#I’M NOT SAYING ONE FANON IS BETTER THAN THE OTHER

[chomp-bomb]

People in fandoms really need to let go of canon pairings being endgame.

First off, a disclaimer: I am not saying you can’t like canon pairings. Obviously. I love a lot of canon ships in tons of different fandoms. This is not me saying you can’t ship them or me attacking them so please take more than two seconds to understand what I’m saying before jumping me.

With that out of the way (rant below the cut):

It is actually so frustrating how people cling to canon pairings like they’re the only valid ships to ever exist.

I’m bringing this up specifically because of the new Noxus trailer that came out yesterday. I’ve already seen the absolute warzone that it’s becoming on TikTok with people shouting about how “Katarina has a boyfriend!!! She’s straight!!!” in response to literally any mention of liking the character or shipping her with someone else.

So to the people who think that a character having a Canon partner means that every other ship is wrong: hate to be the one to break this to you, but it’s not actually a reason to invalidate other ships.

I’m gonna bring up the Timebomb vs Lightcannon debate.

Timebomb shippers have been incredibly aggressive towards any Lightcannon shippers, and are so quick to say Lightcannon wouldn’t work because it’s not canon. I’d like to remind you all that canon doesn’t mean people can’t ship Lightcannon. Timebomb being canon doesn’t make it immediately better or higher than Lightcannon. The air of superiority that so many canon shippers have over fanon shippers is completely unwarranted. Your ship is not immediately better because they are canon.

And here’s the thing: I don’t even like Lightcannon myself! I’m very much a Timebomb shipper. But just because I prefer one pairing over the other doesn’t mean that Lightcannon is a bad ship. I can recognize that, despite my own dislike for it, people are entitled to their own interpretations of the characters and their relationships to one another.

I get how easy it is to fall into the mindset of “My pairing is canon, so therefore it is the only correct one and everyone else’s is wrong.” But at the end of the day, it’s not a reason why your ship is better. It doesn’t immediately make you more correct. It doesn’t make every other ship bad. There are tons of canon ships that are downright awful, badly written, or rushed. To be canon is to simply be the creator’s preferred pairing when creating their story. It’s nothing more than that.

People have been obsessing over non canon ships since fandom’s creation. Hell, fandom as a concept itself started because of Kirk x Spock shippers way back when.. I’d say that makes fanon pairings pretty important, don’t you think?

Anyways this once again is very common sense, but I’ll repeat that I’m not trying to attack or insult anyone regardless of where you stand on this argument.

[bitter-sweet-coffee]

there’s a difference between saying “i’ve been a fan of x longer than you and therefore i’m better because you’re a poser” and “you have completely missed entire decades of fandom history that explicitly counteract your claims and it’s really funny seeing you say things that are just historically untrue”

i’m the latter lol. and i’m making direct eye contact with the sonic fandom

[0-therw-0-rldly]

I’ll preface this by saying I’m not really a shipper. I just enjoy canon couples on TV Series/films.

Terms I’d like B*ddies to remove from their vocabulary because they don’t know how to use them correctly:

Media literacy: For a group that uses this term a lot you sure do misinterpret everything in this show.

Queerbaiting: Going to expand on this one. A show that’s already been pre established for having queer characters simply cannot queerbait.

Ship baiting: While sometimes you can argue that they could be doing that, that’s only if you look at the show in a very biased manner. You might think this is the case but the general audience doesn’t think the way you do.

Ship war: This isn’t a one tree hill situation where there was Team Brooke Vs. Team Peyton where the middle guy (Lucas Scott) had canonically been with both women. This is people not understanding fanon vs. canon and not being able to just watch the show. It’s like playing quarterback on Madden and thinking you could be better than Patrick Mahomes.

Plot device: everything’s a plot device. Move tf on.

Predator: You sound like crazy MAGA supporters calling everything regarding the LGBTQIA+ community as predatory. Sit down.

Co-parenting: I know this is a big one and discourse was brought up during the hiatus. Oliver and Ryan have loosely mentioned this years ago but it was never to be taken this seriously. Do y’all even know what co-parenting is or are you that big of a donut? Buck is someone who loves his best friend deeply and by extension, his kid too. Him taking care of him frequently does not make him a co-parent. Maybe he is a parental or uncle figure, but he isn’t a co-parent. Also, I swear y’all need to learn how a will works. He is a GODPARENT, not a GUARDIAN. Stfu.

Hag: This especially applies to women, but to say that someone 25-30+ is a hag for still being in fandoms or enjoying tv shows/films is inherently misogynistic. Men are never held to this much criticism for enjoying fictional media, but women aren’t allowed to?

Queer Coding: people of the same sex “looking at each other”, hugging, or having intimate moments all together doesn’t make them queer coded. It could mean that they just love each other that deeply platonically. While representation is amazing and just because you interpret a character as queer coded (just like my ship baiting comment) doesn’t mean others interpret it that way as well. In addition, network TV has stipulations, and also actors are allowed to decline storylines. Ryan has mentioned his character is heterosexual an abundance of times which means (at least for now) that he isn’t willing to go for this storyline.

Dead naming: Y’all construing the fact that Buck wants people like coworkers and some of his former love interests, to saying Evan is his dead name is inherently transphobic because do you even understand what a dead name is? Evan Buckley is shown as being fine with being called Evan by both Tommy and his sister. I’m pretty sure some of his love interests have called him Evan as well.

Fetishizing: You guys saw two hot guys who “looked at each other” and for 6 seasons have wanted nothing but to see those two make out with each other. Those of us who enjoy Tevan saw Buck giddy at the thought of Tommy and have wanted domestic fluff for them since.

Anything to do with racism, homophobia, and misogyny: I’ve seen the way you guys have conveniently weaponized Henren and by extension Aisha/Tracie when you didn’t get the Ryan/Oliver interview, don’t try to act like you’re morally superior. Not to mention wanting a canonically gay man to die in a show and not even holding those who use your ship name to write CSA fics accountable because you’re petty and want to throw hissy fits. Anyone looking at your comments as an outsider would think you’re homophobes and yes queer people can be homophobic.

I do hope you can expand your vocabulary. 🤍

[prying-pandora666]

I don’t know how to say this tactfully, but I’ll do my best.

If other fans online have convinced you to see the gentle, optimistic, empathetic, fun loving, whimsical, forgiving, wise beyond his years genocide survivor, as a sexist, racist, xenophobic, abusive, pro-colonization, sexual assault perpetrator who doesn’t care about anyone else and doesn’t understand trauma…

You have been LIED TO.

Please just think for a moment!

ATLA was banned in China from the beginning for a reason. Because they didn’t want anyone empathizing with a character based on Tibetan monks. Why? Because they are an actual oppressed and persecuted minority IRL. Their religious leader lives in exile. Their second most important spiritual figure is the youngest political prisoner ever taken (and to this day no one knows if he’s alive or dead!). China has actual prison and labor camps. Tibetan people get sent there for “re-education”.

Can you please think about what these “fans” are saying when they stomp all over this allegory in TLA and try to frame Aang as the oppressor?

Do you really think it’s appropriate or these people who call Aang all these horrible (and inaccurate) things are being in anyway fair when they call Aang “white coded”???

Even without the real world context, Aang is explicitly the only survivor of a genocide. The last of his people. He has lost more than anyone else in the entire franchise. There’s a reason he clings so hard to Appa.

Do you think it’s fair to compare a 12 year old misreading signals and trying to kiss a girl who already consensually kissed him before, and immediately backing off and giving her space when she says no, to rape?

Tweens and teens miscommunicating and trying to comfort each other with kisses, only to realize that’s not what their friend needed and immediately backing off is the same as having your body violently violated against your will? The same as having your “no” ignored?

How do you think this makes survivors feel? To see people use their experiences as a shield and cudgel for ship discourse? It certainly upsets me as someone who experienced intimate partner violence, let me tell you! And I know I’m not the only one.

And how is it in anyway feminist or pro-Katara to ignore her own agency and deep love she shows for Aang? Yes, that includes her own crush on him! It IS reciprocated!

Lastly, you don’t need to demonize Aang to ship whatever you want to ship. Please understand that the majority of these takes are bad faith and born out of bitterness and insecurity over a friggin FANON SHIP.

