lee’s made sure that he can’t get to her, she’s armed and knows how to protect herself, and he cares more about her having an extra bullet that could save her life rather than wasting it on him when no matter what, death is inevitable for him. It’s like what he says about Larry if you tried to save him: 

“It's like with Larry, honey. He was goin', one way or another. But at that moment I couldn't do more violence. You have to be careful about that. It'll consume you.”

She shouldn’t do that if she doesn’t have to. Lee has no idea what’s going to happen after he dies, if he’ll just be dead and gone or if part of him will remain as a walker, or something else. He reassures her that the walker left in his place won’t actually be him, but no one actually knows that. Yet, that doesn’t matter, he cares more about Clementine than himself at this point.

But what does this choice do to Clementine?

Sure, she doesn’t have to live with the fact that she killed the man who swore to protect her, even after she was indirectly responsible for him getting bitten in the first place. He asked her to leave him there, to let him become a monster, to leave before she could see him like that. He makes sure she knows that this was the right thing, the best thing for everyone, and I do think she believed him, or at least want to, in that moment. Underneath her grief and stress of the worst day of her life, she at least had Lee’s last words to her and his reassurance that she’s going to make it through this.

But then we move onto the other seasons, and Clementine isn’t the little girl she was in the first season. Season two is pretty much summed up with: “Clementine does ANYTHING and gets punished for it.”

She goes through so much shit in S2. You can try to make all the morally good choices you want and Clementine will still end up getting slapped around, people she grows to care about fall dead all around her, and she gets a lot of blame for it. She’s forced to kill a dog that attacks her, Kenny lashes out at her more than once, blaming her for Sarita’s death no matter what you do, she can’t save Sarah, she couldn’t save Luke, everything is falling apart and by the end, everyone’s fucking dead with the exception of either Jane or Kenny, depending on you choices. 

Clementine carries all this shit with her, like Kenny and Bonnie telling her that just because she’s a little girl, she thinks she can get people killed and it’s okay since she’s sorry. Of course she’s going to internalize all of it and bring it back to Lee. She has conversations with Kenny where she’ll open up about how it was her fault he died. Kenny, for all his faults, will usually try to reassure her that it wasn’t.... but then pulls the shit he does so y’know... mixed messages that help no one.

But by the end of it, no matter what ending you get, little newborn AJ is left in Clementine’s care.

From all of this, we know that Clementine tends to blame herself for the deaths of those she cares about, which is traced back to Lee. It’s when we get to ANF that her tune changes a bit. She’s jaded, bitter, selfish, and Lee was right..... all of this violence did change her. 

I mean, she just fucking shoots the guy who traded her bad bullets, and while she didn’t mean to... she still pointed a loaded gun at his head and pulled the trigger, something Lee taught her to never do unless she had to. Then, she wants Javi to cover for her, to lie... and if you don’t, because hey murder and lying bad, she gets upset and tries to make Javi feel like an asshole for telling the truth rather than validating her actions.

When I say ANF Clementine is my least favorite, it’s because her behavior, while it makes sense, is so frustrating and unbearable at times. It making sense doesn’t excuse it. 

She steals, lies, pulls several Kennys where she gets pissy when you don’t do what she wants you to, is willing to assist in Lingard’s death if it benefits her without even considering any other options or what a dark place he’s in, and she’s at a point where she just assumes everyone around her will inevitably die or leave her. That’s just what happens, that’s why she’s alone, and as a means of coping, she tries to spin it this way to alleviate some of the pain she’s had thrown at her for years.

Now, ANF Clementine isn’t all bad, she has a lot of redeeming moments where the Clem I knew in the past two seasons will shine through. You as Javi can help her grow and get onto a better path than the one she was goin’ down. She makes friends with Gabe, which is important since as far as we know, she hasn’t had a friend close to her age since Sarah. She has hope again after David tells her AJ survived, and she has more than just survival on her mind.

It’s just.... it’s sad to think that she’s at a point where she seems to have momentarily forgotten Lee’s final words to her. And when I think about it..... this behavior would almost make more sense if she DID shoot Lee, y’know? But in this timeline we’re discussing, she didn’t, she left him to turn and he gave his reasons for why he wanted that... but she still ended up this way. Nothing he could say or do could’ve prevented that. 

But at the end of ANF, Clementine has one goal: get AJ back.

Through all of this, through ANF and before the events of TFS... I truly believe that Clementine lost herself. 

She’s forgotten a lot of the things Lee taught her, she’s forgotten about her parents in the sense of “what would they think if they saw me now,” she’s overwhelmed with all that bad that those good things, that hope she had, has been put on the backburner.

She’s been forced to live in a world that’s cruel to you no matter if you’re “good” or “bad”, and that can put you into that selfish mindset where you tend to just disregard everyone you don’t have any emotional connection to, and even then, people you’re close to will get the same treatment, whether intentional or not. It’s unflattering, unlikable, and the only reason more people don’t see that is because it’s Clementine. 

It gets to a point where she has a few different paths she can go on, and right now, she’s on a destructive one. 

I think through knowing the Garcia’s, she was put on a better path but she’s still lost. She’s hyper focused on getting AJ back. Nothing else matters, nothing will stand in her way, and that leads to a breaking point in her character.

So...the McCarroll Ranch flashback is a thing. 

The varying interpretations of this scene are interesting to discuss.

Some will say Clementine was continuing her extremely selfish and destructive behavior when she found the ranch in flames and was willing to commit more murder in order to get AJ back, even if it meant traumatizing him with the death of his caretaker, and if she had shown up earlier before they were under attack, who knows how far she would’ve gone to take him away.

Others say no, that Clementine found the ranch compromised, she was acting in self-defense when she shot Eddie and AJ’s caretaker, Helen. It was either her or Clementine, as Helen was pulling a gun out when she spotted Clem, who reacted accordingly. If she hadn’t shown up, perhaps AJ wouldn’t be alive right now. We don’t know. 

For me, it’s a bit of both. She finds the ranch and panics because yeah, it’s on fire and there are assholes running around, shooting the place up. She holds Eddie at gunpoint, demanding to know where the kids are. He thinks she’s another asshole raider and even tells her that he’s not gonna let her take a kid, and she kills him. She doesn’t try to explain herself, she just demands the info and kills him. It’s not great, but yeah, he would've hurt her if she didn’t kill him. 

Then, she hears Helen talking to AJ, who is in the locker. I don’t know why she didn’t say anything. There isn’t an option to. Maybe she thought silence was the more peaceful route, or it would give her an upper hand. But, then Helen hears here and panics, pulls out a gun, and Clementine shoots her.

This is the moment. 

She shoots this woman in the children’s room, and after examining her body, realizes that she was the one caring for AJ. Clementine is looking over this woman, and you get pieces of her thoughts like-

“She was taking care of him”

“I had no choice”

“I’m sorry”

Then, Clementine finally gets what she’s longed for- she has AJ back... and he’s covered in blood, sobbing, terrified of her. She coaxes him out of the locker and he sees his caretaker dead on the floor.

This scene, with Clementine looking at the body, walking through rubble and fire to put AJ in the car, he’s staring up at her with this unfamiliar look in his eyes.... and she stops for a second... 

I truly feel like this is the moment where Clementine is suddenly hit by everything all at once, and she’s actually questioning, “Oh god..... who am I? How did I get here and what have I done?”

She did all of this for AJ, and now she has him, so it was worth it, right? Everything she did was a necessary evil and it was worth it... right?

... but imagine if Clementine did inject Lingard, killing him. She assisted in a man's death to get here. Was taking his life necessary? If you know how the choices work, then no, it’s not. But Clementine doesn’t know that. 

If you stopped her, then she still gunned down several people to stand where she is. She’s has left AJ so wounded by killing Helen, and while we know she didn’t have a choice in the moment, AJ doesn’t understand that. He doesn’t even recognize Clementine and she can see that in the way he looks at her.

“Pulling the trigger of a gun and ending a life, Clem...you feel yourself lose something every time.....”

TFS is where I think Clementine has found herself again and that’s why she’s more balanced and likable, and there are more references to Lee and her parents.... yeah, I know it’s mostly the writers doing it for fanservice and to make us cry, but I’m choosing to look at it in the narrative rather than with that intention.

Clementine has AJ back, she’s been raising him the best way she can, she’s taught him to use a gun since he needs to protect himself, and Lee taught her when she was little, too. She’s taught him to read,  taught him survival techniques she’s picked up, all that. She’s also more playful with him, she smiles more. She’s not a bitter 13-year-old like in ANF. Survival and safety is #1 and her attitude is mostly serious, but she isn’t afraid to tease or be a little silly.

But here’s the deal..... usually when I replay the series, I’ll leave Lee to turn but I’ll have Clementine tell AJ that if she ever gets bit, he’ll shoot her.

“What?” I hear you say. “But... haven’t you been rambling on and on about how murder bad and how leaving Lee was better because she didn’t have to live with the fact that she killed him?? but you want AJ to?? CJ you make no sense!”

I know that, but allow me to elaborate. Remember, this is all my interpretation after years of replaying this series. This is the narrative I find most enjoyable. This is my Clementine and the way I interpret her. 

So, Clementine listens to Lee and leaves him to turn into a walker. He tells her that it won’t be him, he’ll be dead and gone, save the bullet. Yeah, yeah, I already covered this. But remember my “what does this do to Clementine?” question?

I swingin’ back to it because I didn’t really answer it directly, now did I? It’s basically followed up with another question: What if Clementine comes to regret leaving Lee instead of shooting him?

She herself even says that maybe she shouldn’t let him turn, and he tells her he doesn’t want her to have to do that. She listened to him, and left him behind to turn into one of the monsters that tore their world apart. She’s lived with the fact that she’s the reason Lee was bitten, that he died.... but there was always another thing that pricked needles into her guilt: Lee’s a walker. He’s going to spend the rest of eternity as a walker handcuffed to a heater. There is the big possibility that no one will ever find him, will never kill this walker version of him.

Was that the right thing to do? 

I don’t know about you, but the walker debate is kinda fun to explore, and oh boy, do they try to explore it in TFS.

It’s easy for us to be like “Nope, there is nothing to walkers because they’re dead. Nothing human is left behind. Leaving Lee is fine.” 

…but then I have to ask, why did most people shoot him when the episode released? Why do people still pick that option? You don’t want Lee to be a walker, but at the same time, it’s actually fine because nothing about him would be left behind?

Is it because you couldn’t handle seeing him as a walker and didn’t know if the ending would show it or not? It doesn’t, you know that now. Were you afraid he would hurt anyone else? Well, you chained him up. He’s not going anywhere. He’s no longer a threat. 

So why do so many people still choose to shoot Lee and insist it’s the right choice even if by this logic, it doesn’t matter if he’s a walker because it’s not him? Save the bullet, don’t put Clementine through that, right? 

Maybe you just like the way the tragedy plays out when Clementine shoots him, and that’s perfectly fine. Maybe you don’t believe there’s more to walkers, but still pick this because how can you not? It’s Lee! He can’t become a walker.

Again, I feel you. My reasons for always shooting him in the past were that. It’s Lee, he can’t become a walker. I can’t do that to him. I love him, and that would be wrong. 

But that’s the thing... I believe we’re not the only ones having this debate. Clementine is having this internal debate within herself at different points over the series, but it’s especially prominent in TFS. 

Lee asked her to leave him, but was that really the right thing to do? He took care of her, saved her life and taught her to survive, and after he was bitten, she left him to turn into a monster. He didn’t deserve that, but his final wish was for her to leave. Should she have shot him anyway, ignoring his wishes? Would that have been worse? Disrespectful? Is it okay to ignore his wish if you think he’s wrong and you think you know what’s best? 

What if there is a part of him still inside that walker form? There’s no way to know that. What if she condemned a part of him to cruel fate because she didn’t shoot him? What if he’s truly gone and she’s worrying herself over nothing? What if she had shot him and needed that bullet later, or what if the noise drew attention? 

...What about her parents? They were walkers, too... roaming the street together... are they suffering, too? Or are they truly gone? 

I believe this is what lead to her decision to tell AJ that if she ever gets bitten, he should shoot her. All of these thoughts and regrets can resurface depending on your choices, like in the dorms at the beginning of ep2.

AJ: You told me your friend Lee became a monster. But you didn't kill him... because he wasn't a threat. Is that why you didn't kill him?

Clementine: He didn't want me to. He said it would change me forever. But I know he...

AJ: He became a monster. Do you wish you did?

Clementine: Yeah.... Every day.

Or, alternatively:

Clementine: How can you ask me that? What you did is completely different.

AJ: I'm sorry. I wasn't trying to make you mad, at all.

Clementine: .....I...I can still hear him. Telling me not to do it.

AJ: I said I'm sorry.

Clementine: ...I still hear it, sometimes.

and yeah, yeah, I know that this isn’t canon for everyone. Reminder that this is my Clementine interpretation and it’ll probably differ from yours, hence why we’re going over these specific choices. 

Looking at these responses, Clementine admits that she wishes she had shot Lee, that even though he told her that it would change her and she shouldn’t have to... she still left him to die alone and change. Maybe she doesn’t even fully understand WHY he asked her to do that... why didn’t he ask her to shoot him? Did he think she couldn’t? Even though he kept telling her that she had it in her to defend herself? Wasn’t he scared of what would happen afterward? What if Lee was so sick and out of it due to the bite that he wasn’t thinking right? 

Again, all these kinds of questions could possibly run through her mind, which in turn affects her choice with AJ. She doesn’t want him to go through what she did, to regret letting her turn into another monster. It’ll change him to shoot her, but it’ll also change him to let her turn.... maybe shooting her is the lesser of two evils. 

The thing about Clementine is that she’s not a perfect teacher, she doesn’t have all the answers, and all of her experiences reflect in the choices she makes with AJ. She’s trying her best. She loves AJ, he’s her family and she wants what’s best for him. She wants him to be strong, to be a better survivor who can take care of himself if something ever happened to her. But, she’s doesn’t know everything, and she forgets that yeah, AJ’s a kid... and so is she. She’s not some thirty something who has all this world experience and can always make logical decisions in every situation, and neither was Lee. 

AJ sees this towards the end of the season when he starts questioning her.

AJ: I always listened to Clem. Always. But...I've been thinking more. I don't know if she's right every time.

So while she truly believes that this is the best thing... she also won’t take AJ himself into account. Well, she does but she fails to ask him what he wants, what he thinks, and when he starts questioning her, she becomes defensive and makes him promise that he’ll shoot her even though he’s saying he doesn’t want to. 

Which leads me to two particular scenes that I think reopen the wounds and reaffirm Clementine’s thoughts and fears. We’ll start with the obvious one: James. 

I know it’s easy to just call James and his dumb walkers crazy, that walkers aren’t people, yada yada. But for fun, let’s indulge him for a moment. James is a fascinating character study with the way he’s come to view walkers, and he eventually shares these beliefs with Clementine when she asks him for help, and when you leave Lee to turn, you get this conversation:

James: They used them as a weapon. I do this...to protect them. I know it sounds strange. But that's why I brought you here. To see them as I do. As people.

Clementine: As...people?

James: Well, not people, exactly. But... Something in between. Part of us is still in there. Deep down. So few of us die anymore. We turn. Not dead, not alive.

Clementine: God, I hope that's not true. That sounds like Hell.

James: To you, maybe. I think it seems...peaceful.

AJ: Do you really think there's people inside of monsters?

James: Somewhere, yes. Think about it this way... Has someone you cared about turned?

Clementine doesn’t respond.

AJ: Clem's friend, Lee. She let him... but wishes she didn’t. 

James: Do you really think...there's nothing left of who he was?

Here’s where my Clementine will remain silent, as you can either agree or disagree with him which doesn’t feel right for her, in this case. Though a little annoying that James takes your silence personally and won’t talk about Charlie later BUT that’s a topic for another ramble. 

Anyway, Clementine doesn’t want to think about this. She’s thought about it enough, let it eat away at her longer than she should’ve, and now James is here asking her if she truly believes there’s nothing left inside the walker Lee became? She doesn’t have time to reflect on this, she has to get James’ help to save her friends. 

However, I believe this conversation stuck with her, and that’s why she gets more defensive when AJ brings up the idea that if Clem gets bit, then she should bite him, too. Like.... No, absolutely not, AJ. That’s not what we agreed on to do if she gets bit. He’ll shoot her. 

Clementine: AJ, we've talked about this. A lot. If I get bit, you know what has to happen.

AJ: I don't want to talk about this anymore.

Clementine: But you brought it up, so we're going to.

AJ: It does something weird to my stomach. Like I'm gonna get the dookies.

Clementine: AJ, I need to know you remember what we talked about. What you're supposed to do if it happens. Listen to me. If I get bit, you'll...?

AJ doesn’t respond.

Clementine: Shoot--

AJ: No! No, I'm not gonna do that.

Clementine: AJ, you promised.

AJ: I don't care. I'm not gonna shoot you! If you get bit, I'd want you to bite me, too.

Clementine: What? You don't mean that.

AJ: I don't want to be alone. Please don't be mad. I can't live with you not with me, Clem. I know we've talked about it. So much. But don't make me.

And like.... here’s an interesting thing if Clementine doubles down on this:

Clementine: Alvin Junior, if you have a gun, you shoot me. If you don't, you use your knife. No knife, a rock to the head. As many times as you have to.

AJ: I said I don't wanna!

Clementine: I don't care what you said. You will do it.

AJ: I don't care what you say!

Clementine: Goddamn it, AJ! You can't break promises.

Like jesus. She is once again so blinded by what she believes is right and what is the best option for AJ that she’s not even thinking about the fact that she’s telling him that yeah, if you have no other options, bash my face in with a rock! Holy shit, Clementine! She isn’t understanding a big thing here, the thing that factored into why Lee told her to leave him. 

Of course, there are less harsh responses but I find that one particularly interesting.

Now, lemme explore the other scene: Abel. 

