#I think that's all the spoiler tags

[dbphantom]

Garp when that one kid he was asked to take care of is being executed in front of him

Garp when some kid he just thought was neat is in danger

[sabertoothwalrus]

let's get ✨vulnerable✨

[soularsss]

the dirt under your fingernails

[egophiliac]

don't think I'm not still obsessing over 7-12

[eydilily]

would you bite the hand that feeds you?

[humming-fly]

He was feeling left out

and the higher rez stills, since gifs always export as if you're sending messages through a metal can~

[hinamie]

in spite of everything, I had fun <3

[anotherlikeyou]

Ah shit, here we go again

[chrisrin]

all my behind-the-scenes concept work and such for the HGCZ! i had a blast working on it all.

check out my finished piece here, and check out @hotguycomiczine for the full zine!

[gerrykeay]

im not putting this post into words. beams into your mind The Parallels

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[iwasbored777]

They asked Lee Majdoub what he thinks of Stobotnik vs what Stone thinks of it and this man chose violence omg the more I read the more painful it gets

[oddthesungod]

calling 911 on sam riegel for emotional damage 😭😭😭😭

[tealvenetianmask]

Blitz is going to be the death of me.

Right before the crystal, when he thinks that Stolas is really breaking up with him, he straight up begs.

"Stolas, please, I need this book. Please."

Uh huh the book . . .

"I need this book, Stolas. I will do anything.

Looking down (maybe telling himself, "I knew this was coming eventually") and then looking up, trying not to cry.

Despite . . . his everything here, I'm pretty scared that half the audience will think this is really about the book, and I'm not ready for the bad takes yet.

[consultingfujoshi]

THE THING IS THE THING IS. is that irving and helly get each other!!! they're both fucking suicidal and that sounds ridiculous but that's exactly why irv did that! he knows helly would rather die than be used as a pawn in lumon's game and he knows that because HE FEELS THE SAME WAY! ever since the start of this season when he tried to kill himself because he saw more meaning in choosing death than continuing to serve a regime that took everything from him. for both of them at one point or another dying has been their only means of fighting back. and irv knows this. he knows what he's doing is probably going to be the last thing he ever does, and he does it anyway because helly would never forgive him if he let her be used like that. and up until his last moment his conviction never wavers. he would die just to prove they don't own him. he would die just to prove they don't own helly. or any of them. he would die to give helly another chance to fight back. I can only hope she does not squander that chance he gave his life for

[egophiliac]

you know, I've been thinking about it, and there is actually one single scenario in which I would be okay with not getting a big ol' "Silver Vanrouge" out of Lilia.

(just kidding, I still need some "call me Silver, Mr. Vanrouge is my father" in my life, please don't let me down on this one Twst)

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.