#I was a kid when I first tried drawing him

[gayeddieagenda]

❤️ 🎵 Number 9 if you’re still doing the prompts? thank you!! I hope you’re having a good day!

another scene prompt game! - 9: listening to the other’s heartbeat + ❤️ 🎵

--

“Huh,” Buck says.

Eddie knocks his ankle against Buck’s. “What?”

“I’m not trying to freak you out,” Buck says. He has his serious face on and that, more than anything, makes Eddie squint at him, suspicious. “When was the last time you went to the doctor?”

“Buck,” Eddie says. “I had a checkup a month ago, jackass.”

“Texas doctors?” Buck says skeptically. Eddie huffs at him. Buck adjusts his grip on Eddie’s arm, pressing his index and middle fingers more firmly into Eddie’s wrist. “It’s probably nothing. It’s just, I can’t find your pulse.”

Eddie rolls his eyes up to the ceiling. “Jesus Christ, Buck!”

“I’m being serious!” Buck tries another spot on Eddie’s wrist, then another, shaking his head both times: nothing. “You should definitely have a pulse.”

“Oh, no,” Eddie says, deadpan. “What if I’m already dead?”

Six months. Eddie waited six months to see Buck in person again. Buck had made a noise like a dying animal on the phone, when they realized that he was going to be in the first hour of a 48-hour shift when Eddie and Chris got in from Texas.

Then, when Bobby asked if Eddie wanted to be scheduled for the last 24 hours of the same shift or wait four more days until his first shift back, Eddie signed on for the earlier shift without thinking twice about it. It meant not waiting a second longer to be back where he belongs—at the 118, on the job. It also meant this: seeing Buck for the first time since…since Texas, since everything, surrounded by all their coworkers.

“Don’t worry,” Buck says. “I have something else I can try.”

Buck releases Eddie’s hand. Eddie draws his arm back to his body, unconsciously reaching his other hand up to grip his wrist where Buck’s hand had been holding him a second ago.

Buck gestures at Eddie’s neck. “Can I—”

“Go ahead.”

“I don’t want to say it,” Buck said. His voice was low and frustrated through the phone. “Not like this.”

“Sorry,” Eddie said, feeling furious, feeling lightheaded. Feeling alone, in a silent Texas house three sizes too big for him. “This is it. I’m here. You’re there. If you’re pissed at me, I’d rather you just tell me.”

Buck reaches for the collar of Eddie’s turnouts. He peels back the velcro strip covering the neck, then undoes the top snaps—one, two, three. He hooks two fingers of one hand on Eddie’s chin, tilting his head back. Sets two fingers of his other hand on Eddie’s neck, just below his jaw, in the divot just behind his trachea, just in front of the muscle.

It’s stupid. Eddie’s fine. He fell down, that’s all. He was rounding a corner to get back to the engine when a kid came sprinting around the other side, running at full force. She ran headfirst into his stomach and they both went sprawling on the grass. Buck caught up to them first, checking over the kid and giving her a sticker after telling her she should consider a career in wrestling. Eddie pushed himself up from the ground, angling to sneak back to the engine and drop off his gear. Buck caught his arm, giving him a where do you think you’re going? look.

So, now they’re here. Sitting in the back of the ambulance, parked in South Pasadena at two in the morning, Chimney’s classic rock radio station still playing quietly from the front seats. The kitchen fire that called them out was put out half an hour ago, but when the upstairs neighbor cracked his door to figure out what had brought a fire truck to his driveway, his cat bolted. Chim spotted her up a tree in the backyard—literally, a cat stuck in a tree. It doesn’t get much more stereotypical than that.

Chimney’s got it handled, apparently, though it’s been twenty minutes and he and the cat are both still in the tree. Eventually, he’s going to get the cat down or some new emergency will materialize from nothing and someone will come looking for Buck and Eddie—but for now, for a minute, they’re alone.

