#I’ll probably make an actual analysis of this later

[schrodingerscal]

Hot take! Melanie “Anything for the Viewers” King and Jonathan “B&E is normal for an 8 year old” Sims would have been BESTIES if it weren’t for the entities and Jonah’s influence.

I love seeing them be friends who are constantly mean to each other as a sign of affection. Bullying is my love language.

[thestarrynightslover]

The Trials of Dating in Secrecy

Pairing: Harvey Specter x Reader

Word count: 2,374

Warnings: Discussion, yelling, some angst, workplace romance, nudity, and verbal sexual harassment (all very light).

Summary: Okay, so this one features a bit of work issues (workplace romance), and a bit of jealous!Harvey + Harvey taking care of his girl, as requested by Anon.

Disclaimer: I don’t own the show Suits, or its characters, also not associated with it in any way, or know anyone involved with it.

A/N: Well this is the first request I took and I’ll admit that it was a bit challenging, not cause it was particularly hard but because I wasn’t super inspired at first, nor did I have the time. Though, now, I think it worked? Idk, don’t feel like this was my best work either but feel free to leave some feedback, and thanks for reading!

(y/n) = (your name) (y/l/n) = (your last name) (y/n/n) = (your nickname)

| masterlist |

“Seriously, Harvey!” You let out annoyed. “I think I should probably go home now,” you said, thinking that if you did go home you could keep yourself from saying something you might regret later. 

“Oh, really? So now you're mad at me because I’m simply asking a bit more of this relationship?” He asked, looking ready to have a full-on fight.

“No, Harvey! What I’m actually upset about is how you’re making today all about yourself and your needs, when I’m the one going through it all!” You really didn’t wanna shout but the little bit of patience you had left vanished when his questions reminded you of the little stunt he’d pulled today.

Earlier that day, at the firm, you had been giving a consult to a prospective client on an intellectual property lawsuit he may be looking at and the guy seemed a bit disinterested in his own situation, giving you — and by you, you mean your body — most of his attention. But that was fineish, it was a regular occurrence, being a young woman in that field, so you didn’t really mind it anymore, at this point — after all, ignoring the occasional sexual harassment was usually the easiest route to advancing in your career. The problem was that the man started interrupting your professional analysis to hit on you, and eventually, he reached for your forearm, caressing it as he spoke. And that was exactly when Harvey, the man you’d secretly been dating for about 7 months now, decided to walk into your office. As he entered your office, you yanked your arm out of the man’s grasp but you couldn’t shut him up just as quickly, so your boyfriend got there just in time to hear a “So, if you really like yourself a sturdy stallion,” he pointed at a framed picture of you riding a horse on the wall behind you, “you should ride mine, someday. If you know what I mean,” he finalized with a wink, and how on Earth could you — or anyone hearing that — not know what he meant when he had said it so suggestively? 

“What did you just say to her?” Harvey’s voice came sharply, indicating he was about to get into a fistfight with the man who was probably not going to be your client now.

“Oh, we’re just chatting about- uh, who are you, again?” The shorter guy had the nerve to ask.

After that, Harvey was so quick to hoist the man up from the chair in front of you, by the collar of his dress shirt, that you didn’t even have time to react before he started punching the guy right in the face.

“I’m her boyfriend, that’s who I am! And you will be out of here before I take you out myself.” The man didn’t fall backward solely because Harvey had a hold on him, still, so he just stared at the other attorney in shock. “What are you looking at? Get out!” Harvey shouted once again, tossing the man towards your office door.

After that, you tried calming Harvey down but you barely had any time for it before Jessica and Louis barged into your office, revolted by their partner’s behavior and asking what had gotten into him to attack a prospective client like that.

“The prick was propositioning my-” But you cut him off before he could complete his sentence.

“He was harassing me during the meeting, and Harvey walked in and heard it, and, as a good colleague, he wanted to defend my honor, I guess,” you said with a short, humorless laugh while making air quotes with your fingers.

“A good colleague?” The tall senior partner asked quietly, hurt pooling in his eyes.

“Well… That’s terrible but you know better than to do this, Harvey,” Jessica told him.

“You know, I’d never thought I’d see the day you would act like such a caring gentleman for anyone, Specter,” Louis added, as always, eager to make things worse. “And, (y/n), at the very least you need to reach out to that man and take him out to an apology dinner. Because you are well aware of how important it is for you to get more clients.”

“Yes, I-” You stopped what you were saying mid-sentence because the man you loved was storming out of your office and all you wanted to do was chase after him.

“And now you’re gonna let him get off with that shit he pulled this easy?” Louis shouted, obviously trying to be heard by Harvey too. “I mean, this firm is turning into a complete mess, Jessica! It’s like you can’t control your office anymore! A junior partner who barely has her own clients and a senior partner battering prospective clients? We’re gonna go bankrupt like this, if not sued for malpractice altogether! And-”

“Louis, will you shut up, for God’s sake? I’m the managing partner and I’ll deal with both of them. Now go and let me talk to (y/n) alone!” Your boss responded, making you apprehensive about the conversation you were about to have with her.

As he left the room, Jessica motioned for you to sit on the couch with her. “(y/n), first of all, are you okay? Because if that man did something to you, then…”

“No, no! The harassment was just verbal,” not that that made it any better, you thought to yourself. “Harvey intervened before it could get to that.”

“Right. Well, that’s a relief.” She paused for an instant, giving one of those smiles she used when she was going to convince you of something unpleasant. “Now, as much as it pains me to admit it, Louis is right. You need more clients. I didn’t think it’d be good to tell you this after our conversation but the board has been pressuring me about making personnel cuts. Directed mostly to the partners who aren’t producing much. And you know that I like your work, and see your value to the company but those old men in suits only care about numbers, so if you don’t manage to bring in a new client by the end of the week… I am going to push for you to go after that man’s account again. Using whatever means necessary.” She declared, still sporting that smile. “Are we clear?”

At that, a defeated “Yes, Jessica” was all you could mutter. And then she left. And all you could think about was how you’d somehow managed to screw up both your professional and personal life, all at once.

Leaving work that day, after setting up four meetings with potential clients for the following days, all you could think about was making up with Harvey, so you went to his place to talk. And that’s how you got to the argument you were having now. He was upset about the whole ‘good colleague’ thing and you were upset because you could have handled the situation without burning that bridge with the guy, which was multiplied by ten when you remembered that you were on deadline to get more clients — something you hadn’t told Harvey.

“Making it all about-” He’d started saying angrily but stopped himself and his voice instantly took on a soft, caring tone, “wait, what do you mean you’re going through it all?”

Now you realized what you’d said.

“Uh, I meant nothing. I was just being dramatic, is all,” you stated unconvincingly.

“No, that doesn’t make any sense. If anyone is dramatic in this relationship, it’s me and we both know it,” he said, making you crack a small smile, thinking of how right he was. “So tell me, honey, what’s going on?”

“I, um, I’m being encouraged, or, better said, ordered to expand my client list.” There, you’d said it.

“What? Why?”

“You know why, Harvey. You just can’t be a partner at the firm if you don’t bring enough money in.” You told him, defeated.

“But… but you’re so good! You bring such good attention to the company’s name, your clients might actually be more satisfied with your work than mine, and they are very satisfied with my work,” he said matter-of-factly with a grin on his face.

“Yeah, maybe. But you might not know this because you've always been a man and Jessica’s protégé but for the rest of us, women trying to be successful at Pearson, the bar is just much higher, babe. And they're threatening to take away my partnership, maybe even my job altogether, if I don't get it done,” you finally finished your confession with teary eyes, even though you didn’t want to cry about it.

“That’s… that’s just unacceptable!” He let out, running his hands through his hair, “Did- does Jessica know about that? Because I can-” He tried to go on with his speech but you cut him off.

“She knows, Harvey. She says she likes my work but her hands are tied.” You let him know, sighing a little.

“But… that’s not… that doesn’t make any sense! It’s just not like Jessica to give in like that…” Harvey commented, starting to look defeated as well.

“Maybe when it’s about someone like you. But with me? She might not even be trying all that hard.” To which he responded with a mischievous glint in his eyes, perking up.

“Then, I’ll talk to her! I’ll tell her that, if she doesn’t secure your place in the company, I’m going to start listening to those offers I get all the time!” He said smiling widely this time.

“Harvey! You can’t do that!”

“Why not?”

“Because it’d be incredibly stupid, and unprofessional, and-” You didn’t wanna finish your sentence but you had to. “And, that way, she’ll know.”

“Know?”

“About us. That we’re dating,” you finished sighing again.

“She’ll kn-” he stopped mid-sentence, full of disbelief. “And what’s so wrong with that?”

“Harvey…”

“No, don’t ‘Harvey’ me, (y/n)! If you don’t want me to help because it’d be unprofessional, then that’s okay. I can understand that. But what exactly are you trying to tell me, huh? That our relationship’s never gonna see the light of day? Or are you trying to break up with me?” That last question came out of him in such a low tone you could barely believe had come from him.

“No! Of course I don’t wanna break up-”

“Then tell me what do you want? Because I don’t understand why I can’t tell the world that I’m your boyfriend. I don’t get what’s so wrong about your boyfriend telling off a prick who can’t keep his hands to himself around another man’s woman-”

“Do you seriously think now is a good time to be possessive?”

“Oh, honey, I am possessive by nature. Especially around you,” he stated coming closer to where you were standing. And you could do nothing but welcome his warmth, after all, it’d been a long day.

As you stepped fully into his embrace and rested your head on his chest, you told him “I love you, Harvey. I don’t wanna break up with you. And I want you to tell the world that I’m your girlfriend, even Jessica,” hearing that, his eyes lit up. “But, as much of a prick as that man was, you need to understand that I can handle myself and that you need to give me space to make my own way at work, just like you made yours.”

“You’re right.”

“I know,” you joked, trying to shrug your shoulders at him.

“And I won’t try to interfere at work anymore. But don’t think that I’m just gonna stand around doing nothing if I see someone trying to mess with my girl again.”

“Well, that-”

“I’m not done yet,” he said, silencing you in an instant, “you should also know that, when you’re home with me, you’re mine to take care of.”

“Yeah? And how exactly do you plan on doing that?” You asked him with a smug smile.

His only response was swiftly picking you up and taking you to his suite’s bathroom, where he gently sat you down on the edge of the tub, just to start running the hot water into the bath he’d already filled with delicious-smelling bathing salts. “Wait here, baby.”

A bit later he came back carrying some candles he started lighting with one of the matches from a box he had in his other hand.

“What are you doing, Harv?”

“Just come over here,” he said after having spread the candles all throughout his spacious bathroom. They were scented too, you noticed. The second you reached him, though, instead of holding you close, he started taking off your clothes, slow and gentle, piece by piece. Which he followed up with little kisses all over your now bare skin. After being satisfied with his work of making you forget everything, he picked you up again and, this time, carefully dipped you into the bathtub. “Now, you just lay back and relax, darling.”

“You’re not joining me?” You asked him hopefully.

“No, I’m taking care of your dinner,” right after he left, though, one of your favorite songs started playing softly on a speaker he’d set somewhere.

You probably dozed off in that tub, because before you knew it you were being held by your boyfriend in his bed, still completely naked. “Hey.”

“Good morning beautiful,” he greeted you with a grin, “you know, you were taking so long to wake up, that I was starting to think that the breakfast I made you was gonna get cold.”

“Wait a second, last night you were making me dinner and this morning you made me breakfast… two for two! What’s happening to you?” You asked, giggling like a child.

“Nothing, nothing! It’s just… I told you, at home, I take care of you, that’s all.” He told you while he guided you out of the bed, handing you one of his shirts altogether. 

“You know, you keep saying ‘at home’ but this isn’t really our home…” As you put on his dress shirt, you followed him towards his living room. 

“It could be…” And that’s when you saw a set of keys at the dinner table by the cutlery.

[elementroar]

Analysis behind the backstory and personal story arcs of A.B.A. and Paracelsus (part 1)

Sorry for the people who waited. Technical and real life delays and all that. On the positive, I happened to run into new resources in the past two days that have helped lining up the facts easier.

Anyway, I originally wanted to compress all the lore into a single post, but I find it’s so much more massive once you really dig into the analysis between the story across multiple mediums, the in-game animations and interactions etc. To make this more readable for you all and to make creating these posts faster, I’m going to separate them up into parts that focus on different facets of their relationship and lore as I progress through them.

This first part goes into their origins, and I hope this big post helps to thoroughly explain who/what A.B.A. and Paracelsus are, their backstories prior to STRIVE, and my own analysis sprinkled on top. I want to try to keep the info/lore dump minimal and focused, so if I mention a character without elaborating, I’ll leave a link but if I’m not elaborating more, it’s because they’re not relevant to A.B.A/Paracelsus' stories that much.

Related links:

Analysis of Paracelsus' initial bloodlust and its longlasting effects on A.B.A (Part 2)

This is the "Why ABA and Paracelsus can feel horny" lore/theory post

Flament Nagel - Paracelsus’ true form theory

The Red King and White Queen alchemical concept in A.B.A and Paracelsus’ relationship

The beginning with A.B.A.

First off, to introduce their individual origins, it’s easiest to start with A.B.A. She’s a homunculus, an artificial lifeform created by a scientist in his mansion, which was located in the mountains of a region called Frasco or Flask. But before she was ‘born’, her creator had been taken away by the military for his skills in creating artificial life, and so A.B.A. woke up alone.

Despite this, within the 10 years she spent alone in the mansion she was able to learn to read, write, and even create some alchemical magic (seen in some of her attacks in games before -STRIVE-). It’s assumed either she was created with a set of memories and skills, or she naturally learns very quickly. It’s probably due to reading leftover journals and research materials that she even learnt her creator’s name was Paracelsus.

Technically, A.B.A. could’ve left the manor quite easily, there was even a village not far from them. However, she understood that she knew nothing about the world outside and was scared to leave the safety of the manor by venturing outside to explore the unknown world. But she did yearn for freedom and to leave Frasco, so she took to fixating on keys, which she found fascinating in being able to unlock doors to different places.

In the last bit of her 10 years in Frasco, A.B.A would accidentally cross paths with the hidden the demon axe Flament Nagel (which she would later rename to ‘Paracelsus’ in honour of her creator, or just cos that’s the only other name she actually knew).

What’s a demon axe doing here anyway?

So what is Paracelsus? He is what’s known as a magical foci, which are objects or even people that get a soul or a collection of memories/emotions/desires attached to them, which eventually leads to them gaining sentience and often supernatural abilities. They draw from the Backyard, which is basically where the information that makes up all reality is stored in the Guilty Gear world, and also the source of magic. This is the origin of ‘demons’ within the GG world, like Paracelsus.

The story of how Paracelsus/Flament Nagel ended up in Frasco actually involves the ancient Nightwalker (technically not a vampire but he's basically a vampire without the bad stuff) known as Slayer.

Now Slayer is this incredibly old, incredibly strong vampire Nightwalker, who nonetheless is a very nice guy who doesn’t need to feed on regular people because his wife, Sharon, is a deathless woman that he can feed on indefinitely without worrying about her dying.

Because of his immense age (AFAIK he’s the oldest of the main GG cast) and overwhelming power (he always holds back in-game), he has very insightful observations of Paracelsus and A.B.A.

The following screenshots are excerpts taken from the English transcript (available here) translated from the Night of Knives Vol.2 audio drama CD (you can listen to it here), and are from the perspective of Slayer recounting his encounters with Paracelsus and A.B.A.

Sometime near the end of the 100 year long war between Gears and humans known as the Crusades, Slayer was roaming a battlefield and came across a mountain of corpses of both Gears and humans. In the middle of it was a wandering blood covered warrior that was swinging an axe wildly. After confronting the man, Slayer realized that it was the axe that was the true master, the man had already lost his mind and was under its full control.

That axe called itself Flament Nagel aka the Flaming Nail, or the Sanguine Gale. I'll still be referring to him as Paracelsus at this point in time though.

Now magical foci start off simple-minded, only repeating small word fragments, and evolve over time to become more intelligent and sapient. At this point, young Paracelsus was a demon axe who had just gained sentience on that battlefield. Hot-headed and hungry for blood, and wanting to prove his combat superiority, he challenged Slayer and got curb stomped. Slayer was disappointed in how primitive Paracelsus still was in mind and soul, so he left him there to rust.

However eventually, Paracelsus was picked up from that battlefield and was sent to the alchemist Paracelsus, creator of A.B.A. We don’t know if the alchemist knew what the demon axe was, or whether he even requested him specifically for research. But the alchemist ultimately didn’t let Paracelsus out, not letting him take control over him and hiding him somewhere in the depths of his mansion.

