#I want to post them so bad I need to talk about them now.

[ariaste]

Props to OP for answering so gracefully, but I'm not going to answer gracefully. It is more important than ever to call out fascism whenever you see it -- especially the quiet, soft, poisonously insidious kind that Anon is practicing here.

Anon ostensibly wants to know: "Do authors realize that they're writing about things that some people might find disturbing, horrific, upsetting, repulsive, or simply just TMI?" (Yes, obviously they know. Authors are not stupid; that's usually a requirement of the job (not always. But usually).)

But what Anon is actually asking is, "Why don't authors stop themselves from doing a Bad Thing? Why doesn't anyone else stop them?" The assumption underlying that question is: "Surely if they realized that they were doing something disgusting, they would stop immediately." Even more covertly implied: "I think writing about certain things automatically taints you with moral degeneracy--that is, it marks you as a possible or potential criminal."

To that I say: My friend, writing is just thoughts copied onto paper, and thinking is not a crime. Only actual actions can be crimes. What does it matter what other people think about? Literally so what? Why do you want people to be stopped from thinking about those things ("did their editors ever gently ask them...")? Why do you care? Do you feel that an author should provide a list of justifications and excuses before it's permissible for them to write about something? Why? And who do you think should be in charge of that? The government???? YOU???????

To any person reading this post: If the above questions are personally upsetting to you, if you find yourself huffily thinking something like, "Well, I care because it could normalize--", NOPE, STOP RIGHT THERE. 🚩🚩🚩🚩🚩 This is a big red flag: You (much like the Anon) are exhibiting some early warning signs of Fascism, and that is not something to take lightly in the current political climate. There are some drugs you shouldn't experiment with even once, and fascism is one of them. Repeat as often as needed: THERE IS NO SUCH THING AS THOUGHTCRIME. WE DO NOT LIVE IN GEORGE ORWELL'S 1984.

But we already talk about thoughtcrimes now and then, don't we? I can't remember seeing someone talking about crimestop (also from Orwell's 1984):

In the Newspeak vocabulary, the word crimestop denotes the citizen's instinctive desire to rid himself of unwanted, incorrect thoughts (personal and political), the discovery of which, by the Thinkpol [Thought Police], would lead to detection and arrest, transport to and interrogation at Miniluv (Ministry of Love). The protagonist, Winston Smith, describes crimestop as a conscious process of self-imposed cognitive dissonance: The mind should develop a blind spot whenever a dangerous thought presented itself. The process should be automatic, instinctive. Crimestop, they called it in Newspeak. . . . He set to work to exercise himself in crimestop. He presented himself with propositions—'the Party says the Earth is flat', 'the Party says that ice is heavier than water'—and trained himself in not seeing or not understanding the arguments that contradicted them. Moreover, from the perspective of Oceania's principal enemy of the state, in the history book The Theory and Practice of Oligarchical Collectivism, Emmanuel Goldstein said that: Crimestop means the faculty of stopping short, as though by instinct, at the threshold of any dangerous thought. It includes the power of not grasping analogies, of failing to perceive logical errors, of misunderstanding the simplest arguments if they are inimical to Ingsoc, and of being bored or repelled by any train of thought which is capable of leading in a heretical direction. Crimestop, in short, means protective stupidity.

Read that twice, and then reread the Anon's question. Translate it through that lens: "Why," says the Anon, delicately disgusted, "are these authors not practicing better crimestop? I practice it all the time. Why aren't they?"

Great question, Anon. Why AREN'T they? Turn off your crimestop and give it some real thought.

(Hint: If the answer you come up with is "Because they are moral degenerates" or anything in that neighborhood, you are unfortunately still doing fascism. Try again. If you have tried several times and the only answer you can manage to come up with is a still a synonym of "moral degeneracy" then this is above my paygrade and I would recommend talking to a trusted grownup, a therapist, a spiritual leader, or possibly your least-online friend.)

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[puddinrin]

LADY BOSS! > Team Thanos x F!Reader

summary: being thanos and nam gyu's bestie since high school

pairings: abit of semi x f!reader (wlw because we all semi dick riders in the club + will write more about her in the next posts), platonic! thanos, nam gyu, min su & gyeong su x f!reader

warnings: talks of drugs, rehab, yk how it goes

a/n: semi semi semi semi semi semi semi i need to make out with her so bad. (name) is a fashion designer (i'm projecting hehehaha)

yk how even the most notorious gangster has a person they respect the most - yea that's what you are to thanos and nam gyu.

people wonder what did you do to get them to respect you like that

easy that's because you knew them ever since high school

it all started with a group project where your teacher purposely paired you up with both of them, in hopes you'll guide them since they were quote a "lost cause"

you wanted to pull your hair out.

but since you were a cool, demure and nonchalant like that, you decided to do what you could to get them to cooperate for the project.

"tsk, this is a waste of time." nam gyu sighed, pinching the bridge of his nose. you three were sat around your table when it was time to break into the groups you were paired into. thanos, who was still just choi su bong back then, leaned back against his chair staring into space.

you pursed your lips, before speaking. "well, let's get it done as soon as possible then. any ideas on what to do for this assignment?" the task of this assignment was to create some sort of advertisement for a product of your choice.

"no" "nope." they both replied in sync, uninterested to commit to this project at all.

"i'm a woman of patience. i'm a woman of patience" you said in your head like a mantra, trying hard not to leap across the desk and jump both of them and your teacher for pairing you up with them.

an idea then came up on your head. as cringy as it might sound but it might get thanos and nam gyu to participate in working with you to complete this project. "what about we create a rap music video for this?"

thanos and nam gyu sat up straight at the sound of that. "what do you have in mind, girl."

you got their attention now.

surprise or not. you three got full scores for this assignment

thanos came up with the lyrics, nam gyu produced the music beat while you directed the music video

"congrats, you two. how does it feel to get full scores for the first time in your life? i knew putting (name) in your group was a good idea." your teacher grinned rather smugly.

"no, sir. su bong and nam gyu were amazing themselves. they came up and produced the entire music video themselves. i just supervised from the sidelines." you said with a proud smile, patting their arm as you stood in the middle of them.

both of them looked at you, mouth slightly agape. for the first time in forever, they didn't need anything in their system to feel warmth in their heart.

you wouldn't have ever thought you would have fun spending time with the two troublemakers of your batch but you did

they did too.

when almost the entire school and everyone in their lives made them feel like a failure, you brought them a chance to shine.

"it doesn't matter if others look down on you. as long as you don't look down on yourself, you always have a chance to prove them wrong and slap them in the face." you told them, rather casually as you slurped on the bowl of udon.

you were treating them dinner that you promised if you guys got a good score for the assignment. damn, were you trying to make them all soft for you because it's working.

they're now part of the (name) protection squad.

thanos jokingly once called you their lady boss and they've been calling you that ever since

they would walk you back home after school, making sure you were safe especially when school ended late

would carry your bag for you too because their lady boss shouldn't have to do that!!

guys confessing to you? they have to go through them first

#brother you are scaring the hoes away

to more serious stuff such as them being addicts, they tried to hide the fact that they were until you found out after seeing the bruise on nam gyu's arm.

you tried your hardest, helping them to overcome their addiction

yes it wasn't easy, but they were trying too

overtime, they managed to stop after you convinced them to go for rehabilitation

after that their respect and love for you sky rocketed.

time skip to where you guys are in your twenties

they hate all your situationships/exes

they don't have to know what they did

#their lady boss can never do wrong

but if they have wronged you in any way they're on thanos' and nam gyu's hit list.

they've formed a band called 'black stones' (hehe) with their new friends they met in uni: semi, gyeong su and min su.

you unlocked the door to your two idiots' apartment, a plastic of take out food you bought for them and their bandmates you were going to meet for the first time.

"who are you?! don't just come in without knocking" the man who you later learned was gyeong su, pointed a finger at you.

while you just stood there like🧍🏻‍♀️holding the key in one hand and the bag of food in the other. like hello? i kinda live here in my free time too?

nam gyu knocked his head with his knuckle, scowling "don't disrespect our lady boss like that, you fuck!"

thanos skipped towards you, like a kid running towards his mom after spending his day at daycare. "aigoo, my highness, you should've gave me a call that you're here. i would've personally brought you up."

"i did. you didn't pick up."

he froze, before smiling sheepishly, taking the bag from your hand, settling it down on the counter. "well, now that you are here. we can introduce you to the others."

he then swung his arm across your shoulders, leading you to stand in front of the tv where the others were sitting around the coffee table.

your eyes drifted to the lady with short hair and piercings. the way she carried herself and that charming smile on her lips. damn, she's so your type.

"gyeong su, my boy. you gotta apologise to our lady boss, (last name) (name). no her, no me, no nam gyu. no me, no nam gyu, no black stones." thanos said, wriggling his finger at the said man who nodded before giving you a full 90 degree bow.

"i apologise for the disrespect, lady boss (name)!" gyeong su yelled, showing he was sincerely sorry. you couldn't help but cackle at that, waving your hands at him for him to get up. "you don't have to call me that just because those two stupid idiots does and please get up!"

semi was intrigued with you after that.

you must be one hell of a woman if you managed to get thanos and nam gyu to respect you like that.

and you were just her type too.

you and her are dubbed mama e papa of the team

they don't know you both made it official after a few months of getting to know each other though

you and semi found it fun to see how long will it take till they find out.

min su found out first but didn't say anything to the others because you roped him in into betting how long till the others realises.

when they found out

they acted as if you punched their grandmother in the throat and cooked their pet fish jeffrey for dinner.

"semi how dare you seduce our princess?!"

"(name), how could you?! i thought we were 4lifers we locked in. we're suppose to tell each other everything!"

"you guys can only hold hands when we're here! no lovey dovey stuff!"

semi proceeded to give you a big smooch on the lips in front of them, her hand then never leaving your hips.

you try to attend all of their performances but if you can't due to some plans you have to attend to, they always give you a shoutout at the end of them.

you're like their second manager. it's like your side hustle aside from being fashion designer.

they will wear your brand with pride and joy

it also makes your business boom 2x max

Posts that they will post:

> thanostone4u

liked by namgyu124 and 19k others

thanostone4u best gal 💪🏻

> namgyu124

liked by gyeongsuuue, semilw and 20k others

namgyu124 sister from another pussy

> blackstonesofficial

liked by thanostone4u, minsublackstone and 45k others

blackstoneofficial happy birthday to our precious lady boss! 😘🎉💕

[dunmeshistash]

ive always wondered if milsiril's overprotectiveness of kabru was less because of infantilisation (although she def like all elves has that problem) and more so out of guilt. she was a captain of the canaries during the Utaya incident I believe and she witnessed what happened and she couldn't stop it. and she left the canaries because of it and took in the kid who was the Only survivor, raised him in extreme comfort so he'd never see the horrors again and didn't want him anywhere near the dungeons! like i think learning self defense for defenses sake would have made her hesitant but she would have obliged but because it was specifically for the dungeons she was so against it. also like he must have had a rough few years dealing with that trauma as well which doubled her protectiveness

I believe it's a mixture of both, I don't think you can really take away the guilt (actually unsure if that's the best word to describe it) nor the race relations from how Milsiril sees Kabru.

