#I want to draw art inspired by as many episodes as I can while they air. this is my art for episode 1 obviously

[giantratarts]

I redrew a scene from S3 Episode 1 c:

[amorfista]

[WIP] "Shenanigans at the beach"

The Dad Batch (and Omega) deserve a day of blissful relaxation, I don't think there's anyone out there who wouldn't agree!

While Tech is taking the best nap of his life [Part 1], Omega and Wrecker joined efforts to make the coolest sand-Tipoca city there is out there!

But hold up just a second...

-"Hey Wrecker, look!"

"...now wouldn't it be a shame if someone was feeling extra mischievous today?" Omega thought to herself. Turning to her left, lips pressed in a smile, she discovered Wrecker mimicking her expression. Apparently, he had just read her mind >:).

Tech had felt such peace, such safety that he had fallen into a deep slumber, further fueled by his usual lack of sleep.

Tough seldom wrong, today he was.

Because at this moment Tech was, in fact, in grave danger.

...TO BE CONTINUED!!

[Part 3] [Part 4]

(Acknowledging the lil' banner for a fraction of a second, it's just something I'm testing out and would like some feedback if you'd be so kind to give it :)) I'll probably make it just a tad bit more refined and (possibly) include the members of the Batch appearing on the post? but I might just randomize it for fun too. Thank you for taking the time to read this!!)

OKAY SOO. I decided to post these two drawings that I completed a few days ago because:

- once again i deadass couldn't wait anymore💀

- I have decided to make as many "beach episode" themed drawings as I can during the summer (and fall if we get there cuz why not) so i'll just post them as I'm done with each of 'em! I have SO many ideas for it and I want it to be a big project and not some sketches as I had initially planned. I want to make it WHOLESOME and HEART MELTING!! Whenever I get burnt out or need some fresh air I'll draw other things, probably still within the Star Wars theme because the brainrot is real🤓, but just letting you know in advance because AAAH!! this is a big thing for me and I want to share it with you guys because love is all you've shown me and I want to reciprocate 💕 🥺 

- and last but DEF NITELY not least I want to celebrate thAT I REACHED 300+ FOLLOWERS TODAY!! AND ALSO 1000+ NOTES ON MY OMEGA DRAWING??!! IN LIKE NO TIME TOO!!? WHAT THE FRICK. THANK YOU SO MUCH EVERYONE!!

Never before had my art had such an impact in a community. I am so grateful for all of your comments and interactions with my drawings, it's a ridiculous boost in inspiration and confidence :) It makes me want to push my limits every time!! So once again THANK YOU!!☺️ 💕 

Here's my taglist, just let me know if you wish to join!! ♥

@dukeoftheblackstar @justalittletomato @darthmaulshispanichousewife @botherbother-blog @aftergloom @badolmen @ihaventpickedausername @ohboi @stardustbee @nik-barinova @the-chains-are-the-easy-part @gen-has-green-vibes @ejfivercommander @herbalinz-of-yesteryear @eyecandyeoz @noesqape @lune-de-miel-au-paradis @staycalmandhugaclone @callmesunny04 @freesia-writes

[yan-lorkai]

Hi!! I loved your hcs of the Octotrio with a yuu that seems to only have a talent in art. I related to it a lot because sometimes I feel like I’m not good at anything else other than drawing.

I was wondering if you could do the same prompt with Riddle, Ace, Deuce, Cater, Leona, Malleus & the Scarabia boys please? If that’s too many you can just do Leona, Malleus, & Scarabia. Thank you 😊

.⁠｡⁠*⁠♡ A/N: I guess everyone has one of those episodes, huh? I've been writing for more than 8 years now and sometimes I get hit by the "aa but I'm only good at writing, I should totally try something" and then I try something new and hate it bcs I really love to write and nothing can compare lmao. Anyway, I hope you like this darling, I did all the characters requested too btw ~

.⁠｡⁠*⁠♡ Ace would be playful and encouraging, but his competitive nature would lead him to manipulate situations to keep you close. He’d play little tricks to make sure you stay dependent on him, offering "helpful" critiques that subtly undermine your confidence in anything but your art. His lighthearted facade would hide a deeper need to be the center of your attention, he is your muse, the one you use to practice, the who inspires you, making sure that you see him as the only one who truly understands and supports you, all while ensuring you don't realize how he’s subtly sabotaging any other talents you might want to try to explore, for he fears you will not want to spend more time with him anymore if that was the case.

.⁠｡⁠*⁠♡ Cater would use his social media prowess to make you art the talk of the school, ensuring your work — and by extension, his support — is always in the spotlight. However, his validation would come with a price, as he subtly isolates you from others, creating an environment where you feel your art is only appreciated by him and his curated audience. Cater’s charming persona would hide his darker intentions, as he manipulates your into believing that your worth is tied to the art you create under his influence, all while keeping you emotionally dependent on his constant praise. You're already good at other things, so surely you don't need to have another hobby, right?

.⁠｡⁠*⁠♡ Deuce, unlike Ace, would be fiercely protective of your artistic talent. He’d encourage your art with an almost desperate intensity, pushing you to try different brushes and pens, different scenarios and things, but he'd also pressure you to stay focused on what your good at, ensuring you don’t waste time on things you never tried before. His possessiveness would manifest in his need to be your protector, to the point where he'd become intimidating towards anyone who tries to steer you away from your art, that does not apply to yourself, while he think your drawings / paintings are very beautiful, he would not force you to make it more if you're having an episode where you doubt your skills and think you are good only on the art field. If you want to explore new things, Deuce will be by your side the entire time.

.⁠｡⁠*⁠♡ Riddle would be intensely supportive yet controlling, pushing you to perfect your craft while ensuring you don't stray too far from his strict rules, even more if you are already his lover. His obsession with your success would become borderline suffocating, as he constantly monitors your progress and enforces discipline to keep you on the right path, nurturing your already beautiful talent. To Riddle, your art is flawless, it's personal and have a touch of you in every drawing, be it digital or traditional. When you come to tell him about your doubts, about how you're only good at art, Riddle promptly sooth you with gentle words, albeit he is a little awkward while talking. He offer to teach you about whatever you want to learn but be prepared because he is somewhat a strict teacher.

.⁠｡⁠*⁠♡ Leona would admire your dedication to your art, and he would ask questions about it too, learning as much as your interest as possible. However, his possessiveness would be almost primal, keeping you close under the guise of protection, ensuring you don’t waste time on anything — or anyone — else. Leona would be dismissive of your attempts to explore other talents, reinforcing that your art is the only thing that matters. His control would be subtle yet overpowering, as he ensures your world revolves around him and your art, leaving you with little room for anything else.

.⁠｡⁠*⁠♡ Malleus would shower you with endless admiration, captivated by your artistic talent, even more if you were influenced by an artistic movement. He'll notice all the little details, the subtle way the traces converge, how the color scheme is perfect, the way the shadows and the light reflect. He is your number 1 fan, so supportive of you. However, his intense fascination would drag you into his lonely world, where your art becomes your only outlet and he is your audience - though he has your drawings framed and hung on the walls of the castles, so everyone can look at it and admire. Malleus may not understand your struggles and why would you want to pursue another hobby, but he can arrange anything you may want to try at least once, from singing and dancing to sewing and knitting, even the art of potion making, archery or fencing. He just know you're going to find something you like as much as your art, and if you are happy so is he.

.⁠｡⁠*⁠♡ Jamil would secretly nurture your talent, subtly guiding your creativity while undermining any attempts you make to excel elsewhere, he sees your art as something free and with many meanings - it makes him relaxed in some sort of way and Jamil wants to be a little greedy here, he wants you to continue creating more pieces, always keeping you under his watchful eye as you started drawing / painting. There's just something so intimate, so calming about it he can't wrap his head around. He loves watching you creating your art, feeling is guard lowering just a little. If you ever approach him with your doubts, Jamil take you to the kitchen so he can teach you a few things about cooking. It's a different kind of art but when all is said and done, it's just as good as when you're creating and make you feeling accomplished.

.⁠｡⁠*⁠♡ Kalim would be so overwhelmingly supportive and enthusiastic about it, showering you with gifts and opportunities to nurture your artistic talent, buying everything you may need to create your art, a new software? Sure, no problem, he brought the most expensive one too. A few new pencils and pens? Right away. You need more frames and paints? It will be here in a couple of hours. However, his naivety mixed with possessiveness would lead to unintentional control over your life, as he tries to keep you happy and close by his side. Kalim’s well-meaning gestures would create a gilded cage, where your art flourishes but your freedom is slowly stripped away. He would be oblivious to the suffocating effect of his love, believing that as long as you're happy creating art with him, nothing else matters, leaving you feeling trapped and not knowing how to communicate with him. He have done so much for you already!

[nipuni]

Hello! Time for another blog post! I think my last one was two months ago and a lot has happened since 😊

We have been attending a ton of historical recreation events so I still have many photos to share, hope you don't hate those! It's been really fun! We are exhausted and all out of social battery however so we are taking it easy this month. Another thing that's been happening a lot is that even when we are not dressed in historical clothing we keep getting stopped by strangers on the street because of our everyday outfits, it's been like that for a couple of years now so we are no longer startled or nervous about it but it's happening more and more often now and it's so nice! we always end up chatting about the events we go to and our jobs and hobbies and exchanging contacts or they ask for photos and stuff! people are really kind and excited about it and I still find it so surprising in the best way. We grew up in a very hostile city and environment and that makes you paranoid and cynical so these interactions and response has been healing really. I know their words will stick with us for years to come 😭 Sadly the unbearable heat is starting though so that means our outings for the next three months will be limited to the crack of dawn and after sunset 😞 but at least the summer brings a lot of fruit with it so we can sit at home and eat pineapples and strawberries while we wait for autumn.

My family came to visit a few months ago too and we made them watch most of Doctor Who's season one to four and some of our favourite episodes from all the other seasons lmao. And much to our delight they really enjoyed it!! They both loved Ten the most and my step dad is now in love with Martha 🥰

We have also been watching the current season and it's been so fun keeping up with fandom theories in real time and talking about it and speculating with friends in person, it's the first time we get a chance to do it since we got into the series and we are enjoying it a lot!

We also watched season one of Jessica Jones and we loved David's performance as Kilgrave!! He stole the show for real. Kilgrave is such an incredible villain, one of the best I've seen and DT does such an amazing job portraying every aspect of him. He's detestable and volatile and frighteningly powerful and has such an intimidating terrifying presence in the narrative while also being pathetic and vulnerable and ridiculous and childish and so human with all it's worrying implications. It was just so gripping and I wish he had stayed for the rest of the show honestly!! Now we have to pick our next David Tennant series to watch! 😊

Also!! Dragon Age is back!! AHHH I wanted to thank everyone that commented on my last DA pieces, it has made my month to read the comments, I didn't expect so many people to remember my art or my character after so many years and it's so touching and flattering you have no idea 😭💘 I look forward to making more and sharing them with you all, I'm truly grateful for the kindness you've shown me both back then and now I hope you know.

I feel so spoiled lately with all these franchises that I love releasing new content!! I've never been in these many fandoms at once!! I have so many ideas to draw and keep jumping back and forth between drawings from different shows and games AAAAA it's a good and welcome change honestly, keeps me busy and inspired!

Anyway that's all for now I think! I hope you are doing well and this summer/winter is kind to you all ❤️

[hazshit-hotel-hater]

Surprise! I am going to rant about my own redesign and art! I think this is me mentally preparing for the helluva boss episode next week and praying to god it’s actually good. I’ve also been nursing a bit of a hangover today so forgive me if my wording is a bit more jumbled than usual

Im a big fan of my Angel Dust redesign, but in the general aspect of my art, a lot of my poses are a bit flat. That can be from either posing issues on my end, trouble with facial features, or just some secret third thing, but I think so far Ive been enjoying drawing much more cartoonishly as of recent. That vox canon & headcanon drawing was super super fun to do even though it was supposed to be vivzies style, but I used to have a style with more sharp angles and pointy curves that I honestly kind of miss, I also miss playing with cartoonish proportions!!

My art style may end up changing eventually, but my main pieces will stay in my usual style and my more doodle-y ones will probably be in a more cartoony style like the ones above. While theyre definitely closer to canon and meant to be inspired as such, the difference is that I can draw diverse body types in said artstyle! I also cant lie, Angel’s chest fluff is one of my absolute favourite things to draw and it’s so easy in this style…

About my redesigns though! This is mostly about Angel, but I’m gonna slap this here from DMs with a friend: “Im so pleased with this genuinely im so happy he has his little pedipalps, theyre technically also still his fangs but now he can move them and stuff and :33 typically for male spiders the pedipalps are a reproductive organ but that isnt the case for angel or many other arachnid or insect sinners id say so I think personally most of them have developed pedipalps for primarily other reasons like fangs in Angels case or maybe something similar to cat whiskers for other people”

In my original angel dust redesigns I just couldn’t find a way to draw his fangs in a way that made me happy because I want to keeo the same energy in his face as the original. Big clunky fangs that stick out just didn’t work for him and while they made him look like a spider, he lost that sort of angel-ness that I need when drawing him so I instead looks to the pedipalp aspect of spiders to move them off of his mouth and more onto his cheeks. It’s a very small change but it improved the design in my eyes significantly and just really made me a lot happier. I wont be updating his redesign post as of right now and maybe never will, but if I do yknow why now!

I just really really like drawing this guy a bit rubbery, hes supposed to be fluffy so like he should move kinda soft in a way? I dunno how to explain it rn, its 2 AM at the time of writing this so im gonna lay the hell down now!