The pads of Buck’s fingers are gentle on the side of Eddie’s neck. His hands are warm. Buck presses in, just enough pressure on Eddie’s throat for him to feel it.

He’s looking Eddie in the eye while he touches him. Eddie looks back. He takes in a slow breath, feeling his throat expand under Buck’s hand. Watches Buck blink back at him. They’re so close like this, Eddie can see where Buck missed a spot shaving just below his sideburns, where Buck’s hair dried flat to his head when he had to pull on his helmet straight out of the shower. He can see where his eyes are crinkling at the corners, like he’s trying to hold back a smile.

“Nope,” Buck says. “Still nothing.”

“Oh, no,” Eddie says dryly. “Do you need to start CPR?”

“I’m sure I can think of something else before it comes to that.”

“I’m not taking off my pants for you to check my femoral.”

“I wasn’t going to do that, Eddie. We’re at work.”

Buck takes his hand off Eddie’s neck. Eddie misses it immediately.

He backs up a little, as far as he can get in the cramped quarters of the ambulance. He rests his hands on his hips, giving Eddie an assessing look.

“I’m not pissed at you,” Buck said, voice low. “That’s why I don’t want to have this conversation now.”

“When do you want to have it?” Eddie asked. He’s angry, and he’s picking a fight, and he can’t stop himself, when this is how he gets to talk to Buck now: in broken halves of conversations, eight hundred miles away. “When you visit in six months? When Chris graduates high school in four years?”

“Come on,” Buck said. “That’s not fair.”

“Then tell me why you’re mad at me.”

“Would you like my opinion?” Eddie asks.

“Pretty sure I’m the firefighter here, thanks.”

Eddie rolls his eyes up to the ceiling. “Didn’t realize.”

“Here,” Buck says.

His hands are back on Eddie’s jacket, undoing the rest of the snaps and opening his jacket. He hooks a hand in Eddie’s suspenders, pulling lightly at them, adjusting Eddie until he’s sitting on the edge of the gurney, knees between Buck’s legs. Eddie goes easily.

Buck places a hand on Eddie’s chest, above his heart.

They’re at work, Eddie reminds himself. It’s two in the morning and it’s Pasadena, it’s the distant sound of Chimney going here, kitty-kitty, and the low hum of the radio.

Buck glances at the ambulance doors. They left them open a crack, but all they can see through the gap is the empty street, cast in yellow and red from the streetlamps and the fire engine lights. No one’s looking for them.

Buck turns back to Eddie. He leans in in one movement, replacing his hand with his ear to Eddie’s chest.

It’s awkward, kind of. The ambulance isn’t exactly roomy and Buck is folded in at a weird angle to get his face to Eddie’s chest. Eddie knows he still smells like the kitchen fire, like smoke and burnt fish and sweat. Any second, someone’s going to realize they disappeared and come barging through the ambulance doors and into this, into the tableau that is Buck leaning on Eddie’s chest.

Eddie breathes, chest rising and falling. Buck moves with it.

He was scared to see Buck again. He can admit that now, with Buck in front of him, the way he couldn’t when he was still in El Paso.

There’s a conversation they’ve been waiting to have. They started it a month ago, on the phone, Buck in his loft and Eddie in the kitchen of his rented house in El Paso. By now, Eddie’s pretty sure he’s figured out where this conversation is going to end. He knows he’s not going to find out here, in the back of an ambulance in Pasadena.

They decided, by mutual agreement, that they wouldn’t touch it until after the shift. They kept their word. Instead, Buck’s been doing…this. Messing with Eddie. Sticking close to him. Touching him, under the barest pretense of medical necessity.

It—this, them—has been an idea in Eddie’s head for so long that he started to lose track of what it was, exactly, that he was waiting for. It doesn’t feel real, that Buck could say something on the phone and a month later Eddie could be in Los Angeles again, cashing checks they wrote when they were eight hundred miles apart.

“I’m not angry with you, Eddie,” Buck said, low, into a phone speaker in Los Angeles. Into Eddie’s ear, in an empty room in El Paso. “I’m in love with you.”