I am the Milsiril apologist ™ but the fact she see's Kabru as a child even now is a big part of their relationship, she's a mother that can't grow up (both for being an elf and for her own issues) and that has to cope with her children outgrowing her fast

Putting a read more cause as usual when it's about Milsiril I talk too much

We can see in every way Milsiril acts that she sees Kabru at most as a toddler during his time with her, she's hand feeding him, has him in a room full of toys and talks about him like he's a cute baby.

I think people are too mean about this side of Milsiril tbh. I think it makes her interesting and it's clear (to me at least) that she does her best to provide for her children even if she doesn't truly understands them. Even in that first interaction with Kabru where she's trying to hand feed him they were *already* training with swords beforehand.

Milsiril also talks to Kabru in a way that kinda seems to expect him to understand more than what a small child would like we can see in the AB extra

So her infantilization doesn't extend to underestimating him at least, rather I think that's how she shows affection (which is still bad 😭)

Anyway, about her trauma with the dungeon and guilt (or maybe shame? Fear?), I do think that was one of the motivations for her to take Kabru in as I said in this post (beware I am a Milsiril apologist and I am VERY biased in seeing her in a more positive light, doesn't mean it's true) but I think that side of her manifests in her sudden switches from crybaby mom to ruthless master

Milsiril is very emotionally unstable from what we can see, she's really trying to convince Kabru not to go into dungeons and when tears don't work she switches into training him so hard he'll give up on his own. I've seen people call this her "true colors" or say she was using "crocodile tears" but in my opnion both the tears and the threat are genuine, I don't think it's a planned switch but rather the fact she's unstable to begin with, both the crybaby mom and the scary swords master are her true self.

Anyway! I think both guilt and infantilization are intertwined in her love towards Kabru, I've said this before but she's a flawed caretaker in a world where she does not have the resources to become a better one. She's traumatized she's depressed and she's an elf, but she's the only one (that we know) willing to at least *try* to treat the people she cares for the correct way. If it wasn't for Milsiril Kabru would have been raised by elves like Rin was (and we know that went very bad, they traumatized her), and Mithrun might not have received the proper rehab he needed to go back into the canaries (He might have managed but we see Milsiril put in the effort to help him cope besides being the one to tell him about Utaya)

That is all to say: Milsiril is still flawed!! It's part of what I love about her, and it's the reason so many people dislike her too. I'm saying this cause sometimes when I go on my Milsiril rants I get asks putting down Kabru to raise her up and that's like, very uncomfortable lmao. Even if she did her best he still was the one that to deal with all of her shortfallings while being raised and he's still the one responsible for getting to where he is, she just made is easier than it could have been.

Disclaimer as is usual for my Milsiril posts: I'm a Milsiril fan, my interpretations of her are very charitable because I often see people being way too uncharitable about her. Please read the original material and make up your own interpretation, this posts only contain what I think it's relevant for my point not an objective view of the whole. I've also already made several posts about her and I don't want to keep repeating myself so if you think I glossed over something important that's probably why.

Edit: thinking more about it, maybe rather than feeling guilty herself she might blame "elves" as a whole for the failure in Utaya, it does say she left it "in disgust". It's not that clear how she feels about it.

I still think it's shared trauma though, I don't think it's possible for Milsiril to not have been affected by what happened there and I think it's part of why she doesn't want Kabru to go to dungeons again. But her way to cope is to turn away from it (and blaming "elves" might be part of how she copes) while Kabru's is to face it so it doesn't happen again

[yandere-sins]

I LOVE YOUR IMMORTAL YANDERE DRABBLE!!! Especially the "favorite" life you talked about. I like to imagine it was the first one. They met you, and you fell in love. You reciprocated! <3 But maybe you died young, too early into your relationship to realize they were messed up. Or maybe you lived to old age and started to wonder what sort of monster you married if they never aged or changed. Either way, they're constantly seeking that high again. They chase your memory through millennia. You'll realize you love them again. It's a soul, right? It's the same soul, just a different body. If you're soulmates, and you are, you'll love them again. They just need to try and try and try and try and try. <3

[Prev Post ♥]

Oh man, I totally see that, and it actually feels so tragic... The poor soulmate yan might actually be the first that one can feel sorry for ;;

Because immortality definitely has its downs. Being the last one of their family is heartbreaking indeed. At the same time, they continue to live without aging, traveling to hide from those who know the yan until they, too, are six feet under. But time moves on, months, years, decades. Someday, not even an immortal can remember those who passed. It's an endless day and night cycle, and no drinking, smoking, or lamenting at the moon can make up for the loneliness and ache in their old bones.

There's so much boredom, too. Once they have all the degrees and worked every job, there's so little to explore. Sure, times change, but no one really needs that much time to try it all. Nothing rouses them anymore, makes their heart beat fast or blood rush. Every enticing drug and med soon becomes ineffective as their body gets used to it.

But suddenly, there's you.

Like the early spring breeze, you ring in the change in his life, your carefree smile and the sparkle in your eyes, more flashing than a diamond. You are everything the yan is not—alive. You savor every moment of your short lifespan and keep falling in love with the small things the yandere no longer cares about. But they do, now, by your side. Because you care about them, and that is enough for them to give it all their attention. If you stop to look at the flowers, so do they. If you want to go to the museum they have been to countless times, they'll go, smiling as you talk about the paintings the yan watched being made. But they love you. They love you so much.

And you do, too. You love them for what little time you two have together. You make the yandere dance in the rain with you and then cuddle with them while you both have a pretty bad cold. You lie awake long into the night, drawing the curve of their nose until the yan reaches up to kiss your hand with the reverence that only someone who loves you could. You make them watch bad movies and let them take you dancing and to fancy dinners, never doubting that the yan loves you and never letting them feel anything less than that you do, too.

So when the yan invites you to go on a maiden voyage of a new luxury ocean liner for the first year anniversary of your relationship, you jump into their arms and kiss them all over their scrunched-up, grinning face since it's that special. Life is good as you two plan what you want to see and experience when you set foot in America. Of course, you are nervous, but it's the good kind, you know? And so is the yan, clutching the ring box in their pocket as they lead you up the ramp of the Titanic, intending to propose to you, finally.

They want to spend the rest of your life with you and find a way to join you in the grave, for that is what you mean to them.

They want it all, the good and the bad days. Children, pets, growing old. Making sure you are always cared for even when your mind forgets who they are. Until then is still a long time, and you will continue to teach them to savor every moment of it. You will understand the yan's condition, they are sure. You will still love them, even when your hands are no longer soft, and your eyes aren't the sharpest anymore. And so will they, never straying, never looking back.

So when you look at them, your beautiful eyes full of tears, fear, and determination, saying that you missed the last lifeboat to be with the yan until the very end, they can't help but sob uncontrollably. They know you're not going to make it... but they will. There's nothing they can do but hold you tight as the ship breaks in two, the mouth of the ocean opening to swallow everything whole.

But they'd be damned if they didn't ask. Didn't kneel or open the ring box as everyone cries and screams around you two. Didn't make you their betrothed even if you'll never be their spouse. And as they swore they would, they love you. Savor every last moment with you, admire the stars before retreating, laughing with you in the cabin until you breathe your last breath in the yan's arms. They kiss your ice-cold hands even though they are too stiff to move, and they pray to the gods above to release them of this curse, to let the yan rest by your side for all eternity.

And they still cry, decades later, as they resurface on a beach. People try to help, but the yandere is inconsolable. Nothing could make them move, the pain of losing you as fresh as on the first day. Nothing, until...

You.

With a bright, carefree smile, the sparkle in your eyes flashes more than a diamond.

And a splitting image of what they have lost, except for the ring on your finger that clearly isn't the one the yan has given you.

Edit: I did my research after writing, sorry :( The Titanic sank in 1912; please don't bash me. This immortal one is a different one from the other post, we can make it work :'D

[talenlee]

4e: The Pinball Wizard

Back in the heydays of the 4th edition community being a community that all met on a single forum and shared a common lexicon and all that, there were phrases, truisms, slang and tropes we recognised and used to speed our way through conversations. This was true of 3rd edition too, since the community was actually, broadly speaking, the same thing, but that community kind of uprooted itself and moved on to other places, while the 4th edition remnant seems to have not really coalesced in a subsequent form. We don’t really have a 1d4chan or Brilliant Gameologists or deeply intimidating Pathfinder Subreddit as places to scare people off, and instead it’s stuff like…

Well, this blog post might get shared on the subreddit. Hi reddit! I like you even if we don’t agree about Blackguards!

Anyway, thing is, there are things that now have no meaning except their place in 4th edition conversations, and are functionally un-googleable because they’re very generic ways of just using words, or maybe, were named after something else. Back in City of Heroes there was a powerful supergroup known as the Green Machine, that was entirely team-buffing healers that refused to heal, and that’s not a term you can search for meaningfully. Another group that existed and that shares its title with today’s subject was a group of kinetics, where everyone could use powers to make everyone else fire off at super speed, showing you don’t need good powers if you can fire off your best powers every second.

They called themselves the Pinball Wizards, and now, if you go look for what that means in 4th edition D&D you kinda find nothing.

Here’s the story of one of the more distinct power level errata of D&D 4th edition, where in 2011, a single sweeping change to the way the rules worked destroyed a strategy and in the process brought something ridiculous down to merely really good.

This build was a combination of two basic parts, which were well and strictly defined under 4th edition rules. The first is zones. A zone is an effect, made by a power with the ‘zone’ keyword so you knew where to look for it, that looks at that area for some reason. Some zones are used for things like a healing aura, or a space that a character can move around in freely, but very commonly, a zone is used to represent an effect that’s bad that lasts. This can be a bunch of falling shards of glass, a cloud of toxic venom that hovers in a space, or a ground teeming with sharp, jagged vines on thorns.

Zones are extremely cool, make no mistake, and they tend to fall into the toolkit of the Controller. Controllers want to deprive enemies of actions, and zones are a great way to give enemies a bad choice: Stay in an area to do something they want to do, or spend actions getting out of it. Since zones do a good job of representing effects like rings of fire, or clouds of poison, or raining ice, it’s stuff that hits the wizardy feeling of editions past.