[maniculum]

Bestiaryposting Results: Rabyeang

This one's posting a few hours later than usual, because due to various circumstances, we ended up recording an episode of the podcast this evening, so I didn't have time to get to it until now.

Anyway, odd and somewhat uncomfortable entry, some parts of it seem clear though. Genuinely interested to see what comes up because I haven't gotten around to checking in on it until right this moment.

Anyone who isn't sure what I'm talking about can find out at https://maniculum.tumblr.com/bestiaryposting.

The entry our artists are working from can be found here:

If you want to join in on drawing the next one, that entry can be found here:

Art is below the cut in the order in which it was posted.

@silverhart-makes-art (link to post here) decided to go with an aquatic creature to make it easier for it to interact with lampreys, specifically a shark because they give live birth. I think the post here is pretty great, and including a lamprey is quite nice actually. Extremely cool-looking all around -- I encourage anyone reading this to check the linked post for a more detailed description of what's going on here and how the artist reached this design.

@cheapsweets (link to post here) has drawn two snakes in the act of twining around each other as the female bites the male's head off. Kind of like a caduceus that's gone wrong somehow. Going in a snake direction makes sense, and the entwined pose I think makes it work. They have also included a rather cute bonus sketch in the linked post along with the explanation of their design, which I encourage y'all to check out. (Also thank you for providing alt text.)

@coolest-capybara (link to post here) has made a very eye-catching but also somewhat... worrying creature by taking inspiration from Surinam toads and orchid mantises. The way those two inspirations are merged is really clever, I think, and as usual I love the medieval-inspired style. This is a creature I appreciate in drawing form but would probably find quite off-putting in real life, which I think is a sign of good design. (Also, thank you for providing alt text.)

That's it this time around, I'm afraid -- this particular entry doesn't seem to have sparked inspiration in many people. (Understandable.) So let's check in with the Aberdeen Bestiary.

So, as I'm sure you've all guessed from the highly accurate illustration, this is the viper.

(I'm getting increasingly curious about what the deal is with this very specific head design you see on so many medieval creatures.)

So yeah, the bit with the lamprey is presumably complicated by the fact that one is an aquatic creature and the other terrestrial -- breath is going to be a concern, at the very least.

I think knowing it's a viper explains a lot of the entry: in the medieval metaphorical space, a viper is of course Very Wicked, so they really run with that here.

I wasn't aware vipers gave live birth, so I Googled it (apparently they do), and interestingly one of the top results was this Quora post:

So apparently elements of this are still hanging around, if someone is asking on the Internet whether vipers really eat their way out of the mother. Also interestingly, the answer makes note of other medieval myths about vipers, including both the head-biting and the lamprey thing. (And also one that female vipers look human above the waist, which is a new one by me.) Instructional.

[miru667]

How do you manage to stay in a fandom for so long? I'm always mario jumping from fandom to fandom every 3-6 months

Oh, so many reasons. I think I've answered this before but in a much more concise way so idk what happened here when I tried to answer again from scratch but uhhh I wrote a lot lol?? Long ramble time. 😂

I found this fandom at a point in my life when I really emotionally needed it, so I got really attached to it. I stayed because of the friends I've made in it and because of the OCs I got invested in, both mine and other people's, and every so often something invigorated my interest like a new roleplay I got to join or new concept art that got discovered.

I'm also just a really dedicated person (for better or worse) and I still have ideas that I want to get out there creatively. I don't get a lot of free time, and I rarely have energy for hobbies after work so my time passes slowly in the sense that I may still be in the middle of appreciating a thing, meanwhile everyone else has already sped through and processed it and moved on.

So I've gotta be really careful about choosing what to spend my limited time and energy on. It sometimes takes me a whole month to draw a piece of art that I'm proud of. It would be a huge waste of my time to spend so much energy on a fandom that after 3 months I think I might not care about anymore.

And like, if it's going to take me a month to draw 1 thing, what am I going to choose? Fanart of a character from a show that I just finished that I might possibly move on from in 3 months? Or art of my darling Audrey OC that I've been developing for years and whom I know will always bring me joy for the rest of my life? It's not a hard choice! Like I'm sure it's obvious by now but I really love my oc. It's gotten to the point that I look for her in every media I consume. I like characters because they remind me of her, and I like plots because they remind me of her. When I watch a movie and end up loving it, I'm not going to be drawing fanart for that movie, I'm more likely going to be drawing Audrey Grace in some way that's consciously or subconsciously inspired by that movie. I'm sure other people with beloved ocs can relate to that, too.

Back to media consumption: I'm constantly watching new things, shows, movies, letsplays, and I'm able to love them just fine, but I never participate in their fandoms (unless you count reblogging fanart as participation. I personally don't). I just don't feel motivated to and I feel like it's unnecessary. I shouldn't need to prove anything. You can appreciate media without engaging in fandom. In fact, I encourage it, because a lot of what I see in fandoms these days is just stressful, at least to me. And I don't want that stress. I'm much happier as a person when I don't have to read other people's opinions, discourse and drama over some show's themes or ships or whatever. I can just quietly revel in my own enjoyment of the show without being tainted by anything else, and my love for it is not any less valid than the person who's livetweeting their loud emotions while watching the same show and putting out fanart 1 hour after every episode. Bless them, though.

And I guess that's mostly what I do these days with the Onceler fandom, too. Appreciating it more quietly these days, I mean. It's just that...I have a fandom related oc so I draw her. And I have friends here so we do stuff together and we reference fandom inside jokes no matter what activity we're doing. If I encounter art that deeply moves me personally, I reblog it, just like I reblog art for other media on my sideblog. When anyone has a fandom history related question, I'm eager to answer because I don't want the past to be misrepresented or misunderstood. And also, since it's been over a decade, this fandom has long ago become my daily normal. I can do whatever I like but I can't really "leave" this fandom unless I delete all my social media and cut off all my online friends. And delete my memories of the past 12 years of my life as well. Just become a completely different person.

So I guess I can reverse the sentiment: I can't relate to people who hop fandoms every 3 to 6 months. 😭 All the power to you, but that's just not the way I happen to live my life, nor the way I engage with the media I consume! The Once-ler fandom was the one exception. It was special.

But who knows, anything can happen in the future. I'm not so proud that I'm purposely blocking myself from looking at other fandoms or anything. I just go with the flow! Right now I'm slowly making my way through jjba, an omori playthrough, a Plague Tale playthrough, and urusei yatsura season 2 (the new anime). Probably nothing will come out of any it except for a bunch of Audrey inspos, but again, who knows. XD I'm also going to an idkhow concert soon, and I've bought merch from their store already. Does that count as participating in a fandom? Maybe not. But now that I think of it, even if I "join" another fandom, it doesn't necessarily mean I'd leave the onceler fandom either, so maybe it wouldn't matter haha.

Thank you for the ask and thank you to anyone who's read my entire answer!

[onepiece-oc-archives]

Heyy, any tips for dressing OCs? I struggle a lot coming up with outfits that look unique while looking like it fits in with the rest of the characters and the world.

Hi, thanks so much for your ask! Boy oh boy do I have tips for you, so buckle up! I'll try to keep this as straightforward as possible, but if you get lost on the way, I'll give examples at the bottom of the post.

First of all, it's important to have a feel for the character's personal style. One of the first things I do for every new OC I create is usually to hop onto Pinterest and make an aesthetic board for them because it just helps with so many things. Sometimes, you'll just stumble across the main design detail of your OC on accident! For example, my OC Aurelia's signature claws just showed up when I searched "gold aesthetic", and I decided that this was the way to go.

But let's go back: How do I even know what to search for? Well, you might want to have a basic concept for your character. What are their inspirations? What is their background? Do they prefer clothes that are more practical or more stylish? Do they have any signature colors? How do they come off in the eyes of other people and does that match their fashion sense? How rich are they?

The last point may be helpful to get a basic idea but, in the end, it doesn't have to be the deciding factor. Let's take the Straw Hats, for example. At the start of the story, they're not exactly rich. Still, both Sanji and Nami are walking around with nice clothes. Nami steals her clothes or bargains with (or threatens) the vendor until they give her a huge discount. Sanji, meanwhile, probably had a good bit of money before he left Baratie since it was a fairly successful restaurant, and I'm willing to bet that he probably only has one or two good jackets, so he might look high-end, but he's actually not very rich at all.

What I'm trying to say is: Knowing how your OC acquires your clothes can be a huge help both for their character design and for fleshing out their story.

Otherwise, just throw anything about your OC you can think of into Pinterest's search bar, glue "outfit" or "aesthetic" to it, and you'll probably find some good inspo for your OC's clothing style.

Now that you have an idea of their fashion sense, time to make it fit in!

I'll be the first to admit, the early animanga art style doesn't really leave a lot open for detailed character design, but once you get further into the story, you can practically go completely wild.

The first thing I'd think about is: What's your OC's place in the world? Are they a Marine? Great! You can draw them in uniform! A noble? What culture is their kingdom inspired by? A pirate? What are their crewmates dressed like? After all, some crews practically have their own version of a uniform or at least a theme.

In the end, someone's clothes "fitting in" probably isn't as much of an issue as you think. Yes, the Straw Hats' outfits look pretty simple in the early animanga episodes, but... take one look at OPLA or even try imagining their outfits in real life and you'll figure out at that isn't necessarily the case. They're just simply drawn because it's a simple art style. One Piece is such a diverse world that almost anything goes. You can go surprisingly far into sci-fi or steampunk or historical, whatever you like, if you play around with it a little.

A thing that I like to do is to take inspiration from the characters that my OC is close to. The Straw Hats are especially great here because, for a lot of story arcs, their clothes collectively have a theme, but they still manage to be individual and unique. How?

The details. It's all in the details. Even if your OC is a Marine, you can make them unique through the details. Think about Coby! How is Coby unique? Pink hair and those signature glasses! Most of the Straw Hats have one design detail that carries on throughout pretty much all of their outfits, be it an accessory, a color scheme, a pattern... Luffy has his straw hat, obviously. Zoro has his swords, earrings and bandana. Nami has circles and stripes. Usopp loves himself some overalls and, in the animanga, his goggles. Sanji almost always wears a suit or at least a dress shirt and, if he doesn't, the outfit is most likely blue. Think about how this works for your OC. What's the one detail that carries on throughout all of their outfits? That's what makes them unique and recognizable.

But details can also help tie your OC into the greater world. Remember that you are an artist making character design and you're free to throw in as many easter eggs as you want. They can really add to an outfit. Adopt an accessory from a character that your OC is close to! Make the pattern of their clothes a nod to someone or something or someplace else! That's what brings your OC to life because it's what people do. We steal each other's clothes, we buy matching outfits, we unintentionally and subconsciously pick up on or play off of other people's sense of style... It's a natural process, maybe even a sign of love, and it's one of my favourite things to see in art or character design.

To maybe put this all into perspective, let me walk you through how I came up with the outfits for two of my OCs, from two different backgrounds and parts of the world.

OC no. 1 is my beloved Akaito Coraline. Cora is a tailor of considerable fame throughout the East Blue and ends up joining the Straw Hats because she's childhood friends with Sanji. Finally, she ends up dating both Sanji and Zoro.

Practically the first design detail I had about her was a nod to her family, because her family and their tailoring tradition is a very important part of Cora's character. So, it was decided that she would have a sewing needle pierced through her ear. Her profession as a tailor also made it pretty self-explanatory to me that she would prefer clothes that are, well, tailored, and she most likely makes all of her clothes herself. So, she could wear fitted blouses and other fairly intricate or expensive stuff without actually being rich or being able to go shopping often because she can sew those clothes herself - which is also a lot cheaper. It also occurred to me that Cora would have a love of fashion and would probably put fashion over functionality in her outfits. Because of her backstory, I also knew that she would keep her back covered. Lastly, as a pirate, she would have to have some kind of weapon, and I decided on a rapier, because it's elegant, feminine, fashionable, and long and pointed like a sewing needle.

In the end, I threw all of those things together, picked reference images from Pinterest, slapped them into my drawing program, and, through trial and error, came up with this:

Base by Hevis-Swan on DeviantArt by the way - use and credit bases, kids, it really helps!

We've got the sewing needle through the ear and one of Zoro's earrings to link her to him. We've got a form-fitted blouse and vest where I made sure to actually draw the different panels so you could have an idea of the sewing process. The black things on her sleeves are sleeve garters, which are meant to hold your sleeves up while you work, and I figured Cora might wear them as one of the few things she wears for practicality's sake - but they're also made of lace because she loves her fashion. The idea to have her wear pants was more of an afterthought because I absolutely wanted the holster for her scissors, but the pants are based off a pair that I own myself! The belt is based off of historically accurate belts used to hold rapiers in the 16th and 17th century. Those boot covers are extremely impractical to button up, showing Cora's "fashion over function" principle. Finally, she wears heels because she's short and likes the extra height, and the anklet is a gift from Sanji, hence the blue and silver.

On a different note, we have OC no. 2: Dracule Aurelia, the wife of Dracule Mihawk. If you've ever seen Mihawk, you know that he's one fancy man, and the same applies for Aurelia. She is rich, filthy rich, and she's an incredibly powerful pirate. Her vibe is that of a mafia boss, a femme fatale, of power and deadliness through beauty. Her epithet is "Black Widow" because all of her lovers keep dying one way or another. Either by her hand or through other mysterious circumstances.

