#I want to be aromantic so bad it's killing me

[ifulovemeletmeglow]

Actually I think I need to just stop falling in love forever and ever and ever

[batri-jopa]

Why are all the shapeshifters so fucking cool?

Nimona

T1000

Genie

Could it be that being a shapeshifter usually have those aro / ace / nonbinary vibes

of never fitting to only one definition? as if not touching the Earth? and pining to belong somewhere?

but also

of no rule applying directly to you? as if you were free from being judged? and thus free to be whoever you choose?

But this kind of freedom is both a blessing and a curse. Because being one of a kind means you're all alone in the whole world.

[mama-marleigh]

I arted 👍

[deadtiredghost]

all the casey's are trans to me.

i wonder what mutant mayhem will give us...

Thinking about the time Casey said this and then nobody ever brought it up again

[genderqueerdykes]

as someone who has been scarred for life by experiences at gay bars, i need people to understand it's beyond tacky to mock people who want queer spaces beyond queer bars- it's dangerous.

let me explain. i went to 2 of my local queer bars a lot last year, as much as i was able to despite being poor. i witnessed a fist fight that was so bloody that ended up with a transmisogynistic drag queen getting hit in the head with a metal baton. the sight caused me to uncontrollably throw up in the bathroom of the club because of how gruesome it was. they had to close down the club and forard people out the back door because of how out of hand this person got- he was screaming transmisogynstic slurs and phrases at the bouncers were were transfem.

i was also sexually assaulted at these places, i was repeatedly groped by several people who i was not interacting with in the first place who found me attractive and decided physically grabbing me on numerous occasions was the way to get my attention. being femme in a queer bar is dangerous even if the people groping you are gay men.

i am also a recovering addict who dealt with alcohol issues in the past and could be considered a recovering alcoholic. i don't want to be around alcohol. i don't want to smell it. it triggers awful memories and also sometimes makes me consider getting a drink, but i can't have one, because the medications i take will cause a fatal reaction- i don't want to be tempted to drink, because it will kill me.

it's not right to mock someone or call them childish or whatever for not wanting to go to a club. whenever alcohol is involved, people's inhibitions are gone and they will do whatever. this includes fighting. i witnessed several other fights. just because it's a queer bar doesn't mean there won't be fights. and it especialyl doesn't m ean that you won't get groped or assaulted because, like i said, since alcohol is involved and it's a bar, there's a high chance this can and will happen.

queer people are not inherently safe angels to be around by virtue of being queer. there are still transphobes in queer bars. tranny chasers come to these bars. homophobic lesbians show up and lesbophobic gay men show up. drag queens and performers bring their cishet friends and family to support their shows. these are not perfect havens. they are not safe. we should not force other queers to interact with inherently dangerous spaces if these are supposed to be our safe spaces.

also these spaces are not friendly to people with disabilities; wheelchair users have nowhere to go especially when it's very crowded. other mobility aids get kicked and knocked over. neurodivergent people can get overstimulated by the deafening music very quickly. photosensitive people can have seizures due to the strobing lights. people with emetophobia like me run the risk of running into those types of triggers. people who are overstimulated by intoxicated people have no choice but to deal with it. dancing is one of the only activities to do other than drink and not many disabled (or even abled) people can dance for extended periods of time comfortably.

not to mention these spaces are not geared toward aromantic or asexual people at all, either. there is a long list of reasons why bars should not be our primary venues of interaction with one another. they serve a specific purpose- for people who want to cruise- but for the rest of us, it's really crucial that we have spaces that provide meaningful interactions with other queers on other levels of our identities.

some people just want to hang out with other queers in a quiet environment and craft, or shop, or drink coffee, or read books together, or just about any other activity on planet earth, and that's not "lame" or "cringy" or bad in any way- these are extremely normal and necessary parts of human interaction that we all require and crave and it's normal to want to do healthy, domestic things with other queers. we need this in our lives.

please take it seriously when people attempt to create queer spaces that don't involve alcohol and bars. it's necessary for our survival and well being as a community.

[secretmellowblog]

Jean Valjean's Canon Toxic Unhealthiness around Romantic Love

( alternate titles: “Does Jean Valjean is Gay?”, or “Does Jean Valjean is Asexual?” Or: “Why is it so difficult to slap an identity/sexuality label onto Jean Valjean?” Or “LGBTPTSD+”)

I was looking at the responses to this poll about whether people interpret Jean Valjean as gay/asexual/straight or something else….and it got me thinking again about Jean Valjean’s canonical intense, complex, awful, toxic, and overwrought emotions around identity/ romantic love. I want to talk about that for a bit because I think it often gets overlooked in fandom!

I've noticed that Les Mis fandom/analysis often tends to interpret Jean Valjean as being far more content, more "at peace with himself," and more "comfortable in his own skin" than he ever is within the novel. This is also a common change in adaptations. The musical's version of Jean Valjean is great-- but he also seems a lot more self-actualized, more like he's gotten himself completely "figured out" by the end of the story. Other, bad, Les Mis adaptations — the adaptations that generally portray Jean Valjean a worse more violent person — also usually make Jean Valjean more confident in himself, more confident in his own feelings/desires, more certain that he’s entitled to certain things, and more willing to demand or take what he wants.

But one major aspect of book Jean Valjean's personality is that he does not have a healthy relationship with anything about himself. He has a tortured broken relationship with his own identity. He repeatedly thinks about “Jean Valjean” as a person outside of himself, a person who he finds frightening, repulsive, savage, and horrible— like a wild animal he needs to sedate, or beat into submission. He is obsessed with self-denial and self-repression. He is fixated on the idea that he is subhuman, that he is not allowed to want things or to pursue having any kinds of relationships with other people-- and that the most heroic thing he can do is "grab himself by the collar” and violently force himself to stay away from the things he wants. He is desperate to be loved and fixated on being unworthy of love and on denying himself love. He is absolutely not at peace with his identity: to paraphrase Jean Valjean in one of the later chapters, he believes he can only gain inner peace by “eviscerating his own entrails.”

He is never truly content with who he is, what he wants, or what kind of love he wants— and he never learns to be. The novel ends with him cutting himself off from his only family, breaking ties with the only person who loves him, and essentially slowly killing himself out of self-loathing.

There are other characters in Les Mis who seem very content with who they are and what they want. Enjolras is self-assured in his identity, and doesn’t appear to feel like there is any kind of love that is missing from his life. Whether you interpret him as gay or ace or trans or w/e, book!Enjolras is written as someone who is extremely self-assured and has a loving support system that is enough to keep him happy. But I don’t think that’s true for Jean Valjean at all XD.

