#I want to give tips on making art on mobile

[spuirrelwiththeletterp]

any tips on making art on mobile 🙁🤕

i don’t have a digital pen for a bit aswel since my old one broke and i also accidentally may have broken my ipad aswell so…

OOF I feel you on breaking a device you use to draw on. I've done it before and was suffering for a solid week

as for tips, as much as I would love to give any, I have never drawn on mobile 😓

[crushedsweets]

i am so so sorry for the sheer amount of headcanons i'm making you crank out, HOWEVER... i am so curious as to if you have any headcanons for nina and natalie as a duo. i love the way you perceive them and write them it genuinely makes me so happy

i had to doodle them . ok. lets go..

nat was one of the first people nina met from jeff, since she and jeff lived in the barn together.

nina thought nat was a lesbian when they first met . that is literally the only reason why she wasnt mad jeff was living with a woman.

although nina was like, one of the ONLY people to notice toby/nat tension and was sooo heartbroken when she realized they were never getting together..... but then was relieved they didnt get together when she got over jeff because 'well i can't be the only single one!'

again, natalie grew up with 0 girl friends, only hung out with her brother and boys. even after meeting the creeps, theyre still mostly guys. so she's just kinda really awkward and weird around girls. not in a like, 'oh girls r so annoying' way but like... she just doesnt know how to fit in. she just feels so different in the worst possible way and always has.

and nina is very girly, outgoing, touchy, friendly, cute, etc. so it was very like UMMM?!? idk. natalie kept snapping at her, assuming she was fake and weird and just trying to get something from nat, but nina was so persistent and just. friendly. it started making natalie feel warm.

nina's presence started to heal natalies inner little girl. she had it stolen from her time and time again, from her dad, her brother, her peers - the operator, too.

so the two are eventually actual friends. they'll text and play mobile phone games together. sometimes they'll just sit on call and nina will be talking her head off while nat does her own thing at home. one time nat was at tobys cabin and nina was talking about toby on speaker and toby walked in and was like 'hey nina' .... nina almost threw up she was so embarrassed.

nina loves visiting nats bar because everyone is always talking to nina and giving her attention and buying her drinks, and at first nat was irritated but it kinda got nat some better tips since the customers started realizing ninas her friend. so nat was pleased. LOL

nat was never the type to go shopping, but she'll follow nina around and sit while nina tries on clothes and carry around all her bags that she buys LOL... ninas made jokes about nat being boyfriend material and nat just flatout says smth about how nina should get over jeff cuz he would never.

nat is friends with jeff but she's oddly comfortable just telling nina that he's a piece of shit. and ninas always like NOOO U DONT GET IT U DONT SEE WHAT I DO and nats always just .. not... impressed..

nina's always inviting nat out to try new foods. nat grew up just eating bread and noodles with butter half the time so it's fun. nina always tries to pay bc 'well i invited you!!!'. sometimes toby tags along but he feels a way abt going in public places..

nina rarely visits jack cuz she has no reason to, but nat is friends with him so sometimes nina pops in and she's always like ^_^ HELLO TALL MYSTERIOUS SLIGHTLY MONSTEROUS MAN... <3... nat smacks the back of her head cuz she's being dumb and drooling over a bunch of rando freaks. ... . ok i love nina and she owes jeff nothing but she is def not loyal LOLLLL AND SHE HAS THE RIGHT TO FAWN OVER EVERYONE she's a fangirl at heart.

they watch a ton of shows together. nina got nat into horror kdrama stuff, but they have to watch in dub cuz nat cant read the subtitles fast enough . . . at first nina cringed but now she doesnt care.

nat's painted/drawn nina several times, and nina almost cries everytime. she's put the drawings up on her wall before but anytime nat's at her apartment, she takes it down bc 'i dont want my art on ur wall stop it' LOL... kinda rude but whatevs.

ugh theyre just so fucking cute guys im sorry i love them . holds them. brushes their hair.

[doubledeadstudio]

Hello! Welcome to the official Double Dead Studio Tumblr, the solodev behind Reanimated Heart, Another Rose in His Garden, and Pygmalion's Folly.

Reanimated Heart is a character-driven horror romance visual novel about finding love in a mysterious small town. There are three monstrous love interests with their own unique personalities and storylines.

Another Rose in His Garden is an 18+ erotic Omegaverse BL visual novel. Abel Valencia is an Omega who's hidden his secondary sex his entire life. Life's alright, until he meets the wealthy tycoon, Mars Rosales, and the two get embroiled in a sexual affair that changes his life forever.

Pygmalion's Folly is a survival murdersim where you play as Roxham Police Department's star detective, hellbent on finding your sister's killer... until he finds you. 

Content Warning: All my games are 18+! They contains dark subject matter such as violence and sexual content. Player discretion is advised.

This blog is ran by Jack, the creator.

Itch | Link Tree | Patreon | Twitter

Guidelines

My policy for fanwork is that anything goes in fiction, but respect my authority and copyright outside it. This means normal fan activity like taking screencaps, posting playthroughs, and making fanart/fanfiction is completely allowed, but selling this game or its assets isn't allowed (selling fanwork of it is fine, though). You are also not allowed to feed any of my assets to AI bots, period, even if it's free.

Do not use my stuff for illegal or hateful content.

Also, I expect everyone to respect the Content Warnings on the page. I'm old and do not tolerate fandom wank.

F.A.Q.

Who are the main Love Interests in Reanimated Heart?

Read their character profiles here!!

Who's the team?

Jack (creator, writer, artist), mostly. I closely work with Exodus (main programmer) and Claira (music composer). My husband edits the drafts.

For Reanimated Heart, my friend Bonny makes art assets. I've also gotten help from outsiders like Sleepy (prologue music + vfx) and my friend Gumjamin (main menu heart animation).

For Reanimated Heart's VOs, Alex Ross voices Crux, Devin McLaughlin voices Vincenzo, Christian Cruz voices Black, Maganda Marie voices Grete, and Zoe D. Lee voices Missy.

Basically, it's mostly just me & outsourcing stuff to my friends and professionals.

How can I support Double Dead Studio productions?

You can pay for the game, or join our monthly Patreon! If you don't have any money, just giving it a nice rating and recommending it to a friend is already good enough. :)

Where do the funds go to?

Almost 100% gets poured back into the game. More voice acting, more music, more trailers, more art, etc. I also like to give my programmer a monthly tip for helping me.

This game is really my insane passion project, and I want to make it better with community support.

I live in the Philippines and the purchasing power of php is not high, especially since many of the people I outsource to prefer USD. (One time I spent P10k of my own money in one month just to get things.) I'll probably still do that, even if no money comes in, until I'm in danger of getting kicked out the street… but maybe even then? (jk)

What platforms will Reanimated Heart be released in?

Itch and then Steam when it's fully finished. Still looking into other options, as I hear both are getting bad.