With those things in mind, I was already pretty sure of how I wanted to draw Aurelia and what clothes she should wear. "Aurelia" roughly means "the golden one" and, combined with her incredible wealth, that already guaranteed that she'd be wearing a lot of gold. Secondly, I knew her clothes had to be sexy. There's no other way to put it; she had to be turning heads. She also needed to be able to kick people in the nose. And lastly, I wanted it to be easy to see that her and Mihawk were married, so I took a lot of inspiration from him.

Bases by Fluffy-foxgirl and Alex-Hime on DeviantArt

This outfit is essentially one big easter egg hunt. The flower symbol is found on Mihawk's sleeve, the long coat is inspired by Mihawk and the collar is both a reference to him and Aurelia's father (whom I will not name here for spoiler reasons), she wears crosses just like Mihawk, the feathers on her headpiece are a nod to the feathers on Mihawk's hat, the petal-like sleeves are a nod to the island she's from... But the outfit is still 100% her! The way everything is very revealing, the gold chains, the claws, the high slit, the dagger with the spider in its pommel...

So yeah! I hope this helped at least a little. Hope you're having a wonderful day! ^^

[alanaartdream]

if u were to rewrite fop how would u fix her character?

I’d probably do an episode trying to figure out why she’s so obsessed with being Trixie’s friend (or why she wants to be her so bad) and maybe how she 1st develops a crush on Timmy Turner

Maybe he was nice to her in the past; that sort of thing but now my mind is fairly odd parents a new wish; most likely her and trixie are all grown up and living their young adult lives and who even’s knows if they’re still friends or still talk to each other

*felicity fairy pops in*

Felicity: “sorry can’t really help you with the past; that’s father’s Time’s job; but if you want help with creating art or getting inspiration for a story;

Helping out with the cat disbuting services (she helps cats find their right forever homes in her spare time) or need information of all things involving all the records of fairies AND fairy-World then I’m the fairy you call”

Ok edit time because I’d like to add in some more sketches I did once I am more awake now and on my way to getting ready for work

My fairy Felicity gets to travel to different times and universes as long as she doesn’t muck around with Time and don’t change time because that’s Father Time’s job so anything involving time you have to go through him (she has his number to call him if time is involved; she doesn’t muck around with time and upset Father Time; it is now a rule many a fairy has to follow you gotta check in with Father Time; mucking around with Veronica star would be mucking with time atm and we cannot do that; but what felicity can do is show recordings of the past by making little moving screen show up and play events like a little flash back; heck she’ll even magic up some movie treats and drinks so while you’re watching it you can snack) also I see her wanting to become Timmy’s assistant to help him deal with all the lawyers paperwork he’s most likely gonna need in @jessadamsdraws the deal au *she’s been working on trying to induce herself to him to work as his assistant being as it seems he needs one (( also she soo wants to get out of fairy world and doesn’t feel like she could handle being a god parent without getting some experience of what earth is like now; she was a human child from Australia from a time when England was sending convicts to Australia then got turned into a fairy so only times she gets to be on earth is to help cats find their forever homes and she wishes to see how humans have change from when she once was one long long LONG ago))

Also did some more sketching of Timmy and one of Hazel those two characters are quite fun to draw and are very interesting for me to try to learn more about them

[raven-at-the-writing-desk]

episode of savanaclaw chapter 1: the importance of visuals in conveying character

ADDEDUM: Sorry if you experience weird formatting and/or see repeated paragraphs when viewing this post; for whatever reason, Tumblr gave me a really hard time editing, formatting, and saving this OTL It looks totally normal on my end, but I’ve heard from some people the post looks wonky to them 💦 I’m not sure how to fix it…

The turtlesoupscans team has the first chapter out! ^^ (This is also the scanlation from which I borrow the images used in this post!)

Something I noticed when taking a closer look at the Episode of Savanaclaw is that the new mangaka is really good at drawing eyelashes 👁 👄 👁 There were so many times when I actually made a full stop while reading to admire the eyes and the lashes on like. EVERYONE especially on L*ona. I really enjoy that aspect of the new artwork! (I don’t know if this is just me, but Leona’s tail and hair also seem much longer in the manga adaptation than in the game…?)

… OKAY I NEED TO TALK ABOUT THIS NOW

I mentioned before that the manga has the advantage of using visual storytelling to help convey character in a way that the game can’t. I previously explored this concept as it applies to Cater’s general character in the Episode of Heartslabyul. But but but— (and I cannot stress this enough 😳) just from the first chapter alone, I think that the manga’s visual storytelling is going a long way to enhance episode 2.

So like in the game (2-6), there is a dorm leaders meeting in which they discuss the upcoming Magical Shift/Spelldrive tournament. It is here where Crowley suggests inducting Malleus into the Hall of Fame in order to take him off the field and give the other dorms a chance to shine. Leona interrupts and gives a brief speech about how doing that is admitting defeat before the game has even begun. He uses the story of the King of Beasts to remind his fellow dorm leaders that it is cunning, not brute strength or magical ability, that allowed him to triumph. This inspires the other dorm leaders to disallow Malleus from entering the Hall of Fame, as they all want to do their best to try and outwit him.

Now, there's nothing wrong with this scene in the game. It serves its purpose just fine. However, because of the game being a visual novel style, the story is mainly told via dialogue and 2D character models. The manga is able to greatly expand on this scene because it is not constrained to just dialogue and a few animations. Case in point, this:

In the manga adaptation of this scene, Leona gives basically the same points, but the art is a lot more dynamic. For example, when he first hears Crowley’s proposal, we get these shots which show us Leona’s obvious displeasure. There’s the slight frown, the ominous shadow over his face, and even a close up of his fingers laced together (a pose which already implies he’s a schemer):

Compare this to the limitations of Leona’s in-game model; he looks so obviously and overtly angry, which doesn’t sell him as a calculating character as well. Meanwhile, in the manga, you can still tell just how much the idea Crowley suggested has pissed Leona off, but the feelings come across on his face in a much more subtle way.

Then when manga!Leona begins his appeal proper, he physically STANDS UP from his seat at the table. This draws the other pairs of eyes in the room to him; you can see in the next panel that everyone, including Crowley, is looking at Leona. He commands the attention in the room.

Another small detail here is that manga!Leona slams a hand down on the table; previously, they were folded together. Without saying a word, you understand what this conveys: that, in addition to his intelligence, he also has power and influence in this situation, and he knows exactly how and when to use those boons to his advantage.

Actually, manga!Leona does a lot of small yet noteworthy things with his hands. Take, for instance, these next panels.

When bringing up the importance of using one’s brain, manga!Leona actually taps his head. In the game, Leona is limited to his general sprite where he lays a hand against his temple. This is the closest approximation to what the game can do to simulate that tap tap of the head, but it doesn’t really carry the full weight of the motion, especially not when paired with Leona’s annoyed in-game expression.

But then look at manga!Leona, who looks so smug and self-assured as he does the gesture. It really speaks to his own confidence—and, more importantly, we’re getting a more accurate image of what the other dorm leaders and Crowley are seeing. They’re witnessing Leona at the height of his strength, someone who uses his words to persuade and to inspire the downtrodden masses into following his lead and to make better lives for themselves. Leona now curls his hand into a fist—so now we’ve gone from the cunning laced fingers to the powerful slam of a hand on a table to a clenched fist, which, in this context, is meant to be encouraging and victorious.

Note that this is all a parallel to Leona’s Disney counterpart, Scar, who made promised the shunned hyenas a place in society. Said parallel is made even more apparent in the following page; manga!Leona literally raises his fist up, and there, right in the background, is the statue of Scar himself, haloed by sunlight, and clouds parted for him. Scar—and, by extension, Leona—appear almost “God-like” because of this deliberate composition.

At this point, Leona speaks about the King of Beasts’ great accomplishment: obtaining the crown through perseverance and wit, in spite of the odds being stacked against him. Look at how this page is framed; it’s nothing BUT Leona. He’s dominating not only the page itself, but also the discussion surrounding Malleus’s induction to the Hall of Fame. He is winning his audience over.

Again, the same lines play out in the game, but the impact just isn’t there. We just have a lot of Leona crossing his arms while looking mad and Leona with his hands on his hips. At best, he looks neutral or slightly bored by what he’s saying. At worst, maybe too angry or even pouting about the situation. It definitely doesn’t feel nearly as inspirational as him standing and raising a fist as he extols the values of the King of Beasts.

(Side note: why is Leona built like a god damn DORITO 🤡 Why’s his waist so TINY???? What is the purpose of that………………….. ….. …. . .:: … . … . . … . . .. . . this is not me simping THIS IS NOT I swear it’s not)

This next page characterizes Malleus more than it does Leona; Malleus is small here, shown with his back turned away, turning to “glance over his shoulder” at the others. This comes off as isolating, putting distance between himself, who is on such a high level, and his peers. It matches Leona’s dialogue, implying that Malleus truly is a “monster” out of their league, and they must find a clever solution to take that “monster” down.

Leona’s profile now shows slight signs of irritation right as he’s delivering the conclusion to his speech and thesis. His eyebrows are arched, he’s frowning, and he’s slightly looking down at the people he’s addressing. The tension here is palpable; you can feel the force behind his words, how strong his final statement is. It is the responsibility of everyone present at this table to find a way to defeat Malleus, not kneel over and accept defeat.

And the crazy thing is???? You can SEE in the faces of every single dorm leader how Leona’s words have affected them. You don’t need anyone to say a single word to understand what’s going through their heads. They’ve all been charmed. Look at how wide-eyed Kalim is, how Vil has his eyes narrowed (like he has realized something), Riddle is staring DIRECTLY at Leona (implied by an earlier page), and fuck Idia; the tablet’s screen tells us nothing Azul smiles knowingly.

We automatically know what the outcome is, and we know which way they will vote. This is conveyed so well, so clearly, that the manga doesn’t even bother to give us dialogue from the other dorm leaders opposing Crowley’s suggestion. The manga just immediately cuts away to a mob student being injured. (This is different than in the game, which had to show Vil, Riddle, Kalim, Idia, and Azul verbally agreeing with Leona to get the same message across.)

Anyway??? I had to get all of that out of my system 🤡 I just. Can’t get over???? How good the visual storytelling is for the manga adaptation??????

Entire lines from the original script could be scrubbed out and we still understand what is being said without them. So much character oozes off the page in the dynamic camera and composition. Scenes that I paid zero mind to in the game are sooo much more interesting when told through the manga, my eyes are glued onto the pages.

There’s so much nuance in the gorgeous artwork and the story that it’s trying to tell, and I think that’s a real testament to how talented the mangaka and the team behind Twisted Wonderland (the manga adaptation) are!! I’m by no means a fan of episode 2 of the main story, but 👀 the manga has definitely done a great job making Leona’s introduction to the audience memorable, and he feels like a much more charismatic and threatening “villain” for this episode because of that.

[ripplestitchskein]

I've been binge reading your Helluva Boss and Stolitz posts for a while now and I love how mature and nuanced your takes are. I've run into a good deal too many Stolitz antis on Twitter who won't give Stolas and Blitzo's relationship a chance to improve later, despite the show clearly trying to do just that. I'm especially tired of people saying that their relationship is one-sided. And even when actual evidence is put out there that Blitzo actually does like Stolas back, they say it doesn't count because those hints are less than 5 second long small details rather than being spoonfed to them. Just argued with one of them on Twitter like an hour ago and that's exactly what they said. And they accused ME of not paying attention because in their mind, Stolitz was built up from sexual assault, and they think Blitzo's line in Western Energy "He can get hurt?" is somehow out of character which confused the hell out of me, and they kept insisting that Blitzo had "zero interest" in Stolas no matter what.

Thank you so much!! I do try my best to be as rational and logical as possible so I’m glad it’s coming through, not to say I don’t have emotionally based reactions or bias but in my meta analysis I try to set my personal feelings about the text presented aside and just talk about what it could potentially mean based on recurring elements, themes, and deliberate choices made throughout not just in individual scenes.

LooLoo Land is a perfect example, there are some moments in that episode I heavily dislike (Blitzø shoving the dolls down his pants, the “as long as she washes it” convo, and Stolas being sexually inappropriate in front of his kid) so I do understand some of the criticism. It was also episode two and being a creative myself I know firsthand that things like that happen. You put in things early, for a joke, a laugh, to highlight personalities and they don’t necessarily come across the way you intended or jive with where the story ends up. Which is why a lot of my analysis takes in the entirety of what we have so far, the recurring stuff, not just individual moments or one off lines.

I’ve always maintained that it’s crucial to remember that creators are not perfect beings who are getting their story from on high fully formed, they make mistakes, they get inspired and take things in a different direction as things develop, they can contradict themselves over time. It happens.

It’s also a cartoon so it’s limited in how much it can even do, how expressive the characters can be, how much time they have to explore and the medium absolutely comes into play when analyzing it. Art has always been and will always be subjective, and unless the creator flat out contradicts something it’s largely left to interpretation, but that interpretation cannot be based on one scene, or one episode, or a one off bit of dialogue or a single expression either.

I always encourage not wasting your time arguing with people who are still serving up early content talking points or who dont have media literacy as a learned skilled. I know it’s super hard, I’m guilty of it myself. I was so close to going off on a “Stella and Stolas are mutually abusive” take last night you have no idea. It was more the dude was just being deliberately obtuse to the point I stopped myself and was like “they have to be trolling, no way someone believes this”. You can’t change their minds, they obviously don’t want to engage with the material from a place of good faith, and it just bums you out at the end of it.

A lot of them are really young too I find, which may be part of the disparity. I’m 38 so I have a lot of different experiences to draw from they haven’t had yet. I’ve been a fandom girl since I was a kid, I’ve always been a shipper and I also create things so my perspective is further down the line and with lived experience some people don’t have yet. I’m reminded of this daily, my oldest son is 18 and we have many conversations where I’m reminded about how much you learn as you grow older and the assumptions you make as a younger person. This is not to say that younger people can’t think critically but it is a skill and it improves over time like any other.

