#I took this from my Reddit post

[theredheadedace]

AU where Blake fell with Jaune in the Everafter

Weiss: I can’t believe it’s the Panther Queen and Rusted Knight

Yang: So I guess Blake’s Erotica was right, they were a couple

Panther Queen: (pinching the bridge of her nose with The Rusted Knight giggling) Oh my god

Yang: Wait a minute

Weiss: No way

Ruby: It can’t be

PQ!Blake: (taking her mask off) you girls finally made it.

Yang: oh, so you two are together, hmm. Give me a moment. (Walking outside for a moment.)

Ruby: is Yang going to be-

Yang: NOOOOOO. IT SHOULD HAVE BEEN ME, WHY UNIVERSE WHYYYYYYYY!!??!!!

RK!Jaune: Well that went better than expected

PQ!Blake: You thought she was going to kill you, didn’t you?

RK!Jaune: a little bit yeah, are you going to tell her we are open it poly or-?

PQ!Blake: In a minute

[eggsploded]

all day kagura'd up on my bachi

[tvckerwash]

watching people discover the fucked up science guy part of viktor's lore and then being like "we need to acknowledge that he's a fucked up science guy 😔" is so funny. like yeah, he is a fucked up science guy who thinks ethics committees are bullshit because in his mind having rights temporarily violated is perfectly fine if it means saving lives—especially when the ones condemning his beliefs don't offer what they consider to be an ethical alternative to fix the problem and simply let it continue to exist.

and yeah, he's a fucked up science guy who experimented on himself following a, quote: traumatic period of introspection. he had a mental breakdown, fell into a major depressive episode, and spending this horrible time of his life "alone in the depths" reinforced and radicalized his previous beliefs, and to showcase his beliefs (and to try and get rid of his emotions because of how overwhelming they were) he turned himself into a cyborg (and did in fact make himself worse in certain ways but ehh who cares /j).

and yeah, he's a fucked up science guy who gave a kid back alley anti anxiety meds so he could face down his bullies, but he did so after making him a cozy beverage, teaching him about the dangers of propaganda and baseless rumors, and having him scream into a megaphone to freak out said bullies because it was funny (not that he'd admit to finding it funny because then he'd have to admit to having emotions, and well he can't do that, no sir).

so yes, viktor is a fucked up science guy, but that's half his charm! he cares so much about helping people, but he's a weirdo and freak about it! though to be fair, in the city that also has a chemically enhanced werewolf (warwick), a sentient blob of goo (zac), a wind and water goddess (janna), and a literal war criminal who invented chemical warfare (singed), among many other wacky individuals, he's pretty normal all things considered! fucked up science is just a part of life in zaun, my dudes!

[kyouka-supremacy]

///////

[todaysromano]

07.25.2023

Today, Romano rose from the grave. He is now trying to figure out what's happening in this world.

[millyrocking]

another serious inquiry: does anyone have bret’s calgary sun column archive? ive searched and came to a reddit post about it where they posted a link to the full archive, however, it is defunct. if you have any columns or can lead me to archive itself, PLEASE let me know. i will be very appreciative 😊

[bitterseadrop-a]

also still don‘t have a bg3 verse but some lil tid bits while i‘m still in act 2

assassin rogue with a criminal background. grew up in the streets and therefore had a very high proficiency in deception, sleight of hand & charizzma

was on the mindflayer ship as well and played herself off as a stranded defendless young maiden when she met mc 😔 can become your companion but when when you decline her, she WILL find a way off that ship and hold a grudge against you :/

has an absolute blast deceiving absolute cultists, gain their trust and then ends up stabbing them in the back (literally)

believe it or not she‘s… very cautious abt using the tadpole. if you want her to use its powers, you‘ll need high approval with her and it definitely takes some coaxing

[look-at-the-stars-tonight]

All this hate for show Annabeth is getting really fucking annoying

[majorbaby]

hrm

[theredheadedace]

Tis but a scratch

Blake: Yang your arm!

Yang: Nah don’t worry Ngghh (arm regrows) I’m a starfish faunus. But now we have to worry about my severed arm regrowing into an evil version of me.

Evil Yang: Hello I’m Yin, I like a nice peaceful quiet night, not bothering my partners, and a good book to read.

Yang: Pure Evil.

