#I think you keep it at 4 players

[heytherecentaurs]

Hear me out: a D20 Musical Side Quest with Zach Reino, Jess Mckenna, Ross Bryant, and Rashawn Nadine Scott

[meli-mouse]

say cheese!

[caligvlasaqvarivm]

Okay challenge mode. You are a therapist and Eridan Ampora from Homestuck has just walked right out of his intro page into your office. How do you fix him?

put him and karkat in a room with a pile of stuff and tell them they can't leave until they've jumped into it and talked about their feelings

[hassianlovebot]

about reth's hairstyle, it's not locs guys alhdg it's a somewhat fantasy-esque hairstyle where his straight hair is long but twisted back and tied to keep it in place. we don't see it in the official art, but his in game model has multiple hair ties throughout the length of the pieces to keep his hair in that style. this hairstyle is doable in real life if you use that many ties

obviously these models don't show every single strand of hair but the official art backs up the fact that it's straight (note the individual strands that are loose)

you can see here that it's straight hair just twisted into individual pieces. you can also see in both the model and art that the end of his hair goes straight down and has clear separated strands. it wouldn't do this if his hair was locd (you'll notice that sifuu and hassian have blunt, round ends to their locs)

his in game model does have some pieces that don't have any ties so it's possible that those are locs but honestly, i doubt it. i'm gonna go out on a limb and say it has more to do with the hair being in the back and not needing as much detail. or the devs didn't want clipping issues since the back pieces are grouped so close together and his ties come up quite a bit. either way, his hair is most likely straight and just in weird ponytails basically. and if it is meant to be locs, then they're modeled badly aldhg especially in comparison to hassian and sifuu

[in-fair-verona-we-set-our-scene]

From the moment Gale said that the Crown of Karsus could allow someone to ascend as a god, I was like... does that mean it could also kill a god? Maybe? Maybe even three gods? 👉👈😳

And I really wish there was a dialogue option where I could at least put the idea out there.

[blujayonthewing]

a fundamental problem with me is that I do like people and I like being around other people and I like hanging out with my friends but I also almost exclusively like doing completely solo activities, which isn't, you know, how anyone expects or wants socializing to work

[jaggedwolf]

I have never met a game whose story is fighting its open world concept as hard as Red Dead Redemption 2 does.

I've reached Chapter 6, and so far the main story of the game is the gang drawing too much attention to their crimes, getting into an epic shootout, and then having to shift camps, towns, even states, because they're wanted men.

It's 1899. The Wild West is dying, the strength of federal and state governments and their collaboration with Pinkertons is growing, an outlaw can't simply shift to the next town over with a different name. We're losing people, the law is closing in on us, everyone is feeling desperate. It is literally the story of our protagonist losing his old way of life and his world getting smaller and smaller.

But like. His world isn't actually any smaller.

How am I supposed to take Arthur saying "I'm a wanted man in two states :(" seriously when I have the whole map at my disposal, with any of the bounties I get (including ones from main story missions!) easily paid off at the local post office.

This is way worse than when open worlds make it seem like the protagonist is fucking around while the world is on fire! At least then it is merely that the open world is orthogonal to the main story, and some games even throw in a token reason to go running around (see: closing portals in Dragon Age: Inquisition). But here the open world actively fights against the deliberate claustrophobia and panic that the main story is trying to induce in us, which is the worst interplay of open world and main plot I've seen.

[loveletterworm]

I do not pay attention to the current state of fnaf lore honestly anything after literally just like the fourth game is completely alien to me. But I do think it's extremely funny that I'm pretty sure there is still literally still no conclusion on the bite of 87. It was like one of the big mysteries in the first game and it's still completely unaddressed. The time it seemed like it was Finally Revealed and markiplier said the funny meme about it was actually a different year for some reason. There's so much nonsense in those games now in that entire franchise even that it's not even worth bothering to comprehend it any mystique once there is gone to make room for incomprehensible over-explanations for everything EXCEPT that. It's kind of beautiful. It's really stupid.

[the-physicality]

I’m going to make an armchair diagnosis: ever since worlds, kristin o’neill was moved to line 1 and onto pp1, the team has struggled to score on even strength. To the extent that kori has manufactured a player advantage by pulling the goalie. The solution to me is obvious: you need to put o’neill back as center line 2 but keep her on pp1 and put like murphy or some other right winger up top.

[hasarjunadoneanythingwrong]

Day 655

Unlike the mod of this blog arjuna finishes things in a concise fashion, so he’s done well today

[eyepatchdate]

i want a game like jade empire again

[itsalwaysdark]

no sims 5 . guys im gonna

[setaflow]

If you're wondering why I haven't posted any thoughts about the Rangers' offseason moves, it's because you're probably not gonna like what I'm gonna say about it lol.