So, the beginning of ep3 has Clementine and AJ talking to a tied up Abel about where the raiders took our friends. But it doesn’t take long before Abel starts spitting up blood and panicking that something’s wrong. 

Abel: Shit... I never wanted things to end like this. Everything...it all got out of hand. Now look at me. I'm a fucking mess.

AJ: Will he turn?

Abel: No! ...My...my whole life, everything I ever got, I got with my own two hands and...and my will. For my body to turn on me...to take control... I'll tell you where to find Lilly. Just promise you won't let me turn. I'm begging you.

Look, I hate Abel, he sucks..... but I also really like him as an antagonistic character and what they did with him here. 

So, we have Abel here begging for them to make sure he doesn’t turn... because Abel believes that letting some turn is cruel, he’ll even admit that he believes there are people inside of walkers and that’s why you put a bullet in them, no one deserves to be a walker. 

Abel: You wouldn't do it...you wouldn't let me become...one of those things.  What if they...what if they can feel it...when they turn?!

And after he gives you the info-

Abel: You got what you wanted. Please, don't let me become one of those things. Please... I don't want to turn...

Do keep in mind that this happens before the James scene, too. Clementine’s already got this on her mind when she meets up with him and the barn scene plays out.... but this whole thing with Abel is a lot. You can be cruel and torture him or you can play nice, or you can do a bit of both. 

And by the way, if you let him turn, it reeeally fucks with AJ. So that’s fun. 

Now not only is Clementine trying to work out a plan to get her friends back and trying to protect AJ and all that, but she’s also dealing with these thoughts and ideas presented by Abel and James..... and like, yeah I know the Lee dream sequence was intended for fanservice and to make us cry.... but I dunno, kinda funny timing that she would have a dream about Lee that night after going through both of those events in the same day as well as doing prep to infiltrate the boat. 

While I love the dream sequence and this interpretation I’m talking about probably wasn’t all that intentional given that this would've been the perfect moment to explore or even hint at it but they don’t.... but it’s fine, it’s perfectly logical that she’s more worried about her friends who are still alive rather than if she did the right thing with Lee. 

I think it’s time I move onto the actual bitten Clementine stuff before this turns into a novel sooo.... Clementine gets bit after she and AJ get separated from Louis/Violet/Tenn. She’s bitten on her wounded leg, and after all the chaos of getting away from walkers and climbing up to safety... Clementine just lies there for a bit.

And you can feel it, y’know? She and AJ knew what happened, but Clementine still has to confirm it... and when she pulls away part of her boot to reveal the bite... she lets out a deep breath and says she got bit..... but they gotta keep moving forward. No time, gotta get up, gotta keep moving, gotta get AJ to safety. Nothing else matters. 

So they walk. They walk until it’s morning and Clementine starts to look awful... and I think most of us took this opportunity to tell AJ she loves him. 

Then all hell breaks loose, they’re surrounded by walkers and have to hide out in James’ walker barn, but Clementine’s too weak to fight. This is when the game starts to have us take control of AJ, switching us between the two as Clementine shoots walkers and AJ shuts the doors. 

Until Clementine runs out of ammo. 

The walkers are locked out, they’re catching their breath... and now they have a whole new problem to deal with. Clementine’s bitten, and AJ, similar to how little Clementine was, tells Clementine she needs to try to get up and leave with him. 

Clementine: Good job, AJ. You did it.

AJ: Now what?

Clementine: You need to find a way out of here.

AJ: We can climb up there. The monsters can't reach us up there. Let's go. Easy climb. C'mon. Please...try. You can't give up! You can't give up! I need you! I need you...

She can’t get up. 

Clementine: I'm so sorry, kiddo. This is just what happens sometimes.

AJ: But...but it wasn't supposed to happen to you!

Sigh.... now here it is. This is another big moment in Clementine’s character that changes everything. It’s that moment at McCarroll Ranch again- it all hits her at once. 

Clementine: I need to make sure you remember.

AJ: Remember what?

Clementine: The rules. What's number one?

AJ: Never...never go alone. So...so I can't leave. Not without you.

Clementine: AJ...

AJ: It's your rule!

Clementine: You won't be alone. Not for long. Get back to the school.

AJ: I don't know how.

Clementine: Sure you do. One of the first things I ever taught you. You need to make sure they can't smell you. So... grab that axe.

She’s dying, she’s going to die and leave AJ behind.

Clementine: Next rule: what do we do when the monsters come?

AJ: Clem...

Clementine: AJ...

AJ: Shoot them in the head.

Clementine: Got any more ammo?

AJ: There isn't any more.

Clementine: Okay, then. Fuck. And...the last rule?

AJ: I want to stay. With you. I know what will happen. And...and I don't care. I don't want to go. I just want to sit next to you and...and stay. Like that monster couple, from the train station. No one would hurt us. Just...sitting. Forever.

Clementine: I don't want you to leave, either.

AJ: Then don't make me!

Clementine: But it's not about what I want. It's about what you need. And you need to go.

AJ: Okay, Clem. Okay.

Clementine: Last rule.

AJ: No...

Clementine: What do we do if I get bit? ....Are you gonna make me say it? 

And this is Clementine truly realizes, understands for the first time why Lee made the choice he did... why he asked her to leave him.

Clementine: Just leave.

AJ: I can't let you turn into a monster.

Clementine: You have to.

AJ: But before, you said...

Clementine: I know. But now that we're here... My heart is saying something else.

She finally gets it. 

When Lee said she’s in his shoes now...? She IS in his shoes finally understanding a part of their situation years ago that she never could. For years, she questioned how he could ask her to leave him, WHY he did. She questioned if she did the right thing, regretted listening to him.... but now that they’re here and she’s presented with the same choice Lee was... she understands why her reasons for asking AJ to shoot her if she gets bitten were skewed, that what she thought was preventively protecting him from more hurt was only doing more damage. He’s already taken a life, and just like Lee said, he’s losing a part of himself every time he does it, and if she told him to shoot Lilly, too? and if he shot Tenn? 

What is killing Clementine with an axe going to do to AJ?

What is leaving Clementine to become a walker going to do to him?

What is the right thing to do?

Well, for Clementine, her answer is to ask him to leave. She knows she told him differently, but that was when this scenario was merely a “what if?” Now it’s happening and she sees the errors in her thinking, and no matter what happens now, she’s going to die. Maybe she’ll feel it, like Abel said. Maybe James is right and she’ll spend the rest of her undead life alone in this barn. Maybe nothing will happen. It doesn’t matter. 

But... we all know, AJ has another solution up his sleeve that Clementine never considered. 

He turns to leave her... and then turns back around and disobeys her wishes... and chops off her bitten leg. 

And she fucking survives. 

Clementine survives her walker bite. 

AJ did what little Clementine back in s1 couldn’t do... he didn’t listen to her, and this time, it worked in their favor. 

Clementine: When we were in the barn, you didn't listen to me. And if you had...I'd be dead. You'll have to be strong for the both of us.

AJ: You made it so I can. So...thank you. For everything.

Clementine: You're welcome. For everything.

Clementine still has a lot of things to work though, especially now that she only has one leg. She can’t move around the way she could before, she has to completely relearn how to walk on crutches, possibly a peg leg. She gets to sit down and breathe, rely on others and do some reflection on who she is and come to terms with all the pain she suffered, and grow from there. 

Now that she understands why Lee did what he did, she can take a step in the right direction of forgiving herself, to atone for all the mistakes she’s made and the people she’s hurt. 

She has a boyfriend/girlfriend/friends there at her side to listen and love her, she has AJ, she has her lovable pupper Rosie, and she has a home... for the first time since she was little, she has a home and she can find herself again. Keep movin’ forward. 

This is my favorite line of choices, my favorite way to interpret the connection between Lee and Clementine’s scenes, and how I view Clementine’s growth and understanding as a character in TFS. There are so many ways for it all to play out, no Clementine is the same between players, and I dunno I just... I find the whole thing so compelling. 

Clementine is such a fun character to discuss, to compare interpretations of, and I’m sorry for such a long post but this is another thing I’ve wanted to throw out there for a while. Now that I’m done, I’m gonna go make some tea and chill out. 

[1ddiscourseoftheday]

Mon 14 June ‘21

Louis Tomlinson Cooks is here!! Yeah it’s 100% for sure as delightful to watch Louis make himself a sandwich as you might have hoped, but how was his cooking? Well I’ll let Louis rate himself-- “I’m not gonna lie not that appetizing is it, I mean look at it,” he says when it comes time to taste his creation, plus, “chopping peeling slicing not great to be fair- everything else I’m all right” (he’s… not wrong, even aside from the peeler issues has this man ever held a knife??) but- “it probably tastes nice though as I said it’s not about presentation for me… [munches cutely]... it’s actually pretty banging, that’s actually quite nice!” Success! Maybe it’s cause he knows the secret to faking good cooking- “as you can see I don’t have a lot of cooking ability so the more butter the better,” I mean the experts can tell you, that’s advanced stuff right there! #Louis-aChild! Substituting mustard and ketchup for coleslaw is a bit of a bold move, but in a belated attempt to convince the kiddos to eat some healthy veg even though he won’t he does bravely try the cucumber strips despite being “not really a man for cucumber” and makes a pained attempt to be positive- “bit of crunch.” Oh and speaking of crunch I’m relieved to have learned that the waffle is NOT a waffle, it’s a crispy waffle shaped bit of potato; a much more reasonable fish sandwich addition than the American version of a potato waffle! Full Time Meals polled to see what people think of Louis cooking; the two choices are “it was amazing” and “the best,” THEY GET IT. My kind of Louis poll! Helen Seamons rated him a “10/10 for effort and entertainment”, Masterchef acknowledged Louis as one of their own, and Marcus Rashford keeps it simple- “my guy” with a lil heart. YEAH, SAME.

Harry showed up in Italy, where he was papped in Venice being driven around (with PA Luis) on a boat (as you do, in Venice). He’s in a cool embroidered Bode shirt and shades and fancy hair, looking good. He’s seen carrying his suitcase, taking photos, and resting his head on his arms looking like a model. One might think, since we just saw the My Policeman cast and crew on set celebrating the wrap of the shoot, that they were done filming and Harry was off to do something different, but nope, he’s there to film! The book has key scenes in Venice that folks had been wondering about the filming of, and David Dawson is also being boated around Venice for the paps, so, it seems that was just for the wrap of the *UK* filming, which makes sense I guess since it would mostly be different crew I imagine, and perhaps some of the main cast are done as well.

Liam’s NFT sale is happening tomorrow! If you’re confused and want more info, I’M NOT GONNA HELP THAT MUCH… uh but I mean you can check out Liam’s youtube video explaining though I would guess that won’t help much (even Liam thinks so; “there’s probably websites that explain a lot better than me” he admits). There is a roundup now posted of what’s on offer for the buyers of the NFTs but I’m gonna be really honest with you, I’m more confused now than I was before. It’s clear that there are only SIX LONELY BUG NFTs right? They for sure said that I believe. But the packages for each different piece (token bundles) seem to me like they’re available to multiple buyers? Like maybe you don’t get the NFT but multiple top bidders on each get the extras? Like they can’t be selling multiple copies of the NFT... can they?! Isn’t the WHOLE POINT that only one person gets to own it? I DON’T FUCKING KNOW I AM SORRY. What I think I understand to be true: the six NFT buyers get to go to “a once-in-a-lifetime immersive dining experience at Resorts World Las Vegas” (this is the dinner with Liam and “a selection of crypto leaders from around the world” which takes place on display inside a giant glass box) and also “a bespoke commemorative presentation box containing the world’s leading holographic display... with audio... and a custom made Lonely Bug commemorative coin,” and “a unique QR code directing the owner to a special ‘Director’s Cut’ edit of the short digital film ‘Making Of Lonely Bug Collection’ which features unreleased footage from the day of the drop showing the creators' reactions when the winning bids came in” (I mean YEAH I would think it’s unreleased it literally hasn’t happened?) But then there are really a lot of other extras including tickets with Meet & Greet access to any Liam Payne headline show around the world, admission to pool and cinema parties in Vegas with Liam, signed art, non-Liam extras (I will literally bid to NOT have 20 minute phone calls with those crypto entrepreneurs PLEASE… but that’s just me), and access to an online party hosted by Liam; I really get the impression many of these, especially the last one, are just crypto tokens that are for sale that aren’t linked to the main Lonely Bug NFTs and many more than 6 people can buy them but a lot of the extras I’m not clear on which it is. Perhaps tomorrow I’ll understand better WE WILL SEE.

Liam also dropped by the discord last night to say some hellos (after a “long long day”) and that he “bought a piece of NFT art of myself tonight I’m going to give it as a prize Monday night so someone can own a piece of art that was owned by me” (an even less tangible bragging point than simply owning an NFT wow that’s an achievement) and the most important update- “I want a French Bulldog”! Oh and he said “that’s like one I did myself” in his fanart channel to a pic of a tiny crocheted illustration of Louis and Harry holding up a rainbow flag. Didya Liam?? (...Liam is crocheting??) Anyway I recognize who it’s supposed to be because it’s based on a familiar piece of fanart, but Liam definitely might NOT realize it’s meant to be someone specific, and tbh I’m more <eyeballs> at him saying that at the rainbow flag crocheted thing than at it being shippy.

Our Song acoustic version is out this Friday!! And Niall talked about NH3 some in an interview today; “I’m in the studio most days, it feels really good. I’m kinda in the latter stages of it and then I’ll go get a band together and go in and record the whole thing. I’ve just kind of been writing for the past 9 or 10 months and really enjoying it” and “It sounds like a complete album. God knows when it’s coming out because I’d like to be able to get around the world to see all the fans as well” and “It’s different. It sounds a lot more grown up. I’m 27 so it’s about time. I really wanted to kinda cement a sound. The singles I’ve released previously have all been kinda different sounds. I would like to have my ballad sound & like a cemented uptempo sound.” He and Anne Marie also talked about one of the other songs they wrote together saying, “It’s kind of like a, how do you describe it- guitar driven meets Tom Petty meets Katy Perry meets…” but say “We haven’t really decided if we are putting it out yet, the conversations are kinda happening... but it’s completely different (from Our Song).”

[isthisthingeven0n]

the list : d.d

brief summary: you grew up with david, and he always wanted there to be more than just friendship between you both. however, now adults and david is dating someone else, you coming back into his life causes him to have doubts about what he wants. (1.8k)

requested: yes by the sweetest anon, i hope you like the outcome!  warnings: none that i’m aware of 

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(everything on my blog is my own writing. if it is shared on another page or website know it hasn’t been approved me unless specified. all rights reserved. - i have to start doing this as I had some shit on my other blog with plagiarism)

DO NOT STEAL MY WORK - IT IS ALL MY OWN WRITING

“Are you sure you don’t want anything?” You call out as you gather your things in the kitchen, your back turned to the guys as David sighs quietly to himself.

Ilya can’t help but roll his eyes at David’s lovesick expression that remains plastered across his face whenever you’re around. “Dave,” Ilya slaps his chest, causing David to snap out of his trance.

“No!” David blurts out, and you turn around quickly.

“Okay,” You nervously chuckle, thinking nothing of it as you head towards the front door. “I’ll see you later.”

With that, you close the door behind you, and David groans loudly as he buries his face into his hands whilst Ilya and Zane share a knowing look.

“Dude, you gotta get it together.” Ilya states as David shakes his head in his hands. “It’s only Y/n, we’ve known her since High School.”

“That’s the problem,” David mumbles. “it’s Y/n.”

It was true, David had known you for many years but for at least half of them he was sort of (most definitely) in love with you whilst you remained oblivious to it. He grew up alongside you as you had boyfriends, was the shoulder for you to cry on after a breakup and one of your best friends. Yet, David always wished he could’ve been something more.

There had been moments between you both, flickers of something more than just friendship, but nothing came of them.

Yet, David had moved on and was happy. At least, he thinks he’s happy until you walk into any room he’s in with your bright smile and joyful laughter; before he realises David’s back in High school, pining after his best friend.

“Look, David, you have a girlfriend.” Zane states, knowing Taylor is out of town currently. “You can’t be drooling over Y/n like this.”

“I know, I just,” David sighs as he thinks of you, knowing he should think of Taylor in that way. “whenever she’s around I just forget any other girl exists, and I just want to be with her.”

Ilya rolls his eyes once more. “God you need help.” He mutters as he rises to his feet, clapping his hands together as both David and Zane look up.

“What are you talking about?” Natalie speaks up as she walks through into the open space with Todd by her side.

“About David and Y/n.” Zane motions to David who simply shrugs his shoulders meekly at Natalie’s raised brow.

“She finally tell you then?” Todd smiles brightly, unaware of Natalie’s eyes widening. “Why’re you all looking at me like that?” Todd asks as wide eyes stare at him from across the room. “Oh no.” He mutters.

“Oh no is right.” Natalie remarks.

“Y/n likes David?” Ilya asks, sounding astounded by the idea as he looks over at David and back to Natalie. “You sure?”

Natalie sighs before nodding. “She has for a while now,” Natalie starts, and David falls back down into the sofa, his mind dazing over in shock as Natalie continues. “but then David started dating Taylor, so she felt like her chance was gone.”

“Okay,” Ilya begins pacing around the room. “so, Y/n likes David, David likes Y/n, but David also likes Taylor.”

“Thank you Captain Obvious.” Natalie mutters. “Look, David, you gotta sort this.”

“But how?” David asks weakly as he looks around at his friends before Ilya’s face lights up.

“I’ve got an idea.” Ilya smirks as he rushes out of the room, returning with the portable whiteboard. “We make a pros and cons list.” He suggests, ignoring Natalie shaking her head.

“Ilya, that is a terrible idea.” She tells him, but Ilya chalks it up on the board instead.

“Actually, it might not be that bad.” David comments, now standing up as he approaches the whiteboard and twiddles the pen in his fingertips as he eyes the pros and cons list. “If I can think of more cons, then I’ll know she isn’t right for me and Taylor is.”