And that’s why it's hard to apply labels like “aromantic” or “ace” or gay/straight/etc to Jean Valjean, when talking about his canon characterization. Those labels imply the person has a basic level of comfort with acknowledging their own desires/lack of desire/identity. And Jean Valjean never achieves that level of comfort. What “label” do you give to someone whose relationship with their identity is “I do not belong in a family, I have no right to want things, I have no right to be happy, I am outside of life, and I will never be at peace until I eviscerate my own entrails?” Is there a “self-disembowelment" pride flag? XD I've seen a lot of interpretations that go "Jean Valjean never expresses any interest in romance, he's perfectly content just to have his relationship with his daughter" but I honestly don't think that's true. Jean Valjean tries to content himself with having only Cosette. But part of why everything explodes so catastrophically in the end of the novel is because he needs more than just a paternal relationship. He doesn’t try to have a “normal” father-daughter relationship with Cosette, he tries to force his relationship with Cosette to be literally everything and everyone to him, for her to be his entire world: and it doesn’t work.

There’s a passage in the novel that talks about how all the love Valjean is capable of ends up being suppressed/sublimated into his relationship with Cosette. The love of a brother, of a friend, of a father, of a husband, the love of everything he is capable of, gets repressed so that he can throw every part of himself into being a father. There are Bad les mis adaptations that incorrectly misinterpret that passage to mean that Jean Valjean is incestuous/grooming Cosette. But in context, that’s not what the passage means at all.

The passage specifies very explicitly that Jean Valjean “did not love Cosette otherwise than as a father,” that “no marriage was possible between them,” that his feelings for her are absolutely paternal. But the passage does show how Jean Valjean is doing a very different unhealthy thing: he’s relying on Cosette to fill every single emotional void in his life.

He’s relying on parenthood to fill the grief/emptiness left behind by all the other kinds of love that he has wanted, but never been given.

To quote a bit of that passage:

Jean Valjean did not love Cosette otherwise than as a father (…) Let the reader recall the situation of heart which we have already indicated. No marriage was possible between them; not even that of souls; and yet, it is certain that their destinies were wedded. With the exception of Cosette, that is to say, with the exception of a childhood, Jean Valjean had never, in the whole of his long life, known anything of that which may be loved. The passions and loves which succeed each other had not produced in him those successive green growths, tender green or dark green, which can be seen in foliage which passes through the winter and in men who pass fifty. In short, and we have insisted on it more than once, all this interior fusion, all this whole, of which the sum total was a lofty virtue, ended in rendering Jean Valjean a father to Cosette. A strange father, forged from the grandfather, the son, the brother, and the husband, that existed in Jean Valjean; a father in whom there was included even a mother; a father who loved Cosette and adored her, and who held that child as his light, his home, his family, his country, his paradise.

Jean Valjean reminds me of a Failmode I’ve seen in a lot of different real-life parents? There are parents who cope with their own hard lives by telling themselves that parenthood is their sole reason for being alive, and who obsess over their child’s success as their only source of purpose, meaning, love, happiness, community, and validation. But it’s a bad idea to rely on one child to provide the emotional support that should be shared by friends, parents, siblings, every possible loved one, etc etc—- One child can’t actually heal you from your trauma, be a replacement for your broken relationships, pull you out of your grief, save you from your adult loneliness, etc etc etc etc.

When I see the common interpretation that Jean Valjean is perfectly content just to be the father of Cosette, I think of this line:

Thus when he saw that the end had absolutely come, that she was escaping from him, that she was slipping from his hands, that she was gliding from him, like a cloud, like water, when he had before his eyes this crushing proof: “another is the goal of her heart, another is the wish of her life; there is a dearest one, I am no longer anything but her father, I no longer exist”; when he could no longer doubt, when he said to himself: “She is going away from me!” the grief which he felt surpassed the bounds of possibility. To have done all that he had done for the purpose of ending like this! And the very idea of being nothing!

On one hand, the terrible Les mis adaptations that portray Valjean as Incest Creep are incorrect and wrong. On the other hand, though, Jean Valjean IS unhealthy about Cosette— just in a different and actually sympathetic way.

He has made fatherhood his only purpose, to replace every other purpose he could have in life. So he can’t be “just Cosette’s father.” He can’t imagine her becoming an adult and leaving the nest, like children do. What does he have if he’s not taking care of her? What is his purpose in life if she doesn’t need him to be her parent? He's not just being her father, he's relying on her to be his entire reason to exist. He hasn't been allowing himself to have things outside of her.

And speaking of things outside of Cosette: segue time. This post was supposed to be about Jean Valjean and romance, so let's switch gears and talk about his canon 'romantic experiences' more:

We’re told that in his youth he “never had a sweetheart” because he “never had time to be in love.” There is no indication that Jean Valjean never wanted to be in love. The opposite is implied. Hugo frames it as a tragedy that Jean Valjean’s does not experience young love; it’s the horror of poverty taking yet another thing from him.

Within prison, Valjean is “gloomy” and “chaste;” when he traumadumps to Montparnasse about it, he talks about women looking on galley slaves with horror and disgust. Romance, at least “normal” heterosexual romance, is no longer something that is permitted for him. Jean Valjean knows very little about romance/love/sex and it repeatedly messes up his life. He spends 19 years in the all-male environment of prison, then about a decade in the almost-all-female environment of the convent. He has very little experience with how men and women are supposed to interact. The oppression Fantine faces as a sex worker, and Cosette's relationship with Marius, are both two big 'blind spots' that he struggles with.

At one point romantic love is described as “The only misery Jean Valjean had not yet experienced, and the only one that is sweet.”

In his massive confession to Marius, he agonizes over how he is not allowed to be part of a family, and is incapable of being part of a home. He compares himself to someone sick and diseased, that poisons good and normal people with his presence, and cannot be allowed to make himself part of their families.

So Jean Valjean doesn’t frame Romance as “a thing he doesn’t want:” it’s a thing “he is not allowed to want,” it is one of the many things he is banned from wanting. It's impossible to tell what kind of things he would want, if he were allowed to want them.

One of the most interesting things to me, however, is his general attitude towards Marius/Cosette.

Obviously his first reaction to Marius snooping around is fear and resentment— he doesn’t know to interact with romance, having never experienced it, and immediately begins catastrophizing. He views Marius as a privileged booby ruining his life for something as frivolous as a love affair: it reads to me as partially envy, envy of the fact that Marius lives the kind of safe comfortable life that allows him to experience young love.