Buck’s head resting on Eddie’s chest is real.

It’s right here. It’s the easiest thing in the world, for Eddie to put his hand on the back of Buck’s neck, where the soft ends of his hair curl. For him to breathe in, slow, and feel the weight of Buck leaning on him.

“Yeah,” Buck says finally. His voice is quiet in the back of his throat. Eddie can feel it in his chest. “Found it.”

[in1-nutshell]

Welp, Ironhold and Ophelia are now all in TFA along with Silveraid.  I’d like to request that we make the family even bigger by adding TFA Fearless.  A random kid that just found the base and proceeds to tom and jerry their way around the base until the Decepticons just accept them.

Introducing TFA Fearless!

Hope you enjoy!

TFA Fearless

SFW, Platonic, Slight Familial, Human reader

TFA

The Decepticons had faced many foes and obstacles in their lifetime.

Most of them being Autobots and the rare occasion of a different alien species.

But this, this had to be one of the biggest foes they had faced yet.

One might be thinking it be a large Autobot like Omega Supreme.

And they’d be wrong.

The mighty foe was none other than a human.

A human that got on everyone’s nerves.

None of the Con’s knew how exactly they human knew where their location was or why they came inside willingly.

All they did know was the puny organic loved to mess with them.

Starscream is walking around the base. The little human was on a ledge holding a can of silly spray. The human jumped off the ledge. Human: “Geronimo!” They land on his helm and starts spraying everywhere with the silly string. Starscream: “AAAAAAAAHHHHHHHH! GET THIS THING OFF ME!!!” Later… Megatron is sitting on his throne so no one can see the writing of ‘KING CON’ on his lower backside. Megatron: “Lugnut… what is that?” Lugnut has a drawing of a mustache on his faceplate. Lugnut: “The human came in while I was asleep My Lord.” Blitzwing is next to him with even more doodles on his faces. Blitzwing: “You think?!”

The Cons have tried to catch the human before.

But it usually ends up with them gracefully evading each trap or taking it apart.

Even when Lugnut and Blitzwing attempted to recreate traps they had seen humans use to keep rodents out of their homes.

The human walked away happy that day with an entire wheel of parmesan cheese

Some Cons have started looking up on the internet to see if the human is some sort of urban legend or cryptic.

The human was given the nickname Fearless.

Though it was meant to be a way words compliment about them being the most fearless being the first to get terminated.

Fearless wore that name with pride, now referring to themselves by the name when they came by the base.

Finally, the Cons decide to ignore the human in hopes that it would just leave on its own.

The human quickly notices the shift and is a bit weirded out by it.

Fearless tried amping up their tricks but the Cons use every ounce of self-restrain to not pay any attention to them.

Slowly the human stops making their usual appearances, which to the Con’s shock found worrisome.

They had gotten used to the little vermin antics that now the base seemed much quieter.

Megatron found himself looking around the floor more often than what he’d like to admit.

Starscream as much as he hates to admit it, missed the little laughter the human made.

Blitzwing and Lugnut have both been caught leaving food and ‘toys’ out to see if the human would come back.

Blackarachnia missed the human playing pranks on Starscream.

The Con’s are going through their usual business, though it’s a bit slower than usual. Fearless quietly walks into the base with a large backbag. They look confused at the slightly sulking Cons. Fearless walks up to Blitzwing’s pede and taps it. Blitzwing ‘Icy’ looks down surprised. Fearless: “Hey Blitzy, whats up with everyone?” Blitzwing ‘Random’ squeals as he scoops up Fearless and turns to the other Con’s. Blitwing: “THEY’RE BACK! FEARLEZZ IZ BACK!!!” Fearless is a bit dizzy by the sudden scoop and gets picked up by the helm of their shirt by none other than the Leader of the Decepticon’s himself. Megatron: “You best have a good excuse for the sudden reclusion, human.” Fearless looks confused before giving him a smug look. Fearless: “Aw! You guys missed me? Even after giving me the cold shoulder for about a month?” There is a lot of stuttering and denying from all the Con’s. Fearless has their arms crossed almost playfully. Fearless: “So, am I gonna get an apology? Cause I can always just go—” They are interrupted as they are placed on Megatron’s shoulder. Fearless can feel him grumbling with an apology low enough for them to hear. They laugh a bit, patting Megatron’s helm while giving him a genuine smile. Fearless: “Apology accepted King Con.”