The other part of this is forced movement. 4th edition had a family of these effects known by their more specific names of push pull slide, but these are ways to change where enemies are positioned and everyone who complains about fighters in 4th edition is usually complaining about these and they are cowards. These effects show up everywhere, but undeniably, if you’re looking at the people who will do the most of them, you want controllers.

The build that worked out of this was known as the Pinball Wizard. You played a Wizard who used one of a number of long-lasting powers that created a zone that did something dangerous when someone entered it. Then you used your other powers to slide something in and out of that zone over and over again. Wizards got more than a few powers that did slides, and they got access to items and feats that improved their slides. You could use a slide effect to turn two squares of slide movement (and we’re talking like, 4-8 squares for builds that are trying) into like, 40 damage.

At level 2, when tanks are happy to have 40 hit points.

Anyway, you might be thinking the sensible solution is to make it so that these zone powers are limited in how often they can have their effect – and it kinda makes sense, narratively, in the context of the world, right? Like, an enemy or person isn’t going to breathe more if they run back and forth through a poison cloud.

In 2011, Wizards released an update to the compendium that added that rules information to every single damaging zone power in the game, with a note of the when, and an article explaining why they did it. It was a perfectly reasonable rules update made through a digital system they had and realistically speaking, the only thing to mourn is that there’s now no good reason to ever let a player get away with this use of these powers together, because it’s pretty silly.

The system that was left after this change was obviously a better system. It had a clear, specific template that it could use thereafter and while it did lose some edge cases, it was implemented thoroughly and comprehensively in a way 3rd edition almost never managed to execute. This was because of a central control system, the compendium, but it also spoke to a problem that a game normally about disconnecting and engaging with a very material play space was going to have to confront head-on.

Basically: This kind of errata existed in the rules, sure, and if you download a rules compendium, every power that can be changed mentions the 2011 change. But the books don’t. The books still have the rules change and to learn how the game works, you have to know it. Or you have to use a digital compendium, which presents a new problem for a game that is meant to work with paper and dice.

These were inevitable evolutions of technology and they interest me because they kinda present problems and solutions at scale. The actual problem of a wizard stacking a bunch of redundant effects together to kick an enemy through the boundary of their zones as a single incident was not a meaningful problem to a table. If it’s a problem, it’s a problem that has an administrative option to work with – the Dungeonmaster can look at it, and decide it’s too good and talk to the players about it. That problem is solvable almost instantly if everyone in the group and game has a good relationship and respects the DM.

But if you made the game, you don’t have a problem that can be solved on the spot. You have a problem of all the players, in a communal space, who bring it up and ask if it makes sense and consult with one another and now you have the problem that looks like at scale your product has a flaw and you need to address it to make that flaw not look like you don’t know what you’re talking about. Oh, what makes a good game is important here, it isn’t not important.

It is neither a good thing nor a bad thing.

It is a thing that few games get, not really, unless they’re very big, and trying to do a lot. It’s barely something that even the next tier down of games need to care about. Errata happens, people care about making the books better. But most people don’t have a comprehensive central database where they can update all the powers that use a particular wording.

Check it out on PRESS.exe to see it with images and links!

[earlycuntsets]

those on tumblr that fwm in anyway!

I have not checked my notifications in a week. so sorry to anyone I haven't gotten back to.

EDIT: i'm not gonna be as active. I'm not leaving altogether just putting some space between me and tumblr. happy 1000 followers to me!!! lol but I might come back in some capacity but not rn. just until personal stuff has been handled. maybe once a week. i've got a lot of post ideas so i'll come on here if I find anything really good. but I have a bad history with social media consuming my brain.

this tumblr has been fully added to earlycuntsets.org and posts will continue from there, but I am not gonna be on here very much.

i've gone through some mental stuff interacting on here. I have a substance issue rn that i've been trying to get ahold on since september. I complain more on earlycuntsets.org

I felt so broken up really. this thing mcr that we all love so intensely.

I don't want to see that get ruined for me. the negative connotations with my account because I flipped out on mcr archive people. talking about that will get me nowhere because no one understands my side. about 4 people on here understand my side.

and for the first time yesterday, I considered apologizing. just to ease my own pain around this. you want to know the truth?

I wanted to work with them obviously. I wanted to do what they do is that clear enough?

it was hard for me not to be aggressive when people I don't know think they can scold me. from the start they just wouldn't respond to me. I would find cool stuff and send it to them. I just thought they'd be more accessible to fans.

and then the only time I have heard from them was for them to judge my website when I spend every extra moment i'm not at work on this one thing. this one thing that is my only expression of love to mcr.

having to go against them took a lot out of me but it was bound to happen. AND SO I gotta get out of the social aspect. it's making me overthink my every move.

I am going to be spending less time on here and more time on my website.

I have moved this whole blog to my website and just updated 840 posts to have links/tags/titles that function. I need to figure out a few things but I won't rest until it's easy to navigate. and perfect. lol there are dead pics and video on the blog section. there are pages of posts that don't have preview images. the site overall is undercuntstruction.

I was actually looking at hulus set up with the "carousel" things for each category. I am having fun and i'll probably make an mcr netflix idk. big grandiose bipolar dreams. that I hope to see through.

my website will be like this (2002 is the only one done rn) so the layout now is:

the google drive part

the 2002 blog part (everything from here)

the sources and links

[sunnyie-eve]

54 | Today is the Day

Series: Unexpected

Paring: Matt Sturniolo x OFC Brock!

Word Count: 1.7k

Warnings: steamy kissing, slight dry humping

| MASTERLIST |

At the moment Dani dreaded getting out of bed. Last night her and Matt finally agreed to let Nick and Chris in on the secret of them. They were even going to film a video for her channel to post in the future to announce they were together. But that wasn't the main reason she wasn't jumping for joy. He also mentioned telling Colby after telling Nick and Chris later in the day.

Turning her head to the right, she looks at the spot Matt was sleeping in before sneaking back to his room before anyone woke up, "I hate that I fell for your stupid ass." She laughs at herself. 

Rolling out of bed she grabs clothes for the day to change into after her shower. She hoped a shower would relax her a bit. While showering she hears Matt enter the bathroom to use it, "Morning." He tells her still tired.

"What time did you leave?" 

"I believe it was six o'clock. I still don't understand while we've been sneaking back to our rooms for the past few weeks. They already know we have sleepovers." Matt looks at himself in the mirror.

"We didn't want them thinking too much." She laughs.

"Well to keep up the act... I'll leave now. They're in the kitchen so they know I came in here while you're showering." He tells her before opening the shower door to poke his head in, "Kiss." Dani shakes her head giving him a kiss before he leaves.

Nick and Chris still didn't fully understand how the two shared the bathroom when one was showering and the other had to pee. The shower door was semi-see though so they thought it was impossible but it wasn't. Way before the two even started dating then talked about how they could make it work. Plan and simple, don't look. Do what you need to do and go. Plus they respected each other no matter how bad they each wanted to take a peek at some point.

After the shower, Dani eats breakfast with the guys and then they all relax on the couch watching TV before going out later to film the car video for Dani's channel. As time got closer to leaving Matt could tell Dani didn't want it to come. 

"I need to get things ready." She goes to her room and the other two didn't think much of it.

Matt waits for a bit before going to check on her to see her pacing her room, "Honestly, I'm relieved we are finally doing this with them." He tells her.

"Until they joke even more about us." Dani adds, "And now keep an eye on us when alone."

"True, true, true but I can finally kiss you around the house without being careful." He wraps his arms around her, "That's the best part of this." He gives her a kiss and sees the look on her face, "You're mainly nervous because when we release it and telling Colby later."

"Duh, and we haven't talked since our fight. What when I see him say, hey remember that fight we had about me liking Matt or not? Yeah, we've been dating for months actually." She gives Matt a look walking away from him as he sits on her bed,

"Not exactly, but I'll be with you. If he acts up we leave. It's that simple." He tells her, "Come here." He puts his arms out then takes her hands pulling her closer, "You won't be alone, I promise."

"And this is why I fucking love you."

What started as a sweet and slow kiss quickly turned into Dani straddling his lap, making out intensely. The thought of Colby was completely forgotten, his hands resting firmly on her hips as he held her close. Matt's grip tightened on her hips as the kiss deepened, his body responding eagerly to her closeness. His hands slide up from her hips, trailing gently along her sides

Matt pauses briefly, "We should hurry and tell them." He leans in, his lips hovering just inches from hers, his breath mingling with hers, "Just so they know if we're alone to leave us alone." He murmurs, his voice low, before attacking her lips again.

"Matt." She giggles as she kisses him back. 

His thumb gently tilts her chin up so he can deepen the kiss. His hands slowly slide down to her waist, his touch gentle and reassuring.

Matt's body responds to Dani's closeness and the intensity of the kiss. A noticeable bulge begins to form in his pants, growing with each passing moment. His hands guide her hips in slow, gentle movements against his growing erection, and Dani knew exactly what he was doing. His kisses become more urgent, his breathing heavier as he fights the urge to grind harder against her. 

"You know we're about to leave right." She reminds him trying to hold back her moans as she kisses along his jaw.

"Sadly it doesn't take me long when it comes to you." His hips buckle a bit.

"Yeah, you c-," He cuts her off with his lips on her again. 

Matt's hands slide up her back, arching her closer to him as he continues the rhythm against her. His teeth gently scraping against her neck as he kisses but doesn't suck at her sensitive skin. His free hand reaches up to gently tug at her hair, pulling her head back further to give him better access to her neck.

"GUYS ARE YOU SET TO GO!" Chris yells ready to film since he was bored out of his mind. 

"See what I mean." Matt groans tossing his head back.

"Yeah, and you have extra jeans in here so you're lucky." Dani gets off him.

"Now lets go do this." He smiles once he was in new pants and calms himself down before leaving her room first then she follows.

"Can someone please tell me what we are doing if not a normal car video? For our channel or Dani's channel. I'm getting nervous." Nick asks sitting in the back with Dani as they film for a video.

"It's for the future." Dani lets him and Chris know.

"Guys, I just wanna say before we get into the reason for this future video..." Matt starts to rub his hands together getting nervous.

"So this is for your channel?" Chris looks back at Dani.

"Yes, it's for my channel but for months in advance." She tells him.

"So there's something the two of us know and a few others know too that you two and a few others don't know. It's a big thing and a huge deal that has been going on. Any guesses?" Matt asks his brothers.

"Yeah, it's a big thing that has been going on since late March." Dani adds.

"I seriously have no idea what it could be." Nick laughs, "It sounds like some big secret project."

"Is it a brand deal?" Chris asks looking at Matt then back at her.

"Not close at all." She points with her finger laughing.

"Hell, are you secretly pregnant?" Chris jokes to me funny shocking the others.

"What the fuck? To you, I'm single so how? Plus I would be huge by now." Dani laughs at him not believing him.

