#I’m not actually being smart here

[mike-haters-dni]

with peace and love and all the understanding that this is the least serious shit in the world bro what do you meaaaan mike’s love language isn’t words like brooo that boy is a yapperrr he tries desperately like once a season to tell eleven how he feels and is constantly telling her how amazing and important to him she is like his heart is constantly pouring out of his mouth so bad it’s actually a problem for him. he couldn’t say “I love you” because it was too scary and vulnerable because the words mean so so much to him like. cmon.

[noodles-and-tea]

For the twins in time AU, I genuinely wonder what kind of people the young twins grow up into because of Stan’s/Ford’s influence. Especially if it takes years for the portal to get fixed.

(Sorry if it seems like I already sent this question, I don’t know if it got sent the first time I asked)

I haven’t fully fleshed out how Ford grows up in the past but I do have thoughts on Stan presently

[pepperpixel]

Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god

[stellar-collective]

personally i don’t think that ieytd will be a full-fledged spy series until Agent Phoenix is forced to team up with Zoraxis/a former enemy thought to be dead bc the most important person in their life is being threatened. just my opinion

[lesbiansanemi]

Currently trying not to vomit over the fact that I essentially just lost almost a thousand dollars brb

[dj-wayback]

IS THAT NEEDLESS SEPERATION TELLING A CASUAL JOKE?? SINCE WHEN DID YOU GAIN CASUAL SNARK

I have a list of prepared jokes, however—I think you will be able to tell when I am going to make one.

[nonsensechemicals]

crying whenever i talk about Cookie9 because all my friends have these interesting and unique theories on them while i take everything too literally and they all just stare at me like “dude… uuugh we r TIRED” <-they dont actually say this they are very kind to me but i can Feel It

[kingpains]

on the bright side i’ve figured out how to make auto actions in csp and made one each for a blur/noise filter and chromatic aberration. with the goal of looking like a screenshot of something from cartoon network in the 2000s

it took So Much trial and error to get the chromatic aberration to work well but once i learned that the auto action can only happen to one layer at a time i got it down pat

[ceramicbeetle]

idk if i can fully articulate this but i find it like, Interesting how often people seem to flinch away from the notion of a character having a genuine difficulty in academic settings that is caused by Intellect — how often people will seemingly try to get around the idea by writing something that amounts to, like “No this character is Smart, they just struggle with XYZ and if they were Accommodated for that, then they wouldn’t struggle in school” but it’s like,, why do they Have to be ‘smart’ though?

[applecherry108]

Guess I’m starting a tag bc I cannot be stopped.

The AGONY of the faint leitmotif of “leaves on the vine” while iroh talks about how he owes Zuko 😭😭😭😭😭😭

[twistedappletree]

Who is the most perfect character in all of MDZS and why is it Jin Ling?

[sasugay-uwuchiha]

Me when I get 5 comments on my IG post

[hampdencollege]

heywhatsupyouguys it’s lee I was vesselofthebook and thesecrethistory1992 before that

[cassiedroll]

Everyone wants a himbo until you realise he doesn’t have a fucking clue that you’re into him even when your friend is wingmanning so goddamn hard.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[eowynstwin]

i’m drooling at ur older bf price (not much else to say except when/if u ever have more thots abt him please share 🙏)

previous

You curl in on yourself after sex, sometimes. It’s a pattern Price has noticed—you’ll finish, then he will, and in the humid moments after, the shutters in your eyes will close. You won’t meet his gaze.

He’s only asked once about it, and it had been so clear that the question disturbed you that he hadn’t pressed. You’d tell him, he reasoned, when you were ready—

(And he could nudge you in that direction in the meanwhile.)

The sink is put back together, cabinet door closed. Your sundress is wrapped and twisted around your midsection, naked breasts wet with his saliva and compressed against his chest as you lay panting on top of him. His shirt is in some far-off corner, thrown aside, and his jeans are around his knees.

“That was nice,” he murmurs in your ear, kissing your hair. He makes a home for his fingertips between your shoulder blades, walking the trail of your spine, up and down, slow as a tide.

“Mm-hm,” you say, out at sea. Far away.

He can’t deny that it disappoints him. But it isn’t about him, and he shouldn’t make it so. Even if it is about him, it isn’t actually about him—it’s about something else that has attached itself to him. Things are like that more often than not—deeper, older problems with hooks, the barbed kind that sink in and cling and won’t come out of their own accord.

So he keeps kissing your hair, and he keeps stroking your back. His softened cock hasn’t slipped from you yet, and he makes no move to dislodge it. You nestle closer to him; shift your body over his, a little, just for the feeling of it. He waits for the sigh—the long, steady breath you take after the act, after you’ve found yourself again in wherever it is you go after moments like this.

“This is probably weird to talk about after sex,” you say, and Price’s ears perk up.

“Nothing weird between us, dove,” he encourages. “What’s on your mind?”

You play with his chest hair a little, twirling it around with the manicured ends of your nails. (A manicure he happily paid for.)

“You’re the first man who’s ever given a damn about me,” you mumble into his neck.

“I’m sorry to hear that,” he says honestly. He kisses you again, because he wants to, and because he wants it to comfort you.

“You don’t make me feel stupid for not being able to do stuff on my own,” you continue. “My step—my mom’s husband. He used to make fun of me for, for getting confused about changing my car’s oil. Or he’d get annoyed at me. Or I’d need him to change my tires because I can’t do it on my own, and I’d call him for help, and he wouldn’t pick up the phone.”

“He sounds like a piece of work,” Price comments.

A younger version of himself would have offered to beat the shit out of the asshole. That self’s anger on your behalf sits radioactive in his chest even now—corrosive, roiling, righteous fury, ready to carve your name on whatever offal is left over after Price gets through with him.

But that would be for his own ego, not for you. That has no place here.

“Do you know—” and your voice breaks a little, “do you know how bad it feels when a man who’s supposed to look out for you treats you like you’re an idiot? Like you’re not smart enough to be worth helping?”

“Some,” he says. “It’s an awful feeling. I wish you didn’t know how it felt, dove. I’m sorry.”

He feels something warm and wet drip onto his chest, and your shoulders begin to shake.

It’s not the full-body, wracking cry of catharsis. Just an episode of something longer, something tired. A problem dealt with, over and over again—a wound that reopens sometimes, if it’s pulled the wrong way.

Price gathers you closer, wraps his arms around you tighter. He cups the back of your neck with one hand and murmurs “shhh” into your hair, soothing and quiet, squeezing you against him.

“I’m okay,” you say, a little watery. “Really, I am.”

“I know you are,” he says.

He tilts your face toward his, and kisses the center of your forehead. You meet his eyes with your own, wide and glistening with your tears.

“I’m always gonna help you, dove,” he promises, catching one that falls with the edge of his thumb. “And you can always ask.”

-

No I don’t have daddy issues why do you ask