#I will not have a post with minimal tags!!

[lemotmo]

He counts Buck as part of his joy 🩶

Q. I will admit that I misread the ship I attached myself too but I think you all are doing the same thing. Eddie and Buck have barely spoken this season let alone appear to be close to figuring out life changing feelings for one another. I think you all are playing yourselves as well. Just a heads up. And call backs are inevitably going to be repeated given how long the show has been on. These callbacks are coincidental nothing more.

A. Most of their dialogue for the season so far was in episode 5 so I'll agree that their conversations have been minimal for them, but that was very clearly an intentional choice and we got the answer as to why in episode 6. Eddie has been denying himself things that bring him joy. Eddie has been punishing himself. There is a long established history of Eddie enjoying and being endeared by Buck's ramblings. Eddie likes to listen to Buck talk. That is a canon fact. And while they haven't had that much dialogue the show has still made a point of giving them at least one scene together in every episode. We have also seen Eddie looking at and too Buck numerous times. These have almost certainly now been intentional choices. Eddie doesn't want to allow himself his normal with Buck but he's still letting himself look at Buck. Some part of Eddie KNOWS. I think a growing number of people believe that.

And yes calls will be repeated to an extent but they're not 'accidentally' only repeating Buck and Eddie calls. That's a deliberate writing choice. We just don't know why yet. To me it still feels like he's trying to redo the season 5 he wanted without outright repeating it episode for episode. The season has been too similar to 5 so far to be a coincidence. And I don't think anyone is close to admitting or acknowledging anything yet. I think we'll get some kind of cliffhanger with one of them in the mid season finale and a think or nod to the other realizing it or acknowledging something in that moment but I think the first part of 8b will be used as a build up. Episode 118 looks more and more likely every day. And the break will absolutely be promoted using them and what might happen. Their follow numbers, streaming numbers and trending numbers all increased following episode 5. The show clearly has a plan. We haven't misread anything, anon.

Thank you Nonny!

Yep, yep and yep. I don't think anything is coincidental on a TV-show. Everything has meaning. They only have a short amount of time to tell a full story, so a lot of the signs are there, but they're in the background or a part of the decor or clothing.

And when you watch the show long enough, you start to notice patterns and little subtle nudges and hints.

I will most certainly be rewatching 8a during hiatus and see if I can pick up on the little things I might have missed and that haven't been discussed yet.

I agree, the show clearly has a plan.

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[melancoley]

WHAT MOVES THE WORLD

SYNOPSIS: when you’re born into a burning house, you think the entire world is on fire – that was kakashi’s reality. always surrounded by fragments of war, kakashi grew up with only the purpose of surviving beating in his heart. for him, nothing else existed in the world but war – that was kakashi’s philosophy. until you showed up. and, like spring, you came with the promise of hope and warmth and ended up bringing an inevitable change that would forever alter the life, and heart, of hatake kakashi.

PAIRING: hatake kakashi x gn!reader WORD COUNT: 5.811.

TAGS: soulmate!au, strangers to lover(s), fast-paced, unrequited love, kinda miscommunication. angst, fluff, hurt/no-comfort. CONTENT: gloomy kid kakashi. confused young-adult kakashi. heartbroken adult kakashi. shinobi reader. you are full of life & love talking to kakashi. conversations about stars, wars & love. he is the captain of your team one time.

WARNINGS: mention of sakumo's death but nothing explicit. you are going to break kakashi's heart, so be ready.

COLE'S NOTE: hiii, miss me? ♡ so !! this fic was originally a request and i posted this on my previous blog - if it sounds familiar, maybe u read the old version: ‘war & love’. i did some changes here and there to turn ur reading more pleasant and i hope i did a good job lol also !!! someone made one fanart based on this fic - if u know them/saw the fanart, please tell me so i can link it and give them the attention they deserve. ok, that's all ♡ have fun breaking hearts ♡

Not all stories are happy.

Not all soulmates are reciprocal.

Not all people could change their destiny.

Of course, in a perfect world, one person’s soulmate would also be another person’s soulmate. But reality went far beyond fairy tales and, as such, not all soulmates were mutual – and a person only knew their destiny when it was too late.

For years, people woke up with words tattooed on their wrists. They were simple, small words, just for the purpose of summarizing people’s love lives with their true love.

There were the luckier ones who woke up with little ‘fulfilled’ or ‘happily ever after’ on their wrists after their wedding. There were also those who had little ‘close call’ or ‘don’t try again’ written on their wrists on the coldest nights. And there were also those that read painfully ‘not destined’ or even ‘maybe in a next life’ that caused an inexplicable burning in the eyes of those who received such words. There were those who liked it, there were those who didn’t mind a mere tattoo and there were also those who did everything to force a soulmate into their lives.

The reality is that a person’s tattoo was already inscribed on them from the moment their soul found a body, always wanting to arrive at the right time to make itself noticed. And that was why no one could change their destiny.

But none of that matter. None of that mattered one bit to Kakashi. Because he only had one thing in mind: becoming strong and reliable. Kakashi didn’t care about dating or romance. Kakashi just wanted to do his duty as a shinobi.

But, of course, no matter how much he didn’t want to know, no matter how much he showed he didn’t want to know, his father was always attentive to him, always wanting to make him even minimally interested in the subject. After all, parents only wanted the best for their children.

And that was why Sakumo forced Kakashi to sit next to him on that cold, foggy morning.

“Kakashi, there is beauty in the midst of all this chaos.”

Sakumo’s voice was lost amid the fog, a phrase of pure harmony and delicacy trying to find its way in the thick maze of clouds and trees that invaded the territory.

There was a pause.

Kakashi didn’t deign to respond – he knew perfectly well where this conversation would end, he knew perfectly well what awaited him.

“The world is not driven by war alone.”

“Dad…”

Kakashi let a long and monotonous sigh escape his small lips, muffled by the dark mask, trapped inside the fabric without being able to show his total dissatisfaction.

“Not again. I have class in a bit.”

Kakashi stood up carefully and a little hesitantly. The truth is he didn’t want to leave his father alone. Kakashi didn’t want to abandon him once again at the mercy of fairy tales that did nothing but deceive a person.

However, Sakumo gave him no other choice. The cheap repetition of stories and princesses and kings became tiring – there was no longer any surprise in his father’s speech, there was no longer any hope for Kakashi.

As such, he was determined to abandon his father sooner than expected, his little feet taking short, uncertain steps to get away from his father, to get away from yet another unwanted conversation.

“Kakashi, why do you think there is war?”

Kakashi stopped his step with some abruptness.

That simple question from Sakumo echoed strongly inside Kakashi’s head, causing small dizziness in his mind where several possible answers appeared without any invitation, assaulting the little child’s sanity, making him question everything.

Why does war exist?

Of course, the main answer focused on people’s inability to be able to communicate with each other. There was also that need to come out and show their disgusting egos – that is the second answer to that question.

But there was something more.

There had to be something more.

People didn’t start wars just because they were bored.

…

Right?

Throughout his small and short existence, Kakashi has lived in a world of war and from an early age he was trained and taught to live and survive amidst so much devastation and anguish. Kakashi’s entire existence was shaped around the thick and aggressive sphere of what moved the world – war.

Would he have to know why?

In reality, Kakashi didn’t care if someone wanted to conquer the world, or if someone was kidnapped or killed unleashing days and months and years of pure destruction. Kakashi only had the mission to fight the war – that was all that mattered. Now the reason?

“I don’t care. Certainly the origin of all wars has an illogical basis. I have to stop the war. I don’t need to know why it started.”

Sakumo smiled and let his son go on his way, slowly losing sight of him as he began to be consumed by the fog.

Sakumo’s lips formed a perfect smile, a smile that left a trail of sadness with it because he knew perfectly well what was going to happen that day – Sakumo couldn’t really smile, not when he knew the end was near.

But there was something else hidden in his smile.

No matter how loud the voices screamed in his mind, the reality was that Sakumo feared for his son. Sakumo feared that Kakashi would never experience the beautiful pleasures of love as he himself had once experienced.

And there was nothing to do. There was nothing to do when Kakashi only focused on the human intellect. There was nothing to do when Kakashi purposely denied all the emotions that moved the world. There was simply nothing to do.

And Sakumo kept smiling.

His cold fingers gently stroked a small ‘there will be more in the next life’ that was fading due to the passage of time.

Several memories of a short and intense love began to haunt him in such a way that Sakumo didn’t even notice when the sadness on his lips turned into hope.

That hadn’t been the last life with his beloved – Sakumo knew that.