"It was a joke since I have no clue what it could be."

"It's a big deal?" Nick looks at Matt.

Matt nods his head, "'It's super huge." Matt turns to look at him.

"Is it bigger than us when we shared you turned me down?" Chris looks back at Dani again.

"I would say it's the same level but higher." Dani nods her head a bit, "Shock value. More hate" She adds.

"Which sucks." Matt says before breaking the news, "Regardless you're my girlfriend." He adds and the two gasp.

"That I am." Dani smiles as Matt looks back at her.

"What?!" Nick shouts, "Are you FUCKING SERIOUS!" He now yells throwing his arms up making Matt and Dani laugh.

"WE KNEW SOMETHING WAS UP!" Chris shouts turning back to point at Nick.

"You fucking assholes."

"Just friends my ass." Chris adds making Nick laugh.

"We did okay." Matt smiles looking back at Dani.

"I think we did well." She agrees with him.

"When we joked about something going on between you two. We didn't seriously think it." Nick explains to the two.

"We just hoped at one point our joking would become true." Chris adds then stops for a second, "Turns out we were right to joke around. And I'm super happy."

"We were lucky we were already super close before hand." Dani explains why she thinks the secret was easy to keep from the two.

"We got to play it off easier." Matt smiles at Dani causing her to smile too.

"Why wait to tell us about it?" Chris asks wanting to know.

"We wanted to enjoy it without you two driving us insane." Dani tells him.

"Technically, you two still drove us crazy wanting it to happen." Matt adds laughing.

"It was worse than if you knew." Dani makes Nick laugh pointing at Chris since he was the main one.

"I feel like you two should thank me." Chris decides to mess with the two.

"Thank... you?" Dani says confused.

"Like what?" Matt turns back to look at her confused as well.

"Yeah." Chris nods his head, "If like she didn't turn me down."

Matt starts to shake his head, "Dude. You're joking but still don't. It's weird. Don't please." M=He says a bit annoyed with the joke because it wasn't funny at all.

Chris looks at his phone for a few seconds as the car filled with silence, "Yeah, I know that was a bit much." Chris agrees it was out of line, "I'm sorry." He apologizes, "Dani, you know it was a joke as well, right?" He looks back at her.

"I do but remember there's still fans who wish I said yes to you..." Dani gives him a look then at the camera, "Too bad so sad to y'all out there that wanted that." She makes the guys crack up.

"Yeah, she's Matt's and only Matt's." Nick snaps his fingers pointing at the camera, "We are team Datt till death." He adds making Matt laugh while pinching the bridge of his nose.

"Also Madison, Tara, Justin, and your mom know about us." Dani adds letting them know who else knew before them.

"We know mom and Justin keep secrets." Nick shakes his head rolling his eyes a bit.

"Yep." Matt laughs.

"Now we gotta keep an eye on you two." Chris points his finger at the two shaking it a bit, "No more doors closed." He makes them laugh at him.

"Now I say lets go to lunch before we have to tell Colby." Matt tells the whole car.

"Oh yeah." Nick agrees.

"Man do I wish we were 21 so you two drink beforehand." Chris tells the two and they all laugh.

[the-inkwell-variable]

author ask tag

thank you so much for the tag, @the-golden-comet! ooh this is gonna be fun!

i'm going to focus on my current wip, Why Should I Be Careful? I'm Going To Die Anyway! because it's still very much in the planning stages (despite how much I'm writing for it) and I have Thoughts

What is the main lesson of your story? Why did you choose it?

I'll be honest, I haven't really thought that far ahead. I suppose, if there is a lesson to take from WSIBC?IGTDA!, it might be that you should always chase your goals and desires, and screw what other people think. Maybe put a little more thought and planning into yours than Aura does hers, though. I mean, she almost dies due to her recklessness. Don't be like Aura.

What did you use as inspiration for your worldbuilding?

Well, it's a zombie book - I love zombies, in case you can't tell - so the world is an amalgamation of zombie stuff I love. The zombies are based off of the Train to Busan zombies. This is a self-insert mess, so I'm using the town and people I know in the town as location and characters. Little tropes here and there that I love in movies and books alike. It's just a big chimera of stuff that I grab from stuff I remember and shove into it. It definitely needs polish when it's done, but I'm having a blast so far, so I'm'a keep doing it :3

What is your MC trying to achieve, and what are you, the writer, trying to achieve with them? Do you want to inspire others, teach forgiveness, or help the reader grow as a person?

Uhhhhhh this is a tough question. Right now, Aura is trying to make it to Roger's Grocery Mart to save her girlfriend, but most of the time, she's just trying to have a good time in the zombie apocalypse and hopefully not die. She does eventually grow into a character that (mostly) thinks things through and takes other people's situations into account, so I suppose the lesson is "the world doesn't revolve around you - be kind and helpful to others"?

As for what I'm trying to achieve... mostly, to be honest, I just want people to pick up my book and have a good time reading it. I want to write a zombie book because it's my passion and because there aren't enough zombie books out there. I guess I'm trying to inspire others? To show them that you can survive an impossible situation if you work hard and think things through?

How many chapters is your story going to have?

The only time I've written a full-length book (sorry, the only two times, forgot about Zero: ALPHA), it had about twenty-odd chapters. Z:A had...uh...thirty? That was a long time ago and I sadly no longer have that draft. This one is going to go until it's done. Hopefully more than thirty though!

Is it fanfiction or original content? Where do you plan to post it?

Original content! I have no idea where I'm going to post it. I'm torn between Draft2Digital (originally Smashwords) or Substack. Thing is, I'm really bad at marketing and keywords and all that technical stuff that goes into publicizing, so I'm really hesitant to share it at all. I'm the type of person that gets absolutely morally devastated if my own self-inflicted goals aren't met, and I'm not sure if I can handle that kind of crushing heartbreak with this one lol

So yeah. Might publish, might not. Unsure right now.

When did you start writing?

My dad set up a Windows 95 computer for me in his office, his old one, and taught me the basics of using it. I was five, about to turn six. I immediately sat down and wrote a story about unicorns. I've been writing ever since.

I didn't start writing fanfiction until I was thirteen and had just binge-watched Lord of the Rings for the first time. We don't talk about those works. They were awful.

Do you have any words of encouragement for fellow writers of writeblr? What other writers do you follow?

Write it. Oh it's cringe? Who cares? Write it. Oh, it's a rare pair? Write it. You're worried people will hate it? Fuck the haters. Write it. Writing is about having fun. Writing is about pouring your soul onto the page. Writing is about getting those ideas out of your head so they don't drive you insane. It's about reaching that one person that finds your work and loves it. Even if no one reads it - you still accomplished something. You still wrote it. And no one can take that from you.

I have so many writers in my follow list. Uhh. I have no idea how many are still active, so I'm just going to tag who I know and hope for the best lol

@idyllicocean, @keeping-writing-frosty, @bloodtiesnovel, @asher-writes, @kitswrite, @theink-stainedfolk, @karkkidoeswriting, @lavender-gloom, @orphanheirs, @aquixoticwrites, @alinacapellabooks, @marlowethelibrarian, @flock-from-the-void, @dyrewrites, @storycraftcafe, @writer-imagination, @toragay-writing, @inseasofgreen, @stephtuckerauthor, @thatndginger, @finickyfelix, @eternalwritingstudent, @drchenquill, @paeliae-occasionally, @the-golden-comet, @talesofsorrowandofruin, @watermeezer, @goldfinchwrites, @winterandwords, @badscientist, @clairelsonao3, @i-can-even-burn-salad, @leahpardo-pa-potato, @mjparkerwriting, @rowanwriting, @oliolioxenfreewrites, @emelkae, @rita-rae-siller, @rebelxwriter, @kaylinalexanderbooks, @stesierra, @francineiswriting, @sunset-a-story, @chauceryfairytales, @hollyannewrites, @jaydenswaywrites, @captain-kraken, @violets-in-her-arms-writes, @romy-thewriter, @pure-solomon, @writingmaidenwarrior, @koiwrites

go, go follow them. they're all so good and make my timeline glow.

[mask131]

This is about Neil Gaiman's work - this is NOT about the rape accusations, but it is about the aftermath of them. I wanted to make a post for some times now about works you could read that were similar to Gaiman's works if you wanted to go see something akin to his fictional world without directly supporting him. Which would have been a VERY easy post since Gaiman kept listing everywhere the works that influenced directly or indirectly his own novels and creations. But I realized other people were already doing this, so I just thought "Heh, let's not bother with this".

And then I randomly stumbled upon this post which is trending on Tumblr. And this post got me a little mad. Because while I do agree that several of the facts in there should be more well-known and more talked about... I also think this post is quite unfair in its depiction of how Gaiman acted towards his inspirations.

People are currently screaming that Neil Gaiman plagiarized stuff by "taking huge inspiration from things and not crediting people". Except... he did credit people. It's just that his fans never bothered to go look for what inspired him. I was there back in the old days - so I saw exactly how it went. Don't start telling me Neil Gaiman purposefully stayed "silent" about the works that inspired him - I clearly saw how people were just apathetic. Myself when I compiled lists and made posts about all the works that preceeded Neil Gaiman or that he explained were his inspirations for things, people didn't bother and had no interest... but when I made a list of Gaiman's work suddenly everybody reblogged. Whether Gaiman plagiarized or not is not the thing I want to talk about today - but I want to HEAVILY criticize the way people are saying "Neil Gaiman never said he took X from X" when in fact, he did, and people were just too lazy to do their research. (Or, if you take the "Gaiman is a villain " angle, Gaiman counted on the fact people would not bother to read the original books and he won his bet!)

I am deeply sorry for this rant but it is a little trigger for me, since I have been studying and exploring the "chain" of inspirations and rewritings throughout literature and the fantasy genre (half for university work, half for personal hobby), and I have seen people literaly ignore all the bibliographies given to them under titles like "If you want to read more of the sort". [For example the original post talks about how Martin was very honest about how he took inspiration from Druon's book series. Fair. But nobody is talking about how he indeed kind of "plagiarized" Memory, Sorrow and Thorn. A lot of people don't know about this series, despite said series having literaly almost all of ASoIaF's supernatural - in fact, the reason Martin seems to be under-using his own supernatural creations, like the White Walkers, is precisely because they don't come from his mind and they are just a copy of Williams' Norns and he seems to not really know what to do with them. But that's a talk for another day.]

