I knew something was UP when the only film that helped Yuuji control his flow of cursed energy was the Lord of the Rings. Our boy Yuuji is TRULY a hobbit at heart. Chapter 265 spoilers ahead, but I'll put it under the cut.
It was back in season 1 when Gojo had Yuuji watch a variety of movies to teach him control of cursed energy regardless of the emotions evoked by the films. Gojo refuted Yuuji's idea that anger and other strong negative emotions are the only source of a strong cursed energy.
With that in mind, I don't think it's random that LotR is the one shown to us that helped Yuuji gain mastery over his cursed energy flow. Sure, Yuuji might've controlled it before watching other movies, but it feels as if it's on purpose that it's LotR, especially that scene at the river where Frodo tried to take the burden of destroying the ring on his own, fully aware of the dangerous journey ahead. But Sam didn't let him and willingly followed him, even if it would cost him his life.
Maybe, just maybe, Yuuji learned to control his cursed energy because he saw himself in Frodo. Yuuji looked so engrossed in the film as if he was feeling it—as if he was Frodo who, just like him, bears great evil within him. Not only that, but Yuuji saw in Frodo's eyes the same crushing weight of responsibility and isolation such an evilness entails. It was as if he's looking in the mirror. But Frodo wasn't alone. He had Sam and the others in the Fellowship who are also willing to lighten the burden he carries. And I think that's what got to Yuuji.
And I don't know if it's just me reading too much into things but Yuuji is at his best when he feels anchored by his friends' support or when they're relying on him, like that time when Yuuji held down the cursed spirit at the detention center to buy Megumi time to save Nobara and escape; when Yuuji and Todo almost defeated Hanami, and my favorite, when Nobara nailed down Mahito's double during Shibuya arc:
As corny as this sounds, Yuuji managed to pull himself from Nanamin's death and attack Mahito because he felt Nobara's presence, which encouraged him to continue fighting. Even if the sorcerers were scattered that time and most were left to fend for themselves, Yuuji didn't feel alone. This was the one thing Geto needed the most when he was spiraling down.
Yuuji reminds me so much of Frodo: Yuuji the vessel of the evilest sorcerer in history and Frodo the Ring bearer. But before that, they were nobodies living a simple life, which they treasure and work hard to keep. They're not ambitious and are satisfied being surrounded by their loved ones. They're the ones we least expect to defeat the evilest entities since they're surrounded by the strongest warriors/sorcerers, who could not defeat the said evilest entities. Yuuji, like Frodo, does not belong to the kind of world he got thrown into, and this is made pretty obvious in the recent chapter.
Throughout the many months Yuji had been with various sorcerers and curse users, his principles and worldview got blurry. He started to assimilate their ideas, which didn't feel like him to be honest. From ideas of having a specific role in life and fulfilling it, wanting to give people a good death, and having a cog mentality to being the same as Mahito and becoming a monster to defeat another monster. That's not him. That's never him. And Yuuji realized that too, and I love seeing him change his perspective into that which feels more like him.
Yuuji never liked fighting others. He may have been blessed with physical prowess that might've been on par with Nanamin, but he never wanted to use it. Heck, Yuuji joined an occult club instead of becoming an athlete. What's important to him are the memories you make with yourself and with your loved ones—choosing to do things, even mundane ones, that bring you and others joy because that's what life is all about.
To Yuuji, there's nothing wrong if you lead a simple life doing things as mundane as walking your dog, sleeping, taking a shit, writing this meta, and existing. Living day to day is already hard as it is. Yuuji wants Sukuna (and us) to know that your worth to live and be loved and respected doesn't depend on the grand dreams you have, how far you've come in life, how powerful and strong you've become, how useful you are. Your worth to live is inherent to you, and no one's going to change that, not Sukuna or anybody else. And Yuuji's not gonna stand idly by and watch the likes of him trample on people's lives. They don't get to choose who's worthy to live and kill those who don't.
I read somewhere that Gege thinks Yuuji having no ambition, unlike Naruto wanting to be a Hokage or Luffy aiming to become a Pirate King, is the story's weak point. But I disagree. That's what makes Yuuji so unique and refreshing to watch as he develops. He may not be as ambitious as other shonen heroes, but he does have a strong moral compass, even as young as 15. It may not be obvious, but Yuuji is introspective, observant, and most of all he has this childlike love for life that the other characters have lost due to the nature of their jobs.