(Inaccurate information removed, updating with A.B.A.'s JP GG World entry from XRD)

It would be after A.B.A.’s 10 year long isolation that she decided for reasons unknown, to leave the mansion and explore the outside world. By pure chance, she comes across Paracelsus, who because kinda resembled a key, she immediately picked up and she fell in love with him and decided they were married from then on.

Becoming her key

It's always been known that Paracelsus has some form of empathic abilities, and that he could tell that A.B.A. was fixated on keys and assumed the shape of a giant key to entice her to wield him. This was also the first ‘manipulation’ that Paracelsus admitted he had done to A.B.A. during their heart-to-heart talk.

It’s been further clarified in this recent interview, that it wasn’t so much Paracelsus deliberately taking the form of a key to attract ABA, but because ABA had been so heavily fixated on keys that she saw Paracelsus as a key straight away. That image she had of him as a key seemed to immediately imprint itself on him the moment she touched him, because of his true nature as “an axe (that) transforms into the owner’s image” of what his wielder wants him to be.

Slayer actually did mention this was likely the case over 20 IRL years ago in the audio drama CD, when he observed Paracelsus behaviour with A.B.A. in their second encounter.

Because A.B.A. never sees Paracelsus as a weapon, Paracelsus began to change to fit her ideal of what she saw him as, to become something more than just a weapon, and allowing Paracelsus to truly change and evolve physically and emotionally.

It’s important to note, Paracelsus isn’t bound to his wielder, and he doesn’t HAVE to allow this to happen either. Despite being dragged around by A.B.A. and acting like he has no autonomy; he actually has all the power to stop her from the start.

As Slayer notes, Para still has the power to completely take over A.B.A. 's mind and force her to do what he wants if he is truly unhappy. However he has never even threatened A.B.A. with this ability, and if not for Slayer knowing his past, no one would know Paracelsus actually can do this.

Whether consciously or subconsciously, Para was becoming more than just a demon axe from the moment he met A.B.A., and in his heart of hearts, he was begrudgingly accepting of his then situation-ship with her.

Fast forward to STRIVE and it's shown that he still continues to evolve to fulfill her 'vision' of what he is. When described as becoming more key-like, it's more obvious when you place both his old and new design side-by-side.

Notably, the blade part of his axe form has gotten smaller by STRIVE, just as he has sworn off violence and bloodshed by STRIVE.

It's even shown in how A.B.A. wields him., especially when Para partially possess or influences A.B.A. in his Muroha mode in the old games (mechanically this is the Jealous Mode in STRIVE). A.B.A. would wield him like a proper 'axe' blade-first in XX/ACCENT CORE. In STRIVE, since A.B.A. is now the dominant one in Jealous Rage mode, she doesn't wield him like an axe and now wields him by...bashing his head into people.

(Also I'll be going over the in-game animations and what they convey in a future post, don't you worry! You can view the comparison compilation here first.)

This even is shown in how A.B.A. uses Paracelsus as an actual key in her Overdrive "Keeper of the Key", which is a new move for her.

If we go further, I have speculated in this semi-crack theory that due to A.B.A. also interjecting her ideal of Paracelsus being her spouse over the years, that him actually 'reacting' to her advances now could also be an example of his evolution.

Even if he's trying REAL hard not to.

Hope this was an enjoyable read, let me know if you have any suggestions for improving readability or other stuff. Feel free to ask me questions through the inbox in the mean time that I'm working on the next part.

The next part is going to be analyzing and comparing Paracelsus' XX/ACCENT CORE Muroha mode to STRIVE's Jealous Rage mode, which has quite a bit of detail from comparing their effects on A.B.A. in in-game sprites/animations, plus how it reflects on the change in their power dynamics between games.

Edit: Part 2 available here

[matenr0u]

Riku: Island Breeze

I was going to put this in my combat analysis, but it absolutely deserves its own post.

In 358/2 days, Riku wields Oblivion/Bygone Memories for the final encounter he has with Roxas. Having called out to him and realized that Roxas really is Sora’s nobody, Riku goes all out to bring him to Castle Oblivion where his best friend is sound asleep, having his memories pieced back together. 

During this iconic battle, Riku is specifically vulnerable to Aero: the power of wind. 

Why is this relevant, you might wonder. Riku is associated with a fair handful of things: bat wings, darkness, fleur-de-lis, but not wind.

On the contrary, Riku has a little known fondness for the wind. You could even say, it makes him feel nostalgic.

Fair enough, Roxas can hurt Riku with the wind because he misses the island breeze. Neat gameplay detail, no big deal. But if I can compel you to peer just a little closer… Because this is Riku— the guy who spent his days gazing enviously at the sea and the sky and brooding over his dark angsty feelings. This time, it actually is that deep. 

In other words Riku is weak to Roxas’ Aero attack because it reminds him of Sora.

Sounds like a reach, right? Allow me to demonstrate.

This passage alone is insane, but there’s more.

While Riku is elsewhere in Castle Oblivion reminiscing, Sora battles Repliku for the first time. This is before they have both been consumed with false memories.

Everything about this exchange is so Riku. It’s all of the real Riku’s messy, complicated feelings dialled up to 100 and Repliku doesn’t even understand why he’s having these thoughts. Sora is clueless of course.

So he runs away, and as he leaves, Sora picks up this…

After defeating Repliku, Sora finds the Aero card. The island breeze. Riku’s memories of chasing each other, rolling in the sand together, of jealously watching from afar as Sora and Kairi grew closer.

The way poor Repliku’s dramatic ass just drops it and runs away lmao

Some time later, following the second battle against Repliku, Sora obtains his lost Oblivion/Bygone Memories keyblade after talking to Namine. Wonder why Namine had that keyblade. Probably just a coincidence…

I’ll close this post with a few more of Riku’s thoughts.

Other Diamonds:

Chain of Memories:

“The wind brushed through Riku’s hair.

I wonder if I really will meet someone from my memories in this castle… I want to meet— Sora. More than Kairi, more than anything, I want to see Sora. I want to see him— and apologize.”

Translation credit: goldpanner, keijitranslates

[thou-babbling-brook]

Maria Thorpe Character Analysis

Well, I simply can’t disappoint the people – aka, the five of you that will read this, lmfao. I’m so serious about this that I’m actually drafting this on a Google doc before I post this rather than just typing random thoughts on my phone. This is going to be a HUGE ramble that probably won’t make a ton of sense, but I hope it’s entertaining regardless. 

Maria Thorpe – a character that Ubisoft probably spent MAYBE thirty minutes thinking about, but that I have not stopped thinking about for like, five years. What a gal. So glad I was not in this fandom in 2012 to witness how HEINOUS people were about her for simply being a woman “in the way” of a M|M relationship. I hope by the end of this ramble, you, too, will see her for the baddie she truly is. 

In this essay, I will delve into Maria’s character to explore why she is so fascinating to me, the implications of her story, and why Ubisoft can actually catch these hands for dumbing her down in AC Revelations. (I'm putting a cut here because it's so fucking long I'm sorry gang)

First off, to understand Maria Thorpe as a character, you have to understand her background. I’m not going to copy and paste her Wiki or anything, but I am going to outline her life (stated and implied) before we meet her.

For those that don’t know, Maria was born an English noblewoman in 1161 – four years before Altaïr was born (okay cougar). Because she was a tomboy and defied many of the social norms for women in the 12th century, she was ostracized by both her parents and her peers. She mentions in The Secret Crusade that her parents tried to force her to conform, which culminated in her first marriage at the age of 18 to Lord Peter Hallaton. She mentions that he was a decent husband, but he didn’t exactly appreciate her more boisterous nature. After all, in 12th century England (especially among nobility), women were to be seen, not heard. She also failed his expectations as a chatelaine and a wife, as she bore him no children. The Bishop of Leicester granted them an annulment to avoid embarrassment to both Peter and Maria’s family. When she returned, she was “persona non grata” to her family and the whole of Leicestershire, especially when her father had already spent her dowry. With no other options, Maria ran away to join the Third Crusade, where she eventually met Robert de Salbé.

You may notice that we don’t actually know a lot about Maria and her life before AC1, which is probably intentional. To me, though, that’s what makes her backstory fascinating – the implications of her environment and what we can reasonably deduce she went through based on historical context. I think anyone who’s taken a seventh-grade social studies class could tell you women had, like, zero rights in 12th-century England – even more so, noblewomen. Maria was raised to be a glorified broodmare – say nothing, have children (two boys and a girl, as she jokes), and run her husband’s household. Clearly, she was the exact opposite of all of these things. Something interesting about Maria’s first marriage is the fact that while it was an annulment, she specifically mentions in The Secret Crusade it was an annulment to save her family further embarrassment – which implies that the marriage was consummated, but all parties wanted it done with. I don’t think I need to elaborate on how common and horrific an experience like that could be, but I think it fuels Maria’s relationship later on with motherhood, especially since she mentions that she was completely uninterested in childrearing and birth (this is a key point I’ll touch on later).

So what? Why does her background matter? It matters because of how historical and cultural context tie in to help form who she is by the time she leaves for the Third Crusade – a desperate, twenty-two-year-old woman, divorced, ostracized from the only family and society she has ever known, having no other choice than to ditch England and head for the Holy Land unless she wants to become a nun. For many men and women alike in the 12th century, this was their only opportunity to become something more than what they were born as, whether it be a serf, a blacksmith, or a noblewoman. Many who left for the Third Crusade left to “take back the Holy Land,” but also to escape or improve their current standings. To me, Maria falls in the second category, and it is this desperation to escape her life that forms her most notable (and later, tragic) characteristic: her undying loyalty.

As a side note, it is also interesting to me that Maria chose to be a soldier rather than a nurse. This is more so my characterization of her, but I think that’s because a) she’s too damn proud and loud to be a nurse, and b) because if she was a nurse, she would more than likely live and be treated the same way she was at home. Truly, if she wants to escape the patriarchy, the only way a woman like Maria could at the time was to join it by blending in. Girly get some therapy.

We’re now at AC1 in the timeline. Hooray! We don’t know when exactly Maria joined the Templars or when she first met Robert, but we can probably assume it was not long after she joined the crusade. As we know from AC1, AC Bloodlines, and The Secret Crusade, Maria disguised herself as a man (more than likely a young boy since she’s got a voice that would fit right into Alvin and the Chipmunks) and was able to keep up the rouse long enough to rise in the ranks and show promise to people like Robert. For Maria, when Robert finds out she is a woman and yet elevates her further, it is the first time in her life that someone has appreciated her for her masculine qualities. It is why she develops an intense loyalty for Robert to the point of being willing to be his decoy, despite the fact she fully anticipated dying. For Maria, it would be her ideal end – fighting to the death for a cause she truly believed in. Not even really a cause, as we figure out later, but more so for a man she truly believed in – Robert. It would not be through the pain and subjugation of childbirth like most women of her standing, but a brutal fight like any other man.

And yet – she doesn’t. When Altaïr meets her, he’s undergone a whole development arc, whereas Maria (at this point 30, which is SO funny to imagine her fistfighting this 26-year-old frat boy) is at the start of hers. And it starts with Altaïr sparing her – the worst possible fate that could become her at this point in her life. Think about it: the only person who has given her an OUNCE of respect has asked her to essentially die for him by acting as his decoy. As Maria mentions in AC Bloodlines, by this point, she is also a step away from becoming a knight – and at this point, she’s also known as a woman among the Templars. And yet, she believes they have become her family, and she is willing to die for their cause and for Robert. When Altaïr spares her and kills Robert, he’s sentencing her to the life she ran away from and feared – being nothing more than a woman who is looked down upon with condescending snarls and disgust for who she is.

This is why when we meet Maria in AC Bloodlines, she is rightfully PISSED. We literally see her realize that any ounce of respect and power she had is completely gone because Altaïr spared her. She is so pissed, in fact, that she tries to kill Altaïr again. This is even funnier when you remember how much of a BITCH it was to fight her in AC1, but I digress. Altaïr has destroyed everything she has built in her life for the last eight years. He has taken her home, her mentors, her family, and her honor. And bro doesn’t have a clue in the fucking world.

It’s at this point that I’ll also analyze more about Maria’s relationship with the Templars. At first glance, yes, she was a Templar and believed in their cause. Really, though, it goes far deeper than that. It’s not necessarily that Maria believes in their cause – otherwise, it would’ve taken a lot more for Altaïr to sway her to the Assassins – but that she believes in the people. Again, from Maria’s perspective, the Templars (especially Robert) were the ONLY people in her entire life to treat her with dignity, and she is willing to die for them. She is willing to throw her honor to the ground and beg for forgiveness in front of Bouchard because, without the Templars, she is nothing. She is back to square one as a silly little girl trying to run from a life that would only subjugate her. It’s that recurring characteristic of undying loyalty to those who have given her the life she has always wanted.

And for Maria, it is immediately spat back in her face.

When Bouchard takes over in AC Bloodlines, he is a strict Templar Grandmaster. No consorting with women, periodt. And he flaunts this over Maria, taunting her. He is tearing the last ounce of respect she’d ever received and throwing it away. Every sacrifice she made for the Templars for the last eight years meant nothing, and it is crushing to her. She continues to be pissed off at Altaïr, who mentions that she’s more pissed at the Templars than at him. Once again, she is nothing more than a woman – an imprisoned one at that.

This is where one of my favorite Maria scenes (not that there’s many) comes into play. When she and Altaïr are sitting on the ship to Cyprus or wherever it doesn’t matter, Altaïr does something that no person has done for her before: he treats her with unconditional respect. As funny as his autistic ramble about Empedocles and philosophy is, there are so many assumptions that go into Altaïr’s conversation that I think help sway Maria to his side. When he talks to Maria, he speaks to her as an equal. He talks to her about philosophy because of course she would know about philosophy in his mind – to him, she is a soldier and a person first, and a woman second (shut the fuck about The Secret Crusade and him thinking about her as a lioness shut up shut up I low key hate it even though it’s funny). He is the first person in her life to speak to her as an equal and with respect with no strings attached. In fact, when Maria taunts him for leaving her cuffed even as he talks about free will, he lets her go. She may not like him at this point, but after this scene, you can certainly see that she respects him in how she speaks to him. BONUS: she’s not trying to outright kill him anymore! Hooray!

You can see the impact Altaïr and his conversation had on Maria when she confronts Shahar in her courtesan fit. There’s so many layers to Maria willingly dressing in such an exposing, vulnerable, and feminine way (keep in mind this bitch is Catholic, I know her guilt was going crazy), but what I’m going to focus on is her conversation with Shahar. When he speaks to her, he is gross and all but catcalling her, calling her a “little fox” and using a sultry tone. Maria is having NONE of it, and one can only assume this is a tone she has dealt with a thousand times over. This is also where we see the gears turning in Maria’s head. I’ve seen people criticize Maria for how quickly she flip-flopped, but I think that’s overlooking the reason that she WAS a Templar – they were the only people who provided her a home when she had none. If you’re desperate for anyone to treat you with an iota of respect, you’d do whatever they ask. After she talks to Altaïr though, and especially after realizing Robert was simply manipulating her, she is questioning the Templars’ ideologies and realizing this is not what she wants. It low key is like Alicent in House of the Dragons right now – she’s shocked that fighting against women fucked herself over. Maria is similar in that sense – she thought that by being what the Templars wanted and fighting for what they believed, it wouldn’t come back to bite her in the ass. But it did. She’s a woman before she’s a Templar, and the ideology of the Templars would see her subjugated just as she was before. It isn’t until after Altaïr’s spiel about free will and the challenges it brings that she realizes she has other options.

And that’s ultimately what brings Maria to the side of the Assassins – realizing her errors in thinking and wanting a way to redeem herself. The Assassins are her second chance, which is ironic given how many stories after hers would follow this same format of second chances. But it isn’t just the ideology change, either. It’s Altaïr. No, she does not have undying loyalty by the end of AC Bloodlines, but he’s certainly earned her trust and respect. He’s treated her like any other person without ever holding power or loyalty over her head. He does not manipulate her or exploit her – he respects her, and he earnestly tells her of the creed’s ideologies not to lure her in, but because he genuinely believes in the idea of dispelling the illusions of the world and wants to share it with her, whether she becomes an Assassin or not. That is what turns Maria into an Assassin at the end of the day: his respect for her and his understanding of the creed. And despite their issues, Maria chooses to follow him to the ends of the earth.