Will Reanimated Heart be free?

Chapter 1 will be free. The rest will be updated on Patreon exclusively until full release.

Are you doing a mobile version?

Yeah. Just Android for now, but it's in the works.

Where can I listen to Reanimated Heart's OST?

It is currently up on YouTube, Spotify, and Bandcamp!

Why didn't you answer my ask?

A number of things! Two big ones that keep coming up are Spoilers (as in, you asked something that will be put in an update) or it's already been asked. If you're really dying to know, check the character tags or the meta commentary. You might find what you're looking for there. :)

Will there be a sequel to Pygmalion's Folly?

It's not my first concern right now, but I am planning on it.

Tag List for Navigation

Just click the tags to get to where you wanna go!

[oc-ology]

How to make a good character reference

First and foremost, a good character reference is one that clearly and concisely tells you about an OC. Not only are they helpful to keep your art or descriptions of them consistent but if someone else will be drawing or writing about them, then a reference is typically a necessity so they can draw the character accurately. I’ll be going into how to make both a good visual and written reference, as well as tips that apply to both of them.

Special thanks to Lotus and Calico for giving some additional perspectives for me to think about, as well as anon for suggesting this topic!

Good Visual References

A reference sheet is a way for artists to easily see a character’s design for drawing them. At its simplest, this can be a simple, full-body illustration with little embellishment but some people will do full turnarounds (front, side and back views) or additional outfits for a character with props and other illustrations for a more artistic reference sheet. Regardless of your approach, your reference should clearly show a character’s basic features and, typically, the clothes they most often wear (whether that is a single outfit or multiple).

Adding notes to the sheet can be very helpful, such as a character’s height, specific facial features or a description of the kind of clothes they wear (like colours, aesthetics, fashion style and clothing preferences). If a character is often seen with a prop or item (such as weapons or mobility aids), then it’s important to also include those in your reference and make a note on the frequency of their use. Finally, if your design has pieces of clothing or props that have specific terminology, it can be helpful to include that terminology so it’s easier for others to search for more references.

Flat Colours vs Shaded/Rendered: I’ve seen some people complain about references that are shaded or rendered as it can often make it hard to colour pick from the reference. This can easily be remedied with a colour palette that is clearly labelled for what colour is used for what part. Using two of my own references as an example, you can see that my reference sheet for Eren doesn’t have any shading, making colour-picking easy. Comparing that to my reference sheet for Vex, the art for him is shaded but this is remedied with a clear colour palette on the left with labels saying what that colour is primarily used for. As a final comparison to a reference sheet that I feel fails in this regard, my sheet for Eris (nudity warning) has several outfits that are fully shaded but do not have a full colour palette outside of their basic features. However, since this character would be drawn in many other different outfits and the sheet was for personal use only, this doesn’t bother me too much.

Complicated designs: For designs with complex elements such as lots of accessories or intricate tattoos, it can be helpful to draw a larger version of these on the reference. This makes it a lot easier to draw them consistently in future as they’ll be clear and you won’t need to spend time zooming in or around your design. Additionally, if you character has a tattoo or very specific fur markings then it can also be helpful to create a transparent version of them. This way, anyone drawing your character can use that transparent version rather than drawing it by hand or, for those that do want to draw it by hand, they again have a very clear design to reference. Also, it can be helpful to have a simplified design for people with art styles that work better with less detail or for animating purposes.

Mannerisms: This is more so for references that will be sent to other artists for commissions, requests, gifts, etc. It can be helpful to have a small section on what a character’s mannerisms or way of holding themselves is like. This gives artists a jumping off point for ideas on poses or character interactions as a blank slate can be hard to come up with ideas for. It’ll also mean that if, for example, you have a shy character then they won’t be mischaracterised in art by being drawn with an overconfident posture. It’s best to use simpler words (such as annoying vs vexatious) as it can become confusing for people for who English is not their first language.

Good Written References

A good written reference can be split into two types.

The first is for describing their appearance, typically used for sending to artists when you don’t have an existing visual reference. For this, it can be helpful to go over the points of what I wrote for a visual reference and just translate that to a written description. Bullet points are the easiest way to do this as it gives artists something quick and easy to reference but it can also be helpful to link to images to give a better idea of what you want. 

Pale skin with light freckles.

Lavender hair that gets slightly lighter at the tips and slightly darker at the roots. It is mostly-straight, shoulder-length and covers some of the face. Two small horns poke out of the top of his head.

Grey-blue eyes. Should look sleepy or lidded.

Thin-framed glasses with a simple, silver glasses chain (optional)

Black cassock with a black pellegrina and white collarino/tab collar.

For formal occasions, Vex may wear a purple ferraiolo with black, embroidered trim.

Purple stole with a symmetrical design.

At the bottom of the stole is the Leviathan cross.

Around the chest, there are the five alchemical symbols for fire, air, spirit, earth and water (in order from top to bottom).

Has a rosary with dark, wooden beads and small ivory beads in an alternating pattern that ends with an inverted cross (also known as the St. Peter’s cross).

Wears platform boots with metal toe caps.

Without the boots, Vex comes to 5���3”. The boots make him a lot taller, around 5’6”.

Sometimes wears half-palm gloves made of black leather.

This is the basic written reference that I had for Vex before I drew him a reference sheet. It makes it clear what they look like and any artist working with the description would be able to draw him semi-accurately from this alone. It can be hard to balance the necessary amount of detail with keeping things concise - large paragraphs can be overwhelming and even off-putting to others.

The second type of written reference is a reference specifically used when writing. While a lot of the same principles apply, you’ll often want to go into more detail regarding the character’s mannerisms, way of speech and dynamic with other characters. There are numerous great guides on how to write a good character reference or profile, all using different approaches. Personally, I like to use these five categories for writing a character’s reference.

Basic Details: This includes a basic description of a character, as well as their name and any other surface-level details about them such as age, date of birth, gender and sexuality, basic personality traits, etc. If the setting is fantasy or sci-fi, then I would also include anything that would fall under this category in-universe, such as species or magical alignment. This section is not for digging deep but more to give an overview on the character.

Personality: It can be really easy to boil down a character’s personality to a few simple traits like in the first section. However, characters will often act differently in different scenarios and have specific reasons as to why they act a certain way. How do they act when they’re alone vs when they’re around others, both those they trust and those they do not? Do they mask certain parts of their personality? What fears does the character have and how does that impact how they go through life? These are all things that can heavily influence how a character behaves and talks.

Mannerisms: Here, you’ll want to describe your character’s body language and demeanour such as how they walk and carry themselves, as well as first impressions from strangers. You can also go into any habits a character has, including whether they are aware of those habits and perhaps try to hide or overcome them.

History: A character’s past will usually define a lot of how they conduct themselves in the present. Here, you’ll want to include information on their upbringing, influential moments (or “canon-events”) in their life and their caregivers, if applicable. This can add context to certain behaviours or actions from the character.

