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whatwillyoudodifferently · 4 years ago

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Look, Louts! Lilies! - Yuri For A Hope-Flung Present and Hopeful Future

Look, I’ll be frank. I typically try to keep to a more formal tone when I write for this blog. I’m not in a formal mood. It is June October 2020, and I, like the rest of you, have been under quarantine for a little over three almost seven months now due to the Covid-19 virus. Throw in a eensy, teensy bit of massive political movements and change in response to police violence and racism, and an increase of police violence and racism in response to those movements, and I think it’s fair to say it’s been a tumultuous couple of months. Except, strangely, it also hasn’t been, because so much of this time has been characterized by ennui and isolation. Stressful, yet soul-numbing. In short, it’s been a very weird place to be in.

So, we’ve all found our different ways to cope. My sister’s way has been getting really into succulents(?), and my way has been buying digital manga and video games. I’ve finished stuff I’ve put off for literal years and bought stuff I had heard was good but wasn’t that hyped to get into. And somehow, the one thing I’ve really gotten into has been yuri?

Now, yuri has a very long and rich history, as well as its own sets of conventions and nuances, so it is with a great, great, GREAT deal of respect that I say that I’m going to simplify it for this essay as “Japanese media with a particular focus on romance between women” for brevity’s sake. If you want to know more, there’s actually quite a lot that’s been written about it in English, but I’m aiming this essay at English-speakers who have had at least a little experience with yuri and more than just passing knowledge.

Because you see, I’ve found that yuri fans have a lot of things to say about yuri! And a lot of those things really bug me!! “Yuri is only fetish quasi-porn written by men,” “yuri is only bland wholesome fluff,” “yuri is only high school drama,” so on, so on. It made me mad, but it also made me realize something: a lot of people simply must not know how big this field of lilies truly is! How else can we get people saying “yuri is oversexualized” and “yuri is sexless” as gospel truth? Something’s not adding up here, guys!

So, all that is to say I’m doing something different for this blog: I’m writing up a recommendation list of yuri. A large chunk of it will be stuff I’ve read and can officially give my seal of approval to, while some of them are just titles I’ve heard of that I think will interest others. All of them have been specifically chosen to counter common untrue things I’ve heard about yuri as a whole. I hope you can find at least a few things on this list that you will enjoy and help you keep your head as the encroaching darkness lurches yet a few inches closer!

1. “Yuri is all schoolgirl stuff! Where’s the sci-fi, the period pieces, the action, the fantasy?”

Otherside Picnic

What It Is: A light novel series written by Iori Miyazawa (illustrated by shirakaba). Ongoing, four volumes at time of writing. The story is being adapted into a manga by Eita Mizuno, and an anime adaptation directed by Takuya Satou will be airing in January 2021.

What It’s About: It was on her third trip to the Otherside that Sorawo Kamikoshi almost died, and it was on that same trip she was saved by an angel. Toriko Nishina is a beautiful and confident young woman who also happens to have intimate knowledge of the Otherside, a dangerous yet captivating world that Sorawo can’t help but being drawn to. Toriko convinces Sorawo to join her on her expeditions to the Otherside, fighting off bizarre creatures that have somehow been ripped out of Japanese urban legends and finding strange artifacts in order to make a little extra cash-- all the while keeping an eye out for someone dear to Toriko’s heart.

What I Think: Otherside Picnic is heavily inspired by the novel Roadside Picnic by Arkady and Boris Strugatsky and features several creatures and scenarios from ghost stories, net lore, and-- there’s no other way to put this-- creepypasta. On paper this sounds deeply unoriginal, so it’s pretty surprising that OP has an incredibly strong identity. The idea of fusing horror with a yuri love story excited me enough the moment I heard about it, so when I finally got to read it for myself, I was delighted to find that the horror elements and the romance elements are both quite strong.

I will say that thanks to the author’s commitment to following his sources of inspiration to the letter sometimes causes him to undercut his own writing (good example: in one arc there’s an ominous train that keeps being mentioned, causing the reader to dread its arrival with each passing page, but seeing what’s on the train will inevitably fall flat in comparison to the reader’s imagination), but those moments are made up by the more original moments-- the things that are left unseen and unexplained.

The place where the story truly shines is the relationship between the two leads. Sorawo and Toriko are great characters, both incredibly charming and deeply flawed, and they achieve a great chemistry with each other right off the bat. Sorawo is a very interesting protagonist, one who turns out to have a deeply tragic past that has made her into a reclusive, somewhat selfish young woman. What’s great is that Toriko, vivacious and confident, everything Sorawo isn’t, accepts this part of her, in a way. Toriko flat out admits she’s not looking for a particularly virtuous person to accompany her, but an “accomplice.” A big part of the appeal of OP is seeing these two “accomplices” bounce off each other, and eventually come to care about each other, all playing against a background of some genuinely spine-crawling horror. Otherside Picnic is a truly underrated series, and I deeply hope that the anime adaption next year will finally get it all the eyes it deserves (menacing phrasing very much intended).

Where To Get It: The light novels are published by J-Novel Club and can be found via various digital platforms and bookstores. The manga will be published by Square Enix Books starting May 2021. The anime will start airing on January 4th, 2021.

Goodbye My Rose Garden

What It Is: A manga by Dr. Pepperco. Three volumes, complete. It inspired a stage play that ran for a while in Japan, but not much information is available about it in English.

What It’s About: Hanako has two goals: to meet Victor Franks, the mysterious author who pens the books she adores, and to become a writer herself. Despite having the mettle to travel to England on her own to pursue her dreams, she soons finds that it’s difficult for a young, unwed Japanese woman to dream in 20th century London. However, her luck seems to turn around when she meets Alice Douglas, a noblewoman who offers her a job as her maid-- as well as a surprisingly warm friendship. Alice even offers Hanako a way to meet her idol… but at the price of a horrifying request.

What I Think: In the afterword of Volume 1, Dr. Pepperco openly admits that Goodbye, My Rose Garden was the result of them trying to marry all of their favorite tropes (“Victorian maids! Loads of frills! An English family manor!” are some standout items), and this is apparent in the best way possible. GMRG is a lush period piece that will likely appeal to fans of movies like The Handmaiden and Portrait Of A Lady On Fire, with loving attention paid to details like clothes and settings.

The relationship between Alice and Hanako is quite charming, with Alice supporting Hanako as much as she can while still taking every available opportunity to tease her, while Hanako constantly surprises Alice each time she shows her moxie and strength. It’s an adorable, sweet dynamic, yet a dark, melancholy weight lurks in the background in the form of Alice’s request-- in short, it’s a relationship that feels tailor made for me. Still, I believe this “darkness” never threatens to overwhelm the story, only enhance it in such a way that the reader will soldier on, hoping for a happy ending for our two leads. With an engaging plot and gorgeous art, this is a great manga for both longtime yuri fans and newcomers looking for an introduction to the world of yuri.

Where To Get It: Seven Seas Entertainment has translated the first two volumes, with the final one coming to English soon all three volumes into English.

Seabed

What It Is: A visual novel by paleontology, a Japanese doujin circle.

What It’s About: Mizuno Sachiko is a designer who is haunted by visions of Takako, her vivacious childhood friend and former lover. Narasaki Hibiki is a psychiatrist who wants to help Sachiko make sense of these hallucinations. Takako is… confused, trying to figure out why she keeps losing her memory and why she and Sachiko drifted apart despite being so close. Seabed is a story that spans the pasts and presents of these three women as they attempt to find and understand the truth.

What I Think: At first glance, Seabed seems simple, but it’s a bit of a hard story to explain. In a way, there isn’t much to explain-- it’s a very slow, down-to-earth story that gets almost tedious at times. I think it would be a hard sell to someone who isn’t used to visual novels, but I could imagine it being challenging even for fans. All I’ll say is this: if you give Seabed a chance, it will draw you into a surreal, gentle, melancholy tale akin to slowly sinking beneath the water of a strange, yet not unfriendly sea. For its simplicity, it’s got quite a few surprises in its long, long runtime, and any attempt to explain further will just ruin an experience that’s meant to wash over the reader over time. The only thing I’ll say is the one thing I think everyone knows: the climax will make you cry.

Where To Get It: Seabed is published in English through Fruitbat Factory and is available on Steam, Itch.io, and Nintendo Switch.

SHWD

What It Is: A manga by Sono. Ongoing.

What It’s About: Sawada is one of the few women working for the Special Hazardous Waste Disposal, and the only one in her office. But that changes when the stunningly-strong yet staggeringly-sweet Koga is hired, and the two become close in no time. Sawada trains Koga and soon the two go on their first mission to dispose of the “hazardous waste” left after a recent war… the dangerous, organic anti-human weapons known as the Dynamis.

What I Think: SHWD opens with several close-ups of Sawada’s arm muscles as she works out. I have found that page alone is sometimes enough to convince someone to read SHWD, and if not, pictures of Sawada and-- especially-- Koga are often enough to do the job. In all seriousness, what I love about SHWD can be summarized by something Sono said in an interview about the manga:

‘The first motivating force was "I want to write a yuri manga featuring strong women." I was very drawn to strong female characters by watching "PERSON of INTEREST" and "Assassin's Creed Odyssey." However, I felt that I should differentiate myself by doing something other than a "strong woman" and "weak woman" dynamic. So, I thought about coupling women with different types of strength. This is why all of the SHWD main characters are "strong women."’

It’s a mindset I love a lot. Koga is remarkably strong in a physical sense, but her mental fortitude is fragile due to her past experiences with the Dynamis, and as such, it’s Sawada who uses her immense mental strength to support her. Indeed, every character in SHWD so far bears intense trauma born of the Dynamis in some way, and it’s hard to see how their pasts still hurt them in the present. But that just makes it satisfying to see these women come together to support one another. SHWD drew me in with a unique and often dark action-oriented story with horror elements, but it’s this idea of “strong women” who make up for each other’s weaknesses that really makes it dear to me.

Also, it can’t be stated enough that Sono is so so so so so (etc) good at drawing muscular women.

On a completely unrelated note, there’s a side story about Koga and Sawada playing sports together. This includes judo. I am saying this for no reason.

Where To Get It: The English translation of the manga is released in chapters by Lilyka Manga.

Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!

What It Is: A two volume light novel series by Ameko Kaeruda, illustrated by Kazutomo Miya. Possibly complete.

What It’s About: Tanya Artemiciov is an absurdly talented Mage. So why the hell was she kicked out of her adventuring party? Her leader and former friend sums it up in four words: “You’re a woman, Tanya.” In a fit of rage, Tanya channels her anger into a “venting” session that involves swearing her head of and casting a volley of Explosion spells into the wasteland… and accidentally releases a legendary sorceress! Luckily, Laplace is actually quite nice, and just as powerful as the legends say, so the two decide to team up so Tanya can have her revenge!

What I Think: So, this is a silly one, but after a couple of darker entries I think it’s a good palate cleanser. Sexiled is a loud, not-even-remotely subtle, unabashedly feminist take on the “power fantasy” light novel, especially the “revenge fantasy” subgenre-- and even if that sounds awesome on paper to you (ex. me), it will probably feel over-the-top at times to you (ex. me). But in a way, that’s actually kind of its charm.

I like that Kaeruda utterly refuses to let up on what she wants to tell you, especially because the story was inspired by a real case in Japan. One may be tempted to think “this story is ridiculous, no one would ever be this cartoonishly sexist!” and then you read a news article about how in a famous Japanese medical university was found rigging the test scores of women, and you realize, “oh, people are still this cartoonishly sexist.” So I’m fine with Kaeruda letting it all out in this story. At the same time, I think Sexiled is best when it’s focused not on Tanya’s revenge but on her kindness, and the way her compassion, her strength, and yes, her anger inspires the women and girls around her.

Sexiled is a fun and often very funny romp about assholes getting theirs, with some surprisingly deep and nuanced moments hiding in a very unsubtle story.

Where To Get It: The light novels are published by J-Novel Club and can be found via various digital platforms and bookstores.

BONUS: Other titles with sci-fi/fantasy/action elements that may interest you!

The Blank Of Describer: A one-shot manga by kkzt about a pair of two dream-builders. They’ve taken all kinds of commissions in the past, but one job they recieve throws them for a loop: a request for a shinigami that can predict and report death. And then comes the kicker: the customer asks the two of them to give it features that the both of them “adore the most…” (Published in English by Lilyka Manga)

A Lily Blooms In Another World: A light novel by Ameko Kaeruda (illustrated by Shio Sakura), author of Sexiled, about Miyako, a Japanese wage slave reincarnated into another world based on her favorite otome game. However, she’s not interested in her would-be love interest, but in Fuuka Hamilton-- the game’s villainess! After Miyako confesses her love, Fuuka decides to give her a challenge: if Miyako can make her say the words “I’m happy” in fourteen days, she’ll stay by her side! (Published in English through J-Novel Club, available on various platforms)

Superwomen In Love: An ongoing manga by sometime about the sentai villainess Honey Trap and her infatuation with the masked superheroine Rapid Rabbit. After being kicked out of her evil organization, Honey Trap decides to team up with her former nemesis to fight evil-- and hopefully, find romance! (To be published in English by Seven Seas Entertainment, coming in April 2021)

2. “Yuri is all stories about teenagers! Where’s the stuff about adults?”

Take a look at the previous section: there’s the stuff about adults! Otherside Picnic, Goodbye My Rose Garden, Seabed, SHWD, Sexiled, The Blank of Describer, A Lily Blooms In Another World, and Superwomen In Love are all stories with adult-aged protagonists! But if you’re searching for a more down-to-earth romance, I’m happy to report there’s quite a bit of options to look into!

Still Sick

What It Is: A manga by Akashi. Three volumes, complete.

What It’s About: Makoto Shimizu is an office lady with a secret: she’s a yuri fan who draws doujinshi. She’s able to keep her two lives separate, all until the day she comes face-to-face with her co-worker at a convention! To Makoto’s horror, Akane Maekawa is amused by her nerdy secret, but Akane may have some secrets of her own...

What I Think: This one was a roller coaster for me: I loved the premise of the manga, but wasn’t sure about the dynamic between the leads… that is, until near the end of the first volume, where something happened and everything changed. Without giving too much away, I implore people to give Still Sick a chance-- it has a much deeper story than one might initially guess, as well as an interesting character dynamic between the two leads with some surprising turns.

Where To Get It: The first two volumes of Still Sick are published in English by Tokyopop, with the final one coming soon All three volumes have been published in English by Tokyopop.

After Hours

What It Is: A manga by Yuhta Nishio. Three volumes, complete.

What It’s About: After being ditched by her friend at a club, Emi Ashiana is ready to write the whole night off. All that changes when she meets Kei, a DJ who seems to be everything Emi is not-- cool, confident… employed.... But Kei and Emi hit it off and Emi’s life changes as Kei draws her into the world of Japan’s club scene!

What I Think: It’s hard to explain exactly why I like this manga, but I reeeeally like this manga.

There’s just something about the sleek art, the amazing atmosphere of the scenes set in nightclubs, the chemistry between Emi and Kei, the focus on more mature topics.... it’s a manga that’s remarkably magnetic for how down-to-earth it is. It’s also just interesting to read stories about subcultures that don’t normally get a spotlight in comics. To sum it up, After Hours is just a lovely manga that’s severely underrated that’s perfect for someone who’s looking for a story that’s both fun and mature.

Where To Get It: All three volumes are published in English by Viz Media.

How Do We Relationship?

What It Is: A manga by Tamifull. Ongoing, five volumes at time of writing.

What It’s About: Miwa and Saeko’s first meeting is… interesting. But despite that, and despite their clashing personalities, the two of them become fast friends. Well… actually, perhaps more than friends. You see, pretty soon the two of them learn that the other is into women. With that in mind, Saeko suggests they try dating each other-- might as well, right? “Might as well” seems like a strange place to begin a relationship, but perhaps even something like that could end in true love?

What I Think: “Why do romances always end when they decide to start dating?!” That’s the question Tamifull poses in the afterword of Volume 1. And it’s a great question! What makes How Do We Relationship? an interesting manga is how oddly realistic it is, highlighting things like the compromises people make in relationships, people who get into relationships for pragmatic reasons rather than love, the whole “thing” about sex… as well as highlighting the additional issues queer people have to deal with. That may sound like a heavy story, but it’s actually quite light-hearted, as well as very, very funny at times. With a cute art style and surprisingly deep premise, HDWR is a great manga for older yuri fans who are craving a more mature story.

Where To Get It: The first volume has been published in English by Viz Media, with more on the way.

BONUS: Other titles with adult protagonists that may interest you!

Even Though We’re Adults: A manga by Takako Shimura about two women in their thirties. Ayano and Akari meet each other in a bar and almost immediately feel a sense of chemistry between them. There’s just one problem: Ayano is married to someone else. (To be published in English by Seven Seas Entertainment, coming in January 2021)

Doughnuts Under A Crescent Moon: A manga by Shio Usui. Uno Hinako wants nothing more than to be seen as a normal young woman, but she just can’t seem to make a “normal” romance work. But maybe Sato Asahi, a woman who works at the same company as her, can show her a new kind of normal? (To be published in English by Seven Seas Entertainment, coming in February 2021)

Our Teachers Are Dating: A manga by Pikachi Ohi. Hayama Asuka is a gym teacher, Terano Saki is a biology teacher. One day, they come into work both looking suspiciously happy… because they’ve started dating! (Published in English by Seven Seas Entertainment)

I Married My Best Friend To Shut My Parents Up: A one-volume manga by Kodama Naoko. Morimoto is sick and tired about constantly being badgered about finding a man to marry, so her kouhai from her high school days offers a solution: marry each other to make her parents back off! (Published in English by Seven Seas Entertainment)

Now Loading…!: A one-volume manga by Mikan Uji. Takagi has just snagged her dream job at a games publisher, but being put in charge of a mobile game that’s barely pulling in any attention isn’t exactly what she was hoping for. What’s worse, she’s drawn the attention of her strict higher-up Sakurazuki Kaori… who also happened to design her most favorite game of all time?! (Published in English through Seven Seas Entertainment)

3. “Yuri is all schoolgirl stuff! Where’s- wait, didn’t we already do this one?”

Yes we did. And you know what? I’m making a stand! There’s a lot of really, really good yuri stories set in high schools, and I think more people need to give them a chance! Here are some high school titles that I think are worth a second look for one reason or another!

Bloom Into You

What It Is: A manga by Nakatani Nio. Eight volumes, complete. A twelve episode anime aired in 2018, covering about the first half of the series. A three volume spinoff light novel series written by Hitoma Iruma was also published.

What It’s About: Yuu Koito has long dreamed of the day she’d find That One, Storybook Romance that would make her feel like she was walking on air, but the day that a boy confesses to her, her feet remain firmly planted on the ground. When she meets Touko Nanami, a girl who seems to have the same strange, distant relationship to romance as she does, Yuu feels like she has found a comrade. But what will happen when the next person to confess to Yuu… is Touko?

What I Think: What can I say about Bloom Into You that hasn’t already been said? There’s a reason it’s basically considered a staple of yuri despite being only five years old. The art is beautiful and delicate, the story has a deft mastery of comedy, drama, and romance, and the characters are deeply loveable. Really, the only reason this one is here is to tell you to get to reading this manga (or watching the anime) if you haven’t already. So get to it!

Where To Get It: The entire series-- as well as the spinoff light novel series Regarding Saeki Sayaka-- has been published in English by Seven Seas Entertainment. The anime is currently streaming on HiDive.

Yuri Is My Job

What It Is: A manga by Miman. Ongoing, seven volumes at time of writing.

What It’s About: Hime wants nothing more than to be adored by everyone and to someday bag a rich husband. Of course, being loved by all takes a lot of work, and she prides herself in keeping her perfect, adorable facade so well-maintained. But of course, the one time she slips up, she ends up injuring the manager of a local cafe! Hime finds herself strong-armed into working for this cafe under their star employee, a kind, graceful girl named Mitsuki. But things aren’t quite so simple-- you see, this cafe has a gimmick in which all the employees are constantly acting out yuri-inspired scenes for the customers, so in a way, the employees also have their own facades. And under her facade, Mitsuki… hates Hime’s guts!

What I Think: Yuri Is My Job is an odd duck, but in a good way. It’s advertised and initially framed as a comedy, but it becomes a surprisingly thoughtful drama about the personas people adopt and why they do so (though, luckily, the comedy never truly goes away). There’s an interesting web of relationships between the girls, and having those interactions take place in a setting where they must act out a completely different sort of drama adds an extra level of drama and intrigue. The cute, polished artwork is just the icing on the cake. YIMJ is a good manga for those who are already familiar with yuri tropes and those who are interested in a drama that doesn’t get too heavy.

Where To Get It: Six volumes have been published in English by Kodansha comics, with the seventh on the way.

Riddle Story of Devil

What It Is: A manga written by Yun Kouga and illustrated by Sunao Minakata. Five volumes, complete. A 12 episode anime aired in 2014.

What It’s About: At Myojo Private School, an elite all-girl’s academy, Class Black has a secret. Twelve of the thirteen girls are actually assassins who have been offered a dark deal-- one wish will be granted to whoever manages to kill Haru Ichinose, the thirteenth student. But there’s still hope for Haru in the form of Tokaku Azuma, one of the assassins who has decided to defect to Haru’s side-- and defend her from the other girls at any cost.

What I Think: I’m not sure… if I can say Riddle Story of Devil is “good.” It’s definitely something. Although its premise is vaguely similar to Revolutionary Girl Utena, its tone and atmosphere remind me a lot more of the Dangan Ronpa series. It’s schlocky and ridiculous and often over-the-top and at times exploitative. It’s pure junk food, basically… and I believe that’s where the charm comes from. It’s my guiltiest of guilty pleasures. It may not exactly be good, but more often than not, it’s fun. It’s hard not to be immediately interested in a yuri battle series, you have to admit.

And if it does have one undeniably good element, it’s Tokaku and Haru’s relationship. They contrast each other nicely, and while one might expect Haru to be boring and helpless, she’s actually quite proactive at times, and some of the most interesting, engaging parts of the series come from seeing how the two work together to fend off the latest assassin. It’s a short read and if anything, it’s worth it to see how each girl ends up. I recommend it for older viewers who are okay with violence and ludicrous battle scenarios.

Where To Get It: All five volumes are available through Seven Seas Entertainment. The anime can be watched through Funimation.*

*Please don’t watch the anime.**

** At the very least, please don’t watch the anime unless you’ve read the entire manga. Riddle Story Of Devil was one of those unfortunate cases where the anime adaption was produced before the manga reached its conclusion, and as such it has a very strange, rushed ending that includes none of what I enjoyed about the actual ending. Several scenes were also changed, and if I recall correctly, fanservice was added in several places where there was none previously. All in all, I’d really only recommend it for big fans of the series.

Side By Side Dreamers

What It Is: A light novel by Iori Miyazawa, illustrated by Akane Malbeni. One volume, complete.

What It’s About: Saya Hokage has been suffering from insomnia, but one day finds relief in the form of Hitsuji Konparu, a strange girl who can put people to sleep. As it turns out, Hitsuji is a person who has the special ability to move freely in their dreams, known as a “Sleepwalker.” The Sleepwalkers have been battling beings that possess people through their dreams, and it turns out they want Saya to join them in the fight.

What I Think: Side By Side Dreamers is short and… well, dreamy. I really enjoyed the premise and I think it’s a good novel for people who think Otherside Picnic may be a little too much for them. I also enjoyed each dream sequence-- I tend to find that the writing in light novels is a little dry, so the use of figurative language to describe these scenes was really refreshing and interesting. SBSD is a fun oneshot that I think is especially ideal for newcomers to yuri.

Where To Get It: Side-by-Side Dreamers is published by J-Novel Club and can be found via various digital platforms and bookstores.

Cocoon Entwined

What It Is: A manga by Yuriko Hara. Three volumes, ongoing.

What It’s About: Hoshimiya Girls' Academy is a strange, almost otherworldly paradise with a peculiar tradition. For all three years, each girl grows out her hair to absurd, breathtaking lengths, in order for it to eventually be cut and weaved into uniforms for future students. Perhaps it is these strange uniforms that seem to whisper about the past that makes the school seem frozen in another time… picturesque, yet stagnant. But one day, a shocking incident shatters the quiet peace of the academy, and the tumultuous feelings that have long been hidden in the hearts of these girls come rushing into the light.

What I Think: Cocoon Entwined is, in a word, eerie. It’s not marketed as a horror story, and I don’t think it’s intended to be one, but I’ve seen some that say they get horror vibes from it. I definitely understand that-- there’s a deep sense of unease that permeates the entire story in a way that’s a bit hard to articulate. The running thread of uniforms made from human hair definitely doesn’t hurt (it does-- I’ve seen many people understandably turned off by this element), but it’s more than that. It’s the sense that everything at Hoshimiya feels frozen and fragile. It’s the sense that everyone is burying their true feelings under countless layers. It’s the fact that in one scene, Saeki reaches out in a dark room full of uniforms and feels her arm touched by countless hands made of hair.

Cocoon Entwined is a strange manga, and I feel it’s not for everyone-- besides the way many are put off by the central premise, the way that the story jumps around in time can be a bit confusing to follow. But in my opinion, I love it for these elements: the uniforms and their marriage between beauty and grotesque, the sense of frozen time, the delicate artwork that feels like it might be shattered by the weight of your gaze, the strange, airless atmosphere, the girls and their clear exhaustion of having to be ideal women. It’s a strange little series that I think should be given a shot, particularly if you want something a little more out there, or a darker take on Class S tropes.

Where To Get It: Yen Press has currently published two volumes in English.

BONUS: Other high school titles that may interest you!

A Tropical Fish Yearns For Snow: A manga by Makoto Hagino. Konatsu Amano has just moved to a new town by the sea, and must deal with her new school’s mandatory club policy. Luckily, she meets Koyuki Honami, an older girl who runs the Aquarium Club. Recognizing her loneliness, Konatsu decides to join her club. (Published in English by Viz Media)

Flowers: A four-part series of visual novels published by Innocent Grey. Flowers focuses on Saint Angraecum Academy, a private high school that prides itself on overseeing the growth of proper young ladies. One notable thing about the academy is the Amitié program, a system that pairs students together in order to foster friendships between the girls. But friendship isn’t the only thing blooming… (Available in English from Steam, J-List, and JAST USA)

Adachi And Shimamura: A series of light novels written by Hitoma Iruma and illustrated by Non that has recently received a manga adaptation and an anime adaption. Adachi and Shimamura are two girls who encounter each other one day while cutting class. Little by little, the two girls become a part of each other’s lives, and feelings begin to form. (The light novels are published in English by Seven Seas Entertainment, the anime is licensed by Funimation)

And there we go! 24 different yuri titles. I didn’t even go into the series that I tried but personally didn’t like that still might interest other people. I primarily made this list to gush about yuri that I liked, but I also tried to include a fairly wide range of things so that, hopefully, any random person who read this whole list could find at least one new title that interests them. And I hope that includes you!

The yuri scene is quite large and wonderful if you know where to look, and it too often gets a bad rap. I hope that this list could give you a new perspective on what kinds of titles are available, and I hope it gives you something new to try. And remember: if you want something specific, try looking for it! There’s a good chance the story you’re craving is already out there, waiting to be discovered!

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hanijunk · 4 years ago

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Alright boys, girls, and nonbinary folks of the world. It’s 5:36am (1/30 when I first started) as I decide to give up on my attempt to continue to focus on learning statistics, avoid studying for my two upcoming midterms, and put off my two actual essays for two different classes.