[ekingston]

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

PLEASE check my later versions of this post via my main page to make sure you have the latest version of this post before you reblog. All the information I’ve been able to gather is in my reblogs below, and it's frustrating to see the old version getting passed around, sending people on wild goose chases.

Thank you all so much!

[tenok]

.

[punctuationbreakdown]

About that Scientology connection...

One of the details that came to light this week in the latest article detailing the horrific allegations against Neil Gaiman (which I believe are true, to be clear, but not the primary focus of what I'm writing about here) is the extent of his ties to the Church of Scientology. I was most engaged with Neil's work as a teenager and in my early 20s, and I didn't recall seeing mention of the connection at the time (granted, that was more than a few years ago!). I couldn't let it go after reading the Vulture article, so I started to dig a bit and found a lot of information being shared on Reddit and even further digging uncovered archived forum posts from over a decade ago by former CoS members.

There are a lot of details in this article by Mikey Crotty, who appears to be an independent comics journalist, which was published by Mike Rinder on his blog in 2023. Rinder was famously an executive in the "church" in Australia and ran SeaOrg (the elite force of CoS, essentially, and responsible for internal discipline within the broader org) before ultimately leaving the organization and speaking out as loudly as he could about the abuses he had been complicit in as a member (at great personal risk, as anyone who is familiar with the tactics used against former CoS members will know).

The piece was written as an exposé about Gaiman's novel, The Ocean at the End of the Lane, which was semi-autobiographical. Crotty discusses details about Gaiman's family, Gaiman's participation in CoS, and the coverup his father orchestrated for an apparent suicide of a student of Scientology who had immigrated to the UK and was living with the Gaimans at the time. This suicide is written into The Ocean at the End of the Lane.

Neil's father, David Gaiman, was head of worldwide communications for the Church of Scientology in the 60s, and was leading the PR spin to protect the organization from increasing legal scrutiny in the UK at the time. Around the same time, a suicide occurred while a young man, Johannes Scheepers, was living with them (the Gaiman's took in CoS students as lodgers at their home on a regular basis, apparently). The Gaiman family launched a campaign to depict him as a broken down gambler to avoid further scandal for the organization. The logic doesn't quite add up, and it's more likely that Johannes was a new adherent who had been badly taken advantage of. You can read more details in the article I linked. Crotty makes the case that not only were the Gaimans lying about the death of the student, even going so far as to claim he wasn't actually lodging with them, but that Neil then went further to spread these lies in the form of fiction decades later (we now know this book was written as a result of the prompting of Amanda Palmer, who was encouraging him to confront his childhood experiences with CoS per the article in Vulture).

The article also points out evidence of Neil's continued involvement with Scientology:

Neil Gaiman’s history with Scientology is very murky; deliberately so. His family are practically Scientology royalty in the UK, he met his first wife Mary McGrath while she was studying Scientology and lodging at Harrow House and he himself worked as a Scientology Auditor for several years in the Eighties and was a Director of a Scientologist’s property company ‘Centrepoint’ until 1999.  He now won’t discuss his own Scientology connections and states, without any details, that he’s no longer a member of the Cult that supported Apartheid up until the mid eighties, believes homosexuals are deviants and mental illness is a manifestation of personal failure in the sufferer’s current or past life; beliefs which are anathema to most of Neil’s adoring audience. His connection to Scientology and apparent departure from the cult first went public as part of a court case in 2002 where when asked “Are you still involved with the Church of Scientology?” Neil said “I don’t understand the question”, subsequently asked “Are you still a member of the Church of Scientology?” he replied “I don’t consider myself as such”. Even then his admission that he worked for the Church for 3 years is somewhat confusing: “I worked for a 3 year period after getting out of school as a ‘Counsellor’ for the Church of Scientology”; in fact he actually worked as an ‘Auditor’ in a process made famous in the award winning 2015 Documentary ‘Going Clear’ which explains how officials in the Church of Scientology keep in-depth records on everything its members say during private ‘auditing’ sessions and then use their secrets against them. Renowned Journalist and author on Scientology Tony Ortega says that Gaiman “became a Class VIII auditor, and even ran the Birmingham “org” as its ED, executive director. “. While there is no contradiction in Neil’s actual admission of working for Scientology up till the late Nineties and subsequently leaving the cult and its beliefs sometime in the early Noughties, conflicting details arise in the period since, when Neil has insisted he’s not a Scientologist. According to public records he was a shareholder in the family firm G&G Foods, which produces the vitamins used in Scientology’s highly criticized Narconon and De-Tox practices, since 2011. He transferred approximately a quarter of a million shares to Scientologist shareholders in 2013. There’s the book ‘Ocean’ also from 2013 and then there’s also his production company ‘The Blank Corporation’. ‘The Blank Corporation’ is Neil’s production company which works on all his adaptations such as ‘Sandman’, ‘Anansi Boys’, ‘Good Omens’ and the upcoming ‘Ocean at the End of the Lane’ in partnership with Netflix, Amazon, Warner Bros, the BBC and others. According to the website and any interviews, Neil founded ‘The Blank Corporation’ in 2016 with his Vice President and former P.A. Cat Mihos. According to the official Companies registration however, the company was actually set up by Neil and then wife (and still devout Scientologist) Mary McGrath in 2000. The company is still registered to a Scientologist’s P.O Box in Wisconsin, where Mary McGrath still works for the Church of Scientology. One company; two very different stories, it’s just another mystery, like what really happened to cause Johannes Scheepers to take his own life in 1968.