Relationships: Finally, go into important relationships for the character. When I say important, I mean write about relationships to characters that are either contextually relevant (such as to the current scene or overall plot/story) or characters that have had a large impact on them. For example, the barista that you character always gets coffee from probably isn’t going to be relevant… unless you’re writing a coffee-shop romance where the barista is likely to be a recurring character. A character’s family that doesn’t appear in the story may not be relevant now… but the way that they influenced the character’s upbringing is relevant when it comes to establishing their backstory and foundational relationships.

General Tips

Non-human/original species: If your character is not human or is an original species, make sure to include any key features that are unique to that species and link to any relevant design documents for them. It’s a lot easier for someone to use your reference than it is to go searching for that information themselves.

What actually makes your reference good? This is hard to answer because what I think is good is probably contradicted by countless other people. Also, some advice for one kind of reference won’t necessarily be helpful for a different kind of reference. A good foundation for a reference will always be what you find helpful.

Keep it concise: Oftentimes, there’s so much information that we hold about an OC in our heads and it can be tempted to include absolutely everything into their reference. But remember that the key purpose of a reference is to make it easy to understand the main points about a character or design. Regardless of if you go further in-depth, always make sure to have a clear overview of them at the very beginning that can be easily referenced.

[acepalindrome]

SDV Aesthetic Mod Recommendations (1.6 Edition!)

I’m back with more mod recommendations that work with 1.6! This time, we’re gonna focus on stuff that mainly just changes how things look: recolors, portraits, animal skins, etc. No major gameplay changes, but the visual changes can really enhance the experience or make the game feel totally different! Again, links will be in a reblog. And you can check my ‘sdv mods’ tag for my other recommendation post!

So starting off, recolors. I have three that I really love: Vibrant Pastoral Recolor, DaisyNiko’s Earthy Recolor, and Starblue Valley.

They all tone down the saturation and give everything a softer, more natural look. Vibrant Pastoral is probably my favorite because it makes the scythe-able grass look like it’s full of wildflowers! Also of note, Starblue Valley’s 1.6 update is a work in progress, so some parts might not be properly recolored. It’s such a pretty recolor, but you might want to just track the mod for now while they’re hammering out the kinks.

Next up, portraits! First, I wanna talk about Seasonal Outfits.

I love that vanilla has beach and winter outfits now, and this mod takes that ten times further! Not only are there outfits for every season (with matching sprites), there are also unique outfits for festivals! I love all the Halloween costumes for Spirits Eve! There are seasonal mods for Stardew Valley Expanded and Ridgeside Village too!

Next, Nyapu’s Portraits.

I love the cute, old school Harvest Moon vibe these have, but one of the really great things is that Nyapu has made portraits for almost every modded character in existence. I’m fussy about getting my portraits to match, because it’s just weird when you’ve got totally different art styles for different characters, and that is a non-issue with this collection! If there’s a character mod, there is probably a Nyapu portrait. SVE and RSV are just the tip of the iceberg! Also Nyapu is a real life farmer when they aren’t making adorable portraits, which I think is just cool!

I made a post earlier about Elle’s Cuter Coop Animals/Barn Animals/Cats/Dogs/Horses, but it’s worth mentioning again because they’re just too cute and the huge variety of different colors and species is unmatched.

And I mean. Highland cows. Just look at them. Elle also has mods for seasonal farm buildings and farmhouse kitchens with lots of different options! You really can’t go wrong with any of Elle’s mods.

And speaking of farm buildings, one of my absolute favorites is Gwen’s Medieval Buildings, and matching mod, Gwen’s Medieval Craftables.

The antique, overgrown vibes are just gorgeous.

If I do UI recolors, I usually just pick one that matches my recolor (Vibrant Pastoral, Earthy Recolor, etc) but I recently discovered Lavender Dreams UI Recolor and I adore it.

The colors are just so nice and soft, and the accents of moss and leaves in the menu is just delightful.

I’m on mobile and running out of pictures, so I’ll just talk about the next three that change your character. First is Female Farmer Overhaul. Despite the name, everything is available to any gender, although the style is definitely more feminine. It adds a lot of new hairstyles, clothes, hats, and has the option of short or long sleeves so you’re dressed appropriately for the season!

Next is Animated Hair. It makes your hair move as you run, use tools and so on. There are lots of hairstyles and it just looks so nice!

And one last one, Expressive Elf Ears. Like Animated Hair, they move around with your character! They are so floppy! If you want a little fantasy flavor to your character, they’re a must.

And that’s all for now! I might do content adding mods next time!

[apparently-artless]

sorry to bother but I was wondering how you make your gifs so smooth and get rid of pixelation?

Hi, anon! Sorry for the late reply! And no worries, you're not being a bother at all. ^^

Regarding your question, these are some of the tips I can give which I typically do on my GIFs:

Use video sources with higher resolution

In all honesty, I am not doing that much to make my edits look smooth and HD. I just always make sure to download videos that are not less than 720p. I typically download 1080p but 720p would suffice since the suggested width for images here on Tumblr is 540p.

Use good editing apps

I use Photoshop which is a good app but if you're not using this, you may use Photopea (this is like an online version of PS). There was a time when I didn't have a PC and I tried making GIFs on my mobile phone but even when I'm using high-resolution videos, the output was not as good when making it on PS. I also used Photoscape before. This was my first app when I was still starting making GIFs and oh boy, the quality is just... XD Anyway, PS is good with the compression of images when you're saving the frames as GIFs even when resizing the file to a smaller scale.

Maintain the original size until the export

I've seen tutorials where they are already adjusting the size at the beginning of their edit. I personally don't do this because this contributes to the reduction of the quality of your GIFs. And if I want to crop (because I want a different width and height compared to the original), I will see to it that the height is the same with the original (only the width will change).

Take a look at this example:

This is a 1920p x 1080p image but I wanted to crop it to a 400 x 540 aspect ratio. What I would do is after cropping the image, I would resize the image to make the height 1080p again.

After cropping, this is now the dimensions of the image:

Then I will revert the height back to 1080p (the value of the width doesn't matter):

Of course, 1080p is just my preferred resolution. You can select a lower resolution but not lower than the original image or the final size of your GIF.

As you can see, even without further editing, the image already looks good and does not appear to be pixilated. Then after cropping, I will apply my coloring. If I save this as it is using 540p width, this is how the GIF's gonna look like.

As you can see, there is almost no difference between the 540p (width) gif and the 1080p (height) image. That's because I only resized the image during export and not in the middle of editing.

Use sharpening tools to make your GIFs look HD

The key to fooling the eyes is to make them look in a different direction. XD So what do I mean by this? Like I said, I'm not doing that much to remove pixelations from my edits. I just make it so people will focus on other stuff. If you don't want them to focus on the pixels, let them focus on the line art.