Jean Valjean added: “What does he want? A love affair! A love affair! And I? What! I have been first, the most wretched of men, and then the most unhappy, and I have traversed sixty years of life on my knees, I have suffered everything that man can suffer, I have grown old without having been young, I have lived without a family, without relatives, without friends, without life, without children, I have left my blood on every stone, on every bramble, on every mile-post, along every wall, I have been gentle, though others have been hard to me, and kind, although others have been malicious, I have become an honest man once more, in spite of everything, I have repented of the evil that I have done and have forgiven the evil that has been done to me, and at the moment when I receive my recompense, at the moment when it is all over, at the moment when I am just touching the goal, at the moment when I have what I desire, it is well, it is good, I have paid, I have earned it, all this is to take flight, all this will vanish, and I shall lose Cosette, and I shall lose my life, my joy, my soul, because it has pleased a great booby to come and lounge at the Luxembourg.”

But, even though Jean Valjean views romance as something he isn’t allowed or have or to want, views it as a threat and catastrophizes over how it will ruin his life……he seems to also put heterosexual romance on a pedestal.

The way Jean Valjean idealizes marriage is one of his weirdest character notes for me.

He views marriage as Cosette’s “happy ending.” It’s her “happily ever after” point where she won’t need him anymore, where she won’t need anyone outside of her husband. A Man And a Woman Are Meant to Get Married, It's Fate, and It Means They Will Live Happily Together Forever. Marius is “the goal of her heart, the wish of her life; her dearest one.” Nothing outside of that matters anymore.

He treats her marriage as if romantic love is inherently always more important than any kind of platonic relationships, and always takes priority over them. He later dismisses the unconventional family structure he has with Cosette, saying that despite his love for her he was only a "passerby" and was not actually her real father, because they were not biologically related.

There's a moment where Jean Valjean is described as someone whose ideal is to be angel on the inside and a bourgeois on the outside. Jean Valjean's worship of bourgeois social norms, norms he can never truly be a part of, is one of his character flaws. He has a similar "guard dog" energy as Eponine does when she defends Rue Plumet from her parents.....Eponine and Jean Valjean both become the guard dogs of a kind of romantic relationship they believe they are banned from having. Jean Valjean believes that getting Happily Straight Married in a Middle-Class Home with a Picket Fence(tm) is the ideal path for life....but believes himself broken/incapable of ever following that path. And so he instead throws his entire life into securing that future for Marius and Cosette.

In what manner was Jean Valjean to behave in relation to the happiness of Cosette and Marius? It was he who had willed that happiness, it was he who had brought it about; he had, himself, buried it in his entrails, and at that moment, when he reflected on it, he was able to enjoy the sort of satisfaction which an armorer would experience on recognizing his factory mark on a knife, on withdrawing it, all smoking, from his own breast. Cosette had Marius, Marius possessed Cosette. They had everything, even riches. And this was his doing.

TL: DR:

Jean Valjean's gender/sexuality label is “idk but he’s super fucked up about it.”

[timegnosticproductions]

Ghosts: BBC vs CBS

It’s been almost a month since I finished BBC’s Ghosts, and I cannot stop thinking about it. It has quickly become one of my favourite TV shows. I watched the US-American version first because it had been plaguing my TikTok FYP. It was a fine show, but it didn’t have the grip the BBC version currently has on me.

This is an exploration of why I found UK Ghosts to be a much more compelling story than US Ghosts, even if they are “the same show”.

DISCLAIMER: There will be spoilers for both shows.

The Main Couple

Underappreciated in both shows, let’s begin with the two livings: Alison and Mike, and Sam and Jay.

Sam and Jay feel, to me, like they just spawned at the beginning of the show. They aren’t people, with lives before the fragments we see, which will continue after the show ends. Sam is the biggest offender of the two. Where are her friends from before she moved to Woodstone Manor? I would understand if she didn’t have any friends over, and we also have to consider that the US is massive compared to the UK, and her friends might live on the other side of the country. But not one call? No facetime? Not even one text message? And let me be clear: I don’t want this to be a show about her living friends, and I don’t need them to be characters in the show, but do Sam and Jay have to be completely cut off from the real world?

Alison and Mike, on the other hand, have a friend group, and when these friends play a role in an episode, the focus is still on the ghosts’ reactions. They don’t distract from the main characters, while still making Alison and Mike feel more grounded in reality.

Character moments vs. cheap jokes

I’m not the first person to point this out, and I certainly won’t be the last, but it’s still worth saying: why would you change a ghost’s powers from Mary reliving the moment of her death, being “burned at the stake” again, and subsequently making the living people that have passed through her smell the burning of the fire that killed her, to a fart joke. Isaac’s life/death is tragic, but his ghost power being “fart” get’s really exhausting really quickly.

Ghost lore

Expanding on ghost powers, let’s talk about the other ghosts. This point, I realise, is less black and white and more about personal preference rather than bad writing. I like that Ghosts (UK) doesn’t always directly answer the viewer’s questions about the afterlife. Some ghosts have powers, and some don’t and the ones that don’t aren’t searching for them. Mary gets “sucked off” but we don’t know what comes next.

In the US version, however, there is explicitly a hell and a heaven, and Elias comes back from hell to tell us what happens there.

That is one of the many charms of the UK version, the uncertainty. What comes next? I don’t want to know.

I also think it helps the emotional punch of Mary’s death (re-death, moving on? idk) land better. If one of the CBS ghosts were to die, the grieving wouldn’t be as devastating, because we know what comes next, and how could we be sad when a character has, certainly, gone to heaven? It could still be made into an interesting episode, maybe exploring the other ghosts’ (especially the older ones) jealousy, who also want to get “sucked off”. Still, I much prefer the uncertainty of Mary’s death (would also very much like to see a main character from the US version move on, just because I would like to see how they handle it when it isn’t a fake out like with Flower).

Found family vs. pair the spares

CBS’s Ghosts has an obsession with romance, to the point where it is quite frankly absurd.

You know when in a fandom there is a four-person friend group (or other even number) and two of those characters are in a really popular ship, so the fandom decides to ship the other two characters together as if they couldn’t be happily single, or aromantic, or whatever? (Author’s note: yes, aromantic people can still date, doesn’t take away from my point.) Yeah, I feel like that watching CBS’s Ghosts. Some characters are single, but I still think there is too much of a focus on romance/sex, with Flower and Thor, Isaac and Nigel, Hetty and Trevor, Pete and Alberta/Donna since he discovered his ghost power, and I’m sure when the series is over I will have more examples. Maybe, if these couples had more chemistry and were properly set up, I wouldn’t be so hard on them, but my point still stands.