And none of it is necessary! You can ship whatever you want! You don’t need permission or excuses. You can just ship them! You can make your case for why you like another pairing better without misrepresenting what happened in the show and what these characters are like, let alone what they represent.

There’s already plenty to work with in the show as it is! Otherwise why bother?

I’m imploring fans taken in by persuasive and manipulative metas to please just think about it. Get off social media and rewatch the show for yourself thoughtfully.

It doesn’t need to be like this.

[c4qwp]

felix catton x fem!reader

| he falls hard for you

📎 tags : fluff, female reader, felix being older than you by a year, fanon of felix bc i’m such a bad writer guys, bad orthography, (my first post…), felix being a fucking cutie patootie, (y/n) not mentioned

📎 words count : oof idk but not a lot 💀🔥🔥🔥😜😜😜

📎 author's note : this is my first post (so first story), don’t hesitate to comment to help me to progress! english isn’t my first language, idk if felix is fanon but i tried my best to write him like i how i see him

felix was a charming, flirty, wealthy and captivating man. everyone loved him. everyone wanted to be around him. it exhausted him. people just wouldn't leave him alone. especially the girls. but he didn’t care about them, you were the exception.

you've only known felix for 6 months, but that hasn't stopped you from liking each other's personalities —and physiques. you're a new student from california studying at oxford, and the handsome british guy hasn't stopped coming to see you to find out more about you.

it all started with a laugh he heard in the hallway. a cute one he thought. and that's how he first saw you.

"hello?" you called loudly when you noticed eyes on you.

the sunlight illuminated felix perfectly as he met your gaze. you were just too cute. your doe eyes watching him while scanning him up and down due to his height.

"hey sorry- ive never seen you here before, are you new?" he asked.

as you were telling your friend to wait for you, an other guy appeared besides the stranger.

"felix where the fuck have you been mate??" a man with curly hair said.

"dude i’m busy let’s talk later" felix replied.

"hey sor-"

and you were gone.

felix didn’t even catch your name and it disappointed him. he likes to meet new people, even more when they’re cute like you.

a month passed after this rather short meeting. as you were revising in the library, a voice called out to you.

"oh hey arent you the new student?"

felix. you heard about him, only good thingd though. you’ve met him but his — pretty face, made you speechless. you felt shy in front of him. now there you are, sitting like an idiot and saying nothing. gosh.

"oh — uhmm hey!" you relied a bit nervously.

"hey! sorry i think we'd met before but hadn't talked more" he said.

"yes i remember." you introduced yourself and smiled.

"i’m felix catton nice to meet you as well" he smiled in turn.

"yeahh i heard about you, felix" you smirked and closed your book.

"oh yeah? i hope you've heard good things about me haha" he said.

"mmhh who knows?" you teased him.

while there was a small blank, he glimpsed your book.

"wait aint no way you’re reading harry potter?!" he said, trying to whisper as much as possible so as not to disturb the other students.

"way. i really like reading books. they're better than movies. and this is not the first time that i’m reading it." you replied.

"it’s my favorite book and it feels good to meet someone who thinks the same about it." he said with a big smile on his face.

it was getting late and you had to get back to your dorm to phone your best friend, who unfortunately wasn't at the same university as you. you exchanged phone numbers and then left.

one day.

one fucking day.

you two were apart for only a day. he sent you the first message and you answered them. he couldn't stop thinking about your smile, your eyes and your voice. it was the same for you.

even though you'd only been messaging each other for 2 weeks, he asked you if you wanted to go out somewhere. of course, you agreed and offered to go for a coffee to take a break from studying.

you put on a beautiful white summer dress that showed off your body.

‘i hope i’m not overdoing it...’ you thought.

03:17PM

"i’m so sorry for being late—…" you whispered to the man with a glass of soda against his lips, letting him know you were tired and done with the conversation. your eyes sparkling with joy, your lips curling up into a gleeful smile when you locked eyes with the person you had been craving to see all evening. he hadn't missed one night, not a single one. he was right on time. right there to stay with you, make you feel comfortable, talk to you all night.

you'd laugh, he'd watch.

he'd talk, you'd listen.

"no no don’t wo—" as he turned to answer you, he was stunned by your beauty.

his eyes wandered up and down your face. you noticed him and smiled at him.

‘i hate the way you make me feel — my chest begin to tighten when my eyes lock onto yours, yet i find it merely impossible to look away.’

[saintsenara]

Thoughts on Ron and Hermione as a ship?

thank you very much for the ask, @thesilverstarling!

i’ll state my position straight away: book ron and hermione are the best of the canon couples.

they will have a long and extremely happy marriage made rich by great and stalwart love, lust, fun, and faithfulness, rather than held together by duty and couples’ therapy like so many readers and authors (including jkr, who seems to have decided to spend the years since the conclusion of the series failing to understand anything about her own characters) tend to think.

i will state another position straight away: lest i seem like i’m just a fan with blinkers on, i think this even though hermione is, by far, my least favourite member of the trio. if she were real i would detest her, and i dislike how she is treated by the narrative as always justified in her negative characteristics. i like fanon hermione - perfect and preternaturally good - even less.

as a result, i think that it’s ridiculous that jkr has said that she thought ron needed to ‘become worthy’ of hermione. they belong together as equals - which is what they’re set up in the narrative as being from the off - and i hate seeing that undermined.

because ronald weasley? he’s an icon. and he doesn’t get anywhere near the respect he deserves in fandom.

there are multiple reasons for this - ron’s narrative purpose is to be the everyman sidekick, and so he is able to be less special than harry or hermione (the helper-figure); the amount of aristocracy wank in this fandom means that the weasleys’ ordinariness is less appealing to writers than making harry have twenty different lordships and call himself hadrian; the narrative interrogates ron’s flaws - especially his capacity for jealousy - much more intensively than it interrogates either hermione’s (cruel, inflexible, meddling) or harry’s (reckless, self-absorbed, judgemental) - but one i feel is particularly significant is that ron is such a british character that many of his traits are not understood as intended by non-british readers.

in particular - as is outlined in this excellent meta by @whinlatter - ron’s sense of humour isn’t indicative of immaturity or a lack of seriousness, but is, in fact, evidence that he’s the most emotionally aware of the trio.

ron is shown throughout the series to understand how both harry and hermione need to have their emotions approached - and i think there is no piece of writing which says this better than crocodile heart by @floreatcastellumposts:

That was what she liked most about Ron, she thought vaguely. He was very good at being suitably outraged on your behalf. For Harry, for her, for Neville. That sort of thing mattered, when you were hurt or embarrassed or wronged in some way. You needed to have someone else on your side, to be as emotional as you felt, maybe even more so, so that you might feel a bit more normal. It was very decent of him, and she was not sure he realised he did it.

ron’s inherent emotional awareness is an enormous source of comfort to other people. he does the work which isn’t flashy or special - he makes tea and tells jokes and is just there - but which is needed in healthy human relationships far more frequently than a willingness to fight to the death for the other person.

[as an aside, this normality - even though i think it is assumed rather than justified by the text - is also what ginny provides for harry. if you believe that hinny are a good couple but romione aren’t… i can’t help you.]

but let’s look at some specific reasons why ron and hermione belong together:

their communication styles mesh perfectly. ron is the only person hermione knows who feeds her love of being challenged and debated, and who is able to engage in this way of communicating without becoming irate when she refuses to back down. ron is good at picking his battles, but he’s also good at recognising that hermione’s tendency to argue isn’t intended to be confrontational a lot of the time - it’s just the way she works through feelings and problems. he’s far more easy-going about her tendency to nag, interrupt, try to provoke arguments, or speak condescendingly than he’s given credit for - and hermione evidently respects this, since when he does tell her not to push a situation (above all, when she’s trying to needle harry into talking about sirius), she listens to him.

that ron and hermione’s tendency to bicker is taken by fans to be a bad thing is because it’s something harry - from whose perspective the narrative is written - doesn’t understand. harry is extremely conflict-avoidant - he tends to take being pushed on views and opinions he has to be insulting; and he has a tendency to assume that he is right which is just as profound as hermione’s. he and ginny communicate not by debating, but by ginny having no time for his rigidity and refusing to indulge it - but ron and hermione bickering about everything is not a negative thing within their specific emotional dynamic.