Just a reminder that this last tip is only applicable to anime GIFs.

In my case, I always start with frame animations, then later on convert to a video timeline. And then I will convert the frames to a single smart object so I can apply filters to all the frames at the same time.

These are the steps I do when I sharpen my GIFs.

Apply SMART SHARPEN. (Filter > Sharpen > Smart Sharpen)

These are my preferred settings but you can also explore your own.

[Comparison of GIF without sharpening filter and with sharpening filter]

2. Apply POSTER EDGES filter. (Filter > Filter Gallery > Artistic > Poster Edges)

These are my settings. You can adjust the Edge Thickness if you want to have thicker art lines. As for Edge Intensity, it's better to set it to zero to avoid adding unnecessary details to the shadows of your image.

[Comparison of GIF without sharpening filter and with sharpening filter]

3. Apply POSTER EDGES again.

This is an optional step. I typically use this whenever I want the art lines to be thicker. I use the same settings in the second step.

[Comparison of GIF without sharpening filter and with sharpening filter]

And that's about it! I hope this helps! By the way, this is just my own way of sharpening my GIFs. If you're not using PS or Photopea, you might want to check other tutorials that are specific to the app that you are using.

[midnightsilver]

Tips for Spn Artists posting on Tumblr 😄👍🏻

I see a lot of new artists posting Spn art and it can be a struggle to get your art out there. Or you might be new to Tumblr and not sure how best to put yourself forward.

I post Spn art and do a lot of bangs when my health permits. And I have picked up some tips that I have found helpful for posting art tumblr 😄 so I thought I would share.

Please feel free to take any of these points or leave them as suits you!

✨Personalise your header and icon. Bots will often make posts with popular tags and stolen art, to try and gain followers before throwing out the spam links, but some clues the account is a bot is not having personalised headers and icons, not having a long history of posts (more than a few days), and not talking about their art or fandom. So make sure you don’t look like a bot 😄

✨Interact with accounts you enjoy. Like, comment and reblog your favourite accounts and they will likely return the favour and you will get more followers. The first way your post gets noticed is by your followers. Interacting isn’t always easy if one is an introvert or doesn’t have much time for social media, but do what you can where you can.

✨If don’t have many followers then the next best thing is to use tags more. People follow key tags to find new posts from blogs they are not aware of. I recommend using the ‘Spn fanart’ tag on all your art posts. Also be sure to include: common ship names, the character names, and key words like: cute, funny, angst, angel, wings, etc 👍🏻 😄 this will help people find your posts, so be sure to tag consistently!

✨Make a personal art tag, it could be ‘your name art’ or something as wacky as you like. But tag all your art with it! If someone sees your art post out in the Spn fanart tags and they like it, they can click your art tag to see the rest of your art posts.

✨Don’t include links to outside webpages unless absolutely necessary. If you are posting for a bang, reblog the bang master post for the story which has the links to ao3, but then make your own art post and only link to the tumblr master post. Tumblr often hides posts with links to outside webpages (so that the porn bots sending you to spam websites get minimised, but unfortunately this also minimises links to ao3 or shops 😔). Links to another post inside of tumblr are ok tho! So to keep your art post from being hidden from searches, only link back to the master tumblr post with the story info. If people want to read the story they can follow the ao3 link from there. But it’s better that they actually get to see your art (the ‘advert’ for the story) in the first place so that they know it exists!

Also keep this info in mind if you are linking to your shop or your other socials. Your direct followers will see your shop posts but because of the external links the post might be hidden from searches. Consider doing a mix of posts with direct shop links and ones that get the info out there but link back to a pinned tumblr post or bio post with the outside link.

✨Don’t crowd your art. Many people view tumblr on mobile so your pictures will look small. People can’t really see the details if you put 2 images side by side. Put one image on each line and consider making some cropped images to show close up details of your favourite bits. You need to catch people as they are quickly scrolling past, so be sure that you make it easy for them to see what you are offering.

✨And finally don’t be afraid to do reblogs. It isn’t rude to reblog your own work, it’s helpful. Dashboards can get very busy and even if people follow you, your post might be burried a long way down if they don’t get back online multiple times a day. Reblogs will give them a chance to see what they missed. As long as you are not posting on the hour every hour, most people appreciate 2 or 3 reblogs at different times to save them having to scrolled back for days! 😄 and don’t forget that tumblr is multinational. Time zone reblogs can be helpful.

✨oh I forgot one more thing! Don’t put yourself down! No piece of art is perfect! Ever! But Michelangelo doesn’t start off by apologising that the statue of David is out of proportion. And neither should you! Let your work shine where it shines and don’t bury it in put-downs before you even give others the chance to enjoy its triumphs! You deserve better and so do they!

Those are the main points my friends. If you have any other helpful tips that you want to share, feel free to reblog this and add on points. We were all new to this hellsite (affectionate) at some point. And life is already hard for us struggling artists so whatever we can do to help each other is a good thing 💛

Stay awesome my friends, and happy Arting 🙌🏼😄

[that-student-that-has-homework]

Heyy, I’ve been reading your wonderful one piece works for a while — and I couldn’t stop wondering how are you actually doing those magnificent headers?

Like… hello? The great quality, with additional 3D-alike details I could catch by my eyes? I got only Ibis Paint X on mobile, since I’m only a young man that literally two months ago went on a life-time ‘adventure’ of living alone in a small apartment.

In short — I got no money to pay for additional graphics/drawing programs, not yet at least

Hello!

Thank you! I'm glad you enjoy my writing - I'm curious to know what's your favorite piece / part? Also I'm so happy you like my headers? Makes it feel worth it to spend time on them! :D

I have excellent news for you, I used a mix of Canva and Photopea. They're both FREE!

I'll be explaining the process for making these two kinda? The full tutorial is below the cut, to be courteous to the other folks, hope you don't mind?

Though I am hearing that Canva has given people some grief. But Photopea is just *chefs kiss*

If you've ever used photoshop, Photopea is essentially a free photoshop, and it even has the automation tools! An absolute lifesaver when you have multiple layers you want to export (but that's for larger projects not this)

I'm going to assume you have basic knowledge of layers in digital drawing programs for this. If anything isn't clear: ask me, I'll clarify!

//-------------------------------------------------

My General Process is:

Search for official art / images

bring it into canva / photopea

crop / arrange images to match the dimensions

select a thematic color that is associated with the character

separate the foreground from the background

mess around and test things until they work

//--------------------------------------------------

Given "Louder than Words" is the latest one I've made, I'll start with the process for it.

