#I write about them more than about the actual protagonist

[clairelutra]

I saw another post a while back about someone realizing that, even as a bisexual woman, they still preferred to write m/m over anything involving a woman because then they weren't caught up in the eternal comparison of themselves to other women, and could instead just think about the romance.

I think about it a lot, and whenever I see media that tries to be feminist and yet refuses to engage with women other than the protagonist as actual people, i just wish they'd spend more time unpacking that carousel of misogynistic baggage they're lugging around with them.

nice Empowered Female Protagonist. what are her interactions with other women in-story like

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[featherymainffins]

I love fix-it aus for stories where any attempt to fix shit could only ever make everything worse. They're like sitcoms to me.

[desertdragon]

This shit is so ass I just want it to be over

[sabertoothwalrus]

tips for getting people to like your ocs

*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that

you can do things like this:

Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.

My main piece of advice is: get better at writing.

That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)

What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.

what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)

what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)

what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?

how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?

where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?

what time of day is it? what time of year is it? what is the weather like?

Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).

Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?

Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.

Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.

Now go and share your ocs with the world!!!

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[safranatique]

"I could ruin you."

"Please do."

For a second, Suse's eyes are filled with shock. She shakes her head, exhaling slowly "You don't realize what you're saying. Choices such as this have consequences Fred, you should know that by now. This is a no, I will ruin you."

"Please do." The warm smile on his face - the kind of smile only he could pull - and his non-lowering gaze forces Suse to keep meeting his eyes.

"You don't get-"

"I do. I know. And it doesn't change a single thing to me."

He walks off of the table he was leaning on, not living Suse's gaze who froze the moment he answered, getting closer to her.

"Because I am not a child anymore Suse. We're adult now. And last time I checked, the only thing differencing an adult from a child is the capacity to make a choice right ? Well I'm making one right now." He takes her hand, the contact working like a switch to Suse, who take a step a back only to be meet by the wall behind her. And for what must be the first time in her life, she holds her gaze the way she would hold her breath for a few minutes; hardly. "And I don't think it's a bad one."

His soft whisper, and his soft eyes, and his soft hand makes her think it's not a bad one either. Maybe, just maybe if she allowed what those eyes in front of her have been staring at for a few seconds now to touch the object of their desire, maybe it would be worth it. All of it.

But no. No she can't. That would mean being selfish and that, she isn't. So she hold her gaze a little longer, suffocating through his and open once more her now trembling lips, letting nothing but a weak murmur "I will ruin you...".

His lips now so close to hers, light up into another smile, a soft, endearing smile. "Please do."

It's not like selfishness can kill, right? At least it's what she tells herself while her lips meets his, her breath quickly forgotten.

Dialogue Responses

"I could ruin you."

"Do it!"

"You wish."

"Yes, please."

"You could try."

"Empty promises."

"I'm already ruined."

"Let's ruin each other."

"And I want you to do it."

"Ruin? You're so dramatic."

"In a kinky way or a bad way?"

Bonus: "So, we're skipping the fixing and dive right into ruining?"

All the Dialogue Responses can be found here.

If you like my blog and want to support me, you can buy me a coffee or become a member! 🥰

[vivicendium]

i think something that elevates the hunger games franchise is not just the quality of writing but the integrity of it. tbosas isn’t just a cash-grab by suzanne collins in the age of sequels and reboots (though i won’t pretend that didn’t play a part), it’s a character study of the main antagonist with a different structure than the main trilogy. and importantly, it doesn’t just re-hash the same old themes and beats the main trilogy had, it expands on not just the world of the hunger games but the themes as well, it actually has something new to say about the trilogy’s themes about class, capitalism, power, and control, in a way that couldn’t be explored with the main story because the protagonist of that story simply did not have access to the world that’s being explored in tbosas.

i understand the people who call for books/movies to be made about haymitch, finnick, johanna, different years of the games — we love those characters and want to see more of them! i’d kill for a novella on finnick’s days mentoring tributes, or katniss’s parents falling in love. but at the end of the day we probably wouldn’t be very satisfied with those stories being fleshed out if they had absolutely nothing new to say about the world, they’d be enjoyable, but not as interesting and engaging as tbosas has been.

[anyarose011]

Et tu, Brute?

Pairing: Emperor Geta x Reader x Lucius

Summary: You went by many different names: "Rome's Delight", "The Woman with the Golden Mouth", "Geta's Favorite Whore", and "Julia". None of these were your true name; all used just to dehumanize you as nothing more than a slave. When the General Acacius returns from conquering Numidia, and you meet one of the slaves that was brought from the bloodshed, you hope to reclaim not just your freedom...but power along with it.

Part 1 of 2 (Masterlist)

Warning(s): Depictions of rape and SA [not shown], slavery, cannon typical violence, minor Stockholm Syndrome, major character deaths, historical inacuracy [but I tried my best to make it somewhat accurate] and Spoilers for Gladiator II

I saw this movie once, watched Game of Thrones at the same time, and cranked out a story where you, the reader, know how to play "The Game" (but also not because let's keep it kinda realistic) I'm gonna be honest, this might be a hot mess, and I used a script I found online (but Idk how accurate it is). Also, this first part is just mainly story based with the events of the film the SECOND part will focus on reader and Lucius' relationship (including smut, you sluts {I am also slut, don't worry}.

I do want to say though that the depictions of SA are in no attempt to romanticize them. I also decided not to write out the specific scenes because I myself am a survivor, and wanted to focus more on the protagonist's growth. The trauma still affects her story, but I do not want to write rape scenes merely for shock purposes.

Also, if you name is actually "Julia"...no it's not :)

Word Count: 16.1k

It was your own fault, that was what they tried to make you believe.

How dare you not wish to participate in the public baths, how dare you desire to bathe in the place you felt most safe.

Foolish, foolish girl. You were not even safe on your own porch in the house you grew up in.

Your father hadn’t been the wealthiest of merchants, but before he passed into the Elysian Fields after his death that year, he had made a fortune; so much as to buy a bathtub for your house.

If anything, you had bathed at night when you believed no one could see you not for your own modesty, but to prevent anyone from stealing it.

Yet, one particular night, a man had spotted you.

The Emperor Geta of Rome had watched your naked form glisten in the moonlight as you washed the most intimate areas of your body; sighing at the feeling of being clean after the day, only for your soul to feel tainted once morning broken.

Guards had nearly broken the hinges off the front door to your house, and dragged you to the palace. You had lived in that house for your entire life, the same neighbors beside you, yet as you kicked and screamed…none helped.

You had grown tired once in the palace, and the eldest of the twin emperors stood before you. He cupped your chin.

“What is your name, girl?”

You answered him, attempting to speak with venom, but the quaking of your voice betrayed anxiety.

He hummed, repeating your name. “Why are you all alone?”

You huffed. “My mother died in the battle that is childbirth, and my father was lost to an ailment in his loins.”

“You have no brothers?” Geta questioned, his eyes running down your form. “No husband?”

“They called my father strange for leaving me his possessions.”

“He mustn’t have passed on so long ago.”

“Why does the death of my father concern you if you only seek my body?” You questioned.

A smile twisted upon his lips. “Perhaps I like to know my fruit before I devour it.”

And he kissed you.

You had been kissed before, but this was the first time you hadn’t wanted to be. You hadn't expected him to be serious about devouring you. His teeth sank into your chin, then your cheeks, until they were finally upon your lips.

It was the first time, in all your life, you felt your body grow cold and freeze despite his hands wandering over you, pulling at the thin fabric of clothing that covered you.

You fell to the floor, clinging to it desperately as he tried to lead you to his chambers. You had expected him to order one of his men to kill you, or have them carry you…

Instead, he took you right there. He simply lifted his own robes then yours and stole what wasn’t his to take.

All you remembered of that was counting how many pillars were in the room.

You were one of his several concubines. Yet, despite being the newest, you were his favorite.

“Julia,” he whispered to you in the night a month after he had made you his. A month after he had decided to call you by his mother’s name instead of your own. “are you awake?”

You mewled, sitting up. “I am now, my love. What is it?”

Geta smiled, holding out a stack of parchment. “Look at what some of the men found in Carthago.”

You rubbed your eyes as the lamps in his room brightened before looking down at the crudely written words. Geta looked at you in earnest.

“Can you read them?”

A few days prior at him and his brother Caracalla’s birthday festivities, it was revealed that you spoke five languages: Latin, Phoenician, Aramaic, Hebrew, and Greek. Your father had taught you every single one of them to fend for yourself amongst all kind of people.

Now, it was nothing more than a shameless trick Geta used to his amusement.

“Rome’s Cleopatra,” he deemed you in front of the crowd. “the Woman with a Golden Mouth”.

Everyone in that room and all of Rome knew that your ability to speak so many dialects was not the only reason he gave you that title.

Still, as you lay in his bed with crumbling parchment in hands, you forced a tender smile. “Yes, I know what it says. Would you like to know?”

He laid his head in your lap without another word.

Months passed, and he had grown kinder…only when it was night, and even so, that was only when the moon was full.

There wasn’t a day where your body hadn’t ached from the turmoil he put you through. It was hard to discern when he would want you to be small and subservient to him, or confident and commanding in matters of the bed.

The handmaids that were blessed to not be in bed with him would bathe and coddle you as best as they could, for even through your suffering, you tried your best to treat them with kindness.

You didn’t even know who you were after the fourth month of being Geta’s slave.

Gone was the girl who had a peaceful life; there was now the Emperor’s Pet.

General Marcus Acacius returned to Rome after overtaking the kingdom Numidia in the emperors’ names, and it was the first time you were in his presence. It was certainly a surprise that Geta would string you alongside him on personal matters that had nothing to do with sex.

The general would glance at you every so often, and his look of pity felt more violating that any of the times Geta, or his brother, or anyone else in all of Rome had looked at you.

Upon the general’s return, a series of games at the Colosseum were to be hosted, among parties that would last for the remaining week.

The first was at Senator Thraex's home.

“My little Julia,” Geta caressed your cheek as you sat upon his lap in the makeshift throne. “might you fetch me another cup of wine?”

You nodded, taking his cup and kissing his hair. “I shall, my love.”

He ran his fingers down your neck as you got off of him and made your way to the barrels. Yet, as you passed an open door, something caught your eye. Peeking around the somewhat crack in the door, you saw a few men sat in the room, chains around their ankles and their wrists.

One of them, more muscular than the others with brown curls, held his head low. His skin wasn’t as dark as other men from Africa Propria, but not as pale as the Germanic lands.

When his eyes met yours, you saw a pale blueness only seen in the sky on a summer’s day.

Gasping, you hid behind the door for only a moment before looking again. His gaze was still on you. Deciding to end the strangeness of the situation, you spoke.

“I’m sorry.” You apologized.

He said nothing; you tried again.

“I’m sorry.” You said in Greek.

The look in his eyes changed to confusion, but he said nothing.

“Hebrew?” You questioned. “Aramaic? Phoenician?”

“You speak Phoenician?” He asked as if he hadn’t heard it in forever.

You nodded. “I speak five languages.”

“Ah,” he answered in your native tongue to your surprise. “Rome’s Cleopatra.”

Your nose scrunched as if you smelt something rotten. “You understood me the first time?”

“I did.”

“So why not say anything?”

“What am I to say to your pity?”

You hummed. “I do not pity you, I was showing respect.”

He scoffed. “Respect? Am I a man that looks as if I deserve respect?”

“I believe every man deserves respect so as long he is kind.” You glared at him.

The man shook his head, sighing. “You are a foolish child if you believe that men can be kind.”

“I haven’t for quite a while.” you stated. “I pray that it is the hope that kills me.”

He questioned. “And not one of the emperors?”

“What is your name, slave?” You crossed your arms.

He huffed, drawing his eyes away from you and clenching his fists before relaxing them. “Hanno.”

You nodded. “They call me ‘Julia’.”

“But that is not your name.”

It was blistering hot that particular day, but you felt your body run cold; the same cold you felt when Geta…when he first…

“Who says it is not my name?” You challenged.

“You are merely a concubine,” he said. “you are not a part of his lineage, and therefore, your name is not ‘Julia’.”

You do not know why you seethed with so much rage from his words. You did not even spit on him; you merely stomped away from that door, filled up the emperor’s cup, and went back to Geta.

“It took you nearly a millennium to come back, my sweet.” He scoffed yet kissed your bare shoulder. “I was beginning to worry.”

You shook your head, leaning against him as you sat on the arm of the throne. “You mustn’t over me, my love.”