Then, muttering the answer to the question he himself asked his son, Sakumo stood up as well.

He knew perfectly well that there would be a second chance for his love. He knew perfectly well that Kakashi would realize the reality of the world they lived in. He knew perfectly well that everything would end well.

After all, there has never been a war without love.

Kakashi had lost everything.

There was nothing left for someone so young.

At fourteen, Kakashi’s entire life fell apart before his own eyes. Without family or friends, without anyone who could support him, he had lost everything – including his way in this world. Kakashi was wandering through the days, lost on the path of life, with no knowledge of maps or no guides that could help him.

Kakashi had lost everything, until he gained a new friendship, a new hope.

You appeared with the arrival of spring. Uncertain and always encouraging steps, an enormous desire for knowledge to be noticed in the intense shine of your sweet eyes, and wide smiles enchanting anyone.

You brought with you the breath of fresh air that prevailed at that time of year. Your feet encouraged so many beautiful flowers to bloom, new lives were created by you, new paths were drawn by your bare feet. The innocence of someone who had not yet experienced the evils of the world painted your smile with an extra tenderness that gave your cheekbones small splashes of the passion that the sun felt for you.

That spring day, when Kakashi saw you leaning over a hollow log, you carried something more than pure curiosity and amusement in your fingertips. You brought with you the hope of a new life for Kakashi, a hope that was felt by him when he, very clumsily, stopped you from rolling with the log to the bottom of the cliff.

Quickly, like someone blowing a leaf, something formed between you. A friendship? Probably. It was hard to be sure with Kakashi. But whatever you and he shared, you both knew it was something unique, something true.

A new stage in both of your lives was discovered in the other’s presence, a vast and longing wave of feelings beginning to form in you.

There was complicity between the both of you.

Since your first meeting next to that log, you and Kakashi shared an enviable complicity. Each one understood the other without the need to exchange words. A simple look, a simple sign, was enough for one to be understood by the other.

Days were spent together. Little secrets were exchanged amidst laughter and sighs, two distinct lives were soaked in pure melancholy, drenched in an extreme longing for a long-lost past.

And your adolescence has never looked so beautiful in the eyes of others.

Before you knew it, you and Kakashi have reached adulthood. And what used to be so simple and natural now seemed complicated with so many glances and hidden smiles and that hint of desire that clung to every word you exchanged.

Quickly, like someone forming a smile, beyond that very natural friendship, something more emerged between you. Something deeper began to emerge between the two of you.

“I don’t understand people’s admiration for the stars.”

You stretched a little as you sat next to Kakashi, the red blanket you always carried protecting you from the cold wind of that autumn night. “It’s something that has existed since the beginning of time. There are maps and photographs of them everywhere. Why the fascination?”

“It’s like war.”

The rest of your team rested silently on the ground, wrapped and cozy by a small fire starting by you, the tranquility of a successful mission being noted by their deep and steady breaths.

You and Kakashi were relaxing on one of the many branches of the most colorful and sturdy tree near your camp, your vision completely focused on the vast starry sky and the faint line of the horizon painted by the small mountains covered in snow.

There was silence on the ground and there was silence in the tree branches.

The breeze had been encouraged by several clouds venturing along unknown paths, giving you a little privacy on that very welcoming night. The moon was small, gaining strength for a more special date, slowly feeding on the desire of the most melancholy people who wrote to her. Every animal in the forest slept near you, the heat of the fire that crackled so loudly convincing the most diverse living beings to truly rest that night – except you and Kakashi.

“The war?”

You couldn’t contain the laughter that formed inside you, a sound so melodious and innocent that it woke up nature itself for a brief moment. The breeze had returned to you only to take with it the pure sound you released, keeping among the various clouds and stars the memory of your innocent question and laugh.

“How does the fascination of the stars compare to the war?”

“Humans can’t live without them.”

Kakashi was leaning against the trunk reading one of his typical books. None of his words were of the slightest interest. His uncovered eye cautiously read each line of the book. And he just waited for an answer. He waited for your curiosity. He waited for you.

“My dear Kakashi, I live well without both. Does that make me non-human?”

Kakashi let a long, amused sigh escape his lips and grab the echo of your new laugh. By closing the book and adopting a posture more favorable to a conversation, Kakashi let his movements continue over time.

The relaxing crackle of the fire calmly accompanied your team captain’s gestures as you fixed your eyes on Kakashi in the vain hope of encouraging him to speak or, at the very least, to hurry up.

However, there was no rush in Kakashi’s movements – all the time he took to sit next to you and stare at the stars seemed like an eternity to you.

But finally, Kakashi spoke.

“Of course you live well without both. But would you be the same person you are if they didn’t exist? Would you be complete if they didn’t exist?”

“Are you insinuating that we humans need to have stars and wars to be real?”

It seemed like an outrage. What Kakashi had just insinuated to you seemed to be wrapped in a thick layer of blasphemy and nonsense. The indignation at those words was reflected in the way you looked at the various leaves that framed Kakashi in an ethereal casing of change.

What was once a peaceful setting has now become a stage for nature. Strong winds and thick clouds slowly began to appear, hoping they could continue listening to Kakashi’s thoughts. Small nocturnal birds greeted you shyly with sweet and tender melodies that spread through the sleeping forest and made you smile.

“It’s what moves us.”

“I’m sorry,” you let out a fake laugh as you composed yourself on the tree branch.

You turned to Kakashi and focused your attention on his relaxed posture. Curiosity was caught in your eyes, and an eagerness to prolong that conversation could be seen in the way you so firmly and enthusiastically pronounced the words. “But I still don’t follow your reasoning.”

“A’right, let’s go step by step.”

“Please.”

Kakashi let out a small, almost inaudible laugh at your tender plea.

His eyes were now resting on your very curious posture: your arms adjusted the red blanket to also shelter Kakashi on that cold night; your eyes sparkled with the enthusiasm of yet another conversation with your best friend; your smile warmed Kakashi more than any blanket or fire could do.

“The stars, yea? We all know that since ancient times they have been the cause of all happiness and pain for people. People in ancient civilizations worshiped the stars as gods and saw in them countless stories and life lessons. And the very own people of those civilizations used the stars and their positions for agriculture and to make decisions. Are you following?”

“Yes, professor.”

You let out another laugh as you placed your legs over Kakashi’s and gently slid closer to him. The night was getting cold, the fire was on the ground and all you had was a red blanket and Kakashi.

And how he thanked all the gods for wearing a mask and for the moon being lazy that night. For, the pink tone he quickly adopted when he felt you so close to him only revealed how much he was waiting for that action of yours.

“So…”

A brief moment of silence followed after Kakashi’s statement.

Your captain’s reasoning was lost with your innocent act. It was a simple, affectionate gesture, something that had been repeated so many times. And, like every other time, Kakashi simply lost any coordination – the feeling of having you so close to him was fantastic, almost magical.

Thus, a brief moment of silence followed as Kakashi tried to find the thread of his thought, as Kakashi tried to grasp that thread without losing the very welcoming feeling of having you close to him.

“So,” he repeated again, his posture always relaxed and carefree, the mask being the perfect hiding place for his rosy face. “People adopted these little habits from their ancestors and that’s why there are so many people who still marvel at the stars. Of course, all romantics are also enchanted by them.”

“Why?”

Pause. Silence. Contemplation.

Why? In fact, that was always the question you asked. That was always the question that made sense to ask. Indeed, why?

Kakashi stared at the stars, trying to understand why. You stared at Kakashi, waiting for him to answer why.

But the answer never came. The answer never showed up and beautified your ears with sweet justifications and immaculate logic. For, realizing that there really wasn’t a defined reason for that question, Kakashi continued his reasoning.

Your captain’s voice was drawn out and always monotonous as if it were perpetually stuck in a timbre that conveyed a vast sense of comfort.

And you listened carefully to every word Kakashi said. You listened attentively to everything he had to say, always trying hard to follow his thoughts.

“Now the war.”

Kakashi paused briefly and took a deep breath.

A sigh that seemed to be filled with tiredness escaped his lips without realizing it – the memories of conversations he had with his father were felt at that exact moment. And they weighed. They weighed so much.

“War has always existed. Since the beginning of humanity there has been war. No wars, no humans. It is in our condition as human beings – it is our need. We crave destruction. We seek chaos. It’s in us. We need war to move us. Because, quite simply, we are the war. Without it, what would we do? Who would we be? That’s why there is fascination with it. That’s why there’s so much admiration. War is the stars of the most political. And the stars are the war of the most romantic.”

“So, by that logic, love is the war of the most philosophical.”