[as another aside, this glaring chasm in communication styles is why harry and hermione would be a disaster as a couple.]

they each provide validation the other needs. it’s clear - reading between the lines - that hermione is a tremendously lonely person. the friendlessness of her initial few weeks at hogwarts seems to be a continuation of her experience as a child, and - outside of ron and harry - that friendlessness endures through her schooldays. i’m always struck, for example, by the fact that, when she falls out with ron in prisoner of azkaban, she has no-one else to spend time with, and that this is only avoided in half-blood prince because harry decides not to freeze her out. i don’t think her friendship with ginny is anywhere near as close as fanon seems to imply (ginny has no interest in being nagged either), nor do i think that she’s anywhere near as close to neville (not least because she is so condescending to him) as she’s often written to be.

and this loneliness seems to stretch beyond hogwarts. the absence of hermione’s parents’ from the narrative is - in a doylist sense - clearly just a device to maximise time with the trio all together, but the watsonian reading is that she doesn’t have a particularly good relationship with them. hermione’s obviously upper-middle-class background - the name! the skiing! the holidays in the south of france! - can be presumed, i think, to come with a series of expectations from her parents which she feels constantly that she’s not entirely meeting, particularly expectations attached to academic success.

[for example, the grangers - were she a muggle child - would undoubtedly have ambitions for her to attend an elite university and then go into a prestigious career. tertiary education of the type that they’re familiar with doesn’t seem to exist in the wizarding world - most careers seem to be taught by apprenticeship - and this, alongside all the other divides between the magical and muggle worlds which contribute to the distance between them, would be one very obvious area in which she felt the need to prove herself to them.]

ron, too, has quite a difficult relationship with his position in the family - voldemort’s locket is not wrong to point out that he seems to receive considerably less of his mother’s emotional attention than ginny or the rest of his brothers - and he too is constrained by expectations which he doesn’t know how to explain he has no interest in - above all, molly’s desire for her sons to achieve top grades and go into the ministry.

he also suffers while at hogwarts from being ‘harry potter’s best friend’, something which harry never appreciates. but hermione does. she recognises ron’s jealousy and never allows harry to minimise it (and she and ron are very much aligned on having no respect for harry’s saviour and martyr complexes). she appreciates ron’s strengths - above all his kindness and his sense of humour - and makes him feel as though he’s achieved things with them. and ron does the same for her; he is hugely observant when it comes to her, and he challenges and defends her.

the two of them clearly spend a lot of time together one-on-one while harry’s involved in his various shenanigans (including outside of school - hermione has often arrived at the burrow days or even weeks before harry, and they seem to write to each other frequently when apart). they do this within a relationship which is fundamentally equal. one issue with hinny is that, post-war, harry is going to have to get used to seeing ginny as a peer, rather than as someone he has to protect. but ron and hermione never have that issue - equality is baked into their relationship from the off.

because, to be quite frank, fandom overstates the role that jealousy plays in their relationship. it’s true that ron certainly doesn’t acquit himself brilliantly when it comes to hermione’s relationship with viktor krum (it’s because he’s bi and doesn’t know it yet), and a tendency to externalise his insecurity into trying to make others also feel insecure is one of his primary negative traits (hermione does this too, via her patented lofty voice when she’s trying to condescend to people). but this is often taken as the initial red flag for how the relationship would crash and burn, and ron’s toxic jealousy is often used in fan-fiction as the trigger for emotional and physical violence towards hermione which, frequently, seems to drive her into the arms of either draco malfoy or severus snape… who are, of course, the first people we think of when we hear the words ‘not prone to jealousy’...

but i think it’s important to point out several things in defence of ron’s jealousy over krum. firstly, hermione evidently regards his jealousy as ridiculous - she’s upset by it, yes, but her upset must be understood as being caused by the fact that she wanted him to ask her out. she doesn’t think he’s being possessive, she thinks he’s being stupid. secondly, hermione is equally as jealous over ron’s crush on fleur delacour and relationship with lavender brown. she behaves just as cruelly when it comes to lavender as ron does when it comes to krum - and the narrative only treats her actions as more sympathetic or justified both because harry dislikes lavender too, and because, by that point in the series, jkr has dispensed with any inclination to ever criticise her.

but, outside of this teenage pettiness, ron is never jealous of hermione over things which matter. he is never jealous of her intelligence or competence or ambition or success (indeed, he defends her constantly from attacks designed to undermine her in these areas). for someone who struggles with being overshadowed by harry, he is never upset at being overshadowed by her. he is clearly going to be happy to support her in any of the career ambitions she can be written as having post-war.

and, on this point, i think it’s worth interrogating why so many readers still seem to feel uncomfortable with the idea of ron and hermione having a dynamic where she is the more ‘powerful’ one. [it’s always a bit trite to say ‘but what if the genders were reversed?’, but actually that’s not irrelevant here]. if hermione ends up taking the ministry by storm and ron becomes a stay-at-home father or has a job which is just to pay the bills, what, precisely, is wrong with that? why, precisely, should hermione regard ron making that choice for himself as a negative thing? hermione so often seems to leave ron in fan-fiction because of a lack of ambition - something which seems to be particularly common in dramione - but, in canon, she is shown to not particularly care if ron and harry do the bare minimum when it comes to studying etc. she nags them to do their work so they don’t get in trouble. she doesn’t nag them to do it to the same standard that she would.

and, actually, i think that ron being less ambitious than hermione is something which is key to how well they work. because ron provides not only emotional support, but emotional clarity.

hermione is shown throughout canon to - just as harry does - have a tendency to become obsessive to the detriment of her own health. she is also often - as harry is - emotionally or intellectually inflexible, and finds it hard to move on when what she feels or believes is proven to be wrong. both she and harry are micro-thinkers, who lean towards knee-jerk assumptions and stubborn convictions (and, indeed, hermione has a remarkably hagrid-ish tendency towards blind loyalty).

ron is none of these things. ron is a big-picture thinker (it’s why he’s so good at chess). he’s a pragmatist. he’s the least righteous of the three. he understands that faith and loyalty are choices, and that sometimes these choices will lead to outcomes which are bad or hard. he is the one of the three most willing to own up to having made mistakes. he is the one least likely to act on gut instinct (and, therefore, the hardest to fool - i think it’s worth emphasising that he clocks that tom riddle is tricking harry immediately, the only one of the trio to do so). he understands that things are a marathon, not a sprint. he is the least obsessive.

and these traits contribute to aspects of his character which are underappreciated. ron worries about hermione making herself ill during exams, or when she is using the time-turner, and makes an effort to get her to set healthy boundaries and redirect her anxiety. ron stands on a broken leg in front of sirius or goes into the forest to fight aragog not out of righteousness, but out of choice. ron takes over the burden of preparing buckbeak’s defence when it is clear that hermione is approaching burnout. ron is completely right that harry hasn’t done any long-term planning for the horcrux hunt, and his anger does force harry to tighten up after he leaves the trio. ron has a clear head in the middle of battle. ron makes harry and hermione laugh. ron is unafraid of human emotion. ron arrests harry’s tendency to brood over the little things by looking at the bigger picture. ron will always come back.

ron is bringing his politician wife regular cups of tea and making sure she doesn’t work all night. he is helping his lawyer wife to feel less upset over losing one case by reminding her that she’s won ten others. he is noticing stress creeping in and whirling her off for a dirty weekend, or even just a takeaway on the sofa. he is teaching his daughter to be proud of her ambition and his son to treat women as equals and both of his children that all you can do when you fuck up is apologise and try to do better. he is making hermione smile on the worst days of her life. he is helping her strategise her long-term goals when she gets stuck on the short-term ones. he is telling her straight when she needs to get it together. he is seeing a misogynistic head of department call hermione a ‘silly little girl’ and choosing to tell him exactly what he thinks of that.

ron is the ultimate wife guy. hermione is a very, very lucky lady.

[n1ght0f-nyx]

mha boys asking you out pt2/3

warnings/tags: cliffhanger, all mights fully retired in this one, more fanon way of acting than canon ngl, i dont think there's other warnings other than that- feel free to dm me if you notice a common warning that could affect someone characters: touya todoroki (dabi), tomura shigaraki, himiko toga, Jin Bubaigawara (twice) Toshinori Yagi (all might), Shota Aizawa, Hizashi Yamada (present mic)

Dabi/Touya todoroki The night was quiet, the kind of stillness that made me feel like the world had paused just for a moment. The stars overhead seemed to twinkle more brightly than usual, casting a soft glow over the abandoned rooftop I often found myself on when I needed to think. Tonight, though, I wasn’t alone.

