#I was that physiologically immersed

[brown-little-robin]

*frothing at the mouth* hey did you guys know that. that the stage play of mob psycho 100 is incredible. like it's not just a cheesy production it genuinely is just as carefully-thought-out as an adaptation of the manga as the show was. did you know it makes Teru even more human than he already was. did you know that the way they do Dimple is actually incredibly believable. I died laughing at the physical comedy bits about nine times. ueah. stageplay

HELLO

[trendfag]

people will point to jesus’s teachings and go either “see look what hes saying is good so christianity is or at least has the potential to be good” or “how did the religion stray so far from the original teachings?” and the thing i think both perspectives are lacking is that christianity is entirely a post-christ phenomenon. the carpenter’s son jesus of nazareth did not have any concept of christianity during or prior to his ministry. he wasnt interested in organizing the true faithful or whatever he was interested in improving the lives of the people around him lol literally everything else came after him. christanity is not jesus’s relgion, its paul of tarsus’s, and simon peter’s, and ambrose of milan’s, and augustine of hippo’s, and thomas aquinas’s, and however other many influential men who left their (real, official, legible) marks on church ideology

[hayatheauthor]

Creating Fear in Your Characters: A Writers Guide

Creating authentic emotions is vital for immersive storytelling, which is why I decided to make this series on how to write different emotions. After exploring rage, and sadness it's now time to delve into fear!

Fear is a powerful emotion that can manifest in various ways, from subtle apprehension to paralyzing terror. Here's a guide on how to write fear effectively, covering different aspects of your characters' behavior and reactions.

Facial Expressions

Fear often manifests first in facial expressions, conveying the initial shock or unease. Describe these expressions to immerse readers in your character's emotional state:

Widened Eyes and Dilated Pupils: Show the eyes widening in response to a sudden threat, with dilated pupils indicating heightened alertness.

Tense Jaw and Clenched Teeth: Mention the clenching of jaw muscles or teeth, signaling internalized stress or anxiety.

Furrowed Brow and Raised Eyebrows: Describe the furrowing of the forehead and raised eyebrows, revealing worry or confusion.

Quivering Lips or Lip Biting: Note subtle lip movements like quivering or biting, reflecting nervousness or fear.

Frozen or Stiff Facial Muscles: Highlight moments of fear-induced immobility, where facial muscles become tense and rigid.

Body Language and Gestures

Fear can also be expressed through body language and gestures, showcasing your character's instinctual responses to danger or threat:

Backing Away or Recoiling: Describe your character instinctively moving backward or recoiling from the source of fear, signaling a desire to retreat.

Raised Shoulders and Tensed Posture: Show how fear causes the shoulders to rise and the body to tense up, indicating readiness for fight or flight.

Trembling Hands or Shaking Limbs: Mention the trembling of hands or shaking of limbs, reflecting nervousness or anxiety.

Covering Vulnerable Areas: Describe your character instinctively covering vulnerable areas like their neck or torso, symbolizing a protective gesture.

Fidgeting or Restlessness: Note any fidgeting or restlessness, such as tapping feet or wringing hands, as signs of inner turmoil and fear.

Vocal Cues and Dialogue

Fear can alter vocal cues and dialogue, affecting how your character speaks and communicates their emotions:

Quavering Voice or Shaky Speech: Describe the voice quivering or becoming shaky, indicating nervousness or fear.

Rapid Breathing and Gasping: Mention rapid breathing or gasping for air, showcasing the physical impact of fear on the respiratory system.

Stammering or Hesitant Speech: Note any stammering or hesitant speech patterns, reflecting the character's struggle to articulate their thoughts coherently.

Sudden Silence or Lack of Verbal Response: Show moments of sudden silence or the inability to respond verbally, highlighting the overwhelming nature of fear.

Repetitive Phrases or Vocalizations: Describe repetitive phrases or vocalizations, such as muttering prayers or chanting reassurances, as coping mechanisms in fearful situations.

Reactions and Physical Responses

Fear triggers various physical responses in your characters, showcasing the body's instinctual reactions to perceived threats:

Increased Heart Rate and Sweating: Mention the character's heart rate increasing and sweating profusely, reflecting heightened physiological arousal.

Dilated Pupils and Heightened Senses: Describe dilated pupils and heightened sensory perception, as the character's senses become more attuned to potential dangers.

Muscle Tension and Rigidity: Note muscle tension and rigidity, as the body prepares for action or defense in response to fear.

Nausea or Stomach Churning: Show how fear can lead to feelings of nausea or stomach churning, as the body's stress response impacts digestive functions.

Fight, Flight, or Freeze Response: Highlight the character's instinctual response to fear, whether it's a readiness to fight, a desire to flee, or a state of frozen immobility.

Types of Fear and Emotional Depth

Different types of fear can evoke varying emotional responses in your characters, adding depth to their portrayal and the narrative:

Startle Fear: Describe the sudden, reflexive fear triggered by unexpected events or loud noises, leading to a quick, intense reaction.

Apprehensive Fear: Show the lingering sense of unease or dread that accompanies anticipated threats or impending danger, heightening tension over time.

Terror: Depict the overwhelming, paralyzing fear that arises from extreme danger or horrifying experiences, impacting the character's ability to think or act rationally.

Phobias: Explore specific phobias that trigger irrational and intense fear responses, shaping how your character navigates their environment and interactions.

Trauma-Induced Fear: Address fear resulting from past traumas or experiences, influencing the character's behavior and emotional resilience in present situations.

Verbs and Adjectives for Writing Fear

Here's a list of verbs and adjectives to help you convey fear effectively in your writing:

Verbs: tremble, cower, gasp, quiver, shrink, freeze, recoil, sweat, pant, gulp, shudder

Adjectives: terrified, anxious, alarmed, horrified, shaken, jittery, panicked, petrified

[lovesickhughes]

fortnight [ethan edwards x reader]

a/n: hey lovelies !!! AHH this is my first LONG fic and smut piece. please be nice, i am new to writing smut so cut your girl some slack !! i really enjoyed writing this & a big thank you to @homestylehughes for proofreading for me !!! i hope you enjoy and please remember to reblog creators works !! 🫶🏻

summary: i love you, it’s ruining my life

warnings: smut 18+: oral (m&f receiving), fingering, p in v protected sex

word count: 7.9k

✧･ﾟ: *✧･ﾟ:*

it may be an understatement to some, but you loved the back to school season. with the transition into autumn as the environment's colour palette turned from vibrant greens, to warm browns and yellows, you found yourself content as the pumpkin spice and apple pie scents cascaded through the atmosphere.

walking across the campus as the dried leaves crunched underneath you, you mindlessly took in your surroundings, observing your fellow students and seeing the excitement fall upon their faces as new friendships blossomed, and friendships rekindled after spending the last few months back to where their stories were created.

your headphones were plugged in, allowing you to enter a trance of tranquillity, finding all your worries in the world disappear into an abyss. you were relieved, given your last semester, you were faced with an unkind welcoming that most people would question you for being so dismissive of.

ethan edwards, 5’11 defenseman for the university of michigan’s hockey team. enrolled in the same physiology class last term, the pair of you were assigned partners at the start of the semester for your final examination project, which entitled you to countless hours outside of class to be spent together. and maybe that wasn’t something you would complain about initially.

the close proximity your assignment brought upon you, may have been a blessing in disguise, but neither ethan or you were going to be the ones to admit it. the brunette had caught your eye when he entered the classroom shortly after it had begun, looking out of breath as if he had sprinted to the lecture hall. there was no denying you felt your stomach do a summersault when you found your name printed next to his, looking up and meeting his eyes as you followed from where his finger had pointed. and when you first began the foundational stages of the project, you couldn’t help but acknowledge the flutter you felt in your chest when he’d chuckle at something you said, or got caught gazing into your eyes a second too long for anyone to consider there was no chemistry.

as the project unfolded, and you began scheduling times within the week to work on the requirements, you noticed yourself more frequently checking the day and time of the week, anticipating the moment you would meet the brunette again. you mentally frowned upon yourself, he was just another one of your classmates, you questioned yourself, why was he so different than all the rest? 

maybe it was the way he’d wait for you after the class had a quiz or midterm if he finished before you, or would always save you a seat in the classroom, every single class, or even when he copied his notes from the days you missed class from being sick with strep throat.

you had to convince yourself he was just another one of those hockey players. they had that natural charisma, he was used to charming the ladies, society had just instilled that hockey players drew all the attention, and there was just something so intriguing about them.

you had come to realize the impact his hockey commitment had on his academic availability was a bit heavier than you had anticipated, so when he had missed a meetup one week without informing you, he received a lengthy message about punctuality and responsibility, which earned you your favourite drink and dessert as an apology.

you knew hockey players though, you had family immersed in the community and when you began your continuing education, you made a promise to yourself to steer clear of hockey players at all cost. however, that was inevitable, considering UMich had quite the popularity surrounding the NCAA hockey team. you’d hear about the team from your roommates and classmates, about the big win from the night before, or how a player made a stylish play, it’s as though it suffocated you, which led you to think that was the reason ethan left you so entranced by his presence. 

you didn’t want to like him, but your heart cried out to you when there was unexpected rain in the weather forecast, and you ended up arriving to the project meeting drenched by mother nature. ethan immediately rushed to you, asking about what had happened and if you were okay. he insisted that you take his navy blue hoodie that had a yellow “M” embroidered into the front, with his number 73 stitched into the arm. much to your dismay, he pushed past your protests, and forced you to change into the warm, dry piece of fabric, that you hated to admit smelt like the best cologne you could ever imagine. 

you went home that night thinking about all the encounters you had ensued with ethan, and a tiny seed had planted in your imagination, that maybe he was acting in a way that was more than a group-project partner, more than a friend who simply looked out for you. maybe he was different, there were so many questions that raced through your mind when he appeared in your head, that you considered letting your hockey player-driven guard down.

you assumed it was nothing, but when your roommate had caught you smiling at your phone like a mischievous child, and proceeded to interrogate you at who could possibly be taking away this much of your attention, maybe ethan seemed to be more than a group partner to you, and a liking had sprouted in your heart for the hockey player. 

every so often when you would catch his eye in class when the professor was in the depth of the lecture, you would smile to yourself as if one look meant a million more words. ethan was so genuine, in class and out, there was no way he couldn’t be sincere. and when he sent you a message thanking you endlessly for surprising him at his hockey game, the three red hearts that trailed along at the end of the grey text bubble made your heart pound in your chest, wanting to burst.

ethan

y/n!! there’s no way i saw you up in the stands today.. i thought you hated everything hockey?? what changed?

y/n

i was forced against my will. 😐

y/n

i’m kidding, my roommate dragged me out of the dorm and said i needed to experience one of the games, and i guess since i knew someone on the team it made it a bit more exciting to go to

ethan

oh, so when your roommate asks you it’s an immediate yes? 

ethan 

i’ve been asking you for months to come to one of the games!!!

y/n

allie is much more convincing than you are.. 🤷

ethan

seriously tho, it made my night to see you there. and you even got to see me score!!

y/n

it was pretty cool how you did that one move, and i saw you look up after so i knew i had some sort of part in your celebration after 

ethan

hey well what do you say you come to the next game next thursday? i can bring one of my jerseys to our meetup on wednesday for you to wear to the game

ethan

but again, thank you so much for coming to the game y/n. it made my night seeing you there ❤️❤️❤️

✧･ﾟ: *✧･ﾟ:*

your semester had come to an end, and ethan and you aced the project, receiving one of the highest grades in the entire class. as a ritual, your fellow students gathered for the end-of-semester party that was held at the hockey team’s shared housing unit. it was only the middle of november when your classes had ended, so you found yourself picking out a black dress that you knew accentuated your body in all the right ways, and would definitely catch the attention of some. 

your friends and you entered the house that held the hockey team, being welcomed to the loud, vibrating sound of music playing all over the inside, the smell of sweat from nerves and dancing, and suddenly becoming aware of how sticky your shoes felt against the hardwood floor as you stepped farther in. 