Kakashi looked at you with confusion expressed in his eye. The various and infinite stars reflected in Kakashi’s gaze showed that, in fact, he had not understood the use of your words.

Why did you decide to grab love out of nowhere?

Why did you decide to bring that taboo into the middle of a conversation that was so special to both of you?

Why?

You noticed the confusion in Kakashi’s lack of reaction. You realized that there must be doubt in your captain’s thoughts. Looking at Kakashi, it was easy to decipher the confusion he felt and you were intrigued, fascinated even.

“Do you really think that it is only war that moves the world?”

Kakashi opened his mouth but you didn’t know.

Kakashi closed his mouth again and you didn’t even notice.

In your captain’s mind, that last conversation he had with his father began to replay endlessly. Sakumo’s words came up whenever that dangerous topic was brought up – it seemed that Sakumo’s cheap philosophies tormented Kakashi until that day.

But it wasn’t always like that – no.

From the moment Kakashi met you, Sakumo’s haunting finally ceased.

There was no need to understand love because, quite simply, and even though he didn’t know it, Kakashi was experiencing that feeling so strong, so true. There was no need to recall a conversation that tried to explain something he was feeling, even though he couldn’t decipher that specific something.

Therefore, for several years, Sakumo’s words that were imbued with understanding and affection had been forgotten, completely erased from Kakashi’s memory.

No. Wrong. The words were still there, safe, inside Kakashi’s heart.

And it only took your question, your question so similar to Sakumo’s question, to free the words and torment Kakashi again.

“Kashi?”

You let out a laugh.

Kakashi certainly knew there was something more than war. He positively knew that not everything was destruction or contempt in this world. He had to know there was beauty and hope. He had to know that there was something good in this world. Kakashi had to know all this – right?

“Love?”

The word burned in Kakashi’s mouth, his melancholic eye locked in your eyes, the reflection of the universe trapped in your fingertips.

“Love.”

Your response came with a real, genuine smile. Your eyes showed a light and tenuous sadness while a tiny hope threatened to collapse at any moment.

You spoke like love itself. Delicate and light, your lips pronounced that word with precision and extreme ease.

You spoke like love itself. Your smile was genuine and embellished by the infinite stars, painted by the cool night breeze. Your eyes were sad, scared and fearful of the drastic change of an event, of a feeling.

You spoke like love itself. You spoke in a mix of emotions that were foreign to Kakashi, a thick ball of feelings and memories was trapped in your expression and made Kakashi feel confused.

You spoke like love itself, but Kakashi could only speak like war.

Kakashi spoke like war itself. Without any feeling, afraid of what his lips could utter, scared of the strength of the word itself.

Kakashi spoke like war itself. His every word and thought was completely calculated by him, no mistake to be uttered by Kakashi, the doubt that escaped his lips bringing a bit of wisdom.

Kakashi spoke like war itself. Kakashi spoke knowing perfectly well what awaited him, he spoke knowing perfectly well the answer to his question.

And between war and love there was a brief moment of silence. A moment of tranquility brought by the infinite stars.

Between war and love there was a moment of serenity that was heard only by your careful breathing, your gaze locked on each other, your smile slowly fading as time passed.

Love.

Was that the answer to his father’s question? No. It couldn’t be something so simple like that – but there was no such thing as simplicity in love.

“Love.”

Kakashi said his statement again, allowing a fragile and invisible line to escape his mask and take with it the bruning of that word.

There was something comforting in your gaze, something soothing in the way you held the blanket tight to you. There was something serene in the way you rested your legs on Kakashi’s, something welcoming in the way you and him stood together under that starry sky.

“Love” – Kakashi never found it easier to pronounce that word.

Days without you were boring.

Everyone knew that whenever you were on a mission without being on Kakashi’s team, he would roam the streets of the village like he used to do before he met you. Everyone knew that, for Kakashi, days without you simply didn’t make sense, not when you and he had already become fully accustomed to each other’s presence.

And that day wasn’t much different from the others.

Kakashi walked through the streets calmly. His feet shuffled without any energy, one of his hands sheltered in his pants pocket, the other holding a book close to his face.

Kakashi didn’t pay attention to what he was reading or where he was walking. Having already read and reread that book so many times, having already walked those streets countless times, Kakashi didn’t need to pay attention – because something else occupied his mind.

Your mission was somewhat complicated and you left with a good team, yes. But Kakashi couldn’t trust them, not when your integrity could be at risk – Kakashi could only worry about you.

A melancholy trail was left by Kakashi’s short and relaxed steps.

His eyes read and reread the same page over and over as his mind wandered to so many possible scenarios that could happen to you.

How he hated being away from you at a scary time like that.

Kakashi had been your team captain enough times for him to know you knew how to take care of yourself. But you were also distracted and that was what bothered Kakashi. A distraction from you, an ambush from them, a misfortune from the universe – everything seemed plausible when he was away from you.

He just wanted to be with you, to hear from you, to know that you were okay. He had to be with you.

But regardless of whether or not you managed to get home safe and sound, Kakashi spent his days monotonously without you by his side.

Even though Guy continued to make his occasional appearances, enticing Kakashi into meaningless duels; even though Naruto and Sakura could fill a fragment of the void you created; even though he knew you would be back next week, the reality is that Kakashi simply couldn’t live the days in your absence.

Not since that night under the starry sky. Not when the confession of a love came out disguised in a novice and somewhat shaky pronunciation.

What could Kakashi do? Just wandering around the village without your company. Just wishing every day was shorter than the last. Just peacefully wait for your arrival.

“Today I received my words!”

Naruto was always so loud.

Kakashi lazily looked up from his book and watched Naruto talk excitedly to Sakura and Shikamaru. The smiles they shared with each other were big, contagious, as if enticing Kakashi to also let out a small smile.

“Hinata is my soulmate!”

“I got mine during the war. It was Ino who noticed,” Sakura let out a small laugh as she recalled her chaotic reactions when she discovered that Sasuke was, in fact, the man the universe had destined for her. “What about you, Shikamaru?”

“Nothin’.”

A small sigh escaped Shikamaru’s lips and brought with it the hope of not having to worry about a soulmate anytime soon.

“What about you, Kakashi-sensei?”

“I don’t pay attention to that.”

A shrug was enough to direct the conversation back to Shikamaru.

But Kakashi kept thinking. Without realizing it, all the younger’s’ speeches were obstructed with the thought that, perhaps, Kakashi had already received his words.

It was true that Kakashi avoided looking at his wrist – since that night, the mere thought of love scared him.

Once, Kakashi simply didn’t care about something as trivial as love. The mere thought of such a feeling brought only haunting of long, uninteresting conversations with his father. But now, after that night, there was fear in the feeling. There was an extra fear that burned in Kakashi’s heart when he allowed himself the luxury of thinking about something as dangerous as love.

Ever since that night, the mere thought of love scared Kakashi because, quite simply, Kakashi couldn’t imagine that word without picturing you.

And Kakashi blamed you. Yes, you. You were the bringer of Kakashi’s destruction. Because, since that night, Kakashi really started to see the world differently. And he blamed you. He blamed that word. He blamed all the stars.

But had any mark already been engraved on his wrist?

Leaving conversations and laughter behind, Kakashi returned home.

A single goal was stuck in his mind. A single need ran through his heart. A single feeling moved Kakashi. Love.

The four walls of Kakashi’s room had never felt as cozy as they did at that moment.

It was the end of the day.

The last rays of sunlight were lost in Kakashi’s room. Shades of gold and hope burned fiercely in the three frames that rested delicately on his little furniture. Your face and Kakashi’s were adorned with light celestial tones from the last ray of sunlight, enhancing the joy and comfort that that photograph brought to Kakashi.

Night fell so quickly that it didn’t even give the sun a chance to warm Kakashi’s room.

It was cold.

The proud and bright moon contrasted with the weakness of that night, the stars taking the night off to give the various and diverse clouds their turn to shine.

There was darkness and there was cold.

In the midst of that discomfort, Kakashi looked for some warmth in his wrists.

His right wrist had nothing on it – the pale skin brought a bit of disappointment to him.

But there was still hope. There was still a second chance.

Cautiously taking off his left glove, Kakashi saw a single word shining in the moonlight.

‘Almost’.

Almost?

Kakashi’s mouth opened slightly on impulse as his eyes repeatedly read and reread that single word that was carved into his wrist.

How long had it been there? How long ago did fate decide to steal you from him? Almost? Why ‘almost’? Hadn’t his confession that night been enough for you? Wouldn’t the vulnerability with which he uttered and repeated that forbidden word have been enough for both of you? Almost. Almost? Why? Could he have done something? Could he have done nothing?