Now we’re at a really funny part of Maria’s story: we know basically NOTHING about what happens in between AC Bloodlines and AC Reflections. We know that sometime after traveling to Masyaf, Maria and Altaïr became a couple. We know they married in 1195 and gave birth to Darim the same year. Two years later, they would traumatize Desmond Miles by fucking on top of a castle, which is so fucking funny and only supports my characterization of Maria as a gremlin, because who the fuck else would make their husband climb up a giant ass tower for sex? We know she officially became an Assassin and would beg Altaïr to stop looking into the Apple. We know she would join Altaïr and Darim to Mongolia to kill Genghis Khan. And that is all we know for an approximately 30-YEAR PERIOD.

While there’s a lot I could talk about in that gap, like Maria’s relationship with other Assassins, I’m going to focus on her relationship with motherhood. As we established earlier, Maria had ZERO interest in being a mother or giving birth. This is a personal headcanon but I do not care because it’s MY analysis and I can do as I please, but I feel like she would’ve dreaded childbirth, especially given how English nobility acted about it (e.g., how people treated it like a scandal or disease) and how it was the leading cause of death for women until the 20th century. Yet, despite this, she had not one, but TWO children. She was like one away from the goal, and even then Sef had two daughters so really she fulfilled it. But why? What changed that she would be willing to do the very thing she left England to avoid?

I think it goes back to the reason she was disinterested in it in the first place. Like Maria says in The Secret Crusade, she didn’t want to just be a mother or a wife. Her ideal husband would treat her like any other man, taking her hunting or whatever else bullshit medieval stuff they’d do instead of scrolling through TikTok. She never said she didn’t want to be a mother. I think her hesitance stems from the fact that she didn’t want to SOLELY be defined as a mother or a wife. With Altaïr, however, that fear is pretty much gone. Since the moment she met him, Altaïr has always treated her with respect and admired the things she was once shamed for. Her strength is valuable as an Assassin. Her bluntness keeps him in check. Her ideas are admired rather than ridiculed. To Altaïr, Maria is not just a woman or even just an Assassin. She’s a person with her own experiences and ideas and fears and strengths and dreams. He loves her for every aspect of herself that was once frowned upon.

I remember a while ago seeing a Tumblr post from ye olden days (like 2012) talking about how because menstrual cycles were extremely irregular back in the day due to medieval diets and exercise, Maria would have to purposefully chill out to regulate her cycle to become pregnant. What that implies is that she trusted Altaïr so much that she was willing to settle down and have children because she knew it would not influence how he treated or loved her. Personally, I think this is true of Darim, but that Sef was an accident because it’s funnier that way, but regardless, the point still stands. Maria getting pregnant and becoming a mother is the opposite of what she thought she would ever want, but because she loved and trusted Altaïr so much, she was willing to have a family with him because she knew it would not come to define her. I think that is unbelievably sweet.

We also don’t really see Maria interact with her children very often, which I think is a fucking shame. When she does interact with Darim (we never see her with Sef, though we do see her reaction to his death), Maria is always supportive and encouraging. Again, this is more my headcanon territory but I really don’t care because I can do what I fucking please, but Maria low key feels like a boy mom to me, but not in the weird Freud way, lmfao. Like we established earlier, Maria’s key trait is her loyalty. I think this loyalty would be extended to her children. We know she’s loyal to Altaïr (it ends up killing her), but I feel like it would go insane with her children. When she learns of Sef’s death in The Secret Crusade, this woman breaks down in tears instantly. WHERE THE FUCK WAS THE MOTHERLY RAGE WITH ABBAS, UBISOFT. WHERE WAS IT. Anyways.

Masyaf is a pretty cutthroat environment to raise a child, especially when you consider that Abbas is apparently lurking in the background scheming during Altaïr’s reign. Something I wish we learned more about (and something I just find fascinating in general) is the political environment of Masyaf. Altaïr implemented a lot of changes to the Brotherhood that faced backlash, one of the key ones being allowing women in the order again (ahem, Maria). I know Maria said she was uninterested in the politics of running a house, but I do think she’d kind of have to play her hand in politics in Masyaf, kind of how Altaïr realizes he’s not exempt from politics since he’s literally shaping them. If Maria wants her kids to be safe, especially as sons of the Master of the Assassins, she’s gotta play her cards well. This is why I think it does make sense for Maria to calm down after having children to be more similar to the Maria we see in AC Reflections and AC Revelations. She can’t just fight everyone like she did when she was relying solely on herself. Now, she has people relying on her, and I think it makes sense for her character to chill out more (though without losing her spunk) to ensure her family is safe.

For those that have ever watched Magnificent Century, basically think about how Hurrem went from fighting everyone to playing her cards wisely so her kids wouldn’t die or do stupid shit. That’s how I feel like Maria would be.

Something else that’s interesting about Maria to me is her relationship with Altaïr. Duh, you’re probably saying, but hear me out. We know that while she and Altaïr were inseparable during their marriage, there was one thing that strained it: the Apple. It makes sense why Maria would be so pissed off at it. She’s seen Altaïr control men’s minds with it. She’s seen how it takes him away for days at a time with its secrets, to the point she is begging him to throw it away. Back to the point about loyalty to her family, whereas Altaïr seeks knowledge, Maria just wants her family protected and safe because she loves them – including her dumbass husband. It’s ironic that the very thing she fought about with Altaïr is the thing that killed her.

So we’re finally at AC Revelations, and I am truly shocked that you’re still here. Kudos to you. At that final confrontation scene with Abbas, that loyalty for those she loves comes to a head. When Altaïr whips out the Apple, Maria begs and pleads him to stop, because she knows if he uses the Apple to control someone, he will only be proving Abbas’s point, which will only fuck them over. In The Secret Crusade, we also have Malik’s head on top of this scene to make it worse. Maria’s position is again one of desperation. Her son is dead, one of her best friends is now just a head, and her husband is about to go sicko mode. She is screwed and she knows it. What she doesn’t know is that she’s about to be stabbed by Swami (I’m going with the revelations version shut up) in a last ditch effort to stop Altaïr from using the Apple. Altaïr doesn’t listen to Maria, and it kills her. He kills her.

… SO I HAVE THOUGHTS.

I think Maria dying from the Apple makes sense, I do. That’s not my problem. My problem is how AC Revelations basically dumbed her down to this motherly, homely figure which is the like, ANTITHESIS of what Maria is. Where was the feminine rage??? You’re telling me this woman would not be about to SLAUGHTER someone after learning that Sef died?? You’re telling me she would just pull an AltaïR thiS iSn’T yOu???????? Are you so fucking for real right now??? It pisses me off because it nukes her character. While yes, it makes sense for her to be a much calmer woman and 67 compared to 30, this is still Maria. Don’t act like she and Altaïr don’t have fucking anger issues and be so fucking for real.

Here’s my ideal scenario for what should’ve gone down. I think once they pulled Malik’s head out, there should’ve been all-out chaos rather than this bullshit “We killed everyone loyal to Altaïr before he arrived.” Maria should’ve been right there with them with a sword out. Altaïr, in a desperate attempt to calm everyone down, would take out the Apple and try to control everyone. If you’ve seen the long ass discussion about how Revelations fucked up Altaïr’s character arc, this also helps remedy that because Altaïr is pulling out because of his arrogance in believing he can control the Apple. News flash: he can’t. Maria, while fighting for Altaïr, would somehow be killed either by the Apple or like similar to how Swami accidentally killed her. Something along those lines where it is Altaïr’s fault. That’s how she should’ve gone out, not some weird pick me bullshit.

Anyways. RIP Maria Thorpe you would’ve loved Crusader Kings 3.

I definitely missed some points about her character but this is already 7 pages long on Google docs so I am NOT writing anymore. God bless.

TLDR she's a baddie and I need her so so so bad

[cable-salamder]

Alright, y’all already know. It’s time for a teaser breakdown.

Before I start, I will say that I will at times deviate from the chronological timeline of the actual teaser in order to accentuate or explain my point, or just because the images correlate to each other. Spoilers ahead, obviously. And just be aware that this is probably going to be a massive read (future cable who just finished writing: it is.).

(Also, here’s the link to my previous analysis post on the IMBD pictures because I cite it a lot, in case someone hasn’t seen that one yet)

So, let’s crack in, shall we?

Right off the bat, what I noticed immediately: This is a different punch than we’ve seen in the other Lloyd vision where Beatrix punches him (right). The lighting and background are different. Maybe this could be an indication that Beatrix is close to coming back? Either way, that sure is a way to start a teaser (I will be addressing the other part of that vision later)

Yay! Roby! By that selfie stick bit I am PRAYING that he *actually* has the personality that he does in that set promo video, because it now seems ever more like that. Also, hey! That’s one of the Explorer’s Club members! I’m assuming that he managed to find work in this Temple City after the Merge (good for him honestly tho he doesn’t look too thrilled)

Okay, this. We’ve already had this image as per the IMDB thing and we already assumed that it was Roby welcoming the ninja into the temple city, and through that I am going to assume that that image comes right after this one:

Which implies what I had already kind of guessed, and it’s that the ninja will have difficulty getting into the Temple City/ there will be some force trying to stop them. I actually first assumed this was the Imperium Hunters, but it seems like those are actually the Temple Guards.

Now, as per what I thought before and what I see here, I’m going to assume that this is a challenge already. In a sec I’ll talk about all the different kinds of challenges we see, because I think they’re quite interesting in of themselves, but because of that giant screen we see projecting the ninja (Lloyd and Nya) on Jiro behind Roby, this basically confirms to me that these Temple Guards aren’t there because they want to particularity stop the ninja from entering, but that they are just a sort of obstacle that any potential participant has to overcome in order to get into the city.

So, yay, the lizards aren’t being hurt just for the sake of it! How nice.

Then we’ve got this and. Uhm. Well first off what the fuck

But now to actually be serious, other people have already been saying this, and it’s the idea that the person sitting down (in what looks like almost a throne? Idk) is Nokt, and he’s sort of… half and half between the two worlds, which could bring about all sorts of things.

Edit: I have been made aware that this, in fact, probably isn’t Nokt (neither his body nor soul)

So what do I think this is? I have no fucking clue. I could say that this was my idea about Jordana getting mildly possessed by another FF that may have gotten out (because the way she acted at the end of p1), and honestly that seems to be the most plausible answer right now. Either way, to me, it looks like the other FF are either praying/ casting, or perhaps having some sort of meeting together? No matter what, it looks ominous as fuck, and something Kai and Bonzle (who we see walk up behind Kai) should probably not be walking into for their own safety.

*THIS* I find a very curious screenshot. Because yay Lloyd in his master robe HEWLL YEARH but also. He didn’t wear that before. In that IMBD picture we see him on the screen, and he is in fact wearing the green tournament suit.

I think what this implies is that THIS is actually for the The Feast episode, wherein I think they gave this sort of formal robe to Lloyd as a way to… I guess make him stand out as the leader of the group? Not to mention that they seem to be coming from a building and going into a new building and looking at something rather grand, which I can thus only assume is a big dining hall. I know people are saying that Arin looks too happy for it to be an episode farther in, but I honestly think it could be a facade. The fact that he’s holding open the door could imply that he feels the need to do something useful, at least.

However, the fact that Lloyd is wearing his robe also makes me think of another clip that we see:

I am going to say that I’m directly assuming these two things happen within the same episode. I haven’t seen anyone talk about how Lloyd is wearing the same outfit, and I think that’s with the assumption that he’s wearing this for the entire tournament which, as said, I don’t think is true.

What everyone IS talking about tho is the cloaked figure. Which, yk, is a cloaked figure. Of course I want to know who it is, but I have attempted my best at cross referencing any of the villain’s suits, and none of them match (A further post about that here). Which brings me to…

Something that I find very curious is that we don’t see any of Ras’ crew, except for Cinder. He’s the only elemental master they’ve got, and we don’t know whether Jay is *actually* gonna be there at all now, considering we didn’t see him whatsoever. Could this cloaked figure be Jay? Sure. But the suit doesn’t match up, either. Which made me realize that we don’t see any of the other fighters at all, really, which is… interesting, to say the least. Perhaps they’re just waiting to reveal what kinds of others powers there will be present at the tournament.

And since I was already talking about Cinder, let’s look at these screenshots, shall we?

What I get from the first one is that HORRAH Wyld vs Cinder rematch!! (Which means we can’t fully trust those fighting promo cards from a while ago because the fights don’t seem to completely match up). What else I get from it is that Shatterspin is allowed in the tournament, and by extension Rising Dragon! Which means that this is likely a tournament with rules similar to the Tournament of Elements, where the rules were basically that you could do whatever you wanted.

And for the second one. Good lord, I don’t even know. It just scares me, that’s all.

No, but, fr, what is happening. Why does he suddenly have Wyld’s power. Someone said this could be also like in the TOE, but instead of the loser’s element going to one person they go to the winner, which, yk, isn’t terrifying at all. You know what else isn’t terrifying at all? This bit:

I have much thoughts about this image, but I’m just gonna say what my first thought was, and it’s that this is Wyld accidentally setting something on fire, and then not being able to control it. Maybe even IN the Cinder fight. Maybe this is someone else causing it and Wyld gets blamed.

Either way, what I think is going to happen here is exactly that: WF gets blamed, and she will have to show that she’s grown as a person and wouldn’t just set things on fire anymore without reason, that she can help. Whether that works, or whether other people even believe her, is yet to be seen, I suppose.

(On a lighter note, I fucking love the little face of the flame on her back. The second letter seems to be a F, and the first one perhaps an R? I’m not quite sure. Anyways, it’s adorable.)

And speaking of adorable things:

GEO. HE’S HERE!!! He’s here and he’s cheering and I am going to selfishly believe that he’s cheering on Cole because GAH I need Geode to become real by the end of this season. God I hope no one at that Tournament is racist to Geo I would punch my screen

Ahem. Anyways. I guess what we can get from this is that those outfits seem to be spectator outfits rather than what the participants wear! And what we can get from that is that Geo will sadly probably not participate in the tournament. To be fair, it seems like only trained fighters will be attending, and despite Geo being able to kick ass, I don’t think he would be particularity good at it against people who have been training for who knows how long.

This also might imply he left the finder kids at the monastery in Mr. Frohicky’s care— which, yk, still leaves the question of how he gets to this tournament in the first place, as we do not see him in any of the screenshots where the ninja are still outside Temply City.

What I also realised from this is that we don’t see Euphrasia anywhere in this trailer. I’m still holding onto hope, so we’ll wait and see.

Then we’ve got all the Sora centric bits (which there seem to a lot of, which kinda tells me that she’s gonna be a focus and YES this will cause issues for Arin no one can convince me otherwise)

Anyways, as I said before, these images demonstrate to me what kind of challenges there will actually be within this tournament: Not just fights, but also what looks like a parkour and a race! Oh what joys. The first one actually kind makes me think that this is a challenge about ingenuity (due to that pole Sora is holding), but I might be reaching with that.

I didn’t get a screenshot of that lil Cole we see in that third clip as well, but I think that means we can safely assume that they're driving that combo vehicle we already have a set of, for which Cole gets the white and orange wedding suit! (Why? I don’t know. In my heart I'm choosing to believe everyone gets a similar outfit to that one.)

And that fuckass little dragon? I've got no idea. It kinda reminds me of Vania's dragon, Chompy, but also of those little Source Dragons Lloyd saw floating around his head right before he had the Master Dragon vision. Idk, it confuses me, so I'm choosing to ignore it lmao

And now the screenshots that I’ve been wanting to hold off on the longest… ho boy. Okay, there’s a lot here.

First off: This is before the tournament, and the next two images that I will be looking at are also before the tournament (the one with Lloyd falling), due to the fact that they are wearing their normal suits.

Second: The Matriarch. In the Kingdom of Madness area. As many people have already been guessing, this is likely where she thought to settle next after getting forced out of their previous home. But also, she looks… bigger? Idk maybe that’s just me. I also keep thinking that it’s the Energy, the Source Dragon that was imprisoned, or that it kinda looks like a bigger Zanth, but I’m probably wrong with that, as that doesn’t make much sense.

Either way, the kids seem to have to help her with something. And, to me, she almost seems… hurt? Like she didn’t call them there to chat or catch up with Riyu, but that she desperately needs help, perhaps something about her horde. Anyways, it concerns me deeply, especially with the next image in mind, which I cannot imagine being before that first one.