Both shows try to pull off the found family angle, but only one of them succeeds. You can’t call it a found family if your only “family dynamic” is “romantic relationship”, that’s just a regular friend group. The Captain and Kitty’s father-daughter relationship is one of my favourite things about the original, and I also love Julian being a sort of mentor to Alison in all things scheming. It can even be played for laughs, with Robin being the “family dog”. None of this charm is carried over to the US-American version, and I really, really wish it was, because it has made me fall in love with the BBC’s version.

Pacing

You know, for a show with 20-ish episodes per season instead of six, you’d think they could take more than an episode to develop a storyline properly. Let’s take a closer look at two storylines that appear in both shows.

Firstly, the one with Alison’s/Sam’s long-lost sister. In the BBC’s version, this is a season-long arch, and it is not solely centred around uncovering whether she is lying, but also discussing Kitty’s jealousy and possessiveness over Alison; and Alison’s deep desire for a family, and how the ghosts have become that for her. And, generally, it makes you believe that Alison would believe the lie, and wouldn’t see the holes in the story, because she just really wanted a sister. Sam’s story plays almost the same but is reduced to a single episode. I know it is the classic sitcom formula, things must return to the status quo by the end of the episode. Still, I wish it wasn’t so rushed.

Secondly, the Captain(s) coming out. In both shows, the queerness of these characters is very obvious, but in the UK version, coming to terms with his queerness and learning to express his feelings is the core of his character. However, the US version takes this in another direction, placing more importance on the budding relationship between Isaac and Nigel (see: my point about this version’s obsession with romance). The UK version is hardly subtle, but compared to the US version… I wouldn’t be so angry if they hadn’t decided to undo their development by having Isaac leave Nigel at the altar.

Bad people vs. bad characters

This discussion should extend beyond Ghosts and into literature/art in general. To quote Oscar Wilde, “It is absurd to divide people into good and bad. People are either charming or tedious.” A character being a bad person doesn’t mean they are a bad character, those two qualities can coexist, but don’t always come together. CBS’s Ghosts seems wary of making any of the characters bad people. BBC’s Ghosts doesn’t have this problem. Julian (the equivalent to Trevor in the CBS version) is a bad person, especially at the beginning of the show. And he is probably my favourite character. He died of a heart attack while cheating on his wife, he didn’t bother to take care of his daughter and he attempted to kill Alison, which ultimately resulted in her being able to see ghosts. He is not nice, and the show doesn’t want you to think that. And you watch him grow throughout the series and it is great.

None of the characters in the US version are bad. This is mostly just a pet peeve of mine, but I do think it makes things much more static. Everyone in this version is just too nice. And too excited about everything. Why is Sam so onboard with the ghosts? Why is she never annoyed with them? And why do they never talk over each other? Do they never get tired of each other? I mean, some of them have been “living” together for centuries!

This topic in particular is something I want to write about more extensively, looking at other shows and fandom perception and that kind of stuff, so I’m going to cut myself here.

Conclusion

I don’t think that CBS’s Ghosts is, like, the worst show ever, it just doesn’t live up to its predecessor. That was just, from my point of view, a really high bar. There is one thing I think it does better than its BBC counterpart, and that is Jay’s relationship with the Ghosts (as opposed to Mike’s), which is to say, he actually has one.

So, yes, CBC’s Ghosts has lots of issues that may come from adapting the story for an American audience, or may just be lousy writing. Either way, I still enjoy it, although the episodes are definitely harder to get through.

[kandy-sticks-zaza-blogs]

Blitzo Redesign

“Do you want your murderer dead so you could have revenge?No problem!Here we got I.M.P assassination!We can help you kill them for you!”

Crusty Hobo men save me….

He’s sly,lazy,greedy,rude.

He stole the Asmodeus Crystal from his sister.

Ew I hate seeing red every time anyway get purpled guy.

He have an older sister,twin sister and a nonbinary sibling.

Very fashionable with jewellery but bad at wearing outfits.

He’s purple a mix from his dad red skin and his mom blue skin.

His voice claim is Trey Parker,Movie Beetle juice or Tyler,the creator.

Also he didn’t hook up or met Stolas sorry Stolitz shippers the ship sucks,

He have been successfully transitioned after the doctor got rid of his breast to get top surgery.

He is Transmasc Aromantic Pansexual he’s in the poly with Verosika & Striker as the series goes on.

His ears are like the one from mission chupacabra shorts also got the ears from his mom his dad is the lizard.

He’s half Pride half Sloth with a hint of Wrath from his father he’s the pride and hint of lust from his mother she’s the Sloth.

When his father worked as the ringleader and the owner of the Circus his Sister and his little sibling always love to play games.

When Blitzo was a teenager he is performing as Fizzaroli accidentally set the tent on fire as Blitzo is in the short coma for a month as he see a crying Fizzaroli on his side of the hospital bed.

Fizzaroli goes with Blitzo as they try to find a place to stay when they healed up and got new robotic limbs.

Until he met Luna as a lost child who escaped from the orphanage as he was about to leave but Luna wouldn’t leave him alone as they both started renting the apar and get money for their part time job.

Fizzaroli left Blitzo with Luna as they watched Fizzaroli moved to the Gluttony Ring or Lust Ring as they both always watched Fizz on TV.

Despite being a bad person he treated his family like a person instead of an object he still cares about his sister,sibling,his coworkers,his parents and his daughter.

[nekropsii]

[Re: Twitter Cancellation Ask Game]

Anons are live for this!! If everyone behaves, I may keep them on. Answering these in bulk for less spam.

Content Warning: Long.

@starlit1daydream

It's true. I don't even know what there is to defend about them. Not as in I can't see any reason to enjoy their characters - one could theoretically count me as a fan of all three of them, just not in a fandom way - but as in I literally don't know what kind of mental gymnastics people could pull to say they're good, defensible people. I know for Rufioh, it's that He's Hot and Damara Bad, but that doesn't compute in my head as a logical reason, even if it is a tangible and consistent one. There just isn't any math there. Kankri and Cronus aren't ever given consistent reasons for defense, so they're even more incalculable than Rufioh. Cronus is also given the He's Hot reason despite literally not being even remotely attractive, Abusiveness Aside. Fucked.