A wave of corruption completely washed away any and all hope Kakashi might have had. The curiosity that once drove Kakashi’s gestures was entirely replaced by regret and frustration.

Could he go back? Could he do something to change that word?

Surely if you arrived and he confessed everything he wanted and felt for you, maybe you would reciprocate his words.

No. Not ‘maybe’. Kakashi was sure there was reciprocity. That night left no doubt. The way you two spoke, the way you looked at each other, the way you pronounced the forbidden word.

Yes. There was definitely still a little hope, even if it was small. And Kakashi knew, as years of war had taught him, that hope would always be the last to die. Surely the same applied to love. Right? – you said it yourself: love is the war of the most philosophical.

Yes. Hope.

‘Almost’ wasn’t the word Kakashi had chosen to dictate his fate, no. It was ‘hope’.

 Clinging to that small flame that had quickly lit in Kakashi’s heart, he watched the remaining days pass slowly and wistfully.

Kakashi just wanted you to come back as soon as possible. He just wanted to cheat fate once and for all and grab the happiness he had been so deprived of. Would it be too much to ask?

‘Almost’. Pathetic.

‘Almost’. Of course it wasn’t almost – Kakashi would never allow it to be ‘almost’.

And when you arrived, Kakashi carried the war with him – he was determined to change his destiny, even though he was scared. There was determination in his steps, Kakashi’s eyes so empty conveying a bit of uncertainty, of fear, of regret in actions he should have done long ago.

Waiting for you for so long only gave Kakashi permission to think, to ponder all the opportunities that were missed by him in fear of a confession made of decent words – he could make a list of all the waste that was lost.

The ‘almost’ was right.

Years passed – Kakashi should have known better. He had so many books about it, he should have known better. It wasn’t enough to just say a complicated word. It was not enough to just feel a complex feeling. Kakashi had to show – and Kakashi never showed.

But now Kakashi was determined to change that. Kakashi was determined to change his destiny.

Just like war, Kakashi came to you without any warning.

Just like war, Kakashi caught you unnoticed in a spontaneous embrace of longing and nostalgia. It was rare for Kakashi to express his love, but you couldn’t deny that it was something that always made you smile.

You hugged Kakashi back, your arms fitting perfectly around his body, the way his strong arms squeezed you in a comforting embrace making you more relaxed. Although you had already arrived at the village two days ago, it was at that moment that you truly felt at home.

“How’s the mission?”

That wasn’t the question Kakashi wanted to ask – it wasn’t what he had rehearsed.

But you started a long, drawn-out monologue about all the ups and downs of that mission that lasted almost two weeks. A rollercoaster of emotions was reported by you as Kakashi listened attentively to every word out of your mouth.

And, while he listened to you, he looked intently at your arms.

Kakashi’s empty eyes searched for tattoos made by the stars. The curiosity to know your fate was what moved Kakashi’s eyes and forced him to look at your body.

Until finally he saw it.

‘It was close’.

It was close?

What absurd words had fate given you? It didn’t make sense.

Was it close that you didn’t end up with Kakashi? Was it close that you fell into someone else’s love trap? What did those words mean? What did they mean in a vast sea of ​​possibilities?

“And I got my tattoo on the way here.”

You extended your arm and gave Kakashi permission to read your mark better.

‘It was close’.

“I was confused by what it meant. But it made sense when I found…”

“Him?”

Him.

Kakashi knew who you were talking about.

You didn’t need to confess names or draw portraits with your words. Kakashi always knew who you were talking about, because he was the one you loved before you met Kakashi, and he was the one you loved during the early days of your friendship with Kakashi.

“Yea.”

The smile you let out reminded Kakashi of love: shy and so happy, a hint of accomplishment displayed in the beautiful curves of your lips, a sense of comfort trapped in your confession.

Love.

Damn you.

“He walk with me to the village and is staying here. Today we’re going to our first date.”

And that’s when Kakashi realized – no one could change their destiny.

With a fake smile and forced curiosity, Kakashi allowed you to nail long, painful barbs into his heart, erasing any hope he still had left, completely staining the forbidden word for Kakashi.

With a fake smile and tears trapped in his eyes, Kakashi allowed your happiness to flood his darkness, little stars of your joy faintly painting Kakashi’s pain.

Because, yes. Despite everything, Kakashi was happy.

Even though he would be happier with you, Kakashi was happy for you.

You overflowed with love.

Extreme happiness wrapped in a film of euphoria delicately filled your room. Your eyes shone with the emotion of a love about to be lived. Your wide smile managed to be contagious, even though Kakashi didn’t want to smile.

You were the embodiment of love.

You were hope and comfort from the first day he met you and he hated you for it.

Kakashi hated you because he knew he would never be able to find someone who had as much of an impact as you did. He would never be able to find someone who made the word ‘love’ mean as much as you did.

It was the way you spoke so happily about each other. It was the way you still cared about Kakashi like you still liked him. It was your own way of being.

You were kindness and simplicity hidden behind a strong sphere of complexity.

You were, undeniably, love.

And the conversation that night never made as much sense as it did at that moment.

In Kakashi’s realization, in the midst of all the suffering caused by you, you continued to move Kakashi. The way you still made Kakashi eager to see you. The way your company was still, and always would be, crucial to Kakashi. The way he still loved you after you caused him so much anguish.

You have always been the personification of the word love. And, just like the feeling itself, it was you who moved Kakashi’s world.

♡ feedback is always welcomed ♡

[agtavio]

doobles

[me-beef]

@strangeravatar made a great point

i was gonna focus on the spike-hotboxing-celestia aspect but i got distracted somewhere along the way and i think i forgot what joke i was trying to make

but dont you think its interesting how many guards of the exact same color/body type she's managed to accrue?? i do

ooohh you want to go look at our stickers so bad

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[muffinlance]

Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue

THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.

[meirimerens]

the bickering habit

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes ��� he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.

[hahniana]

Look I love and respect the yuri nation and also think it Sucks when fandoms ignore perfectly good f/f relationships in media for mediocre yaoiz but like we cannot understate just how strong of a presence farcille has in the dungeon meshi community as of writing. Newcomers making the guys suck and fuck is such a non-issue can we chill

[fountainpenguin]

Things that happened in Martyn & Cleo Double Life canon:

Cleo hoping to find her soulmate and start a life with them

Cleo dumping Martyn without giving him a chance to explain his side of the story, but hearing him out when he comes to her later

Martyn watching Cleo through his spyglass and telling the audience she seems safe and happy even though he thinks it's weird she's outside at night

Martyn, after he's had time to consider how he wants to play this, spinning a story about trying to be a provider for her and Cleo explaining that she wanted him, not things

Cleo not being remotely impressed by the "I was providing" sob story, lol

Martyn calling Cleo selfish for choosing to be with Scott because she's supposed to be HIS soulmate and he wants a partner

Cleo willing to forgive Martyn if he meets them halfway

Martyn refusing to meet them halfway because he doesn't think he did anything wrong

Martyn screaming about how Cleo's building bridges with Scott but "When will she think about mending our bridges???"

Martyn explaining to Cleo that he doesn't understand why his Session 1 actions bothered them

Martyn centering his character arc and roleplay on trying to win Cleo back without actually apologizing

Cleo giving Martyn a flower and stating that if he loses it, she'll be real cross with him

Cleo chasing Martyn out of her yard because he tried to put an HOA sign on her base and she wanted to make it clear that she wasn't associated with them and their hate for his base (even though she does think his heart base is strange)

Martyn attacking Cleo after she said attacking is a form of affection to her

Cleo setting boundaries with Martyn and explaining what he can do to get her back

Cleo sighing when Scar set her up on a date with Martyn, but taking the chance to talk to him instead of walking out

Cleo genuinely wanting Martyn in her alliance

Martyn and Cleo giggling constantly when they chat

Scar asking if Martyn wanted him to play a romantic music disc for him and Cleo (and Martyn getting excited and saying yes)

Martyn offering to take Cleo's armor and weapons to the deep dark so he can enchant them and bring them back while she stays safe

Cleo gifting Martyn diamonds, expecting nothing in return but not wanting him to die from lack of a good sword

Martyn and Cleo forming a secret alliance that allows Cleo to live with Scott while being on good terms with Martyn

Martyn expressing frustration that Cleo wants to keep this alliance secret because he wants them to be public allies; Cleo softly shushes him when people approach and might overhear