The Con’s are protective of their little ‘pet’, a title that is not fooling anyone.

Fearless was now a part of their team.

No, they did not help with the Decepticon cause, they were more of a mascot that was just happy to be there.

Now being fully accepted by the Con’s Fearless’s pranking had gone down a bit and showed a bit of a softer side of the human.

Lugnut is walking through the base carrying a crate. The human quickly jogs by his side. Fearless: “Lugnut! Hey Lugnut!” Lugnut: “What?” The human looks at him concern. Fearless: “You, okay?” Lugnut is caught off guard. Lugnut: “Erm…” Fearless: “You don’t usually do these rounds yet, and you look a bit stressed.” Lugnut tries again to ignore the human. Fearless: “Is everything okay? You can talk to me if you want.” Lugnut: “And why would I talk to you?” Fearless: “I think just its better to unload some things from your mind before they get bigger. And what better way to unload it on someone who has no connections to you and your cause!” Lugnut looks a bit unsure. Lugnut: “… You will listen?” The human smiles at him reassuring. Fearless: “No judgement here big guy. Lay it on me!” A couple minutes later… Lugnut is on the ground while the human was patting his helm sympathetically. Lugnut: “I just really miss my Conjunx!” Fearless: “Umm, what’s a Conjunx again?” Lugnut: “I believe it is something similar to a spouse in your language.” Fearless: “Wait your married!?” Later… Fearless, Blackarachnia and Blitzwing unroll a large spread of paper. Blitzwing ‘Random’ is using a mop to paint Fearless’s hands and feet. ‘Random’: “Vhat iz the next part?” Blackarachnia: “This seems pointless.” Fearless: “Hush! Now let the master work their magic.” Fearless starts walking on the giant paper, leaving their footprints and hand prints in a certain pattern. The process repeats until there is a flower in the paper. Blackarachnia blinks a bit surprised. Blackarachnia: “That was… unexpected.” ‘Random’: “OOOOOOHHHHHH! Now my turn!” Even later… Starscream is on his berth sprawled out while Fearless is on his chassis. Fearless: “Have you, I don’t know, maybe stop trying to terminate Megatron?” Starscream: “And why would I do that? I am so close to becoming the Leader the Decepticon’s need!” Fearless: “Have you tried being the Second in Command the Cons need instead?” Starscream goes to retaliate but stops. Fearless: “It would Definity get you some brownie points if you started being nicer to some of the Con’s.” Starscream: “…What are Brownie points?” Even more later… Fearless yawns a bit, clutching their blanket. They spot Megatron’s pede, they sit down and lean on it. Megatron looks down. Megatron: “What are you—” Fearless was now deep asleep on his pede. Megatron blinks before carefully scooping them up and letting them rest on his servo. He gently strokes their back as they snuggle closer into his servo. Megatron: “Foolish human…”

[dreamsteddie]

Companion piece to my Stobin childhood friends au post because try as I might to resist it, the Steddie brain rot will take over.

Robin and Steve are thick as thieves from that first day of preschool. Their matching friendship bracelets don't fit anymore and have found homes in their "secret friendship treasure chest" which is a shoe box covered in construction paper decorations that lives under Robin's bed so Steve's parents don't throw away any of his "trash" again. They've started a tradition of making a new one for each other at the start of every year so everyone remembers they're best friends, though.