your roommate allie had found herself reconnecting with another one of her friends from her classes, while your other friend, taylor had already ventured to find the nearest source of alcohol. you scanned the layout before you, seeing the stairs on the left that would lead to the frat houses’ bedrooms, and to your right was the living room where the furniture was pushed to the perimeter of the room to make a makeshift dance floor, while also giving seating for couples and drunk college students to make out, seeing a couple heavily entranced by each other’s mouths while the girl straddled the guy’s lap, you let out a breath, having this be a reminder of why you hated highschool and college parties. 

there was really nothing entertaining about walking in to an occupied bathroom unbeknownst to you because the random strangers were too concerned with where each other’s hands and lips were, or how you had to hyperfixate on the drink in your hand, not knowing who or what could be around you. 

you walked down the hallway, sliding between bodies, mumbling an “excuse me” and placing a soft hand on the backs or shoulders of the students you were passing by. you had turned the corner to which revealed the kitchen you had been searching for to mix yourself a drink, but rather than excitement unfolding, you were hit with a wind so cold and frigid, you almost stumbled back on your feet. 

right before you was the infamous brunette, ethan edwards, leaning forward towards a short unknown figure, having each of his arms on either side of her body, almost trapping her into his embrace. 

you didn’t know why it felt like there was no air to breath anymore, why it felt like your throat was closing up, or why it felt like you were choking on your own throat. you didn’t know why you felt your hands numb or why your stomach dropped rather than somersaulting. you blinked, trying to clear your vision at the sight before you, and you shook your head at yourself, not only because you couldn’t comprehend the sight before you, but also because you knew it didn’t matter that ethan was consumed by the unknown girl. you weren’t talking in that type of way, you weren’t pursuing him, and you most certainly didn’t like him, so why did it matter?

you knew you were in over your head and you felt heat fill in your cheeks in embarrassment at yourself for thinking any of the things ethan had done or said to you were sincere, or that he actually meant any of it. 

to him, you were just another girl that was at his feet giving him attention, another stack on his shoulder to feed his ego, another notch on his belt. you knew it was too good to be true. how could he be any different than all the other hockey players, you just hadn’t seen it coming, being blinded by the thought that maybe this one would prove you wrong. 

you were ashamed, feeling the ache of your heart, heat rushing through your body and the euphoric feeling spreading to the tips of your fingers as it felt like you dissociated from your own self, watching from a bird’s eye view at what unfolded before you. 

you swallow the lump in your throat and blink heavily to avoid any tears spilling from your eyes as you turned to your left to walk around the far side of the kitchen counter. you had found taylor, drink in hand, who was mingling with a girl she had met a few weeks into the semester. you wiped a bright, cheerful expression on your face approaching your blonde friend, who smiled brightly as she opened an arm to you and pulled you into her side.

“y/n! this is chloe, we were just talking about how allie and i had finally convinced you to go to that one hockey game back two weeks ago, she was there, literally right near us and i totally missed her!” taylor exclaimed as she smiled back towards chloe who was leaning against the white kitchen cabinets. you gave her a polite, small smile which she returned, but it was hard to focus with the loud, indistinct voices that echoed throughout the house, and the evident tension in the room as you heard the giggles from the unknown girl below ethan, fighting the urge to look over at the pair.

as they immersed themselves back into their previous conversation, you stood beside the two girls before excusing yourself to prepare a drink. if you were going to have to manage seeing ethan and another random girl mesmerised by his charm, you would need to have some alcohol in your system to make it more tolerable. 

you grabbed a red solo cup from the edge of the island that stood in the middle of the kitchen, and reached for the bottle of spiced rum, adding the liquor into your cup a bit over what a normal amount would be for a cocktail. you shrugged to yourself, as you eyed the amount of alcohol entering your cup, before you set the glass down and begin to walk towards the fridge quickly stopping in your tracks when you were reminded by the sight of the obstacle you would have to avoid in order to make your drink less of a concern to if you were going to down it immediately. 

the unknown brunette was now sitting on the counter with her legs widened enough for ethan to stand between them, his hand clearly on her waist, gripping her sides which you knew would cause a flutter in the girl’s stomach. 

you hesitantly inhale, wanting to make your manoeuver as nonchalant as possible, it would only be easier to forget about ethan being a close distance from you if you didn’t bring attention to yourself, so you emerge towards the fridge, keeping your eyes locked at the metal appliance, and reach to open the right door when a voice stops you in your tracks.

”y/n?” of fucking course. just like everything else with ethan and the timing of how things play out, of course he had to notice you while the unknown girl had her arms draped around his neck. “no way you’re here! what are you doing here?” as he questioned you, you watched with a blank stare as he turned to have his body facing you, and in doing so, let the girl’s arms fall from his shoulders. his eyebrows were raised in surprise and his mouth was held open in excitement, but his response is what shocked you the most, given he seemed to be pretty occupied before. he raised his arms out as if he were to go in for a hug before you shut down his opportunity to brush over what his actions unknowingly did to you. 

“well what would a student who just finished her exams be doing at a frat party?” you asked dryly. ethan’s head jolted back quickly in confusion at your rhetorical question, surprised by your shift in demeanour. 

“i, uh- well, y’know, i’m just surprised to see you, i didn’t know this was your type of scene,” ethan trailed off, stumbling over his words. you hummed in response, giving him a tight-lipped smile with a small squint of your eyes before reaching into the fridge to grab a can of coke to add to your drink that was waiting for you. 

you hummed with a tight lipped smile written on your face, “i’ll see you around ethan,” turning your body away from him and leaving him in a trance. 

closing the fridge door and pivoting on your feet to walk back in the direction of where your drink was, you made sure to keep your eyes in a forward stare, knowing any slight aversion of your eyes would cause the tears that had been pooling to spill. you begin to fill your red cup with the soda, keeping your head down as you felt your emotions rush over you. the sight of ethan close to another girl only caused your stomach to tighten in a knot, resulting in you taking a long swig of your drink, tasting the kick of the extra alcohol fall down your throat. 

this was going to be a long night.

✧･ﾟ: *✧･ﾟ:*

a few hours had passed and the drinks had become significantly more easy to finish in a short amount of time, and you had found yourself conversing with a few students you had recognized from your classes from the previous semester, laughing drunkenly over jokes being made and other remarks, and as you gossiped over your professors, each time your drink had emptied, another was placed in your hand without you having to leave where you were seated. needless to say, when you quietly excused yourself to the washroom, having broken your seal about 30 minutes prior, you felt the buzz erupt through your body as you walked to find the nearest bathroom. 

your head was spinning lightly, so you balanced a hand on the wall as you tried entering the main floor’s bathroom, only to be blocked by the noises you would only assume would be coming from a frat house’s bathroom, so. eager to release the pressure that was filling your bladder, you wandered back towards the stairs that led to the second floor that displayed all of the bedrooms. following what you hoped to be the right path to the bathroom upstairs, you find yourself leaned up against the wall opposite of the closed door, waiting for vacancy. 

taking in your surroundings while you waited, you squinted your eyes to suppress the drunken state you were in and noticed the majority of the doors to the bedrooms were opened, with one at the end on the left being closed. as your gaze lingered down the hallway, you heard the lock of the bathroom unlatch, to which you pushed yourself off of the wall you were leaned against.

and as if your night couldn’t have gotten worse, you stood opposite to the tall, muscular figure, who you wanted no more than to slap across the face for the way he made you feel, whether it was unbeknownst to him or not. 

you rolled your eyes as you watched his expression lighten over his face at the sight of you, and you crossed your arms over your chest, waiting impatiently to enter the room you came for initially.

“y/n! there you are! you disappeared after i saw you in the kitchen- you alright? you seemed kind of off when i talked to you,” ethan spoke in excitement, clearly the alcohol was buzzing through his system as it was yours, causing his bubbly, and overly chipper demeanour. 

you scoffed at his oblivious remark over your previous encounter, trying to dodge a conversation with him and attempting to sneak past his figure, only to be blocked by his reflex to stop your movement, which caused you to lightly bump into his frame. you couldn’t look him in the eye as he spoke to you, knowing that if you did, you would cave and you would forget the sight of seeing him with another girl, and melt at the knees when you held eye contact with him. it happened every time you were with him. it was as if everything around you disappeared into an abyss when you looked in his brown eyes, nothing else being as important as the way he looked at you. and you hated the way that it was an act as simple as eye contact that made your heart warm, your cheeks fill with heat and butterflies to erupt in your stomach. 

ethan reached an arm up to grab onto the side of your arm, causing you to stop your attempt to pass by him, and making you avert your gaze up to where he towered over you, looking down with his infamous soft eyes. you could smell his cologne that you hated because of how much you loved it, and you bit the inside of your lip, stopping yourself from making any impulsive, drunken decisions that you knew you would regret when the alcohol had worn off. 

“nothing’s wrong,” you said blankly, peaking around his body towards the empty bathroom that was calling your name. “come on, let me go, i need to pee.” you urged, shrugging your shoulders in defeat with a slight pout forming on your face. ethan had only grinned to himself without any other words being spoken and he pushed you behind him towards the bathroom as he stepped to the side, and you quickly stepped in, shutting the door behind you. 

you used the washroom as you needed, but before exiting, you peered at your reflection in the vanity mirror, taking a deep breath to compose yourself as the alcohol slowly took over more of your system, making everything feel a slight bit more distorted than normal. you closed your eyes as you reached for the door handle, knowing there was a fifty-fifty chance that ethan would still be waiting on the other side, and much to your dismay, the odds weren’t in your favour as the one and only brunette hockey player was leaned up against the wall you once were standing against, locked into his phone screen as you watched him scroll mindlessly. 

you sneaked past the bathroom door, veering to the side of the wall as you tried to escape another confrontation from ethan, but his awareness overruled as his arm reached out to stop you, grabbing your wrist and pulling you back towards him. his pull had been slightly stronger than it needed, so you stumbled over your feet towards him, steadying yourself by grabbing onto his biceps with both of your hands and looking up at him with an unimpressed look as you gathered yourself. maybe the extra liquor added to your drinks wasn’t the best idea after all. 

“so can we talk? or are you gonna keep acting like you’re a criminal trying to escape the police,” ethan lightly chuckled, again looking down at you with the smile that you had grown to adore too much. 

“i’m not avoiding you, ethan,” you argued.

ethan hummed, “i’m pretty sure you are,” he said quieter as he took a step closer to you, “just because the semester’s over, doesn’t mean we have to be.” he said, and you almost choked on your breath. your mouth had slightly opened in shock, taken aback by the words that had just fallen from his tongue.

“w-what do you mean we don’t have to be over?” you awkwardly chuckled, stumbling over your words. maybe it was the alcohol that was clouding your judgement, but you truly did not understand ethan’s intentions.

“all i’m saying is that just because the class we had is over, doesn’t mean we have to stop being friends.” he said with a shrug of his shoulders and once again, the cold air of realization hit you like a brick wall, as you processed his words. you knew you didn’t hear him correctly, you knew there was a misunderstanding, and you knew you were in over your head, yet again. you mentally frowned upon yourself at how stupid you felt in the situation, knowing you probably looked like a fool standing opposite to ethan. 

“right, yeah.” you trailed, looking down towards your feet as you tried to compose yourself, knowing if you dwelled on the current situation, tears would begin to form. “look- i gotta go find my friends, we’re probably gonna head out soon anyway, i- uh, it was nice seeing you i guess. we can keep in touch too, but i know our schedules are both pretty busy.” you said looking back up at the brunette, you gave him a soft, sad smile as you tried to make it seem like your mind wasn’t racing and the utter sadness at the situation wasn’t beginning to fill your body. you turned to head back down the stairs to where the party was still going, but yet again, ethan stopped you in your tracks.