“Your logic is so fucked.” Todd looks down to Natalie who remains silent, hoping that something will come of this for everyone’s sake.

*

Exhaling deeply, David stands back as he admires the board completely covered in the pros and cons of possibly dating you. “I never realised there could be so many.” David half laughs, now feeling more conflicted than ever before.

“Yeah, this is way harder than I anticipated.” Ilya comments, resting his hands on his hips. “Anyway, wanna order food?”

David nods as he walks out from the room, going to grab his phone whilst Ilya heads into the bathroom.

Both remain unaware as the front door opens, and you walk in with bags in hand. “God, it was crazy out there.” You huff, placing the bags on the kitchen counter. “Even though you said you didn’t want anything, I got you guys Starbucks!” You call out, picking up your drink as you notice the whiteboard out and covered in writing.

You can’t help but be intrigued by the board, and as you read over it, your heart drops. The board is about you, your pros and cons in David’s eyes.

“Y/n,” Ilya speaks up softly, emerging from the bathroom as he sees you standing there, trying to force back tears in your eyes as you remain still, gaze fixated on the board. “I can explain, we can explain.” Ilya starts, but you hold your hand up, silencing him.

“Ilya, I ordered pizza from-” David’s voice becomes closer until he’s stood metres from you and his smile drops instantly. “Shit.” He mutters. “Y/n, I, you weren’t supposed to see this.”

A light scoff leaves your lips as you step backwards, glaring to David. “Gee, I wonder why.” You retort. “You’re unbelievable David.” Your voice softens as you turn around, grabbing your bags from the counter and leave without saying another word, too afraid of your own voice and what will be said.

“Fuck!” David yells, gripping his hair in his fists as he groans loudly. “How could you do this to me, Ilya?!” David shifts the blame to Ilya who stares, utterly dumbfounded.

“I wasn’t the one who wrote the fucking list, David.” Ilya reminds David. “You gotta talk to her, man.”

“I,” David starts, but Ilya stops him.

“No, I mean right now.” Ilya states firmly, pointing to the front door. “Go, you idiot!”

Without needing to be told a third time, David jogs over to his front door, opening it and thankfully, you’re still loading your shopping back into the car as you wipe your eyes repeatedly.

“What, David? You wanna tell me about my pros and cons?” You speak up, slamming your boot shut as you near your car door.

“No, I, I wanna explain, as it wasn’t fair you saw that. It wasn’t something you should ever have seen really.” David begins to try and explain, but seeing you so upset, it causes his mind to fall apart. “Y/n, I, I know we’ve always been friends, and I’ve always cared about you- which you knew already.”

“Thought I did.” You mumble to yourself, causing your heart to ache even more.

“But I gave up the possibility of us ever being together a while ago, and then I met Taylor.” David tries to sound happy about his relationship, that it’s a good thing that he moved on. “Before I knew it I was swept up in this new relationship, and then you came back from your trip, and my feelings kinda dug themselves back up and you’re all I can think about.” He half laughs, realising how ridiculous it all sounds.

“David, don’t, please.” You tell him, now opening your car door as you lean against it, but David simply steps closer.

“Y/n, I can’t help how I feel about you, and I know you feel the same.” A nervous smile crosses his lips as you stare blankly at him. “Todd told us, and that’s kinda what caused all this. We were trying to figure a way of trying to decide if we should date, and it was so fucking dumb as I already know you, and I know you’re close enough to perfect.” David laughs light-heartedly. “And I’m so sorry I hurt you Y/n, just please, give me a chance?”

Silence falls between you both as you remain lost in thought. And then, you break it as you exhale quietly. “You’ve got Taylor, David. I can’t do that to her.” You force a small smile, ignoring the tears that fall down your cheeks. “Maybe we just weren’t to ever be.” You chuckle, forcing back pain in your voice as you climb into your car.

“Taylor broke up with me.” David blurts out, just as you’re about to close your car door.

“What?” You ask, staring up at him as he stands in front of your door.

Lowering his gaze, David tries to keep himself composed. “She broke up with me before she left. She knew something wasn’t right  between us and didn’t want it to carry on and get messy.”

“Why didn’t you tell anyone?” You can’t help but ponder over why he never spoke up, listening along with stories as you all sat together in his house and would leave to speak with her. “Why didn’t you tell me?”

“Because all I want to do is kiss you, Y/n.” David admits. “I want to be there with you in the mornings, make breakfast or try to at least. Sing shitty songs in the car and film dumb TikTok's together. I just wanna be beside you, and finally, let myself love you after all these years.” David confesses, feeling a weight lifting off his heart as he finally looks at you, seeing you focusing back at him.

“Wow.” You breathe out, now rising to your feet as you move past your car door, closing it as you stand in front of David. “You actually love me?”

David laughs quietly. “I think I always have, weird right?”

“Super weird.” You chuckle. “But kinda cool, cause I think I’ve always loved you too.”

“Oh,” David stumbles over his thoughts, as you lift your hand up, resting it on his shoulder. “that’s pretty cool. So er, what now?” He asks.

Running your hand along his shoulder, you move your fingers across to the back of his neck. “This is usually the part where you kiss me.” You mutter, smiling shyly to him as he nods.

“I think I can do that.” He whispers before resting his arm around your waist, tugging you closer into his embrace as his lips ghost yours. “I love you.” He breathes out as his lips part.

“I love you too.” You mumble back, finally allowing yourself to open up after all these years, never thinking dreams could come true.

[the-bau-quinjet]

Anything for You

So, I got this idea in my head and I wrote it. This is not the first thing I’ve written, but the first that I finished. And the first that I’m posting. Sorry if it sucks. I hope someone out there likes it. Italics indicate past memories.

Summary: This takes place after Maeve. It sort of starts a month before Spencer goes back to work but then skips a year. Reader is the newest member of the BAU. Spencer lashes out when she tries to help him, but he doesn’t realize how much she can relate to his trauma. 

warnings: angst but also a little fluff, typical CM violence (kidnapping, torture, death etc.), dark thoughts about dying, I think that’s it

Word Count: 6218

 It is moments like this that make you rethink every decision that lead you here. You are on the jet on the way back to Quantico after a particularly rough case. The team managed to save the most recent victim, but only to discover three more hidden on the unsubs property. And to make it worse, they were children. Everyone on the team keeps shooting you concerned glances, worried that you might break. It’s only fair. You are still the newbie.

 You started at the BAU one month ago to the day. Your previous position was a desk job, but you were ready to get back into field after two years of endless paperwork. Not that the entire team knows you had been in the field before. Only Hotch knows. You don’t like to talk about it. You had gone so far as to cut Hotch off to prevent him from bringing it up on your first day.

 You are counting down the floors with each beep as the elevator rises to bring you to the floor that houses the Behavioral Analysis Unit. To say you aren’t nervous would be a lie, but that comes with the territory of starting a new job. Especially a job with one of the most elite units of the FBI. It’s hard not to be intimidated.

 The elevator doors slide open, revealing the all too familiar glass doors that lead to the BAU. When you were trying to decide if switching career paths was the right decision, you found yourself staring at these doors far more than you’d care to admit.

 You walk through the doors, immediately heading for Hotch’s office. He told you to meet him there first thing this morning. You knock on the open door to draw his attention.

 “Agent L/N, please come in.” He looks up from the file he has open on his desk.

 “Agent Hotchner, I would just like to thank you again for the position.” You have to stop yourself before you ramble on about how grateful you are for his taking a chance on you.

 “Please, call me Hotch. You’re new ID was just dropped off.” He says, handing you the plastic card to put in your credentials. You take a moment to admire the way your name looks just above the words “Behavioral Analysis Unit” before sliding it into the wallet.

 “I wish we had time for a more thorough welcoming, but we just got a case. I’ll introduce you to the team in the conference room.” He rises from his desk, you following behind him to a room already full of profilers. Of course, you already know of them all, but the introductions are nice nonetheless.

 “L/N, these are SSAs Emily Prentiss, David Rossi, Derek Morgan, and Jennifer Jureau and our technical analyst Penelope Garcia.” You shake hands with each member of the team as there name is called. “Team, this is SSA Y/N L/N. She transferred from violent crimes-” You know he is going to bring up your previous field work, so you cut him off.

 “It’s an honor to meet you all.” You smiled at Hotch, trying your best to get him to move on. Thankfully, you can see in his eye that he understands why you don’t want to relieve your past field experience.

 “Actually, that’s not all. Dr. Reid is on leave at the moment, but you’ll meet him when he returns.” You nod, taking a seat next to Derek. “Garcia, you can start now.”

 The memory fades and you try to ignore the concerned glances from everyone on the jet. Yes, you were the one to find the children in the back shed, but you have techniques to handle this. You’ve always been good at compartmentalizing. It comes with the territory of undercover work.

 You are more concerned with the wellbeing of one Dr. Reid. This is the first case you’ve worked with him, but it still feels like something’s off. Granted, you don’t know why he was on leave or how long it lasted.

 After everyone else is asleep, barring Hotch who is too focused on his reports to pay you any attention, you slide down into the seat across from Spencer. He doesn’t even glance up from his book.

 “Dr. Reid?” You can tell he’s stopped reading at the sound of your voice, but it takes him a moment to actually look up at you. When he does, you can see the sadness in his eyes.

 “L/N. Are you okay?” Of course he would ask you that. You’ve known him for all of 72 hours, but he’s still concerned about you’re wellbeing. The way your heart flutters at the sentiment catches you off guard.

 “Oh, um, I’m fine. I actually wanted to check on you.” He looks startled at that, but you just push forward. “I know we only just met, and I have no idea what you’re going through, but I just thought maybe I could help.” You can see the instant you finished talking that it was a mistake. He is clearly not ready to talk about his demons, especially with a near stranger.

 “I’m sorry, I shouldn’t have-“ “No, you shouldn’t have.” His words are defensive more than anything. The words of someone who just went through unbelievable pain “You couldn’t possibly help me. Unless, of course, you’ve been kidnapped, tortured, and drugged, shot multiple times, and witnessed the love of your life being murdered in front of you just to name a few. I’m sure you have plenty of experience with that given your work in violent crimes.” The sarcasm is obvious, with violent crimes being a desk job. He mistakes the tears that spring to your eyes as pity rather than understanding. He scoffs, going back to his book while you wander back to your previous seat, trying to control your emotions.

 Spencer doesn’t know about your time undercover. He doesn’t know you experienced all of those things. He doesn’t know about the scars that line your torso or the more prevalent scars on your heart. You try not to take it personally. You’ve had years to deal with your trauma. His is clearly newer. You tell yourself over and over that he’s not angry with you, but with the world. You just happened to be the first available outlet.

 When the others wake up, they assume your red eyes are due to the case. That you are finally breaking down after a month on the job. They offer words of encouragement and promises to be there if you need to talk. They stress how you aren’t alone. They all know how you feel. You simply nod, gathering your things before heading home. You can’t help but think there is one of them who knows exactly what is going through your head. It’s the first time you’ve cried over Cameron in three months, the last time being the anniversary of his death.

 -------

 The next year at the BAU flies by. You actually feel like part of the family, knowing you could talk to any member of the team when you need a friend. Well, almost any member of the team. You and Spencer didn’t click the way everyone thought you would. Ever since the conversation on the plane, you hold back when you’re with him. It’s not that you two avoid each other. You’re just more like coworkers than family. You converse when you need to, but don’t seek each other out.

 Nobody understands why. Hotch especially thought the two of you would become close. You can see why he would think so. From your brief encounters with Spencer, you can tell he’s been through hell. Hotch was probably hopeful the two of you might bond over shared trauma, act as an anchor for each other to know you aren’t alone. Of course that required you to share your trauma with the team, which definitely has not happened.

 It’s not that you don’t trust them. It’s just that the moment hasn’t provided itself yet. First of all, you can’t just casually bring up being kidnapped and tortured for government secrets with your fiancé who was then murdered in front of you. Second of all, something in you says it would crush Spencer. You can tell he clearly still feels bad about what he said to you that day.

 You two hadn’t talked about it. It was a year later, and you still hadn’t talked about it. You would think he forgot, but he does have a rather prolific memory. Everything was fine though. Mostly. He still seemed nervous around you. Or maybe you were projecting. There is something about Dr. Reid…

 “Y/N, can I talk to you?” You were honestly surprised to hear Spencer’s voice saying those six words. Everyone else had already gone home, even Hotch. You just wanted to finish one more file.

 “Of course, what’s up?” You try desperately to sound casual, to pretend like you weren’t just thinking about him. Despite not talking to Spencer all that often, you still have a massive amount of respect for him. Watching him work is incredible. You would expect most people with his intelligence to come off as cocky, but he is somehow still so humble.

 “I just wanted to apologize. For what I said on the jet. I was in a bad place, and I took it out on you. I shouldn’t have said those things, you were just trying to help me, and I threw it back in your face. Also, I’m sorry it took me so long to actually apologize. I just felt so awful, I didn’t know how to bring it up and the longer I waited the more nervous I became and” “Spencer,” he looked startled at the sound of his name. Granted, you normally call him Dr. Reid or Reid when you’re feeling more casual, but still. It’s his name, why is he so surprised you’re using it? “You didn’t do anything wrong. Trust me. You were dealing with an amount of grief nobody should have to go through. I shouldn’t have tried to step in without knowing more about the situation. I’m sorry.” This is your chance. Tell him what happened to you. Come clean about it all.

 He just looks so… relieved. As if you had lifted a weight off his shoulder just by telling him you understood he didn’t mean it. Seeing the hope in his eyes, you couldn’t bring yourself to put any of that weight back on him. He had just freed himself, he doesn’t need your problems weighing him back down.

 You can tell he still feels bad, but maybe now the two of you can try to move on. Maybe you’ll actually become friends. Telling him that you have indeed been through all of those things would just bring all that guilt back. For some reason, there is nothing you would rather do than protect Spencer Reid from pain.

 So, you’ve resigned yourself to never telling anyone unless you absolutely had to. You convinced yourself it was a secret you could take to the grave. Nobody needed to know.

 Until one day, they do. And that day happens to be tomorrow.

 --

 “Hello, crime fighters. This one is a doozey.” Penelope walked into the round table room and immediately jumped into the case. “Three heterosexual couples in Plano, Texas have been killed. The details are on your tablets. Be warned, it is not a pretty sight. All the victims were tortured. The men all died of blood loss. The women were drowned after multiple non fatal gunshot wounds and other various forms of torture.” You tensed ever so slightly at the description of the crimes. Hotch shot you a concerned glance, but you waved him off with a slight shake of your head. You zoned out for the rest of Garcia’s description, deciding instead to focus on every detail you could learn from the case files on your tablet.

 “Wheels up in 20.” Hotch’s voice drew you from your focus on the files. “Y/N?” You looked at him from your seat at the table, realizing everyone else had already left. “If this is too much for you, everyone would understand.” You stand, plastering the fakest smile Hotch has ever seen on your face.

 “I appreciate the concern, but there is a job to do. And I intend to do it.” There is no malice behind your words. Only a fierce determination to catch this unsub before he can hurt anyone else.

 “Alright, but Y/N, please. Let me know if you need to talk about it. The whole team is here for you.” You features soften into a genuine smile before you respond.

 “Thank you, Hotch.” And with that, you exit the room. You grab your go bag, meeting the other agents by the elevator.

 The flight to Texas is long enough that the team’s discussion doesn’t prevent everyone from catching up on sleep. While everyone else is resting, preparing to start up again on the ground with fresh eyes, you are pouring over every detail again and again. You just need to know if it’s the same people. The same people who killed your fiancé. The same people who tortured you.

 It was a day like any other. You had just gotten to the bar you were working at as a cover. Cameron was working security, you as a bartender. The mission was supposed to be simple.

 There was a domestic terrorist cell operating just outside of Plano in Addison, TX. The leader was believed to own the very bar you had gotten a job in. You were supposed to gather intelligence, and report back. You weren’t supposed to engage with the terrorist cell. It was a simple mission.

 That day, the day you could never forget, started exactly how you expected it to. The leader was supposed to be meeting with his right hand. You were supposed to learn who or what they were planning to target. You still can’t pinpoint the moment you knew something was wrong.

 Everything was normal when you clocked in. Everything was normal when you served you first few customers. Everything as normal when you walked up to the table hosting the meeting and asked if you could get them anything. Everything was normal until it wasn’t.

 You remember waking up in a warehouse. Cameron was tied to a chair across from you. He was injured, bleeding from a cut in his side. It didn’t look that bad, but there was so much blood. How could such a small cut produce so much blood?

 You had a million questions, but couldn’t form the words to ask them. You’re mouth felt like it was full of cotton. Cameron looked at you as if he knew something you didn’t. You suppose he did, given that he was awake before you. But that’s not what concerned you the most. No, it was the look of pure terror in his eyes. Pure terror, mixed with… resignation? That doesn’t make sense. Why would he be giving up?

 Finally gathering enough strength to speak, you mumble “What happened?”

 “Y/N… they know who we are. I don’t know how they figured it out, but they did. They are going to hurt me to get to you. You can’t let them, okay? Stay strong. Everything will be fine.” His words are rushed. You have a hard time following them, as if the words drift into the air, only to enter your head in a different order.

 Before you have a chance to ask any more questions, you hear a door swing open behind you. You can hear the footsteps, but can’t turn around enough to see who they belong to.

 “Do it.” You know that voice. You know you know it, but you can’t place it.

 A man appears from your left. He stands in front of you, a mask covering his face so you can only see his eyes. “Let’s have some fun.” You’re ready for him to hit you. Or cut you. Or hurt you in any way. What you’re not ready for is him pulling a knife only to walk over to Cameron.

 “No” The word is barely there. You aren’t even sure you said it out loud.

 “Y/N, don’t tell them anything. Okay? I’ll be fine.” Cameron is looking at you with pleading eyes. You both know he’s lying.