EDIT: I realized the post got very long, so all my personal objections and my argumentative points against the post I linked above will be under a cut. And if you want a conclusion to my long rant below the cut, it is this one: You can shit all you want about Gaiman, but at least get your facts right. It is not because someone turns out to be a bad person that you must feel the need to blast cultural misinformation. Heck, I will directly compare it to how the entire Internet wished and wanted Rowling to have "plagiarized" Gaiman's Books of Magic, because of their similarities, only for Gaiman himself to point out, no, it was not plagiarism, it was just a set of similarities and coincidences due to both works coming from a same British culture with a specific background in children literature and fantasy works. It just happened that people didn't know anything outside of Harry Potter and Gaiman's works and so assumed it was the only two pieces of a much vaster puzzle...

Yes, Neil Gaiman is very derivative. Yes he is very imitative. But he never hid it? He always said he was, he always pointed out the works that influenced him, he always listed the stuff that he based his own works upon - down to sometimes helping these works come out of obscurity when they were too forgotten (like the Lud-in-mist novel?). People are doing a "surprised Pikachu face" today but... he never hid his derivatiness. In fact it was a certain part of the "charm" people found in his work back in the days. He never hid anything, it's just that a lot of people didn't want to see it or didn't care about it...

Gaiman posted an entire page on his blog for American Gods (back in the early days of Internet, he had a blog to follow his writing process for American Gods, weeks after week, you can still find it somewhere) listing the three dozen of books that inspired him/that he took elements from/that he learned stuff from. People can accuse him of having plagiarized Zelazny's work in American Gods because of one scene - Wednesday having Shadow drive into the "Backstage", which is a rewrite of the "driving to Amber" scene from The Nine Princes of Amber. But the accusation of "plagiarism" becomes a bit muddled when you know that A) Gaiman has been screaming for years about how the main source of inspiration for American Gods were all of Zelazny's mythological works and B) He literaly dedicated American Gods to Zelazny, first page you open.

When does an homage becomes too much? When is plagiarism allowed? Is taking after public domain a bad thing? What are the moral consequences of your work overshadowing your source of inspiration? These are questions I am not wanting to answer today and this post isn't about them - plus things are even more complex when you remember Gaiman was one of the most fervent defensers and advocates of fanfiction, reacting positively to it and encouraging people to do it a lot ; as well as one of the main celebrities on Tumblr to warn people to NOT send him fanfics so that it wouldn't cause legal troubles of potential plagiarism.

Anyway, my actual angry rant is below.

I/ Tanith Lee and Sandman

The post that got me angry starts with Tanith Lee. I do agree that it is a shame Tanith Lee is not more talked about and didn't receive as much fame as she deserved. I do agree that Neil Gaiman's work was heavily inspired by Tanith Lee's writing. I do agree Gaiman's work overshadowed Lee's own (for a long time I didn't know she was the first one to do a vampiric Snow-White twist, before Gaiman's own). However I have to recuse the idea that Sandman is a rip-off of Tales from Flat-Earth.

It doesn't help that the person who made this original claim clearly doesn't know very much about either Lee's Flat-Earth or Gaiman's Sandman (with easy to debunk claims like how "Delusion" is one of Gaiman's Endless - no, the character does not exist). For example the poster rightfully compares how the top-dogs of the supernatural pantheon of Lee's Flat-Earth are the Masters of Night, Death and Delirium, wth the Master of Night's physical appearance echoing Dream of the Endless' appearance... However the comparison stops there, unlike what the poster tries to claim, because the Master of Night is a demon who rules over hatred, fear, curses and malevolence first and foremost - and is this world's equivalent of Satan/Iblis - and is not a personification of dreams, imaginations and sleep like Morpheus. Also, unlike what the OP claims, the Demon Princes are not like the Endless, "eternal entities beyond gods" - on the contrary, it is shown by book one the Demon Princes CAN be killed, and that there are gods who are a distinct species far above the Demons.

It is also incomplete to try to claim that having Dream and Death be siblings is a "proof" of Tanith Lee plagiarism... Because Gaiman is very explicit in his narrative of how Dream and Death are transpositions of the Thanatos & Hypnos/Thanatos & Morpheus twinship present in Greco-Roman mythology (Ovid's "Gates of Horn and Ivory" are literaly there in the first issues). Plus, since we do have the original manuscripts and the proposition draft Gaiman sent to DC (it is in the bonus of collected editions and in companion books), we know Gaiman originally had just three Endless in mind, Death, Dream (who was a reshape of DC's Sandman super-hero), and Destiny (who pre-existed in DC's universe), Delirium only coming far later.

That being said, I am feeling very sad for Tanith Lee through the testimony of her friend - how, again, she had trouble becoming a recognized author despite her work being very influential and frequently talked about for the fantasy genre (all the fantasy manuals and guides and encyclopedias of France list her among the authors to be read), and I do feel her distate for Neil Gaiman's work vampirizing hers is very justified. But to jump into saying Sandman is a copy-paste or a full on rip-off of Flat-Earth is unfair and very limiting. Flat-Earth was one of the inspirations of Sandman, but it doesn't own "everything" to it.

Plus, the OP also gets very angry at how Gaiman "never" talked about Tanith Lee and ... you know how I got to learn about Tanith Lee, and how I got encouraged to read her? Through Gaiman's Tumblr blog, where he regularly listed her as part of the authors that inspired him/the fantasy authors he enjoyed/the authors he encouraged others to read. I saw her appear like five different times on his Tumblr, and without him I probably wouldn't have started getting curous about her. So he did talk about her and he did present her as one of his inspirations and favorite authors... At least on Tumblr, and for several years.

II/ Coraline and Thief of Always

The comments mention Coraline and the Thief of Always as possibly being another "plagiarism" of Gaiman... I remember when Neil Gaiman was asked on his Tumblr about how similar Thief of Always and Coraline were, and he simply answered with the fact he and Barker had a similar thought process and came up with akin works though very different in the results.

You could say it is a form of copy or plagiarism (though Gaiman at least did an effort to make Coraline the almost opposite of Thief of Always in several ways). But I will have to point out that that Neil Gaiman and Clive Barker know each other, and that it has been reported, talked about and evoked a lot of times how they hanged in the same circles, with the same people, and exchanged thoughts, and talked about their mutual creations. We know Gaiman talked of the early Sandman issues when they were created with Alan Moore and Clive Barker, while Moore talked of his creation of From Hell. We also know that a part of the Sandman's universe was indirectly created by Barker - as Gaiman explained the idea for naming Desire's domain "The Threshold" came from a story Clive Barker had planned but never wrote, exploring the puns "threshold" could offer.

To my knowledge Clive Barker never claimed that Gaiman plagiarized him or stole from him with Coraline? But I might be wrong.

III/Other details

The comment about the "Lovecraft and Doyle" comparison is clearly taken out of context, because it was literaly about a story which WAS a literal Sherlock Holmes meets Cthulhu fanfiction, "A Study in Emerald". The commenter seems to think this comment applied to Gaiman's entire work? No it does not.

I don't know anything about the Lenny Henry situation, I will have to look for this.

[yannaryartside]

First of all, thank you so much for such a detailed answer.

I really think some scenes may not make sense in a medical context, the injection to the kid, for example, but are used to highlight Claire's attitude towards her patients. Other blogs have talked about this scene as a parallel to her relationship with Carmy, because she liked her to distract him from the pain as she did with the kid/

HOWEVER

Regarding the allergy thing, I am betting that is a flag they planted so people could suspect the grenade that relationship was the whole time. When you said:

"But my BIGGEST red flag in all this was that- normal doctors are not morbidly fascinated with death and disease. There is NOTHING even remotely romantic about that; most of us are so burnt out by it." the way other doctors would be concerned about an attitude like Claire's got me thinking of something...

On top of that, she does seem fascinated by people in pain or in crisis; there is this scene in Pop when she says, "Michael was fun, he would say things on fire," which was a dialogue way out of character for a medical professional. She also mentioned being used to being around sad and drunk people, and that made me think she saw Carmy as another drunk, sad person for her to fix or another patient in crisis for her to medicate (with kisses and a pleasing attitude).

It is concerning how much the show used Claire's profession to make the audience think she is this angel on earth and also keep raising red flags after another. We never see her being nice to other people who are not her patients, dysfunctional friends, or even more dysfunctional Berzattos.

It reminded me of this psychology professor who warned us that in movies, you are not supposed to make a narcissist look like a hero because, at that point, the audience will be caught in the manipulation too far to reverse it.

They even went to the extent of forcing the audience into her pov in s3, as we are supposed to root for her because she is caring for people while heartbroken, the Faks come and tell her she is the one to take care of Carmen (because she also takes such good care of her patients) and then. THEN they thought the flashback of her talking about almost killing her patient for an allergy. I still see posts of pro Claire people that say that scene was to make her look human, and I was like "I am sorry, do you want us to feel bad because she can read and almost killed someone?" They put a magic trick there to make us follow her as a doctor just to tell us she may be rather dangerous for others in her position. That she presents herself as competent when she knows she is not. I, for what is worth, really didn't see regret on her face while telling that story.

THE LACK OF EMPHATY, the ROMATICIZING THE PAIN IN OTHERS. You explained that so well I am so glad I was not imagining shit.

It screams that Claire enjoys being around dysfunctional people so she can feel good by attempting to fix them and receiving love and loyalty in return. She even created a whole romantic relationship based in that and I am supposed to feel bad for her. No, I don't trust this woman and Carmy now thinks she is at peace and what he needs and everybody keeps telling him to return to her.

It is almost like (metaphorically) Carmy has set himself on fire (his mental illness) and now he is gonna go directly to a person (Claire) who cannot even apply the right treatment for him, because she is indeed incompetent and lacks the empathy to actually help him and feel for his issues, and will allow him to continue to burn as long as she feels needed by him.

Sorry to vent, that took a dark turn. But the more I think about this subject, the more unnerving it becomes. Thank you @sydneysrissotto. tagging @whenmemorydies @brokenwinebox and @thoughtfulchaos773

I'm waiting for my residency match, so while I wait, let me tell you that being a doctor doesn't look anything at all like how they've shown Claire. I wish the showrunners did some research.

[liminal-therianthropy]

!!Small rant, about 'fake therians'!!