Dabi was there, leaning against the edge of the rooftop, his usual smirk absent. His turquoise eyes seemed deeper tonight, filled with something I couldn't quite place. He had asked me to meet him here, and curiosity had compelled me to come, even though a part of me felt uneasy.

"Y/N," he said, his voice a low rumble that always sent shivers down my spine. "Thanks for coming."

I nodded, my heart beating a little faster than usual. "Of course. You sounded like you had something important to say."

He glanced away for a moment, staring out at the cityscape before taking a deep breath. "I’ve never been good at this sort of thing," he began, and I could see a flicker of vulnerability in his eyes. "Being open. Being... honest."

I took a step closer, my curiosity piqued. "Dabi, what’s going on?"

He ran a hand through his unruly black and white hair, his usual confidence seemingly slipping away. "Look, this isn’t easy for me. But I can’t keep pretending like I don’t care. You... you mean something to me, Y/N. More than anyone else ever has."

My heart skipped a beat. I had always sensed there was something more between us, but hearing him say it was a different matter entirely. "Dabi..."

He held up a hand, stopping me. "Just let me finish. I’ve done a lot of bad things, things I’m not proud of. But you make me want to be better. For you. I don’t know if I can, but I want to try. If you’ll let me."

His words hung in the air between us, and for a moment, I could hardly breathe. I took a step closer, my hand reaching out to touch his. "Dabi, I..."

He looked at me, hope and fear mingling in his eyes. "Will you be with me, Y/N? Can you give me a chance?"

Tomura shigaraki

The sky was overcast as I walked through the city streets, the chill in the air a stark contrast to the warmth I felt inside. It had been a strange few weeks, getting to know Tomura Shigaraki. The notorious villain had always seemed so distant, so untouchable. But there was something different about him when it was just the two of us.

I turned the corner and saw him waiting by our usual meeting spot, a small café tucked away from prying eyes. His white hair was as unruly as ever, his hands stuffed into the pockets of his tattered coat. Despite his intimidating appearance, there was a nervous energy about him that I hadn't seen before.

"Hey," I greeted him with a smile, trying to lighten the tension I could feel in the air.

He glanced up at me, his crimson eyes softening just a fraction. "Hey," he replied, almost hesitantly.

We settled into our usual booth inside the café, the warm lighting casting a gentle glow over us. I sipped my coffee, stealing glances at him over the rim of my cup. There was something on his mind, something he was struggling to say.

"Y/N," he began, his voice unusually quiet, even with his raspy tone, "There's something I need to tell you."

I set my cup down, my heart starting to race. "What is it, Tomura?"

He took a deep breath, his fingers drumming nervously on the table. "I know I'm not the easiest person to be around. I've done things... terrible things. But being with you, it's like I can forget all of that, even if just for a little while."

I felt a lump form in my throat. I knew his past, the darkness that surrounded him, but there was something undeniably human in his words.

"I... I like you, Y/N," he continued, his eyes locking onto mine. "I don't know if I deserve it, but I want to be with you." (twice) jin Bubaigawara

As I sat in the dimly lit hideout, the usual buzz of the League of Villains surrounded me. Toga was busy sharpening her knives, a twisted grin on her face as she hummed a cheerful tune. I was lost in my thoughts, barely paying attention to the world around me, when Twice suddenly appeared beside me. His presence was hard to ignore, not just because of his dual personality but because he always had this chaotic energy that filled any room.

"Hey, Y/N!" he exclaimed, his voice teetering between excitement and anxiety. "Got a minute? Or two? Maybe a few?"

I looked up, meeting his masked gaze. "Sure, Twice. What's up?"

He fidgeted, scratching the back of his head. "So, uh, I was thinking... or maybe not thinking... or maybe overthinking... but there's something I've been wanting to ask you."

My curiosity piqued. Twice was usually so straightforward, yet he seemed genuinely nervous. "Go on," I encouraged.

"Okay, here it goes. Or maybe it doesn’t. No, it does! I mean..." He took a deep breath, trying to steady himself. "Y/N, would you like to... go out with me sometime? Like on a date? Maybe grab some food, cause you know, villains gotta eat too!"

His words tumbled out in a rush, and I couldn't help but smile. Twice was always endearing in his own way, and his nervousness made him even more so. I considered his offer for a moment, but it wasn't a difficult decision.

future! Toshinori Yagi (all might) It had been one of those days where nothing seemed to go right. My alarm didn’t go off, I spilled coffee on my shirt, and my boss was in a particularly foul mood. By the time I finally made it to the coffee shop down the street, I felt completely drained. I just wanted a moment to breathe and enjoy a cup of coffee without any interruptions.

I found a cozy corner and settled in with my drink, the warm aroma already beginning to soothe my frazzled nerves. As I took my first sip, I noticed a man in the line who seemed oddly familiar. He was tall but noticeably thin, with unruly blond hair and tired eyes. He looked like he had seen better days, yet there was something undeniably kind about his demeanor.

After getting his coffee, he glanced around the room and, to my surprise, made his way over to my table.

"Excuse me," he said, his voice gentle yet strong, "is this seat taken?"

I shook my head, gesturing for him to sit. "No, go ahead."

He smiled gratefully and took the seat across from me. For a moment, we sat in comfortable silence, sipping our coffees and watching the world go by.

"I'm Toshinori," he finally said, extending his hand. "Toshinori Yagi."

I introduced myself and we began to chat. He had a way of making me feel at ease, and I found myself laughing at his stories about the city and its quirks. There was something almost nostalgic about the way he spoke, like he had lived a thousand lives.

As our conversation flowed, I couldn’t shake the feeling that I knew him from somewhere. It wasn’t until he mentioned something about "saving the day" that it clicked.

"Wait a minute," I said, narrowing my eyes playfully. "Are you some kind of hero?"

He chuckled, a deep, warm sound that made my heart skip a beat. "Not exactly. I used to be...involved in that sort of thing. Now I just try to help out where I can."

Before I could probe further, he changed the subject, asking about my day and listening intently as I recounted my morning mishaps. It was refreshing to have someone genuinely interested in my mundane stories.

As the conversation wound down, Toshinori leaned forward slightly, a hint of nervousness in his eyes.

"You know," he began, "I've really enjoyed talking with you. It’s rare to meet someone who can brighten my day like this. I was wondering if... maybe you'd like to do this again sometime? Perhaps dinner?"

I blinked in surprise, my heart fluttering at his words. "Are you asking me out on a date, Toshinori?"

He nodded, a hopeful smile on his face. "Yes, I suppose I am." Shota Aizawa

It was a quiet afternoon at U.A. High, the kind of peaceful lull that’s rare in our line of work. I was tidying up the training room, lost in thoughts about the next set of exercises for my students when I heard a familiar, tired voice behind me.

"Y/N," Shota Aizawa, or Eraser Head as most knew him, called out.

I turned around, finding him leaning against the doorframe, his eyes half-lidded but focused on me. There was always something intriguing about Aizawa. Maybe it was his calm demeanour, or the way he seemed to carry the weight of the world on his shoulders with such stoic grace. Whatever it was, he always managed to capture my attention.

"Hey, Aizawa. What's up?" I asked, trying to sound casual.

He straightened up, walking towards me with that usual, unhurried pace. "I've been meaning to talk to you about something," he said, his voice low and steady.

I felt a flutter of nerves in my stomach. It wasn’t often that Aizawa sought me out for personal conversations. We worked well together, respected each other as heroes, but this felt different.

"Sure, what's on your mind?" I asked, putting down the training equipment and giving him my full attention.

He paused, seemingly searching for the right words. "I know we’ve both been busy with our duties here and in the field. But I’ve realized something. Spending time with you, working alongside you, it’s become... important to me...you're important to me"

My heart skipped a beat. Was he really saying what I thought he was?

He took a deep breath, his gaze unwavering. "I’d like to get to know you better, outside of work. Would you be interested in having dinner with me?"

For a moment, I was speechless. Shota Aizawa, the stoic and composed hero, was asking me out.