 “Your fiancé here is a liar.” The man sneers, dragging his knife down Cameron’s arm. “He will most certainly not be fine.” With that, the man plunges the knife into Cameron’s stomach. A gut wrenching scream leaves his mouth as the man moves the knife around inside his body. You try to control your reaction, but tears instantly spring to your eyes.

 “Tell me what I want to know, and I’ll leave your man alone.” There’s no point. Cameron would never forgive you if you gave up information to the enemy. He’s always been a loyal soldier. Either way, deep down you know he won’t live much longer. He’s lost too much blood. You are going to have to watch the man you love die. He’s going to bleed out in front of you. And there’s nothing you can do about it.

 You are shaken back to reality after the jet has landed. You slowly come to, realizing you must have fallen asleep while you were looking at the files. You can’t get the eyes out of your head now. The last time you had a nightmare was 6 months ago. Although, this was more of a memory than the usual nightmares you have.

 “Y/N/N? You good?” Morgan is looking at you with concern that hasn’t been there since your first month on the job.

 “Yeah, I’m fine. Just groggy.” You try to laugh it off, walking past him and jumping into an SUV. You’re supposed to go with Hotch to the precinct to set up, so you can avoid the rest of the team’s questions for now.

 You bury your head in the files again, trying to discern if anything feels off or if it is all too similar to be a coincidence.

 “Just answer the question. This will all be over.” Cameron is dead. You are staring at his lifeless body as the man tries to torture you to get the answers he wants.

 With all the strength you can muster up, you spit at him. “I didn’t break before and I won’t break now. Do what you want to me. You’ll never get your answers.” “Oh everyone’s got a breaking point. I’ll find yours.” With that, he storms passed you and out of the room.

 You try to inventory the damage he’s done, but it’s hard because he typically drugs you when he leaves. You’re too disoriented to remember everything. You haven’t heard anything else from the first voice, but you finally realized it was the owner of the bar.

 You are just about to drift back into unconsciousness when you hear a loud crash from somewhere in the building. You expect the masked man to come running back into the room, but instead you’re greeted with the face of the terrorist cell leader. He pulls you to your feet, mumbling about how this wasn’t part of the deal.

 You don’t have the energy to protest as he pulls you down hallways and through doors. He bursts into a large open room. It smells like chlorine, but your eyes are too fuzzy to figure out why. The lights just got so much brighter, and you can’t see. You keep slipping on the floor. The third time, you fall to the ground. Everything is wet. He’s kicking you now. No, rolling you. It all feels distant. As if it’s not happening to you, but rather you are watching it happen to someone. Like a movie.

 You hear the splash before you register the water surrounding you. You’re sinking. It’s actually quite warm. Like a comforting blanket tucking you into bed. The sounds of people yelling fade out as the water covers your head. You feel at peace as everything fades to black.

 Suddenly, the peace is gone. You can hear voices. They sound loud, but still distant. Like you are swimming and someone is trying to talk to you from above the water. But the ground is hard now. There’s loud bangs too, but you can’t figure out what they are. There’s no pattern to them, but suddenly they stop. Maybe you’ll never know what they were, oh well. You just want to get back to the peaceful darkness.

 Instead, you feel burning in your lungs and a pounding in your head. It feels like someone is punching you in the ribs. No. No. No. Where’s the peace?

 All at once, the burning liquid is expelled from your lungs and your eyes fly open. You try to spin around, to see what’s happening, but everything hurts. Your lungs are trying to fill with air. Your eyes are trying to adjust to the lights. You head is begging everything to just stop making noise. Then, darkness. It’s not a peaceful transition this time. It’s sudden, as if someone turned everything off.

 “Y/N?” The sound of your name draws you out of the memory again. You turn to see Hotch’s concerned expression. He’s parked the car outside of the station.

 You take a few deep breaths before speaking, trying to prepare yourself for what you never wanted to have to do. “I have to tell them.” Hotch nods with a grim expression on his face.

 “The team won’t judge you for keeping it a secret. We’ll all be there for you.” He tries to smile, but it’s more of a grimace. He’s too worried about you.

 “I know. It’s not me I’m worried about.” For the first time since you met him, Aaron Hotchner looks confused. It’s actually kind of funny. Although, your laughing sounds more delirious than amused.

 “Hotch, my first case with Spencer, do you remember it?” You shudder at the memory.

 “Of course. It was hard on both of you.” Your smile feels weak, even to you.

 “Well, I tried to check on him. I had only just met him, but he looked so sad. I wanted to take his pain away.” You can feel the tears coming, but you can’t figure out why. “He said unless I had been kidnapped, tortured, and drugged, shot multiple times, and witnessed the murder of the love of my life there was nothing I could do to help him.”

 You can’t bring yourself to look at Hotch. His worrisome expression will just make you feel worse.

 “You didn’t tell him.” The realization is evident in the lilt of his voice. Turning toward him, you try to explain, but he cuts you off. “He was listing trauma you’ve both experienced, and you didn’t tell him.”

 “Of course not, he would’ve felt so guilty! He already feels so guilty and he has no idea. We talked it out, you know. We were actually becoming friends, although it was hard to see from an outside perspective.”

 “You had me fooled. The two of you barely talk.” Hotch looks incredulous. You’ve never seen so many emotions on his face in one day, let alone one conversation.

 “I know. It’s still new. Honestly, it happened yesterday.” Hotch actually chuckles at that. “I think he still feels bad that my first impression was him yelling at me. He’s going to feel so guilty, and I just wanted to keep that pain away from him. He doesn’t need my emotional baggage on top of his own.” You can’t read the expression on his face anymore. You can tell he’s thinking something, though he doesn’t intend to share.

 “It’ll all work out in the end, Y/N. Reid is stronger than he looks. He’s been through a lot, but so have you. Let’s go catch this son of a bitch.” And the two of you exit the car as if nothing out of the ordinary had just occurred.

 Your nerves build waiting for the rest of the team at the station. Spencer and Derek are last to arrive. You were hoping to have a few more minutes to figure out how to tell them all about the worst moments of your life, but alas the time has come.

 Hotch clears his throat to get everyone’s attention. The conversations about theories die out as all eyes turn to him. “Y/N has a theory to share.”

 That’s one way to put it. Before you can back out, you jump right in.

 “The unsub was a for-hire torturer. I think he left the business and started killing for fun. A sadist. He enjoys the psychological torture of killing the one person you love more than anyone.” You can’t bring yourself to say another word. Spencer looks grief stricken. Everyone else is looking at you in confusion, except Hotch who is looking at you with sorrow. You can’t decide which is worse.

 “What makes you say that?” Derek is the first one to speak. He clearly doesn’t understand why you came to that conclusion. Plus, he’s probably confused that Hotch had to introduce your theory rather than just include it in the brainstorming.

 “Before I worked in violent crimes, I worked in the National Security division. I focused on domestic terrorism. We had a mission go wrong. It was supposed to be a simple, just gathering intel. Something went wrong and two agents were abducted.” You unconsciously decided to depersonalize the story. It’s something Hotch quickly caught on to, but what can he do about it? You just need to get the words out.

 “They were a couple. Engaged. The man, he died from three precise wounds to the abdomen. He bled out while his fiancé was forced to watch.” You’re grateful when Emily interrupts.

 “Did the woman drown?” The woman. You.

 “No. Well, yes. She was dead for 3 minutes when they found her. The cell leader dumped her into a pool in the building she was being held in. They caught him trying to flee the building. When they questioned him about a partner, he said he hired someone to torture the couple to get information. He didn’t know where he went. I think that’s the unsub.”

 Instantly, the team is theorizing. You stay quiet, listening. Where could he have hidden for this long? Were there more crimes in other states? Can Garcia look through unsolved double homicides that fit the signature? Before long, Derek asks the question you’ve been dreading.

 “Can we interview the agent who survived?” You’re grateful that he’s looking at Hotch when he asks. Spencer, though, his eyes haven’t left you since you started speaking. He knows. You know he knows because you can see the weight bearing down on him. You tear your eyes away from him when Hotch clears his throat to get your attention.

 “Y/N, can we interview the agent?” His tone is gentle. Hotch knows what he’s asking. Are you ready to tell them the truth? To share this pain with all of us?

 “Yes. You can interview her.” You are visibly tense, but Morgan is just confused about the interaction. Why would Hotch need to ask you for permission? Why does he sound like someone just kicked his puppy?

 “Great, when can she get here?” Of course, Morgan would ask the next logical question.

 “She’s already here.” Your voice is quiet. He almost doesn’t hear you.

 “What? Where?” He knows he’s missing something. It’ll only take him a few more seconds to put it together, but you save him the trouble.

 “Right here.” You gesture to yourself, eyes flitting between Spencer’s and the ground. The rest of the team didn’t hear you. They were still working out theories as you, Morgan, Hotch, and Spencer converse in cryptic sentences and brief eye contact. Spencer is frozen in place. Hotch was stressed for you. It’s never easy to share past trauma, let alone when you feel like you don’t have a choice.

 The realization hits Morgan so fast he almost falls to the ground. He rushes to you, pulling you into the tightest bear hug you have ever experienced. Morgan has become like an older brother to you. He always jokes about how he would beat up anyone who hurt you. You always joke right back about doing the same for him. He told you about Carl Buford a few months ago. It was also on a case. You would’ve told him everything then, but you didn’t want him to feel like you thought the two were comparable or that his trauma was somehow less important just because you’d been through some bad shit too.

 His actions drew the attention of Rossi, JJ, and Emily though. You weren’t an overly emotional person usually. Undercover work made you good at compartmentalizing, so you never really sought out someone to comfort you. The sight of you in tears, wrapped in Morgan’s arms threw them for a loop. You normally waited until you got home to go through your routine to decompress. It was easier that way. But right now, the thought of even looking at Spencer was enough to bring tears to your eyes. You just couldn’t stop thinking about him. It felt weird, to be sharing such an intimate part of your life with everyone and still be thinking about him. You had moved on from it all though. You knew how to deal with it. Of course, you still love Cameron, but you talk about everything in therapy once a week so you won’t break down like this.

 You see JJ look to Spencer for an explanation, but he’s too busy looking at you with more pain in his eyes than should be possible. He knows how it feels to see someone you love die right in front of you. He knows how it feels to try and move on from being drugged and tortured. He knows how it feels to be alone in it all. What he doesn’t know is how it feels to try and help someone through that grief only to have your own thrown back in your face. That’s what he did to you. Albeit, unintentionally but he did that. And it is so clear that he feels awful. You wish you could talk to him, but Morgan is pulling you into a different conference room for a cognitive interview that you somehow agreed to in your state of shock.

 Hotch explains the situation to Rossi, Emily, and JJ. Spencer’s guilt only pushes further down on him when he hears it all again.

 He stares at the room you’re in through the class doors of the conference room. He hasn’t moved in the ten minutes you’ve been gone. He expected JJ to talk to him first, but he was surprised to find Hotch instead.

 “Y/N told me in the car that she was scared to share that story.” Hotch starts slow, trying to ease Spencer out of his own head.

 “I would be too. It’s a painful memory to relive.” Spencer responds with a familiar tightness in his chest.

 “She wasn’t worried about herself though.” Spencer’s head jerks up to meet Hotch’s stare.

 “What do you mean? Who else would she be worried for?”

 “You.” Hotch says it as if it’s the most natural thing in the world. You being worried about him when you share your darkest memories.

 “Me?” Spencer practically falls out of his chair in an effort to sit up straighter. “Why would she worry about me?” Despite his genius IQ, he can’t fathom why you would worry about him in this scenario. If roles were reversed and he had to tell the story of watching Maeve die, he wouldn’t be worried about you. He slowly comes to the conclusion that he would be worried about you though. Now that he knows you’ve been through something similar, he would worry about you anytime it was brought up. Anytime anything remotely similar was brought up.

 “She told me what you said to her on the jet after your first case together.” Spencer falls into himself at the memory, his guilt pushing his shoulders down. “She said you still feel guilty about it. That hearing the things she has been through would push all that guilt back to the surface. More than anything, she wanted to protect you from more pain.” Hotch seems to know more than he’s saying, but Spencer is too shocked to profile him.

 “But, I, how would, but…” Spencer is muttering the beginning of every thought running through his head, but he can’t seem to form a complete sentence. “Why?”

 “You’ll have to ask her.”

 --

 Between your cognitive interview and Garcia’s sleuthing, the team find the unsub rather quickly. You stay at the station when the team goes to catch him. You try to protest, but Hotch, Morgan, and Emily stare you down until you concede. Really though, it was the concerned look from Spencer that convinced you to sit down and wait. The case wraps up quickly after that. The masked man ended up being Kyle Beckett. A classic sadist.

 It brings you more closure than you would have imagined to know he will be locked up for the rest of his life. You spent a lot of time in therapy trying to cope with the fact that he was never caught. And now, it’s over. You’re also extremely grateful you didn’t have to face him, although you would never admit that you were actually glad to stay behind. They can all tell though. They are profilers after all.

 You can’t help but feel a sense of déjà vu at all the stares you’re getting on the jet. It’s as if time itself was rewound to a year ago. You feel like the newbie again. Getting ready to have a heart to heart with Spencer. You’d be blind not to notice the parallels of the two situations when Spencer slides into the seat next to you on the jet after everyone else falls asleep.

 The silence is comforting at first, but quickly becomes unbearable.

 “Hi” You have a sleepy smile on your face when you say it. You are unbelievably exhausted after everything that happened. Too tired to fully conceal the emotions you know you have been denying. You’re always happy when you talk to him, even if the occurrences are a bit far and few between compared to other members of the team. “You look sad.”

 His mouth actually twitches upward at that statement, which you count as a win in your book. “You’ve been through hell on this case, and you’re still worried about me.” You can’t tell what he’s thinking. He’s too good at hiding his thoughts inside that big beautiful brain.

 “I’ve always worried about you. Ever since I met you. You just looked so sad and I wanted to make it stop.” You aren’t thinking before you speak anymore. Probably why Spencer suddenly looks so surprised.

 “Is that why you didn’t want to tell me?” Now it’s your turn to look confused. How did he know that? “I may have talked to Hotch earlier…” It takes longer than you’d care to admit for you to understand what exactly Hotch told him. But still, you’re too tired to be bothered.

 “I’m sorry if that was weird for you. It’s just, after we talked about it I thought maybe we could eventually be friends or something. I didn’t want you to be sad again. I know what it feels like to be sad. I also know what it feels like to be sad again when you realize someone else is sad for that same reason.” You must actually be exhausted because it feels like you’re talking in riddles. “Sorry, that doesn’t make sense. I just mean, I didn’t want you to feel bad about it again. I didn’t want you to feel more pain” You’ve started leaning toward him, about ready to pass out.

 “You’re incredible. You truly are amazing. I don’t think a day will go by where I don’t feel awful for what I said to you, but maybe with enough time I can make it up to you.”

 “I would like that.” You smile brightly as you look into his eyes. They seem sad still, but there is a brightness there that wasn’t there before.

 Spencer doesn’t say anything else. Instead, he lets you lay down in his lap as you drift off, the soothing feeling of his hands in your hair lulling you to sleep.

 You wake up as the jet touches down. The memories of your conversation with Spencer bring a smile to your face. He looks down smiling when you shift in his lap.

 “Thank you” You’re not surprised he still feels like he needs to thank you.

 “I would do anything for you Spencer Reid.” You get up to collect your belongings, turning back only when you realize he hasn’t moved from his spot on the couch.

 “Spence, let’s go.” Spence. He likes the sound of that. Maybe, just maybe the two of you will be okay. 

[luci-in-trenchcoats]

By My Side (Part 6)

Summary: The reader and Jensen discuss their relationship moving forward while Jensen learns more about the reader’s family situation. He still has a bad feeling about something though and his gut may prove to be right...

Masterlist

Pairing: Bodyguard!Jensen x reader

Word Count: 5,700ish

Warnings: language, angst, mention of prior suicide attempt, minor violence

A/N: Enjoy!

_________

You woke up to Jensen bundled up in bed, covers tugged to his chin as he sleepily watched you stretching in bed. You giggled at him and his bed head, rolling closer and kissing him good morning.

“That is the most adorable thing I’ve ever seen in my life,” you said.

“Obviously you don’t look at the mirror much,” he said. You smiled and he reached his arm under the covers, putting a hand on your waist. You scooted over, Jensen blinking slowly. “We need to talk about this.”

“Talk about what?” you asked. He bopped your nose and you smiled, tucking down into the sheets. 

“Do you want a relationship?” he asked.

“Do you?”

“It would make my job...difficult.”

“Oh.”

“Not impossible. Just difficult.”

“Is it any more difficult than it was? I mean honestly. What’ll have changed? You still keep me safe and I still hide and run if you say so.”

“That part hasn’t changed. But there is something that has. A wildcard factor. Wildcard factors aren’t great in this job.”

“What’s a wildcard?”

“In a dangerous situation, if we were in a relationship, there’s the potential that you would do something to put yourself in harm’s way to protect me.”

“If that happened, regardless of us being in a relationship, if your ass is on the line, I can’t guarantee I do as told.”

“I don’t like that answer.”

“Jensen, if we do this, you need to trust me. I will do what you tell me when it comes to threats but I can’t say for sure that I won’t try to help you if I can.”

“So if it comes down to it, you’ll do whatever you want in the end.”

“Exactly.”

“If when I’m in bodyguard mode, you do what I say...I will learn to be okay with that very small possibility.”

“Good choice,” you said. You slid a hand around his back and traced up and down his spine, feeling a thin line raised on the skin. “What happened there?”

“Not advised to jump from of a speeding vehicle,” he said. You raised an eyebrow and he chuckled. “I was four wheeling once. Went off trail accidentally. Had to ditch my ride in a hurry. A bit of gravel-”

“Liar,” you said quietly. You smiled and he looked over your head.

“How’d you know?”

“I’m pretty good at knowing when people are acting,” you said. “You get it in combat?”

“Shrapnel got my vest.”

“You’re still lying.”