“You seem distressed.” Caracalla teased beside you. “This is a festivity; you should be merry!”

All you did was smile and nod. It was a pleasant change from the parties you were forced to attend in the past; you weren’t the center of attention, and this was the first time Geta dressed you in the bright colors everyone else wore instead of white.

You could pretend you were royalty for a day.

Not so long after you came back, both Thraex and Macrinus, a stable master who traveled far and wide for new gladiators, approached with their own champions to fight.

You were not even at the Colosseum, and yet, violence still had to be played for everyone’s amusement.

Hanno entered from the door you had previously been at, and another man entered from the opposite side of the room. Both were given swords.

“Brother,” Hanno began. “let us not kill each other for their amusement-.”

The other man struck him without hesitation. You had seen fights before, but none like this. It was ruthless, quick yet drawn out. Hanno lost his sword in the middle of it all, leading to him smashing a flowerpot over his opponent’s head.

The fight was still not done, he rose up on his feet and took his sword from the ground, raising it high above him. Hanno, against all odds, knocked him back onto the ground and took the sword just as they both sood, stabbing his opponent in the chest.

A chorus of cheers and groans echoed in the room. Geta arose from his seat, laughing and applauding as you sat there, eyes as wide as they could be at the bloodied sight before you.

“Remarkable! Gladiator, which part of the Empire do you hail from?” He questioned Hanno. Hanno stood stoically, glaring at the emperors before him. Geta tutted, turning to you. “Julia, open your golden mouth and-.”

“-The gates of hell are open night and day.” Hanno interrupted in the common language. “Smooth the descent, and easy is the way: But to return, and view the cheerful skies, in this the task and mighty labor lies.”

Geta smiled. “Ah…a poet!”

The rest of the world fell away as you could not tear your gaze away from the man laying on the floor. If he hadn’t died from his wounds, he would’ve from choking on his own blood.

“-You understand, don’t you?” Geta asked.

You sat in your own personal chambers that night for the first time in a while. You were never overjoyed to be in his bed, but being sent to your own perplexed you.

Then, he simply told you that you were to be General Acacius’ for the night.

“He’s sacrificed so much, my little Julia.” Geta combed his fingers through your hair to soothe you. “I refused him once already; I cannot do so again. Do you understand?”

The emperor had never shared you with anyone. He wasn’t delicate with you, but at least you knew what to expect.

He clenched your jaw. “I do not care to ask you a third time, girl.”

“Yes,” you squeaked. “I understand, Geta.”

Nodding, he softened his hold, leaning his head against yours. “You are still mine alone; I promise, it will only be us after tonight.”

You swallowed thickly. “Okay.”

“There she is.” He kissed your lips before pulling away and standing. “He will be in right away. Do not fret, I told him to be gentle with you.”

Geta left through your chamber doors without another word. There you were, sitting on your bed, draped in silks you should have known were given to you out of lust and not out of kindness. Your eyes trailed to the empty vase on a table beside your bed.

You didn’t know what possessed you that night, but you yanked it off the table, and smashed it on your bed. The handle of the door began to rattle. Quickly pushing the shattered pieces under your bed, you hid a shard behind your back and sat at the head of the bed.

In came General Marcus Acacius, wearing only a thin overshirt that went down to his knees. You’d done this game of seduction many times with Geta, how different could it be for him? Grabbing the bottom of your night dress, you raised it until it bunched up your thighs, revealing your bare center to him.

He took a hitched breath. “My lady-.”

“-What troubles you, general?” You asked then smiled with gritted teeth. You felt your hand begin to ache as you squeezed the vase shard.

Marcus furrowed his brow, and as if he already knew, he said. “Cover yourself and show me what is behind your back.”

Your eyes dropped along with your heart. Still, as his face turned into a scowl, you cooperated. Handing him the shard and quickly pulling your dress back down, you spoke with intensity.

“If you will not stab me before you rape my corpse, then I shall throw myself from the nearest window and allow the people of Rome to defile me. I will not lie on my back and take it anymore.”

He took a deep breath, holding the sorry excuse for a weapon in his hand. “It is unwise to tell the enemy your plans.”

…What?

“It would serve you greatly to control the faces you make before harming a man as well. Yet, above all,” He held the shard out to you. “your enemy is not afraid to kill you; you should feel the same.”

“Why do you tell me this?” You asked, still not believing it.

Marcus sat up. “I believe we can help each other, my little dove.”

“How?”

He lowered his voice. “You have heard of the gladiator Maximus, his dream of a free Rome, yes?”

“Yes.”

“A dream that cannot be obtained from the rule of two emperors.” He lamented. “My wife and I, along with several others, plan…to fulfill our shared dream.”

They were going to overthrow Geta and Caracalla.

“What gives you reason to believe I won’t say a word of this to them?” You asked.

He smiled for the first time since you’d seen him. “That freedom belongs to you.”

“I…I’m still lost. How will I be of any use?”

“Emperor Geta favors you considerably. He is a man, and not a cunning one at that. There are ways to wear foolish men down.”

You nodded, beginning to understand. “There’s always a woman.”

“There’s always a woman.” He solidified. “Gain the trust of the public; make them love you, and they will not see the emperor’s whore but a woman of the people.”

“And how will that dethrone them?

He smiled. “My wife and I will meet with the counsel tomorrow night. I will send for you.”

You scoffed. “Geta said that after tonight I am just his alone.”

“Then I’ll refuse to give him Persia and India.”

“He’ll have your head.” You berated. “Besides, I don’t think he’d believe my cunt would be worth two countries.”

Marcus shrugged. “Considering he only wants you to himself, I have no doubt that it is worth that much. But I am unable to confirm it.”

You sighed. “Even if he’ll allow it, he’ll send a guard with me.”

“I am not one to invite a third into the bedroom.”

“Then where shall-?”

“-Little dove,” he interrupted. “the city was not built in a day, therefore it cannot be emancipated in one.”

Gods help and forgive you for being impatient on wanting to be free. Still, you composed yourself. “Alright.”

He nodded, standing up. “I will be seeing you on the morrow, one way or another.”

“Okay. Thank you.”

“For what, child?”

You swallowed thickly, avoiding his gaze. “Not forcing yourself upon me.”

Marcus’ face softened, and he lowered himself to your height as you sat on the bed. He took your face into his hands, and you immediately tensed when his face drew closer to yours.

“Don’t be afraid,” he whispered. “it’s not that kind of a kiss.”

With a tenderness that reminded you of your father, he placed his lips on your forehead and pulled away. Giving you one last knowing nod, he promptly left your chambers.

You wanted to do nothing more than shed tears of happiness, yet for no reason at all, you could not cry.

Your father had only taken you to the Colosseum to watch mock animal hunting. Even when your friends invited you to watch gladiator fights or other public executions, he had found ways of making you stay far away from them.

There was a strange humor in sitting in the best chair for your very first gladiator duel. That being in the front as Emperor Geta ran his hand up and down your back.

In utter honestly, you tried to stray your attention away from the fights, speaking more with Caracalla of all people. He was more erratic than Geta by far, and it was more difficult to tell when he would be kind one moment, then out for blood the next.

Yet at least he was open about being cruel, unlike his brother.

When you would watch the fights…a familiar face seemed to catch both you and the general’s wife’s, Lucilla, eye.

The man with light skin yet hailed from Numidia…Hanno.

You hadn’t recognized him at first, for it wasn’t his mere presence that drew you to finally look at the event before you. No, it was the way he fought.

Most men previously had attacked with brute force; just stabbing the beast and hoping it would die. Hanno fought with wit. Simply using the sand beneath his feet as an advantage, blinding and tricking the rhinoceros to run directly into the wall.

He was cunning…he commanded the men beside him as if it weren’t the first time he’d done so in his life.

Then, when it came to deciding his fate when all seemed lost…Geta turned to you.

“My love,” he played with a strand of your hair. “shall I show the poet mercy, or bloodshed for your entertainment?”

Even if it weren’t Hanno, your answer would have been the same. “Mercy.”

As a hush fell over the crow, Geta rose his thumb up, sparing him. As cheers erupted, Hanno shook his head.

“No, no mercy.”

Geta furrowed his brow. “Gladiator, we have spared your life. No one refuses-.”

“-I would sooner face your blade than accept Roman mercy!”

Thus, the fight continued. An act of defiance…Peculiar…Quite peculiar.

Both you and Marcus were correct about the night; Geta did indeed allow you to go to the general’s house, but only if you were escorted by a trusted guard. When you arrived, Marcus immediately draped you in a cloak, practically covering your face and had excused as not wanting the staff to tell his wife of who he was bringing into their house.

Marcus led you into his chambers, and there you saw two people. Apparently, they weren’t even apart of the counsel; simply paid to pretend to be both you and the general as the guard would listen outside, assume it was the two of you fucking.

He had certainly thought through every little detail.

Marcus pushed on a stone in his chambers, revealing a hidden door. You had only heard of these within stories, and as he led you down the darkened passage with only a torch in one hand, and the other holding yours, you had never felt more alive since your past life had been stolen.

You were welcomed to a room filled with dozens of the senate you had passed by in the palace. How strange it was to see them all huddled into a dimly lit room, plotting the demise of the men they initially swore to serve.

An arm looped through yours, and it was Lucilla. She whispered into your ear.

“Whatever you have to say, speak it to me, and I shall speak to them.”

You turned. “Why must I not speak for myself?”

“I only allowed you to be here if Marcus agreed to not let your voice be heard.”

“What?”

“I will explain more to you soon after, I vow it.”

Thus the meeting began. In all truthfulness, you were only able to understand the bare minimum: In a few days’ time, Marcus would lead five-thousand men into Rome to overtake the thrones of the empire, and thus destroy them, restoring the Roman Republic.

When the conversation turned to you, you were merely referred to as an informant who had the closest relationship to the emperor.

It still perplexed you as to why you needed to remain anonymous; there was an excellent chance they would know you as ‘Geta’s Favorite Whore’.

Yet, you did your best to inform the counsel of a plan you had simply created on the spot (they did not need to know the latter part of it).

You would gain more favor from the public, while at the same time, putting Geta’s worries to rest about any uprising or dislike from the majority of the empire.

How you would do that…it was fortunate that they didn’t ask you to give specifics.

Once the meeting ended, you were taken back up from the secret passage, yet instead of going back to the chambers, you felt Lucilla take your hand and lead you down another path.

You couldn’t even get a sound out before she said. “It is alright; he knows I want to speak with you in private. We will not take long.”

She led you up into the bath area of the house. It was quite beautiful; the tub wasn’t made of porphyry, but that did not make it any less exquisite. There was something about it being lesser of the baths you’ve had in the palace. It wasn’t entirely reminiscent of the one you had at home…

But you felt safer.

Lucilla had been gentle in pulling off your robes, and never once did it feel wrong. You were a woman and so was she. She never pulled or scratched your skin, and you knew that she only felt sorrow when she gazed upon the bruises and wounds you had received from Geta.

“How long have you been at the palace?” She questioned as she carded herbs through your hair.

You glanced at her, sighing. “I’ve stopped counting…months, I know.”

“Were you forced to leave any family? Brothers, sisters, children?”

“No. My mother died birthing me, and my father was taken half a year ago to an ailment emperor Caracalla also suffers from.”

She hummed. “Have you ever been in love?”

You laughed the most genuine laugh ever since you became a slave. “Why on earth would you ask that?!”

“I am merely curious!” She teased. “You are truly beautiful, and there is no doubt that men would throw themselves off cliffs for you; but it matters most of who you would choose.”

Her question scraped your mind. There had been times you were fond of, even lusted over, men both your age and older…but love? The only one you experienced would be storge; perhaps philia…but eros? Agape?

“I don’t think I have been.” You answered. “Have you?”

She nodded, a forlorn look in her eyes, but smile upon her mouth. “Twice.”

“Twice?” You couldn’t help the nervous giggle that left your throat. “It can happen twice?”

“It’s possible, yes.”

“And who have you willingly fell captive to?”

“Marcus is the most recent, though there are days I do not understand what he sees in me. Then…the father of my child.”

Lucilla poured water upon your head to wash out the soap in your hair, and a silence fell over both of you. One that was broken when you spoke a name.

“Lucius…”

She nodded. “Yes.”

“He-he had gone missing all those years ago, hadn’t he?”

“He had.” She ran the bar of soap over the top half of your body. “I believe he must’ve been around your age when he ran away.”

“And there hasn’t been any sign of him since?”

“No.” She answered right away.