I know i dont usually post things like this but i just wanted this out of my brain so i can move on if that makes sense? This will be a long read so sorry in advance. So i keep seeing on tiktok, roblox, and now youtube of fake claiming therians and im honestly tired of it? Like really tired of it. All the points {in my opinion} are really dumb too. Point one was that 'Oh you have a common theriotype you clearly choose that and yer fake11!!!1!'. Which.,,.so? So what if some creature 'has a common theriotype'. Who cares? I certainly dont and most creatures ive met and seen do not care. It is such a minute thing to care about. Now do i find it interesting? Yes but in a /pos way! That there are 'common theriotypes' in the first place! But i find it ridicules to be made that someone else is a wolf or cat therian must be fake in someway. Like calm down it is not that serious. Point two is 'oh you have multiple theriotypes? Yer clearly fake especially if they have nothing to do with eachother!11!1!!'. Creatures can have multiple theriotypes and still be valid. Period. Point blank. And so what if they have nothing to do with each other??? That feels so random to me. So what if a creature is both so a lion therian and a deer therian. THAT IS STILL VAILD!! Someone's experience is just different then yours and THATS OK!!! Nothing is cookie cutter. We even have a term for this, its called a polytherian. A therian who has multiple theriotypes. So i dont know why that is being demonized now but here we are i guess. Point three 'oh yer popular you must be faking it!!!'. Which.,,.what? What kind of an excuse is that? Just say you dont like them! Its not that hard you do not need to fake claim a fellow creature just because they are popular. To me its like 'good for them for getting popular.' and i move on? I dont see why its such an issue. Now i can understand if said creator did something very bad and something that is unforgivable. Then yes hate them and deplatform them. Get them off the internet. But really guys? Oh yer popular? Must be fake! /sac, really gets on my nerves. Point four is a big one to me. 'Oh you dont know the definition of something? FAKE! YOU DONT KNOW WHAT YER TALKING ABOUT SO YER CLEARLY A FAKE!!111!1!!!'. Which. Guys. My fellow creatures. What ever happen to education? Like educating yer fellow creature? Education is one of the most important things in todays climate and i find it imperative that we just inform politely and move on. Ive had to, and always its just they didnt know and that they learned something. They most likely do not honestly know and thats ok. Some just simply dont know. Educate and move on. Simple. Or if they are somehow intentionally spreading hate or misinformation, educate and block or straight up block. Thats just on the top of my head, i bet there are more bs points that i just dont know or have the energy for. Thank you if you read this far, sorry again for posting this. Just needed this out of my brain ^^;

[coraniaid]

Standard disclaimer that I understand themes and motifs and I'm aware that the reasons characters do things in fiction is because the writers have decided it will drive the plot, rather than because of those fictional characters (who do not in reality exist) being inherently "good" or "bad" people.

Additional disclaimer that I don't think there's any one single reason that Faith ends up spiralling after Finch's death and siding with the Mayor, that the necessary dominoes started falling years before Faith was even Called as a Slayer and that by the time Faith had lost her first Watcher and been living out of a motel room for months and been tricked and betrayed by Gwendolyn Post and accidentally killed a man there probably wasn't anything anyone could have done to stop her from doing all of that.

One more disclaimer: I do not, despite what the rest of this post (or any other posts I may have made or fanfiction I may have written) might suggest, think that Faith's story in Buffy the Vampire Slayer would be somehow improved if she hadn't had the character arc she has in canon. I do not think it would improve the story if Faith hadn't ended up making a series of terrible and short-sided and selfish decisions which ended up making not only her own life much worse but also many other peoples' lives worse [and a couple of other peoples' lives much shorter]. I do not think Faith's fall and eventual redemption is a problem that somehow needs to be fixed.

That being said though ...

Why on Earth, when Giles realizes Faith is lying to him about who really killed Allan Finch, does he decide the best course of action is (1) to pretend to believe her, and (2) make a big show of acting as though Buffy's in a lot of trouble before sending Faith back home to her motel room? In Consequences itself the only excuse he gives is that he "needed [Faith] to think he was on her side" but .. well,

First, newsflash, Rupert: you are meant to be on her side. That is the job you signed up for and are still insisting on doing despite nominally being fired!; and furthermore

This only explains why he pretends to believe Faith. Why does he make a show of throwing the book at Buffy, something that can only help to convince Faith she was right to lie? ("If this is what he's saying to Buffy, his first Slayer and obvious favorite, imagine what he'd be saying if he knew it was me?")

Why not pretend to believe Faith, reassure her she did the right thing by coming to tell him -- and that he's sure she only did it because she knew Buffy needed help -- and then give her the speech he later gives Buffy about how "this isn't the first time something like this has happened" and he "has no plans to involve [the Council]"?

Why not tell Faith that this isn't the first time Buffy herself has been accused of killing a man and questioned by the police? Why not tell her that he himself once accidentally killed a man, and that's something that he and 'Buffy' now have in common? If possible, he could even take Buffy aside and explain the truth to her, and ask her to play along with the charade for now?

Surely if Faith sees that Giles isn't prepared to throw Buffy under a bus, and that he acknowledges that "the Slayer is on the front side of a nightly war" and that "accidents happen", and he's more interested in making sure both of them get the help they need than meting out punishment, she's much more likely to actually admit the truth eventually?

Even if she doesn't want to do that, why not just ask Faith to "sit in" while he talks to Buffy about what "she" did and asks her to explain how she was feeling, so that Faith is in earshot for any advice or suggestions he makes about what to do next? Giles says out loud in this conversation with Buffy that he's worried about "scaring [Faith] off", so ... why is that exactly what he decides to do?

Again, note the disclaimers above: I know the real answer to my question is "that isn't the story the writers wanted to tell". It is necessary for the short-term twist that Faith seems to have convinced Giles to blame Buffy for Finch's death, and for the longer term plot that Giles be unable (or unwilling) to offer Faith any help. I understand that.

But -- in-universe, pretending Giles and Buffy and Faith are all real people -- is there an explanation for this that doesn't boil down to "Giles is a pretty lousy Watcher and should probably not be acting in a mentor role at all?". Why has he decided that the number one priority before anything else must be for Faith to admit it was her, and not the girl Giles can't help but see as a daughter, who killed Finch, when he accepts that -- whoever did it -- it was entirely accidental? If he's not telling the Council anyway and nobody is going to be sent away to be punished, what is the actual issue here?

"There is no help for her until she admits what happened." Okay, Giles, but why have you decided to unilaterally invent this rule, and why do you never use it for anyone else? We saw way back in Faith, Hope & Trick that Giles has no problem at all lying to people who aren't willing to admit the truth in order to help them. If, that is, by "people" we mean "Buffy Summers". Why can't you do the same thing for a girl you don't personally like?

[therookerydatv]

This is a non-Veilguard post but it is a Solas post and a Varric post so buckle in.

Background: I joined a Veilguard Discord server because I'm insane, and we were discussing Cole and the whole choice to make him a Spirit or more Human, and it almost got into an argument but thankfully it figured quickly, but I was still thinking about it because something about it all rubbed me the wrong way. A lot of people lamented their choice in making Cole more Human or cheered that making Cole more Spirit was the correct choice because of Solas' own regrets and pains that came about from him gaining a mortal body.

Subjectively I have always chosen to make him more human, but I guess me choosing as a player is different from within the context of Inquisition. In DA:I every choice you make has consequences, sometimes trying to backpedal out of a choice once you're far enough in will result in you not getting your way because that's what it all is, Choices and Consequences. As much as the result of Cole's change is on you the player, it's really a Consequence of your favoring Varric or Solas' method.

Solas' entire view of Cole's predicament is colored by his own negative experience of having a body and living in the physical world, waking up to a physical world where the Veil was created just amplifies that regret in pain, every instance of him trying to help with his Wisdom becomes something worse to him personally (All that Wisdom and he can't help himself) but with Cole he actually can help! He can fix this, with not only Wisdom but experience! He's become a person, he doesn't like being a person(and then he does because of the Inquisitor, I feel this is true romance or friendship), so Solas knows that Cole can 'return'(made) more Spirit and the confliction will end.

Varrics positions, his view, I feel is colored by the people he couldn't help, the ones he couldn't help get their revenge or solve their problem in time in a way where no one could get hurt (Cole literally reminds him of Anders just in reverse) And this time, Varric knows better, he knows how to fix this, he knows how to not blow up the Chantry, he can fix it this time. (This time the love will be enough!!)

Objectively, both are answers, I don't think either of them are right, because it's one influence over the other, but a choice has to be made otherwise he'd become a demon.

Solas and Varric are having their idealogical battle(custody battle) over which direction Cole needs to go in to avoid binding or demonhood(which college to send him to). The added layer VG adds to this and every banter Solas and Varric have is also fascinating, because outwardly it's an Elf and a funny Dwarf fighting over the tall awkward Human child, but after VG??? After those regrets??? Girl...

But I feel that reducing that scene to Solavellan at times is... disingenuous, when really, it's a Solvarric scene of we're being objective.

This is THE custody battle of all time. (My weed kicked in bear with me)

Solas' version of his world doesn't exist anymore, the world with no Veil and spirits essentially pillaging the bodies of the Titans to gain bodies doesn't exist anymore, the first victims of what the Elvhen did calls him Chuckles, a demonym in true friendly jest to him, it's the first thing Varric calls him when he reaches out to talk to him at the beginning of Veilguard, up until that point he calls him Solas, the Dread Wolf, Fen'Harel.

Varric is a result of years of time happening to the version of the World Solas brought about. Its...it's like God is talking to a creation of his that has every right to hate him, to want to desire to go back before all the bad shit, and instead Varric says, okay, get the anger out, how do you feel now? Empty? That's okay too, take your time.

Solas is a weary traveler ready to end it all and Varric is the equally weary traveler who says, tell me about it, and then talks your ear off so much you start believing in the world again.

Basically, Varric's method is to embrace the history and the scars, embrace the hurt and once it's done, get something to eat. Varric forgives but doesn't forget, his plan has Cole let go of his anger in the end, but Cole will remember the hurt he felt, and inflicted and so will the people he inflicted them on.

[tonysbed]

Secrets I keep | Part 3

Max Fewtrell x Norris!reader

Lando norris x sister!reader

Summary: You and max have been dancing around your feelings for years but jealousy gets the best of us all..

not proofread

series masterlist | previous | next

-

f1gossip

76.639 likes

f1gossip Carlos Sainz has been spotted at the nice airport, allegedly picking up Lando Norris sister, Yn norris. She just came back from a trip in Australia with Daniel Riccardo.

user doesn’t lando normally pick her up?

user maybe he didn’t have time?

user he said on stream yesterday that he has nothing to do today

user hm weird

user norris and sainz best duo

user is she dating daniel now??

-

You knock on Landos door, hoping he’ll answer. You had brought your stuff home and were now standing outside his apartment. He still hasn’t answered any of your calls or texts but read them, so you knew he was awake.

The door opened and he looked at you. His face distorted into annoyance “What do you want?” “Talk” “I don’t wanna talk to you” “That’s not fair. You didn’t give me even a chance to explain what happened. Lando, please” He shakes his head “Just let me be”

“Lando please” You stop the door from closing. He squeezed his eyes shut “give me a few days, okay? I’ll text you. Go home” With that he closed the door in your face.

Defeated you take out your phone and dial Kikas number.

“Yn? What’s up” “Hey alex, do you have time tomorrow?” “of course, why? what happened?”