I also encourage people to think of what is being said and why. There is a lot of hate for VivziePop as a person. My understanding is she said some things early on and created a hate base that is going to deliberately misinterpret just to validate their initial assumptions about her motive and character. With popular things there is always a small subset that hate a show because of its popularity too, I don’t think because they are jealous like some speculate but because they didn’t personally enjoy it and don’t like feeling like they are missing something, so they take it in a “it must be the children who are wrong” Principal Skinner approach. They can’t see why people love it so those people must be ignoring what they didn’t like about it and they must tell them.

Sometimes people like another ship or another character more, and their ship might involve one half of yours, or they don’t feel their character is getting the same focus and attention because of yours. So instead of just letting everyone enjoy their own things it’s now a competition, a source of resentment and they must make that everyone else’s problem.

And I’ve talked about the fascistic purity culture that seems to encroach into fiction spaces as well that is also at heavily play. Any time a character does anything that is vaguely “toxic”, “problematic” they are immediately painted with the SA brush, the creator is promoting it and the fans are enabling it and are somehow directly responsible for it existing in the world. You can’t do anything about them except enjoy what you like, look at it critically within your own personal comfort level, and as always, my favorite thing to say “kill the cop in your head.” Not just with fiction but everything.

I’m glad my analysis is being enjoyed, and I super appreciate your feedback on it. Come to my inbox anytime and we’ll enjoy the ride together!

[schismusic]

Æon Flux and the end of all things

I don't remember the first time I heard of Æon Flux but I sure as hell remember the first time I watched it, and it wasn't too long ago which would technically not warrant the level of obsession I have for that shit, but here we are anyway.

I was knocked the fuck out on painkillers, two of my wisdom teeth freshly removed, not even remotely worried about the exam that I had coming up in like two days from then. So I was barely moving away from my swivel chair and sleeping on a whole ass armored pillow to prevent from tossing and turning and shit felt so surreal to me. It was like the eating chair from the last Cronenberg movie. So I delved into Æon Flux essentially blind and bingewatched the shit out of it. Twice. Ended up downloading the whole thing from some sketchy ass 1080p remastered torrent, rewatched it again, and spread it around personally in a more cauterized Google Drive folder (so if you guys got a nasty ass virtual STD from it, my bad I guess), not even a month after watching the series. Shit was fucked, in short, and every rewatch just fueled this obsession even further.

(image taken from Episode 1, Season 1)

One thing about me: when I obsess over stuff I want to draw something at the very least inspired by it. Happens to me a lot with Autechre, who are actually one of maybe three bands I would not hesitate to call my favourite based on an absolutely objective principle which is absolutely not up for discussion and which might be the object of a future post at this point. But the point is fucking Æon Flux is essentially impossible to replicate because Peter Chung's character designs are so recognizable that you start seeing them in literally every other movie that came out in the late '90s/early 2000s - and for reference, Æon Flux was brought to an end in 1995. Consequently, all attempts at drawing Æon Flux-inspired stuff end up either feeling very derivative or looking like fucking trash. Artistry is a weird thing because sometimes it inspires other people, other times it just inspires man-slaughtering rage.

Somewhat many of my friends are or have at one point tried to be accomplished visual artists. Some have made it to professional/teaching level, some others have an art school diploma or degree - and I'll be using this space to shout out @coto-letta aka V., who has recently rejoined Tumblr after years of absence. We met on here, when her handle was much different, and I mistook her for an ex of mine (whom, surprisingly, we are still on relatively good - if quiet - terms with) so I slid into her DMs as you do, and she was like "yeah actually I have no clue who the fuck you are I just think your blog is neat and dropped a follow" which was quite a fundamental moment in understanding that while my life was written like a dodgy soap-opera, that didn't mean I was the centre of the entire world. Anyway, the reason I'm shouting her out is because sometimes something deeper and older than you remember has a way of finding you again when you least expect it and that's what happened when in January 2023 (after V. had left Tumblr for at that point about two years and we had exchanged Instagram accounts) I somehow ended up on her Insta and found out she had been tagged in a picture taken somewhere that looked suspiciously like my university's conference hall and I could not fucking believe she was in my city. I slid into her DMs again, as you do, and found out that no, that wasn't my uni's aula magna, but yes, she was in fact relocating in my city for her master's. So we met up after maybe seven years of on-and-off Internet friendship. It's a neat story, sure, but how the fuck do we tie it into Æon Flux?

(image taken from Episode 3, Season 2: Leisure)

Not trying to be overly dramatic here, but Æon Flux to me is just about a condensation of everything that "art" can mean. Not just visual flare or style, not just deep meaning or interesting ways of putting across one or more questions and never a definitive answer to any of them (more often than not, it's sets of possible answers - usually two, neither of which ends up covering the whole array of possibilities, both of which actually leave a lot to be desired in a number of different ways), not just this insane fucking music that toys with everything you expect from animation courtesy of Drew Neumann who may just rank as one of the best soundtrack artists ever in virtue of this single work. It's the whole package. You would think it'd work taken in pieces, and it does, no objection to that: but it works even better as a whole package. If the moral questioning (and the philosophical musings of season 3, which is unjustly underrated because "it's too normal" by hipster wannabe critic dilettantes who like to think that they could do better than that. Everybody else on the other hand is generally able to stop pull their head out their own ass and recognize, at the very least, the excellent craftsmanship and talent that went into the ten long episodes) wasn't accompanied by the weird fetishistic sex it'd be somewhat less impactful, almost like a cauterized Tenshi no tamago made into a series for mainstream late-night TV audiences. The twist was that MTV's executives, at the time, "didn't understand [the double entendres], they didn't even notice them. So, we were okay", in producer Japhet Asher's own words in the short documentary Investigation: The History of Æon Flux. The network was, in fact, trying to break into the mainstream - they simply couldn't keep their creatives at bay. No wonder they turned to Jersey Shore as they went along.

(image taken from Episode 5, Season 3: The Demiurge)

Even just the main characters' purported edginess, clearly something "of its time", is never played entirely straight. Both leads are way too complex, and very clearly presented as such, to be just summed up by "Æon Flux is an anarchist/Trevor Goodchild is a dictator". Both of which are true, by the way, they're just one part of a full picture. Even within the context of its necessary linearity - this is still an animated short and as such moves only in one direction, even though a number of episodes (specifically Mirror and Chronophasia) deliberately fuck with the viewer's perception of times on varying degrees of diegesis and extradiegesis - the series could be perceived as, indeed, a sandbox: consequently, the viewer could set sail and explore it. This is further encouraged by the series's active weirdness to whoever would want to try and make sense of the world's story. There is no history, there is just the story at hand: an eternal present which you can't understand ("un eterno presente che capire non sai": Ferretti knew his shit, regardless of how it went after CCCP) and which Æon and Trevor are not interested in even trying to contextualize. Not a surprise then that they'd be into each other: their closeness in body and heart doesn't exist at the mind's level, and the whole thing falls apart miserably every time it looks like they could be finally let their weapons down. But as Æon completely understands, and as Trevor seems to actively try to ignore, the fight is already the whole point: star-cross'd as they may be, the entire act of playfully hunting each other for sport both in the bedroom and on the battlefield is what Trevor Goodchild and Æon Flux thrive on. Trevor wants stability but an Æon who doesn't fight back is simply not Æon; Æon does not want the stability, but she definitely likes Trevor to an extent and finds more in common with him that she would probably be willing to admit (I would like to thank Tumblr user @brw on thons very good analysis of the episode A Last Time for Everything, which heavily inspired this section of the post!). In short: if Trevor seems to embody Pier Paolo Pasolini's idea that "there is nothing more anarchistic than power" ("non c'è nulla di più anarchico del potere") then Æon flips the statement on its head: "there is nothing more powerful than anarchism". That is, of course, until we once again confront my signature ad-hoc elephant in the room that this statement just summoned.

(Image taken from Episode 1, Season 1)

No spoilers intended, but if you so much as google the name of the series you will easily find out that Æon Flux dies a whole lot throughout the series*. Season 1 and all the shorts from season 2 end with her dying ungrateful deaths and a couple of the long episodes leave much to be desired in the way of positive closure, with Ether Drift Theory representing a peak in bleakness for season 3. Most of the shorts where Æon dies imply that either absolutely nothing changes in the world around when she's lost or that Trevor Goodchild literally just succeeds in all of his goals (see Season 1's finale), and one could make a case that even if she did carry her missions through there would be absolutely nothing to show for it: somebody goes up the chain of power, everything is restored, there is one more tyrant to murder. Not to be that one guy who quotes Nietzsche about everything, but the eternal recurrence of the same is the first thing that comes to mind when watching Æon Flux, especially exemplified and even literalized by the episode War, possibly the best of the short ones: it's the same fucking story four times over a five-minute run time and nothing ever gets better for anyone. The body count in the episode is unquantifiably large - every one of the fallen a potential new Æon Flux or Trevor Goodchild. But this, in a way, implies that Æon keeps being reborn, and one could argue that the act of capturing a fly with her venus-fly-trap eye could simply be her coming back to life, as it were; stopping the most evident sign of decay, turning her eyes outward yet again, to face the eternal return of the same again and again and again…

(Image taken from Episode 8, Season 3: Ether Drift Theory)

You can find Æon Flux for free on the Internet Archive.

*as I was discussing the final draft of this post with my friend @oldshittydog we had a pretty interesting discussion which I thought should be added here for an even clearer, fuller picture:

[4threset]

Hi! I've been kind of lurking for a while, your art is gorgeous and your comics with Telios are what made me realize just how incredible and emotional a few comic panels can be. It's kind of inspired me to try to make my own, but the one problem I run into to even start is size. How do you decide what size to make your artboards? Is it by pixels or by cm...? Every program seems to be different, and just looking up advice on the internet is giving me mixed signals... T_T

Hello! Thank you so much!!

And honestly, this is a general question with many answers depending on what you want to do in the long term. There's really no right or wrong way (or size) to start your comics!

I'm assuming when you say 'artboards' you mean the finished page? So I'll be answering to the best of my abilities with that in mind.

If you're just starting out, there's nothing wrong with just drawing in small squares to explore the genre. My favourite artist : insertdisc5 does some incredible work with just drawing squares and dialogues. These are great if you have a quick idea and just want to communicate short stories. (But honestly, if you want to do long form stories, these are also great to start out with and just get a feel of the medium)

If you mean page by page, I actually draw everything on B5 size or A5 size, so if I need something to be bigger or smaller, I'll just scale up or scale down.

There's also webtoon style comics that area veeeeery long vertically. For those I used to work in 2100px width and however long I needed them to be (They would go up to 50k px per episode) But again I'd have to scale them down to 900px wide to adhere to posting limits.

I think ultimately, there is really truly no real or proper size or way to start. It depends on how comfortable you are with big or small canvasses since you can always scale to fit your needs. I personally prefer to work on 1200 - 2000px wide canvasses, bc anything beyond that makes it difficult for my textures to show and I have to draw a lot more details. I have no idea if I managed to hit any points you were hoping to have answered, but feel free to pop another ask if you'd like :)

[mindmeltonabun-blog]

My Demon: Theories and Analysis for Eps 9-10

Happy New Year, Readers!

I hope 2024 brings great things for everyone. I delayed posting a T&A post for Eps 9-10 partly due to holiday busyness and partly because I'm tired of plagiarists taking my theories and ideas and reposting them as their own. For those who have been my followers for a while now, you know this has been a constant issue for me. I don't think it's hard to give someone credit for original ideas that they've come up with.

I thought I wouldn't encounter this same issue with the MD fandom, but I was wrong. I saw a Twitter user taking multiple theories of mine and reposting them as their own. I don't rule out the possibility that people can have the same thoughts, but when you're specifically mentioning things only I had talked about and no one else did, it makes you look guilty as hell.

Hours after I posted my T&A for Eps 1-6, they decided to take multiple theories of mine and post them to their account. One example is how they took my idea that the cross necklace either once belonged to Do Hee or was given to Gu Won by Do Hee. Another example is how they took my idea that the cross tattoo on her wrist symbolized she was the source of it all. There are many more examples, but I don't want to spend all my time listing them all out. It's the same old spill, though; they're doing it for clout. In the future, I won't be posting my theories or analysis for eps until a day or two before the newest episodes come out. This ensures the cheaters won't be able to use my theories for their own personal gains. But enough about this piece of trash.

I want to forewarn everyone this post is very long like 17 pages so definitely take a break from it whenever. If you have any questions about anything I've written so far for MD, please feel free to use the "Ask Me Anything" button and I'll try to answer your questions ASAP! There are probably grammatical mistakes...it's hard to edit 17 pgs worth of shit haha. Finally, if you choose to use my stuff, give me credit, that's all I ask.

Time to put on our thinking caps to analyze and theorize!

Section 1: General Thoughts

Eps 9-10 were top-notch! I admire the writer's ability to incorporate twists inspired by literature, movies, kdramas, fairytales, art, math, etc. One major theme appears to be the profound impact our choices can have, leading to unintended consequences not only for ourselves but also for others. The show also delves into the coexistence of seemingly opposing elements, such as angels and devils or odd and even numbers.

The clock in the intro, featuring angels and devils, draws inspiration from MC Escher's "Circle IV: Heaven and Hell." Escher, influenced by mathematics, created art that explored the interlocking nature of opposites, mirroring the eternal connection between Do Hee and Gu Won.