You curled into yourself. “I apologize if I upset you my lady-.”

“-No. I…I love talking about him.”

You managed a gentle smile to soothe her. “What was he like?”

“Headstrong.” She chuckled. “Wanted to become a gladiator more than anything in the world. Yet, he was gentle, and kind as well. He…I believe he would’ve adored you.”

You shook your head. “Maybe when we were children, but I don’t think so now.”

“It’s hard to judge.”

Whilst the air between you turned into more intimate topics, the question that had weighed on your mind was brought to light. “Why did you not allow me to speak or show my face tonight?”

Lucilla stopped her ministrations. You looked up at her, and the look she wore bore an exhaustion that you had felt recently.

“I know too well the cruelties of men.” She began softly. “My brother had done everything to keep me from ever resisting him…he had done everything. I had only wished for someone to be there with me at every moment when I faced his abuse.”

Words; simple words that meant everything to you was what made you weep.

There was no warning at all. Once she was finished, tears sprang to your eyes, and you felt your sinus clog up. Even as you tried to tear yourself away from her comfort, she merely wrapped her arms around you in an embrace from a mother you had never felt.

“I don’t want to go back.” You begged. “Please don’t let me.”

She kissed your hair. “I’m so sorry.”

“No!” You sobbed. “I-I don’t want to! Please, please, you can’t make me. I-I-I-!”

Lucilla shushed you, rocking you back and forth. “Do not weep. You will be free beside all of Rome, and the past months of your life will be nothing more than a distant, horrible dream.”

You pulled away just enough to look at her. “You-you must promise me something.”

“My child-.”

“-Promise me and I shall help you overthrow them until my last dying breath!”

She stared for a moment before nodding. “Yes. What is it?”

Your lip quivered. “When I die, you must bind my legs with chains or ropes when you bury me. I have,” you whimpered. “I have been told of men who dig up the bodies of girls and…”

Lucilla kissed your forehead before holding you once more. “I vow I will honor your wishes.”

All you could do was believe her.

There were more times than not the Emperor Geta would talk about filling you with his seed as he bedded you. You never were able to discern if he was serious about wanting to give you a child (they would be his, not yours).

It all became too real when you didn’t bleed that month.

Yet, you also did not feel sick in the morning, and your breasts hadn’t swelled. You still had urinated on wheat seeds for several weeks, but they had not sprouted.

You weren’t with child…yet there was nothing stopping you from convincing Rome you were. It would certainly be a risk; for there was no telling how Geta would react. But that was a risk you were willing to take.

Once a week, you were allowed to go outside the palace during the day, and you had chosen then to venture out into the numerous markets. It was nice to speak with the merchants you knew from your childhood. Some were elders who would watch over you when your father was busy, others were friends who had grown up with you.

“Now what would a little empress want with commoner’s food?” A man’s low timbre voice asked behind you.

Turning your head, you saw Macrinus standing before you with a curious grin. You mirrored it. “That’s not an appropriate title for me.”

“Ah, you are correct.” He nodded. “My apologies, ‘Lady with The Golden Mouth’. Or do you prefer ‘Rome’s Delight?’.”

“You may call me whatever you wish if you’d like.” You forced a laugh and turned back to the merchant you had known since you were a babe. “I’ll take a sack of wheat and small bag of garlic, Gaius.”

“Of course, lady Julia.”

Not even a childhood friend could say your real name. A tight smile formed upon your lips when he turned to sack the wheat before you. Macrinus spoke again.

“You still didn’t answer me about why you’re exactly here.”

“I am not an empress.” You turned to him. “I am not a queen from another realm, I am not even a lady. I am a lowly whore that was fortunate enough to be chosen by the emperor. I like to keep my own schedule from before, so I am aloud to bake my own bread.”

He hummed. “Is that so?”

“Yes.”

Gaius handed you the sack of wheat and garlic, and you held out three silver coins. He shook his head. “No, just a copper-.”

“-Please.” Was all you said.

He hesitated, then took them from you, smiling. “May Fortuna rain a thousand blessings upon your head.”

“And unto you as well.” You curtsied and turned on your heel to leave.

Macrinus walked beside you. “How generous you are.”

“I try to be.” You decided to change the topic. “You are in charge of Hanno, are you not?”

“I certainly am, why do you ask?”

“Just out of interest.” You shrugged. “There is talk of him being similar to the one Maximus from years ago. Many admire him already and it has only been a day.”

Macrinus laughed. “It is my duty to entertain the people. I noticed though that you are more prudish of the games.”

“I must admit, I am not used to the violence.”

“A sheltered girl?”

“Ashamedly so.”

“There is no shame at all. So, it is the Numidian that has captured your affection?” He teased. “How scandalous for the young empress to fall for a slave.”

You chuckled. “Nothing of the sort, I just find him amusing.”

“Oh, I am more than happy to let you see him alone if you ever so desire. You don’t need to wander upon him at another party.”

Your carefree air fell once he asked that. “I don’t know what you-.”

“-It’s alright.” He interrupted. “There’s nothing wrong with being curious, I am only concerned for your own safety.”

You stood taller, a shy smile upon your lips. “I am capable of taking care of myself, sir.”

“Of course my lady, why else would you be out here in the streets of commoners without a chaperone?”

Purposefully, you turned onto one of the crowded piazzas where the music and laughter was the loudest. You grinned from ear to ear.

“Oh please, don’t tell me you volunteered yourself to keep me safe.”

He laughed. “No, just wanted to say hello.”

You didn’t have time to respond, as one of the performers had recognized you. Ah, a girl that lived in the house across from yours when you were children! You still remembered her name, and after you passed your belongings to Macrinus, she pulled you into the circle of performers, dancing with you.

You laughed the most you had that year; in fact, you swore your bruised your ribs just from the sheer joy you felt. You don’t know how long you danced and sang with those who were your neighbors and friends, but just as you felt your feet begin to give out, Macrinus put his hand on your shoulder.

“I believe you should go back to the palace and rest.”

Nodding, you said farewell to your companions and took the bag of wheat and garlic back from him. “You are right, thank you so much.”

He grinned. “Let me escort you back.”

“No,” you walked ahead of him. “I wish not to bother you anymore. Good day, Macrinus!”

You lost yourself in the crowd, purposefully making it harder for him to follow. Once you were in the palace, you rushed into the kitchen, holding the sack of wheat behind your back, you greeted the cooks and snuck into the small pantry. You set the sack down on a shelf and pocketed two single reeds, along with an onion.

That night, Geta had called you into his chambers. Before going, you had cut the onion and brought it to hover around your eyes. You were crying by the time you were at his door. Immediately, he took notice of your reddened eyes and tear-stained cheeks.

“What is it, what’s wrong?”

You shook your head, only crying more. It was less because of the onion now, and just everything coming down crashing onto your shoulders once more. Geta pulled you into his chambers by your shoulders, sitting you on the bed.

“Tell me now what is bothering you.” He commanded.

You shook your head. “I-I can’t-.”

“-Now, Julia!”

Taking a deep breath, you reached into the pocket of your breast, taking out the two reeds and setting it in his hand. He furrowed his brows.

“I do not understand.”

You took a deep breath. “The handmaids have given me wheat and barley seeds ever since I have arrived. If they grow, then that means…that means I am with child.”

The look on his face spoke it all. You were certain you were dead.

“I-I didn’t know how you would feel, and-and so I-.”

He crushed you in an embrace, attaching his lips to your jaw. “Jupiter has blessed me.”

It was the first time you felt happiness in his presence. Of course, not because of him, but still joy. You returned his embrace, sighing in relief. “You are happy?”

“Happy?” He pulled away, holding your face in his hands. “There is nothing in this world that could sadden me right now. I will have an heir.”

As long as it was a boy (if it were real at all).

You feigned your smile and leaned into his touch. “I am fortunate to give you one.”

“And I am most fortunate to have you.” He laid down and brought you with him.

Perhaps, in another life, he was kind to you and didn’t only value you until you gave him a child. Perhaps you would be in love with him, and he would make you empress

But you weren’t fortunate to be born into that fantasy.

You wished nothing more than to sit with Marcus and Lucilla as you made your way into the emperor’s booth of the Colosseum. The three of you had managed to speak to one another, but only about meaningless things. Still, you just enjoyed their company.

 It would be more exciting that day. A naval battle, the Naumachia. The arena was filled with water and sea creatures you could never even possibly imagine. It was a wonder in and of itself how all the ships managed to fit themselves in the arena.

“Caracalla,” you said to the brother beside you as you were about to take your seat. He looked up upon hearing his name. You handed him the bag filled with garlic. “I finally found some for you.”

He grinned from ear to ear. “And you say that if I mix this with myrrh, I shall be cured?”

“It should treat the lesions on your skin.” You corrected. “This is what I did for my father.”

He died of the same ailment, but Caracalla didn’t ask; simply smiled. “Thank you, dear sister.”

You nodded, sitting down on the arm of Geta’s throne that would have put you in the middle of him and his brother. He wrapped his arm around you.

“You’ve been far kinder these days.” Geta pointed out.

“Perhaps that means I’ll be the most agreeable mother.” You jested, kissing his cheek.

He smirked, and as the man on the far end of the Colosseum began to announce the games, Geta stood up and rose his grail.

“I would like to propose a toast!” He yelled. The crowd fell silent, and you felt your skin crawl away from you. Geta continued. “To the health of wives and to mothers. Especially to my lover, Julia, who carries my son the moment as we speak!"

An eruption of applause and cheers filled the stadium. You blushed upon the praise, and genuinely wanted to hide yourself from the gaze of everyone; especially the ones closest to you. You could feel both Marcus and Lucilla’s eyes on you, attempting to hide their shock and perhaps horror. The worst was that of Macrinus.

He knew. Just from the look of him (or perhaps it was your own paranoia), but he had to have known from the moment you bought the wheat.

Still, they all applauded, and ones the excitement of your supposed pregnancy died down, the enthusiasm for the battle was born.

It was perhaps the one event you could stomach. While you could still clearly see men dying, it wasn’t as horribly bloody as the prior. Were you becoming numb to the cruelty of these games because you were pretending…or were you letting the game invade your head?

As several ships collided within the growing chaos, men would either die from their fellow man or would simply fall into the water and be devoured by beasts you had never seen until then. Your eyes had been following Hanno the whole time, whether purposefully or not.

Words could not describe the terror that had been brought upon you as you saw him aim his crossbow at the booth you sat in.

You did not think the arrow would pierce you, but it did. It longed into your right shoulder, and a cry you had no idea you were capable of making tore through your throat.

Tears blinded your vision, but the screams from the whole arena deafened your ears you could not even hear what Geta was saying to you.

You could barely make out Marcus’ in front of you as he snapped the body of the arrow and then hoisted you into his arms. You’d never been carried like this as a woman; only as a child by your father.

The heat of Rome felt hotter that day as the pain in your shoulder only grew tighter and tighter as if your skin was going to stretch away from you. The next thing you knew, you were laid upon a cold, solid surface, and sound returned to your ears.

“It’s alright, you’re alright.” Geta shushed, brushing your hair. “You’ll be okay.”

Someone stuck their fingers into your wounded shoulder, and you could only scream. A tender hand laid itself on your cheek, and just from touch alone, you knew it was Lucilla.

“Do not touch her!” Geta hissed, swatting her away.

“No, no!” You whined, reaching out and holding onto her.

Lucilla dropped to her knees, kissing every part of skin that was available, mumbling. “I know, I know. This too shall pass, you are stronger than you believe, my dear.”

Then, just like that, you felt the arrowhead leave your body. The pain was still excruciating beyond belief, but all that was left was for your arm to be wrapped in cloth, and to rest.

One of the guards in charge of the gladiators approached you when you were finally able to sit up.

“My lady,” he began. “did you happen to get a look at the man who shot you?”

“She’s only starting to recover!” Geta snapped. “How dare you. She carries my child, and-!”

“-It’s alright, Geta.” You soothed.

You could’ve done it. Told him with full confidence that it was Hanno. There would have been your chance of power; to kill the man who had nearly killed you.

Yet…you were vindictive and wanted to do it yourself.

“I have no memory.” You told him. “It happened so fast.”

How horrible it is that Geta would stop forcing you to pleasure him only when you were supposedly with his child and injured. You assumed that if you were suffering from only one of those ailments, than he still would’ve held you down and used you.

You thought nothing else would happen that night. You would simply speak to one another, pretending to be completely enamored by his existence, and then lie down to sleep.

