#I’m getting that therapist

[onelonelyghost0]

A lot of horror is also dealing with how we are seen, like the Substance, and how we portray ourselves. Its survival, but not against others, almost against ourselves.

As someone who struggles with paranoia, who spirals easily, who legit draws eyes on themself so they can watch for me when I can’t, it’s a big theme of everything is out to get you. Other people, drugs, the new discoveries, the old things, your family, politicians. Everything wants to hurt you so you must stay alone and also you cannot ever be found.

It’s almost like we are afraid of others so much we have become so divided, we can’t even look at people in the group of others, nor can we stop othering them, bc if we do, we will become them, we will be hunted.

But we never thought the leopards would eat our faces.

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[lady-raziel]

every new therapist I gotta spend at least one full session recapping the entirety of unus annus cus they’ll be like “okay tell me about the last time in your life where you felt happy for an extended period of time” and then I have to lore dump the whole of a dead YouTube channel so they don’t immediately inpatient treatment me when I say “it was probably when I made that meme about two guys getting run over by a masochism trolley on the piss death channel”

[kindofsharethat]

i can’t believe i’m making this post. i feel sick to my stomach. everything is in a fog, like this is all a terrible dream.

i didn’t know liam personally, but even just watching him move about life being his tactile, steadfast, human-labrador self with boundless amounts of love to give, even if it meant taking on the brunt of others’ pain himself, as a bystander has been an honour and a privilege.

he had a talent—a true gift—and chose to share that with us. and through that talent, as a disabled high schooler who literally had trouble finding my voice and never fit in anywhere, i found a community. a home. somewhere i knew i could always turn, through the good times and the bad. in many ways, one direction saved me. there’s no “thank you” that feels big enough to encapsulate what he did for me and so many others.

all my love and well wishes to his family, friends and whoever was lucky enough to be in his orbit.

rest in peace, liam. ❤️

[corneredcopia]

Incoming spoilers!!! I just wanted to ramble a bit about that stone scene:

I think the scene besides the final speech that broke me the most was definitely when Stone called Ivo to warn him about Gerald. (Keep in mind I’m paraphrasing some parts here bc I didn’t have their entire dialogue memorized and it’s 2am so I apologize if some of this is just incoherent lol)

Desperately pleading with Ivo to think twice about Gerald was a tricky play because I think Stone knew Ivo most likely wouldn’t listen to him and stubbornly ignore his warning. And yet…he still poured his heart out to him in the most heartbreaking way.

There were no “please, I need you’s,” and there were no attempts to get Ivo on his side by boosting his ego in that moment.

Stone had crawled through the mud, out of a giant mech submerged in the water nonetheless, just to say a few choice words to Ivo, “I’m not there to protect you,” and “I almost lost you once I can’t lose you again.” (Again, I’m paraphrasing)

Both of these lines have been eating at me for the past few hours because it’s so surreal to be able to see how much Stone cares for Ivo unfiltered. We hear him use ‘I’ instead of ‘you,’ not telling off the doctor but making his own needs clear in an attempt to get Ivo to realize what he can’t on his own.

If it wasn’t obvious to Robotnik from Stone’s delighted reaction to his return in Sonic 2 and the months they’ve lived together, Stone is making it obvious now. (Where Rob will realize later on) His loyalty is a bond beyond professionalism and sycophancy to the point where Rob’s safety is more important to Stone than anything else in the world. Even dissatisfying him.

Yes, he craves affection from Ivo and clearly knows how much Gerald means to him, though I think Stone would much rather have Ivo hate— absolutely despise the agent’s existence—than to ever know the doctor was in pain again.

And leading up to the ending, when Robotnik finally snapped out of it and had a few seconds to think over the entire past decade of Stone’s service to him, is where I believe Lee’s words fit.

“I think Robotnik needs Stone more than Stone needs Robotnik.”

In his “final” moments Robotnik’s increasing need for Stone was so apparent it melted down his own selfish core, and I believe that this was the driving factor to push him to save the planet.

So if Robotnik is now gone, Stone served his purpose for the man up until the very end. Sure he’ll live out Rob’s legacy as the doctor bestowed upon him, but he would do so as a changed man. A changed, lonely, man.

Their relationship ended up saving the world, yet, the world couldn’t end up saving their relationship.

[galacticturnip-art]

“Garak, let go! I can’t see the injury if you’re gonna hold my arm like that.”

“Forgive me, Doctor. I’m just a little nettled by the dynamic imbalance of our professions. You are always having me on my back to take care of the tiniest of scratches. And yet I have you perfectly standing still with every collar alteration or hemming of your pants. I would hardly call that a fair exchange, would you.”

“Hm. And here I thought you always enjoyed the access to my pants.”