Other’s have been saying it and we all know it: that in the background looks like an Administration computer. The problem is that… it’s not the usual color (which was I think green? Berate me if I’m wrong)

So, what do I think happened here? I think the pictures directly correlate. I think what’s gonna be happening here is that the Matriarch wanted to move to this place within the Kingdom of Madness, the Administration was notified of the wrong kind of dragon activity, and is then trying to get them back out, most likely by capturing and deporting them, but maybe also something worse— who knows at this point. Somehow, the Matriarch got hurt, that’s for sure. Maybe she fought them, who knows. What I think will then happen is that either the kids attempt to find where they took the dragons, or they, too, will be captured and brought back.

What happens after this is entirely illusive to me. Of course they could be seeing Jay in that second screenshot, but somehow I doubt it (if this prediction comes true I’m gonna lose my fucking marbles). Either way they are seeing something that’s not normal, which has got to be something extreme, considering Arin has been in that place and has most likely told Sora about it. Maybe they just set off an alarm and that’s why it’s blaring red? Who knows. I sure don’t.

And these screencaps are just as a mystery (as said, these are very likely pre-Tournament, as Lloyd is still in his climber suit)

But what I haven’t seen a lot of people say yet is that we do know who that dragon is, as it appears to be Heatwave (you can see his face in that split second, in the first screenshot). It looks to me as if Lloyd was either deliberately jumping to one place and Heatwave caught him as to prevent that (for whatever reason?), or Lloyd somehow ended up in this falling situation, and HW is saving him (for whatever reason???). Either explanation scares me.

And last, but oh my god definitely not least, we have this clip of Motion. She is so gorgeous I don’t know what to say.

So I’ll just repeat what others have been saying, which is that this is likely in the first episode and the way that the ninja actually get their invitation.

Also I lied I do have smth to say: I feel like this could correlate to that one part at the beginning with Lloyd’s nightmare, where he also sees Motion. Perhaps Lloyd will be convinced that following this invitation will be a bad thing, since he saw it in relation to the other bad things (such as Beatrix punching him for a second time), but the others will convince him, for better or for worse.

Either way, this means that the invitation is personal. We can assume that this will not be some sort of trick by others, but that this is really Motion, inviting them to the tournament, as she was also one of the SDs that was up for helping Lloyd. This makes me ever more so believe that whatever the prize of the Tournament is could potentially result in Kai’s return.

Anyways, that’s all from me. I hope this ramble wasn’t too unorganised, I’ve been writing this for………..an hour. I am normal about this show I swear.

[sillyyuserr]

Chapter 117 analysis (WE’RE SO BACK) obviously spoilers for chapter 117 and chapter 114

i cooked with this one trust

Everyones looking for them yadayadayada terukane

Yk im pretty sure this is meant to be lore heavy but LOOK AT THEM

I don’t know how to word this correctly but since chapter 115/116 between akane and teru there seems to have been something that happened in which they stopped being freaky?? 😭 like ykwim hold on

in chapter 114 this happened

completely ruined almost everything they had, but in the span of a few days, shit still going on, they havent had their deserved break yet like they got on chapter 96-97 and somehow in the midst of all this teru’s forgiven(?) him and just moved on?? Really not sure but based on what we know ab the red house the next chapter may answer some of our questions

Also, this is so little i didn’t see it the first time reading but teru goes to the drink machine thing to get one and mixes like 4 of the sodas,

takes one sip decides its shit and switches with akane’s already half drunken out of tea. Indirect kiss guys wait

Also this is JUST like the date they all went on when aoi was gone. Again, aoi is gone here too 😭 my girl getting left out of everything is acc crazy

She comes in later tho and finally gets caught up for the first time in forever MAN aidairo must hate her😭

But also

We find out mitsuba and kou are going there TOO so for the first time i think ever we have the whole gang in one spot 🤥 alot of firsts this chapter smh

ALSO an honorable mention to this i saved best for last

Sir stay away from my children

ok but fr i have no fucking clue what to say ab this cus this is either ‘teehee im right ur wrong!!~~♡’ type shit which he does alot, or genuinely like what we all think it is, which considering outside context may, in fact make it make sense trust let me explain

teru says shit like this ALL THE TIME its kind of his ACTUAL personality aside from his fake shit, like the way he is only around akane and sometimes kou (at least what we’re shown) so you’d think he’s used to this, but his initial reaction is more of a ‘um. what.’

ALSO— backround MATTERS, the backround in this one, is pure black, which is only shown during stuff LIKE THIS (important stuff) example:

Black background either means its dark, or its something important, something meant to be remembered, or something like that (probably)

and that panel had a BLACK BACKROUND

Why is this important you may be asking, it has a black backround— so it must be, right? If this was a silly little ‘teehee you can’t do this im better than youuu!!!~~♡’ then it probably wouldnt even have a half panel it’d be another one of the mini panels, but it not only had a whole panel for just this, a black background ;blocking LITERALLY EVERYTHING OUT ASIDE FROM THIS AND WHAT HE’S SAID, but also, pay attention the contents of what he said.

(a different translation, this one is easier to read)

‘you are not in any position to oppose me, are you, aoi? ♡’ could mean, A LOT OF THINGS so i’ll put them in a bulletin here because any of them make for an interesting path we may be taking on ‘this’ reality😭😓

Number 1: he could be impliying, and or reminding akane, that he’s still engaged to aoi, and that if akane still thinks they shouldnt change this reality, he should reconsider, CONSIDERING he is engaged to aoi, as aforementioned. (Most likely this one)

Number 2: the power dynamic, yes akane is a school mystery with the ability to control time itself but also, teru is an exorcist, a skilled one at that— and could probably easily overpower akane in a 1v1 (lowk hyped to see this happen pls let them fight) teru may be poking fun, or reminding akane, that teru is in fact powerful, more than he seems to keep fresh on his mind — them having SO MUCH to do

Number 3: maybe instead he just felt like teasing akane and i wasted time+space for nothing and was looking way too into it (this is supposed to be the terukane option😪)

Never once has he used this before??? Obviously you cant talk in symbols but the heart kind of implies the user of this symbol is talking in a playful/slightly flirtatious tone, hence, the reaction:

Okay okay point is i think teru is still madly in love with him

WAAAHHHH just look at him pooks who else does he do this with smhh 😓 NO ONE

which i think may be PARTIALLY true but also not entirely because mayb im just a tweaker

Me when i when i ehen you whrn you when

This may make no sense at all, or alot of sense man idk its 3:12am i go back to school in like 2 weeks i am not ready for sophomore year gn

terukane will be real one day trust, also i have a twitter i post on sometimes @/silly_evvvie <3

[andradrawsstuff]

An in-depth character analysis of Skipper: pt 1

This version of Skipper is probably the simplest since he was comic relief at first, but a bit of a hot take, might actually be my favourite (I prefer the show version of the other three tho). Going back to the movies after years of watching the show, I realised that this version of Skipper is surprisingly… chill? I guess I’ve been so used to his tv personality that my brain just decided to override his movie personality with tv Skipper.

Buckle your seatbelts, this is going to be a long one ☝️🤓

Movie Skipper is quite a nonchalant, carefree and I can’t believe I’m saying this, but calm character. He’s kinda just minding his own business doing his missions. He’s pretty serious when he’s leading his team and planning his missions, eg. the boat hijacking scene, but generally you’ll see him with a smile on his face. He’s always been a suave and charming little guy with a lot of sarcasm and sass, which he wouldn’t be Skipper without.

Generally he takes no bs, is straight to the point, and is pretty blunt, usually to Alex and his bunch. But this is also where his sass and sarcasm starts to show more. It’s funny. I think that Madagascar 2 really shows his charm and sass more out of the three main movies bc of all the chaos.

It’s pretty safe to say that the penguins are chaotic neutrals (apart from Private maybe) but they do it in such a way that makes it really funny. Not only do they trick the tourists and steal their car (ya know, grand theft auto) but also run over the grandma after seeing she’s still alive (ya know, attempted vehicular homicide). I could name every single crime they commit istg and it’s a long list 💀 But anyway, Skipper does all this with such a chill and carefree attitude and simply doesn’t give a shit. It’s what makes him so funny. It’s a big reason why I love this version of him, bc he doesn’t take everything too seriously and just goes about his day like nothing ever happened.

Obviously, he’s not evil and does still care about others, for example when they rescue Alex and his bunch in Madagascar 2 and 3, as well as stopping Dave in their spinoff. But I do think that he has something against humans (which is understandable) bc he seems to have a general disregard for them which is kinda funny.

In Madagascar 3, you start to see a bit of a shift in his personality and he becomes a little more aggressive. I’m guessing it’s because Tom was used to voicing Skipper more aggressively for the tv series and they also probably adopted a bit of tv Skipper into movie Skipper. But he is still generally pretty nonchalant nonetheless. He isn’t as suave as the other two movies either, but he does activate Kowalski’s nuclear reactor just for the funnies so I’ll give him that. The best thing about them here is their interactions with Dubois, the sheer trail of carnage they leave behind wherever they go, and the funny little quips here and there. Can’t forget bababooey.

The penguins spinoff movie brings back a little of Skipper’s charm and swagger, mostly with the “I do things my own way” attitude and him just being an asshole to Classified bc he doesn’t like him. This movie also makes Skipper more tame than the other movies which I don’t mind that much, but I wish he was a little more chaotic neutral rather than so hellbent on being heroic.

But the thing that really solidified Skipper as a complex character was his character development. This is the first time you get to see his vulnerable side and even from the start of the movie you see that he’s actually pretty sweet underneath all that chaos. When they “lose” Private is when you really start seeing Skipper’s full character, going from carefreeness to pure desperation trying to get his little brother back after he gets kidnapped, which I think was a great way to go because it shows how much he loves his family.

Later on he kinda “gives up” and follows the North Wind’s plan, which is one of the only moments you see him completely vulnerable and unmasked - no clever quip, no opposition, just acceptance. A perfect contrast to his usual “never give up, never back down” attitude. I think it adds a lot more realism to his character and shows that the one thing that can break him is losing one of his brothers. This is something that you don’t really see in the show (other than for a short period of time eg. Skorka) which I think would have been a great way to develop his character more.

When they get Private back at the end of the movie, you get to see Skipper’s sweet side again and his character development comes full circle - he learns to stop undermining Private. He realises he was wrong and tries to make it right. In a way, I guess he takes accountability. Which you don’t see all that often in the show, only episodes like Needle Point coming to mind when thinking about it.

I think that this is another big reason why I prefer movie Skipper over tv Skipper - yeah, he’s a bit flawed and a little simpler than tv Skip, but he makes an effort to change in the end which tv Skipper doesn’t do as much. Movie Skipper is nonchalant, sassy, suave and by the end, pretty sweet. I guess you could say he’s pretty well written and honestly I wish we got to see more of his softer side and less paranoid attitude at the end of the show.

That’s not to say I hate tv Skipper tho, when i was a kid I LOVED him a lot more than movie Skip and I still find him rlly funny, I mean Skipper is Skipper haha. I guess my opinion just changed bc I grew up and I started seeing characters differently and started valuing character development a lot more, but who knows, maybe in a year it’ll change again lmao.

I am so sorry this got so out of hand and turned into a mf essay 💀 I promise the other analysis will be shorter 🙏

[moonshine999]

Team Green promotional stills

side note : this “analysis” is only limited to the promotional stills and I’ll probably do the trailer/posters a bit later. Also that this is just speculation and most of it is probably bs because I just woke up from a nap and decided to start typing.

this might be one of two things

a) Larys talking to b&c in the dungeon..possibly informing them of their punishment OR watching their punishment unfold

b) Him talking to Aegon about fleeing King’s Landing or actually fleeing King’s Landing

now this also may be where Larys says the “survived dragon-fire” line if it is the second scenario

I would really like to think of this as a scene where Aemond expresses more emotion to Criston about what happened at Storm’s end.

If you notice then Criston seems to be in his night clothes while Aemond is still in his “fighting” or training clothes (if that makes sense).

possibly to indicate how at ease Criston would be trying to make him feel while talking about this but Aemond just keeping his guard up.

it also does look like Aemond is trying to avert his gaze while Criston talks

Also if the above is true (which is highly unlikely actually), then it would serve as a great parallel to Alicent & Aegon with the candles of the sept vs the candles Criston has lit in …possibly his chambers?

Im not very sure about this particular shot at all so even though I’d like to, going into detail on the above point seems useless

SERVING CUNT

okay so all possible times we may see Aegon at the coucil basically come down to a) the first episode as an introduction and b) after b&c

If it is his introduction, then he is probably zoned out here - thinking of something else and playing around with his dagger until (according to the leaks) he is snapped out of it by either a council member or a guard informing that Helaena needs him

But if it's after b&c then he may be zoned out because he refuses to listen to other council members dictate what he should "rationally" do at this time. His mind would be struck with grief and a want for revenge and maybe the placement of the knife near his face like that is no ordinary mistake.

He is probably plotting something here on his own (could be the reason he could ask Larys for help) and it would be such a good parallel, if he's sort of snapped out of it again by the thought of Helaena

phia saban is turning your kids GAY

so we know this is the funeral dress…the two main questions are whether it’s after the funeral or before the funeral and who she’s looking at

my personal bet is before the funeral. This is because she still looks a bit composed as she not seen her son’s body / refused to see it since that night probably because she realises she can’t handle it

(don’t exactly know if the above bit is phrased properly at all but hope the point gets across)

also in details of the shot itself…her veil isn’t tied on yet and her hair is undone/not braided yet..signalling that she is still getting dressed.

As for who she is looking at…the safest bet is either Alicent or Aegon (considering the situation these two are the people who would understand her emotions best)

If it is Alicent.. then it’s most likely her providing comfort to her daughter and sharing feelings/thoughts of what it means to be a mother

And if it is Aegon (which I do think is more likely and that is not just the helaegon manic shipper in me)… then it would probably be him trying to justify not being there (in the room when it happened) and probably promising that he will get revenge for such a heinous act (or something along those lines)

another note : I did not do Alicent’s promo shot because I think that shot could be anything and I personally did not notice any details that could specify the situation or what she may be doing

[wrenwinchester]

Bear with me here. Because I have. Some thoughts.

First things first, visit here for another in depth analysis of the table carvings that doesn’t really have anything to do with my commentary, but I found it while looking for the picture for the table and liked their analysis. So….

Anyway, the table. We watch as Sam and Dean carve their own initials, and we know Mary’s initials get added after her death in season 14. That’s all fine and dandy. And we know Cas and Jack’s names get added sometime after Cas’s death, and presumably after Jack leaves, but we don’t really know when, or even by who. We also don’t really know who carved Mary’s initials, not really.

However, we see Sam and Dean’s different styles of carving into things twice. (Sorry about the gore it was the cleanest picture I could find of the car initials completely.)

Now, neither of the boys are identical, however, we can see a distinct difference between Sam and Dean’s style. Dean carves deep, so it will stay a long time, despite wear and tear. Sam however carves wide. He carves out his initials instead of making a hole. It’s much more surface level, almost as if he’s scared of getting in trouble and wants it to be easier to get rid of. But that’s something we can get into later.

When they add Mary’s initials there are a couple things that tip us off that it was Dean who actually carved them in, A) they’re from that direction, which is the side/seat Dean almost always sits in when both brothers are up and about. And B) it has that same depth to it as his initials, and the same style of how the lines meet. Therefore Dean carved Mary’s initials.

However, this brings us back to Jack and Cas.

Both Cas and Jack’s names have that same width over depth, more surface level carving as Sam’s initials. Especially when compared to Dean and Mary’s. The S in Castiel has very similar strokes to the S for Sam’s initials, and the A’s and C’s in their names are similar if not the same (or as same as they can be considering they were carved into wood and sometimes the grain of the wood disrupts flow a little bit).

This, to me, means that Sam was the one to carve Castiel and Jack’s names into the table. And I’d even bet, that he didn’t do it until after Dean died.

Now I could be wrong about this last part, but if I’m remembering correctly, we don’t see all five names/initials until after Dean’s death. While Sam is sitting at the table (notably in Dean’s spot, and wearing dean’s sweatshirt.) with Miracle, so it’s plausible, and even probable.

And I’d bet he did it when he decided he couldn’t live in the bunker anymore without Dean because every little thing reminded him of his brother. And I’ll bet he did it because they are a part of his family and they deserved to be remembered too.

Castiel, the angel of Thursday, the angel who betrayed heaven for the sake of humanity. Who chose over and over again to take the Winchester’s side over any other supernatural being because he trusted their sense of right versus wrong. Castiel, one of the Winchester’s only friends who stuck around, who made sure that they took care of themselves, and made sure to save them while they were saving the world. Castiel, the Winchester’s best friend.