Of course, that would be too peaceful.

You were awoken gently, to your surprise, by Geta shaking you. Humming, you rubbed your eyes. “What is it?”

“The general and his whore wife.” He gritted his teeth. “They planned to kill us.”

You shot right up, forgetting about your injured shoulder, and let out a cry. Geta helped you stand, and that was when you saw Caracalla standing before you, his monkey companion Dundus perching upon his shoulder.

“How-how do we know?” You stammered, not having to feign your terror.

Neither of them answered, and the three of you were led out into the throne room. There before you in their night clothes just as you were, Lucilla and Marcus.

Geta approached them first, seething. “The honor, the dignitas that Rome has bestowed upon you. All this you have forfeited by your treachery. Thanks to the civic virtue of men like Macrinus and Thraex your insurrection has been revealed-.”

 “-Torture me if you want,” Marcus shook his head. “but please, don’t lecture me.”

Geta’s face turned almost as red as his hair. “Your name and deeds will be forgotten, lost to history! You are damned to oblivion!”

“You damn me?” He laughed. “I don’t care. Everything is forgotten in time. Empires fall… and so do Emperors.”

Caracalla rose from his seat, reaching for his brother’s sword. “Why wait? I'll gut him right now!”

Geta grabbed onto him. “Brother! Brother! His death must be public.”

“Public, yes. Hang his entrails from the city gates!” He pointed at Lucilla. “Crucify her!”

“No!”

All eyes fell on you after your outburst. Even you froze in place, feeling bile begin to rise up within you. Geta let go of Caracalla. “‘No?’ You say? What would you have me do then?”

Swallowing thickly, it was hard to speak as tears began to fall. You held your stomach. “Crucifixion is…it’s…”

His face dropped into a scowl. “You aren’t saying I should let them live, are you?”

“No-!”

“-Then which is it?!”

Your voice fell silent as your chest constricted, and you could barely breathe. Your mouth would move, but nothing came out; not even strangled noises of desperation.

“If I may, your grace,” Macrinus stepped forward. “I believe she means to bring equal punishments to the crimes committed.”

Geta furrowed his brow. “I do not know what you speak of.”

“Please, let the rest of them out of the room so I might explain more clearly.’

He considered his words, then turned to his guards. “The criminals to the dungeons, my brother to his chambers, and my love-.”

“-I wish to be alone tonight.” You stated.

The emperor scoffed. “What?”

“The babe.” You began. “I-I have helped many women deliver their children, and what has always caused an early birth is stress. I-I cannot take any-anymore of it, or I fear…”

Finally, he took in the sight of your fearful face. Sighing heavily, he said. “Put my lady in her chambers for tonight.”

“Thank you.” You kissed his hand.

You were led into your own chambers, and once the door was shut, you threw yourself onto your bed and wept. You wept until you were wailing into the night, you wept until your eyes were as red as the sun in the morning, you wept until it hurt to continue to do so…

It was unknown how long you had cried, but the opening of your bedroom door is what alarmed you. Snapping your head over in the direction, you were shocked to see Macrinus.

“The general and his wife’s fate has been decided.” He stated.

You held a pillow to your chest, rubbing your reddened nose. “And what is it?”

“The emperor has chosen to let the gods decide, and Acacius will fight against Hanno tomorrow in the arena.”

“You mean you convinced him to.” You glared.

Macrinus approached you. “May I try some of the bread you have baked, my lady?”

You held no confusion when he asked you that. Surprise, yes; but you knew what he asked. You took a deep breath. “I believe I don’t understand.”

“The wheat you bought only days ago.” He reminded. “You said you would bake your own bread. Surely, you didn’t use it as false proof of you carrying the emperor’s heir?”

You didn’t dare look at him. Even when he laid his hand on our back, rubbing circles over your nightdress. “I wish to help you, my child. You must be willing to help me first.”

That was why he also didn’t alert Geta of your betrayal…unless, he had no idea of your alliance with Marcus and Lucilla.

“What is it that you want?” You asked.

“All in time.” He soothed. “I wish to give you the privilege to speak to someone.”

You finally looked at him, your eyes wide. “General Acacius?”

“No.” He shook his head. “I am unable to escort you to the dungeons below the palace. Yet, I can take you to the pit of gladiators.”

“It is easier for you to take me out of the palace than below it?”

“Take you to the man who nearly overthrew the emperors?” He chuckled bitterly. “Not possible. I cannot grant you the gift to say goodbye, but I can allow you to bargain for his life.”

You blinked. “Hanno?”

“Correct.”

“How can I leave the palace at this hour, after what has just happened?”

“You underestimate the silence men will take when it is weighed in gold.” He tutted. “I can only give you ten minutes with him. Will you go or not?”

You were forced to decide quickly…This could be your chance. He had nearly took your life the other day, and the pain in your shoulder was just a growing reminder of that. If he were dead…there was no way you could overtake him.

Yet, you learned that, in a world of men, you didn’t have to be stronger than them: Only smarter, and faster.

“I will go.”

You had hidden a kitchen knife under your bed the moment you had your own chambers. Geta had gifted you several colorful ribbons he loved to see you wear in your hair. He perhaps did not expect you to tie one around your waist under your gown, securing the knife.

Macrinus led you swiftly from the palace to the gladiator pit, which was thankfully not a long walk. You ignored the stares and intrigued calls from the other men as you treaded the halls. You were stopped by a door. Macrinus didn’t even warn Hanno who stood shirtless in his cell, only opened the door and let you enter.

“I’ll rattle the door when it’s time.” That was all he said and left.

Hanno didn’t even seem alarmed. “And what is Rome’s Delight doing here?”

Your blood boiled upon seeing him, yet you remained calm. “I have come to make a bargain; a plea.”

That was when the puzzlement appeared on his face. “And what is that?”

“The man you will fight tomorrow, you must spare him.”

“Why should I?”

Your grief and despair had made itself known to everyone around you for the past few days; yet, in that cell, only with Hanno as your witness, did he see your rage.

“He is the one who saved my life when you meant to steal it!”

The only change you saw in him was his jaw clenching. Other than that, nothing. “The general?”

You only nodded.

He sighed, brushing past you and shaking the door. “Macrinus!”

“What are you doing?” You hissed.

“I will not have you waste your breath on that man.”

“I will give you anything you desire.”

Hanno faced you. “Then you can deliver his head on a platter for me.”

You gawked as he walked away.  “What have I ever done to you?”

“What?”

“Do you truly hate me that much?!” You turned back to him, getting closer. “Kill the man that is the reason I am still here?”

The last thing you thought you would hear left his lips: A laugh. No, not a genuine one. One that you yourself have released on multiple occasions when you have been in disbelief.

“You truly believe everything that happens is because of you?” He taunted. “Has the emperor been filling your mind with so many delusions of grandeur, you can no longer conceive a world where you are not the center of it?”

“Is it so difficult for you to answer my question because you are a fool, or because you wish to not admit it?” You hardened your tone.

“What is your question, my empress?”

“Why did you shoot me?!”

“The arrow was not meant for you!”

You felt your shoulders drop upon the confession. Your aggression ceased only because of your bewilderment.

“Then who?” You asked.

He backed away. “The general you so wish to defend.”

“Whatever it is that he has done, it can be solved with-.”

“-He murdered my wife.”

Hanno said it so easily. No pain, no rage, nothing. It was a fact, and that was what he wanted you to know.

And how stupid you had been. No one in all of Rome was pure of heart; including Marcus. He was a war general; how could you think he wouldn’t have committed sins against the innocent?

“Why so silent, my lady?” He asked. “Are you in disbelief that he has enemies?”

“I didn’t know that.” You admitted.

“That the general is too a monster, or that he killed the only thing in my life worth living for?”

“And that is your desire?” You prodded. “Take his life so that he may die knowing his wife will be ravaged by wolves?”

When he charged at you, you barely had enough time to reach in your dress and unsheathe your knife. Hanno stopped himself just in time for the tip to kiss his chest. Nothing to cause any more harm than a scratch.

Even though you were not the one hurt, you breathed as if you were. He stared down at you as you shrunk under his gaze, and the two of you remained frozen. That is, until he grabbed both your wrists, and rose them above your head.

“I am only merciful because the general still breathes.” He spoke so only you could hear. “If your bastard of a lover had put him to the sword this night you chose to visit me, you would be dead before you could scream.”

Your nose was an inch from his, that was how close he stood to you. His breath caressed your skin, and you turned away in disgust. He let go of your empty wrist, yet still held the one with the dagger.

“Did you believe you could kill me tonight?” He asked, yet you said nothing. Hanno then brought the dagger to his breastbone, angling it upward. “Do not stab head on; stab up.”

Silence and an iron gaze was your reply.

He then hovered it to the pulse point of his neck. “If you want a quick death, right here; with a thinner blade, preferably.”

Then, he placed the tip just above his brow. “If you need information out of a rat, and you have the stomach to do so, drag it across. It will make the mightiest of men cry like a child in the night.”

“You are clever and a skilled warrior,” you finally said. “what is it you want me to tell you?”

“That you will leave it up to the gods and to me if your general lives or not.”

“But I cannot.” You dared to dig the blade just a little into his skin, and his breath hitched. “My desire for him to live is stronger than for you to die.”

Hanno finally let go of your wrist, and you immediately retracted the knife from his brow. “So do you wish to try again to kill me?”

“I wish for you to show mercy.”

“Mercy?” He questioned. “Mercy upon the man who pillaged my home and killed my wife? Mercy for the one who has made me a slave?”

“I too am a slave and-.”

“-And?!” He cried. “And there is nothing! You are draped in silks whilst I in chains and are bathed in clear waters while I in blood, yet you say we are the same?!”

You swallowed your anger, knowing it would bring you nowhere. “You entertain the horrid creatures of Rome; I am forced to pleasure the emperor. We perform differently, but we are still slaves.”

“You are with child.” He stated. “Will that child also be a slave though the emperor is quick to claim it is his heir?”

The crackling of the torches in the room only added to the fire th in your soul. If not contained correctly, you would surely burn and take him with you.

 “A child…yes.” You relaxed, folding your hands. “A child that I could command to be Geta’s. Perhaps, if I wanted to have the brothers slaughter one another, I could say it belongs to Caracalla. Or, if I despised you anymore than I do at this moment…I could say that it is yours.”

Hanno’s eyes dropped in recognition, saying softly. “You carry an empty womb.”

You nodded. “It is the same as your honor.”

Moments later, the door behind you rattled, and Macrinus spoke even when you didn’t. “The time is up, my little empress.”

You bowed your head to Hanno, curtsying. “Sleep well.”

He said nothing in reply, and you turned on our heel, leaving the cell. You pulled your hood back over your head as Macrinus led you through the darkened streets of the city.

“Did you get what you came for?” He asked.

“No.” Was your immediate reply. “And I do not know truly what I wanted.”

The day was as blistering hot as the others, yet the stare Lucilla gave you as she was being led into the emperor’s viewing box made your blood turn to ice. There was not a hint of wrath upon her face; there was nothing at all.

She already looked as if her soul had been stolen.

“How does your shoulder fair, dear sister?” Caracalla brushed his fingers over your arm.

A watery smile was upon your lips like second nature. “It still aches, but it heals, thank the gods. And your overall health?”

He sighed. “I do not know how much longer I have upon this earth.”

“Do not say such things.” You squeeze his hands. “If the gods will it, you shall live for another hundred years.”

He kissed your hands that held his. “I hope so, my love.”

Your grin fell upon the title, and Geta immediately sat you down on the chair behind him that was beside Lucilla’s. He gave an apologetic look.

“He only grows more confused by the day.” He caressed your cheek. “You are well?”

You were far from it, but you could not say that. “Your son feels better now.”

Geta smiled, lowering his head down to kiss your womb. “He will need all his strength.”

The announcer on the other side of the arena yelled to gain everyone’s attention. “From the vanquished city of Numidia, the victor of three contests in the Colosseum, the barbarian Hanno!”

You watched as he ran up from the pit, sword in hand. On the other side, you watched at they brought in Marcus. You could barely look at his already beaten figure. The announcer continued. “Will challenge General Marcus Acacius for his treason against the lives of the Emperors and the enemy of the State!”

The two approached one another on the sandy field. Even from where you sat, so close to them, you could barely make out the look in their eyes. You assumed their was hatred, but your own eyes must have deceived you, because you swore you saw a hint of regret within Marcus’ own gaze.