@time-was-over

People are mad at me about this consistently and I truly cannot think of a single thing more juvenile and liberal to be mad at. Never am I given a good reason to change my mind on Shipping Culture and Fandom being plagues.

"It's deeply misogynistic" gets the response of "Yeah <3" "It's deeply homophobic" gets the response of "Nuh uh! You're just saying that because you hate gay men, you homophobe!" "It's deeply aphobic" gets the response of, again, "Nuh uh! You're just saying that because you hate gay men, you homophobe!", but with added "God, I hope you kill yourself you fun-hating puritan." Lol!

Shipping Culture is a disease and I hope to see it get dismantled in my lifetime. This shit fucking sucks. Not a single brain cell is involved in it. Some of the most bigoted slop in the world is ejected from its gullet.

@memeticexistence

I don't think I have particularly hot takes about Eridan, I just don't woobify him because I do not crave to turn a genocidal incel into a perfect little pretty anime yaoi prince, and I frankly think it is weird how many people do that to his character. There's a lot being said with Eridan's existence, and it all seems to have flown over 99% of the fandom's heads because some people won't keep their dick in their pants about a 13-year-old alt-righter with Harry Potter inspiration plastered all over him. I do not particularly know what you mean by "Jane Truther". What is there to make conspiracies about regarding Jane's character? I don't post about her very often.

Classic. I have gotten yelled at about this on Tumblr as well. I have gotten yelled at for this several times. It's really cool, the way the particularly fandom-brained think. Misogyny is Good if it's a part of the method you Consume Content.

They are burning me at the stake for this daily. They're calling me Crispy Jim now, on account of the burnings. I look like beef jerky with limbs. Sad!

Tumblr has called me homophobic! Several times! Mostly because I said I don't really like DirkJake. Or shipping culture. I'm a grown ass aromantic man who likes horror, I do not want or need countless images of two teenage boys kissing fervently to feel represented. I have options. I can just watch a damn horror movie. Or Dragon Ball Z, or some other anime. Dragon Ball Z never fails me when it comes to aromantic homoeroticism between adult men. Horror movies also never fail me when it comes to homoeroticism between adult men. There are just more options in this world than fanfiction and fanart of teen boys kissing. I don't need it. It just makes me feel like a creep by looking at it half the time. God damn.

[lazyollie]

\\My opinion about tfp ships\\

Tfp fandom is much bigger than tfa fandom. I can understand it, because It's old, bad animated and has boring story-line. I've already made 'My opinion about tfa ships' so I think It's time to make tfp version of this.

Before I would start let me make it clear. It's my opinion. If you think different, please don't attack me with hate comments. However, I think people who use tumblr are much calmer than most of the people on Tiktok but nevermind..

Optimus Prime x Megatron

Uhh ohh. This is the basic one, which almost everyone ships from the fandom. In my opinion, they could have been something like lovers to enemies.

[Headcanon]: Optimus might've been in love with Megatron when they were just Orion and Megatronus. But the power and fame parted them away and Megatronus started hating him for taking it from him. Maybe that's why Optimus was always compassionate with him because he was still in love with him. He tried to get Megatronus to became lovers/friends again. Until of course when Megatronus started to hurt his loved ones he stopped trying.

I mean I can belive that that's what happening behind the story line.

I absolutely adore them. I mean I can understand why people ship them. They have somekind of dinamic what I can't just ignore. There's something in the background we don't know about that's what I tell you guys.

Optimus Prime x Ratchet

Staying by Optimus there is another ship. The Optimus x Ratchet ship. Well, I'm not really keen on for this ship. I just can't see more into their friendship.

In my opinion, they are perfectly matching with each other's energy. They know each other for so long. Helping to the other is also a plus point.

People have every reason why this might be more than just a friendship. Maybe I just can't see through the show. Please let me know if there are facts I'm missing out. Nevermind. Next.

Arcee x Airachnid

Now to have some females in this blog let's write about this one. I'm really scared of this one.

Airachnid only shows interest for woman in this series (I think). The way she talks with Arcee and touches her few times is absolutely suspicious. She's the closest one to be lesbian.

On the other hand, Airachnid kidnapped her, tortured her, killed her closest friends and caused trauma in Arcee's life. When Airachnid appeared into the series Arcee had a hard time to fight her fears from her.

Arcee hates her with full of her heart, taking away her loved once. I don't think that Arcee after all would love Airachnid. She's confident and not forgiving.

Might Airachnid show love interest towards Arcee. In this situation is sick love or obsession. Also It's not hidden that Airachnid sadistic and only wants to get to her goals.

Totally not supported.

Wheeljack x Ratchet

Oh gosh. My favorite ones. I haven't seen as much ship content of them what I would expect about this ship.

Like the way that Wheeljack's flirty&playful behavier mets with Ratchet grumpy, serious attitude is killig. I mean you know about the grumpy x sunshine type of romantic books.

IT'S LITTERALY THIS.

It has to be a canon ship or else I will explode. I can't imagine Ratchet the old grumpy man with a WOMAN.

Okay, maybe I'm too dramatic but I love them so much. They should have had more screen time together, maybe another mission.

Let's go for the next.

Megatron x Starscream

What the fuck?! Absolutely not for me. Not under my watch. Nuh uh.

To get clear in this point. Megatron is toxic and abusive towards Starscream. Starscream is untrustable and backstabber towards Megatron.

I might miss something out about this. Maybe because language paralel I couldn't understand something. I need facts that would make this ship ship.

I'm more than glad if you would share me secret therories about all the ships or what do you think about some.

Soundwave x Shockwave

[Headcanon]: I think Soundwave is Aroace, Asexual or Aromantic. One of these. Definitely something what starts with an "A".

(It's alright if you think different about the topic.)

We haven't seen anything that would express his personality, interesests or plans. He's hiding his personality so we can't know about how he feels. He doesn't express them in any way. Yeah, we know he's smart and loyal, but what else?

They didn't have any bound during the show. Any action between them. It's like they are strangers or more like workmates for each other.

I don't think that anything is between them.

Knockout x Breakdown

In 2024 I can say this with confidence: they are a canon couple. There's nothing we have to talk about.

If you don't agree, then I can't help it🤷🏻‍♀️

~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•

That's all for this post. Uhh, I don't really know what to say. There's still a lot of ships I haven't mentioned.

[vanderwoodlings]

how do you kill a feeling: a blair/dan playlist (x)

Tracklist and commentary under the cut:

This is also entirely country music, because, uh… I wanted to? And at least one person (hi Liz) seemed into the idea? Generally when it comes to GG, we skew more towards pop than anything else, so it was a fun experiment!