Instead we’re going into a dive about ✨ KazuFuuma ✨ . Is this me telling you you gotta ship it? No of course not, you’re entitled to your own ships! You don’t really gotta care about it as a ship. But I do want people to recognize it’s THERE canonically, and how disregarding it is extremely unfair to Kazuki as a character particularly. Also, I’m working on the assumption anyone clicking this at least knows the bare bones about what KazuFuuma (ex. You know they are a ship of Kazuki/Fuuma from Dolce, you know they are childhood friends, you know who Dolce is, you know about Honeyworks, etc.) I’ll be making references to specific things, but I won’t always go into heavy detail. Might just hope you know it or take my word for what it is, and go into analyzing it. Some I’ll put direct references to find, but some I’ll trust you can find it yourself. If you somehow read this MAMMOTH and want reference to a specific thing mentioned, hmu I can help you find it!!

Also I hate tumblr formatting sm if you legit wanna read this 7 page essay but hate tumblr format lmk I'll add it as a google doc link instead too. anYWHO

Before actually getting into the meat of things lemme preface some stuff.

Again it’s like almost 6am so this will be disorganized and very train of thought (and likely long due to the fact when I fly by the seat of my pants I’m known to get unnecessarily extensive). It’s definitely gonna be in large part why it’s important to recognize as a romantic relationship foundation and what about it shapes Kazuki’s character in particular. Maybe a bit of how it’s been built up and its general focus and implications. Dunno yet. We’ll see LMAOO

I say f*ck. Not a lot, just a handful of times. This ain’t something scholarly this is for my own enjoyment so if you don’t like that might not wanna read. And it’s not like spitefully I just curse a lot if you haven’t...read my tags before lol

Again this is through the lens of a Kazuki stan. Of COURSE I’m going to have some level of bias, but if anything that bias may help more than hurt because that means I become FIXATED and think a lot about Kazuki. Which plays into establishing just how important it is that Kazufuuma’s relationship is recognized, especially in a romantic light at this point. Lmfao.

I’ll have a few more prefaces about the actual content below but to keep this from getting too long if you wanna read come below the cut owo

I have extremely limited knowledge of Japanese just taking a few classes in highschool (so like 3 yrs ago) and live in America. This means a lot of my knowledge is gathered through the english translations of the super duper incredible and lovely people in the Honeyworks fandom who provide translations (delaix and takanenene esp have provided so much for me being able to understand Dolce) and my own limited Japanese paired with Google Translate for things that remain untranslated.

This only will be drawing on information I have come in contact with and have access to and making assumptions based on that, most (if not all) of which is in the public domain. So things like the Dolce Manga Volumes released via Animate, exclusive 4komas, and Light Novels are out of my area for the most part (apart from again snippets of translations thanks to this fandom’s godlike and generous translators).

I will not be drawing on anything from the first Dolce album with the exception of Nade Nade. From a meta standpoint, I consider those songs as songs made as performance media as opposed to character explorations. Nade Nade is the exception because (1) it was released a whole year before the album and (2) you can tell it’s explicitly an exploration of Fuuma and Kazuki’s interpersonal relationship even if it’s in a slightly more performance based context than the songs that came out with the Dolce LNs. Easiest parallel I can make to show this is if you held Non-Fantasy, Yume Fanfare, and Samishigariya up against each other, you could tell the difference in intended audience and intended purpose the same way the Dolce 1st album, Nade Nade, and the songs of the LNs do respectively. Even if there is some basis to ground Kazufuuma, for the purposes of this essay I’ll be acting under the assumption the 1st album falls under the Non-Fantasy equivalent category.

THAT WAS A LOT OF PREFACING CONSIDERING LIKE 2 PPL WILL PROBABLY READ IT I just have a tendency to anytime I do anything analytical lay down ground acknowledgements for myself to work on just...cuz it makes me feel less guilty for any accidental misinformation even if I’m writing towards my future self to read lolll IM SORRY WITHOUT FURTHER TO DO HERE’S THE BRAIN DUMP

First let’s go ahead and establish why it needs to be recognized as an important relationship. Again, I’m a Kazuki stan. He’s my favorite character not only of Dolce but also of the entire Honeyworks series, and as much as I love him for reasons outside the ship, whether you like it or not Kazufuuma is an essential aspect of his character and narrative. Of course there’s the fact that him and Fuuma are childhood friends, so that’s going to in part define their characters and interactions with each other and those around them. They’re both going to be relevant to one another and important to one another’s stories to an even greater extent than the rest of the members of Dolce. But on Kazuki’s side at least, it’s an EXTREME amount. A running plotpoint in Dolce Diary is the sheer amount of dedication Kazuki has to Fuuma and how much his thoughts and decisions are influenced by Fuuma, whether it be how he feels happiest spending time with Fuuma, how he decided to get his piercing to represent he wanted to protect Fuuma, how he doesn’t want to dislike food so he can eat what Fuuma dislikes, etc. Not to mention running jokes about his borderline overprotectiveness and downright possessiveness of Fuuma, how proud he is when Fuuma gets praised, or that one 4koma that literally explicitly states he can read Fuuma’s mind when he thinks motherfucking ‘dirty thoughts’ about his childhood friend (Fuuma). I still don’t know what the fuck to make of that last bit. Genuinely. Or the fact it’s a fucking running joke. As in it’s not a one off. It’s been brought up multiple times. Kazuki what the fuck.

That’s not to say that he doesn’t have character outside of Fuuma or he doesn’t interact with people other than Fuuma. He’s great friends with Sara, Girisha, and Kippei and is shown time and time again to have fun interactions with all of them, generally acting as the best support friend for every member of the group, not Fuuma alone. For instance how he helps Kippei with his self confidence issues or stays over at Sara’s to protect him from a cockroach (which he fails at lol). Nor is that to say all his interactions involving Fuuma focus solely on his devotion to Fuuma, especially in instances where the manga focuses on Dolce as a group dynamic (though even in that setting there are times where jokes about his devotion are thrown in). He’s kind, he’s stupid, he’s friendly, he’s an amazing character in his own right, and I love him for all those reasons. But that doesn’t change the fact a major part of his character and his character interactions are rooted in Fuuma, and arguably some of his most interesting, eccentric, and notable behaviors and traits revolve around Fuuma (again the mind reading for example).

Hell let’s take it one step further. If you look at the character bios of the Dolce members, you get everyone’s motives for being an idol and interests. Of them, Kazuki is the only one to have another character mentioned directly, not to mention that supporting Fuuma is explicitly stated to be his primary motive as to why he became an idol. Not even Fuuma’s sister is mentioned, though two arguments can be made for this. The first would be that Fuuma’s backstory about wanting to fulfill his dream for himself and his sister was decided later to explain Fuuma’s choice to crossdress though it can be argued it was intentionally done to leave it as a reveal at a later date, to which I would argue I don’t think this backstory was a choice in post. While Fuuma’s dedicated Dolce Diary extra exploring that backstory was released a little less than a year after Dolce was revealed, the preview to set up Fuuma’s backstory was actually the first thing released after the character bios on the Dolce Official Twitter page if you exclude a drawing of Dolce from Yamako. The second argument could be that information about his sister was intentionally withheld to set up the reveal when Fuuma’s extra released to explore it. However, going by that logic (which I do agree with), that would also mean that Fuuma’s inclusion and importance in Kazuki’s character bio also set up his dedicated extra, which I don’t think would be incorrect to assume considering what his actual extra turned out being.

Which brings me to the thing that makes it inexplicable to write off the romantic implications behind Kazufuuma: Kazuki’s dedicated Dolce Diary extra, Suki. I shipped Kazufuuma before even knowing of Suki, sure. But the fact that Suki even exists is a shock to me and drove into me the fact that Kazufuuma wasn’t just my own projection. Again, it’s not a surprise that Fuuma shapes Kazuki’s life. They’re childhood friends, of course they’re going to be important to each other. But this extra explicitly brought Kazuki’s feelings towards Fuuma under a direct spotlight. At first I was thinking oh, this extra was just to acknowledge the fact that Kazuki and Fuuma’s relationship can have romantic implications, but the end of it the conclusion that we got was that it didn’t matter what type of “like” he felt for Fuuma. Originally, I thought it wasn’t anything more than saying there are all types of like, and it doesn’t always need to be explicitly defined, but I appreciated the fact they were aware that they were writing Kazuki in a way that conveyed romantic implications.

Then I thought about it because, again, I love Kazuki of course I’m going to think about his character extra, and realized...that’s not how these character extras have worked. There are only three character extras out as far as I know and have read: Fuuma, Kippei, and Kazuki. If we look at Fuuma and Kippei’s, each extra had a conclusion, sure, but they didn’t have a resolution. Rather, they were simply setting up explicitly what each character’s primary character arc and conflict were. Fuuma’s extra brought attention to the fact that he’s particularly a crossdressing idol by exploring the motives behind it. His choice to be a crossdressing idol is constantly under fire both by himself and the world around him. He’s not immune to those who consider his crossdressing strange, and a part of his story is both finding people who accept his decision to crossdress and to succeed for himself as a crossdressing idol. It’s an essential part of how we understand and define him as a character and it’s a central part of how he interacts with the world around him. For Kippei, it lays the severity of his insecurity under the spotlight and his journey and motives for improving himself. Again, this isn’t something isolated and resolved in the extra; his extreme insecurity and negativity is constantly affecting how he interacts with practically everyone from his fellow Dolce members to his fans despite the fact in all honesty? He’s fucking insanely talented in his own right, his own brother mentioning how smart he is and how he has amazing reflexes. For Kippei, his negativity is an essential part of how we understand and define him and central to how he interacts with the world as much as Fuuma’s decision to crossdress is to him.

Which brings us back to Kazuki, of course. In his dedicated extra, in the chapter that’s supposed to explore and establish and bring attention to an essential part of his character, the aspect of himself under investigation is how he feels about Fuuma. It’s not just how he behaves around Fuuma, it’s explicitly an exploration of his feelings, on top of the fact it’s explicitly an exploration about whether or not he likes Fuuma r o m a n t i c a l l y. Literally the conflict is spurred on by someone outright asking “Do you like him?” and having to clarify “I mean romantically.” What they decided to focus on for Kazuki’s character and emphasize and establish is that Kazuki’s like towards Fuuma toes the line between friendship and romance. His ambiguous feelings towards Fuuma (if we leave them inconclusive as Suki did) are just like Fuuma’s crossdressing and Kippei’s insecurity in the sense the weight of whatever those feelings may be are seen in how he interacts with the world around him and influences his behaviors. It would be another story if they introduced the potential and shut it down all within the extra, because then his central conflict would to me be less directly open to romantic potential and more simply about how his arc was meant to explore the dynamic of the behavior of an extremely dedicated best friend. The fact that he may be romantically attracted to Fuuma or may be only platonically dedicated to Fuuma is instead something that looms over Kazuki in the same way Fuuma’s decision to crossdress constantly looms over him. It’s what Dolce wanted to point to and say this is Kazuki’s central character conflict and central arc: exploring what type of feelings he has towards Fuuma.

Sure, it can be argued that there’s only three Dolce Diary character extras, there’s not enough to be sure about that being the purpose of the extras unless we get the other two’s extras. First, at this point I honestly don’t know if or when they’re going to release an extra revolving around Sara and Girisha just because not only has it been over a year and a half since the latest Dolce Diary Character Extra (Kazuki’s) was released despite the gap between the first and latest Dolce Diary Character Extra (Fuuma’s and Kazuki’s) were within a year of release but also because the Dolce 4komas and comics they’ve been posting to Twitter have decreased (last one being over half a year ago) potentially due to them deciding to focus on releasing Dolce manga content through the purchasable volumes instead. (This is not particularly related to the Kazufuuma argument, just wanted to put out there my two cents on what Sara and Girisha’s extra/focal arc would be. Based on a large part of the Dolce Diary in conjuncture with Can’t an Idol Fall in Love, I’d argue Sara’s would be his journey to regain his passion for performing, and if it’s not that I’d say it’d be coming out of his self-imposed isolation and opening up to people again. As for Girisha, I have less of a concrete idea but I’m assuming it’d be something pertaining to how people often misconceive him whether it be in tandem with his determination, his optimism and sociability, or his stupidity/ability to ignore those misconceptions and work past them. But Girisha is treated like the comedic relief 90% of the time so I’m not entirely sure, but his primary conflict is definitely rooted in misconceptions of him being his roadblock imo. #MoreGirishaContentPlz) That being said, I personally feel like the three are already enough evidence, especially considering it would be honestly even more cruel for Kazuki’s character-centric extra to be focusing on something that wasn’t essential to his character and character arc, anyway. And though it’s not explicitly stated that these chapters are extras exploring a central character, you can kind of tell based on how they are (to my knowledge) the only Dolce Diary updates with cover/title cards each which include their focal character front and center. So working off that fact, the Kazuki-centric chapter established that a pillar to his narrative was his feelings towards Fuuma and that those feelings are still open to romantic potential.

But if you follow me, this is why up until Can’t an Idol Fall in Love With Another Idol’s release, I was terrified of them writing that off. I would have been ok if it was just an arc that was given attention then continued to actively work in the background, as all the character arcs have been over all of Dolce’s content. The fact that they might be giving Fuuma a love interest and giving Fuuma a love arc while Kazuki’s feelings were still up in the air and were still the primary highlighted narrative for him would have been fucking scuffed. To me, it would be like… why would they make him so Fuuma-centric to the point that even his dedicated chapter was not just focused on Fuuma but focused on the ambiguity and potential of him having romantic feelings for Fuuma, yet reduce him to being Fuuma's designated right-hand man. Don’t get me wrong, friendships are just as important as romantic relationships. But again, rather than conclude Kazuki’s answer in Suki to be that his feelings were of friendship, they left it open ended and allow audience members to be actively aware that Kazuki’s feelings towards Fuuma still had potential to be romantically coded. It would just be so weird to quickly close off that narrative by giving Fuuma a love interest as opposed to letting Kazuki conclude it himself. It would be fucking beyond frustrating for me, at least Eventually, I kept trying to drive my hopes that they would explore Kazuki’s narrative at all down to the ground because it was a Fuuma-centric novel; maybe if anything they’d explore those feelings in his own novel after the fact. But then they kept having little drops here and there of Kazuki being even the slightest bit relevant and I’d go back to questioning “Are??? They??? Is this on purpose??? Do they know what they’re doing or are they just doing this because Kazuki’s just so important to Fuuma as his best friend that he’s there as his right-hand I genuinely can’t tell???” And um. Welp.

Safe to say Can’t An Idol Fall in Love sold me on the fact that they know what they’re doing LOL. And to anyone who thinks that Kazuki’s feelings can still be read as ambiguous in CAIFILWAI as opposed to explicitly romantic - whether it be due to a fear they may pull the “I like him as a friend” card or due to the disbelief that they have an explicit mlm main character in the Honeyworks series - I’d like to cover any bases that may make you think this way. If you think it’s just Kazuki acting like a protective friend, why do you think he calls Yui a rival? If you’ve only seen the MV and think it’s ambiguous or can be taken as the "likfe" for friend, then does that mean you think Yui’s feelings toward Fuuma are also ambiguous or as a friend? With the way Yui responds, she is trying to rival Kazuki’s feelings towards Fuuma. She and Kazuki recognize whatever feeling it is that they hold towards Fuuma, both of their feelings are the same type. I don’t think most people would argue that Yui’s confession about Fuuma was one of pure respect and friendship. Plus, if anything I’d argue of the three characters in the MV, Fuuma is the one whose feelings are left the most ambiguous despite him being the central character. It’s heavily implied that he may be forming feelings for Yui, but nowhere is it established either in the song or in the MV, especially if you compare it to Kazuki and Yui’s declarations or if you compare it to Sara’s feelings for Uru in Can’t An Idol Fall in Love. Fuuma’s romantic narrative here is trying to figure out how he feels for Yui, while for Kazuki and Yui they’ve established a rivalry because they both have mutually established they like Fuuma romantically.

If the MV isn’t enough for you and Suki isn’t enough for you for...some reason…??? You can check out the snippets of the light novel which the wonderful takanenene translated: one which revisits the conflict set up in Suki and one that covers the confession scene in the MV in more detail. If the fact that the conflict set up in Suki (aka the lurking feeling of not knowing if all he felt for Fuuma was only platonic or more than platonic) was specifically reestablished in the LN for anyone who didn’t keep up with Dolce Diary didn’t tip you off that it was something important, his behavior in the confession scene as depicted by the LN definitely should have. He’s possessive about his spot by Fuuma’s side. He doesn’t want that spot to be taken by anyone else. Even if he knows that they can help Fuuma, he wants it to be him. And this line: “Kazuki then trails off his words, quietly saying ‘That’s why…’ and then gave Yui a slightly painful smile, his cheeks turning red,” before he declares Yui a rival and states he likes Fuuma. If you can tell me you read that line and are still on the fence about Kazuki’s “like” towards Fuuma being romantic, please message me and I will see how I can get through to you. Like it wasn’t even just a romantically coded confession. It’s just a romantic confession. That “like” is romantic. And I’m so proud that he’s not only come to understand for himself how he feels, but that he’s confident enough to ask the person he sees as a romantic rival to speak in private and not only clarify her feelings for Fuuma but before she can even do that firmly establishes that he loves Fuuma with conviction. Kazuki my boy I’m so proud of you. *sniffs*

And that’s it for establishing Kazufuuma as at least canonically one-sidedly canon and why there’s not only no reason to deny it but also why denying it is a fucking disrespectful move towards Kazuki. He’s a character, sure, but that doesn’t change the fact you shouldn’t write off his struggle to come to be convicted enough to say it out loud. This has been something weighing on him at least a year, if not more (all I know is it started when both he and Fuuma were in some year in middle school). And as a character in a piece of media, I’ve been saying this the entire time, but brushing it off as non-romantic is literally chucking a fucking pillar of his character’s story into the gutter. And to those who may be saying Kazuki’s confession came out of nowhere and is pandering reread this entire fucking essay again I dare you to do it and tell me to my face it’s pandering. Again. Writing off the buildup as pandering is disrespectful to him, disrespectful to his character and narrative, and disrespectful to the wonderful people who have been creating Dolce so diligently and have crafted this narrative for us. Saying his “supposed feelings” and “ambiguous confession” is pandering is like saying Fuuma’s crossdressing is pandering which. If you say either of those I will find you and I will shank you in the fucking gut. Even if you’re not fully into Dolce, recognize these characters are actually very well developed and executed amazingly, as per every Honeyworks character that has come to exist. I don’t blame you if you weren’t aware of the weight of Kazufuuma, but now that you read this I hope you are. That’s mainly what I needed to get out there, but as follows will be me more exploring how Kazufuuma has been built up and generally waving my hand off at where it may be going. If you want you can dip, thanks for reading up to here because I know I repeated a lot because it’s just. So important to drill into your head and has been something I’ve been hung up about constantly. LOL

As for where exactly they’re taking it from this point on, I honestly don’t know. In all honesty, I didn’t even expect them to take it the direction they did. But honestly, I think the direction they went with it is really interesting and better than I could have imagined, in my opinion at least. Honeyworks never ceases to amaze me with their storytelling and narrative choices, and I don’t think there’s any that stand out to me as being severely questionable that they haven’t reapproached at some point down the line. And, again, I think they’re treating this with a lot of care and deserved respect. So I’m just gonna be gushing about how smart they set it up and how smart they’ve been executing it and maybe my own hopes on the direction it could go.

Whether they make Kazufuuma reciprocated I have no real clue or bearings, but to me my gut reaction is they will. Of course, I’m biased, but again if you trace things all the way back to 2018 and step through Dolce’s content and growth from there, I’d say even if they didn’t know if they could execute it like this and see it to fruition, I’d argue that Kazufuuma has been at least heavily implied since the beginning as a relationship they wanted to explore from both sides of the relationship. Obviously I brought up Kazuki’s character bio already, but if you look at the *goes to count* 5th Dolce Diary update already has a joke jabbing at the fact that Kazuki is technically Fuuma’s type (and the way Kippei and Kazuki excitedly react is so cute). The fifth update. And as stated before there are tons of Kazufuuma moments in Dolce Diary, whether it’s played for comedic effect or played straight (and this is post Suki but oh my god I’ve said it before I’ll say it again get yourself someone who looks at you the way Kazuki looks at Fuuma oh my jesus). But song-wise, I mentioned the one Dolce album song I would bring up is Nade Nade and this is where it comes!

Not only is Nade Nade specifically focused on Kazuki and Fuuma’s relationship as opposed to the whole of Dolce despite being the first song, it included the setup/preview of the Fuuma-centric extra prior to the full release of the Fuuma-centric extra itself and was released early as fuck. Literally between the 6th and 7th update to Dolce Diary. Sure, it could be to isolate them as a duo for marketing purposes (they’re very often the two promoted idols together if the whole of the group aren’t included), but the way it’s established as a perspective song as opposed to a general idol duet is what fascinates me. Anyone who didn’t know about Dolce prior and only followed Honeyworks for music would be first introduced to these characters through this song alone, and maybe this is where my Kazufuuma bias comes from but I was one of those people LOL. I thought it was just a cute one-off relationship that they had set up for the purpose of a song and that it was an implied friends-to-lovers story that would never get a conclusion. Also I mistakenly thought Fuuma was a girl oop-. In the full context of Dolce, this song in part helped establish Fuuma and Kazuki more solidly as a unique duo out of all of Dolce, but it also specifically explored through Fuuma’s eyes just how much Fuuma recognizes and appreciates the unwavering support Kazuki gives him to follow his dreams as he wishes. For Fuuma, he loves Kazuki too, though whether it holds any romantic potential in the same way Kazuki loves him has never been explored to nearly the same extent. But Fuuma appreciates how Kazuki’s remained by his side and does everything he can to support him, so Nade Nade explores how his way of expressing his love and thankfulness to Kazuki is by never saying that he needs Kazuki by his side. He’s glad Kazuki’s always been there for him, and his reciprocation takes on the form of being ready to unwaveringly support Kazuki and not ask for more than he already has, even if it meant Kazuki would be leaving his side, despite the fact that he really does wish they could remain together forever just as Kazuki does. The one point he lets himself say something vaguely close to always wanting to stay together, he gets a surprised expression out of Kazuki and says an ambiguous “suki dayo.” Of course, this it much less romantically coded than what we get from Kazuki in Suki and CAIFILWAI, but there is an interesting emphasis put on it nonetheless. Keep in mind, this is all established through the song, which released long before not only Fuuma’s character-centric extra released but also Kazuki’s character-centric extra released, so there is at least a substantial setup for Fuuma’s feelings towards Kazuki’s being strong as well and possibly grow to be reciprocated one day.

I think for me the most fascinating part about Nade Nade is how they tied it back around to Can’t An Idol Fall In Love with Another Idol. Again, without remembering Nade Nade, I still thought CAIFILWAI was brilliantly explored and executed, even if some people would have preferred no love triangle. But honestly, revisiting Nade Nade makes me trust even more the direction they’re taking with this. Whether or not they make Kazufuuma canon mutually (which. Even if they for some inexplicable reason didn’t I’m going down with this ship.), I’m sure they’re putting a lot of thought into the story, because the last bit of Nade Nade directly parallels the misunderstanding that arose from Fuuma mishearing the Kazuki and Yui. Fuuma is resolved to support Kazuki in any area he’s given the chance, and that explicitly includes if Kazuki had some girl he liked, which is what he assumes is going on. The fact that they tied this back around in the form of a misunderstanding was really really smart and Honeyworks is always so good at parallels and references back to their older songs, but for some reason I didn’t expect this. I don’t know how to say why, but the fact that the song that started it all, kicked off both Dolce and Kazufuuma, was directly referenced both visually in the MV with a cameo at the start and narratively despite the central dynamic being predominantly explored in this story in particular was that of Fuuma and another potential love interest and involves said potential love interest for some reason makes me think that (sorry Yui) this is all planned out for Kazufuuma in the grand scheme of things. That being said, I don’t know if me thinking it was planned all along is just me with shipper goggles, but the idea it’s come full circle nearly 3 years later is not shipper goggles and a very very well done parallel in my opinion, whether this trajectory was their plan for Kazufuuma from the beginning or not. Just wanted to gush about that some more.

There’s more I could go into especially if I went into specific details about interactions or specific implications established in Honeyworks' Dolce content about different characters that would be fascinating to explore in relation to and under the lens of Kazufuuma, but I think this is uh...plenty long enough. Plus, I doubt you'll stop seeing Kazufuuma posts from me so those ideas will probably just be miniposts or somethin.

Back to the overarching point of this segment, idk what they’ll do with this story in the end, but do I think Kazufuuma will canon? I’m used to looking at ships that aren’t explicitly apparent with a sliver of skepticism, but all things considered (as I stated before) yeah. I don’t see reason why they wouldn’t now that they’ve explicitly identified there is a romantic dimension to it ¯\_(ツ)_/¯ Like to me, the setup isn’t something that would be written off as unrequited? And this doesn’t have to play into why I don’t think it will canon, my personal opinion on the Fuuyui relationship (again albeit through the lens of a hard Kazufuuma shipper lmao) has it’s own merits and is really cute, I find it cute in the way I found Koyuhina cute. I personally never really shipped Koyuhina, and especially since they slipped Kotarou into Ima Suki Ni Naru I was more curious about who this kid was and how he played into things I didn’t really see Koyuhina as something that would come to fruition. Similarly, there’s more importance in the overall sense on Kazuki than there is Yui (considering he’s one of the 5 original and focal members of this generation of idols, this would be natural), as well as the fact there’s just way more foundation and exploration in Fuuma and Kazuki’s relationship than there is Fuuma and Yui. As for how much of a balance there is inside the LN itself, the fact that they seem to have spent a substantial amount relaying the foundation of Fuuma and Kazuki’s relationship and re-exploring it (at least in Kazuki’s perspective) at all on top of how much content there is covering their relationship prior to the LN ever since Dolce’s origin just feels like that relationship holds more weight. Pretty much Kazufuuma feels more established as a priority in general. The way I personally hope Fuuyui plays out is whether they wind up holding mutual feelings or not or whether Fuuma doesn’t feel that way towards Yui is they get a relationship akin to Kotarou and Arisa. Albeit, Kotarou and Arisa never viewed each other in a romantic light, but they had mutual respect and solidarity. That’s the type of friendship I hope comes out of Fuyui. And considering there hasn’t been a break-up in any Honeyworks’ canon relationships (nor do I expect there to be… they’re all perfect for each other LMAO) it would actually be interesting if Fuuyui get together but don’t endgame and Kazufuuma is established as the inseparable endgame after some realization or another, though I don’t expect them to go that route nor do I know if that’d be the best way to go about it anyway. Also final point, Honeyworks seems to have a thing for childhood friends trope anyway soooooo owo All in all, don’t know where they’re taking it, just excited to see where it goes.

TL;DR of this *counts* 7 page essay, stan Kazufuuma. Not gonna proof this. Maybe I’ll edit and repost but yall are getting a confusing clusterfuck of ramblings over 2-3 hr periods of me writing across 3 different days at around 5am each day. Uh. If you got this far like and subscribe and-- jk plz reply to this mammoth anywhere you see fit or tell me if you have stuffs to add or counter or whatnot I like hearing people talk about Kazufuuma ;w; I am Kazuki and Kazufuuma brainrot can you tell after reading this? No? Lemme just remind you I’m K--

#honeyworks #dolce #kazufuuma #kazuki haiga #fuuma shirayuki #long post #analysis #character analysis #kinda?#nobody cares trash #also keep in mind this is PURELY for self satisfaction LMFAO read it if u wanna dont if u dont idgaf either way #anyway kazufuuma canon fight me #or have intellectual conversation with me #if you want it on a google doc bc it's easier to read hmu #if you can't tell i think about kazufuuma too much #how much of this is repetitive? probably a lot...

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esmeraldablazingsky · 4 years ago

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I’ve finally hit my limit on the number of bad takes on the Lan parents I can see before I have to lay out all the reasons I disagree, so hello, I’m Blazie, and in this essay I will justify my visceral dislike of the assumption that Qingheng-jun married/imprisoned/had sex with Lan-furen against her will.