I want to note that based on what I've read, being a Class VIII auditor is the highest level you can go as an auditor in CoS without becoming a member of SeaOrg. Auditors are individuals who are key to the brainwashing process members of CoS undergo; they utilize the org's "technology" to identify past sins by doing intensive interrogation sessions with members. This means Neil was well trained in how to psychologically interrogate org members and held a position of relative power over them as he documented their dearest secrets for the org (primarily to blackmail them with should they ever want to leave, based on CoS records and former members' experiences).

I found forum posts where others reviewed public records that confirmed the majority of these claims, although unable to confirm the PO Box in Wisconsin. His sister, Lizzy Calcioli, is the current company director of G&G, which supplies pseudoscientific vitamin treatments to drug rehabilitation seekers that are horribly abused by Narconon (CoS does not allow actual medical intervention or medical practices in its org). According to public filings, Neil still owns shares in G&G.

There is also this interview from 2010 with the New Yorker, in which Neil claims he is no longer a member of CoS, but expresses sympathy with them:

These days, Gaiman tends to avoid questions about his faith, but says he is not a Scientologist. Like Judaism, Scientology is the religion of his family, and he feels some solidarity with them. “I will stand with groups when I feel like they’re being properly persecuted,” he told me.

It is also well known that celebrity members of CoS are encouraged/allowed to lie about their connection to it in order to support their monetary success. Because of course they're going to contribute back to the organization through that success, which it appears Neil has done.

Additionally, we know from public accounts of CoS's practices and leaked documents that once someone leaves the organization, they are not allowed to continue to associate with anyone within the cult. Isolation of former victims is one of the many tools used against them. The fact that Neil maintained a marriage for decades to an active member who still works for CoS, as well as relationships with his family members who are leaders in CoS, indicates he is either still on the books as a member or is contributing to CoS in order to avoid alienation from his family. Any sympathy a desire to remain connected with his family might conjure is misguided in my opinion, because we know that he's likely profiting off of shares in a company that takes advantage of and contributes to the traumatization of vulnerable patients as a CoS affiliated business.

Had I known Neil Gaiman was so closely connected to the "church" sooner (one degree away from L. Ron Hubbard himself as a child!), I would not have supported his work in the way that I did in the past. And I think he knew that a significant portion of his audience would respond the same way, which is why he obfuscated and downplayed those connections.

His alleged ongoing involvement also changes the way I perceive his actions - Deception and manipulation is, by former member's accounts, standard procedure for leaders within Scientology. It should come as no surprise that he will continue to deny any evidence, attempt to blame his victims, and lie lie lie to avoid potential consequences. It is, after all, the example he was given and trained in as an active participant in a destructive cult that he has never publicly disavowed and that he appears to continue to support.

I think this information should be taken into account as former (hopefully) fans react to his responses to these accusations. I wish for peace for the victims who are now speaking out, and I hope they are able to reach the resolution they deserve.

[notmeowse]

That AMA marks the end of Dragon Age.

In my opinion.

I'll start by saying that I have played all 3 of the previous games repeatedly, I've loved the series for 15 years, more than half my life. These games inspired me to become a writer and they've shaped a lot of my tastes and interests in shows and writing -- to say they were formative is kind of an understatement. Don't want to go on and on about how much I loved them, that's not the point here.