1. “Easy Silence,” The Chicks. And I come to find a refuge in the/Easy silence that you make for me/It’s okay when there’s nothing more to say to me

2. “Walkin’ After Midnight,” Patsy Cline. [dan voice] I’ve been walking around the city all night with one paralyzing, all-consuming thought

3. “Found It In You,” Tiera Kennedy. The confidence to know that I can be happy/Just ‘cause you tell me that you got me.

4. “Friends Don’t,” Maddie & Tae. [Insert obligatory aromantic disclaimer that Friends Do, Thanks, here.] That aside, this is just… so stupid best friends in pining denial dair-coded

5. “I Try to Think About Elvis,” Patty Loveless. When you’re ass backwards crushing on Blair Waldorf and you would like to not be, please

6. “Hey, Good Lookin’,” Hank Williams. This one was one that just clicked as a dair song at random somewhere—something about the I’m gonna throw my date book over the fence bit especially—and sparked this playlist into being

7. “Lay It On Me,” Mickey Guyton. I want the truth and all your lies/I want your perfectly imperfect

8. “I’ll Be,” Reba McEntire. And mayhaps Dan has a white knight complex. I’ll be the rock that will be strong for you/The one that will hold on to you

9. “Marigold,” Paisley Fields. Marigold, bold and bright/Marigold, through spring and summer/You brighten up my night, marigold

10. “After I Fall,” Lee Ann Womack. And mayhaps Blair is a bit traumatized. After I fall, where do I stand/After my heart is in your hands/And you’ve got it all

11. “cowboy take me away,” Brittney Spencer. This one is in the Vibe—because God knows neither of them want to get out of the city and get dirt on their hands—it’s more something wild and unruly

12. “I Can’t Help It (If I’m Still in Love with You),” Johnny Cash. Dan pining moments

13. “This Kiss,” Faith Hill. I always love story imagery with Blair, so of course we’ve got Cinderella said to Snow White/“How does love get so off course/Oh, all I wanted was a white knight/With a good heart/Soft touch, fast horse.”

14. “Wrecking Ball,” Emmylou Harris. This song’s got the narrator offering a first date if the other person is in, in spite of the lack of privacy she’s got/the things the other person might know, which is very Gossip Girl, but there’s also something about the Meet me at the wrecking ball (wrecking ball)/I’ll wear something pretty and white that feels very Blair

15. “Death Of Me,” Reyna Roberts. Took this barely beating heart and brought it back to life/But this love might be the death of me.

16. “Starting Over,” Chris Stapleton. Gotta give them something good. And, honey, for once in our life/Let’s take our chances and roll the dice

17. “Grow Old with Me,” Sunny Sweeney. They all said we’d never fit so well together/Grow old with me, I’ll keep you young forever

18. “Jolene,” Dolly Parton. I’ve used this as a Blair’s Serena complex song before, way back on the blairena playlist and uh… I was right ¯\_ (ツ)_/¯

19. “Milwaukee,” Wyatt Flores. Okay, yeah, wrong city, but—You can hate my eyes for watching you leave/You can hate my should have chased you down feet/…/Please don’t hate my heart

20. “What Brings Life Also Kills,” Kolton Moore & the Clever Few. Dear, I’m writing this for you/As I contemplate tomorrow/Why did it end so soon?

21. “Buddy,” Willie Nelson. S6 dangina hours!!!!

22. “Why’d You Come in Here Lookin’ Like That,” Dolly Parton. Exists in the theoretical Dan slut era of my dreams. He’s out slow dancing with every girl around/I’m a soft-hearted woman, he’s a hardheaded man/And he’s gonna make me feel just as bad as he can

23. “Foolin’ Ourselves,” Evan Honer. Welcome to the dairfair! We get a little chronologically blurry here for the sake of the Sound being right, but I trust y’all to follow along

24. “On the Other Hand,” Randy Travis. On one hand, I could stay and be your lovin’ man/But the reason I must go is on the other hand.

25. “Summertime,” Orville Peck. You and I/Bide our time/And I miss summertime

26. “Satin Sheets,” Tammy Wynette. If Serena gets “Jolene” (or even, sort of, the pseudo-honorable “On the Other Hand”), Chip gets this. Blair canonically sings Wynette’s “Stand By Your Man” about him (which really fucks me up), so I knew she had to be on here somewhere, but I wasn’t expecting something quite so suitable to jump right out. But your money can’t hold me tight/Like he does on a long, long night

27. “Your Someone,” May Erlewine. I thought that I was stronger/I willed myself to be/But love can be so tender/I feel a tenderness in me

28. “To June This Morning,” Ruston Kelly, Kacey Musgraves.

29. “Love is Alive,” The Judds. Love is a man and he’s mine/Love is alive/And at our breakfast table

30. “Love Is A Wild Thing,” Kacey Musgraves. There’s no way to stop it, so don’t try to

[wayfayrr]

Good day dear!

I want to order a Red Velvet spiked latte, sugar-free! I'm craving Warriors in a qpr, and I'm having one of those days involving being Aromantic :')

I hope you're doing well; please and thank you 🙏🙏🙏

Here's your order - I hope it's to your liking <3

I get having those days, sometimes they just like to sneak up on you without any warning and it's the worst ;-; I know it's a bit late but I hope wars can make you feel better darling

[Event masterlist]

Why did the portal have to split us up and spit me and wars out in the hebra region of all places. Did the shadow get sick of throwing monsters at us and decide to off us with hypothermia? Even with that, why drop us off in a cave rather than in the snow?

“You still have our bed rolls right? I’m not entirely sure we’ll make it through the night if we don’t have them and I’d really prefer to not risk losing any limbs.”

Oh, no, no, no, don’t look through your bag then at me like that. That shy smile with those adorable eyes, like you’re waiting to tell me you don’t have them. I could have sworn that he had packed them both away in there this morning, did my own eyes lie to me? 

“Only one of them is still intact, I think the other one started tearing this morning and seeing as legend has the group's only sewing kit…”

“So we shouldn’t risk making it any worse till we can fix it but this cold it’s sure to be worse at night.”

“If we light a fire and sleep in shifts it shouldn’t be so bad.”

This is how people die, I’ve seen it in films back home, and I’ve heard stories of overzealous climbers perishing to the cold, I refuse to let us become like them. Even if it is being over cautious. 

“We could share the last bedroll and use the torn one as an extra blanket. If we scout out the cave and push some of those loose boulders into the entrance we most likely won’t need to take shifts.”