Warning for mentions of rape (in context of Interpretations I Really Hate) and a very, VERY long post below the cut.

Before I start going off about the finer points of all this, I want to make sure people are on the same page regarding what we actually know about what went down with Qingheng-jun and Lan-furen. What I say is based off the EXR translation of MDZS, for the sake of clarity, and although I don’t think the exact wording should be too important, feel free to let me know if you think I’ve missed an important bit of nuance or something (the whole story is in Chapter 64.)

The story we get is told by Lan Xichen, and it goes like this: a young Qingheng-jun falls in love at first sight with Lan-furen, who doesn’t return his feelings, and at some point kills one of Qingheng-jun’s teachers over unspecified “grievances.” Although he’s understandably very upset over the murder, Qingheng-jun sneaks Lan-furen back to Cloud Recesses and officially marries her in order to announce to his clan that anyone who wants to hurt her has to go through him.

After that, he locks Lan-furen in one house and himself in another as a form of repentance. Wei Wuxian speculates that this was because “he could neither forgive the one who killed his teacher nor watch the death of the woman who he loved. He could only marry her to protect her life and force himself not to see her.”

A central detail of this story that I think people don’t give the import it deserves is that aside from marrying and protecting her, Qingheng-jun’s other option was to let Lan-furen be executed by his clan. His purpose in marrying her wasn’t just for kicks/out of a possessive sort of love, it was so she wouldn’t straight up die. How she felt about this arrangement isn’t stated, but I’ll get into that in a bit. In addition to that, Qingheng-jun and Lan-furen live separately, which was apparently purposeful on Qingheng-jun’s part, and runs counter to the interpretation that he intended to take sexual advantage of Lan-furen.

Though there aren’t many concrete details in Lan Xichen’s retelling, he does specifically inform Wei Wuxian that his mother never complained about remaining in her house. What exactly this signifies is unclear— whether she was simply putting on a brave face for her sons, or whether she was in fact at all content with the situation— but it at the very least serves to further muddy the waters on how she and Qingheng-jun felt about all this.

Beyond what Lan Xichen and Wei Wuxian are saying out loud, there’s also quite a bit of subtext in this scene, especially in light of later events and revelations, like Lan Xichen’s confession for Lan Wangji at Guanyin Temple.

So what is Lan Xichen trying to convey with all this? There’s a lot of memes about this scene, most of which err too far on the side of Himbo Airhead Lan Xichen for my liking, but one that I do find amusing emphasizes how Lan Xichen draws parallels between Wangxian and the story of his parents (Lan Xichen: [flute solo] please use your one brain cell to connect the dots.) If Wei Wuxian hadn’t completely lost his memory of Lan Wangji defending him against his own clan elders, one would assume that Lan Xichen’s story would have had a much better chance of hitting home.

In hindsight and side by side, the parallels are much clearer— Qingheng-jun, “ignoring the objections from his clan… told everyone in the clan that she would be his wife for the rest of his life, that whoever wanted to harm her would have to pass through him first.” Similarly, according to Lan Xichen in Chapter 99, “for [Wei Wuxian,] not only did WangJi talk back to him, he even met with his sword the cultivators from the GusuLan Sect. He heavily injured all thirty-three of the seniors we asked to come.”

In that context, it makes a lot less sense to interpret Qingheng-jun as an aggressor towards Lan-furen, as in Lan Wangji’s case, the narrative clearly establishes that his actions are to secure Wei Wuxian’s safety. The action of Taking Someone Back To Cloud Recesses is— okay, actually, it’s a little more nuanced than I took into account when I started writing that sentence, so let me go a little deeper into Lan Wangji’s actions and how they relate to his father’s, story-wise.

My intent is not to dive into the terrifying underworld of novel-versus-drama discourse, but simply put, Novel!Lan Wangji as he is written isn’t exactly the poster child for clear consent. (I’m going to entirely leave off the extra chapters for the sake of everyone’s sanity, so I’m just talking about the main body of the novel here.)

He means well, and I’m sure we can agree that he does actually love and want the best for Wei Wuxian, but his lack of communication on this point means that he accidentally gives Wei Wuxian the impression that he wants to imprison and/or punish him in Cloud Recesses at least twice off the top of my head (pre-timeskip, as we know, and post-timeskip immediately after Dafan Mountain when he actually drags Wei Wuxian back to his room.)

That all likely has something to do with MXTX’s narrative kinks and regular kinks and all that, and can absolutely be taken with many grains of salt. However, these events establish how easy it is to misinterpret the action of Taking Someone Back To Gusu as an attempt to imprison rather than protect them (much to Lan Wangji’s chagrin.)

Failing to communicate his purpose to Wei Wuxian doesn’t mean that Lan Wangji actually had any intent of hurting or caging him— that was just a misinterpretation on Wei Wuxian’s part, and we, as the audience, find that out in due time— but as written in the novel, it can be really uncomfortable to read. Because of that, many people choose to accept CQL canon regarding Lan Wangji’s more possessive actions or mix characterization from different adaptations, which, to be clear, I completely understand and respect.

However, Qingheng-jun doesn’t get the benefit of the doubt as often, which I frankly find baffling, because nowhere in the text does it state that Lan-furen objected to being taken back to Cloud Recesses, while even Wei Wuxian clearly objected the first few times. In fact, while we’re on this note, I’ll take it a step farther— I find it baffling that people seem to default to an unsympathetic view of Qingheng-jun, because nowhere in the text does it state that he overruled Lan-furen’s wishes in any way. The text doesn’t clarify a lot of things, actually, and that is part of the point.

The narrators of MDZS are, in many situations, highly unreliable. This is, presumably, very purposeful! MDZS can easily be read as a sharp criticism of reputation and mass judgment and the concept of condemning people without knowing their motives! And I don’t want to sound mean, but guys… did any of us learn anything from that? Here, I’m going to put it in meme format for a second to convey what I mean.

MDZS: It’s easy to condemn someone as a villain if you don’t know their story or the reasons behind their actions

MDZS: Anyway, here’s a character whose story and reasons behind his actions you know nothing about

Some Parts Of This Fandom: Ah, a villain

Memes aside, here’s what I want to point out. It’s entirely possible to assume Qingheng-jun was a bad person who disregarded a woman’s wishes in marrying and confining her when all you have is Lan Xichen’s (actually very neutral, thank you Lan Xichen for being an eminently reasonable and concerned-with-evidence character) account of what happened. It would also be at least that easy to assume Wei Wuxian was just an evil necromancer if he hadn’t un-died and brought his own story to light, or even to believe that Lan Wangji had somehow tamed Wei Wuxian into submission and being a respectable cultivator if you were an average citizen of Fantasy Ancient China with nothing but rumors to operate on.

The thing about Qingheng-jun and Lan-furen’s story, then, is that there is nobody left alive who knows the full tale. Nobody knows what they thought about anything, really. Nobody even knows why Lan-furen killed Qingheng-jun’s teacher. Wei Wuxian asks why, and Lan Xichen can’t tell him, but I think the best answer would be something along the lines of I don’t know, Wei Wuxian, why did you kill people? Your guess on the motivations of your own thinly disguised narrative parallel are as good as anyone’s.

So, while it’s not technically impossible to assign darker motives to Qingheng-jun, the cautionary tale of MDZS seems to warn against that exact assumption.

I’ve refrained from getting too salty on a personal level thus far, but now that I’ve said a lot of the more logical and story-based points of my argument, I will say that at least some of my annoyance with the interpretation of Qingheng-jun as a possessive rapist and Lan-furen as his victim stems from the fact that I just think it’s straight up boring. Where’s the nuance? Aren’t you tired of reducing these characters to the flattest possible versions of themselves? Don’t you just want to add a little flavor?

In a slightly more serious phrasing of that criticism, I find that making Lan-furen a helpless prisoner strips her of whatever agency she might otherwise have. To be fair, she’s more or less a non-character in keeping with the general state of the MDZS universe, but making her a damsel in distress only consigns her more deeply to hapless, milquetoast innocence.

It’s perfectly valid to enjoy ladies who have done nothing wrong, ever, in their lives, but like… Qin Su is right there, if that’s your ball game. There’s also really no need to make Qingheng-jun someone who doesn’t respect women. Isn’t Jin Guangshan enough for at least one universe?

Anyway, ultimately, you do you. I don’t like arguing on the internet, and will just ignore things I don’t agree with (or write an 1800 word vaguepost) like a mature human being. I’m just saying, if it’s a cut and dry tale of imprisonment and assault you’re looking for… you probably don’t want to turn to a woman who committed a murder and a man who loved her enough to forfeit everything to keep her safe.

#mdzs #qingheng jun #madam lan #lan wangji #wei wuxian #(in a narrative parallels context)#blazie .txt #anyway without further ado here is my.... essay?#rape mention

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goonlalagoon · 3 years ago

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A smile in your heart (no better place to start) || Second Star to the Left

Read on Ao3: https://archiveofourown.org/works/33459862

(Spoilers through to end of ep 10 ahead)

It’s been weeks - months - and Bell’s thought about what they could say, when they’re finally on the ground and face to face with Gwen for the first time. Thank you, that’s a strong contender; they know themselves well enough to know they’re more likely to go with how did you do it? Maybe this time they’ll actually be able to say I love you, though Gwen seems adept at picking it up even when they can’t put the words to it. In their head, they planned for it to be - not dramatic, because they’re supposed to be a fugitive and they don’t want to draw attention, but meaningful. The kind of memory that’s something to think back on with misty eyes and fond words.

Capital-R-Romantic, as Gwen termed it so long ago, that first grudging conversation.

What they actually say is,

“Wow, you really do have a great jawline.”

It’s…admittedly not the worst thing they’ve ever said to someone they have a crush on, but that isn’t exactly the metric Bell wanted to measure this by. They’re standing just feet away from each other, drinking each other in. The silence starts to shade awkward before Gwen swallows, shrugs, gives a shaky smile. Bell remembers a letter, one of the first, remembers reading the clouds are all blurry and the twisting mix of regret and guilty relief, because they didn’t want Gwen to be upset but they couldn’t help but cling onto the fact that she was, that someone was upset on their behalf.

“Well, I never got to see your school graduating photos, so I had no expectations of your jawline, Bell, but hey! It’s a pretty good one too, so congratulations!”

Gods, they’ve missed that laugh.

Someone interrupts them then, of course, because the settler ship has just landed and scout Hartley is very much in demand by everyone, not just Bell. There’s a whole crew of people looking to start a new life, and all of them need their scout to tell them what to do, where to go, what to watch out for. They wave a forlorn goodbye, find a place to sit and idly look around, trying to match this new settlement (very new, scout Summers could probably gauge to the day when these buildings were set up by the wear and tear, even after all this time) to every overheard exploit they’d listened in on over the years.

Gwen had moved the settlement into the trees, combined the natural firebreak with dug trenches to add a layer of defence. There’s a clear track that Bell would bet leads straight to water by the quickest route, an escape path to the coast. They think that perhaps the two of them should put their heads together, figure out emergency bundles for evacuation protocols. Food and water, a spare repair kit for any prosthetics…by the time they find Gwen again, hours of running around helping the settlers - the other settlers - move in, Gigo has a whole list stored. Ideas and checks and suggestions that Bell got halfway through recording before realising that maybe Gwen already thought of all of this and they no longer needed to jot everything down to cram into their four hour window of contact.

They live on the same planet, now. There’s no limit on contact, except that the first several months after settlement are absolute chaos for the scout, and from what Bell recalled hadn’t seemed likely to slow down even before the apocalypse threw everything out the metaphorical window.

Maybe with two of them with scout training it’ll be less…just less. Gwen might be able to get if not the mandated six hours of sleep at least enough to average out more at four or five. They weren’t going to comment on it, but it was easy to tell she hadn’t been getting her full rest anyway - probably hadn’t for months, dark circles under her eyes like permanent bruises.

They’re standing awkward feet away from each other again, and Bell knows there’s going to have to be a conversation about that soon, because it hadn’t really occurred to them before that they know a lot of things about Gwen, years and years of stories and rambling conversations, but there’s things you don’t learn without being in person. Personal space, definitions and comfort thereof, the body language and facial expressions to interpret to know what’s welcomed and what isn’t.

“Hey, so, uh…I know there’s a protocol that I’m supposed to follow when my settlers arrive, and all, but there’s something else I want to do instead.” Bell huffs a laugh, steals a shy glance to see Gwen’s answering smirk.

“Another sworn class tradition to fulfil?”

“Nope! We never talked that far ahead except as jokes. We knew the stats, y’know? But - you told me, the first day, that I should watch the sunrise, that that was something I shouldn’t miss, my first morning. And I don’t…we don’t have that, but I’ve had a long time to find my own wonderfully inspiring views of nature here and I wanted - Bell, you haven’t been on a planet for years and you were with me through everything, but you’ve never seen any of it in real life and I want to show you all of it, and I know where to start.”

Bell thinks about muttering about protocol, for the form of it, for the joke that can be dragged out of it, familiar banter, but they decide not to. It’s no longer their job to care about protocol, and anyway the only reason they cared about the protocol was to keep their scouts safe. Gwen is standing right in front of them, leaning gently against Boots with a casually familiar stance - if they pointed it out, Bell knows she wouldn’t even have thought about it. This is just what Gwen does, when she’s standing about with nothing to do with her hands; rests an elbow companionably atop Boots, one foot hooked around a standing leg and balanced on the toe of her boot.

Gwen is standing right there, safe and alive and happy, so protocol can sort itself, thanks.

(Bell realises they have their own hands in their pockets, their own casual stance, and wonders if Gwen is noticing that too, drinking in all of the unconcious habits that it would never occur to either of them to verbalise. All the little tics and quirks that don’t translate over a FTL comms.)

It’s not a long walk, and it’s more silent than Bell would have guessed, but it’s comfortable. Novel, really, to not have to narrate things aloud because they can just look and see what Gwen is doing, can point at a bird with a dorsal fin and pause to watch it flutter around rather than try to describe it.

They can’t stop stealing glances sideways, catching Gwen more often than not doing the same, both of them collapsing into giggles about it each time. It’s just so surreal, to be walking side by side, after all this time. It feels like a dream, like one of the stories Gwen tells Boots at night - once upon a time, there were two explorers, setting out through the trees…

The light dances on the waves, well below their cliff edge destination. At some point Gwen must have rolled a fallen log over to act as a bench, because it’s too well placed to be natural and there’s a fire-pit dug and lined with careful stones. Close enough to be cosy, but far away from the treeline itself to be safe. The light is dancing on the waves and the grass is drifting in the breeze, a periwinkle blue that Bell is used to seeing in photos if they thought of it at all. Something that had seemed so wonderful and new, when scout Hartley made her first observations, but had drifted into commonplace. A detail that wasn’t worth mentioning any more.

“One day, I’m going to make a boat and go explore that.” Gwen waves grandly at the horizon; she’s leaning her head on Bell’s shoulder, and Bell has decided that they will happily never move again. The two of them can just stay there, forever, Gwen’s head on their shoulder and the soft whisper of waves below. “Once my settlers are…settled, and can be left without supervision for more than a few hours at a time.”

“Already missing the solitude? Mourning all that lovely peace and quiet?”

“What solitude? I had a very efficient scout minder in my ear, I’ll have you know! I didn’t have time to get used to the peace and quiet before beep, time for another check in. Hartley, have you followed the itinary, Hartley, did you maintain a reasonable sleep schedule, Hartley, have you eaten a balanced meal at your officially directed time selected for nutritional optimisation…”

“I’m honestly surprised that you went for reminding me of my remote presence first rather than protesting that Boots was with you the whole time. And I would also like to ask, in the spirit of enquiry, have you done any of those things without my input?” Gwen shakes with barely suppressed laughter and doesn’t bother answering; Bell tries not to join in, because Gwen’s head is still on their shoulder and they’re still determined not to dislodge it until they really have to. “And…hey, I also told you to go watch the sunrise, and you found this instead. I - when did you find this? You never mentioned a little ocean watching viewpoint.”

“I - uh, set it up a few months ago. I didn’t know if it had worked, or if it had all gone wrong, or - and I spent so long pacing around here and wondering what you’d think of the view…”

“Aw, and you say I’m a romantic.”

“With a capital R, yes, you so are. I’m your favourite person, you said so, it was very romantic.”

“That was possibly the least romantic declaration of love that has ever been given. I congratulated you on your jawline, Gwen, I write poetry in my spare time and that was the best I could come up with. I should have just stopped talking - writing, I don’t even have the excuse of not being able to edit it out, the first bit was fine but I kept rambling.”

“It was romantic and I loved it and I have saved all of your letters in three separate back ups to make sure I don’t lose any of them.”

Bell laughs, curls an arm around Gwen’s shoulders as easy as breathing, and lets themselves relax for what feels like the first time in months. A flock of birds takes off from the trees, darting past them over the cliff edge, setting out over the waves. The sun glints off their feathers, the raised fin, a riot of colour catching the light as they watch, leaning against each other, shoulder to shoulder. Gwen is beaming out at it all, and Bell can feel their cheeks creasing to match.

It isn’t a sunrise, but this - this is something close enough, a snapshot of a new world, a new horizon that they get to learn, the first day of a new life.

#My writing #second star to the left #sstl #This went very differently to how I planned it but oh well #Bell Summers/Gwen Hartley

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scoutception · 4 years ago

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Never7 -the end of infinity- review

Kotaro Uchikoshi holds the title of being one of the most magnificently insane writers in Japan, which is saying something. He’s most famous for the Zero Escape trilogy, an innovative mix of escape-the-room puzzles and normal visual novel story sequences, and the much more recent AI: The Somnium Files, a more standard, yet equally memorable detective drama, which I actually wrote a full review on right here. Though, all things considered, “famous” would be a bit of an overstatement, as these games are very much cult games, being all but completely ignored in Japan, and not doing fantastic overseas either, with the upside of those who have played them often loving them, including me, with Nine Hours, Nine Persons, Nine Doors and AI: The Somnium Files being some of my favorite games out there. However, before the days of Zero Escape, Uchikoshi got his start working at KID, a now defunct developer most famous for its two visual novel series, those being Memories Off, a series of romance VNs that have unfortunately never seen the light of day outside of Japan, not even through fan translations, and the Infinity series, the brainchild of Uchikoshi and the equally insane Takumi Nakazawa, consisting of Never7, Ever17, Remember11, 12Riven, and Code_18, though, reasonably speaking, only those first three, as the latter two were pretty badly received. Science fiction VNs that are mostly connected by their shared themes, these games laid the groundwork for Zero Escape, and are ironically the exact opposite in terms of popularity, being well received and popular in Japan when released, but almost completely unknown in America even today, for understandable reasons, as only Ever17 was officially released in English, with Never7 and Remember11 only being playable with fan translations, along with just being old. Never7 originally was released in 2000, with Ever17 and Remember11 coming out in 2002 and 2004 respectively. Needless to say, these games have long lost their chance at the spotlight, but my curiosity has driven me to them, and thus, we arrive at today’s topic: the first game in the series, Never7. Note that I played the PSP version, as while the translation was originally made for the PC version, that version is really not recommended, for reasons I’ll detail later in the review. Either way, here it be.

20 year old Makoto Ishihara is an unremarkable college student theoretically majoring in psychology, but in practice has majored in skipping the majority of his classes due to his lack of personal direction. This slacker attitude comes back to bite Makoto when he finds himself forcibly signed up for the strange “Seminar Camp”, set on a faraway island and lasting from April 1st to April 7th, with no apparent purpose other than to strengthen the bonds between the members of the group. The other members of Makoto’s group are Yuka Kawashima, a friendly, outgoing girl who serves as the group’s leader, Haruka Higuchi, a quiet, mysterious honor student, and Okuhiko Iida, an infamous playboy who also happens to be heir to the Iida Financial Group. During their week on the island, the group also befriends three others unrelated to the camp: Saki Asakura, an old friend of Yuka’s who comes from a rich family, Kurumi Morino, an energetic and cheerful girl, and her older sister Izumi Morino, the temporary manager of the cafe Lunabeach, whose motherly nature quickly gives her a place as the mediator of the group.

Unfortunately, this otherwise relaxing stay proves to have its own share of problems, mostly within the group. Yuka, despite being the leader, is rather reckless, with a tendency to get unreasonably drunk every chance she gets. Haruka avoids interaction to the point of seeming cold, and insists, among other things, that she “has no heart”. Okuhiko is a shallow jerk who instantly takes a disliking to Makoto, and has a fixation on Haruka that he takes to controlling levels, despite her clear disinterest. Saki, though perfectly affable in group settings, is unnecessarily difficult, stubborn, and harsh in one on one conversation, with a tendency to lash out at others when upset. Kurumi is extremely childish, despite being 17 years old, and even the otherwise dependable Izumi is more than a bit scatterbrained and secretive. As both bonds and tensions form within the group over the week, Makoto is faced with something far more concerning: mysterious premonitions of near future events that always turn out to be correct, coupled with a strange dream which seems to predict the death of someone on the 6th while holding a strange bell, with him soon finding said bell washed up on the beach one night.

It’s pretty much impossible to talk about this game without giving away that it is much more than a simple romance VN, despite it being the big twist of the game when it was first released. Unfortunately, the twists of the game mostly rely on being a surprise, and aren’t very developed otherwise, for the most part, and the story is mostly focused on romance. Considering how elaborate Uchikoshi’s later games are, this is absolutely the biggest reason why Never7 remains so obscure even by Infinity’s standards, considering that Uchikoshi fans are pretty much the only ones who’d be interested in this game nowadays, and knowing that this game isn’t even close to the same level of complexity as his more famous games is the biggest thing that has to be kept in mind when considering anything about it.

The game consists of a beginning common route, 5 routes for Yuka, Haruka, Saki, Kurumi, and Izumi, and the two Curé routes: Izumi Curé, the final route, which takes the plot in a vastly different direction, and serves to completely supplant Izumi’s original route as well, as it’s rather infamously disappointing, and Yuka Curé, a retelling of Yuka’s route from her own perspective. While Yuka Curé is an extra accessed outside of the main game, the rest are accessed in pretty typical VN fashion: the game starts with a common route that serves to introduce the characters, setting, and a few plot elements, before eventually diverging into one of several character specific routes depending on your choices within the common route, namely building up affection points with the characters, and seeing specific, important scenes concerning them. Having enough points and having all requisite plot flags will lock you into that character’s route, with the game otherwise defaulting to Yuka’s route. Not anything atypical of the genre here.

For the most part, this system is fairly forgiving, and works fine. It’s usually pretty easy to figure out what choices actually affect affection, whether from the options themselves, or the reactions of the characters, and the amount of points needed is fairly lenient for each. There’s also a scene near the end common route that has several variations based on which character you have the most affection with, once again defaulting to Yuka if you don’t have sufficient points with any of the others, allowing you an easy way to figure out if you’re on the right path. That said, there’s still definitely frustrations it can cause. While you technically have plenty of freedom to choose what route to pursue on your first playthrough, only Yuka and Haruka’s routes are on the easier side, with Saki’s route being difficult to navigate to and through due to her contrarian nature, with most of the options that involve angering her being the ones to raise affection, and Kurumi’s route forcing you to branch off to a scene involving Izumi instead of her when given the option. Izumi’s routes are also very glaringly not available at first, with options related to her in the common route slowly being unlocked with each route completed instead. While it is actually pretty neat to witness and does make sense, as Izumi’s normal route is not at all serious, and the Curé route is absolutely meant to be saved for last, as far as the serious routes go, it’s still kinda awkward once you notice it, and accessing them carries its own frustration, namely pulling the reverse of the Kurumi route situation and needing to go with Kurumi instead of Izumi at the same point.

Each route also contains multiple endings, with Yuka’s, Haruka’s, Saki’s, and Kurumi’s routes having one bad and one good ending, Izumi’s routes having two bad endings and one good ending each, and Yuka Curé having one bad and two good endings, all of which depend on certain important decisions within the routes, typically at the climax, with specific steps needing to be taken to achieve the good endings, with everything else leading to the bad endings. It’s actually pretty easy to figure out what’s needed for the good endings most of the time, and even if you screw up, it doesn’t take long to fix your mistake, as the game autosaves at the start of every scene and everytime a decision is available. That said, even this has a few frustrating parts. Kurumi’s ending is a lot easier to screw up than the others, and the Haruka, Saki, and Izumi Curé routes keep the affection mechanic, whereas the others forego it once locked into, forcing you to continue gaining points to reach a certain minimum by the climax, or you’re automatically locked into the bad endings. While it’s still pretty easy to do with Haruka and Izumi, to the point you may gain enough points just from the common route, Saki’s route once again causes the most issue with this mechanic, with the choices tending to be just as confusing as in the common route, which is especially bad if you only barely scraped into her route in the first place. As one last note on the affection mechanic, Yuka and Saki’s routes have scenes and CGs that can only be viewed with certain amounts of affection, with Yuka’s needing a rather high amount that forces you to get as many as possible, and Saki’s rather confusing needing less than a certain high amount, based on my testing. The game barely gives any indication of this, outside of showing scenes in their routes missing in the playing log.

As far as length goes, this isn’t exactly Clannad or Grisaia; while not short, it’s only about average length for a VN. Both the common route and the character routes go by pretty quickly, with only Izumi Curé being noticeably lengthy. The bigger plot elements don’t have much focus at all before the character routes kick in, and only the Izumi Curé and Yuka routes place any great focus on them, which can leave it feeling pretty half baked overall. Additionally, the two Curé routes weren’t even in the original version of the game, which released for the PS1 as Infinity, and thus the elements within Izumi Curé can feel a bit jarring compared to the rest of the game. Altogether, this gives the impression of a game that’s, at best, just average, and only notable as a prototype for the later games in the series. However, while I’m not going to argue against how unappealing Never7′s basic nature can be in comparison to Ever17 or Zero Escape, I actually ended up liking it quite a bit, probably a good deal more than average, and feel it does overall do more things right than wrong.

The cast of characters is by far the best part of Never7. While Makoto is a very basic and forgettable protagonist, and Okuhiko only really exists to be the butt of jokes, though even he gets a couple of moments of depth, everyone else is likeable and complex in their own ways. Yuka, though having a lot of traits that could just easily make her irritating, instead manages to be surprisingly charming. Saki is genuinely sympathetic despite the many low points she has, and the parts of the story that focus on her are generally some of the best parts of the game. My favorite character by far is Haruka, who has, in my opinion, the best route in the game, with many memorable and tender moments as early as the common route, and very well done character development which makes it flow better than a good deal of the other routes, and has a tragic element that stands out even when most of the rest of the cast does as well, which leads to many of the more emotional moments of the game. Haruka’s scenes are another consistent highlight of the writing, and she is overall a surprisingly memorable character among the cast, in my opinion.

Speaking of routes, they’re definitely the other main highlight of the writing. While the structure of the plot means that they can feel a bit samey at times, they do do a good job of developing their respective characters, and do have their own little twists along the way to make them stand out. Additionally, unlike some romance VNs, the rest doesn’t simply vanish outside of their own routes. As the relationships between the cast are important parts of their characters, each character plays a role of some importance in at least one route each, which helps keep focus on each character. It’s not quite perfectly balanced, though; Saki is very noticeably screwed for screentime, only playing a noticeable role in Yuka’s route, and having no presence in any other route besides her own. This also rather bizarrely applies to Yuka herself to a lesser degree, despite being the most blatantly advertised of the characters, while Haruka and Izumi tend to have more of the focus between routes.