I didn't care for Veilguard for pretty much all of the reasons people have already discussed at length on Reddit and Tumblr. The writing is comprehensively bad, the romances are easily the worst Bioware has written by pure virtue of having the most cookie-cutter pacing and shallow characterization I've seen across their games, the lore has been shafted in every direction, and the nuanced storytelling and roleplay I came to expect from the series has been taken out back and shot in the head.

All, apparently, in the name of a "clean slate". It seems to me that, rather than familiarizing himself with the existing lore of the game he took the creative reins on, Epler clearly had a vision for Dragon Age (or perhaps a different IP entirely) in his head that he decided to transplant into the game (and possibly Trick? But they've said so little beyond defending their work that I can hardly theorize what direction they were coming from). That being a sanitized, wildly self-contradicting, morally absolute shitshow focused on distancing itself from the previous games as much as possible. Now, I know it's unrealistic to blame one person entirely, and I don't blame him entirely. Corinne was there. Trick was there.

But if it wasn't already evident from the numerous interviews Epler's given on the game as well as his participation in the Q&A's (while the actual lead writer of the game has been completely absent in not just the marketing, but in most fan-related interaction pre and post-launch outside of BSKY), this AMA seems to have confirmed, more than anything else, that Epler doesn't understand the game nor does he understand its audience. Neither does Corinne Busche, who despite being Game Director for only the last two years of development, has been answering lore questions a) like she has any fucking clue and b) like she thinks Dragon Age is a cozy-gamer IP, meant to appeal to people that want uplifting stories with uncontroversial characters, morally upright heroes, and unquestionably evil villains.

So as of today's AMA, I think I've finally had enough. We're just outright retconning the lore in Reddit AMA's now, I guess. Among other things. I'll provide a few examples, just so we're all on the same page.

This was part of Epler's response to why Solas didn't have his cult following in the game (insert "We Kind of Forgot" meme here):

Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf.

The fact that this (the not caring bit) directly contradicts the writing in the actual game is absolutely INSANE to me, moreso than the lack of Solas's spy network (which he apparently carried with him for 10 years only to conveniently drop right before the ritual? Because he clearly had them research Rook?). But in regards to the not caring -- here's a line from Solas's memory of killing Mythal in Veilguard, which. I'll get to Mythal in a minute:

Why should I not tear down the Veil, and bring back immortality to all the elven people? They deserve it!

Which is it? Does Solas care about the people he's saving (the venn diagram of people he's saving vs. the people following him is surely a circle, i.e. elves) or not? Does he even care about the spirits trapped behind the Veil anymore or is it just convenient to abandon them and have him only care about elves, now? What happened to saving The People? What happened to him not identifying as an elf in his conversations with a Dalish Inquisitor? And what the absolute fuck happened to him wanting to bring back the magical marvels (that the ancient elves did in fact achieve) that were greater than anything we see in Thedas today? Here's what Epler has to say about elven magic, now:

I do agree that the elves have had their place in the sun at this point. [...] The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep [...] Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right.

First of all, Tevinter has been stated in previous games to have clumsily adapted ancient elven magic for their own, but they did adapt it. To the point where even Solas is surprised that Corypheus achieved effective immortality -- by binding himself to a dragon the same way the Evanuris did. So, cool, more contradicting the lore here. "They understood it at a very surface level" you mean when all of the magic of the Fade wasn't locked behind the Veil? You mean when magic flowed freely through the world? What do you mean, Surface Fucking Level? The entire point of the Dalish elf culture is what they lost; this wasn't the ancient elves thinking the sun revolved around the earth, the Veil was their fucking Library of Alexandria burning. Oh my god. I still cannot believe he said this.

And how have the elves had their day in the sun? I'm sorry, was Arlathan not given to... the Veil Jumpers? Instead of the Dalish? What happened to all the Dalish clans in the south, who had no infrastructure when the world was apparently blighted to hell? I guess they're just gone now! They've had their day! The story of the Dalish and the Evanuris is over (also confirmed in this AMA), and it apparently ends with the final snuff of the candle that is their culture. Congratulations, Chantry, you've won! Only took two genocides and a double blight, but we're done with the Dalish now! We get your mind-numbingly superficial factions instead!

What happened to Mythal, by the way? What happened to "She was betrayed as I was betrayed, as the world was betrayed! Mythal clawed and crawled her way through the ages to me, and I will see her avenged!" What happened to the reckoning that will shake the very heavens? John's answer to this:

People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now.