Hizashi Yamada I stood in the middle of the bustling common room of the hero agency, flipping through a stack of mission reports. The sound of chatter and the occasional ring of a phone filled the air, blending into a familiar, comforting hum. I was so absorbed in my work that I almost didn't notice when the noise quieted down slightly, replaced by a distinct, upbeat voice that always managed to stand out.

"Hey, Y/N! Got a minute?" Hizashi Yamada, better known as Present Mic, called out as he approached me with his trademark grin.

I looked up from the papers, feeling a smile tug at the corners of my lips. "Sure thing, Hizashi. What's up?"

He rubbed the back of his neck, a hint of nervousness in his usually confident demeanor. "Well, there's something I've been wanting to ask you."

Curiosity piqued, I set the reports aside and gave him my full attention. "Go ahead. What's on your mind?"

Hizashi took a deep breath, his eyes sparkling with determination. "So, I've been thinking... we've been working together for a while now, and I really enjoy our time together. You're awesome, Y/N, and I was wondering if you'd like to go out with me sometime? Like, on a date?"

For a moment, I was stunned. Hizashi was always full of surprises, but this was unexpected. I felt a warmth spread through my chest as I processed his words. "You want to go out with me?"

He nodded, his grin widening. "Yeah! I think you're amazing, and I'd love to get to know you better outside of work."

[autistic-ben-tennyson]

I have a lot of things to say about this character. I used to identify with her a bit but I no longer do and a lot of the writing in her “arc” has aged poorly. The narrative wants to portray her as just someone who longs to be understood. What we got though is a character who never grows and remains selfish and inconsiderate. I respect and understand that she’s important to a lot of people who are queer and neurodivergent as I am too but I don’t think she’s as good as her stans say.

I’m going to contrast her with two protagonists I am fond of. The character I named my blog after, Ben Tennyson, and Akko from Little Witch Academia which I just finished watching. I actually compared the former to Luz in a more positive post back when I liked her but I think a more critical comparison is needed now. Some have said it but TOH is just an isekai anime for queer people. Any development Luz may have had regarding being less impulsive and selfish got dropped in favor of her just wanting to be understood. She gets everything she wants, to be the hero, to date the rich popular girl, and never be criticized or challenged by anyone.

If Lumity was a cishet ship, it would get a lot more flack from people. Amity herself is woobified by her fans when she was often nasty to Luz or Willow for no reason and didn’t do much to redeem herself for the latter. Luz chose to keep lying to Amity and kept secrets even after she promised to do better. Despite suffering from bad writing in UA, Ben/Julie was still better than this. Julie actually held Ben accountable when he lied or screwed up and she never bullied him, Gwen or Kevin. Ben does try, even if he’s not very good at it to be a better boyfriend and spend more time with Julie as seen in “Revenge of The Swarm” after promising he’d do better.

Some other things that make Ben better than Luz is that his hero fantasy is actually deconstructed. He learns he can’t mess around and do what ever he wants. While he jokes around and acts like a brat, he admits it’s because he’s scared because of the stakes that come if he fails in the episode “The Forge of Creation”. This is not to say Ben 10 is great as it does slip into isekai territory as well with that disgusting harem episode in OV, but it does a little better. He’s also actually bullied as shown in the OS and AF which makes him a bit more sympathetic whereas fanon is used to make Luz more likable than what just the show itself tells.

Regarding Akko, she’s similar to Luz in that she’s impulsive, selfish, rude and wants to be a witch to live out some fantasy. The difference is that Akko learns to be more responsible, that not everything is about her and that she can’t just get whatever she wants. While patience is still something she struggles with by the end of the series, she still grows and becomes a better person. Whereas Luz was willing to abandon everyone while wallowing in self pity, Akko ran away for a few hours after learning that Chariot, her mentor, idol and friend was the reason she was struggling but a quick talk with Diana brought her back. The thing is that a character who’s not a noble saint but still very sympathetic can work such as Shinji Ikari but not if they’re framed as heroic like Luz. That’s why a lot of the show’s writing has not aged well.

To recap, this isn’t to bash people who do identify with Luz and like her. I used to as well, but she’s got some flaws that are often brushed away and the narrative seemed like it wanted to have its cake and eat it too. Wanted to challenge traditional fantasy tropes while ultimately turning into a chosen one wish fulfillment for Luz. TOH was praised for its representation as well as by people who view it as the anti SU but its not the greatest show ever and there are some troubling implications.

[thenonbinarydetective]

Do you like the official wayne family adventures? It has everything any batfam fan would want.....But sometimes I feel like they all kinda have the same personality.....shouldn't dick be with titans or starfire....why is he back with Bruce?

EDIT: REMINDER THIS IS MY OPINION. IT IS NOT A DISCUSSION OR ARGUMENT.

It’s what tumblr fanon fans who actively go out of their way to shit on comics wants. To be precise. I’ve been shitting on the behavior of some truly awful people on here for like several years so if anyone reading this is surprised and offended. I don’t care.

No I really don’t like it. The better personalities are the girls really. But even then it’s not great. The boys and Bruce especially are full copy and paste. But honestly that’s the only way they can get what they want to work without digging too deep

That’s kinda the main problem I have with it and many others who do that it’s very surface level fluff rather than actually challenging the “angst” in the comics. I’m only putting it in quotes because to some angst is when it isn’t sunshine and rainbows all the time.

I don’t think it has a good argument, for lack of a better word (still works I just want a different one that I can’t remember rn) for being what it is. And also creating that weirdly rancid, occasionally violent and pretentious fanbase that accuses comic fans of doing that no matter what they say or do. Like some people suck but you dont need essays when people point out flaws in WFA. Of which it has some pretty obvious ones. Aside from batfam characterization their Talia characterization just rubs me the wrong way. Like I know it’s been worse but it’s just not giving what it should.

I think dickbabs is supposed to be canon there or at least people act like it. Idk a lot of their reactions can still read platonic which is why WFA readers try to say it’s batcest. If that answers your starfire question. Technically this should be set at a time where dick wasn’t fully friends with the titans again. Although it’s an au, they could probably just fix that for their obscenely happy go lucky attitude

But if you’re asking why starfire and Roy should be far away from the outlaws title, you’d be right. You can call me dramatic but it was lowkey shitty of them to include them considering the damage it did to their characters. Especially Kory.

Yeah dick should be actually independent. But again it’s family fluff over solid characterization so the umbilical cord isn’t cut yet

It’s negatively effecting comics too. Pushing that coffee Tim bullshit, “feral” Damian, and emotional support dick. The Damian one pisses me off most of all because they really had him pull a knife in a formal affair out of annoyance when that boy was raised an AL GHUL until he went to Bruce. Like if he’s drawing a knife it’s for a formalized duel. Not on an unwitting old woman. But even then I’m not sure I’m forgiving.

Oh and DUKE. Duke gets his own paragraph. Jesus fucking Christ did they do him dirty. Absolute boring cardboard cut out of a child. That also gets mildly sidelined for a comic that began with his narration. I get it’s a group thing but like why did some chapters seem to forget about him completely when they stripped him of every ounce of personality to turn him into a reader insert? God I hate it

There’s a lot of problems with it but apparently when you talk about it you’re in for a “let people enjoy things” lecture from someone who doesn’t actually let people enjoy things. I mean some WFA stans cry webtoon if you talk about the slightest amount of negativity. Claiming they need to be healed. Idk with what because WFA is basically a placebo of a comic

[utdrmv-confession-box]

Transcript: i think the fandom was genuinely better before 2020. or at least 2021. maybe i see nostalgia through rose-tinted glasses, but 2015-2019 was the best era of this fandom. people say cringe and free but there’s a difference between unknowing cringe and acknowledged cringe, and the former is just more genuine. more fun, more free. things were better, in my eyes. now there’s useless discourse (there was, of course, discourse then, but now people have wrapped morals into it. you’re not a bad person who wants to abuse people if your favorite character is canon nightmare sans, god), even worse fanon that people have dubbed as canon (dream is not an uwu baby, yes, but going in the entirely different direction and making him a mean smoker is just as fanon and inaccurate, you’re no better, so get off that pedestal), and just the bullying that comes with liking older interpretations.