Halfway through first grade (Robin got to start school a year early like the Buckleys hoped) things are going great for Robin. She gets to bring books home from the library and their teacher complimented her drawing of a robin and she helped Steve pass his spelling test last week, so as far as she's concerned this is the best year ever.

Right up until Eddie Munson transfers to their school.

At first, Robin doesn't know that Eddie will be her arch-nemesis. When he's introduced to the class, all she really thinks about him is that he looks a little funny but seems nice. He's got really big eyes and he's taller than most of the other kids with long, gangly limbs. His hair is shaved down to his head, but there are other boys in class who are the same. He gets placed at the table group to the left of them in the chair closest to Steve's.

She very quickly forgets about him as the day continues as normal. Robin thinks math block is boring, she'd much rather read her books or play with Steve at recess but her parents said knowing your shapes is important, so she pays extra special attention. That's why she doesn't catch the little wave Steve, ever the social butterfly, gives to the boy across the way or the way Eddie's eyes go even bigger and a soft blush steals across his cheeks.

What she does notice is when Eddie comes up to them in the last few precious minutes of recess slightly sweaty and out of breath holding a little white daisy.

"Hi! I'm Eddie, I'm new!" he says, shouting really, looking directly at Steve.

"Oh, hi Eddie! I'm Steve, this is my bestest friend, Robin." Steve replies.

"Like the bird?" Eddie asks.

"Yeah! They're orange."

"And I hate orange!" Robin buts in, not willing to be left out of the conversation

"Yeah, it's really sad. They should be blue, that's Robin's favorite color." Steve says, real disappointment creeping into his voice. "Who's that for?" he asks, pointing to the forgotten daisy.

"Oh! It's for you! I was out all recess looking for the best one in the field. They kind of match your shirt!' Eddie says proudly, referencing Steve's polo with the yellow body and white sleeves. It's one of his favorites.

"Really? That's so nice, thank you!" Steve exclaims as he takes the little flower into his hands.

Robin's mom says that sometimes when you want to be someone's friend, it's good to start by giving them something nice. Robin's mom says that she should try and make more friends, maybe some girls instead of just Steve, but when Robin tries to talk to the other girls in class, she gets nervous and clams up. She thinks she might be allergic to them. Plus, why would she need more friends when she has Steve, who is worth at least three normal friends.

Steve gets along with everyone, he lends people erasers and pencils and shares his blocks with the other kids when he's allowed to bring them out of his cubby, but no one is his best friend like Robin is.

No one has ever given Steve flowers before, though. That feels like an extra special kind of gift that someone would give if they wanted to be really good friends, and Robin doesn't want that. Steve is her best friend, he doesn't need another one.

"Steve, we gotta go get in line before all the other kids! We don't want to be last!" she blurts out, grabbing Steve by the hand and dragging him across the asphalt to where the teachers are getting ready to call everyone to get in line before Eddie can catch up.

Once they've got their places, she looks back at Steve behind her to see he's turned around. She peaks her head around him and sees him smiling wide at an equally smiley Eddie who's about 5 kids behind them, each of them waving happily at each other.

Oh yeah, Robin is going to have to keep an eye on him.

[variousqueerthings]

watching this Paul Gross thing he did in the 80s (chasing rainbows) and ive been enjoying it despite the knowledge that there'd be some kind of a het love triangle thing going on and that the other two characters simply aren't that interesting, but. oh boy. is... is the woman in this constellation meant to be read as a villain???

(ME DOING A BREAKDOWN ABOUT A SHOW NOBODY WATCHED AND NOBODY WILL WATCH ✌)