Oh, right, okay. So she was pissed for like a thousand years, got her big speech about the impending "reckoning" out 10 years ago, and then she just chilled out because the last 3 heroes were neat people. What a fucking joke. And yes, here is the confirmation that the Evanuris story is over --

The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

So I guess Mythal's reckoning is never coming. One of the most fascinating characters in the series, shrouded in mystery for those first 3 games, PROMISING US a blaze of glory, only to fizzle out in this one. Again, and I can't emphasize this enough, for Epler's clean fucking slate. And we've not just tied up her story, but also the Veil and the Blight:

When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure.

So the Veil is permanently fixed now because our half-dead Dread Wolf bound himself to it (a decision I still don't understand) and that somehow fixed every single hole ever poked in it. Fully repaired. No more holes, no more "Veil is thin here" because tons of people died in the same spot, nope, we're washing our hands and leaving it (and the spirits) behind us because we've wrapped up both the series-long Veil storyline and the blight storyline in a big red bow.

And Epler tells us Solas not only bound himself to the Veil but fixed it entirely in one fell swoop, no ritual required, just a little slice to the hand. Again, all in the name of a clean slate, so any future installments or media centered around Thedas can turn away from this story.

Then there's this. What we can expect from future installments, I freaking guess. The aforementioned roleplay getting taken out back and shot:

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Literally confirmed that they chose companions moving freely about the cabin over ... interacting with them outside the handful of cutscenes we got. Who in their right mind would think this was a good call in a Dragon Age game? A series that quite literally prides itself on complex character interactions and storytelling? So they could... sit in different places? Are you kidding me?

They don't see an issue with the game's reception. They don't have any interest in addressing or responding to criticism. They're either happy with their choices or EA's got a gun pointed at their heads, I'm honestly not sure anymore. I used to believe the latter was true, but looking at both Epler's and Busche's responses today, I'm inclined to believe the former.

So I think that's it for the series. Not that I thought it was going to get another game after this, but on the absolute off chance it did, what would be the point? The best stories were ruined. Anything left they have to tell is going to read a lot like Veilguard -- superficial, morally absolute, flagrantly disrespectful to the lore, and delivered in a very poorly written package.

[poppyseed799]

Just remembered I technically have a Reddit account, cuz one time someone posted an art I made onto r/fnafcringe and I got a lot of hate for it, so I felt the need to make a throwaway account to defend myself cuz I was like 14 or something. idk if anyone responded to whatever I said cuz I never touched the account again after posting my response. I don’t remember the username or password.

[micer2012]

a reflection on MatPat's plagiarism

Hello, my name is Della, or micer2012, and 2 years ago Game Theory plagiarized three Tumblr posts of mine, making a video that now holds almost 6 million views.

My posts explaining his plagiarism made their rounds on Reddit, Tumblr and Twitter, but despite the Hermits and Pooka commenting on it (generally in support of me or saying they don’t know enough details about the situation to say either way), MatPat and his team have never owned up to anything, and no mention of my name is present on the video. The one Reddit post they made denying it (which was made before my detailed takedown, which they have never responded to (though the mods on the r/GameTheorists Reddit were kind and made sure it stayed up)) didn’t even mention me by name, just referring to me as “a tumblr user”. (Though one of the screenshotted comments in the body of the post does say my name)

This experience was baffling, but it’s overall had a positive impact on my life. r/Hermitcraft gave me a Golden Apple Award (post of the year, 2021). My inbox was filled with excited fans, wanting to ask me questions or pose their own theories, far more than the hate I got. (Though the hate I got from Game Theory fans was VERY funny. I wondered why none of them gave me shit about saying “MatPat misgendered Evil Xisuma” before realizing none of them read that far into the post.)

And getting on a more personal, and much more important note, I met most of my current online friends through this, including my partner. It helped me grow closer with my irl friends as well and gave me an entertaining story that I tell whenever I have the chance. It was one of the first things in my life that really made me feel like my talents, my autistic hyperfocusing and analyzing of things I love, could be valuable. Useful. Exploitable. It blew my mind that MatPat thought an autistic kid’s ramblings about a Minecraft Youtube joke character were good enough to steal. To put an audible sponsorship on. To get 6 million views off of.