You blinked and the battle between the two had begun. It was a different level of insanity at how they fought. Marcus was decades older than Hanno, and yet, there were moments where the Numidian had to keep up with him.

Than, the roles would be reversed.

Blood stained the floor of the Colosseum as they fought. Then, when all feel silent between them, and Marcus could barely stand, his lips moved as he spoke to Hanno, then raised his hand.

He yielded.

The patrons of the arena began to mumble amongst themselves, growing louder and louder. Geta rose to his feet. “Romans! What say you?”

In an instant, choruses begging him to be spared overpowered the few that wanted him to be killed. Geta shut his eyes, raising his hand, and they were silenced.

“The gods have rendered their judgement.”

His thumb pointed downward, and the crowd erupted in dissent. Your heart was forcing itself to beat out of your chest as you could only stare at the sight of Hanno glaring down at the general before him.

He tossed his sword to the side.

You hadn’t even noticed Caracalla stood until you heard him yell. “Kill him, kill him!” Like an angered child.

“Is this how Rome treats its heroes?!” Hanno shouted, staring at the audience all around him and pointing his sword. “If his life has no value, what are yours worth?”

Geta stepped up onto the barrier, balancing between the viewing box and a fifteen-foot drop into the arena. He held his arms out to his side, his sleeves dropping to the ground, and his pale face was red. “The gods have spoken! Kill him!”

From all sides of the stadium, hundreds of archers aimed their bows at the center of the battleground. Yet, none fired. Caracalla jeered.

“In the name of Jupiter, kill him!”

The arrows were released, and they screamed like none other as they fired into the center. As they pierced Marcus’ body, you did not know you had been wailing in fright until Geta had slapped you.

“You mewling cunt!” He cursed. “You wish to weep over the man who nearly had you killed?”

Blood fell upon your tongue from your bruised lip, and you did not dare to look at him nor Lucilla.

“Death will be too good for you!” She cried with all of her heart.

The noise from the crowd died as if the people themselves had done so. Then, just like the confused murmurs when Marcus yielded, the same began to grow and grow into a call of rebellion.

It was all in your ears. Lucilla’s weeping, the curses from the crowd, the panic of the emperors…but you stood absolutely still.

With hooded eyes, they drifted up to see that Geta stood just on the edge of the barrier, his back turned to you. Your gaze fell to the ground below you, and it was only then you realized how high up you truly were.

You do not know who or what willed you to, but you then looked at Hanno still the center, covered in blood. As if he knew what you would do, he shook his head.

“Ah, ah, ah.” Macrinus grabbed your arm roughly when you took one step towards Geta.

The emperors turned to him upon his appearance, and Macrinus loosened his grip on you before saying. “For our safety’s sake, we should leave.”

“Yes.” Geta stepped down, wrapping his arms around you. “We should.”

You never knew there was a safe house in Rome until you were forced into it. Perhaps that was the reason for it being a safe house, so that no one knew of it. Yet, apparently, almost all of the roman citizens found it that night. Or, they were simply rioting wherever a free patch of land was.

The cries played in your ears despite them being behind heavy walls of the safe house, and you dared not to peek out the windows as the several fires would temporarily blind you. In the house was you, Macrinus, Dondus (Caracalla’s pet monkey, although he’d call him his other half), and the twin emperors.

“How is the babe?” Geta asked as you sat with your head hanging low.

Of course he would ask that. You didn’t look at him. “He is in fear for his life.”

“I understand,” he sighed. “but there-.”

“-But what?” You finally looked at him, hissing. “Chaos has fallen upon the city because of your actions.”

“There was nothing else to do.” Geta glared at you. “He and his bitch were plotting to kill us! If I’d let him live-.”

“-Don’t you hear them?” Caracalla cried out from his seat, holding Dondus. “They’re calling for our heads! She is right, you brought this upon us!”

Geta placed his hands on him. “Calm yourself, brother. The Praetorians will put down this crowd like they have others-.” The money upon Caracalla’s shoulder chirped out in anxiousness from the people outside. “Keep the ape still!”

“Beware of how you speak to Dondus!” His brother berated.

“Perhaps,” Macrinus finally intervened. “you should take Dondus and Julia elsewhere. The noise outside is too much for them; you should comfort one another someplace quieter.”

Caracalla nodded, gathering up Dondus and moving to help you stand, but Macrinus reached his hand out first. You took it, and as you stood, he said into your ear.

“I will find you on the right side of the hall.”

This was not the time nor place for riddles, but you could not react in any sort of way. You looped our arm through Caracalla’s and walked out of the room, hoping to find somewhere quieter.

“I’m afraid,” you confided in him, truthfully.

“I am as well.” Was all he could say.

You stopped in the middle of the hall once he found an open door. “I…I need time with my own thoughts. Please.”

He nodded, cradling Dondus closer to his chest before entering the room, shutting the door tightly. Within the minute, you watched as Macrinus approached you from the other side of the hall.

You spat. “What do you want?”

“I know I stole your moment of vengeance, and for that, I apologize.” He stood before you. “But let me make it up to you.”

“How could you possibly?”

From his cloak, he brandished a knife, holding the handle out to you. You took it without hesitation, yet question was still upon your face. “I do it myself?”

“You could,” he shrugged. “or, you could have his own brother do so.”

“Caracalla? He is senile.”

“Then I have a proposition for you.” Macrinus pointed to the door Caracalla was behind. “Convince him that Geta will destroy all of you if he is not disposed of. Convince him that, as the new emperor of Rome, he will need more trusting subjects. I shall be his second in command, and you shall be free.”

You furrowed your brow. “Who shall be first?”

“The monkey.” He smirked. “Do you believe he would put me above him?”

It sounded so simple; too simple. Yet, as the crowd began to die down, and you could no longer hear their protests from outside, the quietness brought to you what you had always known: You would never be your own person again so long as Geta breathed.

You held the dagger to your heart, saluting him. “I shall do my duty.”

He nodded. “May the gods be with you when you do, Brutus.”

An insult to most, and while it shocked you, you took it in stride as you stood outside the door. You made yourself look smaller, more afraid, and hid the dagger within your cloak as you entered the room.

There, sitting upon the floor, was Caracalla and Dondus. Like a scared child, he held the monkey close to him, grooming one another as if it was the only thing to bring comfort.

“Caracalla?” You whispered.

He stared up at you, and you noticed he had been crying. Immediately, you sat before him, bringing him into your arms.

“Nothing was ever mine.” He cried, embracing you. “Everything was ‘ours’, always. Even in the womb, he gripped the umbilicus in his tiny fist to deprive me of air.”

“He did?”

“Certainly, one cannot forget.”

You pulled away only to hold his face tenderly in your hands. “You must listen to me, for what I tell you is dire. Your brother wishes to blame you before the Senate; for what happened, for the chaos in the streets-.”

“-That is a lie!” He tore himself from you. “I didn’t do it!”

“I know that, but they don’t. No testimony is more damning than that of a brother against another.”

“He lies! He always lies!” He sobbed.

“He’s very persuasive.”

“What will they do to me?”

“I don’t dare imagine, but…gods above, I don’t wish to know what they will do to Dondus.”

His jaw quivered with the rest of his body. “What-what shall we do?"

You sighed. “I…I have a proposition, but it is most outrageous and-.”

“-Julia,” he begged, grabbing your hands. “dear, sweet sister, please tell me.”

Breath shuttering, you reached into your cloak and held the blade out to him. “Slay your brother tonight. You shall be crowned the sole emperor of Rome when morning comes, and Dondus, the child I carry, and I will be safe.'

He took it, yet still had that look of terror. “This…It has always been he who led everything. I do not know who to trust or-or who to command.”

“Then let me-.” You stopped yourself, eyeing the monkey that lay at his legs. You held your hand out to him, and Dondus climbed into your arms. “Let us help you. Claim Dondus as your first in command, and I your second.”

You wished the same as Lucilla and Marcus; to have Rome be a free empire. Yet, you would have to free Lucilla yourself before that happened.

Caracalla nodded yet said. “You-you are with child. You will become delirious as time progresses.”

And he was the epitome of having a clear mind.

“I will need a third.” He settled.

You shook your head. “That has never been done before-.”

“-I will be emperor!” He screamed. “If it is to be done, it shall be done!”

Raising your hands in surrender, you pleaded. “It shall, it shall! For a third…Macrinus. He has been loyal and informed us of the general’s betrayal.”

“Yes, yes Macrinus will do.” He grabbed your face and pressed his lips against yours. It didn’t even truly feel like a kiss, yet it shocked you nonetheless. “You are the wisest woman I have ever met, dear sister.”

You nodded, forcing a smile. With that, he stood on his feet and left the room. IT would have been easy to stay in there and wait for his return…

Yet, you wanted to be the last thing Emperor Geta saw.

No fear toiled within your body as you approached the throne room, not even when you hear the cries that you knew belonged to Geta. You walked through the doors, watching as Geta held his hands up in fear, begging his brother to spare his life as he was forced onto his knees, trying to stop the knife in Caracalla’s hand.

“I love you!” Geta squealed, staring up at him through tears “You are my brother, I love you!”

You moved to stand behind the younger twin, glaring at the man before you. Geta’s eyes dropped in relief.

“My love, my love, please help me!”

There was nothing uncertain about how you grabbed Caracalla’s hand that held the dagger. With eyes unblinking, you guided the blade into Geta’s throat, pushing it further and further as blood drained from his mouth.

The emperor was dead, and you would sleep like a child once more that night.

There was something inside of you when you awoke that morning. Not the child you had lied to all of Rome about; it felt like a parasite. You threw up an hour after you woke up, but when you checked with the healers, they said that there was nothing ailing you.

Was it…guilt? No, no it could not be.

Was it possible to feel guilt for the act of killing someone, but not feeling it for who was killed?

You had no time to debate these issues as if you were a philosopher.

Dressed in your finest silks, you made way into the room where the hundreds of senators met, carrying a hefty sack beside you. You sat in a chair next to Macrinus.

“You have done well.” He said softly.

You smiled. “Only because of you.”

Your gaze turned to Caracalla, who sat in one of the two thrones that were there for him and Geta. He looked like the worst you had ever seen him be. A blood rag had been placed at his feet.

“Now I am the only one.” He began, voice low. “I was the true us, and he was the false me. We were always ‘we,’ all our lives, but now I am only I, me, alone.”

The senators look at one another in silent terror. The only ones to not feel fear were you and Macrinus.

Caracalla continued. “My hand held the blade, but my father’s hand guided mine. I was the puppet, dancing on his string. As Emperor, I have convened the Senate to appoint my First Consul and bestow upon him the power to administer the military and civic functions of the Empire.”

He tossed his hand to the second thrown, revealing his fury companion. “I name Citizen Dondus!”

Where the senators were beyond terrified, they were now confused. Macrinus was the first to rise, applauding. “Hail Dondus!”

You repeated his sentiment, clapping with vigor. Caracalla and the rest of the mortified senators applauded all repeating ‘Hail Dondus!’.

Once the excitement died down, Caracalla resumed. “As is custom, I am naming a Second Consul to advise the First and to assure his integrity. Though you will find that Dondus is incorruptible! As Second Consul, I name…”

Macrinus took one step forward.

“The mother of the future heir to the throne, Julia!”

All eyes fell upon you, standing taller than you ever had done in your life. How strange it was though, that the same reaction to a monkey being assigned first in command, was to you, a woman.

Utter silence, until Caracalla applauded enthusiastically. Like sheep, the senators followed; all but Macrinus.

“Yet, as mother to the heir,” the emperor said after finishing. “it is apparent she shall be incompetent for majority of her advising. So, for the first time in the history of Rome, I name Citizen Macrinus as my third!”

Even with this third twist in a counsel, the senators seemed more so relieved at the decision. Macrinus did not smile or even acknowledge the honor, simply stared ahead. Caracalla gathered Dondus in his arms.

“There will be a triumphal parade to celebrate. There will be games and mass executions! Long live the Empire!”

“Long live the Emperor!” You and the senators all yelled.

The Emperor Caracalla carried the First Consul Dondus sweepingly out of the hall, to the Senate’s terrified silence. You picked up the sack that had been beside you this whole time, then making your way to the center of the room.

You opened the sack, and out fell Geta’s decapitated head. The Senate gasped and gagged at the sight of the former emperor’s head. You almost felt sorry for the horror they felt that whole time. Yet, there horror is what would bring you fortune.

“This is what befell your emperor.” You pointed to the head at your feet. “He was slaughtered by the one who shared a womb with him. Tell me, senators, is this who we must trust to maintain the greatness of the Roman Empire?”