And Jack, their kid. Sure, he was the spawn of Lucifer, but he was Castiel’s kid. He was Sam’s kid, and he was Dean’s kid. (I’ll get to a rant about Dean and Jack’s relationship at a different point because I have thoughts.) Jack saved the world, and he turned out good because of Castiel, because of Sam, and because of Dean. Jack took the mantle of God to protect the world, so he could protect his family, and keep the angels from interfering with human affairs.

[eruminx]

random phantom troupe headcanons / thoughts

including: chrollo, shalnark, feitan, nobunaga, illumi, general phantom troupe

warnings: possible spoilers, nsfw, brief mention of torture, lightly proof-read

chrollo is really into astrology. when you think about his character it makes a lot of sense. chrollo believes in fate and destiny, and how we cannot change it. that’s why he’s so amused by characters like hisoka and gon, because they try to change their destiny. and one of astrology's main themes is destiny and fate. astrology gives people identities, something that chrollo is constantly looking for outside of himself. because he cant accept that he is himself. i would go more into the astrology topic, but i don’t know enough about it to get into great detail without sharing misinformation.

shalnark and feitan aren’t that different from each other. both are scarily sadistic it just manifests in different ways. shalnark is generally very friendly and one of the more outgoing phantom troupe members. he’s a nice dude, but he’s not kind. niceness is like a mask, it’s a common courtesy. kindness comes from the heart. i think the only genuinely kind member is nobunaga, but i’ll get into that later. shalnark is more of a psychological torture guy, while feitan is more into traditional torture.

okay back to nobunaga. i very much think that he is the only truly kind member of the troupe. (this headcanon is not based on how he was as a child by the way) i recently read a nobunaga analysis (here) and it only furthered my belief in this headcanon. simply the way he feels for others is very kind, and how he acted towards gon and uvo specifically. as well as some parts in the manga. he’s definitely very compassionate and understanding, especially compared to the other members. i think some of the other members are capable of kindness, but they wouldn’t be described as “kind”. two other members that come to mind are chrollo and pakunoda. they are both quite compassionate, as seen during their sentimental moments. (chrollo when reacting to members’ deaths and paku’s pre-death gun scene and her small interaction with the cat) but i wouldn’t call them “kind”, but instead more in-tune with their emotions. but, i think deep down inside all people are capable of kindness, so it can be hard to say.

illumi isn’t as clueless about love as the fandom makes him out to be. his only real reference for “love” is his parents, and they actually really love each other. knowing how kikyo is, she’s probably very doting with silva like she is with her children. and silva seems pretty compassionate as seen in his interactions with killua. silva also showed genuine concern for kikyo’s safety when killua threatened to kill her during the election arc. illumi has definitely learned from that, even if he doesn’t fully understand it. he wouldn’t be the best partner, but he’s more affectionate than he comes off. and i also firmly believe that he is not a virgin. i wouldn’t say he gets around like hisoka and chrollo, but he definitely has a few bodies. he’s human too, and he understands that he has human needs.

a good handful of the troupe members get around frequently. i read a headcanon saying some of the members have had sexual and romantic encounters with each other and I AGREE. i think the members who sleep around the most are (in order) hisoka (obviously), uvo, chrollo, and shalnark. maybe phinks but I think he’s so angry and intense because of how pent-up he is. i also think paku and nobunaga are the types to have intense flings with people every now and then… and they can last months. some members i think do not get around are machi, franklin, and feitan. they’re just not very interested and are too busy. i think shizuku is in the middle. i don’t think she’s a virgin and she has partners once in a while but she’s not actively pursuing sex. she just goes with the flow.

the troupe members dynamics are constantly changing. i feel like there’s very clear friend groups inside the troupe. like uvo, nobu, and shalnark are a very clear group in my eyes. as well as phinks and feitan. i feel like chrollo and pakunoda are a part of their little group together. i think the others are more loner types, but the original members still all share a special bond. member-to-member conflict happens a lot in the troupe, you can see this with nobunaga and some of his interactions with franklin and machi. I don’t think anyone dislikes each other (not including hisoka) but tension is common.

anyways... thank you for reading! this is my first post in forever lol (i’m a bit embarrassed….tbh lol)

masterlist / navigation

[yuseirra]

ONK CH 158 review and Character Analysis: the parallels of the protagonists with their parents + more

Starting off! I think this development might actually be okay, depending on what happens later.

It’s too early to judge whether the development is good or bad! I was really surprised... but after dissecting it, it's not as bad as I initially thought. I actually think it works and I like things about it. I've been analyzing very thoroughly lately, and I think it might be fine to wait out a bit more and see how things go.

This manga is excellent at character creation and relationship building, and this seems like a good time to explore the parallels they have with one another because it is THIS chapter that shows it very well. I thought I’d summarize my thoughts on that.

This analysis is probably the longest I've ever written, I had a lot of fun writing it too~

This was originally written in another language and I couldn't dare to rewrite the whole thing so I used my trusted partner, chatgpt 4.0.. If there's something off, it's probably that it didn't get the context. I'm going to skim over this, but writing a disclaimer just in case!

I feel like the character portrayal and relationship building in this manga are really well done, so I’ll try to summarize my thoughts on that.

(Unrelated, but "Don't"(from P3R) is really good; give it a listen!)

The lyrics of this song subtly resemble "Fatal" in tone. I've been listening to the instrumentals for it as I've been typing this out.

After reading Chapter 158, what surprised me is that despite the rushed and somewhat sparse development, I have a positive reaction to it. It’s not bad, and I’m being serious.

Though this is supposed to be the final arc, rather than tying up loose ends, each chapter still throws something new at us, and nothing has been resolved yet. Ruby tries to say something, but it immediately cuts away, and then Nino suddenly appears...

The real question is how they’re going to wrap this all up, and we can’t judge it just yet.

I didn’t predict the exact timing of the characters’ actions, but when I thought it over calmly, I realized I was pretty accurate in sense in guessing what the characters would do.

I predicted that Kamiki would turn himself in (lol), that Nino would attack Ruby, that Kamiki would see the video Ai left and change his mind at the last minute, leading to Nino’s confusion, and that Ryosuke and Nino would have some sort of relationship (it really seems like Ryosuke was acting under Nino’s orders). I really got all of that right!!

I also predicted that Ruby would surpass Ai. (There was foreshadowing, and unlike Ai, who started as an idol as a means to give love rather than as her life’s purpose, Ruby’s goal is to become an outstanding idol. Since Ruby is also Amaterasu, one of the most powerful deities in Japanese mythology, it makes sense that Ruby would surpass Ai. Ai might be related to Ame-no-Uzume or Benzaiten—Benzaiten is a goddess of the arts but also has a connection to love. These goddesses are of a lower rank compared to Amaterasu. Ame-no-Uzume’s role of bringing out a shining deity from a cave parallels Ai and Ruby’s relationship. Ruby wanted to become an idol after seeing Ai, who in this manga is concluded to be akin to a god (star).)

I’m bringing up part of my previous analysis of Ai: Ai’s efforts were partly for herself, but she also worked hard because she’s rather down-to-earth, and her motivation seemed to be making those around her happy. For instance, her reaction towards about having the dome concert was, “Is the dome that great? If it's everyone's dream, I guess it’s good,” and she tried to smile along. What’s important to this character is satisfying her curiosity about her inner void, while her achievements as an idol seemed secondary. That’s why the line about wanting to raise her children with Kamiki really hit me, because Ai’s idol work seemed to function more as a means rather than an end goal like it is for Ruby. But that doesn’t mean Ai didn’t work hard; she had a strong sense of responsibility and tried her best in everything she was given.

And seeing the mention of stars from Ruby... Yes! Stars are really important in this story, aren’t they? I've been stressing about it a whole lot lately, and I believe this is the right time to address that.

Upon close examination, the characters’ actions in this development largely align with their personalities and established traits. The confusing part is that so much hasn’t been revealed yet. What are the other characters doing? What exactly happened between these events?

It’s hard to grasp the characters' intentions because the story is progressing with so many things left hidden, creating confusion. But I think they’ll unravel these things later, so it might be best to wait.

I can’t imagine Aqua and Ruby didn’t prepare for this situation at all; if it turns out that they were caught off guard, it would be a really stupid development. However, doesn’t the last page seem oddly blurry? Why is the saturation so low on just that page? It might not be something that actually happened, just a “what if” scenario.

And even if Ruby being stabbed and in a life-threatening situation is real, there are still some possibilities for how the story could unfold (I wrote about this in this post), I don't think the chances of it happening are so high, though (but god..I want Kamiki to do something for once)

LOL, this author has a knack for condensing developments and aligning them with previous content in a way that seems chaotic to the reader... but there’s a bigger picture here. This manga is something you need to binge-read as a whole.

Looking at it from the perspective of character traits and what these characters would do, the consistency has been solid throughout. The characters’ actions make sense. If there’s something odd in this development, it’s the omitted characters. What did Aqua and Akane do? But since they haven’t appeared, there’s no way to judge.

As for Kamiki... I’ve been analyzing this character a lot lately. There isn’t much to piece together with Nino, so I had to predict with minimal information (and the actions she took were within that scope), but Kamiki... there hasn’t been much shown about what he’s been up to either (though I have a hunch... I think his songs indirectly reveal what he’s been doing all this time. So I dove in when I finally started to get it).

There’s consistency in how this character interacts with others and the actions he takes. He has a weak heart. And that perfectly aligns with why Ai was so worried and cared so much about him. It all fits. I was so anxious while analyzing him,...I can't stand the idea that Ai would see this guy, who sent another man to attack his ex-girlfriend who was raising his kids just because he was sad, in a sympathetic light. I felt that wouldn't be it from the way he spoke about her and that's why I could be very passionate about the ship (And is would that really a good story if it is?? That Ai genuinely loved such a man?;; Itd mean she chose the wrong person to love.) So, I was worried while analyzing, but no. This character is not that kind of person, and I’m about 90% sure of that after this chapter’s development. He’s just someone with terrible luck. He’s been cursed or something. This is the third time something like this has happened, for crying out loud!! I bet he was heartbroken and couldn’t attend the dome concert himself, so, he probably trusted Ryosuke who was said to be aquainted with Nino(since Ai seemed to want to be friends with Nino again, Kamiki probably knew this and trusted Nino, and him who she knows) to send a bouquet, and then disaster struck, and he fell into despair.

Now, I’ll start talking about the character design because the character portrayal in this manga is just amazing.

Kamiki... in terms of his motives for his actions, he’s a lot like Aqua. (They look similar, too, but the more I think about it, I feel like Kamiki’s natural personality and appearance are more like Ruby’s, the other twin. Their facial expressions and impressions are similar... Ruby may look just like Ai, but her physique, is similar to her father’s. She’s taller and has a broader figure than her mother. You could say the son takes after the father, and the daughter takes after the mother at first glance, but the more I see, the more it feels like Aqua takes after his mother and Ruby takes after her father.)

The twins really seem like they inherited traits from both parents. The more I see, the more fascinating it becomes... It’s like, if you were to create children for your characters, this is exactly how it should be done. They’ve done a great job designing them, and since I want to create my own story, if there’s anything I want to learn from this manga, it’s definitely this. It’s really impressive in that regard.

Back to motivation:

Kamiki (as I currently speculate) ended up taking extreme and desperate actions completely contrary to his nature after losing the person he loved (Ai) due to something he didn’t intend or wasn’t significantly responsible for (I really believe this character just tried to send flowers and it all went wrong, I'm convinced after reading Chapter 158;;).

This perfectly overlaps with Aqua’s motivation and the way he operates in the story. After losing Ai before his eyes, Aqua’s personality darkened, and he began doing things he wouldn’t normally do (using others, becoming colder, and having a twisted personality) to pursue “revenge for Ai.”

Their emotions are also similar. Aqua is severely self-critical, very depressed, and after losing Ai, he even considered just ending his life. But then he found a reason to live (revenge) and clung to it, thinking, “I can’t die yet.”

Aqua doesn’t self-deprecate in every line, but Kamiki does it once or twice every time he appears. I think his mental state is even worse than Aqua’s, and that’s because Ai was the only person in the world he could love... I’ve analyzed this before, right? For Kamiki, Ai was a combination of the positive influences that Akane and Kana had on Aqua, and moreover, Ai was his lover and the mother of his children, making her an extraordinarily special person to him. If he lost her in such a meaningless way (he probably didn’t expect Ai to die at all), given his inherently delicate nature and overwhelming guilt, he would be mentally shattered. For this reason, if this character acted after Ai’s death, it is highly likely that he would have acted even more extremely than Aqua.

The problem is, this character’s fundamental nature is much softer compared to Aqua and Ai. Aqua, despite suffering greatly while pursuing a revenge that didn’t align with his nature, was at least driven by a sense of duty and resolve. Kamiki’s situation is an escalation of this intensity, yet he cannot stop. There is no one currently to worry about him (like Akane did) or to bring him back to his original self (like Kana would). Such a person is dead and he wanted to see them again! He thinks it’s his fault they died!

Even though Aqua blames himself for it, Assuming Ai died because of Aqua is absurd; Aqua is in no way responsible for Ai’s death. However, it must be true that Kamiki provided the address (although, based on my reading up to Chapter 158, I’m convinced he only intended to send flowers). Therefore, Kamiki believes Ai died because of him. The level of guilt is different. He must have thought that something must be done to reverse this situation. He really wouldn't mind throwing himself away for his purpose.

Kamiki’s guilt is more profound, he was deeply influenced by Ai in his life, and his nature is inherently gentle and timid. And he's probably gone through actions that were twisted even more severely than Aqua’s. He's a genius actor. He acts well, but he's endured immense suffering. If you look closely at his smiling face, it’s almost as if his soul is dying. He smiles, but it’s similar to how Aqua might laugh maniacally after having decided to use Kana. Kamiki’s basic nature is softer, so instead of laughing maniacally, his smile is more subdued. It seems that he did contribute to the death of Yura. In the latest episode, there’s talk of being able to take a life for love. To revive Ai, there might be a cost to pay. Songs suggest that something like this might be the case. He might need to gather light and, feeling self-reproach, says in Mephisto’s final lyrics to his children, “Come and kill me.”

Observing Kamiki’s reactions and actions, he shows no particular signs of aggression in normal situations. If a person with this kind of nature had been involved in killing others or committing severe twisted acts, it would be actions completely against their inherent character. It would be extremely painful and unbearable. I’ve analyzed Aqua’s personality before: here's what I wrote there: noting that someone who inherently dislikes revenge and has a decent core personality would struggle with revenge (this connects to Aqua’s inherent tendency to help others, as he believes that fulfilling revenge for Ai is the same as doing something for Ai). This is why Aqua is constantly conflicted and, despite appearing rational, is hesitant and twisted. This also results in causing pain to those around him, leading to self-reproach and self-loathing, and he feels he shouldn’t be happy. Kamiki is likely experiencing this same feelings right now.

And it was Ai who brought about change in Kamiki’s heart. The only person capable of having such an impact on him was Ai, and she managed to achieve it even after death..

I have analyzed the relationship between Aqua and Kana and Akane, and compared it to the mutual relationship Kamiki had with Ai.

It's the same post I linked above, but let me do it again:

Here's how I analyzed there:

If Akane was the supportive one, then Kana was more about pulling Aqua towards her side. Drawing him towards the light, I think this aligns with Kana’s role in the story. When Aqua meets Kana, he gets revitalized (just this alone makes me think that Aqua must be truly happy with Kana).

I believe that what Ai wanted to give Hikaru ultimately was this: to support him, to share the burden with him, and then to live the future together. She wanted to share her future with him.

(...)

Both Aqua and Kana/Ai-Kamiki clearly had a similar heart- fluttering type of love for each other.

And the emotional thread between Aqua and Kana is definitely moving in a brighter direction together.

Ai wanted to give Hikaru that: to lead him from the dark place he was wandering in to the brighter side she was in.

Ai truly accomplished this. Even though she died a long time ago, she could achieve this with just a few words when it's came to him...

Kamiki probably intended to continue his path to find a way to either revive Ai or meet her in some way, and then he planned to die. Just like Aqua sometimes ominously says he has given up on becoming happy and that Ruby should be able to live even without him, it’s likely that if he continued on the path of the Black Star, he would've died.

Kana, who saw through Aqua’s feelings and told him not to even think about dying, was the one who prevented Aqua from choosing death. (Chapter 146). Kana, unknowingly, keeps pulling Aqua out of the darkness. It seems she really saved Aqua at that time. Along with Ruby’s forgiveness, Kana’s words might have been the catalyst for Aqua to correct his path of revenge, and hearing those words revitalized him.