PG character -- a working class man who is fundamentally good to everyone in trouble he meets, to the detriment of himself more often than not, but scraping by until he gets his big break (which he also works very hard for) and becomes the owner of a relatively successful nightclub

other two characters -- come from rich backgrounds and sort of suck him into their lives by the coincidence of the two men having been at the front in WWI and PG saving the other guy's life and consistently don't realise he's got way more working against him than they do

the lady in this situation initially dumping said other guy "to find herself" when he comes back from the war, which, fair, it's 1919, she's going to college, she wants to be sure she can make informed choices, chill enough

said lady imprinting on our working class heroic character, because he's working class. i just. cannot read it any other way. she clocks him as such at a party (that he was invited to as a veteran) straight away, insults him, throws water in his face when he doesn't take it, but simultaneously is into the whole idk... rugged unpolished nature of him

discovers a diary written during the war with poetry in it that she presumes was written by him -- steals the book and reads it out loud to her college friends and is offended that he's not flattered by this

despite numerous protests that he didn't write the poetry (and he didn't, it was written by a kid he tried to save who was later shot in front of him for desertion), she just doesn't believe him, because she desperately wants him to have the "hidden depths of a poet" or some nonsense. never mind his actual good traits -- his kind-heartedness, his tenacity, his savvy, his sense of humour, nonono she wants a Poet

also, she is a failed playwright. she writes terrible plays about things she doesn't understand (including the war), asks his opinion and is offended when he (under duress) admits he doesn't think they're very good

and now she fucking... copied down the poems without his knowledge and published them under his name with an article she wrote about said hidden poetic depths!!!! gets incredibly offended when he is upset about this, first of all with a "I thought you'd be pleased" then with a "you should be happy for me for getting an article I wrote published in a major newspaper!" (because at the end of the day it's about her)

he initially -- not knowing how to handle the situation -- goes along with it, because what do you do now? go to the publishers and say it wasn't you? out yourself in the news?? I mean??? but pretty quickly re-emphasises He Did Not Write Those Poems!

the plot then mysteriously seems to pivot into saying it was his fault for "stringing her along" because the "hidden poet" bit was the only thing she really liked about him... and she vehemently denies this (but girl, tell me one other thing that draws you to him, and you can't say because he's pretty!) and says he's hurt/betrayed her by lying. i just... don't know... if the plot... is writing her like this because she's meant to be a self-absorbed college girl who has her working class dream-boat fantasy get broken, or if it's meant to be presented as him having betrayed her. it is. unclear

and now she's threatening to write a new article about how he's a fraud. im just. waiting for the plot to point out that she's done all of this herself and she also won't suffer for any of it in the way he will...

this boy can do better than these rich kid tourists 😔

[yakii-mizhu23]

A Classic Doodle ;3

Sans has always been a favorite of mine from Undertale. Just haven’t drawn him again until recently.

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[puppyeared]

Atla live action 😐

[nonuggetshere]

Miscalenous content, mostly fankids because I have no chill

Made an AU where the sealing didn't go as planned, PV is found out not to be hollow and later when they mop around the ancient basin they hear that at least one of their siblings is still stuck in the abyss. They were the very last to hatch and after PV steals the king's brand for themself and goes down they find them injured and raises them back to health in the palace. They keep their existence a secret, of course.

A lil doodle of what if the five great knights survived and Hollow gets to reunite with them (my attempt at the perspective on their head Did Not Work Out, they just look like a squished banana)

Babies content! Mostly Tally, two concepts for their siblings (triplets babyyyy) and a singular Sting

I found a One Singular Quirrel x Hollow shipper and their art has infected my brain. It's terminal and I will be passing away shortly

[sysig]

This is a very serious story about a man named Stanley (Patreon)

[sualne]

that guy

[cerealmonster15]

been thinking about pokemon's best beloved boy BARRY/PEARL/JUN/lewis. i think i named him lewis in my game from the default options list LOL

[cherrysnax]

when I was a kid I was rlly upset that art teachers didn’t like anime-inspired art, and then I realized it wasn’t the anime aspect. jumping into highly stylized art without knowing the fundamentals AND with a refusal to learn them is a bad combo

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[arolesbianism]

I should rly start eternal gales posting again I need to make sure the ppl who follow me know how much Tali and Aris make me to insane so that the isat au can have its full effect but alas I am allergic to drawing the human eg cast like 99% of the time and rn the only thing stopping that from being 100% is that I like fucking around with different art styles sometimes

[feyburner]

I ??? woke up at 3am with this scene fully written in my mind palace and quickly jotted it down in the Notes app

*

Clark’s shaking his head before he realizes he’s doing it, and feels a twinge of embarrassment at his own bad manners when Bruce stops mid-word to look at him, brows raised.