blueberry is fine. uwu star sanses are fine. slendermansion bad sanses are fine. teddy bear horror is fine. any interpretation is fine. but there’s art left and right of people drawing characters punting those other interpretations whilst the creators themselves continue to make their own interpretations that are the same, if not worse, levels of inaccuracy and mischaracterization. it’s hypocrisy and i don’t doubt that in four or five years this era of the fandom will be mocked and a new, just as wrong interpretation will emerge. i don’t mind this, you can characterize anyone however you want. that’s what makes this fandom great. it’s just the fact that this is combined with the bullying of other interpretations that makes it hypocritical and me upset. not even to touch upon the new fanon of “sans would show no emotion of papyrus died”. in an attempt to move away from one side of the spectrum they went too far to the other, rather than settle upon the perfect balance.

in general i also grieve what will never come back. the style of older popular artists drawing sans, that line weight jakei and superyounma used that pulled the style together, the obsession when dream and nightmare became truly popular, the formation of the star sanses, the overuse of the word ‘senpai~’ when it came to crossmare, the comic dub movies on youtube, or how everyone obsessed over sans and made him overly edgy and emotional. the animation memes, the genuine sans fangirls, not the satire ones. ichika. the othertale animations. early underverse and the silly comics jakei made for it. the terrible wattpad fanfiction. amino. actually, we can leave out amino. i don’t miss amino.

it wasn’t all perfect. if i’m honest, it was a dumpster fire in a lot of ways. but it was my dumpster fire, and what once burned became nice and toasty. the fandom now is great, don’t get me wrong. i love how it’s turned out, i love how characters are no longer white anime boys and how people have begun to acknowledge how certain things are bad, rather than ignoring it. how underrated characters have been getting more attention.

but if i had to pick between the fandom now and the fandom then, i’d pick then in a heartbeat.

[raven-at-the-writing-desk]

Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜

No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www

Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.

I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.

We got it? Good 👍 Read more below the cut!!

Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:

In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.

With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.

Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.

Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.

Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)

Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.

All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:

Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.

Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.

Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.

Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.

Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.

Vetting and formal approval from the senate. lmao good luck with that

Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)

Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.

I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.

All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.

[rallamajoop]

Resident Evil 7 and Mia's secrets

(Oh, did you think I was done talking about Mia? Not even close! >D)

Coming into this fandom late, I was surprised that popular fanon has it that Mia never does come clean to Ethan, post-RE7. Sure, RE8 depends on Mia not having told Ethan he died in Dulvey, but that has nothing to do with her own past with the Connections (and far more to do with Ethan's own denial, but that's a whole other thing).

Myself, I’d taken it as given that the scene where Ethan learns the truth must have just happened off-screen. Because, disappointing as that omission is, the whole damn game is leading up to it.

And having replayed RE7 lately, I realised there'd be no better way to explain my take than to catalog every time the game spells out to us that Ethan knows Mia’s keeping secrets and wants answers, and that Mia herself wants to come clean.

Heck, it’s just about the very first thing we learn about them.

“Ethan... You were right. I did lie to you. I shouldn’t have, but…”

Ethan's not actually stupid, and Mia's secrecy has obviously strained their marriage for some time. And as soon as Ethan finds her, he’s asking questions.

Here, he’s mostly asking who did this to you; it's way too early for real answers. But then Eveline takes control, shit goes down, and next we see her, it’s in her recorded message from the “Mia” video tape.

“There’s so much you need to know.”

When Ethan finds Mia again under the old house, he’s angry and has every right to be, and he doesn’t pull any punches.

“I always wanted to tell you…”

But Mia’s memory’s still a mess, and Lucas interrupts. Ethan’s next chance to ask questions comes in the boat, and he wastes no time.

“You had something to do with this, didn’t you?”

Mia’s a little more defensive here, but she’s not lying about the holes in her memory. The game’s gearing up for the big reveal anyway, and the writers aren’t about to let her spoil it early.

If you choose Zoe instead of Mia, Ethan spends the boat ride asking all the same questions, only louder.

“I knew Mia was hiding something.”

But in the end, what do we get?

Whoever you choose, Ethan only gets a few brief moments with Mia after she frees him from Eveline’s mould, and no explanations are offered. But if you do pick Mia, then we end with Ethan flying away with her in the helicopter, saying only, “Mia's back and she wants to start over,” and I’m left going, wait, what? Haven’t we skipped something here?

In defence of the fanon consensus that Ethan never finds out the truth, that does seem to be the ‘canonical’ intent ‒ at least inasmuch as there's this one throwaway bit about Mia not wanting Ethan to know buried in a bonus text file only available with this one overpriced DLC for RE8. That’s it, that’s as much explicit recognition as this thing ever gets, one way or the other. And fucking hell, but that's a let down.

Even if we assume that Mia’s desire to come clean goes away once her memory comes back, why would Ethan just stop asking? He’s been asking questions the whole damn game – was clearly asking questions long before the game began! Knowing that Eveline was controlling people doesn’t explain what Mia had to do with it all. Now he’s suddenly all, ‘killed the bad guy, saved the girl, everything’s fine’? Was all that ‘a door closed’ bullshit supposed to be him accepting he’d never get answers? Why?

There are workable ways to spin Ethan never finding out. You could suggest he just accepts that Mia’s memory is gone (hell, for all we actually see of the ending, Mia genuinely might have lost her memory again after Eveline sucked her back into the mould). After all the trauma Ethan’s been through, you could also suggest he’s gone directly into denial, refusing to face anything that might threaten his ‘happy ending’ with Mia. You could even suggest that that bit with Eveline saying 'I can make him love you' is her actively wiping Ethan's suspicions away. There's some lovely, subtle horror in any of these possibilities ‒ I would genuinely love to see all of them explored in fic! But none of them actually come through in the ending we get, and that omission is the single biggest issue that makes that conclusion to RE7 unsatisfying to me.

The whole damn game has been building up to the big confrontation where Ethan finds out the truth and (eventually, if not immediately) finds a way to forgive Mia, so we can still have our happy ending. As much OTT hate as Mia gets, the game is consistent in portraying her as someone who is painfully aware of how bad she’s fucked up, regrets it, and is committed to doing everything she can to protect the man she loves from the fallout of her mistakes.

I cannot overstate how willing Mia is to die to save Ethan, from the very moment she realises she's infected. She does die to save him if you choose Zoe over her. It's so much of why I ship them do hard.

But most frustrating of all, denying Mia the chance to come clean denies her any chance to explain herself. How did she get involved with the Connections? Did she know from the outset who she was working for? Did she genuinely buy into the idea they were finding ways to win wars without losing soldiers on battlefield, that the human casualties of all their work was worth it? If not, why did she keep working there? Was she slowly frog-boiled down to the deep end, did they have dirt on her, did she fear they might kill her if she tried to leave? What excuses did she make to herself as the months or years went on?

It's possible Mia’s the kind of hypocrite who doesn’t care about the human casualties of her employer, just as long as she and hers are okay, but nothing we see from her sells me on that interpretation. And even if she ever was, it's even harder to believe she's still that person after all she's been through.

It aggravates me that the games never gave us answers, not just because I want explanations that cast Mia in a sympathetic light, but because not giving us answers leaves this huge hole in her character. I'd even take explanations that cast her in an unsympathetic light, as long as it all ties together.

It irritates me even more because, even if Capcom wasn’t up for giving Ethan and Mia the big emotional confrontation they deserved, the solution was so simple: let Ethan find Mia’s diary on his way out of the ship. The whole goddamn franchise is filled with diaries and documents where characters lay out their backstories and motivations in ludicrous detail – why does Mia never get one? Just give us a handful of entries dated over the years, laying out her own feelings and anxieties about the job she’s doing. It would’ve been so easy!

It irritates me nearly as much that, even in the few corners of this fandom sympathetic to Mia, no-one seems to be very interested in answering these questions in fic or shared headcanons (and if there are examples out there I don't know about, please do link me to them!) How much did Mia know about what she was getting into when she started working for the Connections? Was it the job she kept telling herself was just until she could find something better, only for that ‘something better’ to never come along? Did she have stains on her record that made it hard to find another job? How much of her lying was a misguided attempt to protect Ethan, and how much was simply about protecting herself? There's so much to explore here!