“It’s not pleasant. I’d rather not...scare you.”

“You don’t scare me,” you said.

“I was held captive once. Very, very briefly. I got a little beat up,” he said. 

“You?” you asked, Jensen nodding, sliding his hand up and playing with the end of your hair. “You don’t have to tell me if you don’t want.”

“Thanks. I don’t like to talk about that stuff a lot,” he said. 

“If you ever change your mind, I’m a good listener,” you said.

“Thanks,” he said. “You like scrambled eggs?”

“Who doesn’t?” you asked. He smirked and kissed your cheek before he popped out of bed. 

“Well I’m about to blow your mind with the Ackles special,” he said. He walked around the bed and picked up his underwear, turning when he noticed you watching him. You looked him up and down, Jensen laughing to himself. “I saw you checking me out when I was swimming you know.”

You groaned and pulled the sheets over your head. He moved around for a moment and you felt the sheets come down, Jensen leaning over you.

“I had to tease a bit, make sure things were mutual,” he said. 

“Of course you did.” You stretched and yawned, closing your eyes.

“Doing anything fun with your family today?”

“Shopping with my mom will be fun. I’m not the biggest shopper but she likes it. We’ll get lunch, hit a few stores, get a massage after. I think Chuck and the guys are going looking at houses for the boys. Sounds like they might get a place together again.”

“Would you like your brothers to live closer?” he asked. You sat up and held the covers to your chest, Jensen handing you his shirt. You pulled it on over yourself, shrugging as you sat on your knees. “Why do you interact with them if you don’t like them?”

“How long have your parents been married?”

“All my life. Before that,” he said.

“No step siblings, half siblings?”

“My brother and sister share the same parents I do,” he said. “I don’t quite know what it’s like to live in a family like that I guess.”

“My mom went to a very dark place after my dad died. I didn’t know how to fix it. Chuck made her laugh for the first time in six months. He made her smile. He helped her and she helped him too. His wife died earlier on that year. He made her so happy, makes her so happy. I will put up with a few mean step-brothers to never see her go to that place again.”

“I would understand if they resented your mom but it’s you it seems they don’t like.”

“I was the youngest by quite a bit. Chuck would spend time with me. I think the boys were jealous and they probably could have done with more time with their father back then. They’d lost their mom that year too. But I needed him, mom needed him, he was mourning himself...he did the best job he could considering how fucked up we all were. They’re both successful. I just don’t think they liked having a little sister honestly.”

“Sucks for them. Little sisters are cool,” he said with a smile. “My big brother loves to mess with me but he doesn’t treat me the way those two do.”

“Well, even if they move here, I don’t have to hang out with them,” you said. You crawled into his lap and wrapped your arms around his shoulders. “I heard someone’s a little cocky about their scrambled eggs.”

“Oh, wouldn’t you like to know,” he said. He stood up with you before letting you get your feet under you. You pulled on your underwear and followed him downstairs, whistling as you took in his backside. “Y/N…”

“My bodyguard is hot and he should know it,” you said. He shook his head and headed into the kitchen humming to himself as he started to make up some breakfast for the two of you. The doorbell rang and you groaned. “I bet that’s my mom, early as always. I’ll get her out of here.”

“You don’t have to,” he said.

“I plan on doing things to you after breakfast and I do not want her around for that,” you said. He laughed as you padded down the hall and to the front door. You cracked it open a smidge and saw a man in a suit standing there, his back to you. He spun around with a smile and you nodded. “Oh, hi Jake.”

“Good morning!” he said. “I apologize for being late this morning, my car-”

“The meeting,” you said, slapping yourself in the face. “I totally blanked on it.”

“That’s alright. Is now a good time?” he asked. You looked down at yourself and peeked back around the door. “Everything okay?”

“Yeah! It’s perfect, all perfect,” you said.

“You’re not...are you sure-” he said before Jensen was suddenly stepping into view and pushing you behind the door. “Good morning, Mr. Ackles. You uh, appear to be missing most of your clothes.”

“It seems I am,” said Jensen. “Ms. Y/L/N is very well. She would like to reschedule for ten am if that’s possible.”

“Uh…” he said before you rolled your eyes and opened the door all the way. You stared at him and he looked between you both. “Oh. Gotcha. You two…”

“Mhm,” hummed Jensen, crossing his arms.

“Jake would you mind setting up in my office? It’s just down the hall. Jensen and I were about to eat breakfast. We’ll only be fifteen or so minutes,” you said. He stepped inside and you pointed the way, Jensen pouting as you headed back into the kitchen. “Oh, I’m still gonna do things to you. Just tonight, pouty boy.”

“Alright. You told me David was going to be your manager I thought,” he said, going back to the fridge to get the eggs.

“Well I went with Jake. Is that a problem?

“No. I need to be made aware of decisions like that though. I’m going to have to work with him quite a bit for events, your work schedule, that stuff,” he said. 

“I thought you’d be happy. You said you liked him.”

“I do. I am happy. I’m just not happy that you didn’t tell me.”

“He’s been my manager for like a day, calm down,” you said. He put his hands on the counter and you saw him drop his head, his back to you. “Jensen, no evil person is out there looking to snatch me away the second you turn your head. It was one day.”

“In the future, please make me aware of staff changes when they happen?” he asked. He looked back at you, his face softer than you were expecting.

“Okay,” you said. While he whisked some eggs in a bowl, you walked over beside him, watching over his arm. “Looks good.”

“I haven’t even done anything yet,” he chuckled. You rested your head against his arm, Jensen adding in some spices to the mixture. You scooted up on the counter as he went to the stove, watching him scramble them on low, pouring in a dash of cream.

“Can I ask why the Jake thing bothered you?” you said quietly. He scrambled the eggs for a minute before sliding them onto a few plates.

“Because I have a bad feeling that there is someone out there that wants to hurt you and I have nothing to go off of besides a gut feeling and trusting that you’ll be honest with me, always. You didn’t do anything. I overreacted.”

He got out a pair of forks from the drawer, handing you one along with a plate.

“Your gut feelings are normally right?” you asked, taking a bite of the eggs.

“Normally. They were at the restaurant,” he said. You nodded, putting a hand on your arm where a barely there bruise was. “I’m sorry if I hurt you that night.”

“I get hurt worse walking into a wall cause I’m dumb. You had me on the ground before I even knew what was going on and stopped that guy from doing who knows what to everyone. I’m not sorry about that.” He was quiet but gave you a nod. “Your eggs are great. Permission to brag granted.”

“Thanks,” he said, the doorbell ringing again. “I better get dressed. We’re gonna talk about getting a gate at the end of the driveway too by the way.”

“I second that,” you said as you heard the front door open. “Oh my God, my mother, just walks wherever she wants.”

He took off upstairs, ducking down the hall just as she walked into the kitchen.

“Hi mom,” you said. “You are...three hours early.”

“I know, you have work things. I wanted to make you some food you can have for leftovers the next few days. You have hardly any food in your house,” she said.

“Ma, I can barely cook and most of the time, I don’t have the actual time,” you said. She rolled her eyes and you hopped off the counter.

“Well I’m here so might as well,” she said. You glanced up to the balcony and saw Jensen pop into view wearing some jeans and a long sleeve henley. His holster was clipped on under his shirt and you smiled as he came down. “Oh, good morning, Jensen.”

“Mrs. Y/L/N,” he said.

“Any particular reason my daughter is wearing your shirt and no pants?”

“Uh,” he said, opening his mouth when she made a face.

“Two plates of eggs? You think I was born yesterday?”

“No mam. Your observational skills are impressive,” he said. 

“Mom, could you lay off. We like, just started dating,” you said.

“Can you cook?” she asked him.

“A bit,” he said.

“Bodyguard, he can cook and he’s handsome. He’s fine by me,” she said. You put your head in your hands, your mom whacking your shoulder. “You’re so overdramatic. Now get out of my kitchen. We’ll get lunch and shop later. I assume Jensen is coming with us?”

“I would love to spend the day with you ladies but I trust you two will be okay on your own. I’d like to go over some things with Y/N’s new manager if Y/N’s okay with that,” said Jensen.

“You will join us for dinner though, won’t you? We’re going out with Chuck and the boys. Our treat,” she said.

“Mom,” you said, getting a look from her. “Jensen always goes out with me at night, that’s our rule. I’ll pay for his meal.”

“But we’re taking you kids-”

“He is my employee. You don’t-”

“He’s your boyfriend who happens to work for you. I’m paying for his dinner, alright?” she said. You held up your hands and padded out of the kitchen, Jensen following you upstairs. 

“I’m sorry about her,” you said back in your bedroom as you started to pick up last night’s clothes. “She’s-”

“She misses her daughter. She’s happy I’m here. It helps her sleep better at night,” he said. “Told me herself.”

“I love her. I love her to death but I was a kid when my dad died. I know it was hard for her but for six months, until she met Chuck, she acted like I didn’t exist. She likes to forget that sometimes.”

“People grieve differently,” he said. “Still, it wasn’t on you to do that.”

He took the dirty clothes from your hand and cupped your cheek, kissing your temple quickly. 

“Don’t know how anyone could not notice you. Good thing I get paid to stare at you all day,” he smirked. You lightly smacked his chest, Jensen giggling. “As much as it pains me to say it, get that tush dressed. We’ve got a very long meeting with your manager this morning.”

That Afternoon

“What about this one?” asked your mom, holding up a dress.

“You know I hate award shows,” you said.

“I mean for tonight. Or a date with Jensen sometime,” she said. You did your best to keep your face neutral but she caught the slight down turn of your lips. She slammed the dress back on the rack and put her hands on her hips. “What? All morning you have been short with me.”

“Mom I just started dating him like half an hour before you got to the house. You are going way too fast. I have dresses and I honestly wasn’t even going to say anything until it got more serious.”

“You pay him to protect your life. How much serious does it need to get?” she asked. You rolled your eyes and she made a face. “You barely pick up the phone and talk to me anymore.”

“Cause you changed after dad and not in a good way. For a little while, I lost both my parents. Even after Chuck, you two were so involved with each other you didn’t spend as much time as me as you did before dad died. When I was a teenager, when I really needed my mom, you weren’t there all the time. I’m sorry I grew up to be independent. But-”

“Do you think I don’t realize that? I know I made mistakes,” she said. She sighed and took a seat on a bench outside a waiting room. “I just want you to be happy and Jensen...I haven’t seen a smile on your face like that since before Brian died. He makes you happy, even when you two looked so annoyed with one another earlier in the week, he would stare and you would stare. I feel good about this one. I just want you to enjoy falling in love, if you do end up going that route with him.”

You sat down next to her and shrugged, crossing your arms. You leaned back against the wall and rubbed your sneaker against the floor.

“How do you know that’s your guy,” you asked quietly. “I mean, you’ve done it twice. How do you know?”

“It was different with Chuck. I was slower to admit to myself that I was in love with him. Your father was very quickly. I didn’t share that information with him until much later but I knew, a part of me, the part you don’t justify with logic or facts or details, that part always knew. It knew with them both. Nowhere does it say you only have to have one soulmate. I know you don’t want to hear that but I love them both equally, Y/N.”

“Mom, I love Chuck. It’s not the same as dad but I do. He makes you happy and he tries to be a dad to me but he gives me the space I need too. I’m happy you have him. I’m happy we both do.”

“Why do ask how you know the man you’re with is the one?” she asked. “Or are you asking because that part you can’t explain already told you something you’re not even willing to think yet.”

“I was curious was all,” you said as you stood.

“You’re a horrible actor,” she said. You pushed on her shoulder and she laughed. “Fine, fine. No more boy talk. Let’s try another store. I’m at the very least not letting you walk out of this mall without a new pair of heels.”

Later That Night

“Y/N?” asked Jensen outside your bedroom as he knocked on the door. You checked the back of your fancy bun one last time in the mirror before you walked out and into the room.

“One sec,” you said, bending down and putting on the five inch heels, zipping them up in the back. After a moment of looking yourself over in the mirror in a sleek, mostly backless black dress, you opened up the door. Jensen was in a tailored black suit with a deep navy tie. “You look-”

“Wow,” he said, looking you up and down. “You look so fancy.”

“Fancy?” you laughed. “Is this because you hardly ever catch me out of my sweats?”

“Don’t get me wrong, I love the sweats and the leggings. I love all of it,” he said. 

“You look very handsome,” you said, skirting past him and hearing a quiet whistle. “Knew you’d appreciate that.”

“Damn right I do,” he said as he caught up. “Ready to head out?”

“After you.”

“That’s great you guys found a house,” you said an hour later at the restaurant, mouth full of some cheese fries. Nick rolled his eyes at you and you licked your lips. “Wha? I’m hungry.”

“Actually it’s for mom and me,” said Chuck. You raised an eyebrow and he smiled. “I’m a writer so I can work from anywhere and your mom got offered a great position at a clinic here.”

“That’s great guys. I’d love to get to see you more,” you said. You looked at Michael and he had a curious smile on his face. “Did you get a house too?”

“Penthouse apartment hopefully. We’re looking at some tomorrow. Gonna be on my own for the first time. Nick and I talked and he’s not sure if he really wants to move out here yet. We decided we’d see what it’s like living apart for the first time,” he said. 

“Worst case I can always get a professor job at one of the colleges if I change my mind while I try to get into a school district,” said Nick while he played with the remnants of some crust on his plate. 

“You’ll come eventually,” said Chuck. “Get everyone living in the same timezone again. It’ll be good.”

“So are you two like a thing now?” asked Michael to you, looking as innocent as could be while he hid his shit eating grin.

“Yes,” you deadpanned. Jensen looked up from his salad but you went back to eating. For the most part the evening was what you were expecting. Your step-brothers acting oh so pleasant in front of your parents and Jensen getting a few questions about his job. You did smile though when Jensen was able to upstage Michael about some law usage. You were pretty sure even Michael was impressed with him at that point.

“That went well,” said Jensen an hour later after you’d parted ways with your family and were walking back to your car. “Michael’s growing on me. He seemed better tonight. Nick not so much.”

“I’m actually really proud of him for getting his own place. I get that they’re twins but they’re in their thirties. Neither one of them has had a girlfriend in years.”

“Michael’s like a workaholic though,” said Jensen, holding your hand when you walked past a guy in a jacket with his hood up.

“True. Maybe he’ll cut back some out here.”

“How do you think Nick will handle that?” he asked. You stopped walking and pulled out your phone. “What are you doing?”

“I don’t particularly like Nick most of the time, don’t get me wrong. But he might do something stupid,” you said as you dialed your brother. It rang a few times before he answered.

“Yeah?” he said.

“Hey Nick. You want to come over tomorrow while Michael apartment hunts?”

“Uh, sure,” he said and you knew he must have been around your parents still.

“Great. Come over around noon. We’ll have lunch and a swim or something.”

“Okay. See ya.”

You shook your head before you were walking again, Jensen bumping your shoulder.

“Something I need to know about?” he asked.

“The file you did on Nick, what’d you find.”

“Arrest record for when he was young. A few drunk and disorderlies, nothing Michael couldn’t ever get cleared up for him. Hospital stay for a few days in his twenties when he fell down some wet stairs. I’m going to go ahead and guess out of all of that he didn’t fall, did he.”

“No,” you said as you stopped outside your car.

“What happened?”

“I came home from school early and Nick had tried to kill himself,” you said. Jensen blinked a few times and you let out a dry laugh. “It’s hard to surprise you but I think that took the cake.”

“You need to tell me everything.”

“Why?”

“Because he’s a threat to you. You can’t see it but I can. He doesn’t like you and if he’s tried that before, it means-”

“Can we talk about this at home?” you said when you saw someone down the street recognize you. He nodded and they wandered up, asking for a few pictures. You posed and put on a smile, Jensen watching careful with a hard look in his eye.

“Woah, woah,” said Jensen half an hour later as you sat in the family room at one end of the couch in some sweats and an oversized tee, Jensen sporting a similar look but wearing the hoodie you’d given him. He had a notebook by his side but he’d put it on the coffee table in favor of throwing his hands up. “He tried to do it in your bedroom? He left a note on your bed?”

“My closet,” you said. “My closet had attic access so he’d tied a rope up on a beam. He had just kicked the chair away when I walked in. I was skipping last period. Senior year and all.”

“What’d you do?”

“It was very obvious that Nick knew he’d made a mistake. I grabbed him and held him up as best I could until he could untie himself. He fell down pretty hard cause I couldn’t hold him anymore and landed on all the junk lying on my closet floor. He told me we were gonna lie and say he fell down some stairs to account for all the bruises.”

“Why’d you help him lie?”

“Cause I thought he tried to kill himself because of me. I thought he hated me that much. He was in my bedroom after all,” you said.

“You read the note?”

“Jensen-”

“I need to know, Y/N.”

“Why?”

“Because my job is to protect you from threats. If your step-brother doesn’t like you and now his whole family is moving away from him to be closer to you, depending on a lot of things, this could get messy.”

“Jensen-”

“Did you read it?” he asked.

“Yes.”

“And?” For a moment you looked past him and outside, Jensen’s foot nudging yours. “I’m sorry but I gotta know.”

“He felt like a failure. He was in the car with his mom when she died. He saw how well Michael did and I did and he felt distant from his dad and he felt like his life was crumbling around him and honestly, he wanted to go be with his mom again. He felt like he didn’t belong. I fucking bawled reading it.”

“You guys ever talk about it or was it over like that?”

“I slapped him in the face and told him he was pathetic. His mom, my dad, they didn’t get a choice to live or die. I was so angry at him. He apologized and he promised me that if he ever felt like that again, he’d tell me. A few years later, he came to me and thought he might do something stupid.”

“His teaching sabbatical he went on.”

“He got some professional help. I paid for it all. He stayed out here, nearby. I visited him everyday on the way into work. He got better. He learned a lot about himself, how to cope, how to deal with things in his life. He still sees a therapist every week I pay for on the down low.”

“He’s no threat to you.”