“y/n,” he repeated more sternly, and you hated how your heart ached in your chest, how you wanted nothing more than to scream at him that you were falling for him, but in doing so you hated how it made you feel, you hated how you wanted to kiss him like the world was ending and there was no tomorrow, but if you did, he’d probably turn away. all because of the stupid project that had to be such a large portion of your grade, you had slowly fallen for the boy who occupied every wednesday of your semester. “follow me,” was all ethan said as he took your hand in his, and you felt the texture of his skin beneath your own, how his hands were somewhat dry, but not overly coarse, and how they were warm and encapsulated your own. 

you let ethan guide you down the hallway, as you trailed behind his large figure like you were a lost puppy. he turned the corner into one of the opened bedroom doors, and your eyes widened in shock at what you assumed entering his room meant. you had been in his room before, one of the times you had planned to work on the project and the library had been closed due to maintenance, ethan offered to have the meetup be held at his place. that was the reason you had been familiar with the layout of the house when arriving at the current party.

panic settled in as you watch him reach behind you to close the door, and your eyes followed as he walked towards his desk, silently reaching into the third drawer on the desk and pulling out what looked to be a picture. your brows pulled together in confusion as he turned back to where you stood, close to the door with your hands fiddling with each other as you anticipated what he had to show. 

he reached out to pass you the print, and you met his eyes again for reassurance that it was okay to take it from him, to which he nodded in encouragement. you took it in your hands, and looked down only to see that it had been a picture of you in his team hoodie, the day that you had been rained on, with your hair wet, makeup slightly smudged. you stood opposite of him, with the hoodie engulfing your frame making you look much smaller compared to ethan’s larger frame. you smiled at the picture, but were only even further confused as to why he had it, so as you hand it back to ethan, you look up in confusion, only to see a small blush forming on his cheeks. 

“i know it’s kinda creepy to just have this picture of you, but you looked so cute in my hoodie and that day we had together, was probably one of the best days i’ve had all year, maybe even the best day since i first got here.” ethan shyly explained, making your gaze soften as you watched him explain. 

“yeah, i remember that day, it was one of my favourites.” you responded softly, smiling to yourself as you reminisced. but before you grew too distracted by his romantic act, you came quickly to remember how you felt when you first arrived, conflicting your feelings as you stood in ethan’s room. there was a silence that was held between you two, and you didn’t know what to say, and you knew it would probably be best if you didn’t open your mouth to speak, knowing you would most likely regret what words formed. ethan placed the picture back on his desk, before placing himself on the edge of his bed, clasping his hands together, and you stayed put where you were standing, watching him before you.

“come,” ethan gestured to the mattress beneath him, patting the spot next to him for you to sit. 

“i don’t think that’s a good idea.” you responded quickly, allowing your blunt and cold facade to take over yet again. “really, i should probably go find my friends, they're gonna think i got kidnapped or something.” you awkwardly laughed. taking a step backwards closer to the door as you tried to escape, 

“oh, come on,” ethan whined, throwing his head back in protest. “don’t make me come over there and make you sit on my bed.” he warned. you rolled your eyes yet again in annoyance at how easily convincing he was, and you took the few steps forward to reach his bed, and ethan scooted himself over to the side to give you more room. 

“what’s up?” ethan asked quietly, the close proximity between the two of you becoming more evident as you were now sitting shoulder to shoulder in his bedroom. it intensified every thought and feeling you had run through your body. you noticed his eyes were hooded from the alcohol, his hair looked freshly washed and you could see his silver chain slightly peeking out from the collar of his crewneck hoodie. you took in his appearance slowly, before meeting his gaze that had already landed on you, looking into your eyes with a soft, alluring gaze. 

“i said nothing’s wrong, ethan.” you exclaimed, letting out a breath as you grew more annoyed with his persistence. you didn’t want to let your guard down, you couldn’t. not while you were in his room, drunk, at a party. 

“that’s bullshit, come on, you’ve been off since i first saw you.” ethan countered, and you then felt the weight of his hand being placed on the middle of your thigh, immediately making your breath shift into slower, more heated breaths. you looked down at the hand on your exposed leg, becoming aware that the fabric of your black dress had slowly rode up your thighs. you then met his gaze, again, as he was still maintaining eye contact with you. 

“ethan,” you pushed, not wanting to continue the conversation any longer than it had already been happening, you sighed and began to stand up to leave, but you were prevented from doing so as his hand pushed against your thigh to keep you placed on his bed.

“y/n,” was all he responded. 

your eyes darted to the side, contemplating whether or not you would cave, before letting go another breath, “okay, look-” you began before you stopped yourself, wanting to find the correct words to describe your feelings. if you had finally decided to have the conversation you had envisioned every night before going to bed, you wanted it to be relatively similar to the way you had planned it to be. although, you didn’t expect it to be happening at the actual moment it now was. 

“fuck,” you mumbled under your breath, looking down into your lap, but was quickly guided to continue looking into ethan’s eyes by his hand that had slipped under your chin and tilted your head up. “i’m confused.” you blurted, no other words coming to mind as you looked at ethan with an expression of confusion and distraught written over your face.

ethan paused before responding, “why?”

“because of this!” you gestured between your bodies that were inches away from each other. “i come to this party against my will, because we both know i hate this type of scene, and low and behold, i come to find you invested in some random girl i’ve never seen before, with her hands all over you, and i can only assume what words were being exchanged.” you said in a single breath, your chest heaving as you explained your dilemma to the brunette in front of you. 

ethan went to his open his mouth to justify his actions, but you beat him to it, “no, you don’t get to say anything,” you pointed with your index finger, “and then when all i need to do is pee, god forbid i run into you and you end up showing me a picture you’ve been hiding in your drawer and you look at me in a way that makes me feel so weird!” you rushed, your brows furrowing in your own confusion as you spoke.

“y/n, i’m lost, what are you trying to say?” ethan said softly, looking at you with his own brows stitched together in confusion.

this was it, this was the moment you’d confess your secret to the man who had occupied your brain 24/7. the one you thought of immediately when you did well on an assignment, and the one you would stand in the freezing arena every game to watch him play. the one you pictured yourself with when your friends and you gushed over the desire for a relationship. the one you searched for in a crowd of people at a school event, and the one you wanted nothing more than to be with. 

“i love you, okay?” you bursted, slightly raising your voice with your face strained, “and it’s ruining my life.” you said as you ran a hand over your face to wipe away the hair that had obstructed your view, “and it killed me to find you here with another girl, and having to imagine myself going onto the next semester and not having you in my life.”

your chest continued to heave up and down, out of breath as you admitted to your internal conflict, and you searched in ethan’s eyes for a response. he was silent for a moment, his eyes darting from side to side as he collected his thoughts. you inched forward on the bed as a way to encourage him to say anything, but the longer the silence settled, the more you began to regret your sudden confession. as you went to place your head in your hands with your elbows resting on your knees, ethan’s mouth opened. 

“are you drunk?” was all he asked, but given the amount of time you had spent in ethan’s room, and your body trying to compose yourself, you hadn’t felt the effects as strongly as before. 

you shook your head, “if i am, drunk words are sober thoughts.” you chuckled to yourself. 

“in that case, are drunk actions, sober thoughts?” he asked quieter, and you tilted your head in confusion, not being given a moment to process his words before you felt his hand reach for your jaw and lightly pull you in to meet his lips. 

your mouths connected, and you inhaled sharply at the contact, melting into his touch as you adjusted yourself to face more towards his figure, you reached your arm to rest on his shoulder. ethan held your cheek in his hand, with his fingers reaching the nape of your neck to pull you in closer, and your body went weak, quickly to be supported by ethan’s free arm reaching around your back. 

he pulled away, lips swollen from the contact, and his chest rising and falling rapidly. you looked up at his with doe eyes, wetting your lips without saying any words being said, and he reached back down to connect your lips again, his arm around your back sliding to your side to take hold on your waist. he pulled your body closer to him as a wordless action to adjust your position, and with your eyes closed and lips still mangled, ethan pulled you farther on the bed, and leaned your figure back to where he now hovered over your body with your back against the mattress. 

he detached his lips again, breathing heavily with his chain dangling over your face, you stared up at the sight before you, “should we really be doing this?” you questioned softly, gripping his forearm with your hand. 

ethan sucked his bottom lip between his teeth, “i’ve been wanting this for a while, and trust me this is not how i envisioned this happening, but i can’t hold out any longer,” he confessed, and before you can say anything in response, he delved back in, placing a kiss on your jaw near your ear, the sound of his wet mouth suctioning your skin made your entire body erupt in euphoria, and caused you to squirm underneath him. he trailed his wet, sensual kisses along your jawline as your hand found itself intertwined with his soft, brunette hair. he continued kissing down your jaw onto your neck, sucking slightly on your skin, as his arm held the weight of his body over yours. he looked up at you, with pleading eyes to adjust the strap of your dress, and without words you allowed him to move the fabric to the side, but in your own confidence, you sat up and lowered the dress to your waist, exposing your black lace bra you had worn underneath. 

ethan took in the view, sighing in delight at your figure before him, and he leaned back down to continue his mission to cover every inch of your skin with wet, slow kisses. your hands found themselves interlocking behind ethan’s neck as he kissed your collarbone, and he looked up to your face with his eyes only, silently asking for permission to remove the piece of clothing that restrained your breasts. you nodded and lifted your back to allow for his hand to reach beneath you and unclasp the lingerie, freeing it from your body as he pulled it off of you. immediately his hands fell to your chest, cupping his large hands over your front and kneading your breasts as if they were dough. 

your head fell back in pleasure at the contact of his mouth to your nipple, as he curled his tongue around the sensitive end. your hand tugged at his hair, arching your back in desperation for more. 

ethan looked up at you yet again, and you reached forward, guiding ethan to stand on his knees, grabbing the end of his crewneck hoodie and pulling the fabric upward over his head, revealing his toned, broad figure. you mentally gawked at the sight and looked up at him as he towered over you, with your face being perfectly aligned with his waist. 

you held eye contact with him as you reached for the waistband of his pants, noticing the growing bulge that began to protrude against his pants. you slipped a finger into the space between his body and the pants, gliding it along his v-line before tugging at his bottoms to expose his lower half. he had quickly stood up off of his bed to remove his pants, and while doing so, you shimmied out of your black dress, letting the clothing fall to the floor beside his bed, leaving you in nothing but the matching underwear to your top. ethan then climbed back on the bed, on his knees like prior, and you took in the sight of his bulge beneath his underwear, constraining the fabric and tauntingly wanting to be freed.

you looked up at ethan who watched your every move intensely, and then averted your gaze to the sight before you. you slowly grabbed the waistband of his boxers on each hip and pulled the fabric down, releasing his cock to be free as it sprung up, throbbing in anticipation to find a release.

your mouth practically salivated at the sight, and you instantly reached a hand to wrap around the base of his cock, feeling the warmth beneath your hand. stroking your hand twice up and down the length of ethan, you heard him groan above you, as he reached a hand to steady himself on your shoulder. 

you adjust yourself beneath him, looking up to reach his eyes with your own and his bottom lip was tucked under his top row of teeth as he watched you take his cock in your mouth. you slowly wet his length and pushed your mouth farther down and closer to his stomach, until your eyes began to water, feeling the tip of his cock hit the back of your throat. 

you pulled back slightly and quickened your pace as you began to bob your head along his length, ethan throwing his head back and gripping the back of your head softly in response. he held you there as he attempted to hold himself together, fighting the urge to release at that moment.

“fuck, y/n,” he breathed, holding your head closer to the rest of his body for a moment hearing the noises of your mouth taking every inch of his cock, as you slightly gagged on his member. you release him from your mouth with a small ‘pop’, and grin at ethan’s flushed face. he began to compose himself before he pushed you backwards until your head met the pillows of his bed and his face was inches away from your stomach. he maintained eye contact, which in response evoke an incline of your breath, chest heaving up and down as you grew impatient for ethan to make some sort of move to aid your frustration. 

ethan looked at you with concerned eyes, in a way to silently ask you if he was allowed to continue and you eagerly nodded your head, your hips buckling upwards anticipating any sort of stimulation. 

ethan flip the waistband of your underwear under his finger and dragged it over your hips and swiftly pulled the fabric off of your legs, tossing the piece to the side and focusing his attention back at the sight before him. his hands immediately found the inner space of your thighs, lightly rubbing the soft skin with his calloused hands, his tongue running over his bottom lip in hunger and desperation to delve into the lust. 