Aside from the aforementioned Haruka route, some of my other favorite routes would be Saki’s route, for its surprisingly tense atmosphere and focus on the tensions within the group giving it a very different feel from most of the other routes, Yuka Curé, as Yuka’s perspective is refreshingly different from Makoto’s and gives her quite a bit more depth, while having a fair few potential divergences from the normal Yuka route, along with giving Saki a very prominent supporting role, and Izumi Curé, for giving the biggest taste of the kind of direction future games would go. The plot elements revealed within are quite interesting, and force you to take a whole different perspective when considering the rest of the game up to this point, and ends with a tasteful amount of ambiguity that, among other things, reasonably lets you decide just which of the routes you think is “real”, despite the seemingly decisive focus and finality it has. Overall, I actually ended up quite a bit more attached to this cast than I was expecting, and while it wasn’t even close to getting to me like, say, Steins;Gate or AI: The Somnium Files, there’s a few decently emotional moments throughout, particularly on the Yuka, Haruka, and Izumi Curé routes.

But despite the dark or depressing moments Never7 can get into, in the end, it’s a lighthearted and optimistic game, and all things considered, that’s for the best for it. It’s not trying to be a dark dramatic story, just a relaxing and pleasant experience with a few twists to it, and after going through gruesome experiences like Zero Escape and Chaos;Child, I honestly kinda appreciate that.

As far as the game’s more technical aspects go, the characters and art were done by Yuna Kagesaki, best known for the manga Chibi Vampire/Karin. While the artstyle isn’t anything special, visually, the game is actually quite good looking overall. The character designs all look quite good, and the sprites and CGs are also well made, with the sprites notably giving all the characters many different poses, which make them quite distinct, even if a few tend to make the characters in question look a bit odd. While the PSP’s lower resolution and smaller screen means the sprites and backgrounds don’t look as good as the PC version, and that entire CGs and sprites can’t fit on the screen, it actually looks better than the PC version in places, from visual effects like rain, to the filters placed over the character sprites during sunset and night, to even just the UI. The PC version is extremely bare bones, but the PSP version has plenty of neat little menus and features such as a backlog, a detailed CG gallery that includes promotional artwork along with the art within the game itself, a playing log that includes detailed statistics and allows you to view how many scenes you’ve seen within the game, and how much dialogue you’ve seen within each, a music gallery, and a glossary that helps define terms and concepts within the game. While these aren’t quite special, they are very appreciated all the same, and make the PSP version of Never7 the definitive version. Still, here’s a comparison of the two versions, with the rainbow textbox being exclusive to the PC version.

Never7 also features a soundtrack composed by the great Takeshi Abo, who, along with the rest of the Infinity series, is the composer for the Science Adventure series, i.e. Steins;Gate and Chaos;Child. The original soundtrack, used in the PC version, was, to be honest, a bit rough in places, but the PSP version uses a remixed soundtrack first made for the PS2 port, which is nothing short of fantastic. The soundtrack fits the mood of the game perfectly, being very relaxing or upbeat. Each character’s theme fits them perfectly, and the music always manages to fit the context of each scene, particularly the song Languor, which fits both definitions of the word: pleasantly tired, or oppressively stiff. My favorite tracks have to be Izumi’s warm theme, the rather emotional main theme of the game, Once More, and especially Haruka’s downright beautiful theme. Exclusive to the PSP is a rather neat OP played at the start of the game, and an ED used for the original five routes, performed by the band Asriel, with the Curé routes having different EDs that were composed well before this port. Never7 also features a voice cast of voice actors both new and popular at the time, mostly notably the late Tomoko Kawakami as Yuka, Yuki Matsuoka as both Haruka and Kurumi, and Kikuko Inoue as Izumi. Everyone does a pretty decent job, with Yuki Matsuoka particularly managing to make both her characters sound very different. Most of the voice acting is rather compressed, even if it still sounds okay, but the voice acting in the Izumi Curé route is uncompressed, which, while a bit jarring when compared to the original voice acting, certainly sounds much better.

Overall, whether or not I would recommend Never7 heavily depends. If you want a crazier, much more visibly Uchikoshi experience, a much deeper kind of romance game like Clannad, or even just an especially emotional experience, you’re not likely to be impressed, and it’s not recommended in that case. However, the lighthearted nature of the game, average length, and likeable cast make for an experience that is actually quite enjoyable in its own right. If you can keep your expectations reasonable and lowered and just take it as it is, you’ll likely find a fun, easily accessible kind of experience, with some great art, beautiful music, and more than a few distinctive moments in its own right that I would genuinely recommend giving a fair try if you care for visual novels at all.

With that, more words than likely anyone has spoken in defense of this game, I’m off to take another dive into visual novel hell, soon including this game’s far more famous sequel, Ever17. Till next time. -Scout

#visual novel #kotaro uchikoshi #game review #playstation portable #long post

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shijiujun · 5 years ago

Text

[ENG] History3: Trapped Novel - Chapter Ten

~7,000 words

Translation Masterpost can be found here

Disclaimer: Translations are entirely mine and Wei’s - these are not official translations and some phrases have been changed for better English interpretation so you’ll definitely see better/different translations elsewhere. Also keeping in mind when we translated this we aren’t exactly thinking about the style of writing and this translation is as close to the novel as we can make it XD So yes, some parts may be a little awkward to read. And yes some teeny weeny details and words may not turn up in the translation because the Chi to Eng mind acrobatics didn’t work out. If you see asterisks, scroll all the way to the bottom for notes!

Full chapter below the cut

*Note: I didn’t translate about 4 pages of the smut scene, it was taking me a little too long and I decided to drop it, so you’ll have to find alternative sources for that, but it doesn’t really impact the story much XD

Chapter Ten

Hospital

Jiang Jin Tang walks towards Tang Yi who is seated on the bench, and sighs, “You look like you’re in worse shape than the one currently inside.”

“Is… Is he okay?”

“He’s not going to die anytime soon, but I severely suspect that Meng Shao Fei has issues elsewhere.”

“Where?”

Jin Tang, who usually speaks ill of others with ease, says, “His brain!”

Tang Yi glares at the man clad in a white doctor’s robe, and cannot be bothered to respond.

“That guy keeps getting hurt because of you, and he’s the one who actually got shot, but the first thing he does after waking up is to worry about you, if this isn’t brain damage, what else can it be?”

“...”

“Tang Yi, just because Meng Shao Fei didn’t die the first two times doesn’t mean he’ll be so fortunate the third time. I don’t want you to regret this for the rest of your life, so as your brother, there are still some things I have to say. Love is just like life itself. Sure it’s beautiful, but it can also disappear at any time, so if you treasure this relationship, you have to let go of that burden in your heart. You can’t keep putting him in a spot and making things difficult for him,” Jin Tang says, somber and patting Tang Yi firmly on the shoulder.

“Okay, hurry in and go see him! If anything else happens, just look for me.”

“Thank you.”

Jin Tang shakes his head and smiles, then picks his vibrating phone out from his pocket.

“Be good, Tang Tang! I’m now in Mali and once everyone in the team and the equipment arrive, we’ll set off. The first treasure I dig up I’ll show to you first, you can’t tell anyone, okay?”

As he watches the message Jiang Zhao Peng sent over, Jin Tang’s lips curve into an indulgent smile.

Inside the ward, Shao Fei, who has already woken up and heard the conversation outside, immediately rips off tubes linked to the machine monitoring his vital signs. He closes his eyes and pretends that he’s in a coma.

Beep-------

Tang Yi barely steps into the ward before the distress signal sounds, and the curved lines on the monitor screen visibly flatlines. Going white immediately, he rushes to the bed and just as he’s about to press the button to ask for help, the person lying in bed hugs him around his waist.

“You’re this worried about me?”

Tang Yi freezes in shock, and the hand reaching out for the button retracts. With a stern, angry look, he glares at Shao Fei, who is grinning and happy, “Aren’t you a little too happy for an injured person?”

“Aren’t you a little too angry for someone who’s my boyfriend?”

“Hmph!”

Still chuckling, Shao Fei pulls at Tang Yi’s sleeve, gesturing for him to sit at the side of his bed. Afraid that Shao Fei would tear out his stitches, Tang Yi does not dare resist and can only sit down, his bad mood apparent on his face. Shao Fei touches lightly at Tang Yi’s wrists where the metal handcuffs sit.

“Don’t be angry, it's a reflex for me to try and snatch a gun, or put myself in the way of a bullet. I’m a police officer, after all.”

“I’m angry at myself,” Tang Yi frowns, holding onto Shao Fei’s icy hands.

“Then it’s better for you to be angry at me! Even if we had to do this again, I would still do the same thing.”

“I know you’ve been trying to stop me from killing others.”

“That’s right. Li Zhen Jie said it before, revenge can only bring you temporary satisfaction, but the consequences you will face for your actions will haunt you for life, and it’ll cause pain to the people who love you.”

“That includes you?”

“Of course!” Shao Fei shoots Tang Yi a look out of the corner of his eye, and continues, “Let me ask you, why did you think Tang Guo Dong tasked you with reforming the gang?”

After a moment of silence, Tang Yi replies, “Lao Tang said he didn’t want the brothers to continue a life like this, where they wouldn’t know if they were going to live or die tomorrow. He wanted everyone to live normal lives.”

“And if you, as their leader, did something illegal, would your men still try to turn over a new leaf?”

“....”

Tang Yi stares at Shao Fei. He did not actually think this far.

“Tang Yi, revealing the truth to everyone, letting the culprit be punished under the law, that’s justice. That’s answering to the victims, but if you handle this on your own, all people will see is a gangster killing a cop, then what Zhou Guan Zhi did will be hidden forever. Is that what you want to see? Is this the Xing Tian Meng that Tang Guo Dong would have wanted to see?”

Tang Yi sighs, and says, “... I’ll hand He Hang over to the police.”

Shao Fei smiles as he looks at the man he’s so deeply in love with, waiting for him to continue.

“And Zhou Guan Zhi too.”

“Thank you, and…” Shao Fei reaches for Tang Yi’s face on his uninjured side, pressing close and kissing his lips.

Tang Yi’s eyes close as he accepts the kiss. It’s a kiss filled with gratitude, love and happiness.

Half a minute later, Shao Fei pulls back and gazes into Tang Yi’s open eyes.

He says, “I love you!”

Knock knock.

Zhao Zi, who has been waiting for quite some time outside the hospital ward walks in. He looks at the man currently staring at Shao Fei, and reminds him, “Time’s up, Tang Yi, let’s go!”

He then takes out a jacket he prepared for this, covering Tang Yi’s hands to keep anyone from gossiping about his handcuffs if they see it while the both of them are walking out. However, Tang Yi simply shakes his head, standing up straight, and leaves the ward without turning back.

A room in a house

In an old, dilapidated room. Captain Shi sits in a corner looking at photos of his daughter in the wedding dress boutique on his phone. Two police officers in casual dress are guarding him nearby. One of them is scrolling through his phone, and the other one is resting with his eyes closed, seated on a chair with his arms crossed.

A little while later, the doorbell rings. The man on his phone walks to the door, and lets the person on the other side of the door in after verifying his identity.

“Boss!” Shao Fei calls, wearing the $60,000 NTD suit he bought at Tang Yi’s store, in his hands a traditional wedding cake.

Captain Shi looks at the person who’s just come from a wedding eagerly, and asks, “How did it go?”

“You can see for yourself,” Shao Fei takes out his phone and plays the video he recorded of the wedding.

Slowly opening the banquet hall’s doors, the bride stands there alone without her father, a bouquet of flowers in her hands. Her makeup done up so beautifully, the woman glances down at the red carpet with red-rimmed eyes, pausing for a bit before looking up and smiling widely. She picks up her courage and takes the first step forward.

On both sides of the red carpet, her close friends scatter flower petals and pop party poppers, representing their well-wishes for the new couple. Under the eyes of the marriage officiant, the bridge and groom exchange rings, completing the wedding’s most important ritual.

Captain Shi looks at his daughter’s wedding video, and nods profusely with his eyes wet.

Shao Fei pulls a chair over so he’s sitting opposite Captain Shi, and places the wedding biscuits on the table. “Xiao Ya asked me to bring these to you, there’re biscuits, and also the tea you like to drink, and wedding photos.”

“Ah Fei… thank you…”

However, the man does not accept the gifts, as if afraid of dirtying the beauty and goodness of the moment with his hands that are awash with sin and guilt. Shao Fei looks at his Captain, who’s almost a shell of his usual self.

The back of his nose burns as he says, “You and Li Zhen Jie have always been my role models and I have always believed in every single thing the both of you taught me. I remember the first day I joined the team, you told me that justice is just like lighting a lamp against the wind and police officers are the protectors of the lamp, so we have to be alert at all times. Because only when the lamp consistently lights up the path in front of us, can we then help others to walk down the correct path too. But you destroyed the person who was supposed to protect the lamp, tried to cover up the truth from four years ago and even allowed everyone to suspect Li Zhen Jie, and to point fingers at her.”

Captain Shi listens to the words he used to say, and lowers his gaze in remorse, “I know I don’t deserve your forgiveness. After all, having to choose between being a father and being a police officer, I selfishly chose to be a father.”

“Boss, do you regret it?”

The man shakes his head and replies bitterly, “When Ah Zhi told me four years ago that he killed Li Zhen and Tang Guo Dong, and destroyed the evidence after, I was relieved. If I didn’t have that sum of money that year, I wouldn’t have been able to see Xiao Ya on her wedding day.”

“Boss…”

Captain Shi looks at Shao Fei and with a complicated expression, he says, “Ah Fei, I actually resented you.”

Shao Fei returns the man’s gaze, stunned at the revelation.

“When everyone was no longer interested in the case at all, you were the only one persisting in bothering Tang Yi, insistent on finding out the truth, as if you weren’t afraid of standing on your own against the rest of the world.”

“But you never once truly stopped me.”

“Because I wanted to see just how long you would last. I even hoped that when you had to choose between justice and obstruction to that, you would choose to give up. Then at least I could comfort myself in the knowledge that you and I, we aren’t so different after all,” Captain Shi says in a self-deprecating manner, raising his head to look at the impulsive young man who really has caused him quite a lot of trouble up until now.

“Aren’t I really bad? I’d fallen, and wished that the people around me would be just like me. I’m sorry, the Captain you admired is actually such a despicable man.”

“No! Boss, you’re not,” Shao Fei stares at Captain Shi resolutely, finally saying the words he wanted to, hidden away under the guilt he felt, because he blamed himself too. “You didn’t stop me because you were waiting too, no, even anticipating the moment I would find the truth and expose you and Zhou Guan Zhi. It’s true that between being a father and being a police officer, you chose to be a good father, but you didn’t give up on the other part of you, the part that’s a police officer.”

Faced with Shao Fei’s understanding, Captain Shi, who has been suppressing all his emotions, finally lets his tears run free as he sobs, covering his face.

“If Li Zhen Jie was still alive, I don’t think she would have hated you. Though she might have kicked your ass,” Shao Fei jokes deliberately, trying to lighten the melancholic atmosphere between them and rubbing at his nose, his face full of tears too.

Captain Shi looks at the man sitting in front of him and recalls his colleague, the woman who worked harder than any other man he knew.

His shoulders shake slightly as he says, “She wouldn’t have just beat me up, but scolded me too. She would have scolded me for living like a coward…”

Outside the room, the rays of the setting sun eventually shine over the both of them, but in the corners where the sunlight could not reach, darkness still remains.

Before their meeting ends and just as Shao Fei is about to leave, Captain Shi suddenly moves in front of him.

“Shao Fei, I’m leaving Team Three in your hands,” he says knowingly, patting at Shao Fei’s shoulder.

Cemetery

Tang Yi stands before a gravestone and stares at the music box on the ground, before pulling out his lighter and lighting a cigarette at the side. From afar, Chen Wen Hao walks over with a bouquet of flowers, and after seeing Tang Yi, he hesitates. Then he walks over to the grave and places the bouquet on the flat surface.

“Li Zhen, I’m sorry… All these years, I vented my anger and hate on Tang Guo Dong, hating him for causing me to end up in jail, hating him for not stopping you from aborting the baby and even suspecting that he liked you. That day was the first day of my release from prison, but I saw the both of you together. That was the first time in 24 years we were meeting, but I didn’t expect it to be the last…”

“When I was younger, I didn’t have much money and when I gave you flowers I could give you only one stalk. How sad was that? But you always smiled so happily, so I thought, if I could earn more money I would be able to buy more flowers to make you happy. I ended up walking the wrong path, and didn’t dare to let you know, so I lied to you instead.”

“If that year, I chose differently, would you not have left me then? The three of us, a family, would we have been able to live like normal families, having meals at the dining table? Maybe we wouldn’t have had much money, but we would have led a normal, stable life… we would have also been… happy…”

He finishes his sentence and falls silent, his face filled with tears as he cries.

It is said that every person has to face the consequences of the decisions they make. Then, the price he paid in his lifetime was really just too much, too much…

Tang Yi walks over to Chen Wen Hao’s side, and places the lighter before the gravestone. To the photo on the stone, he says, “After you gave me up for adoption, I ran away from home because of my relationship with my adoptive father, and then I was given a home by Tang-ye. He loved and doted on me as if I was his biological son. Don’t worry, I’ll continue reforming Xing Tian Meng. I believe that this is what you would have wanted to see, the you who spent your life fighting drug dealers.”

Chen Wen Hao supports himself on his knees as he gets up, and now that he knows the truth, he feels as if he’s aged in a flash. He is no longer the fearful, big drug lord, and no longer the vicious Chen-ye he was known for. He is merely an old man in his sixties, a man who’s finally seeing his own son - a father.

He takes out the thumb drive saved with the list of Xing Tian Meng members and business deals, handing it over to Tang Yi.

“This is something I bribed Jack to gather for me as I was plotting revenge against Tang Guo Dong. Every step I’ve taken in my life has turned out to be wrong, and even as I stand before my son, I don’t have the right to ask for his forgiveness.”

Tang Yi’s grip on the thumb drive tightens. He nods at the man before him respectfully, and with a complex expression he leaves the cemetery. At the stairs, however, his footsteps pause and Tang Yi covers his face as he sobs.

At Zhao Zi’s house

“What are you doing?” Zhao Zi asks in confusion, looking at Jack in surprise, who’s standing at his door with his small luggage.

“From today onwards, I’m moving in with you.”

Jack beams, picking up his bags and ready to walk in, but the owner of the house stops him with both arms spread wide open.

“Who said you could move in?”

“You did!” the red-haired man cocks his head to the side, and grins, “Didn’t you cry and ask me to stay?”

“Yes I did, but when I asked you to stay then, and this kind of staying… it’s different!”

After realizing all the things that Zhou Guan Zhi did, Zhao Zi was so depressed that he sat in the middle of a square with a bottle of beer and started sobbing. After hearing that Jack too, was going to leave and go somewhere else, he hugged him and began to sob even louder, shouting that he wanted Jack to stay at his side.

Jack sets his bags down and stalks towards Zhao Zi until he cages the man against the wall. Staring into his eyes, he says, “Do you know how much I gave up, just because you said that?”

The ambush in Cambodia, the deal he had with Yan Zheng Qiang*, the status and position he had in Xing Tian Meng, and so many opportunities from where he could have earned a lot of money. All of it, he abandoned without a second thought.

“Huh?”

“So I’m now a pitiful bug who has no income and no home to return to, you have to be responsible and feed me well.”

“Huh?” Zhao Zi looks at the man who’s given up on everything, dumbfounded. “Wait, no, where’s your family?”

Jack’s expression goes still, and then speaking a half-truth of sorts, he answers, “How would someone like me, who lives in danger every single day, have any family left? No matter where I go, I’m alone, and it gets pretty lonely…”

Zhao Zi looks at this person, who also longs for someone to be at his side just like himself, and his resolve wavers.

“So just let me stay~ Not only will you have another person to share the bills with, but I can take over things like housework and the most important thing is…”

Jack, an ex-mercenary who has never let an opportunity to get the best deal in any situation go, takes the chance to persuade Zhao Zi, “My cooking is pretty delicious, no? As long as you let me stay, I promise you that I’ll take care of your three meals daily. How about that? Isn’t this a really good deal?”

Zhao Zi, a known glutton, swallows. He has to admit that the last point Jack made is the most tempting one. However, if Jack does everything, then what is he going to do?

“You don’t have to do everything in the house. Since it’s housework, everyone in the house has to contribute, that’s why it’s called housework.

“So…” Jack’s heart warms, and he immediately snatches a kiss from Zhao Zi. “Shorty, can I move in, and become a part of your family?”

“Hnn!” Zhao Zi nods seriously, biting at his bottom lip.

“Then let’s have our meals together, do housework together, you’ll take care of the odd days, and I’ll take the even days including Sunday.”

“Okay!”

Just as Jack is preparing to swoop in for a kiss, his hands holding Zhao Zi’s face, they suddenly hear Zhao Zi’s stomach rumbling, and the romantic atmosphere dissipates immediately.

“Pfft, is it 6pm already?”

“Hnn….” Zhao Zi laughs sheepishly, rubbing at his stomach that is even more precise than a clock.

Jack pats him on the head, then moves towards the kitchen, “I’ll make you dinner right away. First, I’ll feed you, and then after… it’s your turn to feed me.”

“Wait! What do you mean, it’s my turn to feed you? Jack you better explain! Jack!”

The Tang manor

“Have you stared enough?” Tang Yi picks up his teacup and glares at a certain doctor, who’s staring at him incessantly.

“Not yet, I specially came over to see what it would look like, for an ice mountain to be melted by the power of love. Pfft, it’s practically like an antique that’s just been unearthed, of course I have to look at it a few times. But Meng Shao Fei is really something, because only he can fall in love with a boring hard shell like you, who doesn’t like to talk?”

However, Jin Tang, who is gleefully ribbing at the Xing Tian Meng leader in an unusual turn of events, is quickly defeated in the next second with Tang Yi’s words.

“I didn’t think you would have the time to talk rubbish here with me.”

“What do you mean?”

“Andy didn’t tell you?”

Jin Tang frowns, sensing some conspiracy in the air, “He didn’t tell me what?”

“Andy got some news today and told me that there’s a British man in the archaeological group who’s clinging onto your Xiao Shu Gong, and he even insists on squeezing in the same tent as him every night to sleep.”

Jin Tang snaps to his feet in shock and the usually gentle and composed man turns to Tang Yi with ferocity in his eyes. He glares at Tang Yi, “Fuck, why did you only just tell me this?!”

“I thought you already knew.”

“Damn it!” the man cursed, taking out his phone and calling his secretary. He says anxiously, “Book a flight for me to Mali right now… Of course I know there’s no direct flight there, why would I have called you otherwise? Settle this in the next hour, I want to get to my destination in the shortest time possible.”

After delegating the task to his secretary, Jin Tang hangs up and glares at Tang Yi again, huffing in anger, “What are you looking at! Have you never seen me angry?”

“I see you angry rather often, but I’ve never seen you jealous. It’s just like an antique that’s just been unearthed and it really does deserve a few more looks from me.”

The words he used to tease Tang Yi earlier are now being used back on him, word for word, and Jin Tang doesn’t know whether to laugh or cry. In the end he puts up his middle finger and says, “Fine, you’re ruthless, teasing me like this.”

“It’s true that you have to wait in relationships, but if you always bury what you are truly thinking deep in your heart, the other person will never know how you feel. I don’t want to see you end up like that.”

Jin Tang looks at Tang Yi, stunned. His lips then curve in a smile, “I really didn’t expect to hear such deep thoughts from you.”

“I didn’t expect to think this way either.”

“But it’s good that you’re like this, you’re finally looking more like a human.”

“If you need any help from me, just let me know, don’t be shy.”

“Don’t worry! I definitely won’t stand on ceremony with you.”

Both men raised their teacups and smiled at each other. In the other’s eyes, they could see the vibrance of happiness shining through.

Outside the police station

Tang Yi has just parked his car in front of the station, and suddenly a huge motorbike zooms past the side of his car, then emergency brakes.

“Ah, what a coincidence, hi ex-boss,” Jack greets with a harmless, innocent smile as he takes off his helmet and reveals a mop of eye-catching red hair.

Tang Yi alights his car and looks at Jack coldly, “You resigned for another reason, didn’t you?”

“I didn’t,” Jack hangs his helmet on the handles and shrugs, “I just happened to find the life I want to live, there’s no other reason for it.”

At the same time, Shao Fei walks out from the station building, and looking at the guy seated on the bike, he says, “What are you doing here?”

“Please, even you guys are lovingly fetching each other from work, isn’t it normal for me to wait for someone to get off work too?”

Looking at Jack’s face, Tang Yi quickly changes the subject and says, “Chen Wen Hao told me that you used me to get access to Xing Tian Meng’s confidential documents, so previously, when you tried to assassinate me and failed, and was subsequently bribed by me, that was fake too?”

Jack’s expression stills, and knowing that he cannot continue to deceive him, the man regains his composure. He admits, “It was planned. Following you at your side was also so I could get information, but you still managed to get the thumb drive back, didn’t you?”

“Did you think I would let it go like that?”

Tang Yi will show no mercy to the people who have used him.

Jack forces a smile and says, “Let bygones be bygones. I had my own difficulties too. And to protect the happiness I managed to get after so much hardship, I’m afraid I would have to do something to you.”

“What do you mean?”

Shao Fei can feel the murderous intent coming off Jack as he speaks, and immediately moves to stand between both men, pushing Tang Yi behind him protectively.

“Nothing, I just want to remind my ex-boss that there is only interest between people and no real feelings or relationships. I have to lie in order to attain my goal, so we shouldn’t concern ourselves with these small things, don’t you think?” Jack shrugs again and bats his eyelids at Tang Yi.

Just as he does that, he hears another voice sounding from behind him, “So between you and me, we’re just using each other as well, there aren’t any real feelings?”

He sees Zhao Zi’s upset expression the second he turns his head around, and immediately shakes his head, denying, “No. I didn’t, shorty, listen to me!”

“Ah Fei, I’m staying at your place today,” Zhao Zi glares at Jack and walks over to Shao Fei to put some distance between him and the red-haired asshole.

“I object!”

“Overruled! Ah Fei I’m going with you.”

“You’re not allowed! We’re going home.”

“I don’t want to!”

Jack knows that it’s inconvenient to have this conversation right outside the police station, and so he decides to simply carry Zhao Zi and put him on the bike instead.

“Wah- Ah Fei, save me!”

“Zhao-”

“If you don’t want to die, then don’t interfere!” Jack glares at Shao Fei who’s intending to stop him.

With one hand around Zhao Zi’s waist and the other securing a knot around Zhao Zi’s waist with the jacket around Jack’s middle, he ties Zhao Zi to him. Then he slams his foot down on the accelerator and leaves the precinct quickly.

“Ah Fei! Ah Fei save me, Ah Fei!”

And the cries for help fade away as the bike goes further, and further.

Shao Fei stares at his good friend being kidnapped right outside of the station and it takes him a long while to break out of his trance. Pointing in the direction that Jack and Zhao Zi left in, he asks the Xing Tian Meng leader next to him who’s smiling mysteriously, “When did the both of them get together?”

“Who knows?”

“Hey! You were finding trouble with Jack deliberately earlier, right?”

“He’s a talent, but unfortunately there’s no leash that can hold him, so I obviously had to teach him a lesson. Only then can we use him in the future.”

“Don’t tell me you still want him to work for you”?

Tang Yi laughs and lets the silence speak for itself. Shao Fei gapes at Tang Yi, looking at this handsome but incredibly scheming man.

At Zhao Zi’s house

“Let me go!”

Jack takes advantage of his height to secure Zhao Zi over his shoulders in a fireman’s lift, and only after they’ve entered through the gates and the door does he put Zhao Zi back on the ground.

“Don’t be angry, listen to me-”

“I don’t want to! I don’t want to be used by you!” Zhao Zi presses his hands over his ears, even lifting his leg to kick at the other’s calf bone.

Despite being so skilled at fighting, Jack does not move or retaliate, only tolerating the pain and pulling the angry person before him into his embrace. At the same time, he pinches at Zhao Zi’s chin and angles his head up, forcing a kiss on Zhao Zi.