[hassianlovebot]

i wish there was more of an in-game reason to talk to npcs after you complete lvl 4 friendship/romance with them. i know there's the weekly wants but,, i don't know about other players but for me that's really not enough as there's no real incentive to do it once the relationship levels are full. it's like, yeah i can do it but also like, i don't have to. it's not a need.

i guess for some players it might be nicer/calmer that there's no pressure to keep talking to npcs? but for me, i just think it'd be nice to have an in-game reason to keep talking to them. as it stands now, the only reason i do talk to npcs is cause i want to, not because i need to.

[saymio]

In Ho headcanons | (NSFW)

Pairing: Hwang In-ho (player 001/the front man) x Fem!reader

Genre: headcanons, smut

Warning: dead dove do not eat, manipulation, dub/noncon, age gap, might be more but im too lazy to write it down

A/N: not proof read. thanos story in the works rn!! I have writers block so to help a little I'm making some hcs 4 this baddie (prob ooc)

hwang inho, the man that protected you from Thanos and his stupid friend during the first day of the games. he shoo'ed them away. stopping their harassment and took you with him with the rest of the group

hwang inho, the man that gives you his milk. reassuring you every time that its okay for you to have it, and it'll help you get stronger.

hwang inho, the man that checks up on you throughout the night. standing over you to make sure you're getting your nights rests. making sure no creeps try touching your delicate skin.

hwang inho, the man that lets touches linger a little longer than they should, whether its on your hands, thighs, waist..his touches feel more than platonic

hwang inho, the man that tells the guards to make sure you stay safe, to kill a player that hasn't broken the rules if they had to. anything to make sure you stay safe.

hwang inho, the man that would excuse himself to the bathroom just to touch himself to the thought of you. whether its your calm voice or plush hands that feel so soft and delicate...he just couldn't help it.

hwang inho, the man that squeezes your thighs when no ones looking...and when you express discomfort he used his past generosity as an excuse for it.

hwang inho, the man that will kiss you in the middle of the night with no warning. telling you to be quiet and take the kiss because if it were any other man it would've been worse.

hwang inho, the man that will find the perfect timing to sneak away from everyone else with you. he'll make you strip for him in the bathroom. savoring every inch of your body before he sends you away, leaving him in there alone to masturbate.

hwang inho, the man that wont let you sleep. he'll grope and squeeze your thighs, tits and ass. feeling you up while you hold in tears.

hwang inho, the man that reminds you this is your fault when you cry to him during a bathroom strip session. expressing how uncomfortable this makes you and how you don't want it anymore.

hwang inho, the man that will tell you nothing in the world is free. and your body will be the payment he receives for being so generous with you.

hwang inho, the man that gets hard thinking about your age gap. how youre only 19 and he's in his 40's..he loves it.

hwang inho, the man that slips his fingers inside of you when the lights are off, fingering you aggressively. reminding you once again that it'd be so much worse if he wasn't such a nice man.

hwang inho, the man that captures you during the raid against the guards. forcing you to stare into the eyes of your past friends as he kills them.

hwang inho, the man that keeps you as his pet after the games end. reminding you you're lucky because he spoils you with money.

hwang inho, the man that doesn't let you socialize with anyone after he's gotten his grip on you.

Another not: this one is pretty short compared to my last fic, this was to just try n get me out of writers block. expect a Thanos fic to pop up tmr. sorry if this sucked/was ooc, I tried my best T T~~

[mareestoermers]

i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are — or when we decide one is “worse” than the other. they all have moments of seeing right through it, seeing each other’s toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.

1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like “okay, let’s leave”, and has this little smirk on his face because he knows patrick won’t give up on tashi.

2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a “home-wrecker” but still entangles herself with them, especially patrick because he’s clearly the better tennis player at that point and that is tash’s ONLY true love. tennis. that’s what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails — tashi’s injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.

3. before this, patrick sees right through art trying to break them up, and even admires that quality — maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the “tick-serve” scene, where he even swears to tashi he won’t tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too — even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).

4. haven’t you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this — he even admits that he’s playing for tashi, that he knows she’s living through him. he even admits he’s playing a fucked up little game with patrick when they’re in the sauna. yet he still does it. again, he knows what’s happening, sees right through them — still does it, still loves them.

5. when tashi calls patrick to come pick her up he knows it’s not just to tell him to throw the match — and despite how she battles him about it, they still have sex in the car, because he already knows. he’s so fully aware of her and her game and he’s so willing to be caught up in it, the same as art.

just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because they’re all fucked up in their own, individual ways, and they’re all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks he’s lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game — he’s so defensive of arts feelings.

in short this is an actual love triangle (and i would go as far as to see it as a polyship). you can’t erase one without the whole thing unraveling, and you can’t say one character was the “worst” without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.

even at the end, patrick signals to art that he slept with tashi — art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys — in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.

in a fucked up way, they all get what they wanted out of each other.