“god, you’re perfect, y/n,” ethan mumbled, but before any other words were exchanged, he pushed your legs softly to the side, exposing your core and his head leaned into your body, immersing himself in you and suffocating himself with the taste of you. you moaned at the contact, your hips caving at the contact. ethan continued to stimulate your clit, his tongue lapping over the skin between your legs. your hand found his hair, tugging the brown locks in pleasure, and biting your lip to restrain yourself from making too loud of noise. 

ethan moaned against your body, sending vibrations through your body, almost sending you over the edge, earning a whimper to escape from your mouth. 

“oh my god, ethan,” you whined through gritted teeth as ethan held your legs down to the side with his arms and your hips bucking at the pleasure. he pulled away, the missing feeling making you crave more to put you over the edge, your legs bent up to the rest of your body as you watched ethan hold eye contact with you, reaching to his side table drawer and pulling out a condom. 

you watched before you as he slipped it on, his body coming to hover on top of yours and aligning his cock with your entrance. your hands found themselves gripping onto his shoulder, and you bit your lip as ethan began to lower himself into you, the pressure causing your eyes to flutter shut. ethan went slow, no words being exchanged other than the wordless eye contact that was held between ethan and you, and when he bottomed you out, your mouth fell agape, causing ethan’s own mouth to fall open in pleasure. 

his movements began slow, thrusting in and out, watching as your body responded in sync to his moments, and as it became more comfortable, ethan earning a nod from you to quicken his pace, your mouth hung open, small whimpers escaping as each thrust was complete. 

ethan’s one hand remained by your head, lowering himself onto his elbow to inch closer to your face, while his other hand was placed on your hip, tightly gripping your skin as he continued to thrust harder and deeper into you. 

“fuck, ethan, yes,” you moaned as he hit the right spot to cause an eruption of pleasure through your entire body, you felt the knot in your stomach begin to tighten when his hand on your hip reached between your legs to rub circles on you clit, and your moans sounded in sync with his thrusts, the sounds of two bodies erupting in pleasure filling the room.

“god, you’re so tight, y/n,” ethan moaned in response, his eyes squinting shut in concentration as he held himself together, your hands pulled at his neck, bringing his face to yours and your lips meet his, tightly interlocked as his thrusts still moved your body beneath him. 

you could tell ethan was reaching his own climax, his determined thrusts becoming more and more sloppy, and his breath shaking against your lips. his fingers kept rubbing on circles on your clit, determined to bring you to orgasm, and when you adjusted your hips slightly, allowing for ethan to hit a deeper, more pleasurable spot in your body, the noises that came out of your mouth in response caused ethan to release into the condom, his own moans filling your mouth as his thrusts came to a halt and you felt the pressure hit your walls as he filled the condom with his cum. determined to bring you to your own climax, ethan’s fingers still worked their efforts on your clit, bringing his free hand to your mouth, trailing over your bottom lip, awaiting entrance. 

his middle finger slipped into your mouth, and instinctively you sucked on the member, watching ethan look at you in amusement. when his finger was lubricated to his liking, he reached to your sex, running his finger along your folds to collect the wetness before pushing his finger in, immediately curling his finger towards him. 

with both hands in action to put you over the edge, you raised your arms above your head in pleasure, feeling the knot in your stomach tighten even closer to being released. 

“yes, ethan, just like that,” you moaned when ethan fastened his pace.

he hummed in response, “yeah? is that what you want, babe? you want to cum for me?” ethan asked softly, holding eye contact as his fingers worked magic against you. your eyes closed in pleasure, your head slightly tilting back, and when ethan slipped a second finger into your sex, and pulled his fingers in and out while maintaining curling inside, a loud moan escaped your mouth as you felt the knot come undone in your stomach, your legs shaking lightly as you rode out your orgasm. 

your breath uneven, a grin erupted on both of yours and ethan’s faces, as he reached for his boxers and your matching set of undergarments, helping you put on the pieces of fabric, and quickly slipping under his covers. you follow suit, and find yourself curling up against his figure, your head resting on his chest, listening to his heightened heart rate. 

ethan pressed his lips against the top of your head, “you really meant all those words from before?” he questioned, earning a giddy smile from you as you looked up to meet his gaze.

“and a thousand more.”

[alfafsz]

I've been noticing something within the Good Omens fandom that's been quite annoying.

As it seems, people have been finding it somewhat difficult to grasp how acting works, especially with David and Michael being such excellent actors.

I have some acting background myself and I feel like explaining that for an actor to deliver an outstanding performance such as the ones we get from David and Michael it takes an enormous amount of imagination and empathy. It's easier for them because of a few factors that work in their favour: they are really good friends that are very comfortable with each other; they have an extensive acting background and a very eclectic one as well, having both of them worked in theatre and both big and small screens; and above all they are well taught and dedicated professionals. All of that means that they are capable to deliver incredibly believable performances, if you are in any way familiar with their work you might have already noticed it.

I've stumbled on a few posts stating that both of them (the actors, not the characters) are obviously infatuated with each other because of some physiological responses that are noticeable in their scenes, such as tremblings and pupil dilation, which are things you can't fake seen as they're involuntary body reactions (some people had gone as far as insinuating they might have been even sleeping together, which I find very disrespectful). And that circles back to what I've said before about imagination and empathy.

Acting is mostly a very intense imagination exercise that only works properly if you prepare your mind for it to work as if you were actually that character you are playing, which means you have to be really in touch with their feelings and motivations, you have to be able to think and feel what they would think and feel, that's where the imagination comes in and imagining things can, in fact, trigger physical responses. You can get even aroused just by imagining a situation, you don't have to be with that particular person and you don't even have to touch yourself, you can simply imagine something's happening and your body will respond to it involuntarily.

Again, if you are familiar with both David and Michael's work you may have noticed those same responses before. For instance, if you really pay attention to Michael's Bill Masters performance you can pick up several of those, his acting is actually really impressive and he can definitely play the most believable lover and romantic counterpart (he once said he has a difficult time watching himself as Bill because he can't help but being flustered even in the scenes that don't involve sex at all), you can see it happening in Wilde as well.

When you apply your imagination along with your empathy for that character and have such well-rounded acting techniques that you can even lose yourself in your roles and can feel the feelings and think the thoughts in the moment of the scene your body will respond as if all of that was real, you will have tremblings, sweat palms, dilated pupils, arousal, crying bursts, all of it. And when you're very competent at it you are able to turn that "giving in to what it's like to actually be that person you're playing" on and off as you please. Sometimes being immersed in the thoughts and feelings of that character can be so intense you might even get psychological trauma if you're not careful enough.

The thing is, David and Michael are in fact extremely good in what they do, too much so people are mixing things up to such an extent they're making the most absurd and disrespectful insinuations.

I hope this post is useful in dissipating some of these false assumptions somehow.

[weirdmageddon]

ive finaly managed to lay it out my major interests. i dont know what took me so long to be able to do that. i posted it to bluesky but i’ll do it here too. i need a new pinned post anyway.

22 neurodivergent ass autistic goth nerd and other-proclaimed “wizard”

things i’m interested in:

science: ALL natural science, esp. neuroscience, neuropsychology, psychology (the mind), biology, anatomy & physiology, ecosystems

other realms: philosophy, sociology, anthropology, human ethology, personality differences

natural noumena: patterns in nature, emergence, self-organization / spontaneous order, chaos theory and fractals

tropes / archetypes

analytical psychology / jungian analysis (not in association to jordan peterson, whom i think is a chode. this is significant to me, because i feel like i share the phenomenological reality with jung that formed the basis of his ideas. many of these forces i’ve noticed on my own, separate from him, before i knew him. so seeing his ideas i was like “oh he put it into words. glad to know someone else has a keen sense for these phenomena”)

socionics model A

other typological systems: enneagram, mbti (not 16personalities), etc. (quizzes are lazy minded, reading the theoretical foundations helps it feel much more significant)

eclectic alternative music subcultures + history: esp. 70s-80s, experimental, psychedelic rock, punk, new wave, post-punk, goth rock, industrial

the venture bros. (bonus points if you understand most of the references because this show is like my personal catnip)

jhonen vasquez: jthm, squee, i feel sick, invader zim (decade+ old fan)

david lynch: twin peaks, eraserhead, blue velvet, mulholland drive, etc

jon bois: pretty good, 17776/20020, chart party, team history documentaries, etc

blaseball

vinesauce

pokemon: in general, but esp. game mechanics

gravity falls (decade old fan)

homestuck (decade old fan)

mother series

star trek* (*slowly immersing myself)

lots of more stuff i probably missed

typology type profile: LII-Ne IN(T) INFJ 5w4 so/sp 514 |R|COAI

random things i want to say:

given enough time i think i could probably explain anything

i live in a very isolated pocket of my own taste in art/music where im not really aware of what everyone else is listening to because it just…doesnt really cross my mind ever? i found out brian eno said something similar, “If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.” i told my friend the other day i feel like i understand my self through music and art, because of the accumulation of my taste i can actually experience my unconscious preference and know what i feel my own experiences reflected in

im best at self-reflection and observations of own my own mental processes

if i were forced to kin a homestuck character it would be aradia megido. we’re very close in spirit

i have similar mannerisms to dipper pines. first time i saw a cartoon character and felt represented

another brian eno quote i strongly relate to: “Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.”

[batfammeetsspidergang]

Spider-Gang Headcanons

I was bored, so I decided to create headcanon character sheets for the Spider-Folks! Basically, this is how I personally envision the characters when doing incorrect quotes. Like I've said before, these origins are mish-mashes of the comics, TV shows, movies, games, and so on, plus some minor, original ideas. (And yes, I was lazy so I copy-pasted much of the info and stats from the Marvel Wiki. Shout-out to the editors and their amazing work!)

If your favorite Spider-People aren't here, that DOES NOT MEAN I don't like them! Lmao I adore Pavitr, Cindy, Jess, etc. These are just my personal favorites. Also, I'm still tryna figure out Ham's cartoon powers, and movie-verse Miguel can go sit on a barbed wire brush XD

P.S. No ai art was used. These are all borrowed from official Marvel media.

🕷️ 🕷️ 🕷️

Spider-Man

Peter Benjamin Parker

New York City, New York; present-day

16-18 years old

5′10″ (1.78 m)

160 lbs (72.57 kg)

Eyes: brown

Hair: brown

Gender: Cis male

Orientation: Bisexual

Peter Parker was bitten by a radioactive spider and gained a suite of powers reminiscent of a spider, including agility, wall-crawling, and the ability to sense danger. When Peter learned that his beloved Uncle Ben had been murdered by a thief that Peter himself had selfishly allowed to escape, he realized that with his new powers also came a responsibility to use them for good. Since that day, Spider-Man has fought criminals while enduring a constant barrage of negative press, a stream of personal losses, and the occasional crisis of confidence. Somehow he manages to maintain a positive attitude and rarely lacks for a humorous quip when battling bad guys.

PERSONALITY:

-Peter is a geeky, shy, socially awkward, high-spirited, caring, and friendly teenage boy who is loyal to his family and friends. While his heroics as Spider-Man have given him a reputation for being a flake, Peter will always be there for anyone that needs help. 

-Since the death of his beloved Uncle Ben, Peter's vow of responsibility has led him on a path of heroism and humanitarianism. He regularly sacrifices (or sabotages) his personal well-being for the greater good. It has also meant that Peter often takes on more burdens than he can bear and blames himself unnecessarily when the city is hurt.

-He possesses an innate scientific curiosity and loves to figure out how things work. He has been known to immerse himself in personal projects for hours on end, forgetting to eat and sleep as a result.

-Though it can be difficult for him to open up with new people, he becomes enthusiastic and talkative when asked about his favorite subjects (i.e. science, photography, TTRPGs, the New York Mets).