Dimensions: 3000 x 1055 px dpi: 96

//-------------------------------------------

Let's Get Crackin'

Alright let's grab some official art so we're not using any fanart without the artist's permission

I try to pick images that feel relevant enough to what I'm trying to make. For example: the image for the Matching banner shows the ASCE tattoo which is super important in that fic

2. Let's arrange them onto a banner where each individual image has the same/similar dimensions to the rest

That's probably part of why you like these. To a certain extent they have similar dimensions, so they have a uniformity that's pleasing to the eye! (It's not perfect because I threw perfectionism to the wind because this is tumblr not my portfolio) Tip: if you have 3 images and only 2 that have similar dimensions, and the 3rd one can't be cropped logically: but the one that's a different aspect ratio in the middle!

3. lets arrange them in such a way that the borders all feel like they're the same/equal width/thickness

you might find that you have to shrink some images for this, that's fine.

ALTERNATIVELY: if you're going with one image crop it so it's just the relevant info and it matches the dimensions (3000 x 1055 px)

We have our base! Now let's add some color, and direct the viewer's eye together!

4. pick out a color that you think matches your character / vibe - that color is going to be your background Given I'm making an Ace banner: orange is the color I'm going with

I went and named my layers for this lol. The numbers represent the opacity, and they aren't important. I just kept changing the opacity until I liked the way things looks. But here's the secret to the 3D feel:

Motionblur (+ moving it about)

Separating the foreground and background and dulling out the background.

I'm going to show you my process so you can see the effects, but first let's give you some quick skills:

//------------------------------------

SKILLS / THINGS I THINK ARE HELPFUL

//------- Select Similar

magic wand -> select something -> right-click -> select similar This works best when you have high contrast images (like manga panels that are black and white). You can select the black or the white areas. Depending on what works better for you. TIP! Invert selections with ctrl + i Say you know that you want to select everything but Ace's face in the second panel. Select his face with the magic wand then ctrl + i, and that's the only thing NOT selected

TIP!!!!!!!!!!!!!!! Please, please, please, duplicate your original image and work on the duplicate layer. This helps you SO much. !!!!!!!!!!!!!!!!! TIP! Check your selection tolerance! This could be why too little, or too much is being selected.

//------- The Move Tool

Shortcut key: v While the move tool is active, you can nudge the stuff on whatever layer with your arrow keys Shift + arrow key = 10 px move (generally)

//------- Layer Locking

1- Layer Blending Mode (see Overlay vs Multiply vs Normal) for how this can affect results) 2- Opacity: how see through it is / isn't 3- Lock Transparency (it's the little checker board) 4- Lock Layer (looks like a lock) 5- Lock icon that appears when anything on the layer has been locked More on 3 Lock Transparency: You can only paint on / modify what's on that layer. You CANNOT add anything to any area that is already transparent Here's a demo of what you can do with this power:

Here's the original Image - notice how it's just the lineart with a transparent background.

It's powerful: abuse it

//------- Overlay vs Multiply vs Normal

I think seeing this is the best way to visualize how different modes can affect the color.

//--------------------------------

Back to the Tutorial

!!I IMPORTANT NOTE !!

Please play around with the opacity slider to figure out what opacity works best for you on the multiple different layers we're about to make / work with. It's up to your own style to figure this out. Next: please feel free to not follow all of it. Add more layers, add less layers, take the base principles and go wild! :D

5. Separate the lineart from the background and save it as a new layer 6. Duplicate it and set it to overlay, or set it to overlay immediately

7. Duplicate that lineart layer twice and set the blending mode to overlay 8. lock transparency on the top one and change it to be a dark grey 9. Apply motion blur to both:

Main menu bar -> Filter -> Motion Blur I made it so that the grey layer was blurrier than the black layer

10. More them around a little to give it a "3D effect" as you called it.

It creates shadows under the lines - I was aiming for an effect similar to chromatic aberration (chromatic aberration is a valid way to add punch to your stuff too!)

So this is what things look like now - painful, but let's keep going

11. Duplicate the ORIGINAL / BASE lineart layer, that you DID not apply motion blur to -> set the blend mode to multiply (reduce opacity for it to actually take effect)

okay that's less painful here's what the layers look like right now:

let's bring more focus to Ace's face, and push the background farther away:

12. Use the magic wand tool to quickly select large areas of the faces / focal area / foreground and the lasso tool to refine things

TIP! Hold shift + click -> add to selection Hold Alt + click -> subtract from selection

13. On a new layer with blending mode -> lighten, fill that selection to be white

If you look at it, you'll notice that it is ALREADY starting to draw our attention to his face, but the background is kinda aggressive, so let's dim that down

TIP! Right-click on the gradient tool to find the paint-bucket tool

TIP! Sample All Layers: Turning this option off makes it so that you only work with the content on THAT specific layer. Turning it on makes it so that it is working while taking all other layers into consideration.

14. ctrl + click on the "white foreground" layer to select the contents of that specific layer (pink thing is your mouse)

15. ctrl + i to invert selection and ON A NEW LAYER (layer mode -> multiply) fill that with a complementary color

16. I did one last thing where I took the original base (before we separated the lineart) and added it to the very top and played with the opacity to get something less in your face (layer blend mode was set to NORMAL)

And that's it!

More considerations that I take:

I want the banner to be "thin" or not square, so it doesn't take up too much screen real estate on people's devices

I don't want readers having to scroll too much to get to my writing (which is the whole point of the post, let's not waste their time making them look for things)

I want the banner content to be relevant enough?

ie: with Matching: I wanted the ASCE tattoo to be visible. With matching I wanted Ace to not look too happy in some of them.

I'm also trying to avoid spoilers, I hated getting things spoiled, so I'm trying to be careful that the images I pick don't spoil anything really.

Congrats on starting life on your own! I did that whole living by myself thing too! Tip: keep the pantry stocked with lentils, beans, pastas, baking essentials, rice. They really come in a clutch when you're hungry.

[cowsabungus]

Hey I saw your post about hand tools to get into art for those with disabilities. My brother has been looking into getting into drawing again. He loved watching me draw growing up, and because he was just a little younger than me it never occurred to me/us to look into hand mobility aids til now. And I really want give him a chance to develop a passion for it.

He has multiple osteochondromas and it affects his fingers, they’re kind of… locked? In a curled fashion if that makes sense? He doesn’t have issues with grip, but it does strain his hands. He says he sometimes has trouble with his wrists, but it’s mostly just his fingers. He thinks the ‘egg’ cushion grip would work for him. But I was wondering if you would happen to know what other options would specifically be best for him? We’re both kind of clueless in this category.

Hey!!!

So I'm not sure what the best would be but I have tips for finding the best shape that can work!

So you could first try finding a bumper pack of pencil grips, try searching "kids pencil grips" "disability pencil tool" "writing aid grips" and other combos of those words and you can find packs they make for schools to give to kids, try often have a bunch of different shapes in there for around £10-20

Alternatively you could try getting some tissue and tape, and use them to shape a grip around the pencil, wrapping tissue around the pencil and taping it in place and keep going until you're at a desired thickness/length/shape, and then take that and have a look online for similar shapes for a more sturdy grip !