And that’s why I’m writing this post, this update years later. As you might’ve been able to guess, Hbomberguy’s Youtube video on plagiarism reopened this wound. It was really hard for me to sit through, it took days of pausing and taking breaks, because I had experienced everything he was talking about firsthand. 

In my 10 page long takedown post, I wrote about how his rewording of my sentences made him say things that were incorrect, just like Filip did. The content farm production style that made big companies like Cinemassacre take one creator (AVGN/MatPat) and turn him and his content into a brand, a voice that reads out scripts by other people with other opinions/theories, is a history shared with Game Theory. What really hit me was Harris talking about how big creators only do this to people they think they can get away with doing it to. How they view their victims as lesser, as not deserving of their words, repackaging them as their own to give to an audience that can gain from hearing them, but deserves better than to have to listen to the original victim.

That’s the thing, I 100% think a video version of my theory to expose to a bigger community than “Evil Xisuma Fans on Tumblr” is a great idea!! Near the end of the video Harris talks about how video adaptations of things could be a great market, even an accessibility tool, and I completely feel that about my posts. I wrote them quickly assuming the reader was someone well versed on Evil Xisuma lore, after not even watching most of the CarnEvil series, and the diagrams I made to explain them are even less comprehensible. Harris makes a joke that I completely agree with, 

“I’m sure some of my videos would do very well if someone translated them into English.”

I don’t think I would’ve ever made my posts if I didn’t have autism, and a special fixation on Evil Xisuma and Hermitcraft. I made them because I felt the character was being done an injustice, and because I wanted to share with other superfans this theory that might explain it away. I do think that MatPat plagiarizing me was ableist. I used to wonder a lot if this would’ve happened if my posts were articulated better, if they had been peer reviewed, if the posts themselves had been spread to a wider audience before MatPat made his video. At one point when the discourse was fresh (before I had the time to write out my 10 page rebuttal), a bigger YouTuber (100k subs at the time) messaged me and started talking on Discord, interested in possibly making a video on the discourse, but I think my style of typing and general enthusiasm drove him away. You can tell by a single look at my blog (or my original 3 posts!) that I don’t usually type like this. This post you’re reading now has been peer reviewed and edited, and took me hours to format correctly. That video could’ve been huge, the entire outcome of this MatPat situation would probably be much different.

I also used to stress a lot about “being the one who ruined Evil Xisuma’s story”. If you didn’t know, to me S8 Evil Xisuma’s story got wrapped up pretty quickly and unsatisfying (in my personal autistic opinion). (though this might’ve been due to s8 being experimental and ending early with moon big) There was no real culmination of the plot points and arcs going on, and I don’t want to blame myself, but when Xisuma said on stream (when the MatPat thing was first going on) that he didn’t want to focus on the discourse or draw more attention to it, it makes a lot of sense to me that he just wanted to wrap it all up as quickly as possible. For a while I beat myself up about it, of ruining the story of this character I love, but it’s not my fault. If anyone’s, it’s MatPats, but I don’t think it’s useful to just blame someone else. That’s how the story ended up going, and that’s fine. This is Evil Xisuma we’re talking about, their inconsistent lore is what made them such an interesting character. And notably, Pooka made an animation with an awesome culmination of Jeff, the Dreamer, Evil Xisuma, and his own sona’s story, and it makes me so happy to watch. Whatever Pooka does is of course his own choice, but I’m glad he got to give this personal story his own ending (if it is an ending, and not just the start of a new chapter!). 

Typing this all out and getting it off my chest has made me feel a lot better. For a while I wanted to make my OWN video essay about Evil Xisuma’s lore and CarnEvil’s lore, actually going episode by episode to explain it instead of just assuming you knew as much about Evil Xisuma as I did. That idea is still not off the table, but MCYT isn’t something I’m that into right now. Maybe if something else comes out about Evil Xisuma I’ll get back on it, but for now I’m fine with letting that go. But I want to make other videos, share other theories and analysis… if I have the freetime I’d love to make YouTube videos, and if I don’t have the time I’ll continue posting to my tumblr and infodumping to my friends. Apparently my infodumping is valuable enough “content” to steal! Writing this out has made me feel a lot better though, I’m really glad I got it out.

If anyone ever wants to talk to me about the things I’m obsessed with, or reach out to me as a source in a bigger discussion about Game Theory or other channels, my inbox is more than welcome :] Thank you for reading! 

Sincerely, a tumblr user.