I also think that at the very last moment, Ai managed to prevent the person she loved from dying because of her. It’s quite remarkable. Kana and Ai each turned Aqua and Kamiki away from their extreme paths to more moderate ones.

This episode revealed that a bit.

If Kamiki just turns himself in and does nothing more, I’d find it unsatisfactory, but, this parallel is what I found really clever.

Kana’s power over Aqua is surprisingly significant. Even small actions from her greatly affect Aqua. This aspect is very similar to the influence Ai had over Kamiki.

In every narrative aspect, Kamiki is a character who amplifies the emotions and motivations Aqua has. And Kamiki probably has a more delicate personality but has committed even more extreme actions. Kamiki represents the first "stage"(remember how Mephisto talks about "stages"? I think their stories could be a part of a big story, a "stage".), and Aqua represents the second stage. The second stage should use the first stage as a lesson to achieve better results.

Ruby and Ai are also the first and second stages. After reading Chapter 158, I felt it… Ah, it’s the reincarnation of Ai’s nightmare.

But is Ruby really going to be stabbed and die? Absolutely not. In fact, the way this situation suddenly emerged actually shows that such an outcome is definitely not going to happen.

Ruby will rise to a higher place than Ai. Ruby has set the goal of becoming a more brilliant idol than Ai, whereas Ai became an idol because she wanted to give love… In reality, Ai could have achieved that through her work with the children or Kamiki, and it was possible without necessarily being an idol, but Ruby’s story focuses on her career as an idol. The character’s motivation places a larger emphasis on the identity of being an "idol." Although Ai’s image as the "invincible idol" makes it hard to believe that Ruby can surpass her, (it would have been much more convincing if there had been more episodes showing Ruby’s growth in relation to this), there were indeed some foreshadowing and hints. Through the movie, Ruby came to understand Ai and thought, "I won’t end up like Mom," and that will really be the case. She won’t end up with the same fate as her mother.

Nino came dressed very similarly to Ryosuke and acted in a similar way, which means that the feelings these two characters have towards Ai are quite similar. When Nino appeared in the middle, her actions felt so, so it wasn’t surprising, and I had anticipated that this character would attack Ruby. For Nino, approaching an attacking Ruby when she's alone is more realistic and has a higher chance of success than disrupting a performance, so the occurrence of such an event with Nino appearing at this point seems to make sense. It was bound to happen at once point.

The problem with her attack actually succeeding would be that it'd make Kamiki and Aqua’s both appear extremely unaware and naïve (if Aqua can’t prevent this, it’s too sloppy considering he should have already identified Nino’s suspicious behavior, and well, Kamiki seems to be too innocent. I actually don't think it'd be out of character for HIM to be this way lol. This character truly… truly seems incapable of doubting others. He doesn’t understand human malice!!! He probably didn’t suspect Nino, Ryosuke at all. and there was no way he could know Uehara would go berserk, either. This became so apparent while reading this chapter that I couldn’t help but laugh. He’s over thirty. If Ruby is actually stabbed, Kamiki would freak out. How has he been living in the world until now with this, pure mindset? He seems so unchanged from how he was when he was young?). The page itself looks oddly blurred, making it seem like it might not actually have happened. The scene where "Nino tries to stab Ruby" is plausible. Anyhow, Given the direction in which this character has been shown, it’s a scene that could reasonably occur. The important thing is how it'd be handled and resolved later, but I believe the writers have a plan, they just drew things like this for shock value and to parallel what's happened in the earlier chapters.

And Kamiki has had at least three instances where things went bizarrely wrong, leading to people being on the verge of death or actually dying. Including Yura, that makes four times. What is this character? At this point in the story where nothing has been revealed, the characters who seem to hold the most surreal powers seem to be this character and Ruby, who seemed to be "receiving divine help" and thriving at one point. But since Kamiki’s situation appears to be completely uncontrollable, it seems like the god of absurdity and irrationality mentioned in Chapter 144 is targeting and tormenting him. It seems as though this entity is deliberately trying to drive him to despair and corruption. It’s unlikely that Kamiki himself is this god… the aftermath of these events has caused him so much suffering. At this point, he seems like a victim of a divine curse.

Examining the name of this character, it seems like his true identity might be Sarutahiko Okami, the god of light and the husband of the goddess Ame-no-Uzume. They are often depicted as a couple in subcultures, and in the Shin Megami Tensei series, they appear as summonable deities with a description of them being married. I drew a comic about this idea previously, you know? It's this comic right here:

Worried about his wife/lover hopping over to the human world, wanting to be human because she loved humans, Kamiki must have followed her, and they both lost their memories and are now wandering. Kamiki, when falling into a bad situation (which is why he had often been raising the black star since middle school), was brought happiness by Ai, who spent enjoyable times with him and led him to a better state. When he was just about to become truly happy, Ai made the decision to part ways for his sake, and Kamiki fell back into despair. It's truly unfair and absurd how his life keeps getting falling into this tormented state. I say this a lot, but he has a MISERABLE life, and I don't think that's just from pure luck. Something is cursing him from getting happy. Every time it seemed like he might finally be happy, something would erupt and prevent it from happening. I looked up at Sarutahiko, and he's a major deity and also a guardian of the land. He's related to purification rites, called "Misogi".

There was a description of the Sarutahiko Shrine, I found from a travel guide, it says, "Sarutahiko Okami is known to have appeared at the very beginning of all things to guide everything in the most benevolent direction." Kamiki has a hard time blaming others and is inherently kind. He still addresses the person who continuously tormented him, Airi, with honorifics, and even refers to Ryosuke as "Ryosuke-kun." He’s totally a pushover!!! People exploit him, and he thinks it’s all good as long as they are happy.. This psychology is quite plausible, and I pity him because of it, but It doesn’t seem to have changed much until now. His way of speaking and demeanor are still very gentle… When he appears in front of his children, his tone is very soft. By nature, he is extremely kind.

Is there a deity trying to corrupt him to increase their influence over the land?

However, it seems that Ai was able to protect him from crossing the final line.

I’ve written several things related to this, I'll just bring one example of what I've written once:

What kind of deity is the god of entertainment? If it’s the god of entertainment, it must be Ame-no-Uzume, right? It seems that the wishes made at the shrine have been fulfilled, albeit in some strange directions. Could this be Ai? Because in "Fatal", there's a lyric that goes: "selfish giant star ruined lives"… it seems to be connected with Ai, who is the incarnation of the brightest star. Her husband is a god of light, and the name connection with Hikaru is significant.

It also seems like Ai has become a guiding star, watching over everyone. In Chapter 118, the god girl spoke just as she described. That character was simply stating the truth.

Yeah. Something's been trying to corrupt Kamiki for so long now. I feel that is so... but he hasn't.. gone all the way after everything he's been through huh? In that case, maybe he also is strong in his own way.

At the end of this episode, when they talked about stars shining at night, I had this thought. Could it be that Ai, who has now become a star, is protecting her husband and children?

In the added scene from episode 1 of the anime, there’s a moment where Ai is shown smiling while pointing at the stars with her babies (during a flashback she has after having being stabbed).

Tsukuyomi’s statements are all pretty important. This character talks about "love" this time, right? If Ai is indeed a deity associated with love, it makes sense that there should be foreshadowing related to this.

Tsukuyomi, who is a friend of the other gods, might be pondering Ai’s experiences and those who loved Ai. It seems like Tsukuyomi is trying to understand what Ai’s concept of love is (Tsukuyomi was the one explaining Ai’s current state of having returned to the stars and the sea as well- how could she be so sure of it? Well she does deals with souls but I think Tsukuyomi is an acquaintance of Ai). It’s like a divine curiosity—wondering why Ai went through so much suffering by coming down to the human world.

Regarding the emotions listed alongside the characters, let’s talk about Kamiki’s feelings: I mentioned this in another post but I just really like it.

Desire, disappointment, and despair.

I think there are two major emotions related to each aspect:

The desire to be with Ai / The desire to revive Ai.

Disappointment from parting with Ai (it’s disappointment, not resentment. His heart was shattered, but this didn’t lead to aggression) / Disappointment from not being able to meet Ai no matter what.

Despair from Ai’s unexpected death / Despair from the inability to revive Ai.

These seem to align perfectly with the psychology of this character as I see it.

Kamiki has been in constant despair. His black eyes are a characteristic that appears when he is in despair. This changes twice in the story—once when Ruby shows the possibility of surpassing Ai (and he genuinely seemed pleased, as if he was proud of his daughter, right?) and again when he was shocked by what Ai said in the video. After that, his eyes are not shown, so I think he might have regained his composure. He probably returned as a white star.

This post got long and I'm worn out from writing everything here in one go: but I'd like to bring up that the main characters seem to inherit traits from their parents in a balanced way. Ruby also has aspects similar to Kamiki, and Aqua, in terms of motives and behavior, is a complete reflection of Kamiki, but his personality resembles Ai’s a lot. I also think Aqua’s eyes are similar to Ai’s, not Kamiki’s. If you look closely, Kamiki’s face is more slim, so Ruby looks more like him. The comment about Kaburagi finding Aqua’s face beautiful because it resembles Ai’s is accurate. Aqua resembles his mother more than expected. The face shows a blend of features, not just one side. It’s fascinating, and I think the character design is well done.

I’d also like to analyze how splitting Ai’s traits into two could lead to Kana and Akane.

So!! The relationship between Kamiki and Ai and the relationship between Aqua, Akane, and Kana are interlinked. Since I’m too tired to write it all out in one go, and I’ve written something similar before, I’ll skip that part.

The work is incredibly well-constructed. I think this work has a thoughtful design.

The protagonists experience situations very similar to those their parents went through, but they might achieve better outcomes. For instance, the B-Komachi group is much healthier than it was in Ai’s time, right? Things are already better than they were in the past,

Kamiki-Ai ended in tragedy (I hope they will still be happy though)

but Aqua won't end up like his dad.

Ruby won't end up like her mother either.

They're cleverly constructed to parallel each other, but are different, just as what Ruby claims. I actually have high hopes that this series would get a good closure after having seen how they are designed!

So yes, thanks for reading if you did!!/// It's going to be okay! If there's one thing I really admire about this manga, it's the way these characters are coined together and their psychology and relationships. That's the author's strength.. so no matter how this manga ends, I feel like it wouldn't stray too off from what the characters are essentially!

[hkpika07]

C-C-C-COMBO BREAKER

Did you know Big Engine Brawl by @spaceboid and the rest of the lovely team makes me just a little insane. It’s probably one of my favorite ttte things anyone has ever done ever.

Everything about it is just so prefect and right. Especially with Gordon my blorbo Gordon. I’ll be doing some autistic analysis. Spoilers under the cut!

OKAY. So this has captured gordon so perfectly in my humble opinion. His first song Indignation (perfect name by the way) is GRAND and very idk how to describe it but it feels fancy. Even his facial expressions here are very indignant and apathetic. He’s not really taking this seriously because he thinks he can EASILY win. And I love how later near the end of the song the chart for Gordon’s part gets so overly complicated and more complex. It’s like how he thinks so highly of himself that he pushes himself past what he can physically do. He’s so determined to win that he does more than he can manage because he’s a big engine, he’s supposed to be able to manage it. And he thinks he’s so much better than this random small thing that he’s showing off. And if you learn anything on Sodor, it’s to not show off. AND THEN RIGHT AS HIS SONG IS SUPPOSED TO END HE FUCKING BREAKS AND HURTS HIMSELF BECAUSE HE PUSHED HIMSELF TOO FAR. HE GOT SMACKED DOWN FOR SHOWING OFF. Just like the hill. Also I love that his buffers fall off it reminded me of the cgi episode where his buffers fell off and he had to get huge diesel buffers.

AND HIM CALLING ON HENRY TO HELP. ITS LIKE HOW WHENEVER HE FUCKS UP OR PUSHES HIMSELF TOO FAR HE HAS TO CALL ON OTHERS TO SUPPORT HIM. LIKE EDWARD AND HENRY AND THOMAS.

God and the big finale sone with all 3 of them. I’m gonna go insane I’m gonna eat concrete. Gordon’s angry flushed face as he’s finally taking BF seriously. He’s so FOCUSED. I LVOE how they all work together. At points where James and Henry take up the lead part of the song and Gordon is providing harmony support. I am running around my room I am stimming so hard I think I might explode actually. JAMES AND HENRY’S JUST TIRED APATHETIC FACES TO IT ALL. THEY ARE SO DONE. NOT ONLY WITH BF AND GF BUT WITH GORDON’S UNNEEDED FRUSTRATION ABOUT IT. ALSO WHEN JAMES AND HENRY FIRST COME FOR BACKUP THEIR MUSICAL STYLE REFLECTS THAT. HENRY’S IS LESS GRAND THEN GORDON BUT ITS FAST AND DANGEROUS IT REMINDS ME OF THE IMPACT OF THE FLYING KIPPER. AND JAMES HAS A SLIGHT SWING IN HIS SECTION A LOT LIKE HIS MUSIC.

In short this captures Gordon’s character absolutely perfectly in ways that will make me autistically infodump about it to anyone who will listen. I may have gotten some music things wrong because I am not a musician at all. But I do know Gordon’s character and this is perfect. 1000000/10 PLEASE GO PLAY AND SUPPORT IT

[weightedblankettt]

An Analysis on the Literature Girl Insane MV!

Hey! You might not know me that much, as I’m not active in the DRDTheory community, as I’ve dubbed it, but my name is Blanket! Technically, this is a work of collaboration between the majority of DRDT Twitter, but it’s mainly just an analysis of stuff I couldn’t do by myself.

Okay, and now, onto the video!

So we start off with the spoiler warning. Pretty standard stuff, of course.

Many of my theories beginning here will be based on the colors and what I, personally, associate them with. Of course, the actual MV’s contents will be looked at further down the line. 

As a bonus, take note of what pops up right after that. It’s a question: Do you want to forgive... someone? We’ll answer this question later on in the theories section.

These are mainly just lyrics, but the “final verdict” part catches my eye, as I believe it isn’t in the lyrics further down the line. Perhaps it’s about the current trial? As many people believe, David did not kill Arei. His reasons for lying about doing so are unknown, but we can assume that the singer is calling the listeners idiots, because of their incorrect final verdict. Whatever David wants to do, it’s certainly not leading them to the right one.

Next, these lyrics. While I believe it’s fairly obvious that the pink is meant to represent the typical Danganronpa-esque color of their blood, the color that the word “game” is in is probably relates to David. After all, his hair clips and star eyes, both prominent features of his “facade”, are in the same color.

Here is where the most prominent part of the MV is, to me. The text that flashes across the screen during transition points. The first one, in white text, is an excerpt from Osamu Dazai’s “The Flowers of Buffoonery.” The book, while I’ll spare you the greater details, greatly describes themes of suicide. The story’s main protagonist, Yozo Oba, can be described as so: “-But the narrator, a self-conscious writer, makes frequent first-person asides, breaking the fourth wall as he comments on the quality or believability of the novel he is writing.” 

Something especially telling is this line, from an analysis of Yozo’s character. “Yozo is a person characterized by shame. Although I pretend to be someone who is confident and unabashedly themselves, that is not really true. I have always been ashamed of who I really am. I created a whole persona to interact with others because I believed my true self would never be enough.”

David’s character is someone very similar to that. Someone who has created a false persona to interact with others. Yozo is someone who feels resentful of other people, simply because he is forced to make them happy. “Yozo Oba is the tortured author and unreliable narrator of the three notebooks that comprise the bulk of No Longer Human. [That is the sequel to The Flowers of Buffoonery.] His appearance is depicted in three photographs examined by an unnamed narrator in the Prologue. These three photographs correspond to his appearance in each of the three notebooks. As a child, Yozo is precocious by design—an impish child who uses his antics to hide his fear, shame, and inability to relate to humanity. These fundamental flaws carry over into young adulthood; in the second notebook, he is a handsome young man whose smiling photograph lacks humanity, betraying the depth of terror and isolation that his comical persona seeks to hide. In the third photograph and notebook, he is only 27, but his gray hair and forgettable appearance prevent him from being labeled an ordinary human being.”

The quotes in yellow are from Agatha Christie’s “Murder on the Orient Express.” The full quote reads as follows. "If you confront anyone who has lied with the truth, they usually admit it – often out of sheer surprise. It is only necessary to guess right to produce your effect." I think the relevancy of this line in terms of David can be explained with his actions so far. Fun fact: Similarly to Danganronpa, “Murder on the Orient Express” is a murder mystery. 