“Mmm…. mmm…. Go away!” Zhao Zi pushes Jack away for forcing the kiss on him, his eyes red as he glares at him.

“Zhao Li An! Listen to me!”

It’s Jack’s first time seeing the shorty this furious, and even though Zhao Zi’s eyes hold no plausible threat to him, Jack is still properly startled and all he can do is carry Zhao Zi to the counter, trapping him against it.

“...”

Zhao Zi stares at Jack in shock. This is the first time Jack has been so fierce to him.

“I won’t explain myself for what I did in the past. I admit that in this time, there were both truths and lies in the things I said to you, but I’ve never used you! Never!”

“How do I know what you’re saying are truths, and which are lies? Even the Chief I really trusted, even the senior who was so important to me, these people I can’t even trust. Why should I trust you?”

What happened with Captain Shi and Zhou Guan Zhi dealt Zhao Zi a heavy blow, and he even doubted himself, was it him who was naive and had too much faith in human nature? Does he have the right to be a police officer, even? Why is it that the Captain and colleague he had meals with every day, both had other sides to them that he missed?

Jack looks at his shorty who has lost control over his emotions, and emphasizes, “You don’t have to believe in everything else, but there are two things that you have to believe in.”

“What two things?”

“The first is, I like you.”

“And?”

“Second, I stayed because of you. These two things, you better remember them clearly in your heart!”

Zhao Zi looks at Jack with wide eyes and listens as Jack continues to confess to him.

“In the beginning, I was just curious about you, wondering how you could be both so naive and lustful.”

“I’m not!”

“You are, and you even touched me.”

“You’re the one who wanted me to touch!”

“Whatever, anyway, I was totally attracted to you. This is the first time I’ve cared so much about someone else, worried that if I’m not around, are you having your meals properly, worrying if you are lonely by yourself at home, worrying if you are crying in a place I don’t know… So I decided to stay, because I didn’t want to leave you!”

Zhao Zi, seated on the counter, blinks and rubs at his nose. Somehow, everything that Jack is saying strikes all his pain points and he feels like crying.

“If you still don’t believe me, and if you still want me to go, I’ll go. But you have to be prepared, because the moment I leave, you’ll never see me again.”

“You’re lying to me again, right?”

“No, I’m serious. So you have to make the decision. Do you want me to go? Or do you want me to stay?”

“I…”

Jack waits for Zhao Zi’s answer anxiously. This is the first time he is so uncertain about what he’s doing. However, Zhao Zi continues to look downwards, biting at his lips and refusing to speak. Taking Zhao Zi’s silence for rejection, Jack’s shoulders drop in disappointment.

“Forget it, I’ll go…”

The moment he says that, Jack hears the reply he’s been waiting for.

“Stay!”

“Really? You want me to stay? Why?”

“Because…” Zhao Zi’s ears go hot, and he says in a small voice, “I like you.”

The ends of Jack’s mouth curve, and then he’s kissing Zhao Zi’s lips hard.

“Mmmff, Jack... “

Zhao Zi, who was teased by Shao Fei for being single all his life, now realizes that kisses aren’t just like bland honey water, but a really, really sweet chocolate pie that is enough to make his legs go weak. Through the hands cupping the sides of his face, Zhao Zi can feel Jack’s body warmth, and also the way Jack’s fingertips are trembling, just that little bit.

It seems that even for Jack, who always seems to have everything under control and doesn’t understand the meaning of fear, there are also times where he feels insecure. It’s not only just Zhao Zi who is afraid of being rejected.

“What is it?”

As Zhao Zi is trying to hold his laughter in, his shoulders shake so much that Jack notices, and so Jack pulls Zhao Zi over to look at the giggling shorty.

“So you were actually so afraid of me rejecting you?” Zhao Zi stares at Jack, exposing the thoughts the other man was trying to conceal.

The red-haired man pretends to be angry and glares at Zhao Zi, but his eyes are full of adoration as he looks at the source of happiness that the heavens has finally put into his grasp. And only before this person, Jack has no need to lie or hide.

“I was very afraid.”

“Why?”

“Because I didn’t know how I could go back to being the person I was before.”

Jack was once obsessed with the thrill that uncertainty could bring, because he was very confident of his own abilities. As long as he worked hard, he could always obtain the things he wanted. However, with love, he could not be sure of how much Zhao Zi liked him, and there was no guarantee that even with his best efforts, that Zhao Zi would return his affections.

Moreover, once he experienced not having to pretend in front of someone else and letting go of all his defenses, much less having to lie to them, he no longer wants to put his armour back on and go back to the battlefield, where he can trust no one else but himself.

Zhao Zi nods, and then angles his head upwards to look at the man who’s much taller than he is. He says, “I understand, because since you came into my life, I feel like being alone at home is so lonely! It’s not as if I didn’t stay alone before, but now even when I eat, it doesn’t taste as good as when I eat with you, it’s not like…”

“It’s not like the food isn’t exactly the same,” Jack continues for him with a smile.

“Hnn! It really, really is like that.”

“Hold on! Shorty, don’t tell me you realized you like me because you found that the food you were eating tasted bad?”

If that really is the case, then he will be jealous of every food item that ranks before him in the shorty’s heart.

“Of course! What about you? When did you start liking me?”

“I’m not going to tell you.”

“Hey! How can you be like this, it’s not fair, I told you my answer!”

“You really want to know?”

“I do.”

“Then…”

“Ah!”

Jack suddenly picks Zhao Zi up in his arms and walks over to the dining table next to them, putting the shorty on the surface of the table. Then he begins to unbutton Zhao Zi’s shirt.

“Let me eat first, and then I’ll tell you the answer.”

Zhao Zi’s face turns hot, and he looks down, shy, “If you’re hungry… then… then go have supper…”

His smile oozing charm, Jack turns to the side and steals a kiss from the corner of Zhao Zi’s lips, “My supper is you - Zhao. Li. An!”

“But I’m not tasty.”

“Tasty or not, I’ll let you know what I think after I’ve eaten, so… let me first take off the packaging.”

“But…”

“Shhh!” Jack smirks, then presses his face against the side of Zhao Zi’s ear and says softly, “Didn’t your grandma teach you, when someone is eating you, you’re not supposed to talk?”

“No,” the honest and innocent Zhao Zi answers after actually considering the question. He shakes his head and clarifies, “Why can’t I talk?”

“Because…”

Fingers unbutton the last of the buttons on the shirt and Jack’s hands guide Zhao Zi’s arms out of the shirt’s sleeves. When Zhao Zi is finally half naked seated on the dining table, Jack continues, “Because when other people are busy ‘eating’ you, all you need to do is to moan nicely.”

Suddenly, Jack crouches down and moves towards the soft bumps on Zhao Zi’s chest, then bites down on one.

“Ah-”

Startled, Zhao Zi glares at Jack. No one has ever done this to his nipples. Jack is lightly biting on them. It stings a little, but more than that, whatever he is feeling right now he feels it strongly, but is unable to put into words.

“Jack…”

“Hmm?” Jack responds to Zhao Zi who is experiencing this for the first time, in a deep, nasal tone.

“It’s… It’s so weird…”

Not only is Zhao Zi’s face hot now, both of his ears are scalding hot too.

“It’s tasty,” the person with his head bent low mumbles, and then Jack begins to tease at the hard nipple he was lightly biting at with the tip of his tongue.

“Mmm...hmmm”

It feels really weird. Not only does the area where Jack is attacking feels weird, even a more embarrassing part of him is beginning to rise, and he’s feeling both uncomfortable and good at the same time.

Jack grins and enjoys the way Zhao Zi is reacting to him. He releases the pressure on Zhao Zi’s chest and the moment Zhao Zi relaxes, Jack immediately goes after the other nipple, continuing to use his teeth and tongue to bully the pitiful and soft little thing.

“Ah-hah… Jack!”

Angling his eyes downwards Zhao Zi can now clearly see the bumps shining with spit, and the usually soft area is now both red and hard from Jack’s ministrations. Even the soft tip has swollen into a little ball.**

“So delicious,” Jack finally looks up to appreciate his work.

“Look! It’s so red now!”

Zhao Zi looks down at his chest, and both his left and right sides have been bitten until they’re both red and swollen, and it feels itchy too. He cannot resist but scratch at the bumps, but then he hears Jack swallow and make a ‘sssss’ sound.

“What’s wrong?”

“Shorty, it seems that I’ve underestimated you, after all.”

“Huh?”

Jack then grabs onto the bewildered man’s hand, dragging it to the lower half of his body. That’s when Zhao Zi realizes, where the denim is hugging taut around something, Jack’s member is obviously hard.

“You-”

Zhao Zi is too embarrassed to continue speaking, and the skin from his face all the way to his neck flushes entirely red.

“It’s all your fault, so you better take responsibility.”

“Huh?”

“This is the first time I’ve gotten so hard so quickly, and…”Jack smirks and moves to Zhao Zi’s ear, and with a warm exhale, he continues, “And wet.”

[I’m skipping the rest of the smut scene! Sorry guys think you’ll have to find alternative sources for the translation of this part.]

“So tired…” Zhao Zi pants as he lies on the wooden dining table. Looking at Jack who’s pressing down on him, he grins, silly.

“What is it?”

“Am I… tasty?”

“You are. You are very tasty,” Jack grins and gives Zhao Zi his highest compliments.

Jack then carries his lover to the second floor and helps Zhao Zi to wash away the remnants of their lovemaking, before putting him on their bed.

“Hey… Will you still leave next time?”

“Since you’ve asked me to stay with so much passion, I wouldn’t be a man if I left you,” Jack’s hands move over Zhao Zi’s body under the blankets covering the both of them.

“Don’t… I’m so tired…”

Zhao Zi dives into Jack’s embrace, closing his eyes. Staring at Zhao Zi’s face, Jack looks as if he’s about to confess to him again.

“I’ve never thought so much about anything, until I met you. In the past, I always thought that settling down was such a boring thing as that kind of life would be stagnant without change, and only thrill and excitement could fulfill me, could make me feel alive. You made me realize that a normal life is happiness, so… shorty, be prepared! Don’t you ever think of leaving me.”

Jack presses a kiss to Zhao Zi’s forehead, and softly says, “Goodnight.”

He doesn’t realize that Zhao Zi hasn’t fallen asleep. The shorty smiles happily and sinks into his dreams.

Outside the courthouse

Shao Fei holds onto Tang Yi’s hand before the courthouse, and ignoring the looks of everyone around them, gazes at Tang Yi.

“After you go in, don’t refuse to talk to people.”

“Why are you saying this for no reason?”

“If people talk to you, don’t just keep quiet, and don’t ignore them.”

It was a different society in prison with its own laws and rules, and Shao Fei didn’t want Tang Yi to have any accidents inside.

“Hnn,” Tang Yi agrees, nodding.

“You’re no longer the boss when you go in, and I know you will find it hard to get used to, but tolerate it. If you don’t cause any trouble, you’ll be out in no time.”

“Hnn.”

“I’ll come see you every week, if you’ve got anything you need, let me know.”

“Hnn.”

“And one last thing…”

“What?”

Shao Fei chuckles, and says, “Don’t miss me too much.”

“Sorry, this is the only thing I cannot do.”

Hugging the lover he’s about to separate from tightly, Tang Yi suddenly feels anxious.

“Don’t worry, I’ll wait for you on the outside, no matter how long you’re in there for,” Shao Fei promises, tearing through Tang Yi’s facade of calm as he pushes himself away from Tang Yi’s chest, looking into the eyes of the man who’s about to serve his sentence.

“I’m not worried about this.”

“Please, you are obviously so concerned about this.”

“You’re the only person in the world who thinks so.”

“That’s right! Because I’m the only one who understands you, so…” Shao Fei smiles, and using the words he said to Tang Yi in that dilapidated house in the mountains, he continues, “I’ll keep watching you.”

“You’ll keep watching me?” Tang Yi finally smiles, recalling the night they were hiding on the mountains as he stares at Shao Fei.

“Yes! I’ll keep my eyes on you always, both of them!”

“Okay.”

Still smiling, Tang Yi kisses Shao Fei one last time, before turning and walking towards the courthouse.

“Tang Yi!”

Tang Yi pauses in his footsteps, but doesn’t dare to turn back.

“I’ll miss you.”

Again, Tang Yi moves forward and walks into the courthouse with determination, prepared to face the sentence that is waiting for him.

Facing a future where he is no longer alone!

---

Notes:

*Yan Zheng Qiang is the name of the Interpol chief, you know the one that scolded Shao Fei and then colluded with Jack by the riverside?

#history3: trapped #history 3: 圈套 #history3圈套 #history 3: trapped #history3 novel #chapter 10 #XD

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isaacdian · 4 years ago

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hope you don't mind me asking, do you have any Isaac and Miria headcanons? i'd love to read some from you. you appear to have a good grasp on the characters, and great love for them. :)

aw thank you so much for the ask, sure thing!

some of these will probably get into theory territory as well, because i’ve had the novels sitting in my mind for years now, and there are a few details i’d like to mention (beware of baccano light novel spoilers, just in case).

this could get a bit long, so you can read it below the cut:

i’ll write my headcanons/thoughts in no particular order. more people might have come to similar conclusions, but i don’t think i’ve seen any posts or had any discussions with anyone regarding these (at least in depth), so!

- i like to think that miria and isaac ran away from their then (seemingly) unhappy lives after they got to interact with each other for quite a while, and not spontaneously upon meeting for the first time.

there isn’t much evidence to back this up beyond some characters commenting that they “were probably runaways” or that “maybe they eloped”, so they might have escaped together on the spot, since we already know they can be very impulsive. however, i get this feeling that their bond took some time to develop, and i’d love to see some of their interactions as isaac dian —and— miria harvent before they ever became isaac & miria, if that makes sense.

i doubt they met too long before their string of robberies, though? this is such a weirdly specific and probably meaningless thing to pinpoint, but in 1935 miria asks isaac if he’s ever been to the circus, and he responds that he does remember animals, but he doesn’t remember if that was the circus or the zoo. this hardly means anything, but their circumstances overall don’t really make me think that they’ve known each other since they were too young.

- whatever optimism and general exhilaration regarding life isaac has is innate. on the other hand, miria has mostly acquired her own sense of hopefulness over time, with isaac’s help.

miria is a 100% confirmed literal ray of sunshine and this indisputable. it just hasn’t/doesn’t always come to her as effortlessly as it may seem. bloody to fair isaac and miria magic show color page.png

this is somewhat related to the next one (and also the last point i’ll mention at the end of this post):

- when isaac gets arrested and he and miria get separated in 1934, they’re both having an equally hard time dealing with this.

okay this one is like. obvious ksjksk. but i wanted to talk about how they deal with this situation, because at first glance it looks like miria got the shortest end of the stick here. and in a way, that might be true! i’ve already mentioned that miria herself has been shown thinking about how much isaac helped her to be happy, and narita has been deliberately vague regarding the nature of their silliness, on top of hinting at the possibility of their shenanigans being a kind of mechanism to escape the harsh realities of life from the rolling bootlegs (very first novel), if i recall correctly.

(btw:

i recall that somewhere in the 1935 arc, graham starts talking with the usual “let me tell you a sad, sad story” prelude. however, isaac and miria are upset by this, and they tell him that he shouldn’t tell sad stories, because if you do it, your happiness will run away. meanwhile, this part in cloudy to rainy living rent free in my head:

i have to laugh..........)

that being said, i couldn’t help but feel like isaac was having an equally bad time, even if he displayed it in a different and not so blatant way. while i was rereading the novels after i got to buy the official english release, i felt very strongly that something was definitely wrong about their separation, which, again, is obvious to us readers and to the characters who know isaac & miria. but it extends beyond that. there was this general feeling of knowing that whoever came across an unaccompanied isaac would magically feel like there was something missing. i don’t know how else to explain this. he’s still full of energy and optimism and he’s fueled by his desire to reunite with miria, but every time he’s shown hesitating or doesn’t reach a satisfying conclusion while thinking about a frivolous topic, it hits you like “oh... right” (firo didn’t help much on that last front, either, so miria and isaac must have had to discuss what exactly happens to fellas who don’t believe in fairies after their reunion... lol)

in short, he needs miria just as much as she needs him. this is something i’ve seen other people mention as well: isaac might be the “force” factor in their relationship, but that force won’t amount to much without miria’s “direction”, and viceversa. the lift each other up, and they keep each other grounded, too.

i’m also remembering isaac and sham’s conversation and just. there’s a self-esteem/confidence factor in there. Fun Game of Spot the Difference

and this is getting ridiculously long, so i’ll spare you from having to read my dumb thots about isaac’s (possibly real) fear of miria not liking him, as the narrator implies, which i subconsciously ended up linking to that one impossibly crack ending in the ds game, where you pick the option of him not knowing frankenstein’s monster’s real name, so miria leaves him after realizing how “cheap and uncool” he is LMAO

- isaac’s father might have been an academic of some sort, as well as a stern man who disapproved of his son’s flighty and childish tendencies.

???????? besides miria’s implied tragic backstory, the most we know about both of their pasts is that isaac comes from a wealthy family with whom he seems to have a bad relationship with, so even though i’ve tried to work out other details (his parents’ provenance for instance?) i can’t really elaborate on this. even if isaac’s knowledge on the topic is pretty scrambled (to put it nicely lol), he knows a lot about “the orient” as he puts it, and the “dian” surname is pretty unique so who knows!👀 i’ve only mentioned his father because isaac, too, has only mentioned his "old man” twice so far in the novels, if i’m not mistaken. in my opinion, it also speaks volumes how flustered isaac got when molsa apologized to him, because it was the first time someone older than him has done this. and this is pretty arbitrary, but if isaac started robbing and getting into trouble before he and miria even met and/or before he got kicked out/ran away from home, that whole deal about “being used to dealing with policemen” (in the unofficial translation i read back in the day it was something along the lines of “this isn’t my first time being interrogated by the police”) in 1934 would make sense, i guess, considering that miria didn’t realize what was going on at the moment even though she’s a fairly perceptive person.

anyways it’s too bad we don’t know that much about miria on this front, also!! i get the vague feeling that she might have also come from a wealthy family (probably not a good environment, though), since in 1935 it’s mentioned that the closest they’ve ever gotten to working/having a job was when they were digging for gold, apparently. that’s why i can’t really think of anything too specific regarding miria’s past and upbringing... i have a feeling that she might have felt alone, trapped and/or overwhelmed. let’s just hope that when she said her bruises would heal up fine with ice in 1935 it had nothing to do with this “i should have died” business :(((

- even though isaac and miria love their friends and would do anything for them, they aren’t particularly attached to anyone (or any place) besides each other.

this is more of an observation than a headcanon, but i find it really interesting: they would definitely do anything for their friends, and they do enjoy life very intensely, but that’s precisely why they don’t seem to be fixed in one singular spot? basically, i feel like they’re the personification of “home is where the heart is” taken to the extreme. they could go anywhere and do anything as long as they have each other, and they will never make any attempts to actively do things that make it easier to label their relationship, such as getting married, which is heavily implied by firo (i think) in 2002 bullet garden (i think!!). that’s also part of the reason why i’m sure they’d never find themselves commiting to things like taking care of a pet, or a child; it’s more like they instantly “adopt” everyone they run into, as if they’ve always been friends, even if they won’t meet again for months, years, or ever again. anyway, isaac and miria are extremely good and they are literally going to be happy together forever and ever! they don’t need to prove that.

that doesn’t mean they’re not sentimental, though! i like to think that they keep some meaningful objects that remind them of fond memories of their friends. and this is hardly canon because it shows up in the anime And in a background at that, but shoutout to the rocking toy horse in their california mine lol.

- miria knew about her own immortality (as well as isaac’s) before the 2000s.

THIS IS PROBABLY MY SPICIEST TAKE and i tried to back it up in the next point of this list. i still keep thinking i’m reading too much, into this but

i can’t stop thinking about the implications, folks

which brings us to:

- miria is smarter than isaac is and actually has a fairly good idea of when he’s making stuff up, but is happy to let him take the lead.

i won’t deny that isaac and miria dedicate a huge chunk of their day to doing moronic stuff, and they are pretty dumb, but i feel like people don’t give them enough credit for how perceptive they are. even though that’s true of the two of them, i feel like this mostly applies to miria.

among other things, we’ve learned that she knows ronny isn’t human and has supernatural powers (wow), which is why she comes to him for help after isaac’s arrest. she’s very good at paying attention to small details, such as the kind of programs ennis watches on tv, or chané’s feelings, when the two talk in 1934. miria also “really knows her way around japanese” and has been shown to --apparently?-- multiply large numbers in her head in 1935... while isaac was talking about how good of an idea it would be to use the martingale betting system. not to mention how isaac stated he “doesn’t know how to count money” earlier in this arc. my god ksdjgjks. i want to know what’s up with this, if anything.

so, yeah! there’s probably more stuff that i could mention, but i am exhausted lol. thank you for your patience anon, i have no idea how long this has been sitting in my inbox. always happy to get baccano questions <3 i apologize for any typos/errors and the like.

bonus headcanon: miria grabs ennis with one hand and chané with her other hand and they go out with their arms linked and excited and they learn more about having fun, as friends do. no printer just fax

#Anonymous #baccano #headcanon

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recentanimenews · 4 years ago

Text

Bookshelf Briefs 9/30/20

Accomplishments of the Duke’s Daughter, Vol. 6 | By Reai and Suki Umemiya | Seven Seas – Another series down to “once a year” release—I had to jog my memory at the start to recall what had been happening. Many things are going wrong for our heroine, who is trying to be strong and tough but is also starting to break down, and I felt that the scenes with her and Dean struck just the right balance of comforting and letting the heroine cry without making her seem weaker. This sets the stage for her comeback, which is extraordinary. (And also has a corrupt Church, a constant in Japanese light novels, though at least here there are also honest and good religious people in it.) That said, eventually Dean’s identity will come out, and I do wonder how this very good “villainess” isekai will handle it. – Sean Gaffney

The Ancient Magus’ Bride: Jack Flash and the Faerie Case Files, Vol. 1 | By Yu Godai, Mako Oikawa, and Kore Yamazaki | Seven Seas – A faerie switched at birth for a human child, Jack never fit in in either world. Only in the mortal realm could she earn money for anime collectibles, however, so she decided to make herself into a tough, capable woman like her literary heroes and set up shop as a detective. Together with her fellow changeling, Larry the werewolf, Jack takes on supernatural cases in New York City. In this volume, Lindel tasks them with tracking down a missing dragon egg. I liked the resources Jack uses to obtain information, which include a dapper theatre ghost and a spell with components of rat whiskers and taxi tires because “Nobody out there knows this city better than them.” I still found this a bit hard to get into, though, especially the parts involving a perpetually tearful off-off-off-off-Broadway actress and her pickpocket boyfriend. Still, I will check out volume two! – Michelle Smith

Black Clover, Vol. 22 | By Yuki Tabata | Viz Media – At long last, this interminable arc comes to an end. I enjoyed a lot of it, but I cannot deny it should have been about two volumes shorter. Most of the book is taken up by shonen battles, with the villain being nigh unkillable, the heroes almost breaking themselves to stop him, etc. Fortunately, the day is saved, and even the Wizard King turns out to be… sort of alive again? Shota fans should be happy. Asta fans perhaps less so—the sheer amount of damage done to the kingdom in this arc means someone has to be blamed, and give Asta has the “dark evil magic” it’s gonna be him, especially when he takes the incredibly obvious bait they use to get him to fight. Oh well, if Asta were smart, this wouldn’t be Black Clover. – Sean Gaffney

Don’t Toy with Me, Miss Nagatoro, Vol. 3 | By Nanashi | Vertical Comics – Part of the problem with titles like this and the other teasing works (Takagi-san less so as Nishikata doesn’t fall into the category) is that they are, at heart, the classic “extroverted girl acts overtly extroverted to bring introverted guy out of their shell,” and that’s not really a plot that feels comfortable in the Gen Z days, where you’re more likely to say “why doesn’t she just let him be in his quiet, safe space?” And by she I mean they, as Nagatoro’s two friends appear far more often here, which offers some good two-way teasing action, as they clearly see her crush on him, if not why. It’s still sort of hard to read, but if you pretend he’s more OK with it than he actually is, this is cute. – Sean Gaffney

Failed Princesses, Vol. 1 | By Ajiichi | Seven Seas – The concept of “popular girl meets unpopular girl” is a common one in yuri manga, and we do indeed hit several of its tropes in this first volume. The amusing thing is that Kanade, the shy outcast girl, is perfectly aware of how things are supposed to go, and keeps pulling back a bit to try to save Nanaki from, well, making herself an outcast by associating with the wrong people. The best part of the volume is that Nanaki really doesn’t give two shits about any of that, and seems set on making Kanade her best friend… and also making her over, which backfires a bit as Kanade cleans up nicely. I hear this gets a bit dramatic later, but for the moment it’s a cute and fluffy proto-yuri story. – Sean Gaffney

In/Spectre, Vol. 12 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – The first story in this volume is another “Rikka tries to make people understand Kotoko is an evil Machiavellian schemer,” this time with one of her ex-classmates, but again the response seems to be “we know she’s a manipulative bitch, but she’s a good person anyway.” The larger story, which will continue into the next book, seems to be a chance to write Kuro and Kotoko as an actual romance, as the man we meet here and his relationship with a yuki-onna… as well as his penchant for attracting misfortune… very much parallel them. That said, they’re very cute together, which is why I hope he avoids the murder charge he’s now being investigated for. Still a favorite. – Sean Gaffney

Interviews with Monster Girls, Vol. 8 | By Petos | Kodansha Comics – The author knows what people want to see, but also knows that the best way to get readers is to drive them crazy by not showing it. We finally get what we’ve been begging for here, as Tetsuo asks Sakie out on a date. (This is after rejecting Kyouko’s love confession, both because she’s his student and also, as he is forced to admit, as he likes Sakie.) The stage is set for the date… and the rest of the book is thus spent with the three main student girls going to Kyouko’s for a fireworks viewing and meeting her family. They’re good chapters, and I really liked showing how difficult Kyouko has it as a dullahan in terms of everyday life, but GOD, please get back to the teachers, I beg you! – Sean Gaffney

Kaguya-sama: Love Is War, Vol. 16 | By Aka Akasaka | Viz Media – The series has gotten to the point where the more rewarding chapters are the ones as part of a larger arc. Not that the one-shot chapters are bad—though Maki’s journey to India may be the most pointless thing in this entire series to date, we do get Chika’s iconic “shut up or I’ll kill you” here. But the larger arcs, featuring Miyuki and Kaguya attempting to date without interruptions, and setting up Ishigami and Iino for a romance—though given the number of limbs broken in this book, and Iino’s own horrible lack of self-awareness, it may be a ways out—are better. This series is still hilarious, but we’ve come to read it more for the heartwarming moments. Heck, there’s even some serious drama here. Very good. – Sean Gaffney

Nineteen | By Ancco | Drawn & Quarterly – Although it was translated and released second in English, Nineteen is a precursor to Ancco’s internationally award-winning manhwa Bad Friends. The volume collects thirteen short comics originally published in Korea over a decade ago which absolutely remain relevant to today’s world. While understandably not as polished as some of Ancco’s later work—one can observe her style evolving and growing over the course of the collection (which is fascinating)—the comics still carry significant emotional weight and impact. Nineteen includes diary comics, which tend to be more lighthearted, as well as harder-hitting fictional stories, many of which also have autobiographical inspiration. As a whole, the collection explores themes of young adulthood, growing up, and complicated family relationships. In particular, there is a compelling focus on the relationships among daughters, mothers, and grandmothers. Some of the narratives can be rather bleak, but a resigned sense of humor threads through Nineteen, too. – Ash Brown

Ran the Peerless Beauty, Vol. 8 | By Ammitsu | Kodansha Comics (digital only) – Shoujo manga that has couples getting together BEFORE the end of the series is inevitably going to have an arc dealing with how far the lead couple should go now that they’re dating, and this is Ran’s turn, as she and Akira and their friends go to a beach house Ran’s family owns and have some beach fun. Unfortunately, the cast gets winnowed down one by one until it’s just the two of them… and her overprotective father, who arrives in time to provide the cliffhanger and no doubt ensure that nookie does not ensue. Not that I think it should—these two kids are even purer than the couple from Kimi ni Todoke, and I think they should mature a bit more before going further. Plus, watching them blush and kiss is wonderful. – Sean Gaffney

Spy x Family, Vol. 2 | By Tatsuya Endo | Viz Media – Having spent our first volume establishing that our found family can really come to love each other deep down, this volume shows off how they are also, at heart, fundamentally awkward and unable to socialize normally. This is unsurprising—hints of Loid’s life we’ve seen show him as a war orphan, Yor is a contract killer, and Anya basically grew up being experimented on by bad guys. As the school soon finds, this leads to issues. The second half of the book introduces Yor’s sister-obsessed little brother Yuri, who turns out to be a torture expert for Loid’s enemies. As always, half the fun is that everyone except Anya has no idea who their real selves are, and the cliffhanger tells us we’re in for some hilarious family fun. I love this. – Sean Gaffney

Spy x Family, Vol. 2 | By Tatsuya Endo | VIZ Media – After a brief spell atop the waiting list, Anya officially makes it into Eden Academy. Loid is anxious to progress to the next stage of his mission and, believing there’s not much chance in turning Anya into an elite scholar like his agency wants, focuses instead on having her befriend the younger son of his target. It does not go to plan, of course. Anya is very cute in this volume, and I also really appreciated how Loid genuinely listens to Yor and values her input. The arrival of Yor’s brother, a member of the secret police, is going to be a fun complication, and another cast member with a secret, but my favorite part of this series is probably always going to be how much love these three are already feeling for each other. So unique and good! – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 6 | By Tomo Hirokawa, based on the story by Reki Kawahara | Yen Press – The weakness of this manga is the same as always—it’s written to tie into the games, and features several characters I just don’t recognize, which can be a problem given this is the big final let’s-save-the-world ending. That said, this is still a decent SAO title. Kirito gets to be cool and badass, but because this isn’t written just by Kawahara others do as well, and it’s a nice balanced effort that focuses on heroine Premiere. I also really liked the point where all the NPCs are worried when everyone has to log out for several days for maintenance. While I’ll still remember this as the “SAO only everyone is alive” manga, I enjoyed reading it, when I wasn’t confused. – Sean Gaffney

By: Ash Brown

#Anime #News #Manga Bookshelf

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shazzeaslightnovels · 5 years ago

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Seireitsukai no Blade Dance 1

Official English Title: Blade Dance of the Elementalers

Author: Yuu Shimizu

Illustrator: Hanpen Sakura

Label: MF Bunko J

Release Date: 21 December 2010

Art Notes: This series went through 3 different illustrators throughout it’s life and I’ll be talking about each of them as we get to them. Hanpen Sakura was the original artist and covered the series for 13 volumes before having to step down due to health issues. Their art is definitely done in the moe style and, while it’s not really to my taste, I do like the character designs (Restia’s especially) and I think that it suits the series. I do remember Sakura’s art does get better as the series continues so I look forward to seeing that improvement.