“How do you know that?”

“Because he loves you and you love him, even if you don’t like one another or act like you care. If something bad were to happen, he would help you and you’re gonna do it right back.”

“How do-”

“Because your step-brothers who are assholes to you at times, they wanted to ensure that I would protect you when I first met them. I think it’s finally all clicking into place,” he said. “Hence why you never say a word about their behavior to your mom.”

“I will take prickly siblings over dead ones, even if I didn’t pick them,” you said.

“Are you worried Nick will take a bad turn with everyone else moving here?”

“I don’t know. I know he associates this place with bad memories, some of his darkest memories. I don’t blame him for not wanting to live here,” you said. Jensen nodded and ran his thumb over his lips. He propped his elbow on the back of the couch, resting his head in it.

“I’ve always thought you were kind. But helping your brother like that, in secret when I’m sure you want to tell your family, that’s not easy.”

“Yes, it is. There was never really a decision to be made though. The only one was to tell my parents and Michael and as long as Nick is honest with me, I will keep his secrets from them.”

“You’re more loyal than some of the people I served with,” he said, looking out the back windows. “It’s only an easy decision if you’re a good person. I wish I’d worked with more of those.”

“Do you want to talk about it?” you asked. He smiled and ruffled his hair, frowning after a moment.

“Jared saved my life you know. After I healed up, I transferred to his unit.”

“He’s a good guy to call your friend,” you said. He hummed and you crawled over to him, wrapping your arms around him. “I’m glad we’re finally friends.”

“Me too,” he said. He pulled you into his lap and rested his head on your shoulder. Your fingers ran through his hair, eyes drawn down to how his back flexed and relaxed. “Sorry for playing twenty questions with Nick. I won’t say a word to anyone, including him.”

“S’okay. Just doing your job.”

“What time is it?”

“Almost nine. Why?”

“Do you want to go to bed?”

“Counter offer. We make out in my hot tub and then go to bed.”

“Counter counter offer. I make ice cream sundaes we eat in said hot tub and then make out and then go to bed.”

“I’ve always had a thing for intelligent men,” you said. You kissed his cheek and he chuckled. “You’ve never seen me in a bikini before, have you.”

“I’m in for a treat then, aren’t I?” he said. “Go on and change.”

“I’ll meet you out there,” you said. You departed from him and headed upstairs, poking around in your closet for the perfect one to put on. You spotted him come out of the hall in his orange and blue striped shorts, a whistle on his lips as he jogged downstairs. In your closet you took a seat on the small bench, holding up your black teeny tiny bikini and your aqua blue that honestly made your butt look great.

You opted for the black top and blue bottoms to get the best of both worlds. You were midway through pulling your shirt off when you heard Jensen come in the room.

“Oh come on-” you said, something whacking you in the back of the head. Instantly you fell down, strong arms catching you. You looked up wearily, someone in a black mask looking down at you. The eyes weren’t green and you kneed him, putting an elbow to the back of the guy’s neck and making him groan. You got to your feet as fast as possible and sprinted out of the room. “Jensen!”

You knew you weren’t going to make it to the stairs without the guy catching you so you grabbed the railing and vaulted over the balcony to the ground below. You rolled when you hit the ground, spotting Jensen by the base of the stairs. Your eyes spun upwards, Jensen following your gaze and seeing the man standing there. You turned and saw Jensen running towards you, a loud thud right beside you. The man was on the first floor now and you ducked down, missing his arms as you dove into the dining room. By the time you had your head up, you saw Jensen tackling the guy, a gun going flying out of the intruder’s hands.

You stood up, watching the two of them wrestle, the intruder getting a good hit on Jensen’s face. 

“Y/N, go!” you heard Jensen yelling at you, the pounding in your ears finally growing a little quieter. Jensen told you when you were going over his book of rules that was the adrenaline in your system, trying to get your body to only focus on survival. The gun was laying fairly close to you and you heard Jensen shout, eyes darting over to see he had a cut on the back of his shoulder. 

He had Jensen pinned face down and was working on restraining him. He was still shouting at you and the man looked up the second he had pulled the tie taut. You ran over and picked up the gun, the man revealing a knife.

“Put that down or I kill him,” he said. You swallowed, Jensen yelling a frenzy of things at you, all of which involved you running away as fast as possible. Instead you aimed the gun and fired, the man falling backwards as it hit his vest. 

You ran over and kicked the knife he dropped away, keeping the gun on him as Jensen rolled over to it and cut himself free. He gave you a dirty look but searched the guys pockets and found more restraints, slipping some on the intruder before taking the gun out of your hands.

“Call the police. Now,” said Jensen. 

________

A/N: Read Part 7 here!

[space-helen]

Back To Vegas - Chapter 4

Words: 1948

Pairing: Nick Stokes x reader

A/N: Case is unfolding now!! I promise there’ll be more Nick and Reader moments in the next chapter

CH1     CH2      CH3     CH4    CH5   CH6   CH7   CH8

______________________

“Y/N?” You looked up from the evidence gathered at Hallie’s house that was out on the table.

“Greg?”

“New DB just came in. Want to join me?” he questioned stepping into the room. 

You looked at Grissom opposite you and he gestured towards Greg “Go. I’ll be ok with this. Catherine will be back in a second anyway.”

You stood and began to leave, Greg leading the way. “You wanna drive?”

“Uhh I think you should. I still don’t know Vegas that well.”

The man laughed “You’ll get to know it soon enough. I’m surprised Nick hasn’t taken you on a tour yet.” 

You got into the car with the man “Well we haven’t exactly had the time yet.”

“I was going to ask Nick if he wanted to come hiking soon and you’re more than welcome to join to.” The man started the engine.

“I’ll ask him later. Thank you”

“My pleasure. So Y/N tell me what sort of stuff are you into?”

The entire car ride was spent talking about your hobbies and getting to know the man, allowing him to talk about the history of Vegas and his friendship with Nick.

“I’m sorry I didn’t make too much of an effort to get to know you. Or come and see you and Nick. I was actually kind of nervous. I knew you were a big part of his life and I didn’t want to scare you away or something.”

“Don’t apologise or worry about it. It would have been nice to get to know you sooner, don't get me wrong. But you and Nick were always calling each other so I feel like I know you anyway.”

“Same to you. He spoke about you a lot, you know. Still does.”

You rolled your eyes “As much as I love the man can we move away from the relationship talk? I feel like I’ve been grilled and questioned by everyone about it.”

“Alright. No relationship talk.” The man pulled into the drive of a house. The police presence around the house was instantly noticeable.

“High profile?” 

The man shrugged “I don’t think so.”

The two of you got out of the vehicle and grabbed your kits, quickly moving towards the house.

“Why so many officers?” you questioned an older looking man by the front door.

“The body is fresh. Found by his kid. He was a professor and writer. The kid said he saw a woman leaving.”

You thanked the man and entered the house, Greg right behind you. The two of you saw a teenager in the corridor with a detective “Hi.” you greeted them.

“Sanders and?” the detective enquired.

“Y/L/N” you replied and stretched out your hand. 

He shook it “Wentz” The man turned to the teenager “This is Steff Nichols, Mr Nichols, the vic’s, son.” He turned to the man “Tell them what you saw.”

Steff fidgeted “I came home from tutoring early and shouted for my Dad. I knew he was in, he never leaves on a Thursday night. He has to be home to watch his favourite show. I didn’t hear a response so I looked for him and came to his room and found him on his bed grasping at his chest. I went to run for my bag and cell phone and saw that someone was running down our drive I didn’t chase her I called nine one one and went to try help him.” he was visibly upset.

“Don’t feel bad you did the right thing.” you re-assured “Have you given Detective Wentz a description of what she looked like?”

He nodded “The best I could.”

“Did you touch anything in the room?” Greg asked from beside you.

“No. My focus was on Dad and… he was gone by the time help got here.”

“Did they touch anything?” Greg asked.

“Nothing. Just the father” Wentz replied.

The two of you nodded. “Stay with the detective alright?” Greg told the kid as the two of you continued down the corridor to the room his father lay.

The room was large and the man lay on the floor next to his bed, far from the door. You took a picture as soon as you entered the room. You slowly approached the body and took more as Greg fell into step with you.

Something caught Gregs eye as he approached the opposite nightstand. “Y/N look” he pointed at a vial on the nightstand as he began to rush out of the room “I’ll ask if they left anything.”

You took a picture of the vial before placing your kit down and picking up the vial. Greg was back with you within seconds “They didn’t even take anything out of their packs. Anything they did was over by the body.”

You read the label and passed it to Greg who now had an open evidence bag. “Potassium.” He sealed the bag and read it through the plastic. 

“These cases are more intertwined than we thought.”

“Is it ok if I call Nick? He said that his vic looked like they OD’d but maybe it was something connected to this? Can you call David to check for puncture marks on Hallie?”

He nodded “You call Nick.” Greg brought his phone out of his pocket and walked to the otherside of the room to make his call. Slipping out your phone you quickly called Nick.

“Everything ok?” Nick’s voice was curious

“Yeah.” you pushed some stray hairs back “I’m with Greg with the new DB. We found a vial of potassium here. I know you said your case looked like a general overdose in a motel but be sure to check for Potassium in her bloodstream. We’ll explain more later.”

“Sure, sure. Ours vic had a pretty big concoction of drugs in her stream. We initially thought she was a long time user but she wasn’t at all. I’ll check again for potassium.”

“Thanks Nicky. I’m just finishing this scene and we’ll be back to properly fill you in”

“No problem Darlin’. I’ll see you in a bit.”

“See you in a bit. Love you.”

“I love you too.” 

With that you hung up the call and turned back around, Greg stood on the other side of the room with a smirk on his face and arms crossed around his chest. “Love you Nicky.” he teased.

You couldn’t help the smile that spread across your face “What? Are you jealous Greggo?”

“Don’t you dare.” he laughed “Let’s get back to the scene shall we?”

You composed yourself “Sure.”

The two of you collected the evidence efficiently and effectively and were soon walking back to the car. Bringing out your phone you checked your messages “Nick says there was potassium in his vic.”

“Right. David said he found puncture marks in Hallie too. This calls for a proper meeting.” Greg slid into the driver’s seat and brought out his phone. He began to frantically tap the screen before locking it and putting it away.

Just as he put it down your phone vibrated and you pulled it out.

“It’s only me.”

You read the text on the screen calling for a team meeting upon your return. 

“I’ll drop the evidence off ready to be properly processed then make my way over to the meeting.” you pulled your seatbelt across as he pulled away from the scene.

“Did Nick tell you about that time he left evidence in his car and-”

“Yeah.” you laughed “He gets pretty embarrassed about it.”

“I would too. It was a rough day.”

“When he told me the story I instantly got second hand embarrassment and it lives in my head rent free now. I’ll never leave evidence in a car.”

The journey was quick and you both leaped out the car. Greg chucked you his keys before rushing inside. You grabbed all of the evidence from the trunk and locked up before following Gregs footsteps inside. 

You quickly dropped off the evidence and hurried to the breakout room. Greg was straight ahead of you at the back centre of the room as you entered. Slipping inside you stood by the door next to Sara.

“I’ve called you here because it looks like all of our cases are linked. Each of them are all linked with a potassium overdose or elevated levels in their stream. Y/N and I just got back from a scene where an older man, a professor and writer was found having a heart attack by his son and he saw a woman fleeing the scene but stayed to help his dad.”

Greg paused and looked around the room before continuing. “We need to find the link between these cases. We’ll all be working together from now on. I want the teams to review all evidence from now on. Finish whatever you were doing and come join Y/N and I with your evidence.”

The group split up and you were soon falling into step with Greg. You spread the evidence out across the table and began to upload the crime scene photos before joining Greg back at the table.

Nick was the first to join you. He placed a box of evidence down on the table and stood beside you. Sara and Grissom were quick on his heels with more boxes. Nick’s hand settled on the small of your back as he leaned forward and used his free hand to sift through some evidence.

Sara got to work looking through all of the crime scene photos and Catherine was soon coming into the room with armfull’s of paperwork.

The team worked effortlessly together. Looking through evidence and moving around the room smoothly, lending knowledge effectively and researching as appropriate.

You pulled out the picture strip found on Hallie and looked over the faces with her in the booth. “This face is familiar.” you showed Greg next to you.

He took the strip from your hands “That’s Shana. The first vic. The teacher.” He held up the strip to the room “We’ve found out first link. Find out how they know each other.”

Catherine took the strip from Greg “On it.”

People began to leave the room, finding new clues and going to research them Greg had to excuse himself to take a call but he was soon returning.

“Sara, Y/N.”

“Yep.”

“New Dead body for you both. Could be connected.”

The two of you were soon leaving. “I never thought something like this would be my first case in Vegas.” you admitted to Sara.

“Vegas is different.” Sara laughed “It’s thrown us all straight into the deep end.”

“You can say that again.” 

The scene was a small nicely furnished home. It wasn’t high end but not low end either. The surrounding houses were full of families. The victim was Tessa Spencer, a woman in her 30s found dead in her living room by her brother. Sara and you processed the scene swiftly.

“Do you have any idea who could have done this? Did she have any enemies?” Sara questioned Tessa’s brother, Julian.

“A lot of people liked her. She was a really good person.”

“I know but you really need to think for us. Is there anyone who would want to see her hurt?”

He sighed. “I know she had a disagreement with our cousin last week. She mentioned it over the phone. The two have never really got on. She’s definitely spiralled over the years.”

“Would you say your cousin is capable of murder?”

“Yeah. Most definitely. They were on trial a couple of years ago”

“Who?”

“Hannah West”

Sara’s head snapped to Julian “I beg your pardon.”

Next Chapter

Tag List: (open)

CSI:

Nick Stokes: @wanniiieeee​  @pumpkinfriend

[ninzied]

into the woods

based on the prompt: you know that scene in TWD where shane is being all cute and kissing up lori’s stomach? that but make it kastle.

rated m. 3k.

“She should’ve been back by now.”

Frank scours the tree line along their campsite, as if she’ll walk out of there any second. She hadn’t taken much more than a toothbrush with her, only a hand towel and a bottle of water to rinse off. How much longer does she need with those things?

“You worry a lot,” Sarah remarks. She doesn’t look up, measuring out coffee grounds for their pour-over stand. “For someone who’s ‘just friends’ with her.”

“Remind me again why I agreed to this weekend,” Frank says with a scowl.

“I could use a refresher myself,” says David. He’s emerging from their tent, zipping it back up the side before stretching. “From what I recall, Karen’s the one we invited. You’re the one who chose to tag along.”

Frank arches an eyebrow at their surroundings. “Thought my invite was implied.”

David makes a protesting sound. “You don’t have a monopoly on manly activities, you know.” He comes over to Sarah, drops a kiss on her forehead in greeting before taking one of the lawn chairs next to her. “I can camp. I can do camping. I’m a survival guy too, remember?”

“Ignore him,” says Sarah. “He gets grumpy before his morning coffee.” She leans over their fire and removes the kettle of water, which has just started to boil.

“There’s one thing we have in common,” says Frank. He nods his head toward the tent David vacated. “Kids still down for the count?”

“Both of them out like a light,” David confirms. “That ghost story Karen told them last night worked a little too well.”

“Trouble falling asleep?” asks Frank, not unsympathetically. “Or was it nightmares?”

“Leo came up with a sequel, actually,” says David. “Which she insisted on recounting in very vivid detail. None of us really slept after that.” He scrubs a hand tiredly over his eyes, but he’s also grinning a little, like he can’t help but be proud of this fact.

Karen would be proud too, Frank thinks, and pictures the smile he’ll get from her later.

“How about you?” Sarah asks Frank, her tone perfectly, deceptively innocent. “How did you sleep?”

“Fine,” says Frank.

The look Sarah gives her husband is a lot subtler than the one she receives in return.

Frank clears his throat. “You two got something you want to say?”

David shrugs. “Only that it’s a pretty small tent you and Karen are sharing.”

“We made do,” says Frank.

Truth be told, though, David’s not wrong.

Karen had borrowed the tent from Nelson, who, as it turned out, hadn’t gone camping since he was about ten years old. It had been a tight squeeze—that palpable warmth in the thin sheets between them, the soft little sighs Karen let out in her sleep, had all been nothing short of torture to Frank.

But the Liebermans are on a need-to-know basis only.

David is opening his mouth to say something else when Sarah interrupts him. “Here,” she says, “drink this,” and presses a tin of steaming black coffee into his hands.

“Guests first,” says David, but Frank’s already standing.

“I’m good for now,” he says with a wave of his hand. “I’m just gonna go for a walk.” He stoops down, checks for the blade inside of his boot.

“Karen’s a big girl, you know.” David takes a sip of his coffee. “I just don’t see how this is going to win you any points in her book.”

“Oh, let him go,” Sarah chides. “He’s not going to rest easy otherwise.” She calls cheerfully after Frank, “Tell Karen that coffee will be waiting when you guys get back, all right?”

…

If anything, Frank figures he could use the time away from the others.

Last night had been exhausting, with the Liebermans up for about half of it, and then Karen so close yet just out of reach. He’d behaved himself perfectly well, but the ache of all that longing for more hasn’t left him, and so he tries to walk it off instead.

Frank steps into the trees, the morning sun filtering through in soft, muted patches of light. They’re barely into September, but the leaves here have already started to pack themselves down into the ground. It makes his job easier, tracking which way Karen has gone.

She can take care of herself; he knows that. But she knows he’s going to worry. It’s something that they’re working on, meeting each other halfway. Still, Frank reasons that there’s a time and a place for these kinds of concessions, and out here in the woods is not going to be one of them.

Frank has been walking for about ten minutes when he steps into a snug little clearing, and suddenly, she’s there.

“Karen?”

She’s a few yards ahead of him, lounging with her back against the trunk of a large maple. She’s resting her arm on one of its thick, gnarled roots, and she—

She has her nose in a goddamn book.