Martyn telling Cleo that she's putting out a lot of mixed signals because she keeps reeling him in and then pushing him away, claiming he is very confused about where he stands with her

Martyn teasing Cleo by punching her off a cliff and accidentally killing her and feeling so bad about it that he apologizes profusely despite roleplaying as someone who refused to apologize for Session 1

Martyn and Cleo immediately threatening Bdubs together when he said hi to them while they were hanging out, sdkfj

Martyn genuinely apologizing to Pearl for dumping her after Session 1

Martyn hiding under Cleo's bed while she defends him from an enderman attack

Cleo offering to let Martyn move into her house after Etho and Joel grief his base; Martyn saying he might take her up on that

Cleo and Martyn agreeing to move out and base together at Box

Cleo trusting Martyn with the location and resources of her red life base

Martyn rushing to Cleo's aid in the deep dark and trying to turn everyone against him instead

Cleo responding to Martyn's panicked shouts for her to eat by opening her inventory to get food (and drowning because she forgot she was in water)

Cleo hanging back and letting Martyn attack Scott while she does nothing to stop him from doing so, implying as much as she likes Scott, she won't kill Martyn (and herself) for him (and/or she trusted Scott to handle himself even though he ran away while Martyn was shooting at him)

Things that did not happen:

Cleo unwilling to forgive Martyn or consider being his friend and partner

Martyn and Cleo hating each other

Thank you for coming to my TED Talk

[pitter-patt-art]

Ace Attorney AU August (halfway progress update!)

Okay technically it's the 16th (lol, 17th by the time this is done) so a little over halfway actually, but still I thought since I haven't had anything finished to post the past few days this would be a fun alternative!

I've been going a little nuts (affectionate) over @augustwritingchallenge's AU-gust prompts list this year so August has been a wild ride (about 40k words of one, in fact. so far.) but seeing as I will get attached to even the jokiest of AU ideas instantly, I've completed* a whopping 5 whole fics of 16, lol. Considering the shortest of those is over 3k and the longest is over 12k, I think the problem with not finishing these in a timely manner is entirely on my verbose foolish thick skull, haha, but I'm still having a blast with it.

Here is my ao3 series where I'm posting!

And a rundown / progress report / quick teaser of all the AUs including those I've yet to finish, if anyone's interested:

(*by "completed" I should note two of the already posted fics are basically assuredly going to be continued past the challenge, but let's say "completed enough to post and be on theme")

1. Canon Divergence - complete - 4.5k words ("For the Murder of Mr. Wrong" link)

Mia POV, gen. What if Dahlia succeeded in poisoning Phoenix and framed Doug Swallow instead (and then Mia defended him in court)? Basically a 3-1 rewrite. Fun Fact: I only came up with this AU because before I even remembered AU-gust existed at all, I'd come up with like 4 totally separate AUs in which I poison Phoenix in various ways With Real Consequences because it amuses me, lol, but he survives all those other ones and I eventually realized I hadn't even considered straight up killing him off yet so I figured I should try it at least once, haha.

2. Colorless - complete 1st chapter - 3.2k words ("Grey Matters" link)

Phoenix POV (for 1st ch --prob alternating after), wrightworth. "You can't see color until the first time you touch your soulmate"-soulmate AU. 1st chapter is their first meeting as kids (skipping the class trial itself). Fun Fact(s): I really love a color soulmate AU! Big fan of the "only see the color of their eyes" type of one too but uhhh on top of that working better for things that have wild anime eye colors, you could not pay me enough to try to figure out what the HELL is going on with Ace Attorney eye colors at any given time lmfao. (Also--spoilers for what i haven't written yet but hey if you're here you earned it--this IS one of my very many "teehee what if i poison Phoenix just a smidge as a treat for me" fics. NOT my fault the man ATE GLASS. That's on him.)

3. Dark Academia - complete "1st chapter" - 4.4k words ("The Spirit of the Laws of Magic" link)

Mia POV, lanamia. Magical boarding school setting featuring corruption and missing-student conspiracies and a most likely overthought system of magic with hierarchies and prejudices in societal views of academic/formulaic vs folk/innate magic. Fun Fact: I really thought for SURE i was going to skip this day entirely, lol. (foolish.) I don't think i've actually ever personally read anything "dark academia", technically--so if this doesn't read EXACTLY that way, there you go, but i did my best. I also then thought I could live with keeping this vague but I accidentally thought about it too long so... plus at least two people on top of myself at this point have expressed interest in more of this and so I have some semi-concrete Plans™ now.

4. Zombie Apocalypse - conceptualized (but not started)

Concept: probably gen and Phoenix POV, but also because I'm me and they're them, at least a little bit wrightworth even if it isn't necessarily explicit in any meaningful way bc they are Not Normal about each other lol. A little sketchy on how much of an "AU" this counts for, since it could probably be argued to be canon compliant somehow, but basically just: Universe where they make a Pride and Prejudice and Zombies-type Steel Samurai reboot movie thing (featuring, you guessed it, zombies), and Miles comes over and forces Phoenix to watch it with him just to have someone to bitch about it at, and then during that time Maya blows her way into Phoenix's apartment as well with the exact same intentions except her "day job" isn't quite as time-sensitive-strict so she's already finished watching it earlier and knows all the spoilers. Honestly a good chance Phoenix and Pearl (who came with Maya) end up hiding out in the kitchen together to let Maya and Miles rile each other up in front of the TV, but I'm never exactly sure where they'll take me once I wind them up and set them loose on the page, so who knows. I also hadn't necessarily determined the exact time frame yet but for it to make sense as a reboot-type movie/special episode/whatever it probably should be 7yg-or-later so Trucy may or may not be there as well. (That said, in my struggles to complete an actually short one-shot, I probably shouldn't even include Pearl let alone Trucy, lol.) Fun Fact: I also thought I'd skip this day bc I'm not the biggest zombie guy in the world, and to be fair, I managed to do Way Less with it than the dark academia prompt so, yippie?

5. Chess Players - incomplete (currently 3k word WIP)

Miles POV, wrightworth. Miles is a chess grandmaster and back in Japanifornia for the upcoming world cup tournament, but his greatest challenge is actually to FINALLY best Franziska in their annual who-can-get-the-best-Christmas-gift competition. Luckily, he just so happened to hear of an artist who makes bespoke chess sets, so the plan is to get a custom board made for Franziska without her finding out. The plan is not to get trapped in a weird art collective labyrinth with some model-photographer named Cindy who keeps hitting on him but also happens to be protective of the artist he's there to see because "she and her boyfriend kinda-sorta owe him big time", but this is what he gets for coming here without doing any extra research into the artist besides seeing his work and hearing only "his name is White, or, eh, something like that, you know how those artist types are" from Mr. Amano. (AU where we replace law with chess and no I don't think Phoenix could necessarily hack it in the top-world-grandmasters-level of chess tournaments HOWEVER have you considered he DID go to art school so what if he just tries selling custom chess sets until somehow that reconnects him with Miles. Is that somehow a more insane plan than studying law? Maybe. Did Manfred still shoot Gregory but now it was over fucking chess? Maybe. Idk. But I did let Greg live this time at least!) Fun Fact: we can all DEFINITIVELY blame my lovely, terrible, very wonderful friend Ben (shameless friend plug! she's an outstanding writer and has some AA fics of her own too!! @kindlystrawberry on tumblr!!) for making a total joke about "well what about au where they make chess pieces instead" while i lamented not knowing enough about chess to write an actual match and spawning this ENTIRE concept. It is her fault. 100%. She is the guilty party. (I want to finish this one VERY BADLY. Save me.)

EVIDENCE!!!!! Guilty.

6. Reality Show - incomplete (currently 700 word WIP)

Phoenix (& Franziska) POV(s), background wrightworth wedding planning going on as set up but it's also definitely just one of my many excuses to set Phoenix and Franziska up as bitchy worsties who can't admit they enjoy each other's company and will cut you down if you suggest it as such. So far I've only written the quote "set-up" section which is in Phoenix's POV, but that was SUPPOSED to be like 5 paragraphs and cut away and then lead into my actual plan for the main body, which was to be in Franz's instead, so. This is very similar to the zombie one in that it's them watching reality tv instead of being contestants on a show (I don't personally like or watch a lot of reality tv so my creative well was somewhat dry on how to make that work) and then I accidentally thought about Phoenix and Franziska watching something just to judge and tear apart the decisions of every person on it and that was too fun to not consider further, haha. Basically the plan is just they get left alone together and don't know what to do with that and end up wine-drunk and making fun of some reality dating show of some kind and Miles and Trucy come back to them losing it together over something stupid and are like "......uh. what's happening." Fun Facts: I really love the thought experiment of Franziska somehow discovering how often Phoenix's internal dialogue/reads on situations and especially people can be So Bitchy And Judgey despite his affable complexion, and her unfortunately finding his opinions to SOMETIMES be somehow slightly okay. Moderately correct, even--occasionally. I know the section she follows you-as-Phoenix around in T&T is really not long at ALL, but I adore it. There's something about it that so badly makes me want to force them into proximity more (to both their chagrin, I'm sure).