Ecchi warning: aside from the cover, there’s also a colour illustration of a nude Claire getting attacked by a slimy water spirit.

So, first off, I have read part of this series before. It was years ago though, back in the day when fan translations reigned supreme, J-Novel Club wasn’t a thing yet, Yen-Press wasn’t licensing many light novels and I hadn’t begun to learnt Japanese yet. While my memories are a bit fuzzy, I do remember quite a bit about it so, while I don’t intend to spoil anything, there’s a possibility that I may do so on accident to please keep that in mind.

Anyway, I enjoyed this, though there were a few scenes that frustrated me a little bit. I especially enjoyed the fight scenes and found the protagonist to be charming. I definitely recommend it if you are into magic battle school series and don’t mind harem and ecchi elements.

Story:

Genre: Ecchi, Harem, Action, Fantasy, Magic school, Comedy

Elementalers - people who are able to make contracts with elemental spirits and use their powers for battle. The power usually only appears in pure maidens but it appears that Kamito is an exception. Having lost some of his memories three years ago, Kamito is on a search to find someone. His search takes him to a prestigious academy for young elementalers and the headmaster forces him to enrol there, telling him to compete in the blade dance, a competition in which elementalers compete in order to have their wish granted. Seeing as the blade dance may lead Kamito to find who he is looking for, he complies. But, this year, the blade dance is a group battle and Kamito must find 4 teammates in order to compete...

Content warnings: the ecchi here isn’t very hardcore (I mean, in comparison to modern ecchi light novels, anyway) but it is still there so I don’t recommend reading this series if you’re bad with that kind of thing. Also, there are violent tsundere characters and a character who has the form of a child but is actually hundreds of years old so, again, if you have issues with these character types then I don’t recommend it.

Yes, this is one of those series with a power that’s only meant to be used by girls except for the male protagonist who can use it because reasons, a bunch of tsundere, ecchi “comedic” scenes, misunderstandings and a magic battle school. I know that a lot people hate these types of series but I’ve always thought that they have a certain charm to them and I found myself enjoying this volume despite all of it’s cliches. The magic system is interesting and the battle scenes are exciting and the characters are likeable and that’s all I really want out of a series like this. There were some scenes that annoyed me like the misunderstanding scenes where Kamito ends up in a situation that looks bad and the girls are quick to jump to conclusions and accuse him of doing something that he didn’t actually do. It gets tiresome after a while but I did manage to look past it, in the end.

One of the main things that is set up in this volume is teamwork. The characters are very strong but they are really terrible at teamwork, especially Rinslet, and I look forward to seeing them get better at it. The other major plot points that are introduced here have to do with Kamito’s and Claire’s past as they’re both searching for someone. I’m really looking forward to unraveling the mysteries behind Kamito’s memory loss.

Character:

Kamito is an interesting and likeable protagonist. He has a mysterious past and slowly more facts about it get revealed over the course of this volume but we still don’t know everything and I look forward to learning more. I also find his personality charming with how he tends to tease the tsundere ojou-sama around him when they yell at him but is willing to apologise when he realises that he’s crossed a line. As you can tell from the cover, Claire, the fiery red-haired tsundere, is our main heroine for this volume. Her catchphrase is “I’ll burn you to cinders”, she weilds a whip that she often uses to wrap around Kamito’s neck and her first meeting with Kamito ends with her declaring that he needs to take responsibility and become her slave. The series has a few tsundere characters but she’s probably the most violent of them so she’s definitely one of those characters that is easy to hate. I think her tsun is made more bearable thanks to Kamito’s personality and his willingness to tease her when she gets violent and I found myself able to like her despite all of her flaws. I think there’s a lot of potential for good development with her and I hope to see her become less abusive as the series goes on.

As for the other heroines, 4 are introduced in this volumes and one’s a spoiler so I’ll just talk about the other 3 for now. Ellis is the captain of the school knights and she initially hates Kamito upon discovering his existence but she comes around to him by the end of the volume. She’s not as violent as Claire is but she is still a tsundere and often threatens to turn Kamito into *insert food of any type here* which I found amusing. Of the girls, Rinslet fits the archetype of “tsundere ojou-sama” the best but she’s less tsun than Claire and Ellis and is probably the least prone to violence of the three. I really enjoy her rivalry with Claire and I love her way of speaking. Est is a spirit that Kamito makes a contract with at the start of the volume. She doesn’t do a whole lot here but readers who enjoy the kuudere loli archetype should enjoy her. The supporting characters in this volume are memorable enough.

Adaptation Notes:

The manga adaptation is complete at 6 volumes and features art by Issei Hyouju (provided the art for the manga adaptations of Slayers Revolution, MM!, Slayers Evolution-R and the ongoing Isekai Meikyuu de Harem wo). It’s pretty good so far and has some great action panels and adorable chibi art. Some stuff is cut or moved but a lot of it improves the story as some of the more silly misundersting scenes are taken out and the moved scenes improve the pacing. It’s worth a mention that the scene in the light novel where Claire gets attacked by the water spirit is changed in the manga so that Claire and Rinslet get attacked by it while clothed. Anyway, I enjoyed the manga and I recommend it as a substitute for the light novel.

Apparently, there is another manga adaptation with art by Zenzai Yoshihira but it was cancelled after a few chapters due to health problems and a volume was never released so I can’t talk about it at all.

The anime adaptation is 12 episodes in length and this volume is adapted in the first 4 episodes. This is one of those cases where I wish that the anime staff had been more willing to cut stuff and change things. This is a short volume and it does not need 4 episodes to adapt it. The mediocre adaptation for this series is why I have to defend adaptations like Saijaku Muhai no Bahamut and Danmachi whose creators knew that volume 3 would not be a good enough stopping point to make an impression and saw opportunities to cut things out and I wish that Blade Dance had received a similar treatment. It’s also really low budgeted and you can tell. As for what I do like about the anime, I do enjoy the character designs and I like that the majority of the voice actors selected for the anime did not have much experience at the time, like Kana Yuuki, Shizuka Ishigami, Makoto Furukawa and Saori Oonishi. And they all nail their performances and are perfectly cast in their roles. There are some well-known voice actors cast as well, like Youko Hikasa, but most of the actors were not expeirenced when the anime was produced and I like that the anime gave the opportunity for these newer actors to shine.

Recommended for:

If you’re into battle school fantasy series and don’t mind harem and ecchi elements, read this. If you’re currently trying to learn Japanese through reading light novels and want to read a fantasy series, I found this easy to read. There is a bit of fantasy jargon but not too much and it’s quite short at around 250 pages.

I’ll be reading volume 2 fairly soon.

#Seirei Tsukai no Blade Dance #Blade Dance of the Elementalers #Blade Dance #Yuu Shimizu #Hanpen Sakura #MF Bunko J #May 2020 #Positive review

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marshmallowgoop · 5 years ago

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Kill la Kill Books!

Got a small haul of Kill la Kill books the other day!

SUSHIO CLUB LOVE LOVE KLKL has been a glaring omission from my collection, so when I saw a listing of the book for 3,600 yen—which usually goes for 10,000+ these days—I bought it right away.

And I figured I might as well pick up a few more things while I was at it, right? To make the shipping more cost effective?

That’s definitely the only reason.

But anyway, my growing mass of Kill la Kill books and magazines has now reached 36 items.

And I’ve talked about some of this merch before; you can find my post about the Febri volume 21 issue here, my post about Fractal 10 here, my post about the Talking About Composite books, The Complete Script Book, and The Art of KLK Vol. 3 here (and I have a whole tag for the script book, #klk-script-book), and I yammer on about the nine Blu-ray key art collection and artboard books here. I also have several essays discussing the official manga adaptation:

Kill la Kill Manga Chapter 7

Kill la Kill Manga Volume 3, Chapters 8-17: Thoughts and Impressions

Kill la Kill Manga Volume 3: Translation Notes, Anime Differences

Kill la Kill Manga Volume 3: Worth it?

Manga Differences

And now, I wanna briefly (lol) yap about the six new additions to my collection.

Because I have a lot of love in my heart for this ridiculous, ridiculous anime.

SUSHIO CLUB LOVE LOVE KLKL

So, I got this book for cheap because it was allegedly in poor shape and “not suitable for collection.”

(My reaction to “not suitable for collection” is always, “It’s suitable for my garbage collection! I’ll give your ‘ugly’ copies a loving home!”)

But, like? There are a couple of dents and folded corners, but the condition is really not bad at all. The art is completely intact and beautiful.

Sushio—who is the character designer for Kill la Kill—has shared much of this book on his Twitter, and I would definitely recommend fans of the series to scroll through his photos and have a look. There’s such a cute, sweet charm to Sushio’s work, and along with the polished, colored pages from LOVE LOVE that he shares online, he also shares sketches of his own fanart for the series, too.

(Okay, maybe this isn’t exactly the best demonstration of Sushio’s absolutely precious artwork, but. It’s one of my favorites from the book. Ryuko resorting to such wild extremes to be with Senketsu again is just. My heart. Kill la Kill is actually adorable.)

In any case, I don’t think any of the content in LOVE LOVE was new to me, but there’s just really something about having the book in my hands. I know there’s such a strong desire for digital media these days, but call me old-fashioned—there’s nothing quite like holding this art and really seeing every stroke and line in person.

Being able to physically flip through the pages also makes me notice things I didn’t before. For instance, I found myself charmed by the little detail of Barazo, Mako’s father, loving and adoring Sukuyo, Mako’s mother.

I mean, aw? It’s stuff like this that really makes me wish Kill la Kill were a kids’ show (as Sushio himself seemed to want!) Barazo is so much more likeable when there aren’t any signs of his less-than-pleasant behavior and he’s a loving, supportive husband and father.

Seriously!

Another thing I notice from having the book now is the order in which the pages are organized. Like, I couldn’t help but be amused about how Ryuko gets her own page here...

(Smiling for her Starketsu in the sky, right? Just like he asks her to in “Till I Die”?)

...and then the next pages have Satsuki beside Nonon and Mako (and Mataro) beside Ira...

...which strikes me as a bit funny because this isn’t exactly how Sushio organized his Tweets of these images. There, Satsuki was next to Ryuko, Nonon was next to no one, Mako and Mataro were next to Ira, and Uzu was next to Houka:

So, in LOVE LOVE, is Sushio deliberately trying to say something with the changed placement? Especially when it comes to the direction of the ladies’ eyes?

Yeah???

I kid, I kid.

(But really, it looks much better to give Ryuko her own page and not have Nonon standing next to nobody.)

Also, one of the first things that popped out to me about LOVE LOVE is how Senketsu’s pages are right next to Ryuko’s pages. As they should be.

They belong together, okay?!

And speaking of Senketsu and Ryuko, I remember a comment years back that said you could probably find pics of your OTP with matching expressions in this book.

But, uh. Just compare Senketsu posing to Ryuko posing...

They’re kind of different types of people, lol.

But hey, they do both make cute sneezy faces.

As a final note about my copy of LOVE LOVE, I will say that my only disappointment is that I received the version with print errors. As such, this page of Nui...

...was accidentally printed twice, and I miss out on this page of Nui as a result:

There are also some minor goofs, like Mako’s arm getting cut off by the background here:

But considering I got this beautiful thing for only 3,600 yen, I really can’t complain!

Now I just need Sushiotan 2 to complete my Sushio Kill la Kill doujin collection....

Takepro

This charming little volume is a collection of animator fanart for the show (and other shows). The book includes a short profile for each featured artist, and their big Kill la Kill pieces are—like all titles in Kill la Kill—named after classic Japanese pop songs. You can read and see more about Takepro here.

It’s hard to pick favorites from this doujin because there is so much adorable and wonderful artwork, but I especially love Naoki Takeda’s “ここに幸あり,” or “Here is My Happiness,” named after the song by Yoshitsu Ootsu.

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The picture features Ryuko, Mako, and Satsuki sitting together, all having a good time, and there’s just something so sweet about seeing happy Satsuki.

I also found an English translation of the song’s lyrics, courtesy of beast-senior 810:

The storm breaks and the rain falls Thorny as the women's path might be I would still keep on living with you And my happiness is here in the blue sky

I could not tell anybody of my scars A bird of love that resided in my chest If only I wander about crying and evading A sorrowful night wind will blow through the streets

I call out your name from the bottom of my heart Who will be awaiting me at the end of the echoes? Snuggle up to you and cheerfully look up to your face And my happiness is here in the white clouds

Aw. This song is so Satsuki.

And speaking of Satsuki, I can’t get over how cute she and Ryuko look on the cover of this book. Like??

Aw!

I also am quite fond of a small piece by Syuichi Iseki, which is in a super-deformed style and features Satsuki comforting Nonon after her uniform is destroyed during the Naturals Election. Nonon cries, and Satsuki pats her head. In the background, Ira looks distressed at the display, Houka seems to be deciphering it, and Mako smiles. It’s really, really cute.

Yoshie Endo’s “僕笑っちゃいます,” or “I’m Laughing,” named for the song by Shingo Kazami, is also real cute. It depicts Mataro holding up Guts, who licks his face. It’s another one of those, “I-so-wish-Kill-la-Kill-were-a-kids’-show” kinda pieces....

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Hiroyuki Imaishi’s Doujin

Admittedly, I don’t actually know the title of this one, but it’s a very small doujin by Kill la Kill director Hiroyuki Imaishi. There isn’t too much Kill la Kill content, but there are two pages of Ryuko and Satsuki in their respective Kamui, accompanied by some text.

I thought the text might be something about the show, but it seems like it’s actually about Imaishi’s experience working on the show. And... it’s rather sad? He talks about how he’s able to accomplish more now, but he also has to consider a lot more as well, and he doesn’t have the time and energy that he used to. It’s a lot about aging and growing old.

At least, I think that’s what’s being communicated. Here’s a transcription, though:

なんだろう。

初会社役員とか。

昔よりやれることは増えたが考えなきゃいけないことも増えて時間と体力は足りなくなっていく。

年相応とも言える。

だけどいつまでも大人気なく生きていきたいものだ。

One last interesting thing about this doujin is the material it’s made from; it’s different than any other book in my collection. I’m not an artist, so forgive me if I sound totally ignorant here, but the paper reminds me watercolor paper. It definitely took me by surprise!

SL Sketch 3

SL Sketch 3 is a small fan doujin by Buzin. You can find most of the art in this book on their Tumblr!

Sketch 3 is a really fun collection of sketches, and I especially love the cover. I’m so desperate for art where Senketsu is acknowledged as an actual person that I’m just all heart eyes over Ryuko smiling at him here.

March 2014 Newtype

Okay, so this one’s really a magazine, not a book, but wow. I was taken aback by what’s inside!

I’ll definitely have to look at this issue in more depth because there are a bunch of Kill la Kill goodies in here that I didn’t even expect. And I don’t think most of it has been translated at all!

I also realized that I’ve been mixing up my Newtypes and will have to fix my resources page. But on the bright side, there is so much to love about this issue.

Like, the Elite Four Light Novel got reprinted in the Kamui Bansho, but it’s way better here because it has pictures!

I also love how Nonon, out of all the Elite Four, is the only one who stands beside Satsuki in these illustrations.

And I don’t even know what this is (VR or something with Ami Koshimizu, Ryuko’s VA?), but it’s cute and got me smiling:

And Ryo Akizuki, the mangaka for the official Kill la Kill manga, made a small comic about his experience working on the project. I like the little title panel with Ryuko, Senketsu, and Mako a lot:

Plus, there’s a shiny ad for the manga’s second volume, too:

One of the things that most caught my interest, though, is an article about the second opening song for Kill la Kill, GARNiDELiA’s “ambiguous”:

I got so curious about this bit because I’ve heard varying, conflicting information regarding the meaning behind the song’s lyrics. On the one hand, I’ve heard that half of the song is from Ryuko to Senketsu, and the other half is from Satsuki to Ryuko. On the other hand, I’ve heard that the whole song is from Satsuki to Ryuko. But I’ve never found any concrete sources for either of these claims!

So, I was hoping the Newtype article would help, but it’ll take a lot more digging into. Still, briefly looking over the page, I did find this bit:

そんな私の思いと歌詞が一致しました。『キルラキル』でいう流子ちゃんと神衣・鮮血の関係に近いかもしれませんね。

Roughly, it says, “As such, my thoughts about the song agreed with its lyrics. You might say it’s like the relationship between Ryuko and Kamui Senketsu in Kill la Kill.”

I’m not totally sure about the context here—and I admittedly don’t even know the author’s involvement in the making of "ambiguous”—but this article might explain where the Ryuko-and-Senketsu reading of the song came from. It’s definitely something I’d like to delve into more.

Because I really love the Ryuko-and-Senketsu reading of the song, okay, and I’d love some actually official backup for it!

Finally, another favorite part of the Newtype is simply all the art. Takafumi Hori’s spread is particularly great:

(You can find a cleaner image here.)

Just... dang. I wish I got a little poster of this instead of the ones actually included in the Newtype! The artwork is just stunning.

And one of the cutest things about the Newtype is all the fanart from its readers! I particularly love the little Valentine’s Day special; there’s an illustration of Ryuko giving Senketsu chocolate, and there’s also a Ryumako piece, too!

Kill la Kill Storyboard Ep. 01

Finally, one of my favorites from this haul is the Kill la Kill Storyboard Ep. 01. The book was included as a shop bonus for the original Japanese Blu-ray/DVD release, though I was able to win it by itself in an auction. I do think I overpaid a bit, but gosh, it’s a lovely addition to my collection. It’s just really neat to see the production process of an anime in action. I wish there were storyboard books for every episode in the show!

Hiroyuki Imaishi’s storyboards are also just super amusing. Here is a small sampling of some of my faves (because there is so much gold in here, my goodness):

And that’s all for now!

...I guess this really wasn’t so brief at all, huh?

Shocker.

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iohourtime · 6 years ago

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Kiokuya (Memory Man) - Novel Spoiler (Part 1)

*While the most literal translation of Kiokuya (記憶屋) is “Memory Store”, XX-屋 can also refer to XX-man, like Koroshi-ya means hit man. Since the story about a mysterious person, Kiokuya, it is more correct to go with the second translation: Memory Man.

You may have heard about Yamada Ryosuke being cast in a new movie, Kiokuya, which was adapted from the novel of the same name written by Origami Kyoya. (Here’s the official website and twitter.) The novel was released by Kadokawa Horror Publishing but was also described as a “love story” or “sad love story”. Yamada himself said that he read the novel and rather than it being “scary”, it’s more of a “human love story”. So what is it?

I’ve just read the Chinese version of the novel and I will summarize (and fully spoil) the plot after the cut. I only read the novel once, so some of the plot might be a bit jumbled, but it shouldn't affect the story. (Or it’s the work of Memory Man! ) Based on the synopsis of the movie, it seems like there will be some changes to the novel. I don’t think they’ll change the ending though. Anyway… final warning. Close this if you don’t want to be spoiled.

Novel Spoilers are divided into 4 parts due to length. Here are the links for the other 3 parts:

Part 2 - “at present 1″, “Episode 2″, “at present 2″ Part 3 - “Episode 3″, “at present 3″ Part 4 - “Episode 4, “Epilogue”

Sorry, this ended up being almost like an abridged version of the light novel. I’ll post the remaining parts over the next week. One interesting thing is that the author is a lawyer by trade and a writer in her spare time. That’s probably why the chapter headings have legal terms. (They were originally in English to begin with.)

If you can read Chinese, here is the link for the ebook on Kobo (available to Canadians). It’s also available on books.com.tw and actual bookstores in Asia. There is also a manga adaptation released by Gangan. You can access the sample chapter on here, which basically takes us up to the end of the first episode. I just want to say that they could easily use Yamada’s personal wardrobe for this character.

…………

Movie Synopsis:

University student, Yoshimori Ryoichi (Yamada), just proposed to his older lover, Sawada Kyoko (Renbutsu Misako). For some reason, he was not able to contact her the next day. A few days later, he saw Kyoko again, but she had lost all memories of Ryoichi. Unable to accept this, Ryoichi went looking for the truth about Kiokuya with his childhood friend, Kawai Maki (Yoshine Kyoko), a senpai and lawyer, Takaharu Tomoaki (Sasaki Kuranosuke). Is this the work of the urban legend, Kiokuya, a person who can take away people’s unpleasant memories.

Prologue

The first time Ryoichi heard of the Memory Man was when he was 3 years old. It seemed to be a popular folklore among the older people. Whenever one of them forgot something, his grandmother used to joke that the Memory Man must have “eaten” their memory

....

He saw a man wearing a long coat and an elementary school aged child. As the man touched her forehead, Ryoichi screamed “run”...

...

“Ryo-chan!” Maki shouted, waking him up from his slumber. His MAC was still on the urban legend forum and Maki saw this before he could close the browser. Maki was 3 years younger than Ryoichi and was currently in high school. They grew up across the street from each other and were very close.

Maki said, “Oh Memory Man. You're interested in him? You even did a timeline and everything!”

Ryoichi made some excuse about researching a paper for university about how urban legends started and spread.

Maki said, “Wow, the first sighting of Memory Man was 50 years ago? I only heard of him about a year ago. It’s a really popular urban legend among us high school girls right now. Do you want me to help?”

Ryoichi played it cool and pretended to be disinterested and finally managed to kick Maki out of his room. However, he wasn’t doing this to be mean - he just wanted to protect her from finding out about Memory Man. He was very sure she was one of the three people whose memory was erased by Memory Man. They both saw something when they were really young and Maki was inconsolable, but the next day, she was completely OK and seemed to have forgotten about it. He didn’t link this incident to Memory Man until a year ago when the second person he knew had her memory erased. And then there was a third person.

1st Episode: Notice (1 Year Earlier)

Ryoichi was invited by his senpais to this gathering. He didn’t really want to go because he felt uncomfortable being surrounded by upperclassmen, but he went anyway. Suddenly, another senpai walked in and sat nearby. Long haired, pretty, and carrying a pink bag, but in her hands were textbooks on psychology and neuro sciences. “Such a gap, and just my type!” Ryoichi thought.

“Are you a psychology student!?” They started chatting. They happened to both like the same baseball team, movies, etc… In other words, they totally hit it off. Ryoichi was thankful to the senpais who “forced” him to come. Then out of nowhere, Kyoko said she had to go. Ryoichi was shocked and thought it was him, but the other senpais said she didn’t usually come to these events and if she did, she would leave before it gets dark. Ryoichi kicked himself for not even getting her email.

Luckily, they were in the same class and Ryoichi saw her again. They were chatting again and talked about the urban legends Ryoichi was looking at. She apologized again for leaving and explained why she left so suddenly: she was scared to walk home in the dark by herself. While normally kinda passive, Ryoichi got this urge to ask her out.

“If we go watch that movie we both wanted to see right now, we can be done before dark. That's OK, right?” Ryoichi asked.

“Sorry, I can't today”

“How about Monday?”

“Sorry, I have something i need to do.”

Ryoichi was dejected. Kyoko added “Sorry, but I am very happy you asked me.”

Ryoichi bumped into Kyoko on Monday at the hospital and she finally confessed - she had been seeing a psychologist on Monday to treat her phobia and she felt ashamed for being so scared at her age. Kyoko said, “So, do I lose any points?” Ryoichi said, “You know, let’s go watch the movie and I will walk you home. You don’t have to be afraid.” Kyoko agreed reluctantly.

It was dark. Ryoichi saw Kyoko pulled out a rape whistle and mace. As they walked towards her house, they passed by this dark alley. Ryoichi felt Kyoko’s body tensing, her grip on her rape whistle and mace tightened. She said (somewhat ashamed) that she was once attacked while walking down a dark alley. Even though a passerby managed to save her from being raped, she developed a crippling fear of the dark and could not walk home by herself once it got dark. She knew it was psychological and had been seeing a specialist but it did little to allay her fears.

“Wouldn’t it be nice if I can just have that memory taken away?”, Kyoko said.

Ryoichi said even though he had no experience with being attacked, he swore he would help her conquer the fear. Kyoko nonchalantly asked about his research paper on Memory Man. She thanked him and walked into her house.

Ryoichi researched more about Memory Man for his paper. He found an urban legend forum and joined the chat group. Usually, urban legends are based on local folklore, or a real event that was distorted. The popular ones typically have a being with an identifiable feature or they have a scary element, i.e. something that could happen to you. Memory Man was different. It was pretty lowkey and was only popular in a specific region - his city. There were no description of memory man and he might not be bad. “Why would senpai mention Memory Man?”