This is also where I mention that I've already put my money where my mouth on this one, and written up my own take on Mia's backstory, and how Ethan might have found out the truth. You don't have to agree with my version, of course ‒ I mean it when I say I'd love to see other people's ideas too. Heck, I'd even be up for versions where Ethan ultimately can't forgive her, just as long as people come at it from the angle of looking at Mia as a character, not just a one-dimensional-villain.

But of course, I'd still prefer to think about versions where these two do find a way to make it work. It takes a lot to make me ship het this hard, but these two stealth-badasses have pulled it off with style.

[theloganator101]

The Great BNHA Review: Katuski Bakugou, the Character That Ruined Everything

Yeah, that's right, this guy gets his own section in this!

Because he's literally the catalyst that ruined what could've been a good series if he was just left behind after the battle trials.

So by now I’m sure we ALL know who this douche is, he’s part of the main cast who used to bully Izuku and was also the one who gave him that degrading nickname Deku. And from there has become a sort of rival to Izuku to butt heads with... but here's where things kind of start to go wrong.

Hori found himself liking him out of everyone and decided to make BNHA his wattpad fanfiction where everyone loves Bakugou and blows sunshine up his ass whenever he becomes a topic of discussion.

And that isn't even the worst part, no no no, the worst part is that Bakugou himself is a flaming dumpster fire of a character!

He's always yelling everything he says so it makes it hard to listen to him, he's obnoxious and rude to everyone around him, is pretty much talented at everything he does so he comes across as more of a Gary Stu than anything... And he's never. Punished. Once.

At least in a way that's satisfying.

Sure he got put under House Arrest for being out after curfew, but the reason why this doesn't work is because Izuku ALSO gets punished alongside him! When he was only defending himself and couldn't run away! And the fact that Izuku got more flock for it AND was the one to apologize to it... I'm sorry but that's literally fucked up!

And I know there's gonna be some people that'll say:

"Well that's how it is in the real world, it's being realistic of how bullying situations usually goes."

I'm sorry, I don't go to fiction to be reminded of how much the world sucks. I go to fiction to experience a good story and watch characters grow and become better versions of themselves!

But Katsuki Bakugou, never goes through any of this!

He never grows or learns from his past mistakes, he never learns that his behavior is toxic and how it effects the people around him, and he never becomes a better version of himself... In fact he only got worse if the ending is anything to go by!

He just stays the same because that's how the fandom adores him as! A potty mouth arrogant asshole character who happens to be hot in their eyes!

To put it simply, he's a leech to the BNHA story. He sucks away screentime and attention that could've gone to the other characters that needed it to make their stories hit harder. He sucks away the nuance and themes the story was supposed to have in order to keep him in a good light without acknowledging his bad actions. And to hammer in the worst part about Bakugou.

... He prevents Izuku from growing and becoming the main character he was supposed to be. In fact I would even go as far to say Hori probably wished Bakugou was the main character instead, if he loves asshole characters so much, then he might as well make one the main character in his next work.

Edit: This part is an add on as I completely forgot about it and couldn't do it earlier today as I was at work, but now I'm here to fix it.

Bakudeku... this ship is a stain on all shipping. It's literally Abuser x Victim and it's disgusting how people romanticize this so much. And I believe it's this ship that twists their views on relationships and it'll cause them to get into abusive relationships since it's so normalized in this fanon ship that shouldn't even be seen in the positive light that it is.

So to end this part off before we get to closing thoughts, Katsuki Bakugou is without a doubt the worst anime character I have the misfortune of seeing. He's the shining example of what happens when you play favorites and trying to show everyone how great they are.

Fuck you Katuski Bakugou. You ruined BNHA.

[baconcolacan]

ColaLosers vs TomTord: Different Fonts - Same Font Family [short essay]

ColaLosers is rivals-to-lovers and TomTord is enemies-to-lovers. That’s the main talking point of this post. I could end this here, but I really REALLY want to gab about them so indulge me.

It’s probably obvious by now but I’m such an avid fan of the rivals-to-lovers and enemies-to-lovers trope, and yes, I do differentiate the two, but I also think they share an umbrella under the ‘antagonistic’ branch of the relationship types. They’re in the same family, but not exactly the same thing. To me, they are very closely tied to each other but only in a way that they can be viewed as two sides of the same coin, except one side is a bit shinier than the other.

Moving that pretentious preamble aside, this whole yapping session is just me explaining how I personally see ColaLosers and TomTord’s relationships, so buckle down a bit and listen to me over analyze two fictional fanon gay relationships.

Like I said above, there is a lot of overlap in how their relationships are portrayed by the fandom, but I really do think there’s a fundamental difference between the two with regards to the people who are involved in them. Now I’ll be very very subjective about this, because I know that my opinion isn’t shared by the fandom collective, we aren’t a monolith, so take whatever I say next as a personal take and doesn’t reflect everybody’s interpretations, even if I might sound like I’m preaching gospel truth with how I word things.

My opinion is formed by most of what I consumed from eddsworld [of course. i.e. eddisodes and comics] plus whatever crumbs we have of Tord [of course] so it might not even be accurate but like I said; this is the musings of a queer man over analyzing fictional fanon gay relationships.

So, ColaLosers, to me in the fandom they’re very peak rivals-to-lovers. Eduardo does have some unaddressed grievances with Edd, which drives a lot of his actions against him, but all in all, this really just comes out to a competitive drive that he cultivates between the two of them. While yes, he doesn’t like Edd for upstaging him in their past, and quite possibly giving him a minor trauma and inferiority complex, his reaction to him would at most be resentment and at the least irritation.

It doesn’t mean his negative feelings towards Edd is light of course, but his way to go about it is to create competition when he finds opportunity, albeit a little unfair as he doesn’t inform Edd about them, but sometimes he does, like when they both agree to art competitions or when he gives Edd the chance to one up him if he can. See hammer and fail, though he’s very mocking about it and makes a spectacle out of the situation, but we can argue that he’s trying to recreate his minor trauma to make Edd feel what he felt in that moment.

Eduardo, while petty and catty, really just wants to facilitate competition with Edd, partially to prove that he can be at the same level as him or more [mostly more], and he has shown that he’s able to show care about Edd [see PowerEdd] and would rather have them settle their score one-to-one without much outside interference.

In a ColaLosers lens, you can see this as him wanting to have Edd’s full attention focused solely on him, he isn’t looking for approval from people around them, though he may have once wanted that, he’s looking to have Edd’s acknowledgement, someone who everybody seemed to love on principle. Every time he does something, or accomplishes something, who does he tell first? Edd. If he could have his approval, it was more than enough, worth more than enough.

On Edd’s side, the relationship feels like something that drives him to be better. Usually, Edd doesn’t seem to mind the world around him, or what other people think or are doing, while he does have a penchant for competition, it’s mostly on the average level where he strives to prove that he can win it, like most people might when finding themselves in a competitive environment.

When it comes to Eduardo though, he seems to take it a lot more seriously. It might have started out as mild irritation, but Eduardo’s insistence to take his first place, and not a first place, has made him more inclined to defend his position with gusto rather than to prove something, because usually he has nothing to prove, why should he? It usually goes his way, woopie! And if it doesn’t? Who cares? It was dumb anyway.

But with Eduardo, ooh, a point lost to Eduardo would incense him.

Eduardo seems to be the only person who can push his buttons and fuel his drive, usually Edd’s the one who does the gloating, but Eduardo targets him specifically and that just drives him up the wall.

I like characterizing Edd as someone who has a subtle MC syndrome [lmao], and Eduardo is the only person to rip him from his fantasy that the world revolves around him [double lmao. EDDSworld], and that his spotlight could very easily be taken if he isn’t doing his best to defend it.

So yes, ColaLosers, they have an antagonistic relationship, but they aren’t praying for each others’ downfalls, not genuinely at least, and they foster the relationship through competitions and verbal jabbing.

I feel like Edd and Eduardo already know the kind of people they are, while there is room for growth, they’re sure of their positions in life, which makes their relationship already grounded on sure footing, the only thing left for them to do is to learn how to stop stepping on each others’ toes when they dance to their respective songs. They aren’t opposites, in fact, I would say that they’re very similar to each other [lol]. It would be easy for them to compromise, even if their egos don’t outwardly let them or show it. Plus, they might even enjoy their little back and forths.