-Peter has a tendency to use humor and sarcasm as a defense mechanism, a trait that is amplified when he fights criminals as Spider-Man. He is proud of his humor, deploying it to break tensions and lift the mood, something that has at times irritated his friends and allies.

-Peter also has a bit of a vengeful side—he once secretly used his powers to humiliate his bullies and was single-minded in his pursuit of revenge for his uncle’s death. If Peter's trust is betrayed, it can be difficult to get back in his good graces.

-His humility often teeters on the edge of self-loathing, to the point of considering himself lamer than his counterparts. These feelings also extend to his romantic relationships—Peter is often blind to his crush’s reciprocated feelings simply because he doesn’t believe they could ever be reciprocated. According to Peter, he always falls for people who are "way out of his league."

-Behind his naturally upbeat demeanor, Peter possesses a tragic and depressed side. This is brought on by the immense guilt he feels about the deaths of people he held close: Ben Parker and Gwen Stacy, his first girlfriend.

POWERS & ABILITIES:

Spider Physiology: Peter Parker possesses the proportionate powers of a spider, granted to him by the bite of an irradiated spider.

Superhuman Strength: Peter can lift up to 10 tons. His physical strength also extends into his legs, enabling him to jump to a height of several stories in a single bound.

Superhuman Speed: Peter possesses the proportionate speed of a spider; therefore, he can run and move at speeds that are beyond the physical limits of the finest human athlete.

Superhuman Stamina: Spider-Man's advanced musculature produces fewer fatigue toxins during physical activity than an ordinary human. This allows him to exert himself physically for much longer periods of time before fatigue begins to impair him.

Superhuman Durability: Peter’s body is physically tougher and more resistant to some types of injury than the body of a normal human. He has shown little to no discomfort when sustaining great impact forces.

Superhuman Agility: Spider-Man's superhuman agility, balance, and bodily coordination are all enhanced to levels that are far beyond the natural physical limits of the finest human athlete. Spider-Man is extraordinarily limber, and his tendons and connective tissues are twice as elastic as the average human being's. He has the combined agility and acrobatic prowess of the most accomplished circus aerialists and acrobats. He can also perform any complicated sequence of gymnastic stunts, such as flips, rolls, and springs.

Superhuman Equilibrium: Peter possesses the ability to achieve a state of perfect equilibrium in any position imaginable. He seems able to adjust his position by instinct, which enables him to balance himself on virtually any object, no matter how small or narrow.

Superhuman Reflexes: Spider-Man's reflexes are similarly enhanced and are currently about 20 times greater than those of an ordinary human. In combination with his spider-sense, the speed of his reflexes allows him to dodge almost any attack.

Wallcrawling: Peter can cling to any surface using just his fingertips and feet.

Spider-Sense: Spider-Man possesses a precognitive danger sense that warns him of potential or immediate danger through the manifestation of a tingling sensation in the back of his skull, and links with his superhuman kinesthetics, enabling him to evade most attacks unless he cognitively overrides his automatic reflexes.

Regeneration: Spider-Man is able to rapidly heal and regenerate from harm faster and more extensively than normal humans are capable of.

Web-Shooters: Spider-Man's trademark equipment. With his brilliance in physical science, Peter created these devices to fire thin strands of a special web fluid at high pressure and speeds. These enable him to web-swing between buildings and entrap enemies.

Web fluid: Created by Peter Parker. A shear-thinning liquid (virtually solid until a shearing force is applied to it, rendering it fluid) whose exact formula is unknown but is related to nylon. On contact with air, the long-chain polymer knits and forms an extremely tough, flexible fiber with extraordinary adhesive properties.

Specialized Web Cartridges

-Acid Webbing: Webbing laced with hydrochloric acid. -Taser Webbing  -Impact Webbing: Web-pellets that, upon impact, release tendrils that ensnare the target.

Spider-Tracers: Small, electronic tracers that allow Spider-Man to track objects or individuals. Typically, he plants or throws one on a departing enemy, but he can also use a launching device in his web-shooters for better range and accuracy. Spider-Man can follow the signal within a 100-yard radius by using his spider-sense.

Genius-Level Intellect: Peter Parker possesses a natural talent for science, standing out as a top student in his high school. His favorite subjects are biology, physics, and chemistry. A prodigy biochemist, Peter could understand his father's, Dr. Richard Parker’s, research notes at age 15.

Expert Inventor/Engineer: As a teenager, he developed his signature web formula, Web-Shooters, and the Spider-Tracers.

Budding Photographer: Peter is a talented photographer and has worked part-time for the Daily Bugle.

Skilled Acrobat: Due to his superhuman physical abilities, Peter easily surpasses normal acrobats and is able to perform somersaults, flips, spins, cartwheels, etc.

Hand-to-Hand Combatant: Spider-Man's fighting style incorporates and takes full advantage of his proper use of physical forces, momentum, and leverage, with the hero staying low and mobile while utilizing the momentum of frequent spins to come crashing down on his opponents. Peter has stated that he is self-taught, having learned many of his fighting techniques from movies and lucha libre.

🕷️ 🕷️ 🕷️

Spider-Man (Miles Morales)

Miles Gonzalo Morales

New York City, New York; present-day

16-18 years old

5′8″ (1.73 m)

160 lbs (72.57 kg)

Eyes: brown

Hair: black

Gender: Cis male

Orientation: Heterosexual

Miles Morales, a fellow student of Peter Parker, was bitten by a genetically altered spider that his uncle had stolen from Osborn Industries. The next day at school, he found that he had grown taller overnight and gained incredible, arachnid-like powers. Donning a similar costume, Miles became a budding superhero with the original Spider-Man as his mentor. Miles was the first person Spider-Man revealed his identity to, and they have become the closest of friends. Miles considers Peter a great hero, but can he live up to the legacy set before him?

PERSONALITY:

-Miles is a passionate, bright, confident, selfless, and extremely eager young man. 

-Miles' dedication to helping others stems from his deep respect for his father, Officer Jefferson Morales, and his admiration of Peter Parker as Spider-Man. He draws his passion for science from his mother, Rio, who is highly regarded for her boundless dedication to being a nurse. Moreover, being a long-time fan of Spider-Man, Miles aspires to uphold his mentor and friend’s legacy while also forging his own path.

-Like average Spider-Men, he has an irreverent attitude towards villains, although when enemies indicate psychological instability, Miles addresses them respectfully to prevent further danger.

-He has a strong love for science, having started inventing at an early age, as well as a passion for music, mixing hip-hop beats with his uncle during his early years.

-He is much more sociable than Peter Parker, and often initiates conversations with strangers in his neighborhood.

-Miles instantly fell for Gwen Stacy upon their first meeting. They’ve since become the best of friends, though a part of Miles still pines for her romantically. 

-His relationship with his Uncle Aaron is complex; while Miles acknowledges Aaron's inherent goodness, he also grapples with his uncle's shadowy past as the Prowler and their differing views on heroism.

-Miles' eagerness to be a hero is both a strength and weakness; it propels his desire to grow and assist others, but it also makes him prone to danger and reluctant to accept help. Additionally, he has been known to act impulsively on occasion. Miles also dislikes being a victim or receiving pity. 

-He initially displayed panic and insecurity due to struggling to handle even basic spider powers, and he felt unworthy of the Spider-Man mantle. When it is up to him to save the city on his own, Miles occasionally has doubts about his capabilities, often comparing himself to Peter. 

-Miles' intellect and love for others can cloud his judgment. At times, he can be too arrogant to listen to those who might know better

POWERS & ABILITIES:

Spider Physiology: Miles Morales gained the proportionate abilities of a spider after being bitten by a genetically-modified spider.

Superhuman Strength: Miles can lift roughly 10 tons.

Superhuman Speed

Superhuman Stamina

Superhuman Durability

Superhuman Agility: Miles' agility, balance, flexibility, and bodily coordination are all enhanced to levels that are far beyond the natural physical limits of an Olympic-level gymnast.

Superhuman Equilibrium

Superhuman Reflexes

Wallcrawling

Spider-Sense: When danger is present, Miles feels a buzzing sensation in his head as a sort of early warning system, allowing him to react accordingly. His spider-sense offers him near-complete awareness of his surroundings and, in conjunction with his reflexes, allows him to instinctively dodge or counter nearly all attacks. 

Bio-Electrokinesis: Miles is able to generate and manipulate a form of bio-electricity that his body produces and can utilize the energy for multiple purposes. Miles has learned to discharge the energy from his hands in controlled bursts of what he calls "Venom Blasts".

-Mega Venom Blast: Arguably Miles' deadliest ability. Miles is able to emit a larger scale burst of bio-electricity from his entire body. It is powerful enough to repel a large group of opponents and destroy sturdy restraints. This ability leaves Miles exhausted after using it, and can be triggered with focus or by extreme stress. -Venom Beam: Miles has shown that he can channel his bio-electricity outward as a direct burst of electrostatic energy to knock away enemies in a stunning/concussive manner. -Venom Punch: Miles can enhance the power of his punches by infusing his fists with bio-electricity. -Lateral Repulsion: By projecting a controlled Venom Blast, Miles is able to launch himself in the air with greater force than when jumping or web-swinging.

Camouflage: Miles, including his clothing, can blend into his surroundings, allowing him to sneak up on his enemies or, in some cases, flee from them. The resulting effect closely resembles that of invisibility.

Regeneration

Web-Shooters

Bilingualism: Miles speaks English and Spanish.

Gifted Intellect: A fast learner from a young age, Miles is a highly gifted individual with an aptitude for science. He attends the Robotics Club at school and has experience in programming applications. Upon discovering his bio-electric powers, he demonstrated an impressive understanding of biophysics, throwing out possible explanations for this new power, such as electrolytes. At the start of his superhero career, he was able to mimic the original Spider-Man's fighting style by watching online videos to improve his own abilities.

Photographic memory

Skilled Acrobat

Hand-to-Hand Combatant: Despite his lack of formal training prior to his spider-bite, Miles' enhanced agility, reflexes, and coordination made him an extraordinary melee fighter. He has developed his own unique combat style which incorporates a rudimentary form of boxing, Capoiera, and breakdancing.

🕷️ 🕷️ 🕷️

Spider-Woman

Gwendolyn "Gwen" Maxine Stacy

Alternate New York City, New York; present-day

16-18 years old

5′5″ (1.65 m)

125 lbs (56.7 kg)

Eyes: blue

Hair: blond

Gender: Trans female

Orientation: Heterosexual

Leaping from an alternate reality in which she was bitten by a radioactive spider instead of Peter Parker, Gwen Stacy learned the painful lesson that with great power must come great responsibility. At first, Gwen used her new powers for selfish reasons, reveling in the attention it brought her. Meanwhile, her friend, the bullied Peter Parker, turned himself into a lizard monster because he was desperate to be special like her. Gwen inadvertently killed Peter during the ensuing fight, and the police blamed her for his death. Seeking redemption, she now fights crime as the amazing Spider-Woman.

PERSONALITY:

-Gwen Stacy is a spunky, sarcastic, awkward, and emotionally vulnerable teenage girl. She has a history of rejecting friendship since she can't bear to go through the pain of losing another loved one. After getting to know Miles Morales and Hobie Brown, however, she tentatively decided to give companionship a chance.

-Gwen initially put on a tough, antisocial front when she met the other Spider-People, but she has come to view the Spider-Gang as family and is fiercely protective of them.

-It can be difficult for her to look at the other Peters when they are unmasked, hence why it was initially easier for her to interact with Miles and Hobie. 

-Currently, Gwen's interest in Miles is platonic, bordering on sibling affection.

-Gwen has a zero-tolerance policy for bullying, especially where her friends are concerned. On impulse, she will intervene on their behalf. With this in mind, Gwen and Peter (Spider-Man) have sworn to always watch each other's backs.

-There used to be unresolved tension between Gwen and her police officer father, George Stacy, regarding the morality of Spider-Woman’s vigilantism. Upon realizing that the vigilante he had been pursuing for years was his very own daughter, George reached out to Gwen about her problems and insecurities. Father and daughter have reconciled, and George Stacy has become Spider-Woman’s staunchest supporter.