They did not glance at one another in uncertainty; no, no they were listening to you.

You continued, your heart stammering. “I am not the one who will stand with you for the rest of my days, it is the son I carry within me. And if it is my son who will become emperor, then there must still be an empire for him once he is born. Hysteria has poisoned the streets for decades now, it is time to put an end to it!”

Murmurs and nods of approval began to echo amongst the counsel.

“Every single one of Rome’s children matters; from the beggars to the emperor himself. If one falls, so shall the rest of the Empire. I have walked beside the lay people of the city, and they feel betrayed by the former emperor for the murder of their beloved general. To right this wrong, I call for the release of Lucilla, daughter of Marcus Aurelias.”

Not one of the hundreds of senators made a sound. Deep within you, you knew that there wouldn’t be much rejoicing over Lucilla’s freedom, but you still had to try.

“The people adored her for far longer than they adored the general!” You pleaded. “If we kill her only for the amusement of the elites, then the children of Rome-!”

 “-Shall live.”

You turned to Macrinus, who finally stepped all the way forward.

“Forgive me,” He bowed mockingly. “my lady, but for a woman complimented to have a golden mouth, you have no idea what you are saying.”

A few of the senators chuckled.

“You wish to free the woman who mean to have you, and the emperors killed?” He questioned.

You refuted. “I wish to show the world that Rome is capable of forgiveness.”

“A desire so foolish, only the emperor’s favorite whore could have it.”

“Another word of slander out of your mouth, and I will have your tongue removed!” You stood toe-to-toe with him.

He grinned like the devil, and just from your outburst alone, no matter how warranted it had been, he had you. Macrinus stepped away, looking around at the senators.

“Me thinks the little girl believes she is Marcus Aurelius himself born again.” He straightened his tone. “What say you, senators? All in favor of releasing a traitor to the Empire, speak.”

Not one of them said ‘aye’. If you weren’t under a sheer amount of duress, you would’ve seen perhaps a few faces of inner turmoil, debating on calling for Lucilla’s release.

Yet, no one said a word because they shared the one thing that will contribute to the death of humanity: Cowardice.

Macrinus tutted. “Now, dear Julia and I happen to have, through good fortune and not a little skill, the remaining emperor’s ear. We can speak reason in it and tame the madness in the street. Yet, I will leave the domestic work of calming the emperor to his second in command. As for myself, to restore order to Rome, I will need power over the affairs of the state. Including command of the Praetorian Guard. The decision is in your hands. Ballot or hand?”

One hand rose immediately. Another followed, then ten, then thirty, and then, all of them. He provided no evidence for his cause…yet there was a unanimous decision.

Macrinus held his hand out to you, and you could only stare up at him in question.

“I believe we shall take the seats that are rightfully ours.” He said lowly.

Carefully, you slipped your hand into his, and he led you up the stairs to sit upon the chair that belonged to Geta, while he took Caracalla’s.

This would be the first and the last time a woman ever sat upon the emperor’s throne.

After being embarrassed that morning, you paced around your chambers. Perhaps you could have found Caracalla and gave him the same reasonings the senate did not listen to. Perhaps he could somehow see to the logic that would be in setting Lucilla free.

No, of course he wouldn’t. Even if his mind was sound, he still knew she was apart of the coup to try and have him dethroned; killed in his mind’s eye.

As your mind grew heavy with existential possibilities towards the future, the door to your chambers opened. Stopping where you stood, you watched as Macrinus entered.

“Now, try to make me understand this," he shook his head. "I let you have your vengeance on the man who used you as a slave, I promised you freedom, and yet you wasted it.”

You clenched your jaw. "How dare you-."

“-How dare I?” He tensed his voice. “How dare I keep silent about your lie? How dare I give you the privilege to take your revenge? I have saved you more than you believe I have harmed you, lady Julia."

The name had always bothered you, but with one emperor dead and the other incapacitated, you assumed it would stop.

Now, it only enraged you more; or perhaps that was just because it was Macrinus saying it.

You glared. “It was your own mistake to believe you were the only one who desired power.”

He took a deep breath, then moving to sit on your bed. “Sit beside me, Rome’s Delight; I have a story to tell you.”

“I am not a child, you may tell me in short.”

“You are not the only slave wishing to be free.” He pulled back the collar of his clothing, revealing a branded ‘M.A’ “You are lucky enough to not carry your master’s mark, but were a slave nonetheless. Marcus Aurelius spoke of peace while still using violence against those who served him.”

Swallowing your pride thickly, you said. “I’m sorry.”

“You have learned now, that is all that matters.”

“But Lucilla will still be dead.” You tried to keep your voice steady. “She wanted the emperors to be gone as much as you, but she will-."

“-Her father enslaved me.”

“Her father is dead; and if taking his empire wasn’t enough, than killing his last child will satisfy you?"

Macrinus clutched your arm, fingers tightening with every word. “I would be careful with how you speak to me. I wish to offer you one last ounce of kindness before I regret it. Now tell me, Brutus, will you accept me as Rome’s new emperor?”

You had all the right to say it was Caracalla, but you thought better of it. So, with the softening of your entire person, you nodded. “I accept you.”

He dropped your arm. “I’ll let you say goodbye this time.”

Macrinus led you down into the dungeons of the palace, and he was right; somehow it was more heavily guarded than the gladiator pit. Even when the worst of the worst prisoners sneered or jeered at you, your sorrow and anger could not stir your fear.

The door to one of the cells was open, and you ran in just as Lucilla turned to see you.

“Five minutes.” Was all Macrinus said before locking the door and leaving.

You embraced one another when he left. Neither of you said anything, just clung to each other as if the world itself would tear you apart.

“Forgive me, mother Lucilla.” You choked up.

Lucilla pulled away, taking your face into her hands. “Sweet child, there is nothing to forgive.”

“I failed you.” The tears finally came. “I was right there in the senate’s room, I-I told them the chaos that would befell Rome if-.”

“-You were in the senate’s room?” She sounded as if her breath had been stolen.

You nodded. “Yes, but they wouldn’t listen!”

“My dear girl,” she smiled. “if you were able to even get half a sentence in, than they listened! My father but sixteen years ago said that it was a shame I had been born a women, for I would have been a magnificent emperor. Yet, here you stand; you who had been once a slave, rose above into having a sear in the senate council.”

Still, no matter how much pride she held, your own shame outweighed it. “I still have failed you.”

“I have already accepted my fate.” She whispered. “I must take care of those who matter to me before I leave this earth.”

“Do not say such things!” You cried. “I’ll still find a way to save you.”

“Hanno is my son.”

You expected her to deny your attempts at rescuing her, you even expected her to coddle you, curse you…but this?

“What?” You uttered.

“He is Lucius Verus Aurulius,” she said gently. “second of his name, but the first son of Maximus Decimus Meridius.”

“The-the gladiator?” Was somehow the first question you asked.

“Yes.” She nodded. “Lucius didn’t run away, I sent him. With him as heir to the empire, I know many would not rest until he was dead. How was he to fight for a claim he knew nothing about? Now, he is here; and I am no longer frightened of dying.”

“That doesn’t mean you have to!”

She shushed you, combing her fingers through your hair. “I can speak to you until the earth is burnt by the sun of how I have made peace, but I know that will not work. So, I have two final requests for you.”

“Anything.”

Lucilla walked to the small desk she had in her cell, then picking up a scroll loosely wrapped in twine. She handed it to you. “My first is to give this to my son before tomorrow. It…explains a great deal of things I do not have the time to say to him.”

You took it, holding it to your heart. “And the second?”

She smiled, wrapping her arms around you and kissing the side of your head. “To take care of him as I intend him to take care of you.”

It was not the first time that day your eyes had grown. “He despises me.”

“If the gods are merciful, then I truly believe you will both come to see eye to eye as the only two who remain.”

“I nearly killed him.” You admitted. “The night before his duel with Acacius, I brought a knife with me and stabbed him; well…not enough to harm him.”

Lucilla shook her head, giggling. “He will need someone who disagrees with him.”

You found yourself laughing along with her, even through your sobs. She pulled away from you, wiping your tears. “He is a good man. He may deny it but believe me when I tell you.”

“I trust you.” You nodded.

She took a deep breath. “I will be with you, even when I’m gone.”

“I…I know.”

“Now go before I beg you to stay.”

You forced yourself away from her before you could change your mind. You could not even look at her as you left her cell and went up the hall. Just in time, you remembered to hide the scroll as Macrinus approached you.

“Leaving so soon?” He asked.

Sighing, you said. “She’s…inconsolable. I couldn’t bear another moment with her.”

Macrinus nodded. “You should rest for the remainder of the day. It has been quite exhausting.”

“Yes,” you agreed. “it certainly has.”

It was the first time that night you were forced to sneak out of the palace on your own. Fortunately, you remembered the route you took to the Gladiator pit and managed to dodge any of the guards on patrol that night.

The pit proved to be more difficult as the overseers of it had less space to watch over, yet you still somehow managed to maneuver them.

Perhaps the gods were on your side.

“Hanno.” You whispered once you found his cell.

The man turned over his shoulder once he heard your voice and approached with a scowl. “What are you doing here?”

You wasted no time, holding out the scroll. “Your mother told me to give you this.”

He paused for only half a beat. “My mother died when-.”

“-Your mother is Lucilla, daughter of Marcus Aurelias.” You whispered fiercely. “And you are Lucius, the lost son.”

His eyes didn’t leave yours as he reached down to the latch of the door, and cracked it opened. “Get inside.”

Though you wished to, you didn’t question how he had unlocked it and only walked in. He shut the door tightly, then took the scroll from you. You stood there as he unraveled it to read. His face changed every few seconds, ranging from distress to downright confusion. When he was finished, he looked at you.

“She gave this to you?” You nodded. “Why?”

“I was allowed to say goodbye to her.”

“From Macrinus?” He tested. “Was this before or after you attempted to steal his power?”

“I was cruel to you.” You admitted. “Even after discovering Acacius had pillaged your home and murdered your wife, I expected you to show mercy. I am astounded you did, but as I look back, I wouldn’t have blamed you if you didn’t. My desire for the general to live extends to your mother; if not more. She did not give up my name at any moment despite the fact I too was apart of the coup to try and overthrow the emperors. I cannot simply let her die.”

Lucius stared at you, his gaze intimidating yet at ease. He approached you. “You wish to save her life?”

“More than anything.”

“It is a rumor that Macrinus was the one to puppeteer Caracalla in slaying his brother. But…it wasn’t him, was it?”

Breathing deeply, you looked at the floor. “It was I.”

“Look at me.” He commanded softly, and you did. “Would you kill again if it meant protecting her?”

Your mind said ‘yes’ without a moment’s hesitation, but your heart only sunk into your stomach at the thought. It must have been apparent on your face, for he said.

“There is no shame if you are unable to.”

“I will be with him in the emperor’s box.” You said, determination in your eyes. “I will simply need you to buy me time in the arena. It shall be done.”

Lucius nodded, and released along breath before saying. "I treated you harshly. I...I don't believe I would have survived what you have been put through."

You picked at your fingers. "I think you would have."

"No." He solidified. "I wouldn't."

A silence fell between the two of you. There wasn't a hint of discomfort; as if, for the first time, you felt seen.

“You never told me your name.” Lucius uttered.

You pressed your lips together, shrugging. “It was never important.”

“It has been,” he said. “and it is now. You know my true name, if I am to understand you as how my mother wishes I do, then I must know yours.”

Your mouth parted to speak the first syllable, but even that had felt foreign. You instead lied. “I do not remember it.”

As he looked at you, the steely gaze you always knew began to disappear. “You must remember how it sounded from your mother’s mouth.”

“She died before she could hold me.”

“Then your father.” He walked closer to you, yet you felt no fear. “It does not matter if he was wretched or kind, he spoke your name and your name alone. What did it sound like?”

Like he loved you. Even when he was cross, he never raised his voice. You hated more than ever how tears started to build within your eyes.

“Geta had beaten me until I could no longer use it.” you confessed. “It will feel like poison upon my lips.”

“Then whisper it to me so you will scarcely have to move them.”

You had been lain down on a bed and had every bit of a man touch and invade your body. Even before the emperor, you had lain with people in the past of your choosing…

But none of that amounted to the intimacy you felt in that cell as Lucius stood nearly chest-to-chest with you, hovering his ear over your mouth as you finally (finally) spoke your name aloud.