7. Farm/Ranch - complete - 12k words ("Two Little Dickey Byrdes" link)

Gumshoe POV, gumbyrde (tho i still think dickeybyrde is a funnier ship name). 5+1 things--except more like maybe 7-or-8+1 to be honest--so it's more: over 5 times Dick and Maggey sit on a wall together and 1 time they find someone else there instead. AKA: Dick runs his family's small farm (think fantasy farm like in a farming sim or maybe horse girl novel type of thing that has nothing to do with what a real farm is like lol don't worry about it) and Maggey starts working at the next farm over as the latest of her many odd jobs. Fun Fact: oh god this one got so far away from me. it was not supposed to be this long lmao. it's literally the elaborate set-up to a very silly Nursery-Rhyme-I-Didn't-Even-Know-About-Prior-To-This -based punchline!?! still, i was pleasantly surprised by how happy i was with this once it was done... two sittings and about 16 total hours later. haha).

8. Nomad - incomplete (planned/outlined)

Apollo (or possibly Klavier) POV, klapollo. Sort of Jove-Thalassa swap adjacent, but basically: AU where Jove survives the Khura'in fire but loses his memories for [contrived convince sake reasons]. (And also possibly loses some or all of his eyesight just to really go for the parallels?) Therefore: Jove and Apollo stay with Dhurke and Nahyuta and the Defiant Dragons for a time, while Jove recovers, but eventually they leave and head out on their own, just the two of them, and do the traveling musician thing, both because it's dangerous in Khura'in and Dhurke already canonically didn't want Apollo to get caught up in it and potentially get hurt to begin with and because with a functioning actual parent Apollo doesn't need to be taken in by him--and also Jove from what little we know seems like he prefers to be on the move and was already a world traveler anyhow, so even amnesiac maybe he gets a little antsy stuck in one place too long. And so like amnesiac Thalassa, Jove thusly becoming a renowned mysterious musician--and then Apollo, sweet tone deaf Apollo, becoming the sonager of all time (like a momager but...you get it) because he's not that into music but he IS into arguing for better conditions/making deals (contracts!! international legalese!! woohoo!!) with venues and promoters and stuff. And then--oops dang Lamioir still exists and now they have a meet-cute (2 electric bugaloo) (but by then it's later enough Trucy still exists because it will be a cold day in hell when I don't find a way to make her work) and they do music collabs or join up to form a group or whatever and OOPS this means now that Apollo and Jove are with Lamioir when The Gavinners / Klavier specifically meet her and get her to come to do the Guitar's Serenade concert eventually. And Apollo and Klavier ofc thusly also have a meet-cute and then talk and bond etc etc. AND THEN the au STOPS THERE and I DON'T think about how without Apollo Phoenix is totally getting convicted of Zak's murder because there's no way that trial works out as well for him with some other attorney and I also don't think about how reasonable it would then be that maybe Trucy ends up helping Valant with his work setting up the trick for the concert afterward on account of the one father in prison and the other being dead and having left behind a notarized confession clearing Valant's name of suspicion, etc. AND I DEFINITELY do not think about how i could then still so easily get everyone in one place at the concert for Turnabout Serenade and/or any possible funny Sibling (And Thalassa) Reveal that could happen i dont i dont i do not--

9. Accidental Baby Acquisition - conceptualized (not started)

Gen, possibly my weakest / least defined idea on this list, but basically: Phoenix kind of already lives this in canon, lol (insomuch as an 8yo counts as a baby) so I thought, well, how to take it a different direction, then? And I thought, I don't usually go for a Phoenix Fey kind of au because I personally really love the relationships he has with all the Feys as-is in canon and so it's not quite as funny to me as, say, a Miles Fey AU where like Misty and Gregory are married, or any of the ones in that bent, because I'm sorry but that's just SO funny (and sad, but mostly funny) any way you slice it--plus his NAME is RIGHT THERE mia-miles-maya he FITS--anyhow, that completely aside, there are just a lot of reasons I really love the platonic relationships the Feys already have with Phoenix and I don't think it NEEDS to be made specifically familial to still be so very important, y'know? BUT. That said. AU where Phoenix is idk abandoned as a baby or maybe his parents die young or something and it's like a Thing to leave babies at temples or churches or whatever, right? So like--Phoenix adopted by the Feys AU but only because the more i considered it the more i thought it would be WILD for him to literally know Maya her entire life, and it's fascinating to me to consider a Maya who ISN'T basically left all alone to her own devices (and Morgan's) and who has someone absolutely in her corner in the village the entire time even after Mia leaves (who isn't a baby when Mia leaves, love you tho Pearls), AND also and perhaps more importantly, the ships-passing-in-the-night-ness of a scene where, like: Morgan does something sketchy or whatever and Phoenix wants to keep Mia updated but for whatever reason decides to go down to the city and actually tell her in person and so he's waiting outside the courthouse or something (possibly part of or perhaps Most Of the reason he goes in person is because he knows her first courtroom trial is that day and he wants to see her + hear how it went) and when he gets there she's in a heated argument with some asshole in a fancy over-embellished jacket and once that guy leaves Phoenix is like "Sheesh, what's his problem?" You know???? And maybe he really would never even know!!!! Bc he grew up in Kurain!!!! And has no reason to care!!! About some random prosecutor who was mean to Mia!! Aaaah!!! So that, and on top of that, Diego would be there too ofc at that point, and I feel like he would ALSO be quite a funny interaction in this scenario. ("Wow, someone's popular, kitten, you have all sorts of guys waiting on a chance to talk to you, heh?" "Uh.--I'm sorry, WHAT did you just call her")

10. Enemies-to-Allies - incomplete (currently 370 word WIP)

Ema POV, faraskye. Cyberpunk AU where Lana is still under Gant's thumb and Ema, with no other way to stay close to her and getting rejected from any of the sorts of jobs she really wants to do, decides to just join the security force (or cyber police or w/e I decide to call it) and is tasked with hunting down the Yatagarasu, guerilla hacker supreme who is threatening the sanctity of the capitalist overlords. Except Ema's squad gets ambushed and she's captured and tied to a pole, and with her useless fop partner seemingly not coming to rescue her (if he even noticed her absence), she does some quick cost-benefit analysis and decides she didn't really like that job anyway and maybe there's another way she can get her sister back in her life. So she breaks free of her own handcuffs (which she definitely didn't modify into incidental ineffectiveness she's still testing for bugs) and helps fix the "Little Thief" device her captor seems to have broken despite how obviously valuable and impressive the tech is, and they eventually come to something of an agreement. If you can't beat 'em, join 'em, and all that. Either Ema as the hardware-engineer one and Kay as the software-programming one as the two sides of the tech coin, or else Kay can just be like doing the physical sneaking kind of spy stuff only--or maybe she knows a little about software but not so much she's a pro the way she is with infiltration and such. Possibly toying with the idea Kay herself is just completely an android, but if not, I think she has some cybernetic cyborg things going on regardless. Possibly from or inspired by her father? I also like the idea that Gant did something maybe more drastic with regards to having dirt on Ema to get Lana to do his bidding--like maybe Ema has a whole cybernetic hand because instead of just her handprint on a leather jacket, Gant has some sicko jar with her entire hand in it in his office safe, or something. I don't know why this would be useful to him but it is certainly an image. I also find it funny if Miss Fingerprint Powder Enthusiast doesn't actually have any fingerprints of her own anymore somehow in this AU, lol.