“You’d be alright with sleeping like that when there’s no one on lookout?”

“Any other way and it might only be one of us waking up tomorrow if we’re lucky.”

I’m not sure he likes that suggestion, he’s glancing around and biting his lip like something is wrong. Any link to be uncomfortable with the idea, wars makes the most sense. He’s the captain, someone who’s had to live through too many betrayals and ambushes to stay sane, why wouldn’t he be nervous of being alone like this? I’d like to hope he knows that I wouldn’t ever betray him though, why would his partner do something like that to him? 

“if you're alright with it then, I don't want to make you uncomfortable being that close?”

That's what he's worried about right now? my comfort over us freezing to death, is he out of his mind?

“I'm certain, it'd be far more uncomfortable waking up to the frozen corpse of my closest.”

“...”

“did you really not consider that?”

“I just want to make sure you're safe… if that means killing myself… well anything for you.”

Was that drilled into him during his training, that he should be willing to die like this for any reason? With the blush on his face I would say otherwise though, why would he get so flustered over something like this. We’re talking about his potential death here, not some vacation together.

"Wars you idiot why would you let yourself die of hypothermia if there's such an easy solution?"

“I didn’t want to think about that but you’re right. We need to stay as warm as we can.”

Finally, that’s gotten through his thick skull that I don’t want him sacrificing himself for something as stupid as that. So we can get to preparing our very hasty camp for the night, with his scouting showing we’ll be free of any monsters and my efforts in shifting a couple of rocks closing most of the entrance. The two bed-rolls thrown on top of each other look more inviting than anything I’ve seen in a long while. 

“After you.”

“Sure.”

It is not as warm as it looked. “Stop looking so uncertain, I promise I’m not going to suddenly stab you in your sleep.”

“That’s not what I’m…”

The squeak that left him when I pulled him down on top of me was cute. He’s redder than I’ve ever seen him too, but that started to die down after I pulled the makeshift blankets over us, or it might’ve, not that I could see it after turning over anyway. 

“Night link.”

Not even an answer then. He must be a bit flustered still. Nothing even as my eyes flutter closed, when I feel a very soft weight on my side, keeping me barely awake to hear what he says, but not enough to respond.

“Would you be bothered if we never reunited with the others? I’m all you’ll ever need right… I’m sure we could find a way back to your world, even if I have to call in a few overdue favours. They wouldn’t even need to know we’re still alive… just you and I forever. Wouldn’t that be nice?”

What?

“Even if you don’t know what I’m really looking for we can start tomorrow. Sleep well darling, I hope you’re warm enough like this…”

[am-i-the-asshole-official]

AITA for how i broke up with my boyfriend?

(hopefully this all fits in one ask…)

so i was dating this person, we'll call him Z, and while i had strong feelings for him in the beginning of the relationship, they faded kind of fast (i'm on the aromantic spectrum (and he knows this so this kind of thing happens a lot when i'm in a relationship). i felt kind of bad about being in a relationship where i didn't really have feelings for the other person anymore but i didn't know what to do, and i've broken up with almost all of my partners because of this issue so i felt like i was a failure for having to break up with another one.

instead of breaking up with him, i sort of tried to respond a little less, be a little less affectionate, not to an extreme amount and i was still responding to him often but i was hoping the dip in sweet responses would get him to break up with me. he didn't.

a month or two went by and i decided i needed to just bite the bullet and break up with him - i thought he would just accept it and saw me as a bad partner but apparently he didn't, and he kept trying to say we shouldn't break up. i told him i thought i was a bad partner and i knew i couldn't give him the love that he deserved (which was true, i couldn't, because i didn't love him like that) and that he deserved better (he did). i didn't want to admit that i had lost feelings and wasn't in love with him anymore, because i thought that would upset him further (i’ve seen many breakups where people admit they don’t love the other person and it always seems to make things worse). it took a while of back and forthing before he finally accepted the break up. we agreed to still be friends, but since the breakup we haven't really spoken, though we still follow each other - or at least we did for a while (you'll see why i say that)

pretty much immediately after i broke up with him, one of his best friends, we'll call them T, texted me, super pissed off that i broke up with him. i didn't really talk to T much because (while i understand why Z wanted to vent to a friend about it) it wasn't really their business why i did what i did and i wasn't concerned about defending myself to somebody i didn't even really know. however, right after yelling at me for breaking up with Z, T told me they hope i die, which while i don't really see as that dramatic or serious of a threat (and they admitted they just said it to get their anger at me out), it still hurt me a lot, since even though the break up didn't go smoothly, i can't control my feelings for Z, as again i am aromantic (spec), and it made me feel like a horrible person for something i didn't choose. (and they were specifically mad at me for breaking up with them in the first place, not for how the break up was handled). i feel like maybe if i had explained that id lost feelings they would have responded differently, but again i thought this would hurt Z worse, so i don't know if that's my fault or not.

however, we still followed each other, even after the interaction with T, and this is not the only time they lashed out at me. months after the breakup, i made a silly post like "who wants to date for fun" or something, which i didn't really think anything of, until Z vagueposted about it, seemingly getting really upset, and T sent me an anonymous message telling me to kill myself. i know for certain it was T and that the vaguepost was about me.

not only that, but even more months later, i had a really awful day because somebody stole $500 from my sister, who needed it for rent. i didn't post about the situation, but i vented about "having the worst day ever", and Z immediately posted about me, saying that he was laughing at my vent post. i was so beyond upset that i immediately unfollowed him (however, he still followed me at the time - i didnt block him just because i dont care enough tbh, i just never wanted to see him vaguepost me negatively again.)

Z and T were almost always completely kind to me (from what i can remember) before the breakup, so i'm wondering if it's all my fault or if their reaction was out of proportion. i know the way i went about the relationship sucked, so i'm honestly expecting at least a YTA if not ESH but i thought i'd send anyway just to see other peoples unbiased thoughts, since all i have is my friends opinions, who obviously only tell me that i was in the right (i dont know if i believe them).

What are these acronyms?

[hazbinhotel-bitch]

Alastor x (Name) podcast

Head cannon:

Alastor making fire segues to sponsors

(Name) both loving and hating the segues that he comes up with on the spot.

The two have a lot of banter and sometimes will have arguments live on the broadcasts.

(Name) having to convince Alastor to try and revamp his broadcast by having sponsors.

(Name) also happened to be a well known journalist before she died so she tends to be the bringing in new stories circling the rings of hell.