“Lando just shut me out. He didn’t even let me explain what actually happened.” Alexandra sighed “Should we meet at a cafe? restaurant?Do you want me to come over to your apartment?” “I’ll send you a spot. You can bring leo if you’d like”

“Definitely. You could use the distraction” “Alright, see you tomorrow ” “See you tomorrow”

-

You and Alexandra sit down in a more quiet corner and order your drinks and food.

“So? Spill. What exactly happened?” “With Daniel or with Lando?” “Both! I mean, it’s obviously that Lando doesn’t speak to you. He didn’t comment under your post like usual and you called carlos to pick you up from the airport.”

You sigh “Lando doesn’t speak to me because he thinks I have something going on with Daniel, which is bullshit.” “Is it? You guys seemed pretty close. Not to mention the picture of you in his lap” She said sceptical.

“Here, let me show you what actually happened.” You pull out your phone and show her the video one of your other friends had made. It clearly showed that you were kind of pushed onto Daniel and didn’t sit there yourself.

“Oh, well that was definitely taken out of context” You nod “Now Lando doesn’t speak to me and he closed his door on me. He barley gave me time to explain”

“Dickhead” You chuckle “Yeah, but I also kind of understand. I’d also want to know if he would go out with one of my friends. I know i’m not with Daniel but that is what he is believing at the moment. He thinks I lied to him.”

“Would you tell him about Daniel if there was something to tell?” You think for a moment “Hiding it would be worse, no? It would be hard but I guess..” You say looking down.

“What is there you’re not telling me? There’s a missing piece. You look to guilty my love” You groan “I used to have a crush on one of his Friends okay? He rejected me because i’m landos sister.” Alex looks at you, kind of stunned at your confession.

“Who?” “Does it matter?” “Now you brought it up, yes” “You kind of brought it up” “It’s bothering you. I promise I won’t tell.” You sigh “Max”

“Verstappen? I mean that’s not to bad” “No, Fewtrell. His best friend.” “Oh.”

You look at her “Daniel knows. We kind of talked about it. To be honest, I kind of ran away from him.” “How so?” “We talked about Fewtrell and… God this is embarrassing”

“No, hey its okay. You don’t have to tell me if you don’t want to” “No no, I need another opinion on it.”

“Okay” “I asked Max to take my virginity” “What?!” You look around alarmed at her loud voice “Shh, don’t need anyone to hear” “Sorry, but what?!” She said in a hushed scream.

“He rejected me, but told me he liked me and would date me if I wasn’t Lando’s sister.” “Oh my god. And how does daniel play in this except that you told him?”

“He brought it up again and well..I told him I’m still a virgin” Alexandra stared at you “Your what? You’re gorgeous and..have you ever had a boyfriend?”

“Nothing to serious” She leans back in her seat “Holy shit. You really have a book perfect story huh?” You roll your eyes “sure. now what do I do? I mean, Lando thinks I lied to him. I didn’t.”

“Give him a few days and try again. He loves you, i’m sure he’ll want to resolve this too.” You nod.

“That felt good to tell, but you have to promise not to tell charles” She nods “I promise. I know he’ll ask about you and daniel. What do I say?” “Tell him we’re not a thing.” She nods “Okay”

yn added to their story

alexandrasaintmleux added to their story

[yn cap: fav lunch date 🤍] [Alex cap: Leo’s fav aunt is back in town 🩷]

-

Texts between you and Daniel

Carlos and Lando

You and Lando

-

You look up at Alexandra “He wants to talk, Oh tja k god” “Lando?” You nod “We’re meeting for dinner tonight.” She smiles “See? It’ll be fine.”

You nod “I hope so. I can’t fathom ever losing him just because the media is poking in stuff that isn’t theirs.” “They’re the worst.” She looks at her phone “Oh, it’s already late. I still have some things to do.” “Me too. Need to unpack my stuff.”

“You still haven’t done that?” You shake your head laughing “I was to tired” She chuckled “I get it”

-

Later that evening you make your way to the restaurant. You were kind of nervous to see Lando.

You go inside and look around. You spot Lando sitting at a table looking rather nervous. He spots you and waves you over. You make your way over to him “Lando” He smiles a bit “Sit, I think we need to talk” You nod “We do”

“First of all, I’m sorry for being so mistrusting.. I just thought you lied and..” He sighs “Hey, no it’s okay. But I promise, it’s not how it looks.” He nods “I know. Carlos sent me the whole video” He says quietly.

You nod “And me and Daniel have nothing going on.” He looks up at you “So nothing happened?” “No, not really” “Not really? So something did happen?”

“No?I..Well I fell asleep on his chest while we were absolutely wasted and got back to his place. But it’s not like I haven’t fallen asleep on Daniel before, right? You were there” He nods “Yeah”

“I would tell you if Daniel and I were something, really.” He nods unsure “I know, it’s just so confusing and Max said-“ “Max? Of course” You roll your eyes “Sont be like that” “Like what? He always goes into my business. Let me guess he told you that I have something with Daniel?”

Lando hesitated “He told me Daniel likes you.” He paused “More than a friend kind of way.” You raise an eyebrow “And he would know that how?”

“Just how Daniel acts around you” “How?”

“Touchy, and all that” “He’s like that with everyone. Look at him and Verstappen. Are you gonna call kelly and tell her, oh daniel fancies your boyfriend?” You say, your voice having an edge to it.

“That’s different.” “Why? Because he’s a man?” “Kind of, yeah” “Jesus Lando. Don’t you trust me?” “I do. I’m not sure I trust Daniel.” “I can handle myself.”

“I know you can” “Then believe me when I say we’re not a thing.” Lando nods “I’m sorry” You sigh “It’s okay. You just..reacted the way probably most people would’ve in your situation”

“So we’re good?” “We’re good, yes” He smiled “Okay, good. So you’re coming to the last triple header, right?” You chuckle “Sure, if that’s what you want” He nods “I do”

-

yn added to their story

landonorris added to their story

[yn cap: everywhere he wears that stuff, it’s annoying] [ lando cap: she’s questioning ever agreeing to this]

-

f1gossip

37.639 likes

f1gossip Lando Norris was greeted by some fans in monaco this evening. After being asked about his sister, the brit said that they are fine. This was later on confirmed when the sibling pair posted on their individual story’s which featured each other. Safe to say that nothing gets between the famous Norris duo!

user thank god

user so glad they’re okay. Couldn’t have handled a fall out of these two over a man

user right? Daniel has nothing on them, sorry not sorry

user we don’t even know what happened

user it’s kinda obvious, no?

user love them sm

user hope we’ll see her at the triple header!!

-

I know the making up is a bit rushed but I couldn’t stand to have that much drama here. We’ll see what max says and let’s not forget about daniel..👀

this is a bit short i’m sorry

posting early cause I already wrote the next 2 parts

I DONT DO TAGLISTS, pls turn on notifications or something because tagging doesn’t work on my app smh?🧍🏼‍♀️

[friedcheesemogu]

WHY WILLIAM BRANDT IS MY FAVORITE "MISSION: IMPOSSIBLE" CHARACTER

This is a presentation I made for my discord last year, mostly for my own enjoyment, hopefully someone else will find it fun.

(I will state up front that it doesn't include anything about "M:I: Dead Reckoning" or any speculation on "Final Reckoning." For reasons.) Grab your snacks, here we go:

Hi. Thanks for coming.

Once upon a time, back in 2011, a friend wanted to go see "Mission: Impossible: Ghost Protocol." I had seen "MI2" in theaters, promptly forgotten about it, and mostly we were going to this because my friend loved Simon Pegg, and this Jeremy Renner dude was going to be playing Hawkeye in the spring in "Avengers" so we were interested in checking him out. I liked the character of William Brandt a lot, and was very relieved when he wasn't the bad guy.

I then promptly forgot about him for the next 9 years.

In the summer of 2020, my housemate brought home the MI blu-ray set. When he put on MI1, I started off across the room from the TV, slowly crawling closer, climbing over the couch, finally committing to it... and had a great time. I mean, MI2 is hot garbage, but whatever, doves, man. MI3 was solid, and then I saw "Ghost Protocol," and I imprinted on William Brandt. Like hardcore. Like it makes me look stupid.

But I can't talk about him without first talking about...

I. ETHAN HUNT

Have you seen this man? Now you have.

So I see the MI series as a long term character journey for Ethan.

Each movie is different and each Ethan is different, based on where he is in life. (And yes, I know that's also because up until a point they all had different directors, but hear me out).

MI1:

The cocky beginner with nothing to lose. Well... he loses a few things, but by the end of it, he's pretty well set up. He also plans to get out of the game until the very end.

MI2:

Ethan's emo phase. He's becoming better at his job and he knows it, he's careless and rash with himself and with other people. And again he walks away at the end.

MI3:

"I'm trying to be normal." Ethan's gotten older, and is initially out of the field, and he wants to try that, he wants to see if he can have a civilian life with the woman he loves, live in a house, have a dog... He genuinely loves Julia and wants to be with her. Even at the end, I think he still has an idea that he can balance this life with IMF.

But then...

MI4:

This is the turning point. This is the crux of the change.

A friend once said that GP "isn't essential to watch" and my argument to that was, "what the fuck." Let's look into this.

Up until this point, Ethan's attitude has been "I can leave/I want to leave."

In MI3, he even asks Luther to "remember a life before all this," assuming and idealizing that as something better than what he is or what he has when he's with IMF

GP is the first time that Ethan is in it from the beginning. He's not green. He's not on vacation. He's not trying to run. He's been in a Russian Prison for two years and he put himself there. Now we start to see that his priorities have shifted, or at least, his priorities have made it such that he feels/needs/wants to be in the game. And here we find out what he's given up to do it: his marriage, his freedom, his physical and mental wellbeing (inasmuch as Ethan ever thinks about his mental wellbeing, but that's a different post)

At the end, it's the first time we see him walk directly towards another mission instead instead of trying to get away.

This is also the first time he seems to really appreciate his team and hold himself and them accountable to each other. After talking to The Fog, the team that was chosen for him.

...becomes the team he chooses.

(Please take a moment to admire how cute they are, how helpful. Jane Carter, my queen. Benji Dunn, my moppet.)

And part of the team he chooses to finish the job includes that guy that they "inherited:"

He chooses William Brandt.

LET'S LOOK AT THESE FINE BITCHES A FEW MORE TIMES:

*muffled "Crew" by Dessa" playing the background*

This image is my phone case.

Anyway, let's get to the main event: why William Brandt?

II. WILL

I'm gonna refer to him as "Will" from this point on, because this man is my baby. He is tattooed on my thigh. We are close, and every time I think about the fact that he is the only team member who never gets called anything but "Brandt" it breaks my heart. So I'm not gonna do that to him.

Will is unlike any team member Ethan has ever had.