Back to the LotR reference—as much as similar Yuuji is to Frodo—when Sukuna switched to Megumi, Yuuji started to feel more like Sam and Megumi Frodo. No matter what happens, even if it would cost him his life, Yuuji's never gonna leave Megumi alone in despair. Megumi has become weak in mind and spirit that he's possibly on the verge of giving everything up. Still, Yuuji's not going to give up on him. He will destroy Sukuna and carry Megumi back home.
In the end, if Yuuji survives, all I could ever think of is his eyes full of insurmountable despair and mourning over the lives of the people he loved and lost. There's no going back after this. I can only hope that after the end of this story, Yuuji could still find a way to rest—be with a person or in a place—if there is anyone or anything left at all.
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Saw everyone talking about how Minecraft story mode is a better adaption than the literal MOVIE and it got me thinkin
Minecraft story mode is the game I vividly remember playing on our xbox in the little room connected to the attic with my sister beside me. I was a Minecraft obsessed kid and this game was so COOL to me at the time. Minecraft??? My beloved game??? But with a story???? That I get to be a part of and change??? Obviously a lot of people don’t like Minecraft story mode and that’s completely understandable, it’s pretty silly and hard to take seriously, but one thing it was was GENUINE. It had unique characters and a story that was new and exciting while still completely grounded in the world of Minecraft. You fought monsters and rode mine carts and interacted with cool red stone stuff and survived a fall from thousands of blocks up by falling into water and when that stupid fucking pig died a pork chop floated on the ground. It was so stupidly, unambiguously, completely, genuinely Minecraft. You were literally a character born and raised in the game. It even had beloved Minecraft YouTubers as guests in a silly murder mystery (that was actually the coolest thing ever ngl). It was for the fans, fully committed to the world the fans already loved.
Who is this movie even for?? Why does it make this wishy-washy half commitment to the very game it’s adapting?? WHY IS IT ISEKAI?? Where’s the nostalgia?? The childhood experience of playing around in the silly block game with your siblings, not a care in the world?? Why is the sheep on sonic trailer levels of horrifically realistic?? This game is about BLOCKS thats its whole THING that’s why we love it you FOOLS. Why are there curves!? (That can’t happen without mods!!!) WHY IS JACK BLACK HERE??
You had such a beautiful, beloved, game with such genuine heart and meaning. The end poem literally makes me CRY and I don’t CARE how stupid that sounds. I don’t even want to try to describe it just go read it. And I just know the movie is going to have such a surface level depiction of what the game is, designed to be brainrot easily consumable for 7 year olds. Something tells me the people who made this movie would just skip past the credits anyways.
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The Name’s Lewis. Henry Lewis.
Otherwise known as the time Henry Lewis (played by Harry Kershaw) and Harry Kershaw (played by Henry Lewis) were spies with a mission to kill Henry Lewis’ (played by Harry Kershaw) ex-wife - the daughter of Henry Shields (played by Nancy Zamit).
Except Harry Kershaw (played by Henry Lewis) double crossed Henry Lewis (played by Harry Kershaw) and used body swap technology to know look like Henry Lewis.
So there’s Harry Kershaw (previously played by Henry Lewis, now post body swap played by Harry Kershaw because he’s been changed to look like Henry Lewis - which means he looks like real life Harry Kershaw) and Henry Lewis (previously played by Harry Kershaw, now played by Henry Lewis because his ex wife used the technology to make him look like Harry Kershaw - real life Henry Lewis) and we’re nearly getting somewhere.
And then Harry Kershaw (played by Harry Kershaw but looking like Henry Lewis) is actually a triple agent and shoots and re-kidnaps Henry Lewis (played by Henry Lewis because he still looks like Harry Kershaw).
They bodyswap back into their original bodies so we have Henry Lewis (played by Harry Kershaw once again) and Harry Kershaw (played by Henry Lewis) - and you think that’s the end of it, there are thirty seconds left in the show.
Harry Kershaw (played by Henry Lewis, then Harry Kershaw, then Henry Lewis again) rips off his own skin to reveal that after all this time, he was actually - Jonathan Sayer.
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