-She is absolutely fearless in battle, but not to the point of recklessness.

-Gwen’s relationship with her bandmates has become somewhat strained since her superhero lifestyle often interferes with their gigs. That said, Gwen’s band members have made attempts at getting her to open up about her feelings and trauma.

-Gwen tends to bottle up her emotions and release them when she's playing drums, leading to her being particularly angry and distant. When dealing with people she is unsure of, she puts up fronts and walls to appear more confident and put together than she actually is.

-She hates when Noir calls her "doll."

-Her favorite band is The Smashing Pumpkins.

-Outside of music, her hobbies include skateboarding, gymnastics, and ballet.

POWERS & ABILITIES:

Spider Physiology: Gwen gained the proportionate abilities of a spider after being bitten by a radioactive spider—genetically engineered based upon the genetic template of alien spider parasites.

Superhuman Strength: Gwen can lift roughly 10 tons.

Superhuman Speed

Superhuman Stamina

Superhuman Durability

Superhuman Agility

Superhuman Equilibrium

Superhuman Reflexes

Spider-Sense

Wallcrawling

Regeneration

Web-Shooters: Twin devices, which she wears on her wrists, that trap moisture from the air to create a "web-fluid" that allows her to eject web ropes, nets, and globs. The Web-Shooters also enable her to web-swing between buildings. Given to Gwen by her universe’s Janet Van Dyne. 

Amateur Detective: Gwen has a proclivity for analytical thinking and detective work. She is also the daughter of a police captain, thus she knows some police protocols and methods.

Skilled Fighter: Gwen is a skilled freestyle fighter. That said, she is untrained and learned most of her moves from Kung Fu movies.

Trained ballerina: Gwen trained in ballet since she was young. Her ballet training has allowed her to be incredibly precise when moving, often walking on the tips of her toes. Evidently, her ballet experience is incorporated into her fighting style.

Trained gymnast: Gwen was a member of the gymnastics team at her school; even before her radioactive spider bite, Gwen was able to hold her own body weight and possessed an athletic build similar to that of an acrobat. She incorporated her gymnastics training into her fighting style.

Trained musician: Gwen plays the drums with her band, The Mary Janes.

🕷️ 🕷️ 🕷️

Spider-Man Noir

Peter Benjamin Parker

Alternate New York City, New York; 1933 AD

Approximately 19 years old

6′1″ (1.85 m)

150 lbs (68.04 kg)

Eyes: brown

Hair: brown

Gender: Cis male

Orientation: Bisexual or Demisexual (still figuring it out)

In another New York, in the year 1933, Norman Osborn murdered Ben Parker for encouraging a strike on the local sweatshops. Seeking justice for his uncle, Peter Parker became an investigative journalist in an attempt to expose the corruption in New York. One evening, Peter was investigating a warehouse where Osborn's henchmen were housing stolen artifacts. An ancient spider statue broke open and released a swarm of spiders, one of which bit Peter. He passed out and dreamed of a spider god who told him it would bestow the curse of power on him. When Peter came to, he discovered that he had been gifted with arachnid-like superpowers. Thus, Peter became the Spider-Man: a dark avenger fighting for the rights of the downtrodden and waging a one-man war on crime.

PERSONALITY:

-Noir Peter Parker is an unwavering, righteous, sympathetic, brooding, solitary young man of few words.

-Peter grew up witnessing injustice in the harsh environment of the Great Depression. This, combined with his Uncle Ben’s horror stories about the First World War, made Peter distrustful of would-be leaders and political figures. He’s leery of police officers; in his world and time period, especially, police corruption is rampant.

-Unlike most Spider-Men, Noir Peter was never taught the motto "With great power, there must also come great responsibility." Instead, his Uncle Ben told him, "If those in power can’t be trusted, it’s the responsibility of the people to remove them."

-Peter’s jaded demeanor and bleak realism belie his indomitable will and inherent idealism. He will never stop fighting for truth and progress, no matter the personal cost.

-Peter is a devout socialist and liberal activist, often participating in protests for workers’ rights, racial equality, and standing against the rising tide of Nazism.

-Peter is an empiricist—he believes his eyes, no matter how implausible something may be. Ever since his encounter with the Spider-God, he has gradually come to accept that some things are never going to have an explanation.

-Unlike the other Spider-People, Peter is willing to kill his enemies if absolutely necessary.

-Peter struggles with trauma and depression, perhaps more than his counterparts. To cope and better do his job, he closes off his emotions and ignores his bodily needs.

-Peter smokes cigarettes, even though he has been warned that they cause cancer. The nicotine helps calm his nerves, and he doubts that he’s capable of contracting cancer due to his powers.

-Peter puts on a convincing, deeper voice to make himself seem older. The rest of the Spider-Gang was dumbstruck when they learned he wasn’t much older than them.

POWERS & ABILITIES:

Superhuman Abilities: Peter possesses enhanced physical abilities granted to him by the Spider-God.

Superhuman Strength: Slightly inferior to that of his mainstream counterpart.

Superhuman Speed

Superhuman Stamina

Superhuman Durability: Although he is incredibly durable, his body does have its limits—unlike his modern counterparts, he cannot sustain multiple injuries and continue to function.

Superhuman Agility

Superhuman Equilibrium

Spider-Sense

Wall-Crawling: He can stick to walls using just his fingertips and feet; however, Peter prefers a type of parkour over clinging to the walls themselves.

Organic Webbing: Spider-Man is able to shoot organic black webbing out of his wrists. However, he cannot generate webbing in a constant stream (like his more modern counterparts) and is therefore unable to travel via swinging on webs.

Night Vision

Regeneration: Slightly superior to that of his mainstream counterpart.

Pain Resistance: Ever since he was bitten, Peter no longer feels physical pain as potently as an average human.

Gifted Intellect: Peter is of above-average intelligence and possesses a natural talent for science.

Experienced Reporter: Peter is a gifted investigative reporter and very skilled photographer.

Investigator: Honing his talents as an investigative reporter, Peter has become experienced in detective work and research.

Hand-to-Hand Combatant: He is formidable in hand-to-hand combat, having received boxing training from the Daredevil of his universe.

Skilled Marksman: Peter is adept in the use of and has impeccable aim with firearms; more often than not, he is able to hit his targets accurately.

Weapons: Peter has been known to carry revolvers and incendiary grenades.

Glasses: Unlike other Spider-People, after receiving his powers, Peter still requires corrective lenses to see properly. 

🕷️ 🕷️ 🕷️

Spider-Punk

Hobart "Hobie" Brown

Alternate London, United Kingdom; c. 1977-early 80s

Approximately 19 years old

5′11″ (1.8 m)

150 lbs (68.04 kg)

Eyes: brown

Hair: black

Gender: Cis male

Orientation: Pansexual

In an alternate London, foul-mouthed teenager Hobart Brown was a squatter in a fascist UK ruled by Prime Minister "Ozzy" Osborn. He was bitten by a spider irradiated by illegal waste dumping, which gave him spider superpowers. Hobie became a punk-rock-inspired Spider-Man, and he led the oppressed people of London in a revolt against Osborn and his storm troopers. Spider-Punk is defined by his rebellious attitude towards absolutely everything, and will take any opportunity to turn on an establishment, regardless of the consequences.

PERSONALITY:

-Hobie is a zealous, headstrong, brazen, uncompromising, and altruistic young man.

-Although he pretends to be an apathetic badass, Hobie clearly has a deep connection to his team and a surprising amount of respect for Spider-Man Noir.

-He is surprisingly good with children.

-Hobie is an extremely devout anarchist who chafes at all forms of authority. Whenever he is given orders, Hobie makes it clear that he’s only going along with them because he wants to. Put simply, Hobie fights evil on his own terms.

-Hobie lives by two rules: No Gods. No Masters. He hates the rich, authorities, and politicians.

-Hobie takes the Spider-Man staple of flippancy to a whole new level—oftentimes, he doesn’t even attempt to be clever with his quips, instead throwing out the harshest insults he can come up with. 

-As a musician and activist, he integrates anti-authority messages into his performances. He frequently encourages (and joins) mosh pits among the audience. Such acts are deemed illegal in his home universe… not that he cares. 

-Hobie is a terrible singer, but he argues that’s what punk rock is all about.

-With the plethora of questionable decisions he’s made just to survive, Hobie does not consider himself a role model, let alone a hero. Despite this, he still has high praise for himself and tries to project an aura of "cool."

-Hobie's boots are ladder laced. In punk culture, ladder lacing with colored laces is a way to discreetly express your beliefs. Hobie's laces are blue, which means the wearer has killed a police officer. Though Hobie remains unwilling to divulge many aspects of his life, he has mentioned that he was once betrayed by a police officer…

-Hobie enjoys playing with people’s gender expectations and dresses as androgynously as possible. He believes that it is impossible to separate punk history from queer history.

POWERS & ABILITIES:

Spider Physiology: After being bitten by a spider irradiated by illegal waste dumping, Hobart obtained the proportionate powers of a spider.

Superhuman Strength: Hobie can lift at least one ton.

Superhuman Speed

Superhuman Stamina

Superhuman Durability

Superhuman Agility

Superhuman Equilibrium

Superhuman Reflexes

Spider-Sense

Wallcrawling

Regeneration

Web-Shooters

Modified guitar: An instrument that can emit a large shockwave attack similar to Miles Morales’ "venom power." In addition, the guitar can play frequencies strong enough to cause electronic equipment to malfunction.

Cricket bat: A simple yet effective wooden bat inscribed with "Beat on the Brat," a Ramones lyric.

Engineer: Hobart is a tech genius, able to create his Web-Shooters and a functional dimension-hopping watch after studying the properties of Peni Parker’s teleportation device. He was also able to engineer his guitar into a weapon.

Skilled Acrobat: Spider-Punk is able to perform acrobatic and gymnastic moves, such as high jumps, somersaults, flips, etc. at a level far beyond the ability of normal humans.

Hand-to-Hand Combatant: Hobie has years of street fighting experience. He utilizes techniques that enable him to make full use of his speed, agility, and strength. However, he lacks any formal training.

Musician: Hobie is a talented musician and plays both guitar and drums.

🕷️ 🕷️ 🕷️

SP//dr

Peni Parker

Futuristic New York City, New York; 3145 AD

9-13 years old

4′11″ (1.5 m), 9′ (2.74 m) (in armor)

105 lbs (47.63 kg), 900 lbs (408.23 kg) (in armor)

Eyes: brown

Hair: black

Gender: Cis female

Orientation: Asexual

In an alternate Japan, in the year 3145, Peni Parker was born the only daughter of Dr. Richard Parker. When she was 9 years old, her father passed away piloting the SP//dr suit. She would be adopted by her Aunt May and Uncle Ben in New York, and they informed her that she was the last person able to bond with the radioactive spider that controlled Richard’s bionic armor. Peni accepted this responsibility, allowed the radioactive spider to bite her, and repaired the mech suit. Now known as SP//dr, Peni protects her futuristic neighborhood with her new best spider-friend and a powerful robotic suit!

PERSONALITY:

-Peni is a peppy, energetic, optimistic, intelligent, tough, and somewhat smug girl. 

-Peni’s bubbly nature is infectious, and she loves making new friends. She quite literally views the Spider-Gang as her family, even addressing them as onii-chan (big brother) and onee-chan (big sister) respectively. Likewise, she cherishes her bond with the SP//dr spider more than anything—in many ways, it’s her last connection to her father.

-A generally happy-go-lucky person, it is rare to see her sad or discouraged. That said, when grief or anxiety strike, her productivity takes a sharp decline. She is a very emotional person, and her friends’ struggles affect her profoundly.

-Peni is a responsible and dedicated individual; she has devoted countless hours to her studies and working on her father's suit. That said, she can be a tad arrogant where her work is concerned, and bristles at outside input or assistance. It can be difficult to get Peni to accept technological help or admit when she’s made a mistake.