Most people want to work with Ethan. Will would rather be anywhere else. He's an unwilling participant. He doubts his abilities and his usefulness even though he has the training and he knows the job. He's nervous. He's not ready for this. He doesn't want to do it...but he has to. So he will.

Ethan can't read him

Ethan is extremely good at figuring people out, or at least coming up with a rough idea of who they are/what they're after very quickly (traitors notwithstanding). But Will hides his true self perfectly. Well... almost.

Until he was actually fighting for his life, Ethan and the others assumed Will was just baggage. The fact that Ethan pauses mid fight to notice Will breaking a dude's leg is notable, because that's the moment he realizes he's misjudged him completely. Will has the ability to blend in and not seem like a threat, when the truth is, he's as fast as Ethan and can more than hold his own.

This scene is so fast that even though I've watched it about 436 times I still can't follow their hands and MY GOD it's so sexy I want to throw my computer across the room.

Will can pass in both the political world that Ethan shuns and on the field. He works with Hunley while simultaneously subverting him. He's able to do the field work in Mumbai and play along flawlessly in London in "Rogue Nation."

There is no literally reason for Ethan to say "you tell me yours, I'll tell you mine" in that tone of voice while they look each other up and down unless...

Anyway.

2. Will has real and believable pain and guilt

Will spends all of GP working with someone whose life he feels responsible for ruining. Whose wife he feels responsible for killing. He's haunted by Croatia and it's visible on his face when he talks about it to Jane and Benji (thank you Jeremy Renner). His emotions are crippling in a way that has never been addressed before, because they bring up what Ethan has only started to accept at this point: the cost of what they do is that you can lose people, forever. You can lose your faith in the job, in yourself, and sometimes that breaks you. Will, for all his high position, skill, and intelligence, considers himself a failure.

It's also worth noting that he and Jane are interesting parallels: they were both in charge of missions where they fucked up and now have to face their mistakes directly to fix them. But Jane is able to take her anger and her pain and turn it around; it takes Will years to even face it, and that's only under duress. That he rises to the occasion is to his credit, but it's hardly unreasonable to be so shaken by how you've failed that it takes a very long time to pick yourself back up.

3. Loyalty

Something I feel Will never really gets credit for is his loyalty to so many things, even at the cost of his sense of self.

He's loyal to IMF - he never left. Even when he was at his lowest, he did something else within the agency. He committed himself to this and he's going to do it, no matter how much it hurts.

He's beyond loyal to Ethan. Without him, Ethan might not have made it away from Hunley or survived the events of "Rogue Nation." In the tie-in comic "Torn Asunder", it is heavily implied that Will is the one who warns Ethan of when Hunley is getting close. He's on the inside making sure Ethan can stay one step ahead. It's true that Ethan ultimately reaches out to Benji, but that's because Will has a cover that's so deep Luther calls him "a sellout." He's also willing to play the part of the traitor successfully because he's kept Hunley at bay for so long. He also straight up kills someone with a car to save Ethan and Benji (and no one ever thanks him for any of this, by the way).

But he's also one of the few people who ever says "no"

For all his loyalty and commitment to Ethan, he's willing to argue with him -over the briefcase with the codes, over jumping, over what the hell Ethan means when he says "do you see" in the parking lot after Benji is kidnapped- to a point that it becomes more of a fight.

Will is not always right in these situations (or right by the standards of the insane people on the team), but he does have to have things explained, have to be persuaded that this is not some crazy bullshit. He wants the details because he knows those matter -that's his job, to find them, know them, and analyze them. It may seem like he's doubting Ethan when he asks "what happens if you don't make it back," but he's making a reasonable request of someone he knows isn't actually superhuman. Will is well aware that they are both fallible humans, and he takes that into account.

He's just so interesting...

4. Will and Ethan's relationship

Will is Ethan's foil. He left "this life" like Ethan tried so many times, but didn't actually leave any of it behind. He is what Ethan could be if he let the entire weight of his whole life on him (which I'm not saying he should do, not until he has time for a whole lot of therapy) and went "oh my god, what happened, what have I done?"

Will knows how to play by the rules, and thereby how to break them; Ethan breaks the rules to play by his own. Will knows the cost and -for better or worse- lets that keep him from acting; Ethan hopes that if he acts enough it'll balance what it's cost to do it.

Something I think about a lot is this: it's not entirely clear if the Serbian hit squad that "killed" Julia was an actual group of people acting independently or whether the entire thing -and therefore Ethan killing six people- was set up by Ethan and the Secretary. If it's the latter they allowed Will to shoulder the entire blame for the incident (which is super fucked up, by the way). Regardless of whose "job" it was to protect Julia, IMF and Ethan threw Will under several buses. Once he knows this, he could use this against Ethan at any point -a reason not to trust him, a bargaining chip to get what he wants- but he doesn't. Will keeps Ethan's darkest secret and is trusted with it, possibly even before Luther. And he protects it, protects Julia, protects Ethan. Ethan asks Will to compromise everything he is while knowing that Will has the means to destroy him, and Will does it, because he'd rather put himself in danger than betray him. I think that says a lot about him (and again, a simple "thank you" would have been nice).

And of course there's this:

Ethan's life has never been more literally in anyone's hands than Will's. For all the ways Ethan fails to trust him for most of GP, Will doesn't hesitate for a second to jump out the window to save the life of the man who ruined his. And he was fast enough to do it, which I think says a little about his skill level.

(Mad props to Jane too, let's not forget her.)

III. Saturn take the leap

*"Hero" by Faouzia playing gently in the foreground*

Will is the kind of character I find endlessly fascinating. He's got so much going on under the surface, but the surface is so artfully crafted that it's distracting. He's withdrawn, but he's not shy. He's physically adept, but the suit makes you think otherwise. He's obviously very intelligent, and also capable of being a complete salty dumbass jerk. He's sad, and he hurts, but when he's challenged he doesn't back down. He's been watching Ethan's back for a long, long time, and because he didn't get a stupid ending in Fallout, I want to believe he still is.

A word from our sponsor:

If you please, Mr. Cruise:

And I'm so sorry that I've forgotten the source for this one, but it leads me into one of the final, most important points:

DAT ASS

*Janelle Monae's "Yoga" plays loudly and aggressively*

OH HELL YEAH THAT IS MY TWENTY DOLLAR PEACH RIGHT THERE

IV. Thank you!

If you made it this far, thanks for reading! I hope you found it at least a little interesting. Most of this was pieced together from notes I wrote last March that I understood then but past me did not account for future me and so I had to rewrite and rethink some of it. But William Brandt came out of obscurity to conquer my heart and become one of my all-time favorite characters. I sleep with a picture of him next to my bed. Yes I am grown up and pay taxes. This is the form my adulthood has taken.

I'm nervous about coming back to tumblr and still trying to find my footing, but one of the reasons I love fandom and fanfiction because there's so many more stories that can be told outside of the movies., and I want to make them and find them and hear about them. What has Will been doing since the end of RN? Are he and Jane besties? Do they all have movie nights where Benji picks the movie and everyone is like "why have you done this to us?" Let me talk to you about my canon divergence fic where among other things Ilsa is still alive and she and Will are not fond of each other... I personally love Will/Ethan as a ship, and I've dedicated my heart to it (AoT, anyone?), but there's so many options for everyone to pick their favorite character, favorite ship, whatever, and go deeper into them that we get to in the bursts of two to three hours they're on the screen. I'd love to talk with people about them and I'm hoping that I'll get the chance here. And then I can also mention my Mission Impossible dollhouse...

But for now, again, thanks. I really love William Brandt, the end.

[genderqueerdykes]

So uhhhhh this might be a little weird but I have memory issues and this has been bugging me for a week... I'm pretty? sure I might have blocked you on an old account when some femboy discourse stuff was going here and left your server that you had at the time? Like I did finally confirm it was you we were remembering because I know I bought a pinkie pie kandi bracelet from you off etsy (not sure if before or after the disc horse, bc we're very much a "everyone deserves to be able to survive and should not lose access to support no matter what") which for the record we love.

And like it wasn't personal, at worst we may have made a vent post at the time bc it's an identity important to us and literally no judgement whatsoever

But the reason we're even bringing it up is that we kinda feel guilty for the block even though we know it's okay to block anyone at anytime for any reason, especially since now that we saw you feel differently we're just interacting like normal and stuff

which... tbf might be trauma-related ocd from some OTHER like actually really bad internet Tumblr discourse stuff but yeah uh. I think it would help to apologize even if it's not necessary, because that's been a healthy coping mechanism for us in the past (not a compulsive one, the compulsion is more "you should never talk to them again bc you're evilbad and they don't deserve to have to interact with you") so uh, we're sorry and we think you're cool and would love to interact more and be friends (if that's not overly parasocial ahhhh x'D)

hey, that's okay, you're allowed to block people for your own safety. i don't keep track of who does and doesn't have me blocked. if someone wants to block me, that's their right, it don't take it personally. you do not have to apologize for blocking me at any point. that's not something you ever have to apologize to someone for, but i totally get why you would want to do that to give yourself some form of closure. that makes sense to me

i understand why you would've blocked over that. when i was running that server, i was friends with some very aggressive people who were adamant on policing the usage of the word femboy, so i apologize that things got so shitty about that. other staff members that were involved were very, very pushy and i ended up feeling extremely alienated from that server because i found myself disagreeing with a lot of the rules that got put into place. i especially started feeling uncomfortable because other staff members were very transandrophobic and it was causing me a lot of self hatred for being a trans man at the time. that discord server was not good for my mental health, which is why i stopped interacting with it before leaving altogether.

it took me a while to realize i did not agree with those people and that the fighting over who "gets" to use the term is so fucking petty and stupid, but i see it now and that shit was dumb. i can see why you would've been upset and left and blocked over that. at the time, plenty of people were mad about it and they had every right to be. i wasn't treating certain people right. i left that server a while back because i just got so tired of how it was being run and did not have the energy to try to rectify it due to homelessness and housing insecurity at the time. it was way too authoritarian in terms of who was allowed to identify as certain terms for me to continue to give it my stamp of approval. it was like, the exact opposite of what i wanted in a queer discord server.

thank you, though, i appreciate it. i know that this won't make the thoughts stop but you truly are allowed to block whoever you want or need to for your own safety. it's not a personal attack on them. it's a way to prevent unnecessary conflict. i fully believe in blocking when and where necessary. i block when i need to, too. but thank you so much, i appreciate it. i apologize for how shitty i was in the past about people using that term. i got pulled into the wrong crowd and i'm very glad i'm not a part of that anymore.

you're more than welcome to send a DM, and i'm glad you still like the bracelet! that must've been quite a while ago, i hope it's still holding up well! if you ever need any repairs or anything, let us know :)