Alastor eventually learned to enjoy having a co-host for his live broadcasting to help the exposure of the hotel.

(Name) is a Fox Demon (Might Draw what she looks like)

(Name) is a very creative woman who also enjoys the arts of music and dance.

Unlike Alastor she is rather fond and open to many genre of music and has an appreciation of all things old and new.

They often bicker about what sponsors to take on, (Name) was newer things that are deemed more modern but Alastor surprisingly prefers things a little more outdated or a little more sustainable in nature.

(Name) passed away around 21st century, she was roughly in her early 30s when she passed after a bad lead that ended up killing her. She had always been a very cunning woman and knew how to get what she wanted and would do anything to get the information she needed for her articles.

She was a very selfish woman when it came to her career and her promotions but aside from her greed and her pride she was sent to hell due to her questionable behaviour in obtaining said information, it’s a detail she still keeps vague from those around her.

(Name) managed to come across Alastor after she saw the news interview of Charlie prompting her little hotel of redemption, the Hazbin Hotel. She originally pretended to be a sinner who was on the path to redemption, but her original motives were to write a paper giving the inside scope to twist and tarnish the silly cause, but after meeting Charlie (Name) started to rethink her motives.

Alastor as an Overlord scared her when he fought on to her snooping but eventually the two dispute coming from two different eras were able to become the unlikely of friends. (Name) still does write her papers on other subjects and publishes them anonymously until she ends up pissing off Valentino and Vox.

Above all Alastor and (Name) have a very platonic relationship but it can tiptoe around almost being romantic as they are both very protective of each other.

--------- ---------

** Alastor in this Head Cannon I am creating for this Fanfiction is that Alastor is part of the Ace spectrum in his sexuality/orientation. I am not well versed in asexuality aside from what friends have told me about their experience. Alastor in this fanfic is not someone who feels sexual attraction nor does he find any interest in romantic relationships. Not because he dislikes the idea but because he doesn't understand romantic relationship and just doesn't find romance important (this is subjective to change as the story progresses when he and (Name) start to develop a closer relationship). If I had to label his asexuality for this fanfic it would be Demisexual.

I just wanted to be clear here so I don't get anyone getting mad at me. I am aware back in 2018 the creator of Hazbin hotels said Alastor was Asexual and that at some point someone said that Alastor was Aro-Ace (Aromantic-Asexual) which is fine but for the sake of this Fanfiction he is Demisexual **

(Photo of (Name) the fox demon writer)

[yandere-isopod]

Making a new pinned post and I still have no eye for design so it is still not formatted all sexy. :(

Boring shit about myself first:

I’m Haru, (they/them) I don’t have a set theme here I just throw my impulsive thoughts out to make them everyone’s problem. I am delusional and obsessive with friends and my spouse so I post obsessive and sometimes toxic rants a lot. If you’re uncomfortable with yandere content you will be uncomfortable with this page. Everything I post about people is completely consensual. Somehow I ended up around people who are very insecure so my “I’ll kill you if you ever leave me” is usually met with blushing and a heartfelt thanks. But that’s just to say that anyone I’m talking about is fully aware of my behavior and feelings and actively encourages me being feral for some reason.

I don’t really have solid rules on asks except don’t sexualize me. You can sexualize any OCs or game characters, you can even send platonic yandere asks, I just absolutely do not want to be sexualized. Compliment me like you would a really neat piece of furniture and you wouldn’t fuck the furniture… right?

I’m making a game

And I’ll put that in big fucking letters cause I’m very excited about it. It’s called Nozomi and anything about it is tagged under that. I would describe it as a farming survival rpg. But most of the people following it are here cause they saw “yandere love interests” and are starved for content.

Nozomi is a love letter to my darling who loves yanderes so every marriageable character has the potential to be yandere. (There are also a couple platonic yanderes as well and at least one who is aromantic.) You have the power to either help them get help, or encourage their deranged behavior and enjoy the consequences of your actions.

You start the game taking over as the deity of an island that is loosely based off the town my grandma grew up in Japan. The island and its inhabitants are in a pretty bad way when you start and where you go from there depends entirely on what you want to do with it. Not just with the islanders, but with each quest there’s several ways you can complete it and things change in the world based on what you decide to do.

Nozomi is built to be diverse. There are different body types, races, disabilities, sexualities and gender identities. I’m not making this game to make money, I’m making it because I wanna make my spouse’s perfect game and I feel like I have a fun idea that a lot of people will enjoy. If you are homophobic, racist, fatphobic or transphobic: I DO NOT WANT YOU TO BUY MY GAME. You aren’t welcome here. I don’t care if there’s only one person who ever buys the game, I’m very loud about those opinions and while I can’t outright ban someone from purchasing something on Steam I can certainly make it impossible to miss my feelings on the subject.

By the end of the year (ideally by fall but definitely by December) I’ll have a steam page which I will post here, and I’ll be having people bug test it. Most of game development is when everything is “finished” so even though I’m pretty far in, I don’t expect to actually release it for another year and maybe two. A lot of it now is just writing and art but I have a much bigger team now, so I’m hoping that goes pretty quickly.

Current artists who have worked on the project are:

NaniWasabi - https://www.fiverr.com/naniwasabi/design-assets-or-sprites-for-any-digital-need

IncognitoAnkh - https://www.fiverr.com/ankhasmodeus

Piyan Apriyanto - https://www.fiverr.com/piyanapriyanto

Maia - @lacrymoria

Robin - @nepeta

Current writers who have worked on the project are:

Almond - @miodaisgay

Drops - @sleepingbirch

Beelzebutt

Drama Lama of the Alpaca Lips

I will add links and artist names as they join the project or give me their links.

[chuuyasdog]

Being aromantic and seeing people vent about not being able to get a partner and saying that life isnt worth living because of that is....weird. uncomfortable. Idk i dont like it. Makes me feel funny in a bad way. Like okay maybe i should just kill myself since i wont ever have a partner huh? Is my life worth nothing since im aromantic?

Most of the time, im okay, im happy even, with the fact im aromantic. I went through my mourning phase a couple years back when i realised. I thought i had accepted it. But then i see someone in a discord server im in say in the vent channel "oh if i dont get a girlfriend by 30 i will kill myself because i dont wanna be a sad lonely loser" and it brings all those feelings back.

And my feelings are conflicted on whether to be pissed off at the person/people venting about it, or to be upset that i will never fall in love. And it just makes me want to shout at them, scream at them, tell them what im saying in this post rn, but that would be cruel and insensitive to say to a vent post. So i say nothing.