Now, let's discuss the intricate math woven into this show. The complexity of the numerical elements has forever changed my perception of numbers. For instance, I once saw "snake eyes" as 1+1=2, but after MD, I now see it as 11. Similarly, 10 used to be just 10, but after MD, I see 01 is its mirror image, and 1+0=1.

MD provides a fresh perspective on Dostoevsky's "Crime and Punishment" and "Demons," exploring psychological complexities, moral and existential dilemmas, societal and political systems, faith, morality, isolation, alienation, guilt, internal struggles, and redemption. Much like these literary works, MD delves into the psychological toll of potential crimes and the impact of abuse on individuals. It's a concoction of various influences, reminiscent of Frankenstein, weaving elements from Romeo and Juliet, DAYS, TOTNT, Goblin, Lucifer, The Bodyguard, Greek Mythology, Christianity/Catholicism, Cinderella, and Beauty and the Beast.

The overarching message from MD seems to be that everyone harbors inner demons, and it's how we confront and handle these demons that defines us. Our choices can lead to positive, creative outcomes or negative, destructive consequences, shaping not only our self-perception but also how others perceive us—angelic guardians or malevolent demons.

Section 2: Gu Won's Past

2.1 Gu Won's Name: A Divine Revelation

As I revisited my previous ideas and rewatched episodes, Jang Mi's line, "I'd say the heavens or his ancestors did," really got me thinking. Recall that in my last post I theorized Gu Won might be related to Madam Ju. Well, after I saw Jang Mi's comment, I felt like I might be onto something.

I repeatedly wrote "Ju Yi Sun…Ju Yi Sun" and thought about ways my theory could be wrong (like, what if he's a Park? Kim? Choi? Cho? Jin?). That's when it all started clicking. Gu Won's current name had ties to Catholicism/Christianity, so his past name must've been the same. Out of all the last names mentioned in this, only one was associated with religion--Ju. You see, there's a wordplay in Gu Won's past name, Ju Yi Sun. In Korean, "Ju" means "Lord," but it can also mean "wine" and "week" (hint hint… the show's got themes of Catholicism/Christianity and time, haha). The second syllable of his name, "Sun", sounds like "son". When you piece it all together, you'll realize Gu Won's past name means "Lord's son" aka Jesus. I've now realized the clues proving he is a "Ju" have been there since the very start, but I just didn't connect the dots until now haha. Additional clues are available on my Twitter for those interested!

I doubt we'll witness Gu Won pulling off miracles like walking on water, but he has showcased some Jesus-like feats. Remember Ep 1, where he performed the fish miracle for Park Bok Gyu? That's similar to what Jesus did (miracle #6, to be exact), haha. Then in Ep 3, he healed the sick, echoing another one of Jesus's miracles. And in Ep 10, Jesus—I mean Gu Won—brought Do Hee back from the dead, a blend of miracles #11, 15, and 33. Who knows, maybe we'll get to see another Jesus-like miracle before this show wraps up? Perhaps calming a storm at sea or casting demons into a herd of pigs, haha.

Throughout the series, Gu Won has been frequently seen with wine, a symbol often linked to Jesus and representative of his blood. In Ep 9, Gu Won tells God he prefers wine because it's the tears of God. Interestingly, in the original myth, these tears were attributed to Jesus, not God. Jesus shed tears when witnessing Lucifer Morningstar's fall from Heaven. The writer's choice to attribute the tears to God may hint at their intention to portray Gu Won as a blend of Jesus and Lucifer Morningstar. It makes you wonder though if God shed tears after Gu Won died the first time around or when he started going "bad", doesn't it? Haha.

For those unfamiliar, Lucifer Morningstar earned the moniker of the Devil following his rebellion against God, leading to his descent from heaven into Hell. Before this rebellion, his name carried positive connotations such as light bringer, dawn bringer, and the morning star, associated with the planet Venus and the Goddess of Love. Examining Won's former name, Yi Sun, the word "Sun" stands out. Given the sun is a type of star, this connection holds significant meaning. Coupled with the dawn imagery in Ep 1 and Ep 10, the connection to Lucifer Morningstar becomes apparent. Gu Won's story started with him playing the roles of Jesus and Lucifer Morningstar. After his fall from Heaven, he transformed into the Devil. As Gu Won reunites with Do Hee, his journey comes full circle, bringing him back to his original identity as Yi Sun aka Jesus/Lucifer Morningstar.

If Gu Won is indeed a Ju, it would introduce some serious drama in the show. This means he'd be related to people responsible for the past deaths of Do Hee's parents and the current threats on her life. It's giving me Romeo and Juliet vibes haha. In Eps 11-12, I think Gu Won will discover he's a Ju. This discovery will affect him deeply, knowing he's related to those who've inflicted so much pain upon Do Hee both in the past and present. This revelation will weigh heavily on him, leading him to end his relationship with Do Hee due to overwhelming guilt.

Section 2.2 The Past...Flip It and Reverse It

Let's revisit the Joseon dynasty, a time when societal norms were so conservative and backward! My theory about Gu Won's past remains largely unchanged. I still believe the major obstacle to Gu Won and Do Hee's love story was the differences in their social classes and that Gu Won became a demon because of Do Hee. However, I'd like to add a few more details to this theory.

Before delving into the intricacies of Gu Won's past, it's essential to grasp a couple of key points. Firstly, the past is the reverse of the present. Secondly, within the show, the notion of "wealth" or "richness" takes on an unconventional meaning. While wealth is conventionally linked with material affluence --having substantial money (i.e dollar dollar bills)--here, being "wealthy" or "rich" can also mean having a soul, as souls are considered a form of currency. For example, in the present, Do Hee is rich in both the conventional and unconventional sense-- she has substantial monetary wealth and a soul. However, in the past, Do Hee was poor in the conventional sense (she was the Cinderella character in this context) but rich in the unconventional sense (i.e had a soul). Now, Gu Won in the present is rich in the conventional sense but poor in the unconventional sense (has no soul; he's the Cinderella type character in this sense). In contrast, in the past, Gu Won was rich both in terms of monetary wealth and spiritual wealth. I hope this wasn't too confusing for anyone!

Before Gu Won was a mean bankrupt vampire in the the present, he was a kind man who was well-loved by his servants in the past. Gu Won treated them with respect and as equals. This type of behavior would've been viewed by many of his social class as unusual and unconventional. In the hierarchical society of the time, where nobility often maintained a distinct separation from their servants, Gu Won's compassionate and egalitarian approach set him apart. His genuine care for those around him challenged societal norms, earning him both admiration and, inevitably, disapproval from those who clung to the traditional expectations of class distinction.

One such person who would've greatly disapproved of Gu Won's actions was his father. Judging from the flashbacks, it seemed Gu Won's father was a strict individual devoted to tradition, adherence to societal rules, and maintaining an image of wealth and power. In contrast, Gu Won disregarded these conventions, prioritizing modernity and challenging norms, a stark departure from his father's values. Therefore, Gu Won's father would've viewed Gu Won as a rebel and a devil similar to how Madam Ju viewed Seok Min. Unlike Seok Min, however, Gu Won was inherently a good person. Side note, I think it was funny that in the past, Gu Won was all about being modern, while in the present, he's all about tradition haha. How the times have changed!

Being a hedonistic individual, Gu Won would have been a frequent visitor to local kisaeng houses, and this is where I believe he initially encountered Do Hee and God. My bet is that God may have been employed as either the owner or a waitress here. As we know, God tends to hang around places with casino games, and kisaeng houses often had various gambling games.

In the past, Do Hee was the antithesis of her present self. Unlike the present Do Hee, who held no belief in God and perceived her life as modern warfare, the Do Hee of the past was deeply religious and traditional. Similar to Sonia in "Crime and Punishment", Do Hee worked as a kisaeng to support her family. Her family's financial status was probably in shambles due to her father's gambling problems and alcoholism. Despite his vices, I don't think Do Hee's father was abusive like Ga Yeong's father in the present. I think he was more like Sonia's father, where even though he was a gambler and drunkard, he never mistreated or abused Do Hee.

Much like Sonia, Do Hee was a devout Catholic. However, in contrast to Sonia, Do Hee couldn't openly practice her faith. This was because during the Joseon dynasty, the predominant religion was Confucianism. Those of the Confucius faith viewed the rise of Catholicism as a major threat to their current belief system. Therefore, many Catholics faced persecution during the Joseon dynasty.

Despite coming from two different worlds (rich vs poor), Gu Won and Do Hee connected because they were seen as oddballs and outcasts in their own social classes. Gu Won, a nobleman who treated his servants as equals found common ground with Do Hee, a religious prostitute. These two odd birds were equally matched in every respect (odd and even get it? 1+1=2), creating a connection that transcended societal norms--they were, essentially, each other's soulmates. Their only "crime" was being born in the wrong era. Their love wasn't destined to flourish during the Joseon Dynasty. Instead, it was meant to thrive in the more modern times, like the present. If only these two had a time machine to fast forward to the future. Oh right...they did have a time machine and it was called God haha.

In Ep 9, God said to Gu Won, "Some call me time". Gu Won and Do Hee had the favor of God and time on their side. While God couldn't fast-forward time in the conventional sense (i.e give them a time machine or snap her fingers to transport them to the future), she could fast-forward time in the sense that she could make one lover immortal, freezing them in time, while she reincarnated the other lover at the right time so they could meet.

Just as in the present, Gu Won and Do Hee in the past also had to deal with people who were trying to sabotage their relationship. Much like their present-day counterparts, Ga Yeong and Seok Hoon of the past were among those who sought to break up Gu Won and Do Hee for their own selfish gains. Just remember what Gu Won said in Ep 1, "Evil stems from human desires". It's the desires of these two that contributed to the tragic fates of Gu Won and Do Hee in the past.

In the past, Gu Won's father had likely chosen Ga Yeong as a bride for Gu Won instead of Do Hee. Unlike her life now, past Ga Yeong was from an affluent and influential family, making her an ideal match by Joseon's standards with her beauty, wealth, and power. What remained unchanged from the past to the present is that Ga Yeong still had a bad personality and was just as obsessed with Gu Won in the past as she was in the present.

As for Seok Hoon, being a Ju in the past, he likely still enjoyed wealth, but instead of being the humble and kind person we know him to be today (I still have my doubts btw), he was a greedy and power-hungry Ju.

If we go with my theory that Gu Won was a Ju, one might ask, what was the relationship between him and Seok Hoon in the past? I think they were brothers--Gu Won, the lazy older brother set to take over the Ju household, and Seok Hoon, the younger, ambitious brother. Seok Hoon was probably jealous of Gu Won because Gu Won seemingly had everything handed to him on a silver platter without much effort or desire (maybe they were like Cain and Abel?). Side note, I'm going to laugh if it turns out Seok Hoon killed Gu Won with a rock because that's what Cain did to Abel.

Another possibility is that Gu Won and Seok Hoon were brothers who found themselves in love with the same woman. Seok Hoon got butt hurt because Do Hee chose Gu Won over him so he decided to destroy them both. If he couldn't get love, he would seek power (hmmmm sounds similar to the present haha).

Gu Won and Do Hee were just trying to be in their own little love nest but societal norms and people's desires got in the way. Similar to the present, Ga Yeong and Seok Hoon teamed up to exploit the lovebirds' vulnerabilities. Ga Yeong coveted Gu Won's heart while Seok Hoon sought the position of heir to the Ju household. Gu Won's vulnerability was Do Hee, and Do Hee's Achilles' heel was her Catholic faith. Team Judas decided to use the lovebirds' secrets to fulfill their greatest desires. As we've seen in the show, revealing people's deepest secrets can be an effective means to achieve one's goals.

Seok Hoon found out Gu Won was in love with Do Hee and wanted to marry her which again was a no-no because noblemen couldn't marry those from lower social classes than them. And Ga Gyeong, she discovered Do Hee was a Catholic by paying someone off.

Seok Hoon and Ga Yeong probably informed Gu Won's father about Gu Won and Do Hee's secret relationship. Gu Won's father couldn't have Gu Won tarnished the family reputation by being involved with a Catholic kisaeng so he sought to eliminate Do Hee.

On the day they died, Gu Won and Do Hee were doing normal couple things like walking on the beach. However, their blissful day turned into a nightmare as they found themselves being chased by the men Gu Won's father had hired to kill Do Hee. They eventually ended up being cornered on a cliff. Subsequently, they fell into the ocean similar to the events of Ep 1. The only difference between the events of Ep 1 and the past was that Gu Won was a mortal man who didn't have the powers to save him and Do Hee.

After this death, Gu Won woke up in Hell. Why? Because he was rich and lazy. Remember what Do Hee said in Ep 1- the rich and those who don't believe in God go to Hell. You might wonder why being rich automatically lands you in Hell? It's because those who are rich usually acquire their monetary wealth through unethical and immoral means. In turn, their actions eat away at their soul until they have none. Therefore, those who don't have souls go to Hell. While Gu Won might not have been directly involved in shady dealings, he still lived off his family's wealth which may have been obtained through dishonest means. Additionally, Gu Won's slothful nature and lack of diligent work might have been another factor contributing to his descent into Hell. As for Gu Won's religious beliefs, I don't think he had one. However, maybe he did in the end because of Do Hee.

So, what about Do Hee then? Where did she end up? She probably found herself in Heaven because she was poor and believed in God. This created the same issue for the lovers in death as they had in life-- being in separate worlds. Just like in life, they weren't able to be together even in death. Do Hee ended up wishing she could be where Gu Won was, which in this case was Hell. Do Hee sacrifice her soul/Heaven for Hell.