Or you could try self adhesive tape, or vet wrap, (about £1 for a roll and lots of colours) and use that to get a good fit and shape, plus the added bonus is that that way it's cheaper, squishier and you may like it enough to not bother with buying one that's the same shape!

I hope that helps!!! I wish ur brother luck 🫶

[sammywolfgirl]

Actually no let’s dissect this new layout as someone who has used Twitter for a bit @staff listen up @wip @changes

I used Twitter for about a year because a lot of my mutuals at the time did, and you know what?

I hated the layout.

I didn’t like how I had to keep tabs on my friends because the algorithm would show me shitty stuff I wouldn’t want to see and was so hard to curate a feed

I’m fairly certain I ended up blocking a lot of people because they kept liking pictures of boobs and I didn’t want to see that shit and Twitter never let you turn that off

I ended up blocking people who kept getting recommended because their art made me sick and I didn’t want to see untagged nsfw on my feed

And the side bar sucked, it took me a while to figure out how to post in the first place

And don’t get me started about having a trending tab always right there and how it would set off my anxiety because every day it was just “here’s a new thing to make you want to jump off a cliff!”

Twitter and the way it works is designed to get hate clicks and engage on outrage, is that the method you want to follow?

Especially for a website who’s users are very loudly against that and also like privacy and will literally use outside resources to fix the ‘improvements’ you made because you didn’t think a toggle feature was worth it

Also putting the stuff on the left or right does not draw the eye, why? Because that’s where your hands are. Blocking the features you want to engage with. My eye is drawn up so putting your stuff there works best! It gets attention. Not to the right where my big ass hand is blocking the post button. (This is also why you should put the mobile post bubble back in the bar where it belongs but that’s a topic for another day)

I understand tumblr is in debt hell, but users have stated many times that if you just ask for donations like ao3 they’d be happy to donate

Hell, crab day was thrown around to be just like that.

Listen to your users or they will all leave for the websites you’re poorly emulating.

Tumblr is surviving because it offers an experience NO OTHER WEBSITE DOES

Taking that away just means tumblr is not unique, and users would rather try their luck with a website that’s doing this better.

Like Twitter, or tic tok, or Instagram.

Lean into your uniqueness and just ask for donations like an adult, just a little add that shows up in the add rotation that’s like “like what you see? Why not throw a dollar in the tip jar?” Like frame it like giving money to an artist so they can keep doing what you love, it’ll be charming!

Tumblr will not find success or even break even if you try and appeal to newcomers, every new social media is confusing to newbies, but you know what they do? They learn, and they adapt. And changing everything is going to make you loose legacy users who again, would LOVE TO DONATE MONEY TO KEEP THIS HELLSIGHT STANDING AS IS.

Or do you just not care about the users? The users who have the money you need.

I don’t want to watch tumblr die a slow and painful death like Twitter is.

And you know there’s something oddly poetic about tumblr, the quirky kid, tearing itself apart just to fit in with the popular kids which won’t work out and only lead to hollow friendships that can turn on a dime when you could have found meaningful relationships with the other weirdos who like your quirks and flaws and would have been ride or die for you.

But no we gotta be like Twitter so let’s chop off our arms and legs becsuse that’s what they’re doing

Tkdr listen to your users and open an donations sight so you can keep being tumblr and get money for it okay? Okay. Thanks for coming to my Ted talk

[rennybu]

Hiii Andy! I've adore your art for years and your characters. Their designs are so lovely!! And expressive!! I was wondering if you had any tips for a cohesive character design? Or even advice on adding little asymmetrical details or features? And help is greatly appreciated! Thanks! Wishing you all the best!

HELLOO!!! AAAH Thank you so much for such a thoughtful question, this makes me so happy to hear! I'm so sorry it took me so long to get back to you, it turns out I have way too many things to say about this topic AKLSDHFKLSDG

(pls take this readmore<3)

For the starting point in a design, I try to stick to whatever rules apply for the setting the character is in, and their role in that setting.

Basic colour theory is always at the back of my mind, as well. I tend to use analogous and complementary colours when I design my characters and their closets. Analogous colours keep a palette contained and feeling similar to itself without being monotone. And then using colours that are complementary to that elsewhere in the design adds contrast while still maintaining that feeling of cohesion :D

The intended use of the character also heavily affects what can make a design cohesive or not - it's very dependent on art style and medium. (A design for use in animation would be extremely different from semi-realistic TTRPG concept art. The rest of what I've written skews more towards the second option!)

I consider the colours, shapes and materials that make sense for what I want to convey about the world, and how the character would want to be presented in it. The Dogwood characters are my current exercise; Mel's clothes fit him perfectly since he works a labor intensive job on the farm, and his identity is wrapped up in it so he never strays far from heavy cotton, straight cut. Ryan and Park both wear ill-fitting clothes in completely different ways (Ryan, butchly. Park, autistic and transly) - and they each have work uniforms. Ryan's work uniform suits her gnc appearance (welding coveralls/safety gear), while Park's uniform completely transforms him into "Just Some Guy" and that changes how others read him, too (cashier). And they all shop at Local Thrift Store / Farmer's Surplus / The Walmart 1hr Outside of Town. Their styles give them each a distinct silhouette, and their levels of social comfort as well as public expression contribute to body language, colour choices, and shapes that make them stand apart from each other despite living in the same small bubble. COHESION!

Asymmetrical details and features are my FAAAAV THEY ARE SO FUN, I find inspiration for these in people-watching, nature documentaries, architecture, my reflection, my friends.. <333 This part is also fun to tie in to the character's setting! Springboard questions like. Are they prone to injuries? Magical injuries? Do they have like, modern dental procedures available? Do they give a shit about crooked or crowded teeth? Are they missing a tooth, or did they chip one? Do they smile a lot and have crow's feet/other wrinkles? Do they get a lot of sun, and do they have/use sunscreen? (Even finer wrinkles.) Did they have acne as a teen? Do they still? Are they in a combat-heavy setting, with the scars to show it? Even more uniform features like freckles aren't symmetrical.

Clothing is really good to use to play with asymmetry - maybe the character rolls their cuffs but one is coming undone a little. Jewelry of all types is also great for asymmetry since it can go anywhere on the body!! Facial and other physical deformities or injuries are also incredible to see, and should be researched to find out if they impact other parts of a person's overall health and mobility outright. The different skin texture of a birthmark, for example! I noticed in certain photographs, the subject's red birthmark changed the texture of the skin, so I started drawing Orson with one drooping eyelid on the side affected by his birthmark. The more you look, the more you find!