If the heat of his body lingering over yours did not set your entire being aflame, it was the breath he released once he said.

“It’s a kind name.”

It was all too much for you, so you pulled away from him, drying your eyes. “I…I will pray for your safety.”

He outheld his hand to you. “Strength and honor.”

A saying you had overheard people use as they entered the stadium. You shook his hand. “Strength and honor.”

You didn’t expect to be in the parade Caracalla raved about the day prior. Yet, there you were, draped in the finest and most colorful silks with jewelry in your hair. Inside your sleeve, you’d hidden the same kitchen knife you attempted to stab Lucius with.

You were sat beside Caracalla, who had Dundus upon his shoulder, and who had only grown more delusional since the day prior.

“Where is my brother?” He pulled on your sleeve like a child as you were escorted from the float and into the Colosseum.

A watery smiled pulled upon your lips, and you soothed him. “He feels most unwell today.”

“He should be here.” He sulked as you walked. “He would be happy for me.”

“And he is.” You lied. “You will see him again shortly.”

That managed to ease him, and you both were seated in the emperor’s box with Macrinus. It didn’t escape your vision how hundreds of Praetorians also circled the entire arena. As the time to the match grew closer, you did your best to calm your own nerves. This would be for the good of Rome. Once it was done, you would be able to rest easily again.

It was then you watched as, on one side of the Colosseum, a wagon was rolled out into the center of it. Tied to a pole, dressed up as if she were Venus herself, was Lucilla. All that attempt at soothing yourself was gone once you saw her eyes.

“Must we kill Lucilla?” Caracalla questioned.

You couldn’t even snidely repeat his question to Macrinus you were in such a state of anxiety. Macrinus responded.

“Until she is dead, you will never know peace.”

Thus, the event commenced. The announcer himself even sounded guilt-ridden as he spoke of the crimes Lucilla was being charged with. Treason, betrayal, all of it only anguished the spectators even more to see her being prepared for execution.

“Let it not be said that the Emperor is not merciful!” He yelled. “The queen will be granted a champion to defend her!”

Out from the other side of the arena came Lucius. Half of the Praetorians held their weapons to the man, while the other half faced the civilians as if expecting them to riot. Once again, at the sight of the scene before them, it would not surprise you.

You had been taught one a many myths by your father, mainly belonging to the Greeks. You were Cassandra; blessed by Apollo to speak of prophecies but cursed to not be believed.

When it seemed that hope was gone…Lucius rose his sword, and hundreds of gladiators sprinted from all sides.

The crowd and Caracalla were in an uproar at the excitement. Pandemonium ensued as the gladiators began to climb the barriers and civilians were attempting to enter the arena. The sound of arrows screaming entered your ears; so much so you could not hear what Macrinus was saying to another man, and why Caracalla was screaming.

You simply blinked, and once your eyes were open, you watched as Macrinus dove a needle into the side of Caracalla’s neck, killing him.

Only a gasp tore through your throat, having no ability to scream. Your body soon found reason to move, and you rose to your feet, remembering your duty. Macrinus had acquired a crossbow, aiming it towards Lucilla and Lucius now at the center of the arena.

You rose the knife from your sleeve, charging towards the man. The arrow was fired, and you leapt upon his shoulders.

He moved wildly, trying to force you off of him. You made attempt to slash his throat, but it made contact with his eye instead.

Still…he overpowered you. Flipping you over him, you dropped down into the arena, your head colliding with the ground.

The sky was orange above you when you opened your eyes. Your head had never felt so awful before, and you were surprised you could even sit up. All around you, bodies littered the Colosseum floor. If there was not blood laid before you, there were swords and shields.

Your eyes drifted to the center, and now sunken to the floor, was Lucilla on her wagon. You forced yourself to stand and walk towards her.

When you could see the arrow sticking in her chest, you began to run.

Climbing atop the wagon, you untied the ropes around her hurriedly.

“Mother,” you begged. “mother, can you hear me?”

“I am still here, sweet child.” She whispered weakly.

“Save your energy now.” You managed to free her, and then pulled her to your lap.

“I will be seeing my beloveds now.” She smiled.

“No,” you hissed. “you are going to live.”

She reassured. “It is alright. I have fulfilled everything that was asked of me, and what I wished for.”

“Mother-!”

“-You will look after him, won’t you?”

You wanted to cry; you wished that sadness was the first thing you felt. But no, it was anger. Still, you nodded. “I will, but you will be there to make sure he takes care of me too!”

“He shall.” Was all she said.

“You will live, just please stop talking.”

“I love you.”

“Lucilla…” Your voice broke.

“Tell Lucius I would do this all again for him.”

You opened your mouth, but nothing came out. Lucilla rose her hand to your cheek, brushing it tenderly one last time.

Her eyes were held open as she went limp in your arms. You closed her eyelids, knowing her gaze would haunt you.

You did not move for the first hour, nor did you cry out in despair. It was when the sun was completely gone, and you tore yourself away from her corpse did you collapse into a fit of sobs.

The ugliest sounds were released from your mouth as you could barely stand. You do not know how long you cried, but when you could finally move again, you crawled to the nearest sword, and trailed it behind you before climbing back up onto the wagon.

You tied the rope from her body around her legs, and brought her back into your lap, sword in hand.

There was no rest for you that night. You would nearly drift off into sleep, but you couldn’t bring yourself to give in until you could bury her properly. You also couldn’t bring yourself to bury her at the same time.

When you had lost time altogether, and the sky was purple as twilight broke, a gentle hand shook you.

Raising the sword in surprise, you felt your body relax once you saw Lucius. You should have asked how he survived, what happened to Macrinus, anything else…but all you said was.

“I wouldn’t let anyone touch her.”

He nodded, tears threatening to fall as he gazed upon his dead mother. He took a deep breath. “May I take her?”

You handed her to him, and he took her into his arms. You scooted off the wagon, your eyes reddened and exhausted.

“Where,” you cleared your throat. “Where should she be buried?”

“I…” He heaved. “I know where my father’s grave is.”

“Okay.” Was all you managed.

And you walked by his side, neither of you knowing what your fate would befall in Rome.

Yet…once both slaves, you were now free.

[tariah23]

They’ve been tearing yuuji apart on twitter for the last 2 days now

[mellowwillowy]

I love how you portray self aware twst!

Can i request a yan! Self aware twisted wonderland and player who just recently entered twst? Unaware that they're considered as a "god" (not cannibal pls)

Like, the player is shy and quiet at first but if they get comfortable enough with someone they'll be more talkative and a lil' extroverted?

The not cannibal pls had me laughing, I really turned the player into this man-eater huh lol. Can't really write that much about reader so I'll just feed you some irrelevant crumbs.

The whole campus is probably still in a mess despite your diet though. Students fight against each other out of jealousy to drag each other down so that you can focus more on them.

Riddle and Azul's rivalries are the funniest. Especially because Riddle finally notices how capable Azul is in doing better than him now (maybe not academically lol). Truly they both are almost like carbon copy in your eyes.

Leona and Vil walk side by side dissing each other while presenting themselves as a complete 180 to you.

Idia shaking in his boots trying to appear less giddy and anxious in your eyes while Kalim just sings songs as he hops his way to you with his gold jingling merrily.

Malleus is very straightforward about his wish to worshipping you, even going as far as to kneel down immediately upon you noticing him while Lilia just casually wraps his arm around you, acting all buddy-like while savoring the closeness between you two. Malleus is jealous, petty jealous of him.

In your eyes, you just feel like you are just some transmigrated protagonist in a romance game, unaware of how sinister their feelings are toward you, their player, their God.

But it turns out that their God is quite the humble one huh? They don't pride themselves on their holiness, they don't differentiate their treatment from one another (unless you are biased) and they are actually very quiet and collected!

It takes a lot of prying to finally see you pay attention to them and laugh at the jokes Ace and Deuce crack. It takes effort for the beastmen for you to finally feel how fluffy their ears are! Jack's tail is wagging so hard that Ruggie had to step on it.

It takes lots of convincing acts and guilt-tripping for Jade to make you visit Mostro Lounge and enjoy the drinks Floyd specifically makes for you, the prettiest and most delicious drinks you've ever had!

It takes a lot of effort for Cater to finally have you posing for the selfies he takes with you! It takes a lot of time for Trey to finally know which treats gain your attention and suits your liking after making shit tons of them.

It takes a lot of guilt-tripping from Jamil to make you finally attend one of the feasts Kalim throws for you and oh boy was it grand.

It's not hard for Epel to win your attention because of how cute he is lol. But it sure is hard for him to gain your trust that he's just a boy. Rook on the other hand creeps you out so much that you have to tell him to stop and that indirectly means you finally notice him!

It takes lots of convincing from Ortho to finally make you agree to play with him in the board game club that Idia and Azul are in. You finally know just how normal they are when they are playing, yes, normal (they are literally fighting teeth and nails to win it).

It takes a lot of effort for Sebek not to scream around you while Silver tries his best not to doze off on your shoulder. The first time being close to you instantly made him fall asleep soundly while Sebek had to sing praises for you in a voice that could shake the ground.

It was easy for Neige to warm into you because well, he's kind, sweet, and all but he has this protagonist aura to him unlike those NRC boys (except Silver and Kalim). He loves singing for you!

It was also easy for Chen'ya to get into your funny side by pulling countless harmless pranks on you (unlike Ace who has to try hard, again, RSA aura).

Rollo on the other hand worships you like there's no tomorrow. He's great at masking it as something far from obsession and not creeping you away unlike Malleus but he certainly has a shrine dedicated to you in his room too. A bit small if compared to the fae's.

Bonus: Fellow and Gideon scaring you because of how weird they are but Gideon manages to melt your heart so you decide to trust Fellow.

[wisteria-lodge]

Why do female protagonists complain about their looks? I was reading a novel a friend recommended and within the first few pages the narrator is complaining that her eyes are the color of mud, her hair is boring and brown, she has freckles, etc. Is this supposed to make them relatable? I don't particularly like my freckles but it's not something I think about more than once or twice a year. It's just annoying and a downer when the character does this.

It's because girls in books (... and girls in real life...) are supposed to walk this tightrope where of course they are beautiful (because beauty = value.) But they can't seem like they're trying to look beautiful (because trying to be beautiful = vanity, shallowness, a kind of girly femininity that's either childish, pathetic, or sinister.) The Stepsisters are trying to be beautiful. Cinderella just is beautiful. Dress her in a potato sack and roll her around in mud, she'd still be more beautiful.

This is where the "protagonist who doesn't think they're beautiful" thing comes from. Obviously if they don't think they're beautiful, then they're not trying to be beautiful, with all the negative junk surrounding that. So you get these annoying descriptions where a regular or even cute-sounding person will say "ugh, I have eyes the color of mud and hate my freckles," not "I have brown eyes and freckles." (Bet you five dollars the love interest thinks her freckles are adorable, and gets lost in her deep, dark doe eyes.) Also - "mud colored eyes" is such a strange thing to think about yourself? If the author wanted to commit to writing about someone who actually had body image issues - then the internal narrative would be my skin sucks and I'm too fat. But that's a little too real: the reader can't actually think the protagonist is unattractive.

Which is too bad, when you have a female protagonist who is just isn't very attractive, that can be fantastic. In Jane Eyre, it's important that Jane is sort of unfortunate looking - it effects how people treat her, the sort of jobs she can get, but it also lets her fly under the radar and be invisible in way that would be impossible if she were more beautiful.

I tend to prefer descriptions that stress - how people move, or what they're wearing, because that reveals character in a way that "brown hair" just doesn't. I want to hear about a character's attractiveness if they are so remarkably attractive (or unattractive) that it affects how other people treat/perceive them. Same way someone might treat a character differently if they had a dramatic scar, or looked a lot younger than they actually were, or were a different ethnicity from the rest of the cast. Just give me a handful of their most distinguishing characteristics, and you don't have to do it on the first page.

[damienkarras73]

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[coralinnii]

Congrats on reaching the 2.7 K followers milestone!! If it's okay to ask why specifically 2.7 K?

anyways I heard you were taking requests so I'll request something to celebrate with you :-D

I was wondering if you could do one where Idia, Kalim, Azul, Riddle rejects Fem!reader but ends up falling for reader after that, how would they react when they need to reject her and when the realization of them liking her back hits? (I tried to come up with an og idea but idrk if this one is actually good enough writing material :'-D)

 ‧₊˚✧ Waking up Too Late ‧₊˚✧

↳ Realizing their feelings for fem!reader after rejecting you 

feat: Idia ❋ Kalim ❋ Azul ❋ Riddle genre: slight hurt/comfort, open ending note: no pronouns were used but reader is written as a female in mind, reader can be interpreted as Yuu!reader, 

Question: Why specifically 2.7K? Well... I wanted to do something when I reached 2k but by the time I finished my initial wave of requests and WIPs, it already reached 2.7K ^_^" There wasn't a real rhyme or reason... I was just really late to the game

extra note: the joke in the start of Azul’s section doesn’t mean anything bad about him in general. It’s just Azul reminds me too much of myself during my younger days and I wasn't the biggest fan of myself back then.