Do Hee's sacrificial act probably deeply touched God and prompted her to offer the two lovers a once-in-a-lifetime job...become demons and earn your souls back. However, I think Gu Won wouldn't have wanted Do Hee to become a monster, so he negotiated with God that he would become a monster for the both of them. Meaning he would work as a demon to earn back both of their souls and spare Do Hee the life of working as a demon.

By doing so, Gu Won would be able to save them from Hell and live a happy life in a place between Heaven and Hell, which was Earth. However, it wouldn't be all rainbows and unicorns though. Without any soul money to bargain with, Gu Won had to give up the only bargaining chip he had--his human memories. With the last vestige of his humanity gone, God imbued him with powers so that he could work towards saving his and Do Hee's souls from Hell so that they could have a better and brighter tomorrow.

Alternatively, I can envision the events unfolding similarly to those in Episode 1 with minor differences. Gu Won regained consciousness in the waters, and instead of turning back to try and save Do Hee, he swam up and left her behind. Once ashore, he felt immense guilt about his actions and saw himself as a monster and a poison to the very woman he claimed to have loved. Like the previous theory, God appeared and offered him a deal that would allow him to redeem himself. Though I find this theory plausible, I believe the other one is more likely to occur.

Section 3: More On The Contract with God

Section 3.1 Soul Money

Now let's take a deeper dive into the specifics of Gu Won's once-in-a-lifetime job! I'll start this section off with an analogy. God is the owner of Jesus Corp. Bank where money is stored. When I say money, I'm not talking about dollar bills, I'm talking about souls or as I like to call it, "soul money".

Gu Won is working at Jesus Corp. Bank as a loan officer because he's spiritually bankrupt as in he has 0 Soul Wons (SW) in his soul bank account. As with any job, Gu Won gets paid except he doesn't get paid with earthly money, he earns soul money. To buy a soul, you have to have 1000 SW (1000 SW=1000 W). For every year that he works, he earns 10 SW or 10 won (I will go over how I came up with these calculations further down). This may seem like a lousy pay, but when it comes to reclaiming your soul, sacrifices must be made. It really is a small price to pay hahaha.

Anyways, if it costs 1000 won (1000 SW) for a soul, how many years does Gu Won have to work to earn 1000 won at a pay rate of 10 won per year? 100 years. You're probably thinking where are you getting these values from and how the math ain't mathing, but don't worry just keep reading!

Let's first start out with how I deduced a soul is worth 1000 won. I kept thinking about the bill God was holding which was 1000 won. 1000 is "cheon" which means Heaven in Korean. It dawned on me that souls have the same value as Heaven, meaning souls = 1000 won and Heaven = 1000 won. You have to have a soul to go to Heaven and those who end up in Hell have no soul.

After this, I started to investigate the clocks. I discovered the clocks in Gu Won's place and on the promotional posters were decimal clocks, commonly used by those in accounting for payroll and hourly billing. If you're curious about what these clocks are, just Google it. I'm not going to spend more time writing than I have to

Ok so now you're wondering how I came up with 10 won/year. Let's consider how Gu Won's 10th name would be Sip Won or 10 Won. Then consider how there are a total of 10 hours on the clocks in Gu Won's place which are representative of 10 years. Put those things together! Each "hour" on the clock is 1 year and each time the hour hand moves from 1 hour to the next, it's 10 won. Therefore, it's 10 won/year.

To help you understand this, I have created a figure below that includes the decimal clocks seen in Gu Won's place (orange), the promotional poster (green), and a 12-hour clock (red). It should be noted that both the orange clock and green clock have a total of 10 hours, it's just that they start at different numbers. The clocks (orange) seen in Gu Won's place are a countdown until the people go to Hell while Gu Won's clock (green) is a countdown until he gets his soul and Heaven.

Now, let's revisit the deal Gu Won offers people. The term is that you get 10 years of Heaven for selling your soul (keep in mind you don't get all of Heaven, you only get 10 years of Heaven). Mathematically calculate how much 10 years of Heaven is worth to see if it's really an equal exchange. Multiply the rate (10 won/year) by the number of years which is 10 years and you would get what? 100 won. That's how much 10 years of Heaven is worth...100 won. You might be thinking now that it wasn't an equal exchange at all, right? Depends on how you look at it! One way to look at it is that you just got cheated because you sold your soul valued at 1000 won for only 100 won of Heaven.

On the other hand, one could view it as a fair exchange because these people (except for the mother and daughter) were trying to cheat the system. Meaning they didn't want to work hard to acquire their Heaven, they would rather acquire it through dishonest means (i.e signing the contract). In the end, the cheater got cheated so it's fair haha!

The thing is every time one engaged in shady crap, it eats at your soul until you're spiritually bankrupt. In this context, you've already sold your soul to the devil. You didn't need to sign a contract with the Devil to go to Hell, you would've ended up there sooner or later because you had engaged in deceitful acts to acquire your greatest desires. One could then see Gu Won was doing the world a huge favor by signing contracts with these cheaters because he removed these bad eggs from the living world more quickly!

Some might wonder, can you be a rich person while living and not end up in Hell after? Yes, you can. How? By acquiring your wealth through honest means, following the rules, and engaging in acts of charity. In this way, you would not only be materialistically rich but spiritually rich as well.

The moral lesson in MD is to live a righteous life and work hard for the things you want in life. If you decide to engage in dishonest behavior (i.e cheating), just know you may not have to pay for it while you're living, but you'll eventually have to pay for it in the afterlife.

Section 3.2 Why Did Gu Won Have to Work for 200 Years?

Now let's consider what would happen if say were in Hell like Gu Won was, but wanted Heaven? What can you do if you are spiritually bankrupt? You got to WORK BITCHHHH to earn back your soul. Shit.... that's hard for a sloth who had never worked a day in their life...cough...cough Gu Won.

Why did Gu Won have to work for 200 years? It's because he not only had to buy back his soul but he also had to buy back Do Hee's soul too. Let's do some math....if a soul costs 1000 won and you make 10 won/year, how many years would you have to work? 100 years (10x=1000; x = 100). Again, because he had to get Do Hee's soul out of Hell, he had to work an extra 100 years.

I believe in the first 100 years on the job, Gu Won earned back Do Hee's soul which freed it from Hell. In turn, this allowed her to become reincarnated while Gu Won was still stuck working towards getting his soul back.

Now, you might be wondering if Gu Won obtained more deals, wouldn't he earn back his soul faster? Nope. It doesn't matter how many contracts he signed, he still got paid the same amount every year. What mattered was that he worked period. And this is why Gu Won didn't know how many contracts he had to sign to prevent spontaneous combustion haha. He didn't get that all he had to do was work. To earn back your soul, you have to be diligent, not take any shortcuts, and follow the rules. As a worker at Jesus Corp bank, if you're lazy for one second, you spontaneously combust haha. If you cheat and break rules, same thing haha.

One might think Gu Won would be able to get out of his job as a demon if he became human right? Not quite. I was wrong in my previous theory when I said after he became human, he would no longer face the threat of spontaneous combustion. He still faced the threat because he did not fulfill his end of the contract with God. Gu Won agreed to work as a demon for 200 years in exchange for his and Do Hee's souls. The keywords are "demon" and "200 years".

The moment he became fully human, it was like he breached his contract with God. Hence this was why he still faced the threat of spontaneous combustion even after he became a human. He was close to hitting 200 years exactly but you know some things got in the way haha. God was basically dangling a bone (i.e Do Hee) in front of Gu Won to motivate him to become a guardian demon faster. Oh and the last piece of his soul is in Do Hee!

So how much longer does Gu Won have to work for God? ~1.2 years. If you look at the clock at the beginning of Ep 9, you'll see the hour hand is pointing at ~8.80 which equates to ~1.2 years left haha. This is why later in the ep, the writer hints at this by having Gu Won say to Do Hee, "Otherwise, I might have to wait another year." So yeah, if you don't work, you die and if you break the contract, you die hahaha. I think Gu Won will continue to work for God even after his contract with her ends.

It was funny Gu Won was trying to blame God for everything. I was like boy you're the one that signed the damn contract haha. You made that decision and now you have to face the consequences of your actions haha. End of the day, God was just trying to help these two lovebirds out and to get Gu Won to grow the fuck up and know the true meaning of hard work haha. Oh, and she was also trying to get him to forgive himself for what happened in the past.

Something Punny

Let's take a quick break with something funny before we head into the next section! So what do you get when you cross a line? Read that really slowly and think about it for a minute.....YOU GET A CROSS HAHAHAHAHAHA. This writer though hahahahahaha. On a serious note, it's because Gu Won and Ga Yeong crossed the line that things have been going in a more positive direction.

Section 4: The Mechanics of The Tattoo Transfer

Before going into how everyone's choices influenced Gu Won and Do Hee's fate, let's first explore the mechanics of the tattoo transfer. I have to say, I'll never trust anything Park Bok Gyu says ever again haha. Because I believed in his little hypothesis, my theory was completely wrong haha.

The essential conditions for the tattoo transfer are as follows: 1) A full moon must be present, 2) Gu Won and Do Hee must face a life-and-death situation, 3) The person without the tattoo must genuinely desire to save the person with the tattoo, and 4) The person with the tattoo must be near death or on the brink of it. The location and timing of the ritual are inconsequential. As long as the specified conditions are met, the transfer can take place!

Section 5: Fate is a Web Woven By a Myriad of Choices

Section 5.1 Free Will Vs. Fate

Ok now let's talk about the great debate...Free Will vs Fate. Did anyone catch the writer's stance on this debate? It was conveyed in Ep 1 and Ep 10! The writer believes these two concepts can coexist with one another. This belief is known as "compatibilism"!

What is compatibilism? It's the belief that while external forces, such as God, upbringing, society, and environment, may play a role in shaping our fate, the ultimate responsibility for our decisions lies with us as individuals. All actions, whether deemed as good or evil, are fundamentally driven by the choices we make. These choices, in turn, are influenced by our internal desires, which can be shaped by external forces. In this perspective, we are active agents, empowered to play a significant role in shaping our own fates through the conscious decisions we make.

God can influence our choices, but the crux of the matter remains we are free to choose whether or not to align our choices with divine guidance. As my bf noted, "Those who don't obey God or adhere to their plans tend to find things don't work out for them. This underscores the idea that aligning our choices with divine guidance can lead to a more favorable fate.

In the show, Do Hee's decision to save Gu Won and vice versa, who had the cross tattoo, can be seen as a complex interplay between free will, determinism, and compatibilism. Her desire to save him reflects an exercise of personal agency, emphasizing the role of free will in her choice. Simultaneously, the symbolism of the cross introduces a deterministic element, suggesting an alignment with a divine plan. This dynamic highlights the compatibility between personal choice (free will) and external influences (determinism/fate), echoing the principles of compatibilism.

Simply put, God can present you with a plan, and you can choose to follow that plan or not. It's your decision. If you choose to follow the plan and things don't work out then don't go around blaming God because you're the one who made the decision, you're the one who's responsible. Nevertheless, the underlying belief is that adhering to God's plan can lead to favorable outcomes.

The ending scenes of Episode 10 exemplify the convergence of everyone choices influencing the fate of Gu Won and Do Hee. Let's start with the puppet master – God. If God hadn't conveyed to Gu Won that Do Hee needed to die to regain his power, what would have happened? Gu Won and Do Hee's plan would likely have failed, leading to Gu Won's demise. However, God disclosed this crucial piece of information to set in motion a chain of events that ultimately resulted in a positive outcome. I aslo see this as one of God's tests to determine if Gu Won was ready to have the training wheels taken off haha.

Gu Won had the option not to disclose to Park Bok Gyu what God had communicated, but he opted otherwise. As a result, Gu Won's actions led to Park Bok Gyu expressing his concerns about the necessity of Do Hee's death, which Ga Yeong overheard. This, in turn, led to Ga Yeong providing poison to Do Hee, a necessary step in fulfilling God's plan for Gu Won to regain his powers.

You see, God does know everything despite her saying otherwise (in this show, God does lie haha). She knows all the possible outcomes there are and intervenes strategically to ensure things align with her desires. Thank God, she's Team Dowon haha!

Section 5.2 Team Judas

I believe Ga Yeong's decision to disclose Gu Won's secret to Seok Min will have broader consequences than she anticipated. In the preview for Ep 11, we see Seok Hoon joining forces with Seok Min, with the motive behind Seok Hoon's decision left unrevealed. I can only speculate and say that Seok Hoon perceives joining forces with Seok Min as the lesser of two evils. Thanks to Ga Yeong, Seok Hoon views Gu Won as the embodiment of evil that needs to be exposed and crucified, and the only person with the necessary "power" for such an undertaking is Seok Min. My question is, is Seok Hoon ready to sell his soul to the Devil? In all honesty, Seok Hoon is just doing this because he wants Do Hee to be with him and not Gu Won.

I guess Seok Hoon and Seok Min will devise a plan to expose Gu Won as a demon/devil. I have no clue how exactly they're supposed to do that given when someone tries to film Gu Won doing magic, the camera cuts out. The only other way I could see them able to accomplish this goal is by hiring someone to stab Gu Won in public so people can see Gu Won can instantly heal. Or if they want to do it "The Bodyguard" style, they would hire someone to shoot Do Hee, and then Gu Won would jump in front to protect her which again would expose him as a supernatural being since he would instantly heal. In either case, People would then see Gu Won as a monster. They would try to hunt him down like the Beast from Beauty and the Beast and crucify him like Jesus. Then again this plan might fail because Gu Won being a human now might not be able to instantly heal anymore.