This is just a rickroll. DRDTDev thinks that they are FUNNY!? (They are.)

The “an archaic personal pronoun rarely used in real life, but popularized in fiction by the book” is most likely referring to thou/thy/etc. I’m not sure what this correlates to, but it’s probably important. I couldn’t find the green text, but from what I can tell, the green text probably relates to David’s nihilistic point of view towards humanity. Update: Bleuflower on Tumblr has located the source to be I Am A Cat by Natsume Soseki, so go check her out for that! If I had to say anything about that, it’d probably be relating to MonoTV, however, there’s also a continuation of David’s nihilism towards humanity that was also found in the Osamu Dazai references. The book itself is described as a “mordantly comic evocation of Sōseki's deep pessimism about his own humanity and indeed about humankind in general.”

The white text here is an excerpt from Osamu Dazai’s “No Longer Human,” which follows the same protagonist as “The Flowers of Buffoonery.” I’m sure you can all gather what that means in relation to David, but the main point is that he seems detached from his view of “normalcy.” @shidoutism on Twitter had this to say, as they’ve read the book itself: “OKOK so basically this first excerpt is from 'no longer human' by osamu dazai (its his last finished work because dazai sadly took his own life after publication of the book) now from the limited knowledge i have of david the meaning and message of the book might help in whatever analysis ur doing?? no longer human is about a man who never felt like he understood humans. like the title suggests, he never felt like a person. its revealed the protag was pretty sheltered and rich in childhood but experienced trauma from the familys housekeepers, but he never reported it. thats basically the start of it all as the protag grows up, he finds fear in communicating with humans. so he ends up either isolating himself and/or destroying all of his relationships with people. he's scared of people seeing the real him, so ever since he was a child he started putting up a happy, cheerful front. but it just creeped some ppl out bc it didn't feel genuine, it was more like a clown wanting to so badly entertain others. the protag starts resorting to bad coping mechanisms such as dr/gs and alc/hol and has many relationships with women to drown his sorrows and feel closer to being 'a human'. aaand the end of the book is kinda unsettling as the protag is sent to a rehab center and then when released, isolated himself somewhere far away without people, stating "everything passes. thats the one thing i learned in this living hell [somewhere along those lines]" and the book ends numbly like it feels like nothing”

I don’t know about you, but this sounds rather similar to our “protagonist.”

This quote is from “The Setting Sun”, by, you guessed it, Osamu Dazai. It tells a similar story, albeit with a different protagonist, but I feel like this ties in more with his facade, and how his inspirational speaking comes off to other people. Considering he is in his facade at this time of the MV, it’s safe to say that that’s what this is referring to.

And now, this all falls into place. These are the names of the Osamu Dazai books referenced in the text beforehand. The (I’m), next to No Longer Human, however, could signify how David views himself. Someone so sunken into depravity that they don’t register themselves as human anymore.

The faded text here is the first sentence of Yasunari Kawabata’s “Snow Country”. I don’t know what this refers to in terms of David, but this also seems important.

David still views himself as manipulative. Even if he does love people, even if he does have a semblance of care for those in his life, he views himself as an evil, irredeemable sack of shit, incapable of any emotion other than selfishness and cruelty.

This part is especially intriguing to me. David still wants to live, as anyone else does, but he can’t bring himself to find a reason to leave. His career is dead. He’s worthless, and nobody needs him around. Where would he go? There’s no room for him anywhere, even if he escaped, he’d just be shunned for good now that his entire life has been thrown away. 

The excerpt from “And Then There Were None” by Agatha Christie, describes someone losing motivation to leave the island. The island is a metaphor for the building, that the students are trapped inside, and David has lost the will to leave in the first place. He doesn’t want to leave, because there’s nowhere else for him to even go. He doesn’t have a home. He doesn’t have a fanbase. There’s nothing left.

The text here reads: “If you’re Hythlodaeus, then I must be Morus.” This refers to the work “Utopia”, written by Thomas More. The book follows Raphael Hythlodaeus, a man who claims to be from Utopia, a perfect place for everyone. His surname quite literally means “Bringer of Nonsense,” or something along those lines. While this may be a stretch, I believe that “Hythlodaeus” is referring to Pre-Reveal David, and “Morus” could possibly be either Post-Reveal David or someone affected by his speeches, for example Xander.

Also, I find it interesting how the girl in this frame, most likely David’s “sister,” Diana, and David himself are both tilting their heads at similar angles. It’s possible that their relation is hinted at through this, but I’m not sure.

The excerpt right here is from Kajii Motojiro’s entry in the Kyoto Journal, entitled “Lemon”. While some of the text has been altered, the main story is about a man who finds himself suffering, and walks through his neighbourhood only to find a greengrocer selling lemons. He goes home, and finds himself happier than before. I’m not sure what this means when it comes to David, however if you’d like, you can analyze for yourself and let me know.

https://www.kyotojournal.org/fiction-poetry/lemon/

This part doesn’t have any external references, but I believe that the lyrics here reinforce David’s worldview, that no matter what you do and how hard you try, “nobody ever changes.”

The star imagery here is a direct reference to David. Stars are representative of his happy facade, and when he loses the stars, he quits the bullshit. 

…And this frame. Alright, let’s start from the top. The electrocution definition is a callback to Xander, who’s referenced quite a few times in the video. The yellow text, which is from Antoine de Saint-Exupéry’s “The Little Prince”, is possibly a reference to David’s view on other people or himself- That nobody is special unless you were born special. However, the end of the text describes that if the boy were to tame the fox, the speaker, that they would need each other. I’m not sure if this is a description of manipulation, or a codependent relationship, but the David parallels are there. That, and the title of a “little prince” probably refers to David and how he’s idolized by many. The green text is, again, from “The Flowers of Buffoonery.” The full text is as follows. “A man crushed by reality puts on a show of endurance. If that's beyond your comprehension, dear reader, then you and I will never understand each other. Life's a farce, so we might as well make it a good one. But real life is a realm that I may never reach. The best that I can hope for is to loiter in the memory of these four days, so steeped with empathy. Four days that count more than

five or ten years of my life. Four days that count more than a lifetime.”

In reference to David, this is more representative of his true feelings. Not the asshole persona or the facade, but the genuine feelings he has. He already feels far too gone by his own standards, and constantly puts on a “show” for other people in the form of his speeches. 

The red text is possibly a person dealing with depression speaking on one of their symptoms. There’s no way I could find a source for such a short quote. A common symptom of depression is losing interest in things you previously found enjoyable.

The white text on the side describes someone who finds pleasure in solitude as opposed to being bossed around by other people. It’s a reference to David’s backstory, as someone who was pressured into putting on a performance for others, finding comfort in being alone rather than having to play pretend whenever around other people.

The white text at the bottom is a continuation of the white text at the top.

The only theory I can think of for this is that it’s a foreshadowing to either gaps in their memory or the amount of survivors left in the killing game being four. Not sure.

Update: I don’t know how I missed this, but the “11” next to the suspicious gaps refers to this. It’s possible that the suspicious gaps are gaps in their memory now, being as he doesn’t remember having an older sister, but her existence is most likely confirmed, as we saw her. 

This part here is referring to “Catch 22,” when the main character realizes that without a soul, humans are just… matter, if you will. Empty husks.

For this part, I had to call upon my not-so-trustworthy old friend, Google Translate! The translation of this from Latin is “I think, therefore I am (not.)” That’s what makes the most sense to me. We’ll refer back to this part later, for I have a different intention for it in my mind than David himself.

The dark blue text is another excerpt from “The Little Prince.” The prince in question is talking to a castaway, and the main takeaway of his words is that only your heart can tell you what you really need. If you were to simply look with your eyes, then what you truly need would be drowned out by the blinding light of superficial desires. I’m pretty sure that’s what that means. David is looking through his eyes, seeing a cruel world where nobody changes unless they were born to.

Now, let’s get into the next big part of the MV: The crossword puzzle. You might be wondering how this relates to David, but its moreso his own commentary on his classmates. Let’s go back to the latin. Pay attention to this reference of the solved crossword by raspbeyes on Tumblr. It will be very important for you to follow along.

Notice how there’s roman numerals in some of David’s lyrics? For example, this that we established earlier meant “I think therefore I am (not.)” This is referring to Rose. Her photographic memory can be linked to the description of “thinking.” The context of this may become clearer in future parts of the story. 

III. That’s Charles. “If you doubt brittle things are broken.” Is, in my mind, referring to his memories. He has a recurring element of not remembering things, but he doesn’t seem to be aware of this until Chapter 2. For example, his secret- “Your older brother died, but you don’t remember him at all.”

IV. Arei. Her breakdown sequence should be all you need to associate this with her.

V. This is Ace. He’s going insane, obviously, because of the paranoia and failed murder attempt against him. That, and he’s become more disheveled as the game progressed.

XIV. Veronika, correct? Substance to the arts relates to her talent as a Horror Fanatic. Naturally, she’d be related to things like that.

XV. Whit’s refusal to accept his mother’s death, staying ignorant to the tragedies around him, is one of the “happiest” members of the cast.

XI. Mai Akasaki is not mentioned in the current story, and all of her quotes hidden amongst the cast members describe her in past tense. She was someone everyone viewed as reliable, trustworthy, and perhaps, if you exaggerated it, as God.

These two walls of text are both from the same source: Hamlet’s Solliloquy of “To Be, or Not to Be?”

This is what the thing actually means, in case you aren’t aware, which even I wasn’t until just now. It represents David’s suicidal ideology, from what we can assume with the way he��s trying to get everyone to vote wrong in the trial for Arei, quite well. Whether he wants to live, or die, is most likely a constant struggle for David to answer.

Which is why he leaves it up to… whoever can answer.

This is an absolute reference to the trial. The class trial rules are overlaid over the death portrait texture, which is “conveniently” covering David’s face. The seventeen here is also telling, considering what the description has to say about it!

This is what I believe is David’s end goal. To get everyone executed as a result of his own hopelessness. By pretending to be the killer and antagonizing the class, he believes he can easily sway the votes by “manipulating the public” as he always believes he’s done. By getting everyone to vote for him, he can end the killing game and his own “pathetic life” in one fell swoop.

After all, it’s not like he believes they have a chance of winning and escaping in the first place.

And here, is where we left off in Episode 11. David completely drops his facade in order to effectively kill himself, along with everyone else. After realizing the hopelessness of his situation, he makes a drastic turn to accept it readily. Someone who self-sabotages continues to do so because they develop a warped perspective of having control.

And again referring to the description, the 12 near the “Tallying Votes” caption refers to this. It’s David’s way of justifying his selfishness, with a diluted form of justice serving as an “ultimately fair verdict to the trial.” 

However, David has always wanted to be loved. It’s why he even bothers with his facade, because he’s been putting it up for so long that disregarding his persona would effectively ruin everything he’s worked so hard to maintain in the first place. The repeated imagery of applause could also be a callback to his status as a celebrity, especially with how he reacted to Xander and Arei’s reliance on him.

While this does have a small fade of text pointing out that the “degraded copy” is the cover, which is not true because the MV is amazing, but. I believe this–

Oh. That’s literally it. Well, that makes one mystery solved!

Hey, look, we’re already halfway through! nice! Eden’s optimistic personality can be referenced here. She wants to live with everyone, together, and make sure that nobody gets hurt. 

This is another reference to David’s rambling on about how attempting to change is utterly futile, and that nobody changes. 

The yellow text is the definition of a television show, I believe. The blue text is an excerpt from “And Then There Were None,” by Agatha Christie. The full quote is this: “Breakfast was a curious meal. Everyone was very polite…. Six people, all outwardly self-possessed and normal. And within? Thoughts that ran round in a circle like squirrels in a cage…. ‘What next? What next? Who? Which?’...” …Do you get it? It’s a parallel to the killing game. Or, rather, how David views it. Everyone is terrified and scared for their lives, but they still greet eachother with mock kindness.

The blue text on the side is an excerpt from Shakespeare’s “Macbeth.”, and it goes like this: “I am in blood / Stepped in so far, that, should I wade no more, / Returning were as tedious as go o'er.” A critical analysis of the original work reads as follows: Shakespeare is saying here that Macbeth has involved himself in so many murders that it is as easy for him to carry on than to turn back. Macbeth compares his course of action with wading across a river of blood, creating a vivid image of his bloody reign. The word 'tedious' reveals the hardening of Macbeth's heart.

And now, the moment I’m sure most of you have been waiting for. Xander. Something I took notice of was that the cracks line up directly with his left eye, while his right eye is the one that’s actually missing in the game. Nonetheless, Xander clearly did mean something to David. Whether it be through his idolization of David, or if he inspired David in some way, his death had an impact on him. Manipulative persona or not. 

XVI translates to Hu from the crossword puzzle. He’s taunting her, similarly to how he did in the trial, although the ??? makes me wonder if it actually IS David…

XII, that’s Eden. I assume it’s because of her optimistic persona that she is standing in someone’s way, although we’re not sure who. 

For the next part, let’s say we take this at face value. It could definitely be referencing David allegedly pushing Arei to commit suicide, although this could also be something he internalizes, with the themes of suicide and wishing to be dead explored previously.

These are all repeats of the previous works included in the MV, like The Little Prince, Ozamu Dazai’s series, Agatha Christie’s works, etc etc.

Now, this is code, I’m assuming, but I tried translating it and couldn’t find anything. It’s a common encryption language. In case you want to translate it, it’s: 3aqxw97pktc8uki458fbdpfoacllex2f07bf8mg24b4mpfx2adc6v3f5yhxjd8i7sf11312zaj5lazet47jod5jczec5mvb6bz2o59r143sf2pe916sczcn7emvbl55ehe9iqb2708tt83482c8tw3c77gn47ojca634gbcfz0016s647wwlakcn46brcle0eam9

NOTE: @glorywelpchild on Twitter says… “For this, it may have been encrypted multiple times by different engines? I'm not a programmer so I'm not really familiar lmao. Another thing, it could be a type of programming the dev knows/commonly uses.”

The VI here is Arturo, but I don’t know what this means. Perhaps the description can give us some insight?

Hmm… Well, I don’t mind. Whatever you say.

Nico’s number is VIII, and this is referring to the defense they put up when asked about their intentions against Ace’s life. They claim they never thought about it, and “even if they try to think, they don’t know.”

This is Levi’s, as per the IX. 

I actually managed to find the original image in the background. It’s a study on Comet Shoemaker-Levy 9’s orbit around Jupiter for several years before crashing into the planet. While the name, Shoemaker Levy, may be a play on Levi’s name, I believe this is also referencing that he may die soon. Maybe this is a stretch, but the symbolism of a comet named “Shoemaker Levy” crashing into Jupiter being right under a symbol that represents Levi, our prime suspect in a game where being caught results in death, is too far to be a coincidence. Part of my theory for Chapter 2 is that Levi is the blackened, after all, but that is in a previous post. Nonetheless, we can move on.

This is “Enterance of the Gladiators.” While it is now associated with silly things like clowns, it was originally a military march song. Hmm, where have I heard this description before?

Ah, that’s right! In the description!

These two are relatively straightforward. The David we meet in the prologue is his facade, and it serves as an introduction. However, we are re-introduced to him with a whole personality change, and that comes delayed from all the others.

This is a direct reference to MonoTV and the throne in the trial room.

The truth bullets. Typical Danganronpa symbolism, and it’s also a neat little reference to Xander’s custom weapon.

References to some of the students. The dresser is Levi, the bowl of fruit is Rose, the gun is Xander, the teapot is Hu, and the candle is maybe J?

The clock is Eden, the portrait, maybe a reference to the game? The stupid kid’s toy might be Whit.

Teruko and Mai. Teruko’s misfortune and Mai’s idealization are both key parts of their characters.

The gavel, another reference. The kitchen knife, Min. The skull, Veronika. The mirror… Possibly Xander because we’ve seen him with broken glass earlier in the MV, but it might be David and his personas making another reference.

The mastermind, sitting atop their comfortable chair.

The noose is Arei, the gas mask is Charles, the mouse is Nico, the theater mask… Perhaps the mastermind again, or Veronika again. The safe is David’s locked away and suppressed emotions. These are all mainly theories based on observation, don’t take it as the wholehearted truth.

David being mentioned again with the hair clips. The lemon has been brought up beforehand, it’s a callback to the journal entry. The dummies represent David’s detachment from his humanity, and the television is a callback to the fact that they’re on a television show.

David views himself as a snake, a liar, a murderer. Snakes are common imagery to use when referring to the Devil as well. The blood is a callback to the killing game itself.