Before I get too carried away. I try to use asymmetrical details and features as a way to boost that "world setting" cohesion, and to bring attention to parts of the character I am personally endeared by or want other people to notice. Mahon's snaggletooth is an eternal fav, which made me draw him smiling more, which made me more prone to drawing lines around his eyes. And since the anchor is in his left hand, and he tries to hide it subconsciously, I put thumb-holes in his left sleeves, which he plucks through as a nervous fidget, and as a result, his clothes pull a little across his entire body :D ITS VERY FUN to find the right jumping-off point that lets specific details click into place. For Mahon especially, since so many of those details are derived from the setting and his role in it!

Asymmetry and symmetry are just tools at ur disposal. Asymmetry tends to be more comfortable and natural. Symmetry gives a sense of stability and can be pushed for a sense of power, a sense of being uncanny, rigid, etc. Asymmetry can also be pushed into uncaniness depending on what it's applied to!! (But as a matter of personal taste, I find asymmetrical details to feel more natural and inviting than perfectly symmetrical ones. Which. Again. Depending on the character's purpose, could equally contribute to a cohesive design!!!)

OMG ok my final thought. Asymmetry can also be used as a balancing tool which yet again lends to a sense of cohesion. Adding a detail on the left while leaving it out on the right, repeated throughout with different details where applicable. Loam's colour spots, archery gear, scars and jewelry are all areas I've played with this idea.

[thepenguisalive7]

Hello! Just wanted to say I love your comics! If you have any tips on formatting or generally art stuff I would love to know! :D

Owh, hmmm I guess to keep things simple and readable?

I try to make it so you can see the whole think within one page, but that’s because I usually post on twitter, and the one page format is easier to see on mobile.

But! I think the main thing is, give moments you want to focus on the biggest panel! It gives emphasis on how those are the big moments!

Here are some examples of that!

Another thing to keep in mind is you can try and make the characters look towards the next panel!

So the first panel, cellbit is facing egg bad, and egg bad faces towards the bottom panel to cellbit, and so on! I read somewhere before that it helps focus the eye movements!

searching up ready made comic panels, can also help you apply which ones you’d like, to help you plan out a comic! Try not to overcrowd a comic! I have problems with this a lot too sometimes 😆

most of my tips though are from comic panelling tips I find on Pinterest! You could try searching for more tips there as well! For a little extra, you can also search up storyboard tips, as I find that the tips there are also useful for making comics as well!

And I also buy a bunch of comics as a hobby, so I think that helps a little too!

I’m not really the best at explaining 😆 but I hope this helps a bit!

[lady-potato-ninja]

Hello friend! I just came back after a little hibernation, as is my wont haha, and I was really curious about the beautiful formation; the behind the scenes process of your Inktober! Please give us the juicy details about which one is your favorite, what particular child was unruly and difficult, what food did you have before you did X piece? The public must know! (Feel free to add in random observations which I haven't addressed that you'd love to talk about <3)

ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

Welcome back ! 🙈 Thank you for Taking interest in my inktober process 🙂‍↕️☺️!

It's actually the first year I did my inktober digitally and I really liked it! I used to think it would be cheating since there's technically no ink in digital art but now I don't really give a fuck ? Inktober is such a difficult challenge anyway so why add to it with a medium I always get frustrated with? I really enjoyed the switch and I'll most likely do the same thing next year ;9

It's also the first year that I tumbnailed all of my drawings in advance which made inktober much more enjoyable because I didn't have to fumble for ideas whilst inktober was already happening!

I think my favorite drawing was the one with the big fish; it's so silly really but in a mobile game I was playing there was kind of a monster fish (more one the side of a pufferfish really) and it really inspired me 🤣 plus I really enjoy seeing artist whose main focus in art is food? I feel like there's so much knowledge I could find in their art like how they draw the tiniest details in the simplest ways while making it look so tasty 🤤.

My unruly child as you said was definitely the cloud study 😩😩 it was nice to do it but so difficult!! I did just watch an art livestream by Marco Bucci on colors and studies and I 'm already changing the way I'll do studies from now on... If you haven't seen his videos, I strongly recommend it: he is very good at making concepts more palatable while keeping his lessons short and fun! Definitely One of the best I've seen this far!!

I know I had a food theme this inktober but I didn't really do much new recipes in October :000 ! I wish I had drawn Luo Binghe and Mobei Jun eating ramen as well but sadly I didn't think about it 😩! Recently tho I've been trying new things in the kitchen but mostly new prepping methods? I'm craving kimchi tho I haven't had some in weeks 😭( I almost got some at Costco but there weren't any :'/)

If I had to give any tips for going through inktober it would be to use your down time wisely. Whenever you feel tired or unable to work on finishing pieces you should start thumbnailing for others. Also from the Bucci video, turns out maybe using a tinier canva could actually prove to be useful in preserving a lower stroke count and thus a better efficiency! Last, draw what you want and stop whenever you want; I've never finished inktober but I always enjoyed it and what it did for my art progress but I know if I had pushed myself to finish it I would have faced a gigantic art block !

I hope December will be kind and festive for you!❄️🧤

[brie-draws]

hi! do you happen to have any tips/advice for creating pixel art? i'm a huge fan of your work and have always wanted to do pixel art myself but i've found it pretty difficult to understand x_x

Hihi!!! Giving advice is hard because I kind of live by the "fuck it, we ball" way of life but I'll try my best!!!

Not necessary in all cases but I think page sizing is important!! I used to draw on like 3000x3000 canvases now I think I only reach that with refs... I think in general it's easier on smaller canvases, and if you need to size up for posting sake, Photoshop can do it [or I think there's sites that can as well?]. If you're wanting to do certain things [icons/icos, rpgm assets, whatever], they do tend to fit into certain constraints so thats important!! Similarly, there's nothing wrong with drawing something on a 1000x1000 canvas and then scaling down the image to 100x100 and lining over it!!

I tend to sketch with non-pixel brushes first unless I'm lazy, just because I feel it makes it easier!!

A small thing that I'm trying to take heed of too is going back over artwork and deleting some pixels to make the lines less "clumpy" (ofc, it depends on style too! I like thin lines usually though, especially on things that are 48x48 to maximize space!!)

I draw (mainly) in Sai and MediBang (for mobile). Things like MediBang and CSP also have downloadable brushes, which for things like screentoning I find important!! [Usually, I'll draw in MediBang or Sai, edit further in CSP]. For Sai, I just use the standard Binary brush and an edited version as an eraser:

For MediBang, I just go into settings and check "Turn off anti-aliasing" and use the normal pen brush and eraser; Only word of advice though it it does create some not fully solid pixels, but you can either go over them or duplicate the image a whole bunch and then combine the layers.

As for further stuff I think it's also just important to look at things you like!! What started me into pixel art was playing a lot of rpgmaker games [Ib, Yume Nikki, Mad Father, The Witch's House, ectect] Now I also like things like the art of older systems and games, like TokiMeki Memorial 1994 has some beautiful artwork:

And the pixel sprites in all the BlazBlue games has been really inspirational in the last couple of years for me as well!!!