- blurb courtesy of Andrew, the bestest creative collaborator 😋

[danandfuckingjonlmao]

people always talk about edwin being an older ghost, and he technically is, but he doesn’t have any more experience being a ghost than charles. he was in hell from the moment he died to the night he met charles. he died at 16 and then did not get a chance to go through any growth or learn anything in hell other than torture—he lost those 70+ years. functionally, neither of their afterlives start until they meet, and they have to (get to) learn how to be ghosts and how to exist in this form on earth together every step of the way. anyway, what are you procrastinating right now? i’m procrastinating an essay that was due 4 days ago AND an essay that’s due tomorrow 🤠

[dandyleyen]

everyone say thank you to dunmeshi for somewhat helping me rekindle my relationship with food via me thinking “Senshi would be proud if I ate a healthy dinner, actually” .

is it silly ? incredibly. is it helpful ? incredibly.

[idontmindifuforgetme]

I honestly don’t do heavy introspection anymore I just go “huh my hormones are acting up” whenever I feel an unusual amount of human emotion about something and call it a day

[sleepyy-27]

Took an lu uquiz

First of all how dare you-

[stari-hun]

I get having an issue with a lot of “good” ending AUs in Mouthwashing ending with murdering Jimmy or something, but I think the issue should be more with how heavily needed he is for the plot. Like as a fictional story he’s still very important to the message that Wrong Organ wants to tell and the story they wanna show. The point of having no autonomy as a player is to force you to sit down and listen because let’s be real if we had even 2 canon endings then people would go even more stupid than now. Mouthwashing is inspired by real stuff that happens (SA, “holding off” on getting justice for it for the sake of the group, people who ignore the actions rape culture perpetuates then becoming victims of violent acts on their own, etc etc).

We just saw a CEO who’s indirectly responsible for the deaths of thousands of people being murdered and the public response that followed. As a society we’ll literally always question whether or not the death of someone bad is a good thing, but we’re much more likely to have outcry with it when it’s so blatant. Someone dying behind closed doors or “softly/peacefully” , generally a non disruptive death to the general public, it’s held with significantly less outcry. A lack of tension doesn’t guarantee the presence of justice.

I think that Jimmy being killed to save the group should also be recognized as an equally viable option in the same way Curly’s decision to hold off on angering him more until they got back to safety was valid.

Curly holds a very important role as the Captain of the Tulpar which at the end of the day means that no matter what any and all mishaps ARE on him. Being a leader means taking on the responsibility of care for others, and considering him being the sole member kept by the Pony Express, Curly was GOOD at his job. With all the fights we see between Daisuke and Swansea with him trying to chase Swansea away? Keeping them together for months was a pretty great feat. Anya asking Curly why there’s no locks on the doors of the sleeping quarters is a very significant moment, and there’s a reason why the majority of women who do playthroughs instantly understand the implications while men don’t. It’s also a big part of SA culture. Despite the very real chance of men becoming victims too, it’s something they just aren’t taught to fear or think about as a possibility. It never crosses their minds that that will happen to them or someone in their general vicinity if they “know” everyone. It’s the concept of every woman knowing a victim but no man knowing a perpetrator. Curly genuinely and fully believes in Jimmy’s potential and personhood after knowing him for so long even though logically he’d have the most exposure to Jimmy’s aggression and seeing the way he treats women. As a Captain, it’s Curly’s fault for not connecting the dots or noticing what was going on, or taking more action from the start with the way Jimmy treated Anya despite the fact that Jimmy was more than likely passive aggressive towards Curly as well. Albeit for extremely different reasons with Jimmy looking DOWN on Anya for being born a woman while he dislikes Curly when he perceives Curly looking down on HIM for having more success in life. It’s no coincidence that Curly’s narrative “punishment” is being robbed of his autonomy and choice like Anya was.

The role of taking leadership and looking out for the bigger picture as a whole and ignoring a dead pixel or the unimportant things until perceived bigger issues are taken care of is the JOB of the Captain. For what Curly knew, Jimmy was a problem but hadn't escalated past what he had ever directly seen of him doing, he was in check. When he's a potential threat it makes sense Curly chose to wait until they were in a safer location than closing in on an asteroid field, but ignorance is also a sin especially when you're proven to be a good leader in all other moments.

[pixlokita]

Me: this is Halloween this is Halloween

-therapy starts-

Me: -fighting off PTSD and tears-

-therapy ends-

Me: -sniff-

Me:

Me: this IS HALLOWEEN

[lesovyart]

they have me in a chokehold tbh

[pirateprincessjess]

You are not a puppy girl. Youer a human thinking that your a dog is a sign of serious mental illness get a fucking therapist and stop exposing us to your psychosis

My therapist is sending me a puppygirl care package. It’s got human teeth safe dog toys, and treats in it! I’m actually very excited!

[televisionlassie]

Me watching people pretend Wally west (and sometimes Roy)’s children don’t exist so that they can be Dick/Jason’s boyfriend

[jonahmagnus]

This is so fucking funny. Like do you think he wrote this himself

[crayonnthief]

⚠️FW at the end⚠️

POV Family therapist ^^

Context? Nah. Maybe later.

Have not animated in months and someone requested mikey angst ^^ so boom!

More art coming soon!

Glad this is done. Took forever.

Also note! If people really don’t like the flashing (at the very end) I can get rid of it! :]