Also, if anyone is wondering... I haven't stopped writing. I was just unable to find time for myself during the last 3 months because my classes and work didn't leave me time to do much outside of that. Seriously, I had assignments due on weekdays AND weekends! If none of you know who I am or didn't even realize I was gone... ignore me and have a good day ^_^

2.7K Followers Writing Event 2023

The Big Ooff

Regardless of Idia’s feelings before or after the confession, he rejected you in fear of change. He was content with the way things are, where he doesn’t have to worry about things like romance and relationships. 

Idia can’t imagine being the main protagonist for anything. He’s not the cool main hero or the handsome prince that gets the pretty girl. That's for the extroverts with high charm specs (a.k.a not him). Afterall, when does the NPC ever win? 

So when you, his friend and confidant, his solace and only exception, told him that you held feelings more than friendship…well, his system short-circuited. 

While the two of you said it wouldn’t change your friendship, you still wanted time away from him to heal the hurt. Idia agreed that the risky emotional roll dealt some real backlash to both of you.

The Realization

Idia tried to deny it, but he started imagining an alternative universe where he did accept your confession that fateful day. 

If he were to zone out during his level grinding sessions, he would vaguely envision himself in the same position, but perhaps with you lying next to him or even running your fingers through his flames. These daydreams would surprise him literally off the bed, his aforementioned flames burning a cute pinkish hue.

Some days when he’s browsing around online shops, he would occasionally encounter items that remind him of you.

Now, that in itself is not new but rather it was when he imagined how cute you would be if he got these items for you. Instead of your usual pleasantly surprised thank you, would you lovingly embrace him, maybe even kiss-! 

Ortho was startled to see his brother suddenly falling off his gaming chair, with his hands suspiciously covering his face. 

Crap, not only did he realize his feelings for you (which in hindsight probably was not surprising in the least), but he actually would like to be in a stupid lovey-dovey relationship with you. 

His Next Moves?

Continues to deny everything. So what if he wants a relationship with you? He can’t handle this new step even with these newly realized emotions. Plus, he was the one who blew his own shot by rejecting you the first time. 

So, he falls to his coping mechanism which is to deny everything and that he’s perfectly fine the way things are. 

When the two of you returned to your typical routine, he tried to keep things the way it used to be, as the same with you. 

Except it’s not quite the same. 

You weren’t sure if you were being conscious or that it’s been a while since you two hung out, but you felt that Idia was slightly more…attentive you could say?

He would give you first bids of the better controller before picking anything himself. If you seemed the slightest bit uncomfortable while sitting, the blue-flamed senior would offer you a comfier spot on his bed and a blanket if you wanted, before sputtering that he meant nothing weird about it.

He says he’s fine, but Idia’s is in no way the usual closed-off, sometimes cocky genius you knew before. He’s jittery, more prone to shriek and burst into pink flames to any of your gestures, and according to his little brother his heartbeat is slightly faster than usual. 

It’s weird…it’s like he actually acknowledges you as a woman…

Oh.

“Ahh, I seriously chose the wrong choice option. The story path…I wonder if I could still salvage a good ending…”

The Big Ooff

Kalim’s overly friendly nature, while harmless, is somewhat misleading and confusing to those around him. I mean, if someone threw a grand luxurious party for you, it’s easy to assume that you were someone special. Unfortunately, Kalim is simply just…too friendly. He would do this and more for just about anyone, no matter how special they may or may not be.

Nonetheless, you still wanted to tell him your feelings. You wanted to tell him how his smile and laugh hastens your heartbeat as you smile back. That you feel butterflies every time he extends his hands to you, coaxing you to dance with the boisterous Housewarden of Scarabia. 

To everyone’s genuine surprise, the snow-haired student sincerely apologized to you, not able to return your feelings the same way. All of your friends and also Scarabia was so sure that their Housewarden thought differently of you, but news quickly spread that Kalim never thought about being more than friends with you.

The Realization

To clarify, Kalim never thought about being more than friends with anyone. He’s happy to have so many friends, what more could he possibly want?

But your words did shake him mentally. He never realized that you would feel this way for him. On days when he can’t keep track of the lessons at hand, his mind would doze off and wander back to your confession. 

“Hastening heartbeat, feelings of butterflies, always wanting to smile when you do…”

The more he thinks about your love symptoms, he’s realizing how similar those feelings were to his own when he’s around you. It was why he would always try to find you in a crowd, or why he wanted to be your dance partner on any occasion. Sure, he’s happy to be around everyone, but he feels especially good when it's you.

The pieces are connecting, the clogs are aligning, and soon…

“JAMIL, I THINK I’M IN LOVE TOO!” 

“IS YOUR LACK OF INTROSPECTION THIS BAD?!”

His Next Moves?

Man is now a fool in love. He has this goofy smile on his boyish face at the slightest mention of you. Everytime he thinks about you, he keeps attempting to buy one or two grand bouquets of flowers for you, each flower as beautiful as you, much to Jamil’s chagrin as the vice-Housewarden has to keep reminding him of a crucial fact. 

“You two aren’t dating. Actually worse considering your prior actions.” 

Jamil’s brutal but accurate words brought Kalim back to harsh reality as he realized his mistake in not realizing his feelings soon enough. But not one to wallow in the past, Kalim sought to tell you his feelings just as you bravely did before. 

Whether I personally think if that’s a smart move is irrelevant

Whatever your response is to him, Kalim would fully respect your choice, prioritizing your comfort and feelings over his newly uncovered ones. Despite his well intentions and honest feelings before the realization, his carelessness hurt you and he needed to consider your healing process. 

Kalim would still act like a love-sick fool, however. Buying beautiful trinkets because he thought of you but won’t push them onto you if you couldn’t handle the heavy sentiment (thank Jamil for that). 

Though a little more sheepishly, he would still extend his hand to you hoping for a dance, small little gestures to make you smile even the slightest bit brighter…all this and more because “I like you” and nothing else.

Just because he’s slow in figuring things out, his feelings won’t change so easily. This special feeling of happiness, of love… he’s grateful that you taught him this whole new world.

"I’m a little much? Haha, sorry. I get really happy when I see you...It feels nice being in love with you.”

The Big Ooff

Please reconsider 

Ahem. Azul has grown accustomed to your presence. Perhaps even look forward to it throughout his daily routine, even assisting you in whatever trouble you always seem to get involved in. Some would accuse him of favoritism, but Azul argued that he was simply a gentleman treating a lady right.

He’s too observant to not notice that these sentiments are somewhat mutual. He thought of you as too kind and generous as to spend your spare time helping him around the lounge or to keep him company when the Leech twins get a little much. 

But he was surprised to learn that your feelings were deeper than he initially predicted. There was such sincerity in your voice as you confess your feelings that it shook Azul to his core and turned his human legs weak. 

However, he still had so many aspirations he hasn’t reached yet, opportunities he can’t miss. He can’t afford to split his time for something like romance, something that didn't register to him as urgent in the first place. Love is all well and good, but success is better and more tangible.

He’s careful with his words, gratefully thanking you for your confession and complimenting you with a list of traits he admired about you. 

But you should know Azul by now. He’s hyping you up before ultimately giving you crushing news. Like a company recruiter telling you weren’t chosen despite your apparent talents. 

You knew this, but it still hurts to have your dynamic treated equivalent to that of a business relation. 

The Realization

Azul understood you needed time away. Certain things were said that can’t be taken back and it’ll be a while before you two could feel comfortable around each other again. 

During this time though, the Housewarden truly felt your absence. He feels it when someone else takes a seat in his office where you usually occupy, when his mealtime feels less fulfilling because you weren’t there to enjoy it with him, when his headaches get worse from stress and you weren’t there to lend a comforting hand. 

This sense of void was like a stream of cold water slowly trickling into his body and mind until he felt heavy and almost drowning. What an odd sensation for a deep-sea merman. 

His mind became cluttered. He can’t focus on his work when all he could think about is where you might be and what you were doing. 

He reached his limit when he realized that he couldn’t even hide this internal conflict from Jade or Floyd when their keen eyes pick on every moment of his loss of focus, and they have an inkling as to the cause. 

…Dear Sevens, he might have made a great miscalculation on his own feelings.

His Next Moves?

First off, he’s going to spend some time in his pot. He needs some personal time reflecting over his own obliviousness and self-sabotage. 

Once that’s over, he now has to figure out how to remedy this. A plan to get back into your good graces after the blunder. 

He is a greedy merman. If he’s going to do something, he wants the best outcome possible, which is you forgiving him and accepting him while forgetting the past even happened.  

He’s read through countless relationship books, advice found online, and personal intel that his schoolmates were forced to generous enough to offer under an NDA. 

He’ll use the knowledge he remembered from your confession to his advantage, highlighting the parts of himself that he knew you liked about him. He shows off his good side in hopes to reignite what attracted you to him. 

If there’s anything to expose his intent with you, it’s the flush of his pale skin when you finally thanked him with that sweet smile he missed so much.

"I’m not one to lose an opportunity when within my reach. However long it takes, I’ll earn back what I’ve foolishly lost.”

The Big Ooff

Riddle was, in all seriousness, taken aback by your confession.

The studious Housewarden of Heartslabyul is definitely smart, but he’s just slightly lacking in the people-reading department. 

To him, you were simply a very loving person. He thought perhaps you were on the shyer side but always worrying about his well-being, making sure he’s taken breaks and to enjoy himself between his duties.

You were still a little rambunctious as lately you seem at odds with Ace as you’re quick to smack and silence the mischievous redhead who seems to snicker more often than usual as of late. 

Frankly, you left him stunned, his face similar to a deer in headlights. No textbook or lecture has prepared him to reply back to your sincere confession. 

In the end, he rejected you while giving his full honesty. Silly things like love and relationships were subjects he never thought to consider in depth, and he wasn’t sure it was something he wanted at the moment. 

He tried to explain the best he could, but you couldn't stop the aching feeling of your heart breaking. 

The Realization

Your relationship with Riddle took a blow but it was not destroyed. Albeit some awkwardness here and there, life flows relentlessly as usual. 

But that fateful day would occasionally sneak its way into Riddle’s mind during his spare moments to himself, recalling your determined face, coupled with his memories of your beautiful, clear eyes.

Nowadays, his heart would tighten, his throat would feel dry, and his breathing would be shallower whenever his thoughts sway towards you. 

Spurred by these odd symptoms, he finally looked more into the topic of love. The more he delved into talks on relationships, seminars on emotional attraction, and even tropes from novels, the more it feels as though he’s going down a rabbit hole of new emotional discoveries. 

For a while, the Heartslabyul dorm was on edge as they feared for their necks every time their terrifying Housewarden suddenly turned franticly scarlet out of nowhere.

Alone in Riddle’s room, surrounded by articles and books littered on his once pristine desk, Riddle found his conclusion; he’s in love too

His Next Moves?

Riddle isn’t actually sure how to approach you anymore. This whole “in love” experience is all too new to him. He couldn’t bring up this embarrassing topic with any of his peers, and much less with his mother (Sevens knows he doesn’t exactly want to replicate a relationship like his parents). 

But he couldn’t handle the sudden sensations of nerves that occur every time he’s close to you. He can’t keep up constantly chastising himself internally for flinching every time he passes a tart or a teacup to you during Unbirthday parties. 

He can no longer focus during his study sessions with you as he’s now fighting with himself as he dreams to hold your free hand or to brush a stray lock of hair from your endearing face. 

Was it as difficult to deal with as it was for you? Was this the reason you decided to confess to him? But the thought of speaking to you about something so intimate invokes nerves in him that he couldn’t understand.

No, he should learn from your example. If the natural progression of his feelings should be clear communication between those involved, then he will face this challenge as confidently as he does with any other. 

Prepare yourself, the stubborn Riddle has made a goal for himself. 

“I admit my inexperience has hurt those I cherish. Next time, I will respond to your bravery in kind.”