Ryoichi and Kyoko started hanging out regularly and they would stay out later and later. 8pm, 9pm, 10pm... and Ryoichi would always walk her home right to the door. He decided one day that maybe she was ready to face her fears. It would be like teaching a kid to ride a bike and letting go once they are riding on their own. He said he was going to be at this student event, but when Kyoko got there, she found out he was not able to make it. (But he was checking upon her.) It was too late for her to leave before dark, so she took the subway to the nearest station. But she was petrified when it was time for her to go. She tried leaving but was too afraid and kept turning back to the station area. She finally decided she would just stay the night at the 24 hour restaurant right by the station. Ryoichi panicked when he saw how bad her fear was. He ran up to her and she realized what was going on. Rather than be mad at him, she was just mad at herself for being weak.

After that time, she started talking more and more about Memory Man. She became even more untouchable. Every time they walked together, she would hold her rape whistle and mace tight. She threw herself into the research of Memory Man.

Ryoichi too, started became more active in the forums when Maki disrupted him to borrow a DVD. They talked about what the high school students know about Memory Man. What’s Memory Man? A world class hypnotist? A being that can “eat” memories? If it’s all psychological, shouldn’t Kyoko senpai be able to conquer this by herself? (Meanwhile, Maki was all like - is she your girlfriend?)

One day, Ryoichi asked if she wanted to go out. Kyoko said, “No, there is something I need to do alone.” Ryoichi knew she was trying to meet Memory Man, who supposedly only shows up to people who needs him and when they are alone. He called Kyoko later, asking her not to do anything drastic or place her hopes on this urban legend that is probably not true. He said he would walk her home for as long as she needs.

Kyoko said “You know, it's useless. I'm paralyzed by fear. Even when I was walking with you, I was afraid every second of it. I know you are a nice guy, but even though I know you won’t hurt me, I was still nervous. My guards are up. I am very happy you’ve been helping me get home and that you worry about me. But I can’t do it. I know I can’t face you like this. I don’t want to only look at you as someone I rely on to protect me. I want to be able to just have a normal relationship with you.”

Ryoichi wanted to tell her to trust him, but he couldn’t get the message out. He also knew he screwed up. That he just wanted to be a knight in the shining armour for her and forgot about her actual needs. He was an idiot and an asshole.

The next night, he walked over to her place to try and apologize, then suddenly, he saw Kyoko emerged from the dark alley alone. How could this be?

He walked up to her and said “Sawada senpai. Why didn’t you come to school?”

Kyoko looked at him and said “Sorry, who are you?”

Ryoichi was shocked. “I’m your kouhai. We are in the same class together. I walked you home before.”

Kyoko was apologetic, laughing that she didn’t realize she was too drunk to remember him walking her home. She was like a new person and even said it was not dangerous walking in the dark in the residential area, since she could just scream if anything happened. “Your name is Yoshimori?” She confirmed and that was the end of the encounter.

The feeling of being completely erased from someone’s memory was a bombshell to Ryoichi. He suddenly remembered an incident from the past. Maki was crying, so Ryoichi took her to her grandfather’s. The next day, he asked if she was OK, but she completely forgot. It was like the incident was wiped off her mind. Now it was happening again with Kyoko. He was completely gone from her memories. His chest tightened and he had this uneasy feeling, disgust even, about Memory Man.

Ryoichi saw Kyoko in class a couple of days later. She was talking with friends about going to an alumni speaker event. The speaker was a young lawyer and supposedly quite hot. Ryoichi followed her… for some reason, he didn’t have the urge to go up to her and ask her to remember him. The lawyer, Takahara Tomoaki, told the attendants they could ask him anything.

Ryoichi asked “If someone lost their memory and it was caused by this person, will there be consequences?”

Takahara said, “You mean, are memories protected by law? Ethically, if it was done without consent, then it is wrong. But since this is not within the boundaries of criminal law, it will not be punished.” Kyoko had no reaction to this discussion about Memory Man at all.

Over the next year, Ryoichi never really talked to Kyoko again. He also saw her less and less. Maki started to get more grown up, but she was still hanging around Ryoichi’s room like she used to. Did Maki’s meet the Memory Man as well? Is it possible that two people in his life had their memory erased? Ryoichi became obsessed.

Takahara called him out of the blue. “Do you want to talk about Memory Man? You live near XXXX, let’s meet.”

How did Takahara get his phone number and know where he lived? He didn’t remember giving Takahara his number. Did his memory also get erased?

Ryoichi realized he may be the third known victim of Memory Man.

Continue to part 2

#Kiokuya #記憶屋 #novel summary #episode 1 #It maybe published as a horror novel but it's not horror #yamada ryosuke #yoshine kyoko #renbutsu misako #sasaki kuranosuke #origami kyoya

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franeridart · 7 years ago

Note

Thank u for that sweet sweet awase content, I love that boy

Thank you for liking it!!!! :O

Anon said:Do you take constructive criticism? (Not a joke lol actually curious)

Nope. Since I don’t study art, I’m not currently actively trying to become better at it, all I do is doodle whatever silly idea I have at the moment without an actual clue of what I’m doing while at it and post it cause people seem to like it when I do, concrit is literally the last thing I need. By which I mean, I already know my art could be way better than it is, but getting better at it isn’t really the reason why I’m posting it. To be honest, if I wanted someone to crit my doodles I’d sign up for an actual class to have a real teacher tell me how to get better, I wouldn’t turn to the first random anon on tumblr with no way of proving to me they have any more clue about art than I do

Anon said:Imagine this, Kirishima with really long hair

No need to imagine it when @50shadesofhq already did such an amazing job drawing him~

Anon said:Hey!!! I want to thank you for...existing 😁 Tonight I was feeling really sad and finding your art has “brought me back to life” so as to say, so thank you. Your art is incredibly good so please keep believing in yourself and your skills, and keep making beautiful pieces like you are doing now 🤗🤗🤗

Thank you!!!! So much!!!! I’m glad my stuff could help you feel better ;^;

Anon said: hi i just wanted to let you know that you're one of my favorite artists ever and you make so much good content for so many fandoms that i love like i first found your blog through haikyuu!! and then i found the bnha and now yowapeda and everything else aaaaaa i'm rambling now but whenever i see your art it makes my day and j wanted to say that by e

!!!!!!!!!!! glad you like my stuff!!!! and mostly glad you like ywpd, that fandom feels so small honestly!! :D

Anon said:Hey I just wanted to let you know that I love all of your artworks with all of my heart and it always makes my day a bit brighter to see that you have posted something new :)

Oh man thank you so so so so so so much!!!!! ;O;

Anon said:I'm not even all that familiar w awase but I'm still blown away by your drawings of them they look !!!! So good !!!

THANK!!!!! YOU!!!!!! He’ll play a nice part at some point next season, I hope you’ll end up liking him!!! ;u;

Anon said:I love seeing that kiribaku at the top of your art blog (at least on mobile??). It makes me feel so warm the moment I check your blog. (Still love the old banner too tho!!!!)

I’m glad you like it!!!!! Warm colors make me feel good so I wanted something like that on my blog :D one day I’ll change the icon too..... one day........

Anon said:I LOVE YOUR ART OK?? AND I MAY HAVE JUST SPENT TWO HOURS SCROLLING THROUGH YOUR BLOG BUT OH MY LORD IS IT WORTH IT. You are an amazing artist and I hope you have the most wonderful and brilliant of days. Ps. Thank you for giving bakubro the love he deserves PPs. Your jirou drawings make me unbelievably happy

THANK YOU!!! THIS IS SUCH A GOOD ASK I’M HAPPY THANK YOU SO MUCH!!!! ;O;

Anon said:Do you still headcanon baku and Mina as dragon shifters or is it just Kiri at this point? (I still freaking love tiny dragon baku lol)

Yes and no! My fantasy drawings aren’t exactly telling a story, so I’m doing whatever with them - it’s not really headcanons, it’s just me playing around with any idea I find entertaining at the moment!! So yes, definitely, Baku and Mina as dragon shifters are still a thing I love a lot and I might draw more in the future! But that doesn’t exclude me drawing for the AU in a setting where only Kiri is a dragon either~

Anon said: Ur dragon Kiri half-shifted made me have this idea : if he n Baku r cuddling and he's like that and Baku feels an itch, he'll just rub himself against Kiri to do the scratching (Kiri isn't even bothered, nor complaining, Baku kinda looks like a cat when he does that and he's in l o v e)

You know anon, considering Kirishima’s quirk Bakugou could technically do that in the original universe too hahaha

Anon said:More band au bakushima pls!! 🙏 My crops are dying

Anon said:You better do the after show of the band AU or i will die. I mean... i already die with Bakugou say "pretty boy" to Kiri, but you know.... please do the after show asdfghj

Maybe soon!! I don’t exactly have a clear idea of how that plays out, but I enjoy drawing Bakugou like that so why!!! not!!!!

Anon said:I live for your art! Thank you for creating such amazing content ♥️

SOB thank you for liking my stuff and letting me know you do!!!!

Anon said:HOOOLLLYYYYY SHIT, THAT SKETCH OF BAKUGOU W THE HELLA EYELINER AND THE TATTOOS??? I AM SHOOK

GLAD YOU LIKED HIM!!!

Anon said:Oh mamma the way you draw Kiri’s forearms! Le swoon 😍😍😍

!!!!!! He’s a buff boy after all!! :D

Anon said:Are you okay with fans coloring your lineart, or does it bother you? (Not with the intention of posting anywhere, just for fun and maybe to submit it back to you later) I know how you feel about altering your work, but what's the drill for this specifically?

I don’t mind but you have to promise me you’re not posting them anywhere - if it’s just for your personal entertainment then it’s fine, I can’t really stop you anyway, but I really don’t want them anywhere online.

Anon said:Hello! I wanna say your bakugou and kirishima comics are adorable! I wanted to ask, do you think Bakugou would be as open with showing his soft and mushy emotions for kirishima around the others like in your comics? Like how he was okay with snugs on the couch, you don’t think he’d want to be more privet?

Sure, why not? Bakugou’s never hidden his feelings in the manga, nor has he ever felt embarrassed by them! He’s a bit awkward in showing affection I guess, but to me it feels more because he isn’t used to it than because he wants to hide it - if he were to start dating Kirishima he’d definitely have no problems with letting everyone know they’re in a relationship of that sort, I think :D well, it’s just my interpretation of it anyway haha

Anon said:Your art is just so beautiful, Im iN LOVE I CANTNWKWISIWIKW PLS KEEP DRAWING

I CAN TRY !!!!!!!! Thank you so much for the support!!!!

Anon said:Do you ever get that feeling when you have a ship and you see art for it and suddenly you get hit with a "oh fuck I really love them" cause that happens every times you post kiribaku ! I always get butterflies in my stomach when I see your art, you make the cutest scenarios and you keep their personalities right it never seems ooc. You honestly make the best comics/art I'm so glad you're in the bnha fandom

Oh my god thank you so much!!! ;A; sob

Anon said:you've heard of jiroukami but have you considered: jiroushido

Yup! I’ve also drawn them in the past!! They’re in my MinaJirou tag :D

Anon said:your band au is officially my favourite thing on this site i love it and i love you thankyou

Thank you so much holy heck!!!! ;O;

Anon said:Your art is so cute and makes me smile everytime I see it! Thank you for always making my day better!

Ahhhhhhhhhhhhhh!!!!!!!! I’m!!!!!!!!!!! Glad !!!!!!!!!!!!!!!!!!!!!!!!

Anon said:I’m so gay for your art it’s so fucking sexy dude

Oh my g od are you sure the word you meant to use is sexy I’m ??? !!!!

Anon said:Consider,,,,, bakugou with glasses

I did draw that in the past!!!

Anon said:pssst fran have u heard that in bnha light novel baku is actually scared of ghost story???

Seriously??? :O is there a translation for that part anywhere online?? :O :O

#fran answers #i just realized the answer about the concrit sounds a bit snappy #that wasn't my intention at all #all i mean is that im a fragile baby that gives herself strength to keep posting and drawing #through knowing this is a place for sketches and doodles of dubious-to-low quality #i don't really need to change that or put pressure on myself to try and be good #when i know i'm really not #the moment i'll wish to change something in my style i'll look it up and slowly work to fix whatever problem i found #meanwhile im definitely not posting to be criticized over something i never even studied seriously #so there's that #anonymous

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jewell-chan · 7 years ago

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My thoughts on the NDRV3 characters + Ranking

Another copy/paste of my most recent, and most liked blog so far. Spoilers under the cut, and also lots of salt. Another warning is that I wrote this before NDRV3 was localized which is why the first few paragraphs claim it wasn’t. Enjoy:

Source: https://www.pixiv.net/member_illust.php?mode=medium&illust_id=61961618

Hiyo there, and it seems time really does fly for those patient. New Danganronpa V3 is being officially English released in just a day according to my timezone, and I’ve had a wonderful time analyzing the game and translations within the past 8 months.

Although, experiencing the game in my native language is good too, so I’m very excited for NISA’s English release. The localization so far, despite me bringing up a few posts on it that make it sound bad, is pretty good minus the Trump joke in Chapter 2. Although, I haven’t seen Chapter 4’s localization yet so I won’t judge.

Once English release is out, I will be doing full Free Time Event, Love Motel and Prison Mode ending rankings so if you’re a fan of my blog, look forward to that. I’ve had a lot of fun subbing Chapter 2, providing more accurate descriptions of the game and sharing my thoughts on the lore of NDRV3 as a whole.

I genuinely think that starting an amino blog has improved me overtime as both an analyzer and a writer, and the commenters and followers I have are really nice. I look forward to experiencing NDRV3’s English release along with you guys.

With that out of the way, I thought I could revise my first major blog I’ve made: My thoughts on each of the characters in V3. I haven’t gone back to read that list but I do remember plenty of opinions on there that could have been described better and also some opinions and viewpoints changed.

My current character rankings are fairly different so, with NDRV3 coming out in official English right around the corner, I thought I should finally get my thoughts on each character as of yet out. As usual, I will be including full spoilers for the entire game and also mind bring in certain themes that could be considered too mature or adult as well as use some coarse language. Let’s begin:

Number 16: Kaede Akamatsu - The Super High School Level Pianist

Oh boy, this is not a pleasant start for me starting off the list with the most popular female character of the game, and the “protagonist he deserved Kodaka is a hack” yadda yadda. I would like to make one thing very clear: I do not dislike Kaede. I like Kaede. She’s a nice girl and a well written character.

Now with that out of the way, I can explain how I feel about Kaede and why she is my least favorite character. Commonly, if Kaede is low on a user’s list you’d usually assume the user dislikes them. That is incorrect. The thing with Kaede is that she has her pros and cons in terms of both likeability and writing in the main story’s game while also having a rabid fanbase which I’ll get into because it is possible that fanbase can soil one’s view on her character.

First of all, I thought the Chapter 1 twist an amazing. And not because “Wow, the protagonist died!” or anything, I actually disliked the idea of killing of Kaede and I honestly saw her death coming. However, I like how said twist was utilized because of Kaede’s character. Contrary to the popular view of Kaede, she is incredibly flawed and brought her own fate upon herself despite not being a direct murderer or deserving any of it.

Throughout the first Chapter, Kaede seems to have a bias against the killing game saying she’ll put a stop to it. And why wouldn’t she? Especially with the motive being so unfair. Kaito, Amami and Saihara hatch their own plans to end the killing game while Kaede shrugs off Kaito’s, isn’t aware of Amami’s and takes advantage of Saihara’s specifically to utilize her own plan.

What we read is our protagonist pretending to go through with Saihara’s plan when she’s really setting up her own which involves attempted murder. Us as the audience, have no idea of this and her subtle actions are done in a way that only a visual novel styled game like Danganronpa or a light novel could have done. It also explains Kaede’s behaviour being so anxious throughout the chapter.

Her trial was definitely an emotional one. Both she and Saihara know what’s going on, but she doesn’t want to leave everyone behind after her crime so she manipulates Saihara into exposing her completely. Her monologue and post trial scene also strongly imply Kaede really does think she deserves what’s coming to her. Despite my issues with her, that was easily sympathetic and I can safely say she couldn’t be more wrong.

In Amami and Ouma’s FTEs, there are several implications she wasn’t afraid to participate in the killing game in order to end it from the start. She even gets angry at Ouma when he warns her that she could get herself killed with her current mindset. Kaede really is flawed, yet nice and selfless which is why she tugged at our heartstrings so badly. Her ignorance and attempted murder in Chapter 1 is called out and she fully acknowledges such, ready to face the consequences for her actions.

Her story role aside, I also really like her personality. She’s kinda basic and plain, but also cheerful and bossy. A true leadership role refreshing from other protagonists. Unlike the other protagonists(with maybe the exception of Hajime)her flaws are quite obvious from the start and that’s what makes her interesting. Unfortunately, she was only around for one Chapter so that’s all I can really do to explore her positively.

Especially since I really dislike Kaede’s story role as well as everything about her in Chapter 6. First off, I’ll get my issues with her in Chapter 1 out of the way: I really dislike how Kaede treats Kaito throughout the Chapter. At least with Saihara, she did warm up to him even if she ended up taking advantage of his plan. With Kaito, from start of Chapter 1 to end of Chapter 1, she constantly monologues about how unreliable he is or just acts unpleasant around him to the point of turning down a simple hug from him.

The moment Kaito gets curious about Kaede’s conversation with Saihara, she says it’s nothing. (Correct me if I’m wrong, I think it may have been with Amami) Being a huge fan of Kaito(Oh yeah, spoiler alert)I didn’t take well to this. There’s also the risk and stupidity of her plan. She trusts her plan almost immediately to work for the mastermind strictly and doesn’t consider an innocent member of the group could get hurt.

Actually no, she does consider it. However, she was willing to risk them because even if her plan failed, the others could still survive longer than two days. Selfless, but that took the life of an innocent. Great job. When Kaito’s group travels to the basement, she doesn’t try to call out to them or warn them of anything and instead leaves them behind which risks them getting the way of her plan.

Reminder that Saihara and Kaito’s plans were solid and didn’t involve harming anyone, and it’s not like they kept it secret from anyone. Kaede went behind everyone’s backs and attempted murder through huge risk she herself was aware of. Sure, I feel bad for her, but that’s a dumb move for anyone. What’s worse is that the fandom seems to see her as a perfect flawless angel or just whine about how unfair her death was when that isn’t true.

So those are my issues with her in Chapter 1, mostly personal gripes. What about the rest? Well, despite how important Kaede is to the story influentially, I really don’t like how her name is brought up every five seconds reminding us she was our lord and saviour. It’s not even Saihara who says it either, the game itself just feels the need to remind you of her constantly. People call her a false protagonist but she may as well be the protagonist since she’s name dropped more than half of the cast’s screentime.

Now onto Chapter 6, wew boy, my favorite. And by that, I don’t like how Kaede was handled here. At all. Basically, for those who are unaware, Kaede wasn’t Amami’s killer but it was instead Mugi. Kaede’s ball missed Amami’s head and Mugi caught him from behind. This causes the group to treat Kaede like an innocent victim who didn’t do anything wrong and they repeatedly call Mugi the killer of Kaede while virtually ignoring Amami who she actually killed.

Okay yes, Mugi did kill Kaede technically. It was a wrong accusation and she let Kaede get executed for a crime she didn’t commit. I understand that. However, think about it. Maki and Ouma do say in Chapter 1 she was dead the moment she chose to participate in the killing game. Kaito reinforces this in Chapter 2. They are correct. Similar to Iruma, it doesn’t matter if you could have spared them(Although, Kaede a much bigger case)because giving in to the killing game is an automatic fail. You have died the moment you give in.

Really, all Mugi did was finish Kaede’s piss poor job. Now, the real reason I’m mad about Mugi’s treatment is Saihara and the others put this as their biggest issue with her. Not getting funded into hosting the killing game with her own script, not brainwashing teenagers into her own OCs, not injecting someone with this game’s equivalent to cancer, it’s killing Kaede technically, even though by that logic, Mugi is the killer of Chapter 5, which her actions are brought up about that in both Chapter 5 and 6, but only briefly.

Overall, I do like Kaede. She’s a flawed but very selfless and good person. However, I have both personal and writing gripes with her and I really can’t stand her role in Chapter 6. But, this segment is way too long so I believe it’s time to move on.

Number 15: Amami Rantaro - The Super High School Level ???/Survivor/Adventurer

Well, this is going to be a short as fuck segment in comparison to Kaede’s one. In short, I like Amami... That’s it. I like Amami. Okay, to elaborate further, I like Amami, but he doesn’t have much traits I’d call spectacular and I don’t find him unlikeable so it’s a matter of personal preference here.

Main story wise, I guess I feel bad for Amami but he didn’t do much else. He does suffer from the trauma of his previous killing game, and he definitely has a charming otome prince personality however, so I kinda liked him. In his FTEs, we find out that he is Super High School Level Adventurer and travelled the world exploring and learning new things, kinda like Korekiyo did for his sister.

Speaking of sisters, Amami comes from a rich family able to have maid service and his father is kind of a slut. He uses multiple wives to get 12 daughters and a house full. Of course, his sisters are attached to Amami which makes Amami the perfect brother figure. Despite being such a perfect figure though, he’s not the best one. On one of his travels, his sisters each snuck aboard with him realizing. What’s happens after this?

Upon a world tour, he loses all 12 of them one by one somehow scattered across the earth. You wish I was making this shit up. He really is a poor brother. However, I like this backstory. Strangely enough, I find it really amusing. Such a perfect brother figure is kinda shitty at his job of being a brother. It’s also a funny subversion of the otome prince character archetype Amami’s main story personality is based upon.

Some things I dislike about Amami though is that he’s kind of an asshole to Saihara in his FTEs, although that results in maybe one or two funny line exchanges, and it’s really hard to feel strong emotional attachment for his character. I mean, sure, he’s likeable and interesting but that’s enough to spark a lot of discussion. This is just me personally though, many are willing to disagree since a lot of people love this character on a very high level.

Also, I’ll just say this: I love Amami in the anthology manga. It makes up from his lack of screentime and he has some really funny scenes and even some characterization in the second volume. I know it’s not canon or anything, but I thought I’d give that a mention.

Number 14: Korekiyo Shinguuji - The Super High School Level Folklorist

Korekiyo is a very entertaining character to say the least. I don’t like the perception from his fanbase only liking him for his pity points, however. Really, it should be the opposite. Korekiyo is a very despicable antagonist, a downright villain. And it’s because of that I love him.

Korekiyo wasn’t too right in the head from the start. He loved his sister strongly and certainly not in a sibling way, but romantic attraction. She was sick as a child and eventually passed away, so he explored the world in desperation to either revive her or please her. This is how he gained his talent upon learning about the culture of our world.

Korekiyo was eventually tortured by villagers to the point where he gained his delusional tulpa. He claims to have seen his sister calling out to be him in desperate need of friends and delusioned himself into thinking he was given split personality with his sister’s ghost.

Ever since, Korekiyo has wished to kill 100 girls he considers good friends for his sisters so they can accompany his sister in the afterlife. So yes, he’s… Kinda insane. However, that doesn’t stop him from being a fun character. Throughout the game, Korekiyo observes the group and helps during the trials, observing each of the students for the beauty inside of them. As a result, he found all of the girls admirable with the exception of Iruma and Maki, one being a murderer and one being… Well, Iruma.

I have to say, his murder of Tenko was quite creative. Performing a ritual that involves singing and using the floorboard as a seesaw to jump on knock Tenko to her demise while nobody can hear it over their singing is… Creative, and it was really fun to figure out during the third trial. Actually, his breakdown in general in dub and Japanese is truly subarashii. Not even Celestia or Mikan could top him absolutely losing it.

Of course, he gets what he deserves with a rather comedic death(His and Iruma’s are the only completely comedic deaths in the game while the others are mostly ironic, Iruma’s corpse still kinda looks terrifying)after said breakdown and one of the more emotional scenes of the game afterwards which I’ll get to when it comes to Yumeno’s segment. And before you call the freakout and shock value twist out of nowhere and just plain shock value, it wasn’t. Korekiyo is shown to be casually irritable and also mentions her sister several times in the game. Kaede even asked if he was into incest in his FTEs.

Regardless of his story role, I also quite enjoy Korekiyo’s personality in the game. He is rather calm and elegant with a sadistic tinge to him that makes him rather creepy. He spouts constant folklore references which is a delight for me in particular and has a few other tidbit quirks such as trying to live up to his sister and being easily irritated. An example of the former is that from little we see of Nee-san, a few of her poses strongly resemble Korekiyo’s sprites implying that he’s trying to be just like her in impersonation. An example in the latter is Iruma constantly interrupting the boys chatting with dick jokes, every time having him snap at her by staring at her deadly and asking her to be quiet.

Overall, I love Korekiyo. He’s a solid antagonist with an interesting murder plan, a completely unsympathetic arc and also an enjoyable personality with trait details that make him fun to explore. I might actually finish up my character analysis of him I started a long while ago soon enough.

Number 13: Tsumugi Shirogane - The Super High School Level Cosplayer

My, my, how times have changed. I’m deeply for not giving Mugi the credit she deserves as a character. But it is understandable considering how the fandom likes to treat her like an innocent brainwashed victim. I think she’s much more interested as TDR’s willing pawn funding her, and here’s why.

Similar how Amami’s trust issues show the stakes of the killing game’s trauma, Mugi’s desire to bring fiction into reality and vise versa is supposed to represent the society of NDRV3’s universe. A lot of complaints towards Chapter 6 are “why would the world allow something like this?” when they don’t seem to be aware that Mugi is a representation of your average citizen which further proof that this society is nothing like our current one.

Like the rest of the world, Mugi became corrupted by the dull and peaceful society which had no war, no celebrations and no events. It was the perfect average world to keep everyone satisfied. Being such a dull world corrupted the society of the NDRV3 universe into craving entertainment or something new from their dull reality. Of course, Mugi was just like this. Then Danganronpa came into her life and she adored it. Along with Danganronpa, she watched plenty of anime and read plenty of manga to keep herself entertained to desperately stand out.

Of course, this led to her wanting her beloved fiction to take over her dull reality altogether. Come TDR where she’s able to write her own fanfiction and bring it to life. The 53rd season of Danganronpa. Throughout the game, Mugi emotionally manipulates the group while pretending to be on their side with an example being her trying to stop Ouma from confronting Yumeno and bringing up Kaede for little to no reason to Saihara, both of which examples she portrays herself as innocent.

Really, she enjoyed the killing game and finally experiencing the world she loves come to life. The students were fiction, so why would she get too worked up or feel bad for having fictional characters die? Of course, not everything was entirely scripted, Kaede’s ball missed Amami’s head(which she used to her advantage)and she needed to trust the personalities and remembering lights setup to calculate things going by her script or at least getting through the general story she has created.

This is also why Chapter 5 was so stressful for her, having the gophel plan completely ruined and commonly theories suggest her designated mastermind had figured things out and turned against TDR, which is why she had to fix things up after Chapter 5 and improvise everything to her endgame. Of course, Saihara’s speech of despite having fake memories, the emotions he’s felt have been real moved Mugi into realizing that she hasn’t just created her own story, but also killed real people with their own wishes and ambitions.

Upon learning how horrible she is, her final goodbye is full of sorrow implying she did regret manipulating the deaths of several teenagers she pretended to care for and only saw as fake until now. Or at least, that’s my interpretation. I say that Mugi is a good villain and better than Junko is every single aspect, with maybe the exception of design which I prefer Junko’s. I also like how in the main story, despite Mugi being kinda boring and dull(which is the point)she still has a strangely cute charm to her with her anime references all over the place and a very lovely Japanese voice actress.

Overall, Mugi is misjudged and a very interesting character in a sense that she’s not interesting. Sure, that makes no sense out of context, but you get what I mean. She represents the world building as well as having a lot of potential to look into. The only issue with her is being pretty damn predictable and leaving the possibility of her being innocent and brainwashed open, which I personally dislike since it’d ruin her character.