Another theory is that Seok Hoon is teaming up with Seok Min to take him down. Maybe Seok Hoon realized after the incident at the gas station that Seok Min was behind everything. Seok Hoon will go undercover to dig up evidence of Seok Min's crimes. This could be his redemption arc maybe. Again, I still have my doubts that Seok Hoon is actually a good guy, but I could definitely be wrong!

Section 5.3 Do Gyeong

I might be in the minority, but I genuinely hope Do Gyeong survived the car crash so that he can testify against his father. While I understand Do Gyeong crashed his car into the gas station because he saw death as the only way to escape his father's abuse, it was still wrong. I also think he did this as a way to get revenge on his father. By crashing his car into the gas station, the police would start investigating his father. In turn, this could lead them to discover Seok Min as the real culprit behind everything. Additionally, I think Do Gyeong was the one who stuck a knife into Kwang Chul's chest after he was burnt like a crispy duck. Do Gyeong probably did this for the same reason as I mentioned above...to lead cops and Gu Won to his father.

Section 6: Madam Ju, Murder of Do Hee's Parents, and Seok Min

I don't know if anyone has noticed, but Madam Ju wasn't in Eps 9-10. This was odd given that in previous eps, she would always make some sort of appearance. I posed a question in my previous posts asking if Madam Ju was a figment of Do Hee's imagination or a real spirit/ghost. I've concluded Madam Ju is not just a figment of Do Hee's imagination. I think she's a real spirit/ghost.

Going back to Ep 1, Do Hee wished on her 28th (8+2=10 haha) birthday that Madam Ju would be around for a very long time to continue stabbing her in the back. God granted Do Hee's wish. God probably allowed Madam Ju to come back and talk to Do Hee as a spirit to help her heal. However, I think God restricts what Madam Ju can tell Do Hee. I feel like we'll see Madam Ju again after Do Hee discovers her dark secret.

In regards to the deaths of Do Hee's parents, I don't think Madam Ju killed them. I think it may have been an accident, but Madam Ju still blamed herself for it. Maybe what happened was that Madam Ju committed a crime out of greed like cutting costs on the production of electronic products or sabotaging a product to get insurance money and Do Hee's father found out about it. Subsequently, he went to investigate it/fix it and that's when the explosion happened.

Interestingly in Ep 10, we saw Seok Min with a tape recorder on the day Do Hee arrived at the Ju household. Could it be that Seok Min recorded his mother confessing her dirty secret and guilt for the deaths of Do Hee's parents? This might explain why Seok Min said, "So it's you, mother's way out." Maybe Seok Min was planning on using the recording to later blackmail her so he could get the chairman position.

Another theory I have is that Do Hee's father had discovered what Madam Ju was trying to cover up and then Seok Min found out about it. Seok Min then took the initiative to cover up his mother's dirty secret by getting rid of the only person who knew about it by planting a bomb in their car. Seok Min probably did all of this because he thought it would "win" his mother's love and approval and that she wouldn't see him as a devil anymore. Additionally, he thought in his own twisted way that by doing this, he was protecting his mother. Maybe Seok Min's real desire was that he just wanted Madam Ju to love him.

When Seok Min discovered Madam Ju's Chief Financial Officer had uncovered her secret and contacted Do Hee about it, Seok Min once again, turned to murder to "protect" his mother. Instead of receiving gratitude for his actions, Madam Ju scolded him for them. This was the final straw that broke the camel's back. If Seok Min couldn't have love, he would seek power, even if it meant killing Madam Ju. This act is what essentially transformed him into the real devil demon.

I just had an interesting thought. Seok Min killed the very thing he loved to obtain power, mirroring what God implied Gu Won should do with Do Hee to regain his powers (anyone getting Thanos and Soul Stone vibes haha). Perhaps this is the real difference between Seok Min and Gu Won. Gu Won wasn't willing to sacrifice the one he loved for power. Instead, he was willing to sacrifice himself to save the one he loved, which transformed him into a guardian demon. Gu Won's prioritization of Do Hee's needs over his own enabled him to obtain real power.

Section 7: Guardian Demon

Do Hee was right when she said Gu Won would be reborn as a perfect demon hahaha.....guardian demon that is! He probably follow a path similar to Lucifer Morningstar from the show "Lucifer," transforming into a figure with a psychologist-like role, assisting others in finding redemption and embracing goodness haha.

Section 7. 1 God Placed People From All Walks of Life In Gu Won's Path to Help Him Become His Best Self

Every person God strategically placed in Gu Won's path served a unique purpose, guiding him toward personal growth and offering them a chance at salvation. Take, for instance, the Wild Dogs. God orchestrated their encounter to provide Gu Won with an opportunity to rehabilitate them, transforming them into a force for good rather than evil. Similarly, the girl and her mother were placed in Gu Won's path so that he could learn guilt and compassion. Additionally, they were placed in his path so he could use his guardian demon powers to heal the girl without damning her mother to Hell!

In the case of Ga Yeong and Seok Min, I think God placed them in Gu Won's path so he can learn to forgive those who basically killed him in the past. Forgiving those whose choices once led to one's death is a challenge, but it's a necessary step in Gu Won's journey toward becoming a guardian demon.

Simultaneously, God granted Ga Yeong and Seok Min a second chance at redemption for their past actions. Witnessing Gu Won and Do Hee's genuine love for each other might be the very thing that contributes to the healing of their dark hearts, leading them to realize that deceit and manipulation should not be employed to obtain love. Quite frankly, they both need to learn to let go and move on haha.

As for Park Bok Gyu, God strategically placed him in Gu Won's life to be a positive influence, reminding Gu Won of his humanity and encouraging him to embrace his role as a guardian demon. In return, God restored Park Bok Gyu's past memories, preventing him from inadvertently signing another contract and facing a second stint in Hell. It's a fair exchange, highlighting God's generous repayment for those who serve her purpose. Random thought, is Secretary Shin like a real angel or something? Because "shin" in Korean does mean "god" haha.

Last but certainly not least, Do Hee. God placed her in Gu Won's path to assist him in confronting his inner demons, particularly the guilt he harbors for failing to protect her in their past lives. Forgiving oneself is one of the most challenging feats, and Do Hee is poised to help Gu Won realize that the tragic events of the past were not his fault. This, perhaps, stands as one of the final steps before Gu Won can fully embrace his role as a guardian demon.

God also put Do Hee on Gu Won's path so he can help Do Hee in her journey of self-forgiveness. Do Hee carried the burden of guilt for the deaths of her parents and Madam Ju, and God intended for Gu Won to be a guiding light in helping her forgive herself. Moreover, God orchestrated their meeting to help Do Hee overcome her lingering fears, including her aversion to water (in Ep 9 she didn't want to get on the ferry haha). I think her fear of water stemmed from the traumatic events of their past lives, where she and Gu Won met their demise in the ocean.

Section 7.2 No More Following The Rules in The Demon Book

In my last post, I predicted Gu Won would break one of the rules in the demon book to protect Do Hee and that's exactly what happened in Ep 10! Can you guess which rule he broke? It was the rule that stated, "You can't bring back the dead". With the training wheels off, Gu Won could now bring back the dead and that's how Do Hee was alive again and fully healed. You're probably like wait why didn't Gu Won spontaneously combust? Because he became a guardian demon!

You see, the rules in the demon book only applied to devil demons, not guardian demons. What does this mean? It means Gu Won could now do all the things the rule book said devil demons couldn't do (review my previous post for the rules). According to Kwang Chul, humans were greater than the devil or God because they could be anything. Be it the devil, god, or something much greater. In Gu Won's case, he became something much greater. He became a mutant.... a mortal human with demon powers just like I previously said.

Here comes that quote again, "With great powers come great responsibilities." God couldn't make Gu Won a guardian demon right off the bat. He had to go through a bunch of trials and tribulations beforehand so he could learn to use those powers responsibly. I mean, can you imagine if God gave Gu Won those God-like powers with no rules back when he was a spoiled lazy rich boy during Joseon? The world would be destroyed as we know it!

However, it's not over yet people! Remember Gu Won still has 1.2 years left of work in his contract with God! If he doesn't finish up that contract, he can still spontaneously combust regardless if he's a guardian demon or not! Also, Gu Won can kill now which is scary! If I were Seok Min, I would be shaking in my boots right now. Madam Ju did say Seok Min would have to pay for his sins sooner or later!

In the end, Gu Won won't be a man who couldn't have his cake and eat it too. He'll become a man who can have his cake and eat it too! He just has to learn to be a good hard-working boy like Pinocchio haha. If you work hard and live a righteous life, God rewards you with all of your heart's desires (The atheist in me wants to vomit... sorry haha).

Section 8: Who Leaked Information About Gu Won and Do Hee's Whereabouts?

Everyone is thinking it's Secretary Shin who leaked the info about Gu Won and Do Hee's location. However, I think it was Do Gyeong. Seok Min probably had Kwang Chul place a tracker on Do Hee's car and when Do Gyeong hacked Seok Min's phone, he was able to obtain the tracking data. As for Team Judas, maybe Seok Hoon had placed a tracker in Do Hee's purse or put himself as a contact in her "Find My" app!

Section 9: Symbolism

Section 9.1 The Necklaces

In my first MD post, I highlighted the presence of both a silver and a gold necklace worn by Gu Won and Do Hee, and I've now unraveled the significance behind them: Gold symbolizes the Sun and Heaven, while Silver represents the Moon and Hell. Let's delve into Gu Won's necklaces first.

As mentioned previously, the silver cross necklace was speculated to either have belonged to Do Hee or been a gift from her to Gu Won. Notably, Gu Won's gold necklace doesn't feature a cross (unlike Do Hee's necklaces, which bear lover's knots). Why is this? Simply put, Gu Won didn't embrace faith in God and wasn't a Catholic. Gu Won wearing the silver necklace with the cross serves as a testament to Do Hee's steadfast faith, which played a pivotal role in saving them from eternal damnation in Hell. At the same time, when I think of silver, I think of Judas who betrayed Jesus for 30 silver coins, werewolves, and vampires haha.

The choice of material may also offer insights into Gu Won and Do Hee's past. Gold, being an expensive material, was a luxury afforded only by the wealthy, such as noblemen. In contrast, silver, being more affordable, aligns with the humbler status of individuals like kisaengs. Silver exudes humility akin to Do Hee, while gold mirrors the extravagant and ostentatious nature of Gu Won haha.

Now, turning to Do Hee's necklaces – they symbolize the enduring connection between her and Gu Won, transcending realms of Hell and Heaven forever and to infinity! Their love acts as a powerful force, enabling them to overcome any barriers to be reunited.

Section 9.2 Flowers

Section 9.2a Devil's Trumpets

Remember Devil's Trumpets from "The Glory" haha? Its scientific name is Datura stramonium, also known as devil's snare (any Harry Potter fans here? haha). This plant belongs to the nightshade family, a group where many members are poisonous (potatoes, eggplants, tomatoes, etc are part of this family, but they're not toxic). While Devil's Trumpets can be highly toxic, they can also possess medicinal properties and have been used to treat various illnesses. Occult practitioners sometimes consume this flower for visionary experiences.

In the story of Romeo and Juliet, the poison the star-crossed lovers consumed was from a member of the nightshade family called "Belladonna." Considering this, Ga Yeong's poison to Do Hee could have been either Devil's Trumpets or Belladonna. Additionally, the Devil's Trumpet might symbolize Gu Won, suggesting that despite the toxicity of his family (the Ju family), he is a benevolent person capable of healing rather than harming. He's an eggplant haha!

Section 9.2b Poppy

What do poppies symbolize? Death, dreams, and remembrance. It's fitting given in the Ep 11 preview, Gu Won will have a dream of his past life and remember shit. Who knows maybe we will finally get to see how he died? The poppy in his ear could also be a foreshadow that he will die again verrryyyy soon haha.

Section 9.3 Snakes

Christianity seems to have a knack for twisting once-positive symbols into something negative! Before snakes became synonymous with evil, the Devil, and Satan, they were revered as good spirits in Greek and Korean mythology

In Ancient Greece, snakes were often linked to Agathodaimon, a lesser deity meaning "good/noble spirit" (this is what Gu Won is; I bet the writer will mention this term haha). Agathodaemons were household gods and protectors of those who worshipped them. Representations of Agathodaimon featured snakes with a poppy flower (similar to Gu Won's in the EP 11 preview) and an ear of grain, symbolizing prosperity and fertility respectively. This deity was also portrayed as a man holding a cornucopia, akin to Thanksgiving traditions. Ancient Greeks would honor Agathodaimon with a few drops of wine after a meal.

In Greek myths, Agathodaimon was believed to be the spouse of Tyche (probably Do Hee), the goddess of fate and fortune (also known as Lady Fortuna or Lady Luck). In Egypt, Agathodaimon was associated with Osiris, the Lord of the Underworld, and Shai, the god of fate. Basically, you would want Agathodaimon because he would bring you good luck, wealth, and protection.

In Korean mythology, snakes were also viewed as creatures of good luck. For example, in Korean myths, the Imoogi was one big fat snake that brought good luck and fertility to crops. However, it was believed if you ever prevented an Imoogi from ascending to the Heavens, bad shit would happen like plagues, typhoons, infertile land, and famine. The overall message is don't kill snakes because bad shit will happen. I'm suddenly getting a bad feeling Gu Won is going to get killed and a natural disaster will occur haha. For those wanting to learn more about Imoogis, you can click on the link below or Google it.