11. Retail Worker - complete - 6.7k words ("The Bake Anything Boulangerie" link)

Apollo POV, gen. Phoenix gets a job at a bakery instead of the Borscht Bowl Club during the 7 year gap, and Apollo happens to stumble across it and ends up meeting the Wrights while he's still in high school. He becomes a regular at the bakery and is already close to them by the time "Shadi Smith's" murder comes around. And also, yes, sibling reveal right away--at least as soon as Phoenix realizes and can reveal it. As a treat. (Other reveals, though, I might put poor Apollo through on a delayed basis. Also as a treat, lmao, just not one for him.) Fun Fact: I'm being redundant bc this is also in my a/n, but, Baker Phoenix lives rent-free in my brain because Professor Layton vs Phoenix Wright was in fact the very first Ace Attorney game I ever played, technically, and Maya and Phoenix semi-brainwashed in that bakery was literally one of my first impressions of them. ........followed immediately by starting a let's play of Justice for All (which i watched through the first case, after which I was like oKAY fine maybe i DO need more context here, i should probably figure out what the actual first game is, and went back to start the series properly at the beginning hahaha). What do you MEAN i have a disproportionate fascination with amnesiac Phoenix, even if I have yet to finish and publish one of my myriad AUs that utilize stupid, unrealistic, plot convenient re-temporary amnesia?? Hm???? Idk what you're talking about. Also everyone who complains about 2-1 is wrong lmao it's objectively (okay subjectively is what i'm saying yes BUT objectively) such a funny place to start without knowing broad plot strokes, it's great. I both knew so much and absolutely shit-all nothing about Maya after PLvPW and 2-1, LMAO. god.

12. Animagus Wings (Joker) - incomplete (planned/outlined)

Miles POV, wrightworth. Angel/Demon AU, except I'm playing super fast and loose with the rules on that because all my knowledge of Christian-mythos comes from firstly and unknowingly the Chronicles of Narnia and more recently and cognizantly Lucifer (Netflix) and Good Omens. I know that's probably more or less what we're all doing with this kind of AU but still, I'm not even sure I want to refer to Heaven and Hell here, I'm kinda on the fence about maybe just keeping it all very vague? I also accidentally semi-worldbuilt more than i intended incidentally on account of "But Then How-Why Names If Angelic Creatures?" Format-wise it would semi-follow gomens s1 where it's hopping through some meetings between long stretches but also a kind of pre- and post- Fall type of thing? And potentially à la Lucifer becoming, like, these are My Mortal Humans and i will be Spending Time With Them, screw you celestial duties, I'm making my own Free Will, etc. And i mean i guess Lucifer is also a crime procedural lmao maybe they still solve crimes in the end too. Fun Fact: I didn't want to do the original prompt for several reasons, and sure fuck jkr is one of them but even before I knew about her I still wasn't really the biggest hp person in the first place? So i wouldn't know/don't remember at all the way it works without having to do the specific research and i...don't want to haha. Hence. And I know the prompt seems to be using it loosely / might just be borrowing the word and not actually referencing hp specifically but tbh either way human-animal shifter things just in general I can be somewhat picky about haha. (Okay okay plus full disclosure the ONLY idea I have for this sort of thing actually ties into my day-3-dark-academia-extended-au-verse and i COULD make my life simpler by just connecting the two days but Heh who would I be if I simplified things for myself... *sigh*) All that to say: I saw "wings" on the wild card list and I thought, ooh, well that's still sort of a related concept! Let's tag that one in! So it's still kind of day 12 prompt-adjacent, if you squint.

13. Found Footage - incomplete (planned/outlined)

Video Transcript POV? Is that a thing? Possibly capped by a little Phoenix POV (but i don't want that to get too long), wrightworth. Larry's new girlfriend of the month bakes weed brownies and Larry does not realize this and swings by the Wrights' apartment to beg some kind of help off Phoenix and forgets the whole tray there somehow (because it's Larry) and they leave to deal with Larry's thing and by the time they figure the brownies out, in some twist of fate Miles and Trucy have been hanging out (last minute babysitter/adult supervision? but she's at the very very least 14 or 15 here and most likely older, and Nick clearly isn't the most strict about like uhhh supervision in general lol sooo idk. he's helping her with a project or smth. it doesn't really actually matter; he's THERE, that's the important thing.) The point I'm very clearly getting at is they accidentally get incredibly high (not dangerously so because I'm not going that far haha but also, neither of them has actually been high before, so they are Affected) before Phoenix finds out what was in the brownies and tries to warn Trucy and hurry home to like, dispose of them or at least put a warning label on them or whatever, but he is too late lol. By a lot. Definitely an underage drugs tag on this bad boy because it's definitely sometime 18-or-earlier for Trucy, let alone 21. (idk about other places but as a Californian I can tell you Japanifornia "LA" could theoretically have it legalized at 21 for anyone (like alcohol) and 18 with Dr's permission--which Trucy definitely does not have in this AU lol.) Basically, Phoenix grabs Trucy's phone to get photo evidence so he can let them never live this down (after making sure they're okay lmao), but he ofc doesn't get technology so he doesn't realize he leaves the phone still recording when Trucy asks him for something / needs his help, so the recording just keeps going and captures a lot of tomfoolery and eventually some inebriated-to-Extremely-sober Feelings-Adjacent confessions (or maybe more like allusions). Idk, this was actually a fic I thought of before August and wanted to use as an excuse to try a Weird Format for fun, but then i saw this was a prompt on the list and...well. Fun Fact: Cannabis was legalized in California on November 8, 2016 (the first election I could vote in!!! ......uh, rip. lol. but yeah babey I helped legalize weed at least!! gotta remember the positives), which means it was legal right in time for Miles' case(s) / Turnabout Goodbyes!!! Yay!! I mean, I suppose that's genuinely seriously one way to try to mitigate nightmares and manage insomnia--not that I think Miles Edgeworth would ever deign stoop so low as to use an aid to manage his severe PTSD and trauma symptoms, psshaw, who do you take him for? (Get these people some help lol. They all need so much therapy.)

14. Princes & Princesses - conceptualized (not started)

So I've been reading a lot (a LOT) of isekai and/or revenge reincarnation romance fantasy manhwas lately (like, oh, too many, hahaha. they're quite good and they're VERY popular in webcomics at the moment.) Soooo. Soft pitch: Apollo already gets slapped into so many wild backstories he's constantly trying to dodge in an effort to be just a Normal Guy, he's honestly, like, the PERFECT protagonist for one of these lmao. And tell me Kristoph doesn't make a perfect "Upstanding Duke" kind of persona, and Klavier couldn't be the "wild rake" younger brother no one expects much from, and all I'm saying is it wouldn't be that hard to contrive a reason Apollo tries to get Klavier to agree to a contract marriage the way all these stories go, lol. And also, something something, Apollo from the "real world" is an orphan/has an absent family (also like so many of these manhwa protagonists, lol) but then he gets to actually have one in his second life!! I'm such a sucker for that shit. Slightly harder pitch, and the reason I did not let myself actually start writing anything (...yet): so what if the actual plot of the "original romance novel" Apollo is familiar with from the "real world (Earth)" is actually about the slightly older generation and something something instead of admiring Phoenix as a defense attorney, it's just that he instead was Apollo's favorite "love interest" character (not, like, for himself, just the one he most liked to read about) in every way except what a blithering idiot he became when the author had him fall for the female lead--but BEFORE that, he's a cool information guild leader guy who seems like he's trying to work toward some way to improve conditions for commoners in the kingdom (but abruptly there are no more mentions of this after he gets involved with the lead, which is annoying). Aaaand... I guess what I'm saying is, Dahlia is the original female lead because she REALLY fits the whole White Lotus trope, and I'm thinking Klavier is the original male lead because A) hilarious, B) fits in with the idea there's more going on in the ACTUAL world Apollo ends up in that is written in such a way as to make things seem different in the novel (like, that Dahlia and Klavier are actually as nice as they seem and that the terrible things that happen around them are just the trials and tribulations of being main characters and not anything they're directly involved in). And Apollo, the character in the novel Apollo, is an adopted prince of Khura'in, but he's the sickly younger prince and of course not actually of the royal bloodline (and also a man, considering Khura'in is matrilineal), so Rayfa and Nahyuta are the ones the public and other nobles actually know and care about and deal with. But wait! As it so turns out, The Wright Anything Information Guild (I feel like the actual guild name CAN'T have their freaking name on it front and center lol but you get the idea) happens to know some other things that aren't really expanded on in the original novel, and might be key to preventing Apollo's death so he doesn't follow the path of the original story, and also idk maybe Apollo and Trucy are half-fae or something like that and instead of like Aw Yay Bracelet in this AU it's more of a secret Iron Shackle Tool That Will Hurt I Mean Totally-Definitely-Help Us Later (still, in a way, passed down to him by Thalassa, but more as, like... she's kind of a secret hostage and does not manage to hide pregnancy number one so Apollo's now also a secret hostage, but she manages to escape so they don't know about Trucy, only she didn't tell Apollo basically anything to "keep him as safe as possible" or w/e, and......) Well, anyway. It got away from me before I even really wrote anything, that's all.