I hope this helps in some capacity 'w'999!!! For me, I think experimenting and playing around with stuff is the most important and having fun!!! [Which is why I'm so inconsistent bc it's just fun to try new things n see what sticks, what you like, can improve on, ectect!!!]

[fefairys]

ok i wanna make my own tips post for the redditors

hello welcome :] here's some things i've noticed it seems a lot of you aren't aware of. i might add more later:

first of all, PLEASE turn on custom theme! you don't have to actually make or find a theme yourself as it gives you a default one, (but it is really fun and good to personalize your blog however you want) but doing this makes it easier to view and search your own blog, as i will describe later. this makes it so that you will show up at yoururl.tumblr.com and not just tumblr.com/yoururl it gives you your own page! it's good!! you can only tick this setting on desktop:

another very important thing: DO NOT FUCKING REPOST ART WITHOUT CREDIT FOR THE LOVE OF GOD. honestly you should not report art without permission at all, but at LEAST credit the artist. and saying "idk who did this but credit to them" DOES NOT COUNT. take some time to reverse google image search and find the artist. if you can't find them, DON'T REPOST!!! turning the art into a meme doesn't mean you don't have to credit the artist!!!!!! AAHHH!! ok.

TAGS/SEARCHING in reblogs, all tags serve to do is (a) leave a bit of quiet commentary, if you're too shy to leave it in the actual body of the post or (b) organize posts on Your Blog Only. tagging a reblog does not make the post show up in the searchable tag. reblogs are not searchable through the tumblr search bar.

to find posts from a certain tag on your own blog, go to yoururl.tumblr.com/tagged/tag. you can also add /chrono to the end of that url to view the posts in chronological order! you actually don't need to tag original posts with every variation of a tag either. for example if you tag something as "r/196", it will show up when just "196" is searched for, because it contains "196" in it. so you dont NEED to tag the post "196, r196, r/196" etc. but i mean. do whatever u want. honestly i think a lot of veteran tumblr users don't even know that. but yeah tagging with a ton of variations like that is unnecessary unless you're spelling something differently or doing an abbreviation as well as a full title, such as "#what we do in the shadows, #wwdits"

also, your posts are searchable by literally any word in the post, whether it be the body, the tags, or even your url. so if your url has 'catboy' in it, and someone searches 'catboy' they will see all of your original posts in the tag lmao. it is pretty stupid but that's how it works.

on that note, FILTERING with filtering tags, it is very specific. so if youre content warning tagging something, please just tag it with the word, like "#blood" because if you tag it "#cw blood" or "#blood ///" people who just have "#blood" blocked, will still see the post! lots of veteran tumblr users don't seem to grasp this either 😭

you can filter out words as well as tags, but that can get tricky because if you filter out "rape" words like "grape" and "drape" will also be blocked, so i only use the word filter to block peoples urls. because even if you have someone blocked, you can still see people reblogging their posts, so if u don't wanna see them at all, block their url as a filtered word.

you can do all of this in the regular ol' 'settings' tab on desktop. on mobile it's settings -> general settings -> filtering

PAGES something i love about tumblr but is getting used less and less is the ability to make separate pages on your blog. the option to do so is all the way at the bottom on the theme customization panel. (only available on desktop tumblr)

nowadays a lot of people just make a carrd and provide a link to that, but tumblr allows you to make your own separate blog pages! a lot of people use this to make "about me" pages, since it provides a lot more freedom than just the "blog description" section! you can put images on there, and just completely code the whole thing yourself! unfortunately, these pages aren't visible on mobile unless you link to them in your blog description (see my blog as an example) using <a href="link">link title</a> lots of people have links like this in their descriptions that lead to about pages or carrds! you should click on these to learn more about the person you're following!!

some people have "DNI (do not interact)" or "BYF (before you follow)" pages to set boundaries on who they do or don't want following them, as a warning of like "hey if you fall under this criteria and you follow/interact with me, you're getting blocked" so those are good to check for! some folks have lots of strong opinions on these that theyre "stupid" or "useless" but really it's just a warning and setting boundaries. like, if you follow me and ur not supposed to, i'm just gonna block you anyway, it was just a warning that that's what was gonna happen!

speaking of blocking, just fuckin' block whoever you want whenever you want. if you find someone annoying just block them. if they post something you don't like just block them. there's no need to get into an argument. just block! and they're gone! wheeee!!

SIDEBLOGS!!! you can have separate blogs from your main one that are connected to your same account! some people have tooooons of sideblogs for every single fandom they're in, some people just use their main for everything. it's up to you!

note that you can only like posts, send asks, follow people, and reply to posts under your main blog url. sideblogs are just for posting and reblogging in a more organized manner :] it's good to say in the description of your side blog what your main blog is so people know who you are when you like and reply to posts and such! (and also to list your sideblogs somewhere on ur main for the same reason. i use the aforementioned about page for this ^u^)

um that's it for now! there's a lot of other things i could talk about, but i'm sure other posts are covering it.. these are just ones i really want to iterate, especially the tags thing cause i think a lot of tumblr users don't even realize that lol ^u^ i've been active as fuck on tumblr since 2013 so I can answer questions if you have any :)

[djudjuxd]

As a pixel artist, I wanted to ask if you had any tips for making pixel art, as I'm working on a mod

well... I don't consider myself a "pixel art artist" yet because I only made two drawings...

BUUUUUUTTTT

I can give you some tips like I did, it's not as complicated as it seems because if you know how to highlight and add light to the drawing the rest is smooth! I use ibis pait x (mobile) because it has a brush that already does the job of making pixels:

(I'm Brazilian, so the app is in Portuguese) the brush will probably be called "point" in English but this brush could probably be in any other art app (I use it at thickness 3 to add more "details" to the drawing )

The LINE 3.0

But before using the pixel brush, I recommend first making the drawing you want normally with a normal pixel (like the one I made from Sally)

well to make the linear (in my way you can outline the entire drawing with the pixel brush in black) I like to use a very dark color for each part of the character (the hair on Sally's mouth is a very faint peach so... . I took a "coffee with milk" color to be the outline and the hair on the rest of the head I made it a very dark brown

(The diference of colors)

Now comes the part I love most, shading! Well, going back to the previous explanation... between the strongest color you chose for the lines and the weakest color you painted the character, you have to choose the colors between this limit, making a gradient across the character.

I like to always use 3 colors (not counting the color I painted and did the linear) for shading, so the strongest color has to be just a little lighter than the previous color, and so you just go up to get more of course (always remember that your limit is the color you painted the character as that will be where the light "hits")

also always separate the body parts (for example the hair I had done before and the character's face are separated)

If the character has any clothes, accessories or even hair (which is my case) including the shadow.

and this is the result uwu (I hope I gave you some help and good luck with your mod uwu)