It’s a small paperback of Agatha Christie. One of those rare finds that she’d unearthed from the half-price bin down the street from Frank’s place. It’s where she’d gotten her inspiration for the ghost story she told them last night.

Frank knows this because she’d read it aloud to him three nights ago. The book hasn’t left her side of the bed, until she packed it for this trip. She must’ve tucked it into her hand towel before leaving their tent earlier.

Karen glances up as he approaches. She doesn’t seem remotely surprised to see him there. In fact, she’s looking at him with a teasing kind of impatience, like he’s kept her waiting, and—

Oh.

Oh.

He’d been planning to steal a kiss or two at most from her before they headed back to camp, but she clearly has more than that on her mind.

Always two steps ahead of him, his girl, and he wonders if that isn’t one of the things he loves most about her.

“Frank,” she greets him, lightly admonishing. She puts the book down. “What took you so long?”

She stands as he strides over to her, a disbelieving smile turning up the corners of his mouth.

“This what I think it is?” he asks her. He palms the sides of her rib cage, walking her slowly backward until he’s pinned her to the tree.

“Mm.” She winds her arms a little slyly around him. “You know solving murder mysteries always gets me in the mood.”

“You mean like last night?” He leans down, capturing her mouth in a kiss. Her hands are already pulling at the hem of his sweatshirt, gliding up his body and tugging the fabric over his head.

“I’ve been dying here, Frank.” Karen gasps out as his mouth moves over her jawline. “I thought they’d never fall asleep.”

“I know. Fuck.” Frank snakes his hands beneath her clothes and under her bra, cupping her breasts with a small but satisfied groan. “Couldn’t take it either. Wanted you so bad.” He remembers the reason for the Liebermans’ insomnia, and the kiss he presses to Karen’s collarbone contains the definite edge of a smile.

“What?”

“Tell you later,” he murmurs, stepping back and pulling her with him. With the toe of his boot, he carefully rearranges his sweatshirt over a stretch of some soft-looking moss.

Karen breathes out a laugh, nudging a kiss to his ear as she asks him, “Exactly how much time do you think we have?”

“Enough,” he says, and lowers her onto his sweatshirt.

He kneels over her, nosing her shirt out of the way as he deposits open-mouthed kisses up her bare stomach. He pauses over her belly button, circling his tongue there. She tenses all over with a sigh of content before shrugging her top off and tossing it to the side.

He licks a trail up her body, feeling the hitch in her breath as he reaches her rib cage. When she clasps his shoulders, he goes willingly, rising and settling himself over her. Their mouths meet, lips parting instantly, deepening the kiss.

“Mm—” Karen moves her hips into his, chasing the friction between them. She’s in a thin pair of leggings, his erection pressed up against the junction of her thighs. He can feel the heat of her, even through his sweatpants, and it only fuels his arousal, has him aching to be inside her right now.

He groans a little, breaking the kiss for a moment. There’s a few breathless seconds of them fumbling with each other’s clothes, of Frank’s vision tunneling out when she reaches down and grasps him.

Christ.

He pumps himself in and out of her hand, bending over to kiss her again. Their tongues slide together, and he swallows the sound of her cry as he slips two fingers down, feeling how wet she is for him.

His mouth falls to her neck, sucking kisses to her pulse point as he replaces her hand with his. He strokes himself before rubbing the full length of his dick up against her, pressing down into her clit with each pass back and forth.

She arches against him with a throaty little sigh. He loves this kind of foreplay with her—the liquid heat of anticipation, the throbbing ache of that sweet almost just on the other side of this moment.

And fuck does he love watching her this way, too. The soft, breathy exhales, the swell of her breasts as she writhes beneath him. The way she bites her lip, and moans.

“Can you come like this?” he asks her, voice roughened with desire. He knows he won’t last long inside her, and he wants her to finish for him at least once.

“Yes.” She’s moving her hips in tandem with his, finding just the angle she likes, the right press and release to send her over the edge into orgasm. “Yes—oh, Frank—yes—mmm—”

She shudders beneath him, her eyes squeezing shut as her mouth falls open in a silent, rapturous oh.

He kisses gently up and down her throat as she descends from her high, slowly relaxing back into him. Frank’s trying to breathe through his own need for release when she threads her fingers through his hair, coaxing his mouth back to hers.

He slides into her slowly, the air between them going shallow as they take a moment to adjust. In some ways, entering her is always going to feel like it’s the very first time, new and yet so familiar. Like the act of loving this woman comes from a place that goes deeper than memory.

Their mouths move together, unhurried, as he pulls out and sinks back in. She clutches his shoulders, pulling him closer. Each thrust of his hips has his body shifting up against hers, and he savors every inch of it, the feel of skin on skin. He cradles an arm around her head, moving his other down to slide a hand up the back of her thigh.

It has him going deeper, and she clenches around him, spine arching back. Fuck. Fuck, she feels incredible, like some kind of fever dream. Her mouth is so very warm on his, their tongues entwined, their kisses splintering apart on a gasp before they’re coming back together.

For these few blissed out moments, this is all that there is. The two of them wrapped into each other, all that soft, pale skin beneath his hands, the little moans she’s letting out as he pounds and pounds into her. It’s rougher than usual, but she only pulls him closer, hooking a leg around his waist and rolling her hips up to meet his.

Heat unfurls down low in his belly, pleasure clenching up his spine. “Karen—fuck, I—” He buries his face into the crook of her neck, trying to hold off for her as long as he can.

She turns into him, mouth finding his ear. “I’m close,” she breathes. “I’m close. It’s okay. Just—ooh—”

She cranes her head back with a soft, keening sound, and he wraps his hand over the side of her neck, kissing up her jawline. He rides her through her second orgasm, and then his own pleasure builds to his breaking point, and he’s coming apart.

Karen’s arms are around him when the strongest waves have subsided, leaving behind the small, lingering shivers. He finally collapses against her, boneless and spent, simply breathing her in for long seconds.

“Fuck.” He brushes his mouth over her shoulder, nudging her bra strap back in place. “That was…” He grunts a little as she turns them onto their side, draping a leg over his waist.

“It was,” she agrees. She looks even softer in the sunlight from this angle, and Frank inches closer, threading his fingers through the golden glow of her hair. “Guess we should head back soon. Before they call an official search party on us.”

“Guess so,” says Frank. He tightens his arms around her, and she snuggles into him, neither of them making any real attempt to move. She gives him a kiss, long, and sweet, and so indescribably tender that he could put down roots into this moment, never let it go.

Finally, with a small sigh of concession, Karen shifts up onto her elbow. She reaches behind him for something, retrieving the bottle she’d brought with her.

She bends down to kiss the crease between his brows, and smiles. “Water?”

…

They walk back to the campsite hand in hand.

Sarah’s cleaning up from breakfast, a thermos of coffee and a full plate of bacon, eggs and toast set aside for them.

“David took the kids down to the lake,” she tells them without turning her head. “They wanted to wait for you, but I told them you’d see them when you got back.”

“’Course,” says Frank, feeling a little pink in the ears. “Yeah. Sorry. Didn’t mean to make you stay behind for us.”

“It was no trouble,” Sarah says breezily. Then, still with her back turned to them, she adds, inscrutable, “Better me than David, I will tell you that.”

She’s still stacking some plates, so Frank sneaks a last kiss to Karen’s temple before he releases her, making his way over to some much-needed coffee. He takes a long drag as Karen goes to help Sarah, the two of them falling into easy conversation about Leo, her writing ambitions, how absorbed she’d been around the campfire last night.

He doesn’t interrupt them, except to come over with the plate of food for Karen. Predictably, she reaches for the coffee instead. “I’ll have something in a bit,” she says, “promise,” and he gives her a look, but decides not to press the issue with Sarah standing so shrewdly nearby.

At one point, he glances up from a piece of bacon just as Sarah reaches over, and plucks part of a leaf from Karen’s hair. Sarah lets it go without so much as a comment, simply continuing on wherever they’d left off.

Later, Sarah passes by Frank as they’re getting ready to leave. “I think there are grass stains on the back of your sweater,” she mentions to him, almost conversationally, and he hesitates a moment before grabbing a hoodie to change into.

He pulls out the sandwich he’d made from their breakfast and passes it over to Karen on the walk, in exchange for the thermos of coffee. His hand instinctively finds the small of her back every time a rock or large root juts up into their path, and after Karen’s done eating she takes his hand instead, twining their fingers together.

If Sarah’s feeling smug about it, she doesn’t let it show—much.

Leo tackles them both as soon as they’ve made it to the lake. “Hey, Pete!” Then, as if she can’t hold it in any longer, she brandishes a notebook and says, “Karen, I have the best idea for a story tonight.”

“Honey,” Sarah starts, with an amused kind of warning in her tone.

“Don’t worry, Mom,” says Leo, looking confident. “This one’s not nearly as scary.”

“Tell me,” says Karen, unable to suppress a smile.

Leo starts to tug her away when she pivots back on her heel a little, and says to Frank matter-of-factly, “By the way, you probably don’t want Zach to see you two holding hands.” She looks meaningfully out onto the water, where Zach and their dad are focused enough on their lines not to have noticed them all there yet.

“Leo Lieberman,” Sarah scolds gently as Frank exchanges a bemused look with Karen.

“He’s too young to find out what heartbreak feels like,” says Leo sagely. “Sorry, Mom. I know you told him she’s already been spoken for. But as his big sister, it’s my job to look out for him.”

“Fair enough,” says Karen, giving Sarah a wink. There’s a wistful quality to her smile now, her gaze soft on his when Frank squeezes her hand. She clears her throat, and gestures down at Leo’s notebook. “Now let’s see what we’re working with here.”

…

Their tent isn’t quite big enough to fit them in lengthwise, so they’re turned slightly sideways, Frank spooning her as they drift off to sleep. He’s hard against her rear in the morning, but they both do their best to live with it, Karen pressing a chaste little kiss to the corner of his mouth as they’re getting dressed.

David’s on coffee duty, and Frank lends a hand as Karen folds herself up in a chair and reads to them the morning headlines on her phone.

It’s slow, and quiet, and so easy that Frank almost forgets they’re not home. Karen hums out a thank you when he brings her some coffee, stooping down to brush a kiss to her forehead.

“Here you go, sweetheart.”

And it’s like any other morning, except this one has David staring at them like he can’t decide what has just happened, and just how long it’s been happening for.

“Blanket?” Karen offers, trying not to look too amused, as Frank drags a chair close to hers. She tosses it over them, and he takes her hand before leaning over to steal a sip of her coffee.

“Did you know about this?” David whispers urgently to his wife when she steps out.

“Know about what, honey?” asks Sarah, kissing his cheek as he frowns at her. “Why, did you see something?”

“You mean other than the obvious?” He gestures at Frank, who’s leaning in to whisper something to Karen. In his periphery, a look of recognition is dawning on David’s face with almost comical slowness. “Shit. You’re right. It was really obvious, wasn’t it.”

Sarah pats him on the shoulder. “So, what are we doing for breakfast today?”

And just like any other morning, Frank feels everything outside of this moment fade, his world narrowing to the small, private things—the warmth of Karen’s hand in his, the glances they steal at each other, and the way she bites her lip when she’s trying not to smile.

[ct-multifandom]

More s4 predictions? More s4 predictions.

Luka closure, duh. He will start moving on from his breakup and start existing outside the scope of Marinette’s love life

I really hope we see Adrien hanging out with him to parallel Mari hanging with Kagami but I’m afraid the parallel might just be Mari hanging with Luka as friends

Marinette will try to give Adrien a miraculous again. Near the end of the season, she’ll realize that there are only a couple if not one miraculous left without a holder, and she’ll get overtaken by the desire to work Adrien into her team. If I had to guess which one, I’d say the dog because it juxtaposes the cat and I think Sabrina, as an outsider to the group and former mean girl lackey, might be the last to go.

We’ll meet someone’s mom for the first time and she’ll get akumatized along with a mode of transportation. Maybe a motorcycle or airplane this time? Edit: I guess Gina/Befana was motorcycle mom already so we’re just missing airplane mom

Alec Cataldi will be Psychomedian. Since they rewrote Gagotor for this I’m guessing the new character was probably replaced with one we know, and Alec is a recurring, humorous TV personality who hasn’t been akumatized yet. I came across his English VA’s insta by chance on explore and he made a post about recording more Alec lines after Optigami’s release

Rocketear will be/have to do with Max who misses his mom after she leaves for a space mission. It’d be nice to see the continuation of this subplot, which was shown for a moment in Miracle Queen after Startrain. Plus, Ladybug needs to give Max a charm sooner rather than later and Gamer, a very specific akuma, already had a 2.0. Edit: I’m Stan and I was wrong.

When Megaleech was first announced I thought it might be Bob Roth(’s sentimonster?) based solely off the name, but assuming that’s the thing in the Polymouse episode, it’s hard to tell. It’s so non-human. I wasn’t expecting Mylene to get her miraculous here based off the name either. My new theory, which I’m admittedly not super confident in, is that Megaleech is the fusion of the entire Kitty Section who got screwed over by Bob and/or XY again. That would explain the French pun and also Mylene’s personal connection to the case at hand. It might also explain why this group of heroes was hanging out outside of school. I wonder how Ladybug’s new charm animation would work with more than one charm at a time. Would they skip it altogether and just show her passing them out? Would they all match with Megaleech’s colors or would they be different for the individuals?

Edit: I am editing this post because I just saw a theory that the villain of this episode will be Andre Bourgeois again. Megaleech’s color scheme and medallions match Malediktator perfectly, and the tiny thing Chat kicks in the trailer looks like a shrunken version of him if you look closely. This is a lot more believable, but it makes me wonder what leads to Mylene being the hero of the day.

I hope Polymouse doesn’t get overshadowed by the large team, but I also hope she doesn’t get overshadowed by Multimouse. Unfortunately, there are a lot of immature kids who hate Mylene for no reason, so I hope Polymouse will be the one to come up with the winning plan, use her powers cleverly, and be heroic in general so that she can prove how well the mouse fits her instead of unknowingly competing with Marinette.

Teenage Alix will make her entrance as Bunnix when her dad gets akumatized. Both Timebreaker and The Pharaoh had time-y powers, and Alim is a historian, so if he were to get akumatized, he’d probably turn into a villain who controls time as well, leaving his daughter as the only one who can take him.

Sandboy 2.0 will happen as everyone predicted based on the voice director’s story post with Sandboy’s VA. Ladybug will probably see Chat Blanc in place of zombie Adrien, raising a lot of questions and tension. Maybe Chat will see Ladybug abandon him, or something else related to solitude rather than being trapped? We will also finally find out who the akumatized kid is.

Speaking of, I think Sandboy 2.0 might be Caprikid’s entry episode. (What?) Let me explain. I think the Sandboy kid and Marc look pretty similar, and correct me if I’m wrong but I’m pretty sure they’re the only male characters with defined eyelashes in the whole show. Both of them also have celestial thematics which would fit with Marc’s last name, Anciel (en ciel, in the sky). Sandboy looks like the night sky while Marc has a rainbow theme. It’s possible that they’re related, so Ladybug will enlist Marc to help defeat Sandboy. Here are pictures:

I’ve also seen other people theorize that Caprikid’s power is related to dreams, I guess because of something like “counting sheep”. This isn’t my theory for his powers, but I see where it’s coming from. His kwami has the most interesting name. While most of the kwamis are related directly to their animal, Ziggy, the goat kwami, is named after David Bowie’s stage persona, Ziggy Stardust, who is an alien from space. David Bowie had other famous personas like the astronaut, Major Tom, and Aladdin Sane who had the iconic lightning bolt, all themes associated with the sky. I wouldn’t be surprised if these themes show up in Caprikid’s design, like if he has face paint instead of a mask or a similar hairstyle to Bowie.

We can already kind of tell that Caprikid and Coq Courage are matching just like their civilian selves do from their opening silhouettes with the chest fur and feathers. I predict it goes further than that with daytime/nighttime thematics. Roosters are associated with the sun, and my theory for Orikko’s power is illumination. Evillustrator’s biggest weakness, which ended up defeating him, was darkness, and I read a post today that pointed out that he can draw without even looking at his tablet so it’s more likely that he’s just scared of the dark. If he has day themes I think Caprikid will compliment that with night sky themes based on the stuff above.

I expect Evillustrator will have a 2.0 episode or any sort of comeback at some point. He’s probably one of the most iconic akumas, yet he’s only been truly akumatized once, at least on-screen. Plus, ladybug needs to get protective charms to all her hero pals asap.

We will probably meet the family of a couple more major characters who don’t have canon family members yet.

I hope we see more more-than-one-person and/or fusion akumas among the major cast. The protective charms are helpful but it sucks that they limit our possibilities for this type of stuff.

Sabrina will leave Chloe once and for all, which will trigger a big change in both of their characters. Sabrina will become more independent and leader-like, but Chloe will hit her lowest point. If not for... a certain person’s writing... I’d say this will be the true catalyst for her development as she faces cold hard reality for the first time... but I’m not so sure. Maybe she’ll just mellow down and become less bad and less relevant. Maybe she’ll snap and join evil Lila. Only time can tell.

I want to see my boy King Monkey again this season before the big finale, which will probably have everyone, and I’m pretty sure I will. I feel like they’ll all show up before that. I want him to move across the city by swinging across stuff like a monkey on vines.

We will finally see Ryuko’s full transformation and lightning dragon. I saw that the Roblox server thing featured the (oversimplified and blocky) coreo for her full transformation before the actual show did? A bit embarrassing.

I want to predict something for my boy Ivan, but he gets so little screen time that I just can’t think of anything :( I’m very excited for Minotaurox, though, and it’s possible that he’ll be involved with his family rather than Mylene or his friends.

The whole gang takes down Shadowmoth. Booyah, 17 teenage furries, bet he didn’t see that coming. And everyone has a big “pointing and laughing” moment until the obligatory Adrien angst commences

[hartrathaway]

Hii I'm interested in Hartley's story but I know literally nothing about him except that he was Wally's gay bestie in the 90s, what's his deal? Do you have any comic recs for him?