15. Secretly Alien - unfinished (currently 2.6k WIP)

Trucy POV, gen. Apollo gets sick of very consistently always losing the card games they play at the Wright Anything Agency (usually and in the specific instance the fic starts, Bullshit/BS) and in a stroke of inspiration somehow ropes everyone into playing Among Us instead. ("What! It's still a game of trying to lie/trick everyone else--like you like!--but I actually stand a freaking chance, so we're playing this or I'm going home.") Yes. This is my Among Us AU. Hi. They play Among Us. I'm justifying this one as prime AU territory however because A) Among Us has to exist in this universe, and even more pressingly, B) I found a way to force Phoenix to have--for at least a period of time if not moving forward in perpetuity--an actual smartphone instead of a Nokia-type brick cellphone. Which even under the wild but somehow plausible considering Ace Attorney circumstances I contrived, is just automatically a complete AU lmao. Fun Fact: I am so mad this one wasn't just totally finished day-of, lol. Why I ever thought I could give myself run of an entire WAA 4-person conversation and NOT get instantly derailed is beyond me. (And I want to get the prosecutors there, too?? Someone take the characters away from me.) Anyway. No, I have not written ANY of the actual Among Us part yet. Sigh. Also I haven't personally played amogus since like, 2021? maybe? And I know (now) that it's been pretty updated since then, but, ehhh, I'm just gonna run off like, lockdown-era amogus rules and vibes, lol. If I can get to the game part.

16 - Hobby Drama - conceptualized

I'm going to go out of order this time to say: Fun Fact: I have ALWAYS wanted to write a Reddit-style fic!!! I absolutely love them and I've read some REALLY, really good ones, so I've always wanted to try my hand at it. So theoretically this is the perfect time to make that a reality and write a r/HobbyDrama subreddit fic, buuut I got stuck before starting because I'm torn on two possible routes to take it (I can easily foresee myself caving and just doing both lol). - Option 1: Steel Samurai fandom discourse, always a fun/funny thing to think about, definitely would enjoy having Maya and Miles post some stuff for that. - Option 2: courtroom law fandom discourse, because come ON, how are those galleries ALWAYS SO FULL. The little wiggling rabba-rabba onlookers have GOT to have investment in this shit. And why WOULDN'T they, honestly. I've seen those trials and I have, in fact, spent a Lot of time thinking about them, not that any posts I've made lately would reflect that in any way or anything. Like I know it's hard to tell, but if I can be invested in the Lawyers Fandom, who's to say the people in the courtrooms aren't????? And I LOVE an outsider POV fic actually, I think they're so fun. So anyway. Reddit fic. You will be mine. Just as soon as I can hone my energy

And, what the hell, since it's so late now by the time I complete this "Heh This'll Be So Quick To Throw Together" post, I'll include today's, too:

17 - Flower Shop - conceptualized (at work earlier today. lol)

AU where Daddy Hawthorne is like, 97% less shitty. And the Hawthornes have a flower shop instead of like a gemstone industry or whatever. And he takes both Dahlia and Iris with him instead of dumping one of his daughters at a fucking secluded mountain temple and seemingly forgetting about her forever. On second thought, maybe what I actually mean is he's like 999% less shitty, lmfao. Anyway, Iris POV, but Dahlia (while not a "nice" person by any stretch) is not pushed to such extremes or nearly as desperate as canon, so Valerie lives, Terry Fawles lives, Doug Swallow lives, and Dahlia gets to live a good life overall--because as much fun as I love using her as a villain, she's really such a product of the absolute worst circumstances and I really do find her interesting so I've been kind of wanting to explore her in a less cartoonishly evil light, haha. (Don't get me wrong, I do love the cartoonishly evil light too, but I like spicing things up sometimes.) Like, she does (more) normal teen rebellion things ("Look at my inappropriately older boyfriend, Dad" "I'm going to talk my way out of speeding tickets and petty shoplifting as a bid for attention" etc.) and she still totally orders Iris around and Iris still totally does whatever she asks very much to her own detriment and has to learn to break away and be her own person. Fun Fact: I have a very passionate love for Iris/Adrian Andrews. Is that. Um. Is that a ship anyone else has ever considered before? Is that just me? I'm not sure but very possibly I'll just make this a rarepair fic as a treat, for me alone, teehee. (Like... it's about the becoming the master of your own destiny it's about breaking out of codependent cycles it's about how I genuinely honestly think they'd be each other's type and have chemistry even though they've obviously never interacted lmao... idk what to tell you.)

AND THATS MY AU-GUST UPDATE POST!!!

If you made it this far, take a sprinkle of my undying affection, and may you be blessed with AU inspiration if you so desire it!! (If you do not desire it, hopefully you are not cursed with it. I do not take refunds if you are. Sorry.)

Wish me luck with completing some more fics soon!!! Unfortunately weekends are actually my least free time because I work the most and the earliest hours so I have less time and am more tired, but also on Wednesday I'm leaving for a family vacation, which will either be the BEST thing to happen in regards to AU-gust or the WORST thing lmfao. If nothing else I have 2 flights, and I actually Love writing on an airplane, so fingers crossed for it being Good. <3

EDIT: Now with part 2 for the rest of the month here!

[i3utterflyeffect]

i think it'd be funny if SC actually slept a normal amount for a hollowhead and the other hollowheads are just so constantly stressed that they don't know what sleeping normally is like

[tiffanybluesclues]

Every week someone makes a post about how annoying it is that Dick Grayson fans don't acknowledge his flaws, and every week someone replies with an explanation that the flaws OP listed are entirely fanon and inconsistent with canon as it actually happened and at this point I have to assume that none of those explanations are ever going to stick because clearly some people just want the fanon to be true.

Anyway, I'm just putting this here for me to edit and add relevant-to-the-topic links later so I'll have them nicely at hand to read and sooth my frustrations when it gets real bad out there. (Echo chambers are good when we use them to drown out character mischaracterizing fanon.)

[tentenpropaganda]

the main problem with naruto fandom is just that like 98% of characters have done something very objectionable at some point, and people (myself included tbh) just tend to have a bias against whichever character just... caught them at the wrong moment, or did something that they find particularly objectionable. but, in the name of "critical analysis", people in fandom tend to really focus on, like, grading the morality of every character and action in the story (which is not really what critical analysis means imo. that can be a PART of critical analysis but it's not the end-all-be-all; there's a time and a place, yknow?).

so it just causes a lot of unnecessary vitriol because people feel entitled to be like "how could you like [x character] from this nationalistic manga about morally fucked up ninjas who murder people bc they're indoctrinated by a morally fucked up system??? don't you know [x character] is morally fucked up and has literally murdered people????" and often this is closely followed by "you should instead appreciate MY favorite character, [character who has ALSO done some seriously fucked up shit which went unquestioned by the narrative]"

and like, it should be obvious from glancing at my blog that i can be a bit of a hater towards characters i don't like. i have my own biases! but just bc i dont like j*raiya, for instance, doesn't mean i'm gonna make a post implying that liking him means you, yourself, are sexist, or don't care about the real-life misogyny and SA.

idk. this is a really common problem in fandom in general, but it feels particularly bad in naruto sometimes, and i think that's probably partially because it's such a huge series with so many fucked up things about its writing (see: treating genuine SA from j*raiya as a hilarious joke, or treating hyuga clan slavery as something that can just be papered over by ~treating the branch family nicer~, or going to Great Lengths to establish that the shinobi system is deeply fucked up and immoral and needs to be changed only for naruto to become hokage and change Literally Nothing). so like, you're hard pressed to find characters who haven't done something fucked up which the narrative condones. which can feel very frustrating!!!

that frustration is valid!!! and ranting about specific moments or characters that bug you most of all is very valid!!!! but please don't feel the need to take that out directly on other fans. whether that be by, again, implying that ppl who like the characters are stupid or immoral, or by getting personally offended when you see other ppl who like characters you hate/dislike characters you love

(be like me instead and make your own rant post complaining about this phenomenon rather than replying to annoying rant posts in your fav's tags lmao)

[thebramblewood]

I gave this bad bitch a small makeover to really sell the Hot Topic goth fantasy. (Yes, she's out in daylight again. Her self-preservation instinct is non-existent.)

[m1ckeyb3rry]

speaking of shidou and karasu in my mind their relationship is just that one tik tok audio that’s like “is it me or are we BEST FRIENDS 😄⁉️💖” “yeah…i mean i’m definitely YOUR best friend 😟 and that’s great for you!!”