Either a reference to Min, or the fact that all the books are empty could be visual dramatization of David’s feelings. There’s supposed to be something in them, but the books are empty. The “various kinds” could also be how many personas he puts on, if that’s a prominent part of his backstory.

The killing game is being broadcasted, so that counts as terrorist iconography, if nothing else. Dandelions, while beautiful in their own way, don’t belong in a garden. The megaphone is David’s custom weapon, and it’s a way for him to broadcast his speeches to those around the world.

The letters are from the joke comic that the dev released. You know the one, where Xander writes a letter for David and he accidentally throws it away thinking that it’s garbage. The popular toy refers to the commercializing of the Tragedy, as Veronika explained on the first day of Chapter 2. How horror movies will put black-and-white designs in their films to up the fear factor because of the subliminal/primal fear of the design back in the days of the Tragedy. The flowers… No idea.

This is cleverly disguised, but it’s a reference to the debate between continuing to live and killing yourself. To be or not to be, to stop or to keep going, but they’re both lit up. How are you to do both at the same time? You have to make a choice.

Main Roles are David and Xander. It makes sense, considering they both have full-body moments and we know who they are. The crossed out name is Mai Akasaki, but the cut off name is a bit harder to decipher. Thanks to some inspiration and help, I’ve come to my final conclusion regarding this.

They are related to Arei, 100%. The letters match perfectly.

Even in comparison to Arei, the “N” in her name starts only a bit earlier, but that’s because the first word is probably only two or three letters, in comparison to the four letters in Arei.

Originally, I couldn’t translate any of these. All I could make out was that the first hand was Xander and the second hand was Min or Mai. However. @MAHIRUMILGRAM on twitter managed to translate them! They are as follows:

After this point, the truth bullet breaks through David’s words, similarly to how Teruko is fighting against David, despite the truth bullet being in agreement towards David’s idea.

There’s also this, which could be David trying to deflect us from the truth, or that the lyrics genuinely don’t relate to him. I’m leaning towards the former.

The white text at the top here is from a story, entitled “The Ones Who Walk Away from Omelas.” It is about a beautiful city where everyone is happy. However, their city is not as beautiful as it seems. They tell the story of how the townspeople have locked a child in a basement, and left it to suffer. Their happiness, as they’ve been told, requires a sacrifice. “Inside the room, which is behind a locked door, there are a couple of dirty mops, a bucket, and a young child. The child is ten years old, but looks younger. The child is scared and completely miserable. It is never allowed to leave the room. Occasionally, someone opens the door and kicks the child to make it stand up. The person fills the food bowl halfway with corn meal and grease, fills the water jug, and leaves. The child can remember what the outside world looks like and begs and pleads to be let out. The child is naked and covered in sores, and it wails at night in its misery. The people of Omelas all know about the child in the basement. They all understand that everything good about Omelas, from their abundance of food to the good weather, depends upon the suffering of the child. They all understand this because when children are between the ages of eight and twelve, they are brought to see the child, and this tradeoff is explained to them. During this experience, the children of Omelas are disgusted. They want to help, but they are told they can’t. If anyone helps the child by clothing, feeding, or otherwise caring for it, then the perfect happiness of Omelas and its abundance would die. Therefore, no one may even speak kindly to the child.” I wanted to include this because it describes David so well. Someone who has been cast away because they’re deemed useless to society, someone who’s happiness would destroy the happiness of anyone else. I find the story truly fascinating, as it might describe David’s suppressed emotions and the depressive tendencies he indulges himself in.

“Their tears at the bitter injustice dry when they begin to perceive the terrible justice of reality, and to accept it. Yet it is their tears and anger, the trying of their generosity and the acceptance of their helplessness, which are perhaps the true source of the splendor of their lives. Theirs is no vapid, irresponsible happiness. They know that they, like the child, are not free.”

“How you have felt, O men of Athens, at hearing the speeches of my accusers, I cannot tell; but I know that their persuasive words almost made me forget who I was—such was the effect of them; and yet they have hardly spoken a word of truth [alēthēs]. But many as their falsehoods were, there was one of them which quite amazed me—I mean when they told you to be upon your guard, and not to let yourselves be deceived by the force of my eloquence. They ought to have been ashamed of saying this, because they were sure to be detected as soon as I opened my lips and displayed my deficiency; they certainly did appear to be most shameless in saying this, unless by the force of eloquence they mean the force of truth [alēthēs]; for then I do indeed admit that I am eloquent. But in how different a way from theirs! Well, as I was saying, they have hardly uttered a word, or not more than a word, of truth [alēthēs]; but you shall hear from me the whole truth [alēthēs]: not, however, delivered after their manner, in a set oration duly ornamented with words and phrases.”

Do you remember, in the prologue, where Xander describes the “rumors” against David’s positive front? This is a direct parallel. Here, Socrates denounces the words of his attackers, similarly to how nobody truly believes the rumors except for the critics themselves. Even Xander was fooled by his charisma.

“Was't Hamlet wrong'd Laertes? Never Hamlet: If Hamlet from himself be ta'en away, And when he's not himself does wrong Laertes, 240 Then Hamlet does it not, Hamlet denies it. Who does it, then? His madness: if't be so, Hamlet is of the faction that is wrong'd; His madness is poor Hamlet's enemy.”

Hamlet blames his own insanity for the death of Laertes’ father. Just like David tries to get everyone killed, and blames himself for murdering Arei, because of his own insanity.

This is a line from the poem “Be Not Defeated by The Rain,” by Kenji Miyazawa. It describes a man wishing to become someone strong, someone who cannot be bested. I believe this is exactly what David wants, too. To be as strong and as hopeful as he is forced to pretend to be, instead of a hopeless mess who would rather die than be seen as worthless.

David reaches the height of his insanity, before finally quieting down after being basked in green light. I don’t know if this was intentional, but I believe that it represents how he’s given up on even death after the students manage to vote correctly, hence the green coloring.

And now, number 19.

I severely doubt that David will actually die in Chapter 3. That is not “foreshadowing,” that is just giving out the answer, and DRDTDev is much more careful than that. I believe this is a final representation of David’s suicidal ideologies. He says he will forget, he says guilt will not weigh him down, but he’s lying to himself. That’s why the stars are still behind him, because he’s still lying. He says he is satisfied, he says he’s okay with death, but when has David ever been truthful with us?

And he leaves an empty throne behind. Not because he is dead, but because he has relinquished his career and his reputation for nothing.

Even though he is missing, nothing else has changed. That is how he views his life.

And that concludes the main analysis of David’s MV! It’s such a beautiful thing, really, I don’t know how to phrase any of it properly. Thank you to everyone who’s read this far, and everyone who helped me out. The decoding and puzzles? Ah, I’ll let you all do that… But, maybe I can help a little! Blanket, out~! See you all next time!

[nicromancytarot]

so how did you manage to find the exact name of your spouse thats quite cool!

It’s a long story in all honesty. 2022 I liked this guy, and I stumbled across pick a cards on YouTube, I watched one about my future spouse and it mentioned some specific things that unfortunately for 2022 me did not add up with the guy I liked. At the end of 2022 I interacted with my future spouse unknowingly, and he’s always been under my nose which sounds insane and creepy at the same time. My friend sent me a video of him in 2021 and I had no idea who he was, I used an audio of him on tiktok in 2022 and still hasn’t a clue of his existence, even as far back to 2020 when I saw him on youtube and vowed to never watch his content ‼️

He’s somewhat in the influencing space if you can’t already tell (I’ll keep his name private for the sake of both of our privacies and timing, since obviously things can change) so I didn’t think much of it. Then mid 2023 I got back into Tarot and pick a cards, I was feeling really demotivated so I decided to watch some about my future spouse again, same thing as always happens, I put two and two together and was like “oh, hang on a minute” then bro got semi cancelled and I was onto bigger and greater things, hoping Louis Partridge was my husband instead 😔

I always felt verrrry drawn to this person no matter what and it pissed me off cus this was my era of loving Miguel Ohara and wishing that he was real, but it was spoiled by this man being on my mind. So around 5 months later I got back into his content (very loosely) and I was a tad more content with him being my future spouse.

I then started learning more about astrology, he hasn’t got many chart analysis posts about him as he’s not mainstream or anything, but the ones that he does have, the “soulmate” ones weirdly describe me and it’s creepy, because it makes me feel parasocial, I only know one other person with a “famous” future spouse so I don’t really know how to feel about it, since there’s so many unsuspecting, but it’s weird to know who you’re going to marry.

Another thing I should probably say is that my spirit guides don’t hide much from me anymore, the start of 2023 they gave me a blob of information about the universe and how it works and all these things about the afterlife (which again, makes me sound psycho, so I don’t speak about it) I’m writing a book on it, have been for the last year, it’s definitely going to be a lot when I one day release it lmao, but because of them telling me all this stuff, they don’t really care to hide my future spouse’s identity for me, I think they figured that it will motivate me to actually get my ass up and become who I want to become so we can meet.

But going back to the astrology, I was told by my spirit guides via pendulum that I was going to meet him at 21, that was told to me October last year, December last year I was looking through our astrology transits, we both have a 5th house (love and relationships) transit on November 24th 2026, 14 days after my 21st birthday. So that was certainly confirmation lmao. His 7th house ruler (where you could meet) in astrocartography goes over the country I live in, and my 7th house ruler also goes over that place too, so again, very strange.

During my October pendulum time, I spoke with one of my great grandparents who had a specific message for me, and she proceeded to spell out his name, so that’s how I know that lmao.

I’ve done so many readings on it since because it does make you feel absolutely, incredibly insane and possibly out of your mind, and they’ve always added up. I did a “how he’s going to meet his future spouse” and then mine, they added up too much, it was terrifying (bro feels rejected by me, L) and I also asked for confirmation a few nights later for just a single sign that he is indeed my future spouse, I pulled AT THE SAME TIME the lovers and two of cups, I genuinely sobbed when I realised I could’ve recorded it, it’s the craziest thing that’s happened to me in Tarot I swear.

I also received a few readings since during exchanges and games where people have straight up confirmed that he is who I think he is. So hopefully we both make the right decisions to be together in the end, it’s definitely not an opportunity I plan on missing out on.

I can’t lie, knowing your future spouse is hard, especially if they’re somewhat someone you look up to, I’m not necessarily a “fan” of him, I don’t really interact with his content anymore, I haven’t really done so since early 2023, but I feel guilty for not doing so now as of who he is to me, and who he shall be. I constantly have doubts about it, my guides get pissed off at me all the time because I’m always asking for confirmation or searching for something, but really all I know now is that if I make all the right choices, and he does too, then we will become what we will be, but for now I guess I feel isolated in that.

I won’t get into the whole negative side of knowing your future spouse, unless some asks me to lmao, it’s certainly too much for this already too long rant.

Thank you for coming to my ted talk xoxo

[lampthehealthminister]

An Aventurine-centric analysis of the 2.1 Trailblaze Quest - Part 2

This is so late I’m sorry :( Life has been keeping me busy and I just didn’t have the time to look over this one last time and post it. I focused only a small part this time because nothing else interested me in the quest. Plus, next up is All the Sad Tales, and I feel like that’s gonna take a massive amount of time… It’s probably gonna be divided in two parts! Anyway, enjoy my rambling!

Warning : Spoilers for Honkai Star Rail’s 2.1 Trailblaze Quest “Cat Among Pigeons” (still putting it here just in case)

Part 2 : Heaven is a Place on Earth

Memory

Indifferent Male: So, No. 35, you're back. Like your new lucky charm?

Aventurine: ...Can a "commodity code" really be considered a lucky charm?

→ I don’t actually have much to say about these lines, except that I searched the meaning or symbolism of the number 35 and I found none. The number 34 is more interesting, but I’ll talk about it later ! (See line 3)

→ Other than that, the whole dialogue talks a lot about luck, and there’s definitely something ironic about Aventurine’s master referring to his (Aventurine) mark as a lucky charm in these lines. It’s obviously mocking, a way to taunt Aventurine for being someone’s property even though he’s naturally lucky. Also, it’s another way to tell him that his luck is meant to be used, specifically for or by someone else. There’s basically a double layer to the way Aventurine’s master strips him of his identity and freedom. Also, with the link made between the commodity code and Aventurine’s luck, the latter appears as something oppressive, that binds Aventurine to a certain path. His luck is not shown in a positive light but as something that brings him trouble, exactly the way he sees it in the present.

2. Indifferent Male: The guys in black didn't say much, so I've no idea what you did to save your skin in that massacre back in the day.

Indifferent Male: But I figured you must have had good luck, so I bought you. From now on, you and your good luck are MY assets. Are we clear?

→ Nothing much to say here, except that it’s once again so ironic that the IPC, who said they would protect the Avgins, ended up selling Aventurine to this guy. And the fact that Aventurine ends up being forced to join the IPC in the end makes it even more twisted, it shows he’s always just been the property of the IPC all along, even if he was in the hands of someone else.

→ Also, Aventurine’s luck is again shown as something detrimental to him, the reason he was bought by this guy in the first place, so by extension the reason he became a slave. Throughout the whole memory, we’re really shown that Aventurine’s luck has never been an asset for him, even though the Avgins considered it a blessing.

3. Indifferent Male: Your first task is simple. In addition to you, I've purchased thirty... well, thirty-four other slaves.

Indifferent Male: Go and play a "game" with them. You came [sic] out alive after two days. It proves that you are the real deal.

→ So, like I said before, the number 35 doesn’t have a meaning, but 34 does. First, in ancient Egypt, the number 34 represented the union of heaven and earth. And the name of the quest is “Heaven is a place on Earth”. However, it could easily be a coincidence. But then I kept reading, and I saw that in Sumerian culture, the number 34 was associated with divine protection and spiritual strength. So obviously, I made the link between “divine protection” and “luck”. It seems that these lines are saying that Aventurine doesn’t just prove his luck to the man who bought him by killing the 34 other slaves, but also reinforces his luck. Basically, killing people gives Aventurine more luck. Once again, Aventurine’s luck only benefits him and no one else, putting him on a pedestal while other people suffer. This time it’s even worse because he directly participates in others’ suffering in the name of his luck. He’s no longer a bystander that could do nothing, he’s straight up a murderer. So we’re once again led to believe that Aventurine’s luck is more of a curse than a blessing.

→ Also, the use of the word “game” to replace the act of killing definitely has some meaning. It gives a twisted dimension to the death of the other slaves, making them look like a form of entertainment. Also, it puts the killer, Aventurine, in the position of the victor. “Game” has a positive connotation, so Aventurine’s survival is seen as a good thing, even though he had to kill everyone else to win. This definitely affected the way he values life, but also the way he approaches games and gambles. And yes, you can definitely make a link with the “Final Victor” lightcone.

4. Indifferent Male: Hahaha, are you trying to strike a bet with me? Well, you've got some guts!

Indifferent Male: Sorry, but that won't do. Don't forget your place, slave. You're not qualified to be at the table.

Indifferent Male: You're just a chip, a life thrown away in someone else's hands. Either you come back with more chips for your master, or... you never come back.

→ In these lines, there’s more vocabulary related to gambling. But just like before, the game, the gamble, is associated with the risk of losing your life, which probably shaped Aventurine’s mentality. It’s also possible that Aventurine gambles specifically because he knows that it’s the only game in which he has control over his life. Meaning that gambling is his way of no longer belonging to anybody except himself. If his life is a chip, then it’s his own and no one else’s.

5. Indifferent Male: It's all or nothing. Don't embarrass me, my lucky hound.

→ This line caught my attention. I find it pretty interesting that Aventurine uses the sentence “all or nothing” pretty often despite the fact that he probably heard it from this guy originally. Why would he regularly use a sentence that was used against him in the first place? I think it’s for the same reason as before : it’s his way of being in control of himself. There’s no longer someone to force him to follow that mentality, he’s the one who does it because he’s his own master. By claiming that sentence as his own, he’s probably showing off his freedom, or at least it’s his way of reminding himself that he’s free to a certain extent.

→ Last thing that’s not related to any line in particular, but for some reason in this memory the name that appears on top of Aventurine’s lines is “Aventurine”, whereas in the next memory, the one with Jade, the name “Kakavasha” is written on top of his lines when he speaks. Which is just strange. This memory is the only one where “Aventurine” is written on top of his lines, all of the others say “Kakavasha”. It might just be an error, but I don’t see how they could have messed it up for only one memory. I’m thinking that it could be a way to underline how this moment shaped Aventurine’s beliefs and actions up until the present, but I’m not really sure. If anybody has suggestions, do drop them!