So y'all are probably wondering why the hell i'm telling you all of this? It's because in Ep 10, Gu Won rolled what is known as "snake eyes". The reason this roll is called "snake eyes" is because the 1's resemble the two pips to the eyes of a snake. In craps, this roll can either mean you're really lucky or unlucky, representing an odd phenomenon. For example, when you roll snake eyes on the initial roll, you have to roll it again on the next roll to win the round. However, the probability of rolling "snake eyes" is very low (2.78%).

Another thing to mention is how 2 odd numbers can equal an even number where 1+1=2. You could also view Gu Won's roll as a good omen because it's 1...1....11 which is considered a lucky number! Our little lovers are snakes who are bringers of luck and fertility haha.

FYI, one of God's rolls was a "push" or "standoff" roll which are two 6's. Like snake eyes, this roll has the same low probability of 2.78%. The funny thing about Gu Won's roll and God's roll is that Gu Won's roll is the lowest value you can get which is 2 and God's roll is the highest value you can get which is 12.

Section 10: OTHER RANDOM THOUGHTS

I have none. I'm brain-dead from researching, thinking of stuff, and editing this monster of a post. K byeeee

[mrultra100]

SOMEBODY ONCE TOLD ME-

I know it’s been a very long while since our last episode, but after dealing with other projects, along with real life getting in the way from time to time, we’re finally continuing our next part of the second road trip across the Maasrichtian. While it only has 5 segments like the last episode, and does borrow some of last season’s “Freshwater” thunder quite a bit, I still had a good time with Swamps. And the segments presented here do bring a few things to the table for PHP in general. You’ll see what I mean when we get into them.

Snacks on the wing

The episode starts with the wetlands of Asia, where baby azhdarchid pterosaurs are attempting to fly for the first time. Keeping up with this show’s record of baby animals meeting their end, the pterosaurs have to deal with the threat of getting eaten by a horde of Shamosuchus. Unlike the Simosuchus from earlier in the season, these relatives to today’s crocodiles and alligators comfort more to the shape that we’re used to seeing these reptiles in. While I don’t have much to say about this segment, I find it cool how it draws comparisons with how Freshwater crocodiles hunt flying foxes in Australia. Even when millions of years apart, some hunting strategies are just that good.

Gone fishin’

The episode then cuts to the forests of South America, where the focus is on a truly unique animal; Austroraptor. For those not aware, this was a species of raptor dinosaur that was not only huge for its family (Think 20 feet long), it also lived a life of hunting fish. These of these guys like what would happen if a grizzly bear and a heron had a baby together. The plot of this segment shows a young male trying to score some lunch of his own. Many of the larger adults can only only catch garfish like it’s not their problem (which is something that our male is new to), but they can be aggressive, often attacking each other if one of them disrupts the other’s hunt. Until he learns how to catch prey successfully, the best option that the main male has to take is to snatch someone else’s prey, and try not to lose at least a few feathers in the process.

“Hippity hoppity, get off my property”

We then cut back to Madagascar to see the return of another Season 1 veteran. Y’all must’ve loved Beelzebufo so much, you all wanted to see more of the bay dinosaur-eating frog (And I really wouldn’t blame any of y’all). And fortunately, Apple heard everyone’s pleas for the devil toad to return, so here we are! The segment has a male Beelzebufo trying to find a good place to attract a mate. Unfortunately for the frog, a herd of Rapetosaurus just happened to come back and waddle in the mud, making things even harder for the Beelzebufo. That must be frustrating.

The Beelzebufo then has to find a new place to set up his courtship display, away from the titanosaurs. After a bit of hopping around, and even doing this…

Keep on rollin’

Our champ eventually finds a good enough spot to try again, with the Rapetosaurus herd moving on. They even leave footprints in the mud that get filled with water. The only complaint that I have for this scene is the lack of the Beelzebufo raising his eventual tadpoles. The concept art for the devil toad that was made by Gaëlle Seguillon refers to it as “Beelzebufo adult”, so it could be possible that devil tadpoles were considered to be in the show. Either that, or we could see another Beelzebufo-themed segment in a possible Season 3, taking alot of inspiration from how African bullfrog males raise their young. I may or may not be planning to add that to my hypothetical Season 3 idea, so keep your eyes peeled.

Head Games

Despite the episode literally being called “Swamps”, we cut to a dusty plain in North America, where the area in question used to be a swamp that eventually dried up. It’s here where we see the second pachycephalosaur of the series in the form of Pachycephalosaurus itself. It’s no secret that the domed heads of these creatures were used for some sort of territorial display, so we see an older male fighting a younger and rowdy male, who has been causing trouble for the herd. After a long and hard duel, the old male is knocked down, and his younger rival bellows out in victory. This turns out to be a bad idea, as it gives the old male time to get back up and strike down his rival. With the battle lost, the young male is then exiled from the herd, where he has to fend for himself. I’m not gonna lie, he’s gonna need everything in his kit to survive. Y’know why?

In the night, no one can hear you roar

The last segment of the episode shows us how basically terrifying T. Rex can be when hunting. After the last season shows how these giant predators can be doting parents or a loving couple, this segment serves as a reminder that this is still Tyrannosaurus Rex that we’re talking about. When night falls on the floodplains of Hell Creek, a couple of T. Rex brothers stalk around the forest, spying on a group of Edmontosaurus. The two split up, with one of them stepping on a fallen branch, intentionally causing the herd to get nervous. Thanks to their padded feet muffling any heavy footsteps that could be heard, along with their extremely good night vision, the predators spring into action. While one of them lunges for an Edmontosaurus, the latter is sent towards the other T. Rex. With both of them clamping their bone-crushing jaws into their hapless prey, the hunt is soon over, and the two get to enjoy their hard-earned meal. A funny thing to mention is how neither of the T. Rex crashed into the opening, roaring as they charged towards their prey. Large predators cannot afford to waste precious energy by running out and screaming like a mad man, so they need to be careful, often turning to ambush tactics to catch prey. If anything, this instance of averting usual pop-culture depictions of dinosaurs serves to make these beasts scarier than they already were. Unlike the mindless, perpetually roaring and shrinking movie monster that shakes the ground itself with every step, you’d never see or hear the real thing coming, until it’s too late…

This takes the phrase “Bonehead” to a new level

The Uncovered segment of the episode takes a closer look at how pachycephalosaurs like Pachycephalosaurus used their domed heads in fighting. I don’t have alot to say about this part, but I can say that headaches must be a major pain when it comes to these guys.

And with that, we only have 2 episodes left. I apologize for pumping this review out late into the month. Being busy with other projects, along with dealing with real life stuff and being a lazy ass from time to time can do that to you. Nonetheless, the next review on our list covers one of my favorite episodes in the entire series so far, so that’ll be fun when we get to it. Get ready to “dive” in again next time, because we’re gonna be soaking up the thirst of the land.

…I hope you laughed at that joke.

[thelediz]

Sonic Underground episode 38: The Art of Destruction

I’m watching Sonic Underground in search of inspiration to finish a fic I’ve been writing forever. It’s a sad state of affairs. See the recap of the first three episodes here, if you're interested!

The Plot (for want of a better word): Frustrated with Sleet and Dingo’s continued failures, Robotnik creates a new weapon known as ARTT. It can learn, it can think, and it’s the greatest threat the Sonic Underground have ever faced! How will our heroes make it through?

Or… Manic is having trouble finding the motivation to continue in the face of never-ending war. Can a new friend remind him why he fights in the first place?

Parental guidance warning: this episode gets kinda dark, my friends. It would not make it through current moral guardians.

We open this one on a reminder that Manic’s power over the earth is SCARY POWERFUL. He literally crushes an entire factory with a mountain. It’s… it’s a lot.

And then Sonic buries Sleet and Dingo to their necks in rocks. If said henchmen weren’t looking more annoyed than hurt by this it would also be… a lot. Combined with the animation that is making the triplets very edgy looking, this episode is uh… really going for an attitude here.

A very injured looking Sleet and Dingo report back to Robotnik, who introduces the eponymous ARTT: Artificial Robot Thought Technology. It looks like a tortoise without a shell. Sleet and Dingo are very relieved because they think it’s a joke. It’s not a joke.

ARTT has the ability to absorb other machines to turn into an intimidating mecha. Sleet quickly backtracks and asks when they’re supposed to start using it, but Robotnik informs him the robot works alone, and is replacing them. Sleet and Dingo are appropriately panicked.

We know what happens to people Robotnik doesn’t need anymore.

Meanwhile, Manic’s on a down despite their success, because no matter how many factories they take down, Robotnik’s still in power. But before the conversation can properly continue, Sonia shows them security footage of ARTT capturing some people and then threatening the hedgehogs.

On a meta-note, the audience can immediately recognise that ARTT will probably not end the episode entirely evil because it has a soothing male voice (think Zeta, if you ever watched the DCAU)(I LOVED The Zeta Project, for the record. Highly recommend if you can find it).

Manic continues his down by complaining that even if they beat this one, Robotnik will just build something else. And honestly, Manic, I’m not at war or any kind of resistance fighter, but some days… them feels, my dude. Too real.

Thankfully, Sonic’s skating past the emotional stuff (remember, this is pre-06's soft reboot. He’s not comfortable with complex emotions yet) by pointing out that ARTT has a tendency to dodge to the right.

They head out to try and track it down, and Sonic gets on Manic’s case for… not paying attention, I guess? They’re in the van and Manic’s sulking in the back, I’m not entirely sure why this is a problem, but whatever. It’s a bit of character work before ARTT attacks them.

Another bit of character work that would have been really nice twenty-something episodes ago – Sonic tells his siblings to go while he fends ARTT off, and Sonia hesitates in obvious worry. Manic has to guide her away.

Proof that ARTT is a thinking robot, it no longer always dodges to the right. Sonic escapes, but barely, with ARTT promising to learn how Sonic did it.

On the next mission, Sonic is running out of patience for Manic’s down. On another meta-note, this episode is very much drawing attention to another difference between early and contemporary Sonic: these days, Sonic would be both much more patient and much kinder, if he hadn’t already taken Manic aside to cheer him up. There would be a speech or three about teamwork and hope. It would be corny as heck. But in these earlier versions (and don’t let people tell you this was an American!Sonic thing, it wasn’t; it was a 90s!Sonic thing), this was VERY in character. Sonic used to hide his heart under many layers of attitude. Only Tails could get through it easily, and really only in AoStH.

But anyway, the point is ARTT comes after them, and is now blasting lasers. It’s another near-miss to escape, but Sonic dumps ARTT in… molten acid? Something yellow, glowing, and bubbling, and everyone assumes it’s destroyed.

They are wrong, of course.

Based on Sonia’s worry for Sonic in this episode, I really feel like this should have been earlier in the series. But Manic’s down would have been out of place earlier, as would his competence. This is a weird episode for Manic and Sonia, is what I’m getting at.

Sonia is now also getting frustrated with Manic’s down, though she encourages him to work through it with music, leading to some more of that awesome instrumental from the first episode (seriously. So Sonic and the Secret Rings, so awesome), but unfortunately it’s cut off by ARTT ambushing them. Luckily, ARTT is as enamoured of this music as I am, and demands the Sonic Underground play more.

The Song: The Sound of Freedom. More 80s rebellion pop-rock, and while it is not proper Sonic music, it isn’t terrible, and I wouldn’t mind hearing a full version of it. It also inspires ARTT to reconsider its whole deal and let them go.

I’m not entirely sure it was intentional, but the way Manic is animated and behaves in this sequence is… interesting. At the end of the song, he’s smirking as he says “do what you gotta do”, implying he knows it will have changed the robot’s mind, and as soon as ARTT lets them go, he is rushing to get out. Like I said, I don’t think it’s intentional because this is Sonic Underground and the animation is what it is, but it FEELS very magic-manipulative. Then, while Sonia and Sonic immediately want to bring ARTT into the Resistance, Manic maintains his distrust. Which is also weird, especially when compared to episode 33. He’s being very… thief-like. He ‘learns’ that he has to trust. Again, this FEELS like it should have been earlier in the series.

So next thing we see is ARTT helping the triplets on missions, and Robotnik orders Sleet to go destroy it. Sleet is very happy with this order.

The triplets are telling ARTT about the prophecy, and Manic is still on a down (and still. I get it) saying “it could happen twenty years from now! Why bother?” and again… so real. Much ouch. But while ARTT is grappling with this new existential crisis, Sonic gets a message from Cyrus that Robotnik’s captured Aleena. The audience calls trap, but because this episode should have been set in the single digits the hedgehogs believe it completely.

Shock. It turns out to be a trap.

The hedgehogs and ARTT get trapped in a trash compactor, and are only able to escape with ARTT holding back the walls while the triplets attack the back wall.

An interesting side note here is that Manic temporarily hesitates before adding his drums, with he and Sonic discussing that Manic might not be able to control the power levels. Again – Manic could have had SUCH AN ARC, PEOPLE.

So they blast open a wall, and it looks like everyone will get out, except ARTT can’t let go of the walls without getting smashed. He has a quick conversation with Manic, referencing Manic’s “what’s the point” line, and Manic learning that you have to keep trying even when things seem hopeless. Which is all well and good, except that ARTT points out he actually CAN’T let go without being smashed, but hey, at least he tried, and at least he made music, and…

Yeah, this show is dark sometimes. Don’t know if you’ve noticed that yet.

It ends with the triplets on another mission, Manic going EXTREMELY overboard with explosives in memory of ARTT. Which is… I mean, it’s literally a ten second scene, they can’t put a lot of commentary on it, which is commentary itself, but…

Just saying, Manic could have had a really distressing arc.

Come back tomorrow if you're interested for more!