-Peni is proud of her intellect to an almost vain degree. She unconsciously comes off as condescending when explaining her technology to others, especially Spider-Man Noir (even though he can easily pick up how modern tech works).

-In battle, she is ruthless, aggressive, and devastatingly analytical.

-She has a habit of striking magical girl or idol singer poses.

-Peni is a vegetarian but isn’t preachy about it.

-Peni has an ultra-secret candy stash hidden… somewhere.

-Her hobbies include J-pop and manga (she’s recently gotten into Boys’ and Girls’ Love).

POWERS & ABILITIES:

Genius-Level Intellect: Peni Parker is extremely intelligent, mostly regarding her exceptional scientific, engineering, and hacking skills. 

Scientist: A wunderkind prodigy, she is remarkably skilled and knowledgeable in a wide range of scientific fields.

Engineer: Peni takes great pride in her engineering intelligence, which has enabled her to create upgrades for her SP//dr armor and even invent an inter-dimensional teleportation device.

Expert Hacker

SP//dr Suit Mk III: A psychically-powered mech suit created by Peni’s father. The SP//dr suit is genetically linked to her, so only Peni may use it. The suit uses magnetically manipulated appendages for versatility, wall-crawling, and enhanced strength, and it can shoot lasers from its fingers and weld various metals. Additionally, wrist-mounted web shooters built into the SP//dr suit allow it to web-swing between buildings and entrap enemies. The suit is shielded against radiation, biological, chemical, corrosive, and electrical attacks. In the cockpit, there is an on-board computer operating system that aids Peni in accessing the internet, providing background information, and connecting with (or hacking into) other devices. The inside also has a snack compartment.

Bilingualism: Peni speaks Japanese and English.

Expert pilot: Peni’s piloting abilities have advanced to the point where the SP//dr suit feels like an extension of her body.

Psychic link: Peni allowed herself to be bitten by the SP//dr spider—a radioactive, sentient spider (whom she refers to as her best friend) acting as one half of the CPU that makes the SP//dr suit work. Beyond piloting the suit, the spider shares thoughts and emotions with Peni.

Spider-Sense: Through her psychic connection, Peni possesses a precognitive "spider" sense that warns her of potential immediate danger.

🕷️ 🕷️ 🕷️

[gallifreyinstituteforlearning]

GIL Schedule + Masterpost 2024

Message from our Chancellor

Dear humans,

At the Gallifrey Institute for Learning, we firmly stand by the principle that every individual, regardless of their species or background, deserves the opportunity to access knowledge that is appropriate for their level of intelligence.

In our efforts to extend this philosophy, our dedicated human liaison on Earth has been working to develop social media content and comprehensive learning modules that are meticulously tailored to meet the unique needs and capabilities of humans. These modules have been crafted to be compatible with your extremely rudimentary technology, thereby ensuring that you can engage with the vast expanse of knowledge that we are eager to share. It is our hope that these learning modules will prove to be not only educational but also profoundly enlightening, representing a significant stride in narrowing the gap between Gallifreyans and humans.

This year marks an exciting phase for the Institute as we welcome aboard new members of staff. We are particularly thrilled to introduce Noraxoekodurosugofbyn of Prydon, who will be assuming the role of Translation Officer for Mutter's Spiral, following that rather regrettable incident. Additionally, we are delighted to announce that Myishu 'the Fryer' of Scendeles will be leading our catering team.

We are grateful for the attention you have bestowed upon us during your incredibly short lifespan. For Rassilon's honour!

Kowlignelokegalrasnorusowayfogilsha Chancellor for Gallifrey Institute for Learning

==================================

Daily content

Asks are open all week and usually responded to within 1-2 days. →📫Got a question / submission? | 📚Complete list of Q+A and factoids

All week: 🔥Trending Tuesdays: 🩻Gallifreyan Biology Wednesdays: 🗨️Gallifreyan Language (con. lang) Thursdays: 🕰️Whoniverse Throwbacks Fridays: 🤓Whoniverse Facts Saturdays: 🌟Guides and content drops Sunday: 📢Announcements

Archive 😆Jokes & Incorrect Quotes [stopped]

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Weekly topics 2024

January: New beginnings | You know it makes sense | Run! | Who lives in a House like this? | BANG! February: In the shadows | It must be love | Sontar-HA! | One giant leap March: Oh no not the Time War | Everything's normal here | Haven't we met before? | Slitheen April: Forsooth egads | I'm regenerating! | Who nose? | It's feeling better now Doc May: Once and Future King | Books! | WEEK OUT | I think you look like giants June: Technical issues ... | Old friends | Dalek Rights Week | Oh the humanity July: I Am Sutekh | Timey Wimey | Obey your Master | Ace decision | Only take a minute just to sing my song August: Is that you Sarah Jane? | Can you drive this thing? | Fire | A cure for all ills September: That's ood | How boring | Good dog K9 | I'm sorry so sorry October: Meanwhile in Kasterborous | Meet the parents | I'm the Doctor | Doctor ... wtf? | Halloween November: Cyberin' around | What a shocker | Anniversary week | Would you like a jelly baby? December: Rock n Roll | Under the weather | Breaking the ice | It's Christmas | Best of 2024

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Courses

Gallifreyan Biological Studies: Anatomy and Physiology

The Gallifrey Institute for Learning is excited to offer "Gallifreyan Biological Studies: Anatomy and Physiology", a specialised course designed to delve into the unique biological structures of Gallifreyan life forms. This course is a comprehensive exploration of the anatomical and physiological aspects of Gallifreyan biology.

Available content: →🫀Gallifreyan Anatomy and Physiology Guide (WIP) →⚕️Gallifreyan Emergency Medicine Guides →📝Source list (WIP)

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Gallifreyan Linguistic Immersion

The Gallifrey Institute for Learning invites humans to join "Gallifreyan Linguistic Immersion". Designed by top Gallifreyan linguists, this course is tailored for those eager to understand the Gallifreyan language.

Available content: Pending

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TARDIS Systems: History, Theory, and Practice

The Gallifrey Institute for Learning proudly presents "TARDIS Systems: History, Theory, and Practice", a comprehensive course designed for those fascinated by TARDIS technology. This course offers an in-depth exploration of TARDIS systems, combining historical knowledge, theoretical foundations, and practical skills.

Available content: Pending

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Other

Which Gallifreyan academy would admit you? (Quiz)

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Our Staff & Affiliates

Kowlignelokegalrasnorusowayfogilsha of Arcal - Chancellor Saralonoroxapligofmyityo of Arcal - Vice-Chancellor Noraxoekodurosugofbyn of Prydon - Translation Officer for Mutter's Spiral Shaplinortyovatshuagu of Drome - Regional Liaison for Mutter's Spiral Myishu 'the Fryer' of Scendeles - Catering @fatelesschild - Human Liaison for Sol 3 @fritzmetzger - Lead Artist for Sol 3 Joxer (the Mighty) - Feline assistant to Human Liaison for Sol 3

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Disclaimer

The information provided by the Gallifrey Institute for Learning is intended for educational purposes only. We do not accept any responsibility for information from the programmes being used to harm or harass any Gallifreyans, no matter how irritating or destructive they might be.

For humans

GIL is brought to you by its creator, researcher, writer, and all-around nutso Whovian, @fatelesschild, with art by the incomparable @fritzmetzger. It has no affiliation with the BBC or the actual Gallifrey. Sorry. I'm just your common or garden human gal pal, working full-time in medicine, putting a ridiculous amount of time into this.

So if you're finding joy in this part of the internet and fancy supporting the cause to help make new content, feel free to buy me a coffee on Ko-fi. I'm so tired.

[midstpodcast]

As someone who knows absolutely nothing about sound but is incredibly fascinated by the work you do, could you briefly explain how the process of creating/mixing/altering? sound for midst happens. And how did you get into it in the first place?? :)

🎷: So many good SOUND questions! Thank you! I appreciate y’all indulging my audio madness with these inquiries. We plan to eventually do a more robust sound Q&A in an upcoming Midst Messages on Midst.co. Until then, here’s a simplified breakdown: Midst’s sound design is often pretty “documentary-style,” in the sense that while we’re in a fantasy world, a lot of the sound I’m creating is intended to be very grounded in reality and give a sense of credibility to what are ultimately a lot of absolutely weird and unreal things. I tend to design sounds for things that are inspired by what that thing “would” sound like if we were there hearing it in person. For animals and creatures, sound design starts with where the creatures are from, what their bodies are like, and what sounds their particular physiology might make based on their anatomy. For devices, we’re looking at how they work and what their functionality is and what sounds those mechanisms might credibly and realistically make based on how they operate. From there, it’s an interesting scavenger hunt for me to explore sounds around me to locate and record appropriate material or find appropriate stock. And then it’s off to editing, which is when I assemble the sounds and try to place them into the podcast itself in a way that supports the dramatic timing of the action, helps provoke the right emotional sensation in the moment, and ultimately help the listener feel like they’re inside the world of Midst and things sound real and tactile and immersive. The real trick lies in balancing audio credibility with what FEELS right for the scene, since emotion and mood is ultimately more important than literal realism. That’s by far the most complicated decision-making process in working on Midst’s sound, and something we hope to talk more about in Midst Messages!  

[kiki-de-la-petite-flaque]

«There seems to be a general assumption that brilliant people cannot stand routine; that they need a varied, exciting life in order to do their best. It is also assumed that dull people are particularly suited for dull work. We are told that the reason the present-day young protest so loudly against the dullness of factory jobs is that they are better educated and brighter than the young of the past.

Actually, there is no evidence that people who achieve much crave for, let alone live, eventful lives. The opposite is nearer the truth. One thinks of Amos the sheepherder, Socrates the stonemason, Omar the tentmaker. Jesus probably had his first revelations while doing humdrum carpentry work. Einstein worked out his theory of relativity while serving as a clerk in a Swiss patent office. Machiavelli wrote The Prince and the Discourses while immersed in the dull life of a small country town where the only excitement he knew was playing cards with muleteers at the inn. Immanuel Kant’s daily life was an unalterable routine. The housewives of Konigsberg set their clocks when they saw him pass on his way to the university. He took the same walk each morning, rain or shine.. The greatest distance Kant ever traveled was sixty miles from Konigsberg. (Hebrew, Greek, Persian, Christian, German, Italian, German figures)

The outstanding characteristic of man’s creativeness is the ability to transmute trivial impulses into momentous consequences. The greatness of man is in what he can do with petty grievances and joys, and with common physiological pressures and hungers. “When I have a little vexation,” wrote Keats, “it grows in five minutes into a theme for Sophocles.” To a creative individual all experience is seminal --- all events are 9equidistant from new ideas and insights --- and his inordinate humanness shows itself in the ability to make the trivial and common reach an enormous way. (English, Greek figures)

An eventful life exhausts rather than stimulates. Milton, who in 1640 was a poet of great promise, spent twenty sterile years in the eventful atmosphere of the Puritan revolution. He fulfilled his great promise when the revolution was, dead, and he in solitary disgrace. Cellini’s exciting life kept him from becoming the great artist he could have been. It is legitimate to doubt whether Machiavelli would have written his great books had he been allowed to continue in the diplomatic service of Florence and had he gone on interesting missions. It is usually the mediocre poets, writers, etc., who go in search of stimulating events to release their creative flow. (English, Italian figures)

It may be true that work on the assembly line dulls the faculties and empties the mind, the cure only being fewer hours of work at higher pay. But during fifty years as a workingman, I have found dull routine compatible with an active mind. I can still savor the joy I used to derive from the fact that while doing dull, repetitive work on the waterfront, I could talk with my partners and compose sentences: in the back of my mind, all at the same time. Life seemed glorious. Chances are that had my work been of absorbing interest I could not have done any thinking and composing on the company’s time or even on my own time after returning from work.

People who find dull jobs unendurable are often dull people who do not know what to do with themselves when at leisure. Children and mature people thrive on dull routine, while the adolescent, who has lost the child’s capacity for concentration and is without the inner resources of the mature, needs excitement and novelty to save off boredom.»