HI IM SO SORRY THIS TOOK SO LONG!!!!!!!!

Okay, so really brief, his dealio is: born to ‘incredibly rich’ parents (we never get a specified ballpark, but Hartley states that he was ‘born with two silver spoons in [his] mouth’ if that helps context wise), Hartley’s deaf!  His parents had him get cochlear implants when he was a child, which ‘medically healed him’.  (His deafness has been treated extremely ablest by writers who actually remember he’s deaf, I need to warn you of this now.)  He’s a music and sound waves guy, a former villain (it’s an on again off again relationship, but a lot of his character is defined by his time as a hero) and he’s very leftist.  Gay best friend in the AIDS crisis turned Wally West from a midwestern conservative to a leftie as well.  (Wally’s wife, Linda Park, was a major contributing factor, but we’re focusing on Hartley for this, so I’m gonna talk about him.)

I’ve got a mix of good reading from all over, so I’m gonna break this into sections, and do my best to describe which is which.  (all my screencaps are from this website right here, because i do not own all the back issues and it would have taken much, much longer to do this post, and as such, some of them are not sized or formatted correctly)  Click the read more if you’re interested!  Please note: I am not a 100% authority figure on Hartley, and I know there’s a few stories I have left out (the story with Bart Allen’s first appearance is a good one that Hartley is in), but these are the gist of who is he, what he’s been up to, and what is the family drama.

So for New Earth (otherwise known as post-Crisis on Infinite Earths), is where Hartley actually becomes Wally’s friend, and is a hero!  I’m going to focus on this section first.  Unfortunately, due to being a minor character, a lot of stuff is broken into small stories, or things that are happening behind the scenes, so there’s no real issue x - y that’s gonna help much.

The Flash Vol 2 #31, #32 Quick summary: In issue 31, supervillain here is killing homeless people, Hartley has been helping these same people get up on their feet by helping them get squatter’s rights.  They skip the fighting because a kid asks if they’re going to fight for a half hour and then team up, and go right to the team up.  They get Linda Park in, supervillain ends up backfiring his powers.  In issue 32, Wally, Hartley, and their pal Mason officially move to Keystone city.  Hartley’s folks are in trouble while the three of them are trying to freeload (off of Hartley’s parents, his and his parents’ relationship is better now than it had been, for a multitude of reasons), Wally and Hartley rescue Hartley’s parents, we also meet Jerrie, Hartley’s sister, and all is resolved there.  Yay, the family loves each other again!

(issue 31)

(issue 32)

The Flash Vol 2 #53 Special mention this is the issue where Hartley comes out and also has to inform Wally that Wally cannot tell who is a homosexual.  Also Wally’s an IRS agent here, for shame Wallace.  At least Hartley gets to cosplay Wally at the end, so that’s fun.  Content warning for this issue specifically is some casual homophobia, just so you know that going in.

(issue 53)

The Flash Vol 2 #170 In 170, Hartley’s being contacted by his father to call in ‘a favor’ that Hartley owes him.  The main plot line includes (one of) Wally’s ex(es) showing up, a former hero and teammate, Frances Kane, otherwise known as Magneta.  A person has been found murdered at Keystone Motors, and supervillain Goldface begins rallying union workers (which seems to just be a poorly timed coincidence).  The story itself (170 - 173) in and of itself is really fun, but I’m only going to talk about Hartley, or else I’ll be here all day.

(issue 170)

The Flash Vol 2 #174, #175, #178, #179 And here we get some drama! I’m grouping all of these together, since it’s all the same chunk of the story for Hartley, but since it’s the Flash, Wally’s center stage.  In 174, the people who were living with the Rathaway family aren’t exactly big fans of Hartley.  They know he’s changed his ways, he’s a hero now, but it’s just…  something feels off.  There’s loud music sounds, and bam!  Suddenly Hartley’s there and oh boy is this gonna be a hot mess.  In issue 175, we see some footage, and Hartley’s the lead suspect in his parents’ murder, considering that the footage has Hartley onscreen.  178 rolls up, and after Wally’s getting Gorilla Grodd taken care of (and that fight is a doozy), Wally gets to find out Hartley’s been arrested for the murder of his own parents, and Hartley confesses on-screen to his parents’ murder  (Also Hartley’s got a beard now, that’s how you know he’s depressed.) 179 opens with Hartley being processed.  Linda and Wally go to see him, and although Hartley confessed, he said “I think I did.”  (emphasis is mine; in the panel Hartley says “I think I did.”) Joker?  He’s got some Joker-fied people, and poor Hartley gets it too :(  Hartley straight up nearly kills Captain Boomerang (it’s okay, Wally stops him), and surprise!  Welcome back to Iron Heights Hartley.  Gonna have a fun time :)

(issue 174; this is the least messy part of the panel, but it was intended to be that way)

(issue 175)

(issue 178)

(issue 179)

The Flash: Iron Heights Brief interlude from the main comic line, we’ve got a one-shot that’s taking place in Iron Heights.  This takes place before Hartley gets arrested, presumably (since, y’know, they’re breaking in and all).  Fun one-shot honestly, keeps me on my toes the whole time.  Hartley’s a main character, and it’s less personal drama and very story driven.  You don’t need this to enjoy Hartley regardless, but I enjoy it!

(The Flash: Iron Heights, which you can read here.)

The Flash Volume 2 #189, #190 189! Now we find out how Hartley’s parents were actually murdered!  No spoilers, but we do get a prison breakout.  This is where we get some origin story! Don’t read this first though, because you’re going to be spoiling yourself the plot of his arrest.  In 190 we get more origin, including the way DC treated his deafness. (It’s ablest, and I’m still mentally grappling how you wouldn’t notice your child being deaf for two years, but okay Rachel and Osgood, you keep being bad.)  The story goes on for now, with Hartley on the run from… well, everyone.

(issue 189)

(issue 190)

This is pretty much it for New Earth Hartley up until Countdown.

I don’t like Countdown at all.  I’m much happier pretending that Countdown doesn’t exist (both because of how it treats Hartley for a multitude of reasons, and how Thad Thawne is treated leading up to Countdown).  More happens with Hartley’s storyline in Countdown, but I hate it with such a passion that I wouldn’t recommend it at all.  Countdown leads into Final Crisis, and I’m not a fan of either.  However, should you wish to read and make your own opinions, here’s Countdown and here’s Final Crisis.  Please note, Countdown’s issues are done in reverse order (so from issue 51 to 1, rather than 1 to 51)

And now I’m going to tell you the gospel truth:

I do like New 52 Hartley!  A lot. Unfortunately, he’s not as much in the n52 Flash run as I would like (but I’m biased, as obvious by my url).  What you need to know is that Hartley’s a musician now, like orchestra director, and he’s in a relationship with Barry’s boss, David Singh. (power move, honestly)  Unfortunately, we don’t get a whole lot in the main line.  Also at this point, the Wally West of New Earth hasn’t transitioned to the n52.  Wallace West of n52 is an entirely different character, and that’s a whole other issue for another discussion.  Wally West as we know him from New Earth doesn’t come back for a while.  Wally and Hartley haven’t talked since before Flashpoint, and that’s a shame. 

So read the Crimes of Passion Anthology he’s got please I’m begging you.  The only downside is that the artist gave him a haircut.

(Crimes of Passion: Secret Admirer)

I haven’t read anything DCeased related, and while I know Hartley gets his time to shine and kiss David, I can’t tell you much beyond that.  I’m pretty sure there’s other people who can tell you more, but it’s not me I’m afraid.  (This is me saying guys, please tell me about Hartley in DCeased, someone tell me about my fictional lavender marriage husband.)

[words-writ-in-starlight]

For the ask meme: Sarah x Jareth (I almost wrote that as David Bowie), 14, 22, and 29!

I am RIGHT NOW watching Labyrinth with my partners, EXCELLENT timing!  Cut for length.

14) When one has a cold, what does the other do?

Jareth has never been “sick” a day in his immortal life.  He’s been stabbed, poisoned, cursed, and hungover, but even the weakest goblin is rarely “sick” and Jareth hasn’t spend enough time around mortals to have a good grasp of the fact that nonfatal illnesses even exist.    

Point is, there’s an intermediary period between Sarah pointedly ignoring every owl in sight, no matter the coloring, and Sarah becoming the Goblin Queen where she forces him to visit the mortal world more than he has in living memory, including his.  (Jareth has a vague sense that he might have been here more often once--perhaps when he was young, before he was King--but he’s been King so long, and the Labyrinth has a chain-tight grip on its own.)  Toby is entranced, and also terrified--he doesn’t buy Jareth’s glamour for a second.  Sarah spends half her life running interference on Jareth’s behavior, and the other half doing a double major in political sciences and folklore.  Which she decided to get before she agreed to start talking to Jareth again, thank you, kindly fuck off.

Point is, eventually even Sarah’s suspiciously excellent immune system clocks out for the day, and she wakes up with a splitting headache, a wet and congested cough, and a sense that her skin is being abraded by even her softest sheets.  She’s not sick-sick, it’s just a nasty head cold with a fever, but she calls out of class and flops down on the couch and mumbles non-answers to the goblin who lives in the top of her closet when it scuttles out to see why she’s still home.

She doesn’t even realize Jareth is there until she feels a shadow fall over her and cracks an eye to peer up at him blearily.

“What’s wrong with you?” he asks in his most forbidding Goblin King voice, and she groans and pulls her blanket over her head.

“Go away, Jareth, I’m tired.”

“I will not,” he says automatically as he jerks the blanket down to her shoulder, and then he’s crouching down in front of her, mismatched eyes dangerous and inhumanly bright in the yellow light of her little dorm apartment.  “Who did this to you, Sarah?  I will not leave without an answer.”

“No one,” she says, squinting up at him.  “It’s just a cold.”

“’Cold’,” he repeats, in the same skeptical way that he said ‘phone’ when she complained about his unannounced visits.  “I am not aware of that particular toxin.”

“I’m just sick, it’s not like I’ve been poisoned.”

“An illness?”  He pauses, pulls a glove off one hand and reaches out to touch her cheek experimentally.  His fingers are always cold compared to hers, and she shivers hard when he touches her skin, but he doesn’t flinch.  There’s something odd on his face, a locked-up hardness, and he says, “What is it?”

“A cold,” Sarah says again, pulling her blankets back up to her chin and shutting her eyes.  “I’m just going to feel like garbage for a few days.  Probably less if you let me sleep.  Come back and bother me on Saturday.”

He doesn’t leave.  Whatever, Sarah decides--that’s his problem.  She’s tired and feverish and annoyed and she’s going to sleep whether Jareth likes it or not.  She thinks he’s talking to someone--probably that snitch in the closet--about something--sounded vaguely like library and cold--but that’s Not Her Concern.  Sarah is done here.  She feels the end of the couch sink down by her feet just before she falls asleep.

When she wakes up, the Goblin King is still there, reading a book filched from one of her shelves, pen tapping idly against his lips--he’s marking up the fairy tales again, god, she hates his guts sometimes--and there’s a series of tidy piles on the rickety coffee table.  It looks like someone robbed a pharmacy and cleaned out their Cough And Cold aisle, and then sorted their booty by color, which suggests probably goblins just smart enough to recognize a word their king showed them, but not smart enough to read the labels.

Sarah smiles a little and grabs some cough drops from the top of the red pile, and condescends to drape her legs over Jareth’s lap before she goes back to sleep.

22) Where does their first kiss happen?

Sarah has a much harder time in college than she expected.  Not with being away from home, although she does miss Toby something awful and spends every second of her breaks with him.  No, the problem is that she has to share a room.  All the way through freshman year, she has a roommate, and--

And the roommate is fine, she’s a perfectly inoffensive girl from Chicago who keeps her things on her own side of the shoebox room they share and doesn’t bring anyone back to the room and never makes noise late at night, but Sarah hates it.  She can’t quite put her finger on why--is a little afraid of what she might say if pressed, if she’s honest.  She has these half-finished thoughts that involve words like territory and invader and mine.  Sarah has worked very hard not to be a selfish teenager or, possibly worse, the kind of girl who sometimes talks to a Goblin King and wonders privately if his final offer was serious.

Sarah has no plans to be the Goblin Queen, is the point, no matter what Hoggle mutters under his breath when she admits, the summer after her first year of college, that she’s talking to Jareth again.  (He just--he can come see her, there, and he can look like a person, and none of her other friends can, and people are weirdly nervous of Sarah, these days, and she was lonely, okay, so she let an owl into her room while her roommate was gone, and let them who never made a bad choice in college throw the first stone.)  And that means getting over herself and never voicing any of the thoughts that creep into her head about how her roommate, who has every right to sleep here, deserves to be thrown in an oubliette for disturbing Sarah’s peace.

Sarah is better than that, these days.

The only person who isn’t fooled is, of course, Jareth, who is very perceptive and also very persistently determined to visit regularly.  He smothers smirks when he sees Sarah force herself to be kind, and once offers, sweet as arsenic, to take Sarah’s roommate off her hands if you just say the right words, precious.  Sarah glares at him and pointedly turns her back, and he laughs as he leaves.  But he never does anything to her roommate, and Sarah doesn’t think about how Jareth never actually does anything to her space or anything in it, and doesn’t think about the rules that fairy tales handed down for millennia about places that fall under the power of a creature not to be toyed with.

She’s signed up to room with the same girl for sophomore year, because she doesn’t have a reason to claim a single and seniors always snap up the free ones.  But she shows up to get her key, and the registrar frowns and clicks a few things and then shrugs and hands Sarah a key.  He gives Sarah directions to one of the buildings up-campus, and Sarah goes, not particularly suspicious--she’s never been to the up-campus buildings, because people are nervous around Sarah and, while she’s manages to make a friend or two, no one really invites her back to their room.  Into their space.

Sarah opens her door and stands there, staring, mildly shocked.

Apparently, she is now the proud resident of a senior-only dorm room, one of the very tiny apartments that are supposed to house two people, with a kitchenette and a couch and everything.  There’s no one else’s name on the other door.  Sarah is late moving in, but there’s no sign of anyone here, except--

The Goblin King is sitting at the desk in the bedroom that gets the most sunlight, feet kicked lazily up on the wooden top and playing a pair of crystals between his fingers, and he smirks at her.

“I know, I know,” he drawls, vanishing the crystals with a twist of his fingers.  “I have no power over you.  But the school’s quartermaster--”

“Registrar,” Sarah corrects automatically.  He makes a dismissive gesture.  “Did you--do this?”

“Of course,” Jareth says.  “This...situation is apparently the height of luxury at this institution.  You did so despise that fluttering creature--”

“Molly was perfectly nice--”

“--and I see no reason for you to endure her for another year.”

Sarah--should really say that he’s an interfering, high-handed bastard who pretends that he has the divine right to arrange her life to his liking, and keeps rules-lawyering his way around her totally legitimate freedom from his interference.

Sarah really doesn’t want to share a room again.

“What do you want in return?”  She doesn’t even pretend that she’s not suspicious, and he puts on an offended face, bringing his feet down and pressing his lips together.

“It is a gift, Sarah.”

...oh.  Sarah blinks for a moment.  He sounds--geniunely annoyed.  Gifts are, in her knowledge of the Underground and the fae alike, serious business.

She acts without thinking, takes a step forward and tucks her hair behind her ear, and kisses the high point of his cheekbone above his frown.  When she pulls back, she sees a moment of transparent, raw shock before he orders his face into a self-satisfied and haughty raised eyebrow.

“Don’t say anything,” Sarah tells him, feeling her cheeks burn.  “If you can keep your mouth shut, this might resemble a nice moment.”

“If I had known that I could claim debts in kisses--”

“You can’t!” Sarah interrupts loudly.  “Don’t get any ideas!  Now get out and let me unpack!”

29) Why do they fall a little bit more in love?

Jareth is already thoroughly decided that Sarah is eventually going to agree to be his queen, one way or another, by the time she finally sighs and opens her window and tells the owl that if he’s very very good, and doesn’t talk to Toby, and looks like a regular person, she will speak to him just to get him to stop lurking.  He breaks all of those rules very quickly, of course, but she doesn’t kick him out--instead, she yells at him, and he puts on his coldest and haughtiest voice as he snaps back at her, and it’s fun.  Jareth never could turn down a challenge, and it’s been a long time since he faced a challenge he might lose, and just like the first time, it makes him ruthlessly determined to win.

It’s not news to him, therefore, that he loves her.

She manages to lie, obfuscate, and generally bullshit her way around admitting what she does at school for nearly three years.  But she starts writing her thesis and slips up, and Jareth is stretched on her bed in the apartment he arranged for her like he lives there when he idly picks up a piece of paper and skims her proposal and she sees his eyebrow rise slowly before he holds it up at her.

“What’s this, precious?”

“Homework,” she says flatly.

“‘Thesis Proposal,’” he reads aloud, drawling.  “‘Sarah Williams.  Proposed title: I’d’ve Et Thy Heart of Flesh: Fairy Tales as a Portrait of Royalty Through History.  Majors: Folklore and...’”  His mocking drawl pauses, and he can’t quite hide his transparent delight as he finishes the sentence.  “‘...and Political Science.’”  

When he looks up from the page, she has a stubborn set to her mouth and a bright spark in her eyes, almost angry.  “It’s not about you, you arrogant prick, I picked my majors years ago.  Give me that, I need the notes.”

“And what do fairy tales say about royalty, dearest?”

“That they’re prideful jerks who steal kids for armies and play favorites--the paper, Jareth.”

“And what do you plan to do with your degree in politics?”

“Regicide,” Sarah snaps, and jumps out of her chair to snatch the paper out of his fingers.  He lets her, and smiles at the way she blushes stark red across her cheekbones and down her throat, and wonders whether she would like the emerald ring he’s kept in his private chambers for the past three years.

Mortals have been doing diamonds, for betrothals, but he thinks green suits her better.