“No?” he says.

“No,” Clark says, again without thinking, and again with the reflexive urge to apologize. Somewhere his mother is tutting without knowing why. But he doesn’t apologize, because he’s already saying, “No, it can’t—it can’t be that.”

“Okay,” Bruce says slowly. “Can you elaborate?”

He is, honestly, having trouble taking his eyes off the screen. The mockup design of his new suit is there, dark and sleek, ridged like tactical gear. The blue is like the last shade of evening before you can’t call it evening anymore, the color of nine PM in Kansas in July, so exact there’s a strong chance Bruce color-picked it from a photo. The yellow accents are the cool fluorescent yellow-green of lightning bugs. The red is dark as arterial blood. Every aspect of the suit has been updated—the colors deeper, the angles sharper, the S extending to the corners of its frame—but Bruce has done it without changing the fundamentals. It’s immediately recognizable as the Superman suit, just… well, a little cooler, maybe. A little more of the times. Even the tailoring is modernized. The neckline. The shape of the boots. Where the belt hits at the waist. Clark can tell just by looking that Bruce has not only spent a lot of time on this in general, he’s spent a lot of time designing it specifically with Clark in mind, Clark’s needs and preferences and the small discomforts of his current suit, things he might have mentioned offhand after a mission but never with the assumption that Bruce was listening or filing it away. No doubt the next slides of this presentation will detail all the hidden features of the new suit, and they’ll all be incredibly thoughtful if not slightly overkill, and Bruce will pretend his sole motive here was practicality and risk reduction and respond to any thanks with a curt nod.

And Clark wants to thank him. He will. It’s just.

“It can’t be… cool,” he says, inane. Bruce is watching him with that steady look that used to feel clinical, piercing, and now mostly reads as attentive. “It can’t be—like yours. Tactical, military-grade.”

“Lightyears beyond, actually.”

“It has to—Ma said once, a kid should be able to draw it with crayons. You know? I can’t look like a weapon. I have to—I want to look like a friend.”

He can feel himself flushing. It’s rare that he speaks like this, and rarer still that he does so while being stared at intently. Bruce may think of himself as the darkness, but his gaze is a spotlight: unwavering and revealing and more a little sweat-inducing, for one reason or another.

“Sometimes, when I show up, people laugh,” Clark says. “If it’s somewhere out of the way, where they haven’t seen me before. I show up and I look like a festival performer. It’ll be the worst day of their lives, and they’ve got no reason to trust my face, but when they see what I’m wearing—it goes from ‘Who are you?’ to ‘Who is this guy?’ And that’s a good thing.”

“Hard to be afraid of a man dressed in primary colors,” Bruce says, almost to himself.

“Exactly.”

“I see. Thank you,” he says, “for explaining.”

Clark tries not to show how surprised he is to hear that. Judging by the crook of Bruce’s mouth, his success is negligible. “Of course. Sorry I didn’t—I mean, thank you, obviously, for going to such trouble. I didn’t mean to come in here and—I really do appreciate it, I can tell you put a lot of work in—”

Bruce’s eyes cut away. “No. No need. I didn’t ask, before I…. It was only a first draft. If you’re amenable, I’ll incorporate your feedback into the second one.”

“Oh! Yeah. Yes, of course, but you really don’t have to—”

“If you have any further notes, I would like to hear them.”

There’s something determined in the lines of his face. Clark has the sense that this moment is important, that it’s a turning point, even if he’s not sure why. It feels like striking out into a sea of ice, a blank white expanse under which something precious and vital is hidden, has been hidden all along, just waiting for him to find it. To want to.