Number 12: Ryoma Hoshi - The Super High School Level Tennis Player/Prisoner

A character I have come to like more after subbing Chapter 2, which I expected since he’s one of the focuses in Chapter 2. Unfortunately, Chapter 2 is the part of the game where everything settles in and the characters adapt to their new environment since Chapter 1 was a lot more sporadic and limited the player’s chances to do so. As a result, Hoshi got cut short a little to get attention here of all chapters and get killed off.

First of all, Hoshi is the best joke character hands down. When I first saw his design, I thought I’d hate him. Then everyone heard his voice and he quickly grew on me. He was one of the characters that interested me the most. His little midget design with such a deep voice and calm composure was just amusing to me. I know some may dislike it or may not be able to take his character seriously because of it, but I love it.

I find Hoshi an interesting character because despite having no will to live and going through realistically portrayed depression in the game, he wants to find a reason to live to stand by everyone. Or at least, that’s what he wanted after he saw the group were working together for their lives. He wanted to do the same. His interactions with Saihara throughout Chapter 2 further prove this.

Even after Hoshi was killed, people just assumed he let himself die because he wanted to, yet Saihara assured that wasn’t true and that he wanted to stand by everyone. Unfortunately, Kirumi lied about him and told everyone he let himself get killed when his desire to find a reason to live and the state of the sink he drowned in prove otherwise. Although, I am sure Saihara, Kaito and Ouma at the very least saw through Kirumi’s lie.

Upon Hoshi’s FTEs, it continues off from Saihara and Hoshi’s interactions in Chapter 2. During the process, Saihara tries to help Hoshi overcome his depression and give him a reason to live. His strategies include trying to convince Hoshi to tell him about some tennis stories and discussing some all-stars. Eventually, Hoshi figured out what Saihara was doing and told him to leave him alone. Saihara refuses and it goes on for some time, even discussing his girlfriend who he left behind to keep safe only for her to be killed anyway.

Hoshi eventually finally gives in and decides to test his determination in a huge tennis match. Well, not a match exactly. They just repeatedly serve the ball into each other’s faces until they finally laugh it out, Saihara finally managing to gain Hoshi’s friendship. The reason I give Hoshi’s FTEs is because it’s a huge part of his character arc. After the two laugh it out, they chat about their experience and Hoshi says that he’ll be going back to prison once he escapes the academy, but he’s willing to move on and start anew once he gets out.

Overall, I find Hoshi an easily likeable and easily sympathetic character, even with his goofy design which I honestly say adds to his character. Oh yeah, did I mention his love for cats is absolutely adorable? My heart flutters up whenever I see fanart of Hoshi with cats. I also headcanon his girlfriend is really tall and thin in contrast to Hoshi himself.

Number 11: Angie Yonaga - The Super High School Level Artist

I’ve talked about this character before in a post saying she was misunderstood and pretty much explaining who she is and why she is the way she is. In that post, I said she was a really good character with a lackluster character arc. And I do stand by that. However, I can’t help but love Angie.

Unlike the other anti-heroes in this game alone, Angie may not be that sympathetic at first glance but I wouldn’t call her crazy or unlikeable at all. First thing’s first, Angie has a divine voice in the Japanese, and it’s very soothing, especially for a loli-like voice. I’m actually not sure about her English one. I don’t know if I love it or if I hate it, really. I’ve seen both of the trials she’s in in full dub too.

That aside, not only her voice but her design is very nice, giving a small exotic vibe with a very lovely colour palette. Her sprites are also a beautiful sight. This makes her appealing character to me by aesthetic alone. Personality wise, she’s bubbly little religious girl that constantly speaks about her god, yet possesses a dark side to her which means her true face is rather harsh and manipulative unlike her constantly pleased facade.

What makes Angie interesting to me are her FTEs where Saihara figures out that her god is actually her way of conveying inner thoughts. Could it be that she has some sort of god complex? Or that she was lonely and used god as a friend? Maybe a bit of both. Truly, she really is a mystery in some aspects. Her strategy in Chapter 3 in particular was interesting. She spends Chapter 2 and 3 trying to force the students to coexist inside of the academy so they get used to their lifestyle in the academy and never leave.

Unfortunately, this led to predictable consequences due to her screentime raising and honestly, if she lived longer she’d become a major character in the main game so Kodaka killed her off soon after this idea came into play, likely because he just didn’t know what to do with her. I guess that stuff is inevitable with a game like this.

That aside, Angie is certainly an interesting character to look into as well as having a nice aesthetic, and for that, I really love her character, even if it was cut short.

Number 10: Gonta Gokuhara - The Super High School Level Entomologist

And I was hoping everyone’s favorite bug boy would be higher. Regardless, I think Gonta is the most likeable character of the bunch, although there are characters I just like more overall and appreciate the writing for.

Regardless, I love Gonta and I don’t even hate the new treatment NISA gave him. It’s… Kinda funny(Chapter 4 will be a blast in dub)but anyway, Gonta is the bara of the group so of course, he’s got a heart of god despite his dangerous looking design.

Gonta truly is a sweetheart who wishes nothing but the best for the group. He wants to be a gentleman and to help out whenever he can. Even though he’s not the sharpest tool in the shed. Due to being raised by dinosaur people, which lied and claimed were wolves to protect his secret, Gonta is oblivious to how modern society is and kinda speaks childishly, in the dub, he speaks like Tarzan.

Gonta doesn’t do as much in the main story until Chapter 4, where his character has a lot more depth to it than we first thought. Throughout the game, Gonta has been pretty violent to the point of forcing his interests onto the group(so it’s like your average amino user *badum tish*)and knocking Saihara unconscious, all of his actions having the best intentions. This is the shining example of that.

Gonta is convinced to look through the remembering light by Ouma in which he sees the world in destruction. Ouma suggests to mercy kill everyone so they won’t be exposed to the outside world. This moment really shows Gonta’s true colours. He agrees to it and chokes Iruma to death. A horrible move, especially with planning to get everyone else killed in the trial. However, the motivation was entirely selfless. Now, don’t go comparing Gonta to Kaede just because I called them both selfless, although their fandoms are similar, their definitions of selfless are different.

Unfortunately, upon exiting the program, he lost his memories which led to one of the most emotional trials in the series. He keeps asking about the program world which the group passes off as stupidity. Of course, this results in Gonta actually getting confronted and crying his heart out over a murder he had no idea he committed which causes people to join his side which also results in a lot of other character arcs triggering in the process. He finally learns of what happened and wishes everyone a goodbye.

In the end, Gonta was never stupid or oblivious. He was just raised in unfamiliar parts and spoke childishly. Yet, everyone passed him off as an idiot when asking about the VR. It’s a heart wrenching part of the game that represents a lot while also giving a lot of characterization to such a huggable teddybear.

Number 9: Kirumi Toujou - The Super High School Level Maid

Kirumi is quite a forgotten character. To be honest, considering her early death without much mention later on, I’m not surprised her and Hoshi were forgotten. Back before V3’s release when there was simply the demo and a few trailers/famitsu scans, Kirumi was my favorite character. She seemed like a nice and charming combination of Peko and Sonia. I also liked quiet and serious yet sweet and elegant type of characters so I was looking forward to her.

Due to her early and not very relevant death outside of foreshadowing, she did clearly drop in my rankings. But that’s not really an issue with her and more so that the other characters who lasted further than her turned out to be so good. I was immediately in love with Kirumi as the game started. She was motherly and selfless almost to a ludicrous degree. Her gimmick of following all requests didn’t actually get old for me and I found how she was described as a Super maid rather funny.

Now, before you say “SHE’S TOO PERFECT WHAT A MARY SUE” she sure is not. Kirumi is quite manipulative in her trial including crying fake tears to manipulate herself into innocence and using her motive as well as lying Hoshi agreed to let her kill him in hopes someone would take the bullet and die in her place. I mean, it’d be a pretty horrifying position, sure, but that’s a low blow. Of course, Kaito and Ouma call her out on this and it is completely satisfying. NISA even furthered it by having Kirumi call Saihara a brat and Ouma a cretin.

And of course, even those who don’t remember Kirumi as a whole remember this, Kirumi’s confrontation is followed by her running from her execution screaming for her life at the top of her lungs. She absolutely loses it and kikuko Inoue’s performance is utterly breathtaking. It’s also followed by my favorite execution in the series: Thread of agony. For those who don’t know, it’s based on Akutagawa’s folklore tale: A spider’s thread. In the book, a sinner was offered to escape hell through a spider’s web because he spared the life of a spider once.

However, he was cut down because of his own greed and selfishness. Kirumi is the opposite. It’s not her selfishness that has the thread snap, it’s how she never spared the spider to begin with, thus not earning the right to escape. In this case, the spider is Hoshi.

Overall, I really love Kirumi and think she’s an underrated character. I love her motherly nature and her performance in Chapter 2’s trial is wonderful. Her execution is by far my favorite in the series and I would have liked to see her last longer.

Number 8: Shuichi Saihara - The Super High School Level Detective

Yes, yes, Saihara can be generic at times but I think he’s my second favorite Danganronpa protagonist aside from Hajime. Unless if Ryouko and Matsuda count as protagonists too. Saihara does have a straightforward arc, but he represents the main theme of the game well and only he would be able to progress through this story as the protagonist, unlike Kaede.

Due to his past of arresting a sympathetic murderer who killed an awful person, Saihara has had insecurity and a fear of confronting the truth thinking it could result in someone else getting hurt physically and/or emotionally. This results him in not believing he deserves his talent. Of course, this causes an enjoyable mix of the cute shy boy and the badass but friendly detective. An archetype that I very much like.

Throughout the story, he overcomes his fear and exposes the truth completely with the helps of four main relationships in the game. Kaede, a friend of Saihara who is pretty much who he thinks he doesn’t deserve to be like, Kaito, someone who wants to take on the leader role and builds up Saihara as a result, Ouma, a boy who is seemingly interested in him like he wants something but also seems to guide him throughout later trials and Kiibo, a supportive friend there for backup, really. These relationships is what builds Saihara into the character he is.

He has fine chemistry with all of them, despite my issues with Saihamatsu being mentioned in the past, and uses their support to be able to get through the killing game survive no matter what truth he has to confront. I’ve gone into depth with his relationship with Kaede, Ouma and Kiibo in the past so maybe I should give Kaito a go some time in my next ship thoughts post. Future plans aside, this is what makes Saihara a well written character, even if some may think it’s generic.

Plus, he’s such a cutie. All his “Ueh!?” and “Eto…” in the Japanese dub makes me want to pet his head. His sympathy points just make me want to do so further. Jesus christ, after the events of this killing game and finding out his entire life before the killing game is a lie, I’m not surprised he turns out to be traumatized or permanently affected.

Number 7: Maki Harukawa - The Super High School Level Caretaker/Assassin

My, Maki made quite the rankings jump from my first post now, didn’t she? Anyway, I love Maki Harukawa a lot. She may be really boring and kind of a fuck up, but the simplicity of her character and her huge flaws is what charms me about her.I like her quiet and blunt nature as well as her easily understandable character arc. I honestly don’t really see her as the trainwreck of a character the fandom builds her up to be.

First of all, she is very aesthetically appealing. Her voice and design as well as her posture… For the most part(what the fuck is that sprite where she turns her back to everyone, that looks hideous)is very pleasant to hear, watch and experience. Her speaking attitude being straight to the point is simple but effective and her hardass personality can actually be funny at times. Things like accusing Saihara’s mother being the only woman he touched because he implied she was overweight and asking why the stupid one isn’t the assistant when Kaito calls Saihara his assistant do get a chuckle out of me.

Something I like about Maki is her relationship with Kaito and Ouma. Starting with Kaito, while I admit their relationship is forced, the two have some really cute interactions. Maki shoving off Kaito and emotionlessly bossing him around whenever Kaito says something too out of the ordinary are nice scenes. Her breakdown when he was going to get executed followed by her love confession was one of the most touching scenes in the game. Then there’s Ouma. The rivalry between the two occur when Ouma exposes Maki’s secret while she’s got him in a chokehold. Ever since the two would antagonize each other time to time, although none of those times being baseless, and fail to realize how similar the two of them are. Both prefer to go about things alone for the sake of safety, both hide their emotions away from others, both hate killing and vow to end the killing game, both had trust issues and both use harsh but understandable tactics to achieve what they desire.

Of course, Maki realizes this a little too late. When Ouma’s dead and Kaito’s on his deathbed to be exact. Maki does consider Ouma a lot more after Kaito says his last words, and it’s extremely subtle about it. Maki asks Saihara to join him looking through Ouma’s room. Maki constantly referring to things like the murder evidence scattered in his room from previous cases and the over exaggerated drawings as childish. It implies she truly does regret her actions when it comes to risking everyone’s lives because of her bias against Ouma. She was also in denial of him not being a remnant of despair.

Jesus fucking christ, a good chunk of that was an Oumaki analysis. I blame you for this, RKS. Okay, her main relationships out of the way, Maki’s main character arc is that she’s delusioned herself into thinking she’s nothing more than her talent: An assassin. She sees herself as an inhuman killing machine and thus, is self loathing. Let’s go back to her relationships with Kaito and Ouma now. Due to her self loathing and denial of her similarities with Ouma, she starts to be a lot more violent with him because she sees herself inside of him and uses him to project her self loathing. On Kaito’s part, he sees Maki’s true self and how she really is just a normal girl who only sees herself as an inhuman murderer which she brushes off as nonsense.

Of course, it all goes downhill for the poor girl when she finally realizes she was a caretaker all along, and her humanity wasn’t stripped away from her at the last minute and the one who helped her realize this was about to die. She even tries to fight the exisals and die just to save Kaito some time. But he had to give his final goodbyes to her. Ever since, she tries her best to become the sisterly self she was back at the orphanage.

Overall, I love Maki for the simplicity of her character and how easy she is to understand. Not only that, but I love her for her flaws and and blunt personality which others would find boring, and understandably so. Unfortunately, she’s got the short end of the stick where her development is different from Yumeno and Saihara’s. Maki has to live with the regrets of Kaito and Ouma’s deaths and not opening up to Kaito when she had the chance, which is what I call a fate worse than death.

Number 6: Kiibo - The Super High School Level Robot

To be honest, there isn’t much to say here. Kiibo is just a really likeable character that I enjoy. But let’s not summarize it as mediocre as that. I need to do the robotto justice if he makes it such a high spot on here.

Yes, the obvious out of the way, Kiibo is cute. Very cute. His sensitivity and obliviousness to human nature as well as his quirky traits are designed to be cute. And I won’t lie, it worked. I really like Kiibo’s personality. He tries to be serious and human-like but it backfires because really, he’s not human. He’s a moebot.

I enjoy his interactions with Iruma and Saihara a lot, since he has a lot of chemistry with both of them. The main issue is Kiibo is shoved aside way too much in this game so his interactions outside of FTEs and Chapter 5 and 6 are basically non-existent. That aside, I really like how Kiibo and Saihara are just the two normal people around here, despite Kiibo not being human. It results in a nice friendship. Iruma on the other hand, works hand-in-hand with Kiibo with both their talents and relatable personality traits of being loners.

I also do like Kiibo’s more true personality more. He’s a lot more serious and I think even drops his suffix if I’m not mistaken, as well as being able to just blow shit up. I also feel really bad for him in Chapter 6 with the audience taking over Kiibo and Saihara having to save him with the belief he’s completely erased. It’s a really impactful climax, and one of the better things in Chapter 6. Of course, Kiibo sacrifices himself at the end finally proving himself useful to his friends. It’s cheesy but it’s heartfelt anyway. Sayanora robotto.

I also find his backstory rather interesting. Being created by Lidabashi, he was designed to be some sort of son figure from what he was told. One day, he hurt Lidabashi and actually killed himself out of regret. He was brought back but his AI reset. Perhaps foreshadowing Kiibo’s not really dead? Who knows. What makes Lidabashi so interesting is that Kiibo is supposed to be TDR’s camera contradicting his story with Lidabashi, so I’m really curious who this creator is.

Number 5: Himiko Yumeno - The Super High School Level Magician

Magic is far superior to science. There, I said it.

Yumeno is the most adorable character in the series for me, alongside Kotoko. She’s a chuuni mage who is shown to be very lazy and much to her dismay, seems to be a lesbian magnet. Poor witch loli. Instead of a magician, she claims to be a mage capable of real magic. She’s kinda like Gundam in that regard.

Yumeno has my favorite character arc in the game. She starts out as just a funny comedic relief character who Tenko and Angie seem to fight over. However, by the time she’s framed for Hoshi’s murder in Chapter 2, her arc starts to be taken more seriously. Specifically, her relationship with Tenko. She found Tenko pretty annoying for the first two Chapters but after saying she’d risk her life to clear Yumeno’s name, she grew on her. Of course, Tenko still had her moments. The two ended up getting into a fight which was followed by Angie’s demise.

Once Tenko shows up dead in a place Yumeno was originally supposed to be, she felt bad for Tenko since she cared for Yumeno so much and tried her best to avenge her in the third trial. Of course, she gets called out on not caring for Tenko prior to her death. After the trial, the truth about Yumeno is revealed. Ouma confronts Yumeno on not being able to fulfill Tenko’s wish despite claiming to care for her so much now. Tenko’s last wish was for Yumeno to express her emotions more instead of keeping it.

Realizing this, she breaks down crying and shares all her pain she feels. It’s the saddest scene in the game for me, and for a lot of reasons but I’ll bring it up again in Tenko’s segment. Yumeno closes off her emotions and hides behind her lazy persona as a coping mechanism to not deal with the real world. Possible causes of this is would be how she finds things too tiresome to deal with.

After Chapter 3, Yumeno finally listens to Tenko’s wish as well as Ouma confronting her and grows as a better person. She’s a lot more snappy and excitable, although still with her lazy traits. To be honest, Chapter 4 and 5 give her some really good lines. Asking if Saihara has been stunned by her beauty, claiming she’s been depressed for a million years and trying to sweet talk herself into being carried up the stairs until she gets mad because they’re all ignoring her. Yumeno’s character is certainly a treat.

Number 4: Miu Iruma - The Super High School Level Inventor

She was originally my favorite girl in the game, until a certain obvious princess of mine stole that spot. I adore Iruma, even though I acknowledge there’s a lot of flawed things about her character and how she’s kind of a shitty person. Not as bad as Korekiyo but worse than Ouma. Regardless, Iruma is my one of my favorites.

Iruma is quite rude and conceited, as well as breaking the censorship of the game entirely. She gets off on insults at least once a trial, after all. She’s an inventor, which automatically earns my love, and also a self-proclaimed genius. The key word is self-proclaimed. The truth is, Iruma’s not very smart. In fact, some of her logic is downright retarded. Of course, she’s called out on this and uses it to boost her own ego awkwardly.

This results in her being the funniest character in the series for me. She has moments throughout the whole game that never fail to make me laugh, albeit I’m guilty about it.

I also find Iruma a relatable character. Sure, she goes way too far with some of the things she says and does including trying to frame Kaito for murder using someone she was working with and calling Tenko a moron next to her corpse, not to mention what she says about Angie’s religion, but in the end, she’s just insecure. That does not excuse anything about her, but you can really relate to who she really is. She’s just an insecure girl trying to fit in by acting like all the hip slutty popular girls who know everything. I’m sure a lot of people have been like that in the past.

Jesus christ, I realized as I’m nearing the end, I’m getting shorter. What a way to soil my favorites like this.

Number 3: Kaito Momota - The Super High School Level Astronaut

I love Moonman!

I was honestly going to say those three words and end it there but I wanna talk about how amazing Kaito is for a second. To be honest, I never liked space. It always creeped me about for some reason, even as a young kid. So it’s saying a lot when I love Kaito who talks about space every five seconds.

The main thing Kaito’s fans love him for is his charisma. No matter what, Kaito is always trying to help and support everyone around him as well as assertively push them onto the right track. It shows how much of a leadership figure he is, and wants to be. It also results in him being rather stubborn, especially when people oppose him. Of course, the group doesn’t realize Kaito’s leadership skills and dismisses almost everything about him as being an idiot and nothing more.

However, that’s really unfair treatment. He really did lead the group after Kaede’s death, which Saihara and Ouma fully acknowledge. Ouma even saw Kaito as the group’s hope and kidnapped him during his halting of the killing game, showing that as evidence. Of course, the reason Kaito is so leader-like and charismatic is because he genuinely wants to be the perfect hero to people, which he does accomplish in his own way.

Of course, Kaito is nowhere near a perfect figure. In fact, he’s incredibly flawed as a person. He’s definitely a good person, a fantastic one, but he has extremely human flaws. From his general stubbornness to his jealousy of Saihara to his blatant hypocrisy. Kaito is constantly exposed for his better and lower points. This is especially prominent in Chapter 4 and 5, where a lot of his noticeable and significant character development comes in.

Kaito spends Chapter 4’s trial expressing jealousy onto Saihara and his bias onto Ouma, as well as going against evidence pointing to Gonta due to both jealousy and bias. Of course, after he was proven wrong and Saihara and Ouma were right about Gonta, he pretty much throws a hissy fit indirectly. He’s of course pissed at Ouma for his behaviour so he tries to punch him. Kaito is instead knocked on his ass by Ouma, mocked and finally has his sickness exposed in front of everyone, confronting him for the liar he really is.

Of course, he starts to avoid Saihara, even calling him by his last name and giving him the silent treatment for most of Chapter 5. Rather than the latter behavior being Kaito whining, it’s more so reflection on his actions. Once he decides to trust Ouma’s supplies he got from Iruma, he’s a lot more open to Saihara before finally apologising to him after he’s been kidnapped, showing he really does regret his behavior.

And then the best boys decide to use their circumstances to work together and end the killing game they both hate so much, despite their differences. Yes, Chapter 5 is my favorite case in the entire series and Kaito and Ouma’s roles are definitely the main reason. He must have had a blast in that exisal.

Number 2: Tenko Chabashira - The Super High School Level Aikido Master

My beautiful princess deserved better! *ahem* Tenko is my favorite female character in this series. Pre-release, I disliked her but was willing to give her a chance. I was pleasantly surprised alongside Kaito. I didn’t expect such a selfless, deep and entertaining character to come of her. Se truly is best girl. I’ve talked about her in a post literally dedicated to why I love Tenko, but why not repeat myself?

Tenko is an energetic genki girl, and also a big dreamer. She’s been like this since she was a little kid, not even her parents could handle her. There’s a joke NISA’s translation removed saying Tenko’s Dad was an alcoholic because of her attitude which was absolutely perfect. She ended up being sent to learn Neo Aikido from her master who told her things like eating too many sweets and touching boys drain her power. Because she’s Tenko, she took this literally and gained a “hatred” for men thinking they drain her power constantly.

Cut to the killing game where she’s absolutely sporadic, but incredibly defensive, particularly around boys. She relies on her Neo Aikido a whole lot and does bad mouth some of the guys sometimes. In the process, she has incredibly bizarre facial expressions which resulted in many internet memes. However, despite her energy, she’s somehow normal and plain at the same time. She plays complete straight man and has a lot of her quiet moments, and she knows when things get out of hand. Despite being an energetic goofball, she really is a normal girl charming for both of her sides.

Her motivation for her attitude is truly inspirational. She doesn’t care for what others think about her. Well, she does. She is self aware that her energetic attitude and tendencies to take everything to heart can agitate people, but that’s just who she is. She believes that she shouldn’t just change who she is to fit in with the others, or people will have positive/negative feelings for a completely different person. She’s not harming anyone unless if a guy touches her, so it’s their decision if they like her or not and she can’t change her own self. For a series usually set on character development, this was an amazing motivation for a character.

This also relates to her relationship with Yumeno. At first, she was so obsessed with Yumeno because she found her cute. However, as time went on, she realized that Yumeno was basically the opposite of her. Instead of expressing herself because she it was who she was, Yumeno bottled up all of her emotions. Of course, this made Tenko really want to help Yumeno. Granted, through awkward interactions. Tenko ends up getting confronted by Angie and getting into a fight with Yumeno for doing basically nothing wrong, but looking out for her friend. This also results in Tenko regretted her actions when Angie dies and that is part of the reason she takes part in Korekiyo’s ritual. This results in Tenko’s brutal demise…

Before Tenko is killed, she reminds Yumeno that there’s nothing wrong with expressing who you are and how you feel, relating to Yumeno bottling up her emotions and Tenko doing nothing but expressing her emotions. Through Ouma’s help, Tenko gave Yumeno massive character development. Not from her death like people believe, but from those words.

So if it wasn’t obvious, I adore everything about Tenko… Aside from her design. Her personality, ambitions, expressions, motivations and general impact on the story are just inspiring and I want her to be seen more than just some qt lesbian feminist. (For the record, Tenko is not a feminist, but a misandrist. Get it right, fandom.)

Number 1: Kokichi Ouma - The Super High School Level Supreme leader

You all saw this coming, it was either Ouma or Tenko. My number one has not changed to this day, if anything, my view on Ouma has been increasing more and more as there’s so much depth to his character I’d love to explore and so much sympathy I feel for a genuinely flawed character. All while being voiced by Hiro Shimono.

Ouma is truly pretentious, annoying and cowardice and he knows that very well. Due to unknown circumstances, Ouma has gained massive trust issues to the point where he hides his true self under a mask. This mask is formed through lies. Many lies that act as a barrier until it almost creates a completely different personality to cover him up. So of course, his trust issues are kind of intense. Especially since the game proves several times that he refuses to open up, but would rather see through his lies to his true self first.

This is what makes Ouma such an amazing character to analyze. The game shows various scenes of his true self, while also showing scenes where he uses his lies to convey his true self. He clearly does want to be helped, but he seriously can’t open up or trust anyone with his very emotions. The true Ouma shows himself to put a bit of a dork, but also extremely intelligent. He’s a gamer. And by that, he loves games in general. Video games, mind games, luck games, you name it. That’s why he does love the class trials, or at least solving them. He does enjoy his attempts at ending the killing game and discovering the truth. However, he absolutely hates the circumstances in the killing game.

Due to his bias against killing, the killing game has a huge affect on him and disgusts him to every level. He graves the despair of whoever is sick enough to enjoy their situation. Due to this, he used his coping mechanism to it’s advantage to undergo the killing game as well as avoid getting attached to the students. In the process, Ouma does incredibly useful things for the group such as confronting Yumeno on not fulfilling Tenko’s wish, calling out Maki of being an assassin, warning Kaede in his FTEs she could get herself killed and of course, creating a genius plan to end the killing game with Kaito. There are also his flaws which interfere with his goals like paranoia affecting his mindset in Chapter 4 as well as not giving up his act at that moment and risking the class’s sanity for the sake of his plan which Mugi ruined with the remembering light anyway.

Honestly, I love almost everything about Ouma’s character and I hope abit more of his background is confirmed in future installments. His relationship with DICE in particular needs clarification since the game implies… Something bad happened. Regardless, thinking about Ouma actually having people who see him as a leader relates to his current self when that’s exactly what he wants to be, but it’s literally impossible with the personality and trust issues he has. Honestly, it’s reasons like these I’m sick of hearing people either say Ouma is completely excusable or other people say Ouma did everything wrong since both are objectively false.

The reason Ouma’s part is so short is because I’ve talked about him so much. I’ve given a full character analysis and three relationship analysis that perfectly delves into his character further with only the risk of one or two of them having some dated statements here and there. Honestly, if you wanna see me fangasm over this character, I recommend there.

So that’s my revised thoughts on the NDRV3 characters. I’m incredibly sorry it gets rushed near the end, but I wanted to get this out as soon as possible. In fact, it’s completely unedited and likely loaded with spelling errors. I started writing at 7PM and it is currently 6AM in the morning so I hope I did a good.

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