Now, TomTord, ough good god, this ship is the death of me. I have been obsessed with this dynamic for such a long time, especially since I’m a fan of opposites attracting. Unlike ColaLosers however, they are the enemies-to-lovers ship, and I do mean enemies.

Tom and Tord have never seen eye to eye, they might have started as rivals, but they are unable to fully reign themselves in before they take it too far, unlike how I view what Edd and Eduardo do. Sure the latter can cause some damage to each other, but it doesn’t seem to become as lasting and bitter than when the former do it.

To be honest, I think Tord was the one to try and start a ‘friendly’ rivalry with Tom, but he wasn’t good at reading the kind of person that Tom was as they grew together. Seeing as Edd was his best friend, he might have mistakenly tried to carry over his friendship with Edd, into whatever relationship he was trying to foster with Tom. Edd is much more cavalier about things than Tom is, as despite acting like he doesn’t care, Tom is a very emotional person who’s just good at hiding away his feelings when he’s hurt. Tord could have mistakenly thought that Tom could handle what he dishes out, but Tom instead got hurt and started to harbor a growing resentment for him that was seeded by very negative feelings.

Tom is also known to lash out angrily, so it would be no surprise if Tord and he got into a very bad altercation, it might not even be physical, just really bad, where you know that hurtful, personal, and threatening things may have been said.

I genuinely think that, despite growing up together, Tom and Tord didn’t give each other time to understand the kind of persons they were, not caring enough to get to know each other on a deeper level and instead making assumptions about each other, and with Tom being very quick to anger and retaliate, and Tord perhaps taking things too personally and refusing to back down, their irritation with each other could very well become openly hostile as the years go by.

They do not know how to compromise.

Tom doesn’t care [at least when it comes to Tord], and Tord doesn’t want to learn.

They’re both convinced that the other is a straight-a douchebag. Tom thinks Tord is self-centered and grossly, maliciously, petty, and any positive thing about him, be it his devil-may-care attitude or extroverted tendencies, is extremely overshadowed by his flaws.  Meanwhile Tord thinks Tom is an angry asshole who gets ticked off at every minor thing, although Tord acknowledges that Tom is smart and can truly get in his way if he really put an effort into it, which to be honest, is somewhat of a backhanded compliment considering he thinks he puts his emotions first before logic.

They both have very strong personalities, but their selfishness and self-centered mentalities gets in the way of good personal growth, they both have a lot of issues as far as I can tell. Relationship-wise, they have already shown each other the worst of themselves, and would keep to their hostile relationship if they aren’t willing to disregard their preconceived notions.

I think, really, that any relationship they could start at this stage would purely stem from rage, and would most likely only be physical at the start [emotions are high, and loathing feels very similar to love on a physiological level], it won’t be a very good relationship as neither party is willing to compromise. It’s a doomed relationship, even from the very beginning.

To be honest, they need time apart, so Tord leaving could be a blessing in disguise, their [lets face it] obsession with each other is distracting them from their own personal growth, and becoming a healthier person requires a lot of vulnerability and ‘softness’ that they would refuse to show each other or would find shame in. Without a distracting outlet in their lives [i.e. them antagonizing each other], they would be forced to face the negativities about themselves without fully taking it out on someone else like they are wont to do with each other.

I think they both have the potential to compliment each other [be it good or bad depending on who you ask] but they need time and space to figure out who they are first before trying any sort of relationship with each other, they need to address their own issues before a good and healthy relationship can form. And with their old perspectives on each other, they would be very pleasantly surprised to discover the person behind all that negative light, and find that, well, he could be someone who could understand them, as they had already seen them at their worst.

I find it endearing for love to bloom when the other person had already seen your ugly parts, and slowly get to know the good in you, it’s very easy to fall in love with someone you already feel so strongly about, only to find that they aren’t as bad as you think, especially when it all stems from a misunderstanding, like I believe TomTord to be.

Also, its funny when they get together and be the cattiest fucking gay couple you know, they’ll be gossiping about everybody and be totally vile about it, but what does that matter to them? They’re both assholes, and they love each other, the outside world doesn’t exist to them, they live in their bubble and can be horrible together if they so wished. What’s a more devoted action than pressing the nuke button on everyone together? Date night would be a blast.

Anyway, that’s it I think, thanks for listening, this was awful, goodnight.

[zarpasuave]

Jean is such a precious character to me in Genshin and I love her friendship with Kaeya. That’s why I just can’t handle her being belittled next to him for no reason.

They’re shown to be besties who trust each other wholeheartedly. Jean wouldn’t hesitate to put Kaeya in charge in her absence (like in the 1.6 event) and Kaeya is more than happy to go out of his way to do nice things for her (like organising a party for her in her story quest). This is lovely to see! Because it shows Kaeya is not alone in his misery. He may mostly keep to himself but its a fact that there’s people around him not actively nor indirectly trying to harm him.

They’re still very different ofc, with Jean being righteous and hardworking to a fault and Kaeya being the kind that takes his job a bit more easy with little qualms regarding the use of underhanded methods when necessary. They complement each other! Plus, these characteristics allow for very interesting explorations of their dynamic outside of rivalries. So I really don’t see why one needs to be painted better than the other.

Like, yeah, Kaeya is everyone’s favourite Mary Sue in this fandom and I’m not saying that should change. But making Jean, a character who is canonically his good friend and supporter, be yet another source for Kaeya’s misery in fanon is disheartening.

[neverenoughmarauders]

In defence of Remus Lupin

On behalf of James Potter who is unable to come to his aid on account of being dead.

I don’t for a second believe James would blame Remus for not checking in on Harry.

Firstly, Sirius proves in the way he questions Harry in POA that he believes Harry to be reasonably happy with his aunt and uncle (which is odd given Sirius sees him run away but nevermind). Why would Remus think any differently? He will have believed Harry to be well taken care of. Remus also trusted Dumbledore like nobody else. If Dumbledore believed Harry to be taken care of, why would Remus doubt it?

Remus should still have checked you say, and yes, had he been healthy, I’m sure James would have agreed.

Which brings me to secondly. Throughout the series we see how little Remus values himself. He doesn’t truly seem to believe it worthwhile to fight to keep his position as DADA teacher, when Harry and his class does. Remus believes that his wife and unborn child would be better off without him. And I’m sure he believed Harry to be better off without him too.

I’m sick of people not understanding how real this feeling of people being better off without him feels like to Remus. He’s shunned all his life for what he is. Even the more progressive people don’t want their children or loved ones around werewolves (as proven by Molly in OOTP at St. Mungo’s). Tonks becomes a target to the woman who does eventually kill her because she married Remus. (There’s a real question whether Tonks could have survived the battle of Hogwarts if Bella hadn’t been so set on murdering her). Would running away have helped Tonks or Teddy? No, but that’s missing the point. Remus believes it would. And Remus would have believed Harry was better off without him.

I can’t possibly know what James would have felt but from what we see of James and Sirius’ friendship with Remus, I think they knew better than anyone how inferior Remus felt, how dangerous and contaminated he believed himself to be.

This assertion is not completely unfounded because so did everyone else. As much as I hate the HBP scene when the whole room talks Remus into marrying Tonks, and as much as JKR does an awful job at selling their story as anything other than a doomed, random and forced relationship - the idea is meant to be that they are both in love with each other. The idea is meant to be that the other adults aren’t pressuring Remus into doing something he doesn’t want to do. It’s meant to be them knowing how much Remus will not date or marry the person he loves because he does not consider himself worthy of it. It should have been a scene that was one more data point on how much Remus’ condition affected his self-worth and life choices. A scene in which in the absence of Sirius and James and Dumbledore, the other people in Remus’ life step up to remind him he’s good enough!

In my view it fails to deliver this completely (and it’s a real tragedy as JKR finally takes time to elaborate on just how affected Remus is by his condition), but ignoring the execution for a second - if Minerva, Molly, Arthur and Tonks could see how much Remus would never believe himself good enough, then James and Sirius would know it a thousand times more.

Of course the confident fanon version is a different story. He should have and would have checked up on Harry. But hating canon Remus for not checking up on Harry shows a lack of empathy in my view. Rewriting the story so that Remus was forbidden to see Harry takes away from the tragedy that is Remus’ life: this idea that he believed the world would be better without him - when so many people know it would be infinitely worse.