Eric Hoffer, I Savor the Joy of Dull Work

[trofysisters]

Университет. Часть 2

Несмотря на погруженность в учебу, парни не могли не замечать очаровательных однокурсниц. (Despite being immersed in their studies, the boys paid attention to their charming classmates)

И однажды, запинаясь от смущения, Виктор признался Давиду, что хотел бы сходить на незабываемое свидание. (And one day, stuttering with embarrassment, Victor admitted to David that he would like to go on an unforgettable date)

- Для этого ты должен с кем-нибудь познакомится, - ответил Давид. (- To do this, you must meet someone, - David answered)

А с кем знакомиться, когда на математическом факультете учатся одни парни?! (And who should you meet when there are only guys studying at the Faculty of Mathematics?!)

Тогда Давиду в голову пришла прекрасная идея устроить вечеринку. Он знал, что сестра тайно вздыхает по Виктору, поэтому пригласил и ее. Пусть Виктор пока к ней привыкает, а когда она подрастет, сходит с ней на свое незабываемое свидание. (Then David came up with a great idea to throw a party. He knew that his sister was secretly sighing for Victor, so he invited her too. Let Victor get used to her for now, and when she grows up, go with her on his unforgettable date)

Виктор собирался лечь спать, ведь на следующий день предстоит много дел: учеба, домашнее задание, развитие навыков. Но его поставили перед фактом, что у них вечеринка, и спать ему никто не даст. Виктор был подавлен и даже не хотел выходить к гостям. (Victor was about to go to bed, because the next day there was a lot to do: studying, homework, developing skills. But he was confronted with the fact that they were having a party and no one would let him sleep. Victor was depressed and did not even want to go out to the guests)

Однако Аде удалось его вытащить из комнаты и даже уговорить выпить пунша. Нельзя сказать, что это его развеселило, зато Ада была довольна. (However, Ada managed to drag him out of the room and even persuade him to drink punch. It cannot be said that this amused him, but Ada was pleased)

Следующий день не принес Виктору ничего хорошего: официант засмотрелся на хорошенькую студентку и опрокинул поднос на Виктора. (The next day did not bring anything good to Victor: the waiter looked at the pretty student and knocked over the tray on Victor)

Пока Виктор в общежитии отмывался от овощей, Давид, присоединившись к нему в душе, поведал, что девушки любят хорошо сложенных и харизматичных парней. (While Victor was washing himself off vegetables in the hostel, David, joining him in the shower, told him that girls love well-built and charismatic guys)

Поэтому Виктор начал читать книжки про физиологию и тренировать обаяние перед зеркалом в общественном туалете, (Therefore, Victor began reading books about physiology and practicing his charm in front of a mirror in a public toilet,)

пока Давид наращивал мускулатуру в физкультурном зале. (while David was building up his muscles in the gym)

В конце семестра преподаватели отметили заслуги Виктора и пообещали ему поставить высший балл автоматом. Этой новостью парень достал всех однокурсников: - Ты слышал, у меня будет пятерка по всем предметам! Да, мне сказали, что я лучший студент на курсе! Представляешь? Автоматом все предметы! (At the end of the semester, the teachers noted Victor’s achievements and promised to give him the highest grade automatically. The guy tormented all his classmates with this news: - You heard, I will have an A in all subjects! Yes, they told me that I was the best student on the course! Can you imagine? All items automatically!)

Вот только у Давида тоже были высшие оценки по всем предметам, но он об этом не кричал на каждом углу. (But David also had the highest grades in all subjects, but he didn’t shout about it at every corner)

После занятий Виктор стал часто бывать в библиотеке, но вовсе не для того, чтобы познакомиться с умными девушками. Он читал учебники и развивал навыки, ведь время так быстро летит. (After classes, Victor began to often visit the library, but not at all in order to meet smart girls. He read textbooks and developed skills, because time flies so quickly)

Давид, напротив, постигал дзен, занимался восточными единоборствами и футболом. (David, on the contrary, studied Zen, practiced martial arts and football)

А на занятиях он смотрел не только в учебники, но и на симпатичных однокурсниц, пока в другом конце ринга класса разыгрывались драмы. (And in class, he looked not only at his textbooks, but also at his pretty female classmates, while dramas played out at the other end of the ring class)

Поэтому, Виктор был сильно удивлен, когда по окончании второго курса Давид получил такие же высокие баллы, как и он сам. Просто Давид - ведьма. (Therefore, Victor was very surprised when, at the end of his second year, David received the same high scores as himself. It's just that David is a witch)

Ранее

[bullet-prooflove]

San Franisco: Baron Helmut Zemo x Reader

It was raining in San Francisco, Zemo watched the raindrops spatter against the glass as he lay beside you, the crisp white sheets pooling around his hips. The sound was soothing, resounding in his ears before he tilted his head towards you. You were still asleep; he could see the evenness of your breathing as he watched you. This wasn’t him; he wasn’t the type of man to get caught up with emotions, he drew pleasure from mental pursuits, manipulations. It had been a long time since he had participated in physical gratification.

It had been subtle, the way it crept up on him. The brush of fingertips over the back of your hand, the scent of your perfume, delicate notes of jasmine and amber when you leaned in close, the heat that rolled off your skin. He hadn’t expected you to have this effect on him. He understood there was an attraction, he felt the rush of his pulse when you were in his proximity, the way it accelerated. Pheromones, he thought, his physiological response was a logical reaction, but it didn’t prevent him from wondering how you would taste on his tongue.

He had the answer to that now.

Divine, like nectar from the Olympus.

It was exquisite.

His body responding to the memory, another stirring in his groin. His desire for you was wanton, insatiable. Last night had been too hurried, too rushed. He wanted to savour these moments, to drink them down like a fine wine and immerse himself in the complexity of senses.

“My love.” He whispered into the curve of your throat, his lips ghosting over the love marks he’d left across your skin. “Let’s see if I can make you moan my name again.”

Fan of Zemo? Don’t miss any of his stories here by joinng his taglist!

Like My Work? - Why Not Buy Me A Coffee

[lordsothofsithicus]

So I have a problem with the current D&D outlook on race/species

I call it the Halsin Problem

I'll explain why

Halsin looks like an extremely big, jacked human with pointed ears and a sharp jawline

He's noted as being bizarrely enormous for an elf, well and good

But he's not that much bigger than the other elf models in the game. All of which are humans with pointed ears and a great jawline.

Did you know Drow are fucking tiny?

Look it up. Drizzt Do'Urden is supposed to be on the tall end for a Drow male (Drow females are larger and stronger than males on average)

...he's 5'4"

Part of this is that kind of model differentiation is a challenge for game designers. Setting the torturous demands of video games aside though

I've noticed a reductivity in how race/species are presented, overall. They are tending toward "human plus" for accessibility of play and to avoid negative stereotyping

Now on one hand everyone who plays d&d is human until somebody's parrot figures out the game but taking on non human traits - being told a character thinks differently, processes emotions differently, has a different hierarchy of needs or can't do certain things because their physiology won't let them can be a fun creative exercise and teach empathy

For instance I'm playing a thri kreen and the party druid gave him a goodberry

He finds them unbelievably disgusting because thri kreen are obligate carnivores. Past writeups acknowledged this as a species trait. He also doesn't understand the party fussing over money because It's just useless metal that will slow us down, exchange it for supplies or attractive decorations like tattoos or jewelry and move on. Another thri Kreen trait, they don't see wealth as conveying any sort of status. Exchange the money for goods and services sure but having the most gold is silly, silly, silly

Now different players bring different levels of immersion to a game but notes like that can help others increase immersion

Elves are smaller than humans. Drow are smaller than other elves. Thri Kreen and Tabaxi are obligate carnivores. Tabaxi orient themselves on a vertical axis not a horizontal one and so on.

Different outlooks and priorities and traits are being ironed flat and every race is becoming a six foot tall human. Human with big beard. Human with pointy ears. Human with hairy feet who love snack. Human with green skin and tusks.

And so on.

Remember ... Drizzt is all of five foot four.

[hayatheauthor]

The Writer's Guide to Authentic Wounds and Fatalities

Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.

Writing Fatal Injuries

When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.

Choosing the right injuries for your story

Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.

For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.

Researching the mechanics of fatal injuries

To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.

For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.

Depicting the immediate aftermath

When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.

For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.

Emotional and dramatic impact on the narrative

The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.

For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.

Writing Minor Injuries

While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.

Types of minor injuries to consider

When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.

For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.

Conveying pain and discomfort

When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.

For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.

Balancing realism with narrative pace

While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.

For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.

Writing Bloodshed And Realistic Blood Loss

When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.

Understanding blood loss and its impact on the body

To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.

Factors influencing blood loss in different injury scenarios

The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.

Techniques for accurately portraying blood loss in writing

There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.

By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.

Bruises: Colors, Progression, and Pain

Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.

Understanding the stages and colors of bruises

Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.

For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.

Depicting the progression of bruises over time

As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.

For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.

Conveying the pain and sensitivity associated with bruises

Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.

Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.

Remember The Side Effects

Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.

Physical side effects

Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.

For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.

Emotional and psychological side effects

Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.

For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.

Social implications and changes

Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.

For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.

By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.

Conclusion

Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.

Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.

Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.

I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[xenosagaepisodeone]

I feel like a big hurdle for people who want an immersive hobby but spend a lot of time on social media is that they struggle to conceive of how their solo activity could substitute the social component of being online. I mean, posting online is pretty much parallel play. A liked post is functionally receiving acknowledgement from others without any rigid social component attached. Reading about other people's lives allows feelings of proximity to them (even if you are aware that you aren't that close). If you're someone who spends most of your day working, or are otherwise around people that you wouldn't typically spend time with, voluntary, self-directed socializing is a necessary reprieve of sorts.

I'm not really sure what the fix to something like that would be on an individual scale (beyond "go out and meet people", but that's as general of advice as "get a hobby"). It's not really an issue I struggle with personally (my hurdles with doing stuff is largely uh. physiological and psychological.), but I can empathize with it as someone who likes being online.

[acircusfullofdemons]

PROPOSED DIAGNOSTIC CRITERIA FOR MALADAPTIVE DAYDREAMING

Below is the proposed diagnostic criteria for MaDD. Note that MaDD isn't an official disorder at the time of writing this and is still being researched, meaning you cannot be diagnosed with it.

A. Persistent and recurrent fantasy activity that is vivid and fanciful as indicated by the individual exhibiting 2 (or more) of the following in a 6-month period. At least one of these should include criterion (1):

While daydreaming, experiences an intense sense of absorption/immersion that includes visual, auditory or affective properties.

Daydreaming is triggered, maintained or enhanced with exposure to music.

Daydreaming is triggered, maintained or enhanced with exposure to stereotypical movement (e.g., pacing, rocking, hand movements).

Often daydreams when feeling distressed, or bored.

Daydreaming intensity and length intensify in the absence of others (e.g., daydreams more when alone).

Is annoyed when unable to daydream or when daydreaming is interrupted or curbed.

Would rather daydream than engage in daily chores, social, academic or professional activities.

Has made repeated unsuccessful efforts to control, cut back, or stop daydreaming.

B. The disturbance causes clinically significant distress or impairment in social, occupational, or other important areas of functioning.

C. The disturbance is not due to the direct physiological effects of a substance (e.g., a drug of abuse, a medication) or a general medical condition (e.g., dementia) and is not better explained by another disorder, e.g., Autism Spectrum Disorders, Attention-Deficit/Hyperactivity Disorder, Schizophrenia Spectrum Disorders, Bi-Polar I Disorder, Obsessive-Compulsive and Related Disorders, Dissociative Identity Disorder, Substance related and Addictive Disorders, an Organic Disorder or Medical Condition.

Specify current severity:

Mild: Experiences mainly distress, no obvious functional impairment.

Moderate: One area of functioning is affected (e.g., work).

Severe: More than one area of functioning is affected (e.g., work, school or social life).