“Sure,” he says. He looks back at the suit and swallows, and knows Bruce will see the flicker of his throat and take some meaning from it, and wishes he knew what the meaning was. Or maybe Bruce won’t notice or read into it at all. Maybe Clark needs to calm down, in fact. “Um. I don’t want to assume, but does it… do things?”

“It does things,” Bruce confirms, after the barest pause. “Let me show you the next slide.”

[awearywritersworld]

megumi's teacher — gojo satoru x reader

tags/warnings: fluff. fem!reader. gojo beefing with an eight year old. 700 words.

ever since megumi started the second grade, it's been (l/n)-sensei this. (l/n)-sensei that.

gojo picks up megumi's favorite ice cream, only to be scolded by the young boy. "(l/n)-sensei's favorite flavor is strawberry, so that's my favorite now!"

gojo tries to help him with his math homework, and it's "(l/n)-sensei did it this way. that means you should too!"

gojo reaches down to tie megumi's shoes for him, before his hand is promptly smacked away. "(l/n)-sensei said big boys tie their own shoes!"

honestly, gojo is starting to feel a little jealous. megumi's known you for what? two months?

he's been raising megumi for the past few years, but does that earn him an ounce of the adoration the young boy seems to have for you?

apparently not, though he perseveres nonetheless.

he and megumi are spending the afternoon out in the city and they stop at a small bakery for lunch.

while megumi is distracted looking at all the sweets behind the glass counter, the bell on the door draws gojo's attention.

his eyes fall upon a pretty young woman. actually, you might just be the prettiest woman he's ever seen.

and of course, a smirk forms on his lips when he catches you looking his way. he's puffing out his chest, running a hand through his hair.

he's always had a certain effect on the ladies, and he's never been more happy about that until this very moment—

"megumi?" you call from a few feet away. the wide smile adorning your face makes you look even more radiant.

while gojo visibly deflates, megumi's head whips around at the speed of light. "(l/n)-sensei!"

oh.

gojo very quickly comes to understand why the boy is so enamored by you.

megumi launches himself at you, while you crouch to meet him with open arms.

"i'm so happy to see you!" he practically sings, clinging to your neck.

you chuckle at his enthusiasm. "i'm happy to see you too, 'gumi."

gojo clears his throat, hoping that megumi will take the chance to introduce you two, but he is completely ignored.

"what are you going to get? i'll buy it for you," he states proudly, despite having zero money of his own.

your gaze shifts to gojo for the first time, and having your attention even just for a brief moment takes his breath away.

"that's very sweet megumi, but that's alright." you ruffle his hair when he pouts at your words, standing back up. "who's this?"

"oh that's just gojo. don't worry about him," he states with a wave of his hand.

the white haired man gawks at him in response. the nerve on that kid! he silently decides megumi will be losing dessert privileges for a week. no, two.

you stifle a giggle before offering your hand to him and introducing yourself as megumi's teacher.

he repeats your name, taking satisfaction in the way it sounds rolling off his tongue.

"that's a pretty name," he compliments, trying to recover from megumi's dismissal. "heard a lot about you. in fact, the kid never shuts up about you."

this earns him a glare from megumi, but gojo is too preoccupied with the shy look that crosses your features to notice.

gojo insists on paying for your order, a show of appreciation for taking such good care of megumi in class. you chat with the pair of them for a little while longer before eventually excusing yourself.

"thank you again, gojo-san. i'll see you on monday, megumi!"

just as you're turning on your heel, gojo calls your name and you look back at him expectantly.

"when, uh," he struggles, scratching the back of his neck. "when do i get to see you?"

nice.

"oh! well, parent-teacher conferences are only a few weeks away! i'll look forward to seeing you then," you answer sweetly, misunderstanding the meaning behind his words.

you bid them goodbye once more and they both watch your figure disappear down the street.

megumi turns to look at gojo smugly. "weeks? that sounds like